Podcasts about flecker

The complete audiobook is available for purchase at Audible.com: voicesoftoday.net/fma Flecker's Magic By Norman H. Matson Narrated by Graham Scott Praised by E M Forster in his essay series Aspects of the Novel, Flecker's Magic is a fantasy in which imaginative American Spike Flecker, an aspiring young painter enduring a life of poverty in Paris while he learns his craft, meets a girl in a café who tells him that she is a witch. The girl gives him a ring, which will grant him one wish. But faced with the omnipotent power of the wish, how is the young man to decide just exactly for what he should wish??

Immer wieder werden die positiven Aspekte einer Arbeitszeitverkürzung betont. Sie könnte etwa die psychische Gesundheit verbessern, weil Arbeitskräfte entlastet würden, und vielleicht sogar zu mehr Gleichberechtigung zwischen Männern und Frauen führen, weil dadurch die Care-Arbeit fairer aufgeteilt würde. Für die einen scheint eine 30-Stunden-Woche die optimale Lösung für verschiedenste Probleme, andere lehnen sie dagegen vehement ab. Der Arbeitskräftemangel würde stark steigen, die Wirtschaftsleistung hingegen sinken, geben Ökonominnen und Ökonomen immer wieder zu bedenken. Über all diese möglichen Auswirkungen sprechen wir heute mit Jörg Flecker. Er ist Soziologe an der Universität Wien und beschäftigt sich seit vielen Jahren mit dem Thema. **Hat Ihnen dieser Podcast gefallen?** Mit einem STANDARD-Abonnement können Sie unsere Arbeit unterstützen und mithelfen, Journalismus mit Haltung auch in Zukunft sicherzustellen. Alle Infos und Angebote gibt es hier: [abo.derstandard.at](https://abo.derstandard.at/?ref=Podcast&utm_source=derstandard&utm_medium=podcast&utm_campaign=podcast&utm_content=podcast)

This month, Money on the Left is joined by Thomas Schwab who, as mayor of Gramatneusiedl in Lower Austria, oversees a promising Job Guarantee pilot program. Seeking to eliminate long-term unemployment, the program guarantees public jobs to anyone in the community who seeks them. In our conversation, we explore the philosophy and structure of Gramatneusiedl's municipal employment service. We also discuss a key inspiration for the program: a Depression-era study of the effects of unemployment conducted in the same region as Gramatneusiedl. Titled “Die Arbeitslosen von Marienthal” (or, “The Unemployed of Marienthal”), the report detailed the deleterious effects of systemic unemployment in wake of a severe economic downturn and soon became an early classic of European sociology. Decades later, Schwab wrote a master's thesis about the report, aiming to revive its findings in defense of public employment today. The Gramatneusiedl program is presently being studied by Jörg Flecker, a sociologist at the University of Vienna, as well as Lukas Lehner and Maximilian Kasy, economists at Oxford. The pilot is set to expire in 2024. Thereafter, however, Schwab and his allies anticipate leveraging current academic studies to renew and potentially scale up Gramatneusiedl's public employment program. Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com

Her mit kürzeren Arbeitswochen! Beim Thema Arbeitszeitverkürzung reagieren viele Unternehmen reflexartig mit Ablehnung. Andere wiederum setzen bereits auf das Konzept „Weniger arbeiten, gleiches Einkommen, mehr vom Leben“. Die Industriellenvereinigung hingegen verlangt, dass wir mehr arbeiten sollen. Wir denken vor, welche Vorteile Arbeitszeitverkürzung bietet, warum wir sie noch nicht flächendeckend haben und wieso sie sich langfristig doch durchsetzen wird. Gäste dieser Folge: Martin Müller, ÖGB-Arbeitsrechtsexperte Johannes Gärtner, Geschäftsführer der Firma Ximes Shownotes: Zitat von KTM und IV-OÖ Chef Stefan Pierer: https://brutkasten.com/ktm-chef-stefan-pierer-mehr-leistung-statt-4-tage-woche/ Best-of: „So geht Arbeitszeitverkürzung“: https://bit.ly/3BRtfOC „Eine Arbeitszeitverkürzung noch länger aufzuschieben, können wir uns nicht leisten.“ Soziologe Jörg Flecker erklärt warum: https://bit.ly/3qRnmux Arbeitsklima Index der Arbeiterkammer bestätigt Wunsch nach Arbeitszeitverkürzung: https://bit.ly/3Lrtraq Geschichte der Arbeitszeitverkürzung: https://bit.ly/3BrXSZz Buch-Tipp: Arbeitszeit: Rahmenbedingungen – Ambivalenzen – Perspektiven: https://bit.ly/3dqz4Js Ximes: https://www.ximes.com/ https://www.facebook.com/oegb.at/ https://twitter.com/oegb_at       https://www.instagram.com/oegb.at/       https://www.tiktok.com/@oegb.at https://www.oegb.at/      Signation Voice: Anna Michalski

The complete audiobook is available for purchase at Audible.com: voicesoftoday.net/bof The Bridge of Fire By James Elroy Flecker Narrated by Denis Daly The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections, 36 poems (1910), and 42 Poems (1911). Flecker's verses are usually short and his diction is direct and economical. The longest poem is this collection is the title piece, which contains a little over 800 words. In 1913 Flecker prepared a tighter version of the poem which runs to about 700 words. Both versions have been included in this recording. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of any early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

The complete audiobook is available for purchase at Audible.com: voicesoftoday.net/fleck Selected Poems By James Elroy Flecker Narrated by Denis Daly James Elroy Flecker, linguist, scholar, critic, poet and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young : Owen and Brooke in the line of battle, Flecker, who never fought due to a long standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. It appears that he had no desire to create poetic epics like Childe Harold's Pilgrimage, Endymion or the Faerie Queene. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving a simplicity and directness which is peculiarly his own.

The complete audiobook is available for purchase at Audible.com: https://voicesoftoday.net/aen The Descent to Hell From the Aeneid - Book 6 Translated by James Elroy Flecker Narrated by Denis Daly Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913 he planned to write a book to be entitled "An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces." Flecker described the intention onf the book as follows: "The book is simply an attempt to do a translation of Virgil as satisfactory as Fitzgerald's 'Omar' — a translation which will utterly eclipse the very numerous and very feeble attempts hitherto existing." The surviving translation consists of lines 1-19 and 264-547 from Book Six, which describe Aeneas' encounter with the Sibyl and his visit to the underworld.

The Last Generation By James Elroy Flecker Read by Phil Benson This futuristic novella by poet James Elroy Flecker (1884 - 1915) sketches out a familiar scenario: due to technological and social developments. mankind no longer has the need to work. The resulting lack of direction and urgency in daily life is a prelude to the demise of civilization. This recording was first published by Librivox on 22nd July 2014 as part of a collection of Flecker's prose works: https://archive.org/details/collected_prose_1407_librivox

Gary breaks down Nebraska's handling of eight consecutive games, and Josh devises a trick play for Minnesota.

Johannes Coloma-Flecker helps leaders compose change and grow by uncovering and developing their innate musicality. He earned a Ph.D. degree in economic sciences at the University of Graz, Austria, and he is a summa cum laude graduate from Berklee College of Music in Boston. After a career in leadership development in Switzerland and India, he launched Sound Leadership in the US. His past clients include Boston Consulting Group, Fidelity, and Johnson & Johnson, and he speaks about leadership and musicality for organizations such as the Swiss Economic Forum, IE Brown Executive MBA, and Babson Executive Education. He is the author of a book on brand development with music, and he has received awards from the American Marketing Association and the Austrian Academy of Sciences. A member of Marshall Goldsmith 100 Coaches, his work has been labeled as “astonishing that Johannes continues to find new uses for sound” by the BostInno Innovation Magazine, and the Berklee Institute for Creative Entrepreneurship describes his approach as “Johannes embodies what's possible when you apply music thinking in a new way.” He is married and lives in New York City. Connect with us!   WEBSITES: Speaking: https://www.cbbowman.com/ Coaching Association: https://www.acec-association.org/ Workplace Equity & Equality: https://www.wee-consulting.org/ Institute/ Certification: https://www.meeco-institute.org/   SOCIAL MEDIA: LinkedIn: https://www.linkedin.com/in/cbbowman/ Twitter: https://twitter.com/execcoaches Facebook: https://www.facebook.com/CB.BowmanMBA/ YouTube: https://www.youtube.com/results?searc...

Many of us can be too hard on ourselves. We judge ourselves negatively and incorrectly. We overwork, and accept stress as much as we can to keep up with our daily tasks and responsibilities. But being mindful of our wellbeing is unquestionably a fair and beneficial approach to self-love. A genuine act of kindness to ourselves allows us to be more confident and happy.We are humans - we all make mistakes, big and small. We succeed at things and fail at things. Each individual loses something, experiences pain, and struggles. We are all on the same path but it’s up to us either to push ourselves or to recharge our mind, soul, and body first before facing the challenges of life.This episode talks about self-compassion, its importance, and significance in the present time. We are joined by Suzanne Flecker and Victoria Brattini as they remind us to practice self-compassion, understand the three universal triggers of compassion, and a quick one-minute exercise to help us to bring our hearts and our minds into the present moment.Even in the world of medicine, medical practitioners sometimes forget the importance of giving time to themselves. We should remember that our body needs maintenance as well. Just like gadgets, plants, or animals, we have to remind ourselves, our hearts, minds, and souls that we need nurturing, kindness, and rest. Download your own Plum Village App today.Memorable Quotes:Suffering is a part of life. - Victoria Brattini I remind myself that everyone is on his or her life journey and it allows me to give myself compassion for that pain, and also send compassion to that other person without losing myself in it. - Victoria Brattini We should remind ourselves that we’re not alone, and we're part of common humanity that other people are having these experiences too. - Suzanne FleckerWhat I like about mindful self-compassion is it's teaching us practices that we can use. - Suzanne FleckerAbout the Guest:Suzanne Flecker, Ph.D. is a retired Somatic-Psychologist and educator. Her background has included organizing teams of diverse bodyworkers that provided pro-bono services to nurses for Nurse's Week as well as a special weekly program for Medical Professionals at Kaiser Permanente Medical Center in South San Francisco for 18 months. Suzanne continues to lead workshops and create visual and auditory practice aids such as Self-Sanity, a cognitive behavior card set. Reach Suzanne here.Victoria Brattini is the founder of Laguna Meditation in Laguna Beach, CA, and a senior teacher for the Center for Mindful Self-Compassion. She has studied with Kristin Neff, Ph.D., and Christopher Germer, Ph.D. pioneers, and leaders in the field of self-compassion research and training. Victoria is passionate about teaching, inspiring, and mentoring people in self-compassion. For more information about Victoria visit her website. here.About the Host:Dr. Jette is a Clinical Professor of Medicine at Stanford University and the President & CEO of ABCs for Global Health. Click here for her full profile or read her full interview here.Click here for the FULL TRANSCRIPT. See acast.com/privacy for privacy and opt-out information.

The complete audiobook is available for purchase at Audible.com: https://adbl.co/3d9Xq5Z Poems by Wilfred Owen With an Introduction by Siegfried Sassoon Narrated by Denis Daly English literature suffered severely from from the terrible loss of life during the First World War. Among those who suffered untimely death in this period were three significant poets: Wilfred Owen, Rupert Brooke and James Elroy Flecker (although Flecker was not a casualty of war.) The fame of Owen and Brooke centres largely on their war-focused verse. While Brooke presents war as something of a thrilling, if dangerous "Boys Own" adventure - somewhat in the vein of the adventure novels of John Buchan - Owen's view is based on the gritty and soul-destroying reality of the trenches. Owen's output of finished work was very small: this collection of twenty-three poems contains most of the verse for which he is known today. Few poets have captured more effectively the tragic dichotomy of war, where, for many, survival can be a fate worse than death. The opening poem, "Strange Meeting" describes a posthumous encounter between a soldier and an enemy combatant who he has killed on the previous day. The penultimate poem, "Disabled," is the private lament of a crippled veteran as he helplessly surveys the daily lives of people unscarred by war.

Dr. Johannes Coloma-Flecker: "Now that we have more lockdown's inspiration is very difficult. So music actual connects us with other humans. To create something together decreases stress levels from rising".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

My guest today is my new friend Dr. Johannes Coloma-Flecker We were introduced to each other through our common friend Kevin Perlmutter. Johannes is a leading voice in music thinking for personal and professional growth. An award-winning musician, music researcher, And an executive coach member of the prestigious community of Marshall Goldsmith 100 Coaches He holds a doctoral degree in business, and graduated from Berklee College of Music in music production and songwritingFor his work, he has received awards from the American Marketing Association, the Austrian Academy for Sciences, and the Austrian Ministry of Science and Education. He is the author of the book “The influence of music on brand personality”, and the co-author of books and articles about effective management.Born and raised in Austria, Johannes has lived and worked in Switzerland, India, and Spain. He is married and he lives and works in New York City. Today, he is the founder of Sound Leadership helping Leaders and Teams Grow with a Creative Mindset. He creates music for leaders and their teams to help them strengthen and develop their culture levels of engagements and team communication.In this episode, Dr.Johannes Coloma-Flecker and I discuss the ins and outs of the influence of music on brand personality and effective management through music.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50) #3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17) #3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23) #3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-Flecker Executive coach and founder www.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: ""What Are You Doing the Rest of Your Life?" is a song with lyrics written by Alan Bergman and Marilyn Bergman...".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: "My research question was, "How does music fit if we link music to specific parts of brand personality?Would this fit help us perceive the brands better than we would do without the music?".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: "Research shows that music reduces stress. Not a big surprise, but it actually reduces the cortisol levels in our brain that are responsible for stress. Also, something that we should not underestimate it helps us with our agility".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma with original lyrics by Jacques Prévert in French".Born and raised in Austria, Johannes has lived and worked in Switzerland, India, and Spain. He is married and he lives and works in New York City. Today, he is the founder of Sound Leadership helping Leaders and Teams Grow with a Creative Mindset. He creates music for leaders and their teams to help them strengthen and develop their culture levels of engagements and team communication.In this episode, Dr.Johannes Coloma-Flecker and I discuss the ins and outs of the influence of music on brand personality and effective management through music.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: "This universal language has that feeling to it. Music allows us to connect directly. We don't need to translate it. We don't need to wait for it. We immediately feel it and this is something so powerful that few others medium have".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: "So depending on what we want to say, we can enhance it with minor with major keys, with happy with sad tunes. With slow or high pitch etc. to make it more memorable".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: "Mastercard is a great example of how they have created a holistic audio identity. So each time you pay with Mastercard you hear their Sound DNA".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: "These are the images that we have in our mind because of our cultural upbringing, some of them are universal and some of them are country specific. This will always be an important part of what music we choose".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Dr. Johannes Coloma-Flecker: "Connecting to our teams in a deeper way is lacking. So when I wrote songs and when I went to Berkeley, I thought wait a minute songwriting is such a powerful tool to express our feelings and our stories in a team".Listen to the entire podcast or vlog: The Power of Audio + Science + AI with Jasmine Moradi (www.jasminemoradi.com, Spotify, Apple Music & Google Play) Episode 3: Sound Leadership - How to grow brands, leaders and teams with the power of music creation.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Carina Altreiter UMKÄMPFTE SOLIDARITÄTEN Spaltungslinien in der Gegenwartsgesellschaft Wähler rechtspopulistischer Parteien wünschen sich mehr Solidarität  für „die unsrigen Leute“, Sebastian Kurz wiederum spricht von „neuer  Gerechtigkeit“, die „die Leistungsträger“ entlastet. Sozialistische  Gerechtigkeitskonzepte gehen von einer Solidarität der „einfachen Leute“  gegen „die da oben“ aus. Tatsächlich sind in unserer Gesellschaft verschiedene  „Solidaritätstypen“ auszumachen, die verschiedenen Gerechtigkeitsnormen  folgen. Jede dieser Solidaritätstypen hat ihre eigenen Vorstellungen von  Moralität. Ein Sozialforscher*innen-Team hat in zahlreichen langen Interviews mit  den verschiedensten Bürgerinnen und Bürgern diese konkurrierenden  Gerechtigkeitsnormen aufgespürt. Die Resultate zeigen auch, dass sie durchaus auch versöhnt werden können  – die heute so gängige Polarisierungsdiagnose ist insofern auch etwas  übertrieben. Carina Altreiter stellt die Studie vor, die sie mit ihren  Kolleg*innen Jörg Flecker, Ulrike Papouschek, Saskja Schindler und  Annika Schönauer erstellt hat. Moderation: Robert Misik, Autor und Journalist Carina Altreiter, geboren 1985 in Linz, Soziologin, ist wissenschaftliche Mitarbeiterin an  der Abteilung für Soziologie und Empirische Sozialforschung an der  Wirtschaftsuniversität Wien.

A dedicated and innovative senior executive and entrepreneur with an accomplished career spanning more than 25 years of founder, general executive and financial management experience across several industries including software (SaaS), higher education, services and digital media. After graduating cum laude from the University of Notre Dame, Mike began working at BDO, where he became a licensed CPA. From there, he joined one of his clients as a 25-year-old CFO, providing structure and helping accelerate growth at a business that was sold to a publicly-traded, strategic buyer. Mike then furthered his education by earning an MBA from The Wharton School, during which he not only interned at a top venture capital firm, performing work on its highly-successful IPO, but also co-founded an internet startup. Mike then joined Fortune 50 company AOL Time Warner, where he led or participated in many successful deals across all media divisions. After proving his capabilities, he was asked to move to London to help advance the recently launched AOL operations in Europe. With his entrepreneurial instincts eventually taking over, Mike left AOLTW to co-found B&H Education, which grew from $0 to more than $145M in revenue in becoming the second largest national chain of schools offering vocational programs in the fields of beauty and wellness. He and his partners sold that company in a highly-successful transaction for its investors. He continued to lead the newly formed, recapitalized company with his partners post-sale. During his time at B&H Education, Mike co-founded Vocado, a SaaS provider focused on student financial aid analytics, which was sold through a highly-favorable transaction to Oracle Corporation. He currently serves as the CFO of FranConnect, the market leader in franchise management software. Mike is also active in his community with numerous organizations and initiatives. He and his wife reside in Clifton, Virginia with their three children.

Im Rahmen der Semesterfrage "Wie werden wir morgen arbeiten" steht der Soziologe Jörg Flecker im...

Im Rahmen der Semesterfrage "Wie werden wir morgen arbeiten" steht der Soziologe Jörg Flecker im...

Eine beherzt kämpfende Austria siegte in Unterzahl 4:2 gegen Hartberg. Michael Madl köpfte die Hausherren vor der Pause in Führung, eine gelb-rote Karte gegen Igor brachte Hartberg eine personelle Überlegenheit. Trotz der Gegentore von Flecker und Rasswalder sorgten Treffer von Alex Grünwald, Uroš Matić und Alon Turgeman für einen hart erkämpften violetten Sieg. Nach dem Spiel standen die beiden Trainer Thomas Letsch und Markus Schopp den Medienvertretern Rede und Antwort

Wie verändert sich die Arbeit? Und können wir diese Veränderung gestalten? Jörg Flecker ist Soziologe. Er erforscht an der Universität Wien die sozialen Umstände, die mit Arbeit verbunden sind. Im Gespräch lernen wir kennen, welche Themen relevant sind - und warum das Ganze immer auch politisch ist.

JE Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Opportunity by James Elroy Flecker (1884 – 1915) From Machiavelli "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast spent much time in talk with me Busied with thoughts and fancies vainly grand, Nor hast remarked, O fool, neither dost see How lightly I have fled beneath thy hand." First aired: 25 July 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2007

JE Flecker read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to the poetry of the past. --------------------------------------------- To a Poet a Thousand Years Hence by James Elroy Flecker (1884 – 1915) I who am dead a thousand years, And wrote this sweet archaic song, Send you my words for messengers The way I shall not pass along. I care not if you bridge the seas, Or ride secure the cruel sky, Or build consummate palaces Of metal or of masonry. But have you wine and music still, And statues and a bright-eyed love, And foolish thoughts of good and ill, And prayers to them who sit above? How shall we conquer? Like a wind That falls at eve our fancies blow, And old Moeonides the blind Said it three thousand years ago. O friend unseen, unborn, unknown, Student of our sweet English tongue, Read out my words at night, alone: I was a poet, I was young. Since I can never see your face, And never shake you by the hand, I send my soul through time and space To greet you. You will understand. First aired: 30 July 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2007

JE Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Opportunity by James Elroy Flecker (1884 – 1915) From Machiavelli "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast spent much time in talk with me Busied with thoughts and fancies vainly grand, Nor hast remarked, O fool, neither dost see How lightly I have fled beneath thy hand." First aired: 25 July 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

JE Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Gravis Dulcis Immutabilis by James Elroy Flecker (1884 – 1915) Come, let me kiss your wistful face Where Sorrow curves her bow of pain, And live sweet days and bitter days With you, or wanting you again. I dread your perishable gold: Come near me now; the years are few. Alas, when you and I are old I shall not want to look at you: And yet come in. I shall not dare To gaze upon your countenance, But I shall huddle in my chair, Turn to the fire my fireless glance, And listen, while that slow and grave Immutable sweet voice of yours Rises and falls, as falls a wave In summer on forgotten shores. First aired: 9 April 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

R Herrick read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- The Old Ships by James Elroy Flecker (1884 - 1915) I have seen old ships like swans asleep Beyond the village which men call Tyre, With leaden age o'ercargoed, dipping deep For Famagusta and the hidden sun That rings black Cyprus with a lake of fire; And all those ships were certainly so old Who knows how oft with squat and noisy gun, Questing brown slaves or Syrian oranges, The pirate Genoese Hell-raked them till they rolled Blood, water, fruit and corpses up the hold. But now through friendly seas they softly run, Painted the mid-sea blue or shore-sea green, Still patterned with the vine and grapes in gold. But I have seen, Pointing her shapely shadows from the dawn And image tumbed on a rose-swept bay, A drowsy ship of some yet older day; And, wonder's breath indrawn, Thought I - who knows - who knows - but in that same (Fished up beyond Ææa, patched up new - Stern painted brighter blue -) That talkative, bald-headed seaman came (Twelve patient comrades sweating at the oar) From Troy's doom-crimson shore, And with great lies about his wooden horse Set the crew laughing, and forgot his course. It was so old a ship - who knows, who knows? - And yet so beautiful, I watched in vain To see the mast burst open with a rose, And the whole deck put on its leaves again. First aired: 21 March 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

JE Flecker read by Classic Poetry Aloud: Giving voice to the poetry of the past. www.classicpoetryaloud.com -------------------------------------------- Oxford Canal by James Elroy Flecker (1884 – 1915) When you have wearied of the valiant spires of this County Town, Of its wide white streets and glistening museums, and black monastic walls, Of its red motors and lumbering trains, and self-sufficient people, I will take you walking with me to a place you have not seen — Half town and half country—the land of the Canal. It is dearer to me than the antique town: I love it more than the rounded hills: Straightest, sublimest of rivers is the long Canal. I have observed great storms and trembled: I have wept for fear of the dark. But nothing makes me so afraid as the clear water of this idle canal on a summer's noon. Do you see the great telegraph poles down in the water, how every wire is distinct? If a body fell into the canal it would rest entangled in those wires for ever, between earth and air. For the water is as deep as the stars are high. One day I was thinking how if a man fell from that lofty pole He would rush through the water toward me till his image was scattered by his splash, When suddenly a train rushed by: the brazen dome of the engine flashed: the long white carriages roared; The sun veiled himself for a moment, and the signals loomed in fog; A savage woman screamed at me from a barge: little children began to cry; The untidy landscape rose to life: a sawmill started; A cart rattled down to the wharf, and workmen clanged over the iron footbridge; A beautiful old man nodded from the first story window of a square red house, And a pretty girl came out to hang up clothes in a small delightful garden. O strange motion in the suburb of a county town: slow regular movement of the dance of death! Men and not phantoms are these that move in light. Forgotten they live, and forgotten die. First aired: January 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

JE Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Sentimentalist by James Elroy Flecker (1884 – 1915) There lies a photograph of you Deep in a box of broken things. This was the face I loved and knew Five years ago, when life had wings; Five years ago, when through a town Of bright and soft and shadowy bowers We walked and talked and trailed our gown Regardless of the cinctured hours. The precepts that we held I kept; Proudly my ways with you I went: We lived our dreams while others slept, And did not shrink from sentiment. Now I go East and you stay West And when between us Europe lies I shall forget what I loved best Away from lips and hands and eyes. But we were Gods then: we were they Who laughed at fools, believed in friends, And drank to all that golden day Before us, which this poem ends. First aired: 22 August 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

Flecker read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to the poetry of the past. --------------------------------------------------- To a Poet a Thousand Years Hence by James Elroy Flecker I who am dead a thousand years, And wrote this sweet archaic song, Send you my words for messengers The way I shall not pass along. I care not if you bridge the seas, Or ride secure the cruel sky, Or build consummate palaces Of metal or of masonry. But have you wine and music still, And statues and a bright-eyed love, And foolish thoughts of good and ill, And prayers to them who sit above? How shall we conquer? Like a wind That falls at eve our fancies blow, And old Moeonides the blind Said it three thousand years ago. O friend unseen, unborn, unknown, Student of our sweet English tongue, Read out my words at night, alone: I was a poet, I was young. Since I can never see your face, And never shake you by the hand, I send my soul through time and space To greet you. You will understand. First aired: 30 July 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Opportunity by James Elroy Flecker (1884 – 1915) From Machiavelli "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast spent much time in talk with me Busied with thoughts and fancies vainly grand, Nor hast remarked, O fool, neither dost see How lightly I have fled beneath thy hand."

Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Gravis Dulcis Immutabilis by James Elroy Flecker (1884 – 1915) Come, let me kiss your wistful face Where Sorrow curves her bow of pain, And live sweet days and bitter days With you, or wanting you again. I dread your perishable gold: Come near me now; the years are few. Alas, when you and I are old I shall not want to look at you: And yet come in. I shall not dare To gaze upon your countenance, But I shall huddle in my chair, Turn to the fire my fireless glance, And listen, while that slow and grave Immutable sweet voice of yours Rises and falls, as falls a wave In summer on forgotten shores.

Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Old Ships by James Elroy Flecker (1884 - 1915) I have seen old ships like swans asleep Beyond the village which men call Tyre, With leaden age o'ercargoed, dipping deep For Famagusta and the hidden sun That rings black Cyprus with a lake of fire; And all those ships were certainly so old Who knows how oft with squat and noisy gun, Questing brown slaves or Syrian oranges, The pirate Genoese Hell-raked them till they rolled Blood, water, fruit and corpses up the hold. But now through friendly seas they softly run, Painted the mid-sea blue or shore-sea green, Still patterned with the vine and grapes in gold. But I have seen, Pointing her shapely shadows from the dawn And image tumbed on a rose-swept bay, A drowsy ship of some yet older day; And, wonder's breath indrawn, Thought I - who knows - who knows - but in that same (Fished up beyond Ææa, patched up new - Stern painted brighter blue -) That talkative, bald-headed seaman came (Twelve patient comrades sweating at the oar) From Troy's doom-crimson shore, And with great lies about his wooden horse Set the crew laughing, and forgot his course. It was so old a ship - who knows, who knows? - And yet so beautiful, I watched in vain To see the mast burst open with a rose, And the whole deck put on its leaves again.

Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Oxford Canal by James Elroy Flecker (1884 – 1915) When you have wearied of the valiant spires of this County Town, Of its wide white streets and glistening museums, and black monastic walls, Of its red motors and lumbering trains, and self-sufficient people, I will take you walking with me to a place you have not seen — Half town and half country—the land of the Canal. It is dearer to me than the antique town: I love it more than the rounded hills: Straightest, sublimest of rivers is the long Canal. I have observed great storms and trembled: I have wept for fear of the dark. But nothing makes me so afraid as the clear water of this idle canal on a summer's noon. Do you see the great telegraph poles down in the water, how every wire is distinct? If a body fell into the canal it would rest entangled in those wires for ever, between earth and air. For the water is as deep as the stars are high. One day I was thinking how if a man fell from that lofty pole He would rush through the water toward me till his image was scattered by his splash, When suddenly a train rushed by: the brazen dome of the engine flashed: the long white carriages roared; The sun veiled himself for a moment, and the signals loomed in fog; A savage woman screamed at me from a barge: little children began to cry; The untidy landscape rose to life: a sawmill started; A cart rattled down to the wharf, and workmen clanged over the iron footbridge; A beautiful old man nodded from the first story window of a square red house, And a pretty girl came out to hang up clothes in a small delightful garden. O strange motion in the suburb of a county town: slow regular movement of the dance of death! Men and not phantoms are these that move in light. Forgotten they live, and forgotten die.

Flecker read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- To a Poet a Thousand Years Hence by James Elroy Flecker I who am dead a thousand years, And wrote this sweet archaic song, Send you my words for messengers The way I shall not pass along. I care not if you bridge the seas, Or ride secure the cruel sky, Or build consummate palaces Of metal or of masonry. But have you wine and music still, And statues and a bright-eyed love, And foolish thoughts of good and ill, And prayers to them who sit above? How shall we conquer? Like a wind That falls at eve our fancies blow, And old Moeonides the blind Said it three thousand years ago. O friend unseen, unborn, unknown, Student of our sweet English tongue, Read out my words at night, alone: I was a poet, I was young. Since I can never see your face, And never shake you by the hand, I send my soul through time and space To greet you. You will understand.