Podcasts about Joseph Kosma

Welcome to Season 04 Episode 06 - the "Barren Trees" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Prof. Don Marrazzo, Hillman Opera producer; Mr. Garnet Rogers, singer-songwriter and author. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps (Approximate) 02:27 - Prof. Don Marrazzo/Cosi Fan Tutte 19:54 - Mr. Garnet Rogers (Part 1) 36:00 - Arts Calendar 39:30 - Mr. Garnet Rogers (Part 2) Media "Autumn Leaves", music by Joseph Kosma, lyrics by Jaques Prevért ("Les Feullies Mortes"); English lyrics by Johnny Mercer, 1945; performed by Eva Cassidy, recorded live at the Blues Alley jazz supper club, Washington DC, Jan. 3, 1996. "Prenderò quel brunettino" ("I'll take the brunette one"), from Cosi Fan Tutte, W.A. Mozart, composer (1790); Glyndebourne Opera House, 2006. "Summer Lightning", written and performed by Garnet Rogers, from the album Summer Lightning, Snow Goose Records, 1996 Overture from Cosi Fan Tutte, W.A. Mozart, composer; performed by Sinfonia Rotterdam, Conrad van Alphen, conductor, Sept. 26, 2015 Next Turn of the Wheel, written and performed by Garnet Rogers, from the album Sparrow's Wing, Snowgoose Records, 1999 Artist Links Prof. Don Marrazzo Mr. Garnet Rogers Box Office at SUNY Fredonia BECOME AN OPERA HOUSE MEMBER!      

Deze uitzending biedt een Ave Maria, de Pacificatie van Gent-Suite, Autumn Leaves on Guitar en een 3-delige Sonate voor Klarinet en Pianoforte. En dit bonte muziekaanbod vloeide uit de pen van Riccardo Cocciante, Peter Benoit, Joseph Kosma en Felix Mendelssohn, in een muzikale mélange van, in volgorde: 20° eeuwse, laat-romantische, salonachtige en vroeg-romantische 19° eeuwse […]

Podcast Jazztime 652 – 05.11.24 Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE- Anspiel ist diesmal: „Autumn Leaves“ – der „Herbst-Klassiker“ 1945 komponiert von Joseph Kosma. Folgende Titel sind zu hören: 1. Autumn Nocturne – Art Farmer 4:59 2. Autumn in New York – Billie Holiday & Oscar Peterson 3:56 3. No more Blues – Samara Joy 5:46 4. ‘Tis Autumn – Joe Pass & Jimmy Rowles 4:55 5. Autumn Leaves – Ruth Hohmann 4:29 6. Half the fun (Lately) – Duke Ellington & Orchestra 4:19 7. Walkin' – Quincy Jones 10:30 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

durée : 00:05:17 - C'est une chanson - par : Frédéric Pommier - Jusqu'au 27 octobre, elle est à l'affiche du Petit Montparnasse à Paris dans "Aïe", pièce écrite et mise en scène par Attica Guedj. Au micro de Frédéric Pommier, Isabelle de Botton évoque "Je suis comme je suis", une chanson de Jacques Prévert et Joseph Kosma enregistrée par Juliette Gréco en 1951.

This week, Patrick and Eliana discuss Marcel Carné's 1945 film Les Enfants du Paradis (Children of Paradise), which appeared in the 2011 Cannes Classics section. Filmed during the Nazi Occupation of France and released as the first film following its liberation, the film has continued to charm audiences in France and abroad with its gorgeous set design, iconic actors, and wit-infused characters, a result of the core collaboration between set designer Alexandre Trauner, screenwriter Jacques Prevert, and composer Joseph Kosma.Spectatorship and performance are at the heart of this farcical and bittersweet film, where four men vie for the radiant yet fugacious Garance as she flits between them, and they amongst themselves on the grand Boulevard du ‘Crime.' It is a film about action and re-action, the verbal and the non-verbal, in a city too small for undying dreams.Resources:Affron, Mirella Jona. "Les Enfants Du Paradis: Play of Genres." Cinema Journal, vol. 18, no. 1, 1978, pp. JSTOR.Ebert, Roger. “Children of Paradise.” RogerEbert.com,Forbes, Jill. Les Enfants Du Paradis, British Film Institute, 1997.Mancini, Marc. "Prevert: Poetry in Motion Pictures." Film Comment, vol. 17, no. 6, 1981, pp. 34-37. JSTOR.Nye, Edward. Deburau. Pierrot, Mime, and Culture, Routledge, 2022.Picherit, Hervé. “A Strange Child of Paradise: The Artistry of Arletty's “Self” in Les enfants du paradis.” Camera Obscura, Vol. 32, No. 1, Duke University Press, 2017.Reid, Tina. “Marcel Carné on Children of Paradise: Forty-Five Years Later” The Criterion Collection, 20 Sept. 2012,Sadoul, Georges. "The Postwar French Cinema."Hollywood Quarterly, vol. 4, no. 3, 1950, pp. JSTOR.Sellier Geneviève. « Les Enfants du paradis dans le cinéma de l'Occupation.” 1895, revue d'histoire du cinéma, n° 22, 1997, pp. 55-66.Turk, Edward Baron. Child of Paradise. Marcel Carné and the Golden Age of French Cinema, Harvard University Press, 1989.Sound:EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Excerpt

Después de LA MARSELLESA, himno nacional de Francia, la canción más conocida de aquel País es LAS HOJAS MUERTAS DE 1945, con letra del poeta JAQUES PREVERT y música de JOSEPH KOSMA. Su historia está muy ligada a la cultura europea tras la segunda guerra mundial. Se han hecho versiones con todo tipo de música, a veces con el título de HOJAS DE OTOÑO. Historia, versiones, curiosidades, referencias musicales y literarias sobre esta canción será el contenido de nuestro programa esta semana.

durée : 02:05:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Marie Kosma-Merlin - Avec Jean-Louis Barrault, Henri Dutilleux, Michel Philippot, Raymond Queneau, Jacques Gaucheron et Louis Erlo - Réalisation Bernard Latour

Welcome to Season 03 Episode 06 - the "Sausage Stuffing" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include Ms. Ashley Giaccio and Ms. Alexa Adler, who are the playwright and director respectively of the Walter Gloor Mainstage production of Mason Wright is Not a Mother; Dr. Vernon Huff, Director of Choral Activities at SUNY Fredonia on the upcoming holiday choral concert; and Mr. Jefferson Westwood, Director of the Rockefeller Arts Center, discussing his holiday offerings for the season.  Special note: if you cannot afford the price of a ticket for either of the two Rockefeller Art center presentations, please call the Campus Box Office at 716-673-3501 and mention the Dallas K. Beal foundation. You will be offered a free ticket for that event! Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps: Ashley Giaccio/Alexa Adler Mason Wright  02:13 Vernon Huff Holiday Choral Concert  23:04 Arts Calendar 37:54 Jefferson Westwood Frosty/Christmas Pops 39:56 Media: Bread and Gravy, performed by Martha Davis, Hoagy Carmichael, composer, feb. 1947 See Dat Babe, African American spiritual, arranged by Stacey Gibbs, performed by the Jamaica Youth Chorale, 2021 Autumn Leaves, composed by Joseph Kosma 1945, performed by Vince Guaraldi, from the album The Definitive Vince Guaraldi, 1958 Carol of the Bells, Ukrainian Christmas carol, written by Mykola Leontovych, 1919; English adaptation by Peter J. Wilhousky, 1936; performed by River City Brass, Nov. 22, 2021 Joh F. Kennedy's Inaugural Address, January 20, 1961, recorded by CBS News Abraham, Martin, and John, written by Dick Holler 1968; performed by Dion, August 1968. September Song, composed by Kurt Weil, lyrics by Maxwell Anderson, Sept. 1938; recorded by Dizzy Gillespie, from the album Dizzy Gillespie's Big Four, September 1975 Artist Links: Alexa Adler/Ashley Giaccio Dr. Vernon Huff Mr. Jefferson Westwood      

Of all the tunes we do, none is more evocative than “Autumn Leaves.”Joseph Kosma's post World War II composition quickly became a jazz standard in America from the 1950s right up to today. “Autumn Leaves” actually is the tale of two torch songs,” music journalist Bill DeMain notes. “The original, written in French as “Les Feuilles Mortes” (meaning, “Dead Leaves”), was a dark lament of lost love and regret. “The translated version,” DeMain says, “ touched on the same theme, but in a gentler, more wistful way.”Poetic BirthIt started as a poem written in 1945 by screenwriter and Left Bank intellectual Jacques Prévert as part of the script for a ballet called Le Rendezvous. Two years later, when director Marcel Carné made a film of the ballet, Kosma entered our story, setting the Prévert verse to music. “Maybe because the words weren't conceived in song form,” says DeMain, “it took on a slightly unwieldy structure. Kosma interpreted it as 24 bars of introductory verse containing two distinct moods and melodies, followed by a 16-bar refrain (half the length of a traditional Tin Pan Alley song).”Carné's film was a flop, but the song had a life of its own. The movie's lead actor, a popular young singer named Yves Montand, made it his.But it was French chanteuse Juliette Greco — the perpetually black-clad “Little Miss Existentialist”— made perhaps the most memorable French version.In 1950, when the song was translated into English with Johnny Mercer lyrics, only a small part of the original opening verse survived (and is rarely sung today). “Mostly,” notes DeMain, “it became about featuring the catchy, spiraling 16-bar refrain. … In effect, this was a completely different song from the rambling elegy Prévert and Kosma had created. While the original was about an all-consuming passion, this was more about a fleeting attachment. More nostalgic than angst-ridden, more bittersweet than bitter.”Coming to AmericaFive years later, Nat “King” Cole took it to No. 1 on the hit parade, making it a nightclub standard for everyone from Frank Sinatra to Tony Bennett and Eartha Kitt.In 2012, jazz historian Philippe Baudoin called the song "the most important non-American standard." "It has been recorded about 1,400 times by mainstream and modern jazz musicians alone,” Baudoin said, “and is the eighth most-recorded tune by jazzmen.”Notable versions have been recorded by Miles Davis, Stan Getz, Chet Baker and Erroll Garner, by Ahmad Jamal, Duke Ellington and Cannonball Adderly, by John Coltrane, Chick Corea and Stanley Jordan.Our Take on the TuneThis song has those marvelous Mercer lyrics, as Floodster Emerita Michelle Hoge demonstrates whenever she's in the room. But when she's not here to sing it, the song also is an extraordinary vehicle as an instrumental. Here from last week's rehearsal, Danny Cox lays down that lovely melody, then his old friend and our guest for the evening — Bob Murnahan, in town for a visit from his Colorado home — takes a couple of choruses to mine gold in all those cool chords. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

durée : 00:32:15 - Les Nuits de France Culture - par : Albane Penaranda - Le cinéaste Paul Grimault raconte le destin chaotique, en deux temps, de la création du film d'animation "Le Roi et l'Oiseau" sorti en 1980, après une première sortie en 1953 sous le titre "La Bergère et le Ramoneur". Un entretien réalisé en 1985 au micro de Jean-Pierre Pagliano, Dans cet entretien, diffusé pour la première le 5 septembre 1985, Paul Grimault raconte comment il lui fallut trente ans pour finaliser le long-métrage d'animation Le Roi et l'Oiseau, accueilli triomphalement par le public et la critique. Les créateurs durent se battre contre le marché du cinéma et le mépris des investisseurs. Après une première version qui ne les satisfaisait pas, intitulée La Bergère et le Ramoneur, c'est enfin Le Roi et l'Oiseau qui sort dans les salles en 1980. Cette fable poétique et philosophique, avec des dialogues de Jacques Prévert et la musique de Joseph Kosma, possède la profondeur et l'originalité qui en font une ouvre culte. Ce film d'animation aura ouvert la voie à d'autres projets ambitieux en France et dans le monde. "Le Roi et l'Oiseau", un film que Grimault mit trente ans à terminer En 1976, Paul Grimault réussit à reprendre le scénario de La Bergère et le Ramoneur d'après un conte d'Andersen, pour l'étoffer. Il explique le changement de titre : "Il y a deux personnages qui ont pris plus d'importance par rapport au conte d'Andersen, ce sont le roi et l'oiseau." S'y ajoute également "le Palais qui n'est pas un accessoire, qui est aussi un élément, un acteur aussi, parce que ce Palais représente le côté fou, égoïste, possessif du roi." Par Jean-Pierre Pagliano Entretiens avec Paul Grimault - La Bergère et le Ramoneur (1ère diffusion : 05/09/1985) Indexation web : Véronique Vecten, Documentation de Radio France Archive Ina-Radio France Retrouvez l'ensemble du programme d'archives "Le cinéma d'animation, de l'ombre à la lumière" proposé par Mathias Le Gargasson.

durée : 00:40:00 - Les Nuits de France Culture - par : Albane Penaranda - Par Louis Mollion - Réalisation Albert Riera

Rock'n'roll Attitude vous emmène en balade sur les sentiers tortueux de l'automne ! Les mois d'automne sont des mois de transition difficile, on se laisse happer par la mélancolie des souvenirs de l'été, l'humeur est nostalgique, on est entre l'abondance estivale et la disette de l'hiver, et ça s'exprime en musique. Tom Waits et sa voix caverneuse. Un ovni de l'histoire du rock qui sort “November” en 1993 sur album “The Black Rider”. Dans le texte, Waits nous emmène dans un novembre très sombre, un novembre typique de son univers, un peu comme un Arno en version américaine. ''Autumn Almanac'' des Kinks en 1967, Ray Davies s'inspire d'un certain Charlie, qui vient s'occuper de son jardin à l'époque où il écrit ce titre, un almanach de jardinier, qui décrit chaque événement de cette saison. ''Les feuilles mortes'' en 1950, Yves Montand interprète ce chef-d'œuvre dont les paroles sont signées Jacques Prévert et la musique Joseph Kosma. Gainsbourg chante “La chanson de Prévert” en 1961. Mais ces feuilles mortes vont aussi beaucoup inspirer nos rockeurs, le texte de Prévert étant adapté en anglais par l'américain Johnny Mercer. Eric Clapton enregistre une très belle version de cet “Autumn Leaves” en 2010. Seal en 2017. Iggy Pop, l'iguane, va aussi y aller de sa reprise pour son album “Préliminaires” avec une version en français, oui, il fallait oser, on est loin de la période Stooges. Il y a ce titre à l'histoire touchante, signé Pink Floyd ''Autumn 68'' paru en 2014, sur le tout dernier album studio du groupe ''The Endless River'', hommage au claviériste, Rick Wright, disparu en 2008. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock.

Wenn der Herbst beginnt, dann fallen die Blätter. Oder poetischer ausgedrückt, sie sterben. Aus einem Gedicht von Jacques Prévert machte Joseph Kosma 1945 einen Song, der in englischer Version über die Jahre zum Jazz Standard wurde. Gerald Travnicek über die Geschichte des Songs.

En aquest nou cap

"Autumn Leaves" Duke Ellington: Ellington Indigos (Blue Note, 1958) / The Complete Ellington Indigos (PWR, 2018) Clark Terry, Willie Cook, Cat Anderson, Harold “Shorty” Baker, Ray Nance, Quentin Jackson, John Sanders, Britt Woodman, Jimmy Hamilton, Russell Procope, Johnny Hodges, Rick Henderson, Paul Gonsalves, Harry Carney, Duke Ellington, Jimmy Woode, Sam Woodyard, Jimmy Grissom, Ozzie Bailey. El tema es una composición de Johnny Mercer, Jacques Prévert, Joseph Kosma. Tomajazz: © Pachi Tapiz, 2022 ¿Conocías la historia del tema "Autumn Leaves" de Ellington Indigos? Lorenzo Juan Llabrés nos la cuenta... en https://www.tomajazz.com/web/?p=61101 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… Más podcast sobre Duke Ellington en Tomajazz https://www.tomajazz.com/web/?s=duke+ellington+podcast&submit=Search Web oficial de Duke Ellington http://www.dukeellington.com/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

"Autumn Leaves" Duke Ellington: Ellington Indigos (Blue Note, 1958) / The Complete Ellington Indigos (PWR, 2018) Clark Terry, Willie Cook, Cat Anderson, Harold “Shorty” Baker, Ray Nance, Quentin Jackson, John Sanders, Britt Woodman, Jimmy Hamilton, Russell Procope, Johnny Hodges, Rick Henderson, Paul Gonsalves, Harry Carney, Duke Ellington, Jimmy Woode, Sam Woodyard, Jimmy Grissom, Ozzie Bailey. El tema es una composición de Johnny Mercer, Jacques Prévert, Joseph Kosma. Tomajazz: © Pachi Tapiz, 2022 ¿Conocías la historia del tema "Autumn Leaves" de Ellington Indigos? Lorenzo Juan Llabrés nos la cuenta... en https://www.tomajazz.com/web/?p=61101 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… Más podcast sobre Duke Ellington en Tomajazz https://www.tomajazz.com/web/?s=duke+ellington+podcast&submit=Search Web oficial de Duke Ellington http://www.dukeellington.com/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Les premières amitiés, le plus souvent, on les fait enfant. Elles ne tiendront pas toujours dans le temps, mais nos premières expériences de complicité en dehors du cercle familial, on les fait souvent à l'école, voire dès la maternelle. Même si on s'en rappelle pas toujours bien, en général, une fois atteint l'âge adulte Alors, vu que pour moi, c'est un peu loin tout ça, je suis allé faire un reportage au plus proche de mon sujet en allant interviewer une aventurière de l'amitié enfantine. Une exploratrice du copinage sur les bancs de l'école, bref, quelqu'un à chaud dans l'expérience : Charlotte, dix ans. Alors je vous vois venir "Mais comment, tu as une amie de dix ans ?" Eh oui, croyez le ou pas, mais il se trouve que Chachou (qui est aussi ma filleule), est aussi une amie pour moi. Parce qu'on peut être amis avec des beaucoup plus jeunes que soi. Et pourquoi pas ? Après tout, on avait déjà abordé l'amitié transgénérationnelle avec David (épisode 2 "Fort de mes morts), qui montrait qu'on pouvait très bien avoir des relations fortes avec des gens avec qui on avait une différence d'âge de plus de trente ans. Alors pourquoi ne pas parler d'amitié avec des enfants, quand on est un grand ? Faut il avoir la même expérience de la vie, pour pouvoir se prétendre l'ami de quelqu'un ? Pas forcément, selon Charlotte, pour qui l'amitié, c'est surtout pouvoir tout se dire. CREDITS : Cet épisode a été enregistré à Bruxelles, Altitude 100, dans le beau royaume de Belgique. Le mixage a été fait par @Thurofly Le thème musical est de Thurofly et Noochi La chanson "La petite Charlotte" est de Henri Dès (à ne pas confondre avec le morceau éponyme de Elmer Food Beat) L'extrait chanté "En sortant de l'Ecole" est tiré d'une poésie de Jacques Prévert, air composé par Joseph Kosma (1946). --- Send in a voice message: https://podcasters.spotify.com/pod/show/wandrille-leroy/message

Mary Lou Williams: one of the outstanding jazz pianists of all time, composer, Catholic convert, visionary, performer of works of mercy. Because Williams's career lasted and her style adapted through many changes in jazz from the swing era to the early 1970s, and because she mentored two of jazz's most influential figures (Bud Powell and Thelonious Monk), this episode is an opportunity not only to dive into her life and music, but to learn a little about jazz history more generally. Deanna Witkowski, herself a jazz pianist and Catholic convert, has written a new biography of Williams, Mary Lou Williams: Music for the Soul, and performs Williams's compositions on her forthcoming album, Force of Nature. Watch discussion on YouTube: https://youtu.be/B31PwFU-FrY Links Buy Deanna's book and album: https://www.deannawitkowski.com/store Musical tracks heard in this episode: Mary Lou Williams: "Waltz Boogie", "Walkin' and Swingin'", "Night Life", "Holy Ghost" (composed by Larry Gales), "Autumn Leaves" (composed by Joseph Kosma), "Aries", "Taurus", "Virgo", "Anima Christi", "St. Martin de Porres". Excerpts from Bud Powell, "Cherokee" (composed by Ray Noble); Thelonious Monk "Monk's Dream"; Elmo Hope, "Eejah". Deanna Witkowski, "Intermission", composed by Mary Lou Williams and Milton Suggs, used with permission. From Deanna Witkowski's album Force of Nature.  This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

"Recordando a Turina" Pedro Iturralde Quartet: EntreAmigos (HispanaRes, 2014) Pedro Iturralde, Mariano Díaz, Carlos Carli, Richie Ferrer. La composición es obra de Joseph Kosma. En la semana en que en el pueblo natal de Pedro Iturralde, Falces (Navarra), ha comenzado el ciclo Pedro Iturralde In Memoriam, en JazzX5 suena el tema que cerró la charla dedicada en este ciclo al gran saxofonista. En la interpretación de este clásico, se puede apreciar la maestría de Pedro Iturralde al clarinete. El tema comienza con su improvisación en solitario, mostrando la gran capacidad que tenía para improvisar y su maestría a la hora de utilizar distintas técnicas con su instrumento. Posteriormente el resto del cuarteto se une al músico navarro y se escuchan unos magníficos solos de Mariano Díaz y Richie Ferrer. Este tema, que era un clásico en el repertorio de Iturralde, es un cierre magistral para su última grabación publicada hasta este momento.  © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

Back to dance music….from the first half the 20th century, give or take a few years. In fact, most of the music recorded by this orchestra leader was recorded on 78 RPM records. And according to discogs he had 88 of them to his name. So let's get ready to get this party swinging with Volume 44: Invitation to the Dance.   Al Donahue And His Society Orchestra – Invitation To Dance Label: Design Records (2) – DLP 51 Format: Vinyl, LP, Album, Mono Country: US Released: 1957 Genre: Jazz, Pop Style: Easy Listening Low Down Rhythm In A Top Hat  Written in 1935 by Irving Berlin Autumn Leaves  composed by Joseph Kosma in 1945. Lyrics by Johnny Mercer High Society  originally a march copyrighted in April 1901 by Porter Steele Around The World In Eighty Days   music by Victor Young in 1956 for the movie of the same name Baila, Cha Cha Cha  Composed by Ernesto Duarte Brito in 1953 Nocturne For Nell Rhapsaboogie I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain

为你读英语美文 · 第433期主播：永清Autumn Leaves作者：Johnny Mercer，翻译：有才的网友The falling leaves drift by my window秋叶翩翩，飘落我窗。The falling leaves of red and gold秋叶菲菲，其色赤黄。I see your lips, the summer kisses忆君红唇，夏日热吻。The sunburned hand I used to hold滚烫玉手，执我胸口。Since you went away, the days grow long从你走后，日子渐长。And soon I'll hear old winter's song 冬日旧曲，常萦耳边。But I miss you most of all, my darling思君之情，暮暮朝朝。When the autumn leaves start to fall如秋之叶，洒洒飘飘。秋天是落叶的季节，秋天，也是想念的季节。你说你喜欢秋天，我便种了这漫山红叶，从此，秋天在我眼里，你在我心里。我拥有秋天，却不再拥有你。Autumn Leaves《秋叶》是作曲家Joseph Kosma在1945年于法国所创作的香颂。法文的原名是"Les Feuilles Mortes"，意为 "The Dead Leaves"。当有人找到美国作曲家Johnny Mercer填写英文歌词时，他并没有将歌名按原意直译成英文的“The Dead Leaves”（枯叶），而是起了个更富诗意的歌名“Autumn Leaves”（秋叶）。这首歌因其旋律优美，歌词意境幽美而广为流传，众多爵士乐手争相在自己的音乐会和录音专辑里重新演绎它，时至今日，这首传世之作Autumn Leaves《秋叶》早已成为爵士乐的标准曲目。在节目的片尾，你听到的是来自英国歌手Tony O'Malley演绎的版本。永清：毕业于西安外国语大学微信公众号：为你读英语美文文章，音乐，图片非商业用途，版权归作者或版权方所有

为你读英语美文 · 第433期主播：永清Autumn Leaves作者：Johnny Mercer，翻译：有才的网友The falling leaves drift by my window秋叶翩翩，飘落我窗。The falling leaves of red and gold秋叶菲菲，其色赤黄。I see your lips, the summer kisses忆君红唇，夏日热吻。The sunburned hand I used to hold滚烫玉手，执我胸口。Since you went away, the days grow long从你走后，日子渐长。And soon I'll hear old winter's song 冬日旧曲，常萦耳边。But I miss you most of all, my darling思君之情，暮暮朝朝。When the autumn leaves start to fall如秋之叶，洒洒飘飘。秋天是落叶的季节，秋天，也是想念的季节。你说你喜欢秋天，我便种了这漫山红叶，从此，秋天在我眼里，你在我心里。我拥有秋天，却不再拥有你。Autumn Leaves《秋叶》是作曲家Joseph Kosma在1945年于法国所创作的香颂。法文的原名是"Les Feuilles Mortes"，意为 "The Dead Leaves"。当有人找到美国作曲家Johnny Mercer填写英文歌词时，他并没有将歌名按原意直译成英文的“The Dead Leaves”（枯叶），而是起了个更富诗意的歌名“Autumn Leaves”（秋叶）。这首歌因其旋律优美，歌词意境幽美而广为流传，众多爵士乐手争相在自己的音乐会和录音专辑里重新演绎它，时至今日，这首传世之作Autumn Leaves《秋叶》早已成为爵士乐的标准曲目。在节目的片尾，你听到的是来自英国歌手Tony O'Malley演绎的版本。永清：毕业于西安外国语大学微信公众号：为你读英语美文文章，音乐，图片非商业用途，版权归作者或版权方所有

Cada uno en su casa 3:01 Alejandro Dolina, Patricio Barton, Gillespi Segmento Inicial Comentarios sobre los viajes de Gillespi 3:26 Barton: "Yo me postulo como un defensor de los insectos en general" 6:50 Abejas Asesinas 12:10 Segmento Dispositivo Algunas curiosidades de la comida y la mesa 56:31 "Pucherito de Gallina" ♫ (Edmundo Rivero) 1:10:13 Segmento Humorístico "Consejos de seguridad en la montaña" 1:14:44 Segmento musical 1:38:53 "Puente Alsina" ♫ (Osvaldo Pugliese) "Lloró como una mujer" ♫ (Julio Sosa) "Estudiante" ♫ (Carlos Gardel) "Les feuilles mortes" ♫ (Jacques Prévert & Joseph Kosma) "When the saints go marchin' in" ♫ (Louis Armstrong)

"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma with original lyrics by Jacques Prévert in French".Born and raised in Austria, Johannes has lived and worked in Switzerland, India, and Spain. He is married and he lives and works in New York City. Today, he is the founder of Sound Leadership helping Leaders and Teams Grow with a Creative Mindset. He creates music for leaders and their teams to help them strengthen and develop their culture levels of engagements and team communication.In this episode, Dr.Johannes Coloma-Flecker and I discuss the ins and outs of the influence of music on brand personality and effective management through music.Soundbites#3.1 – Piano performance: The Autumn Leaves. (02:40)#3.2 – Music is what feelings sound like. (08:54)#3.3 – The Influence of Music on Brand Personality. (13:50)#3.4 – Music acts as an amplifier for spoken language. (20:01)#3.5 – Sonic DNA; from product to advertising to store experience. (26:17)#3.6 – Objectivity vs. Subjectivity in Music that supports the visual storyline. (31:09)#3.7 – The power of connecting with your audience with songwriting. (38:47)#3.8 – Why music creation is great for teams and building leadership. (45:23)#3.9 – Music connects us during the Pandemic. (50:12)#3.10 – Piano Performance: What Are You Doing The Rest Of Your Life. (1:02:13)Dr. Johannes Coloma-FleckerExecutive coach and founderwww.sound-leadership.comHost:

Uno de los pocos standards europeos, Les Feuilles Mortes, Autumn Leaves, Hojas de Otoño es una obra húngaro-francesa de 1943 (música de película) compuesta por Joseph Kosma (hungaro radicado en Paris) con letra de J. Prévert. Entra rápidamente en el jazz de los 50 con una version de Miles. Johnny Mercer le pone letra en ingles y el resto es historia.

 Of all the tunes we do, none is more evocative than “Autumn Leaves,” Joseph Kosma’s post World War II composition that quickly became a jazz standard in America from the 1950s right up to today. Memorable renditions have been recorded by everyone from Miles Davis and Chet Baker to Erroll Garner and Mel Tormé. And while certainly the lyrics are beautiful and touching, as this instrumental track from a recent Flood rehearsal demonstrates, it’s the melody itself that so stunningly captures the magic and the melancholy of autumn. Listen as Doug Chaffin, Paul Martin and Veezy Coffman find new things to say with this gorgeous classic tune.

Sir Clifford Chatterley est revenu infirme de la guerre. Condamné à vivre dans un fauteuil roulant, il pousse Constance, sa jeune épouse dévouée, à prendre un amant. Il pense ainsi assurer sa descendance en adoptant l’enfant qui naîtrait de cette union. Tout d’abord réticente, Constance prend rapidement conscience du vide de son existence et se rapproche de son garde-chasse Mellors. L’assurance de ce dernier et son idéal de pureté l’impressionnent. Elle est bientôt enceinte…Avec : Danielle Darrieux, Leo Genn, Erno Crisa, Jean Murat, Christian Marquand, Gérard Sety, Jacqueline Noelle, Janine CrispinD'après le roman de D.H. LawrenceMusique de Joseph Kosma - Chef Décorateur : Alexandre TraunerNoir & Blanc

On this episode, Kirk dives in to one of the most influential jazz recordings of all time. (For real this time.) As the lead track on Miles Davis's landmark album Kind of Blue, "So What" signaled a new era in jazz harmony, composition, and improvisation. This episode will get into what that actually means, how the tune works, and why the seven musicians who played on Kind of Blue were each such a crucial part of the album's magic. Artist: Miles Davis Album: Kind of Blue (1959) Written by: Miles Davis Listen/Buy: Apple Music | Amazon | Spotify ------ ALSO FEATURED: “Will O’ the Wisp” by Miles Davis and Gil Evans from Sketches of Spain, 1960 “Seven Steps to Heaven” by Victor Feldman/Miles Davis from Four And More (Live), 1966 “Giant Steps” by John Coltrane from Giant Steps, 1960 “Resolution Pt. 2” by John Coltrane from A Love Supreme, 1965 “This Here” By Cannonball Adderley from The Cannonball Adderley Quintet in San Francisco, 1960 “Mercy Mercy Mercy” by Josef Zawinul from Mercy, Mercy, Mercy, 1966 “Autumn Leaves” by by Joseph Kosma, performed by the Bill Evans Trio on Portrait in Jazz, 1959 “Dancing in the Dark” by Dietz/Schwartz, performed by the Bill Evans Trio on Trio 64, 1964 “No Blues” by Miles Davis performed by Wes Montgomery and the Wynton Kelly Trio on Smokin’ at the Half Note, 1965 “Donna Lee” by Charlie Parker/Miles Davis recorded by the Charlie Parker Quintet, 1947 “I Wish” by Stevie Wonder from Songs in the Key of Life, 1976 “Excursions” by A Tribe Called Quest from The Low End Theory, 1991 “Rimshot [Intro]” by Erykah Badu from Erykah Badu: Live, 1997 Discussion of Miles: The Autobiography by Miles Davis and Quincy Troupe, 1990 Discussion of Ascension: John Coltrane and his Quest by Eric Nisenson, 1995 The Strong Songs Kind of Blue Playlist Kirk made a new playlist of the recordings discussed on this episode, in the hopes that it would give a sense of how the seven musicians on Kind of Blue went on to make all kinds of great music as bandleaders. It's in chronological order, so don't put it on shuffle. Unless, you know, you want to. Spotify: https://open.spotify.com/playlist/1X2ETUpsFfH03FHOZDCiic?si=UHahG4EcRcSQ_tBlpzSakA Apple Music: https://music.apple.com/us/playlist/strong-songs-kind-of-blue-playlist/pl.u-mJy8DG8t1g8Ka OUTRO SOLOIST: BJ Cord This episode's outro soloist is BJ Cord, a fantastic trumpet player based in Portland. BJ works at Monette trumpets making some of the most beautiful horns in the world, and is a regular presence on their Instagram: https://www.instagram.com/monettetrumpets 'GRAM BY 'GRAM If you're interested in occasional music and Portland-related photos and videos, as well as teases for upcoming Strong Songs episodes, follow Kirk on Instagram @kirk_hamilton. https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://tinyletter.com/KirkHamilton STRONG PLAYLISTS You can find playlists containing every Strong Song as well as all of Kirk's weekly music picks from his other podcast, Kotaku Splitscreen, on both Spotify and Apple Music. You can also find a new playlist Kirk specifically designed for listening while staying home and not spreading viruses on Spotify, Apple Music, and Google Play (thanks Thomas for making that last one) SUPPORT STRONG SONGS ON PATREON! Thank you to all of Strong Songs's Patreon patrons; you all are the best. If you want to support Kirk making the show, do so here: https://Patreon.com/StrongSongs APRIL 2020 WHOLE-NOTE PATRONS AccessViolation andrew walters CALEB ROTACH Chad Barnard Clint Johnson Craig J Covell Dan Apczynski Dave Florey Glenn Jared Norris Mark Schechter Merlin Mann R Watson Ryan Torvik Viki Dun APRIL 2020 HALF-NOTE PATRONS AJ Schuster Albukitty Alex Singer Alexander Polson Amanda Furlotti Andre Bremer Andrew Baker Andrew Lee Arjun Sharma Bill Thornton brant brantphillip Brett Douville Brian Amoebas Brooke Wilford Chas Lednicky Chris Brown Christer Lindqvist Cyrus N. White Darryl Stewart Dave King David Stroud Duncan Earl Lozada Eero Wahlstedt Elliot Jay O'Neill Emily Williams FlSHBONES Forrest Chang Gavin Doig Gerry Nelson Jacob Dye Jaehoon Jeong James Johnson Jeffrey Olson Jenifer Carr Jennifer Bush Jeremy Dawson John and Sharon Stenglein Jon O’Keefe joujou Juan Carlos Montemayor Elosua Judith Stansfield Jules Bailey Justin Liew Justin McElroy Kate Albury Kevin Morrell Kevin Pennyfeather Leigh Sales Mark Steen Markus Koester Matt Betzel Matt Gaskell Max Schechter Melanie Stivers Michael Blackwell michael bochner Miriam Juskowicz Mueller Nate from Kalamazoo Nicholas Schechter Richard Toller Robbie Ferrero Robert Paul Sam Fenn samuel gardner Shane DeLeon SP Tanner Morton Tom Clewer Tom Lauer Toni Isaacson Wayne Marsh

durée : 00:30:05 - Joseph Kosma (1905-1969) (5/5) - par : Martin Pénet - Disparu il y a 50 ans, musicien trop méconnu du 20e siècle, Joseph Kosma a pourtant eu une production riche et éclectique, où les musiques de films et les chansons occupent la plus grande place. - réalisé par : Lionel Quantin

durée : 00:30:19 - Joseph Kosma (1905-1969) (4/4) - par : Martin Pénet - Disparu il y a 50 ans, musicien trop méconnu du 20e siècle, Joseph Kosma a pourtant eu une production riche et éclectique, où les musiques de films et les chansons occupent la plus grande place. - réalisé par : Lionel Quantin

durée : 00:30:30 - Joseph Kosma (1905-1969) (3/4) - par : Martin Pénet - Disparu il y a 50 ans, musicien trop méconnu du 20e siècle, Joseph Kosma a pourtant eu une production riche et éclectique, où les musiques de films et les chansons occupent la plus grande place. - réalisé par : Lionel Quantin

durée : 00:30:14 - Joseph Kosma (1905-1969) (2/4) - par : Martin Pénet - Disparu il y a 50 ans, musicien trop méconnu du 20e siècle, Joseph Kosma a pourtant eu une production riche et éclectique, où les musiques de films et les chansons occupent la plus grande place. - réalisé par : Lionel Quantin

durée : 00:30:00 - Joseph Kosma (1905-1969) (1/4) - par : Martin Pénet - Disparu il y a 50 ans, musicien trop méconnu du 20e siècle, Joseph Kosma a pourtant eu une production riche et éclectique, où les musiques de films et les chansons occupent la plus grande place. - réalisé par : Lionel Quantin

durée : 00:58:32 - Hommage à Jean-Pierre Mocky - par : Thierry Jousse - Jean-Pierre Mocky est mort le 8 août dernier. Dans sa riche filmographie il a travaillé avec les plus grands compositeurs pour ses BOs, tels que Maurice Jarre, Joseph Kosma et Vladimir Kosma, François de Roubaix, Eric Demarsan, Gabriel Yared, Gerard Calvi etc. Ce soir Ciné Tempo lui rend hommage. - réalisé par : Bruno Riou-Maillard

durée : 00:25:06 - Joseph Kosma, Les feuilles mortes - par : Anne-Charlotte Rémond - Avant de devenir un tube planétaire, ''Les Feuilles mortes'' de Jacques Prévert et Joseph Kosma trouve son origine dans un ballet de Roland Petit, un film de Marcel Carné, et un enregsitrement de Cora Vaucaire. Toute une histoire que nous raconte aujourd’hui en chansons Anne-Charlotte Rémond... - réalisé par : Claire Lagarde

We are continuing the conversation with our guest, Joseph Kosma. The topic of leaving our self limitations behind, stepping out into the unknown, and chasing down your goals. As men, it is important that we change our mindset on these things in order to lead our families to thrive. You will be inspired by Joseph’s perspective and his infectious personality.

We are joined by the awesome Mr. Joseph Kosma in today’s episode. Joseph brings in some incredible insight into the topic of living life without limitations. After a tragic accident nearly 20 years ago, where he shouldn’t have even lived, Joseph has taken what some would say are limitations or handicaps and he has blown the doors off of that life-sentence. From photography to traveling around the world, Joseph will leave you inspired to get off your butt and get out and live!

‘Rockhistorier’ forkæler  lytterne med en klynge forgyldte evergreens, skrevet af folk som Cole Porter, Gershwin-brødrene og Irving Berlin, sunget af mesteren selv.Frank Sinatras karriere falder i flere stadier. Efter en periode som refrænsanger i Tommy Dorseys orkester udløste det Sinatramania, at han gik solo i 1942, hvor han blev det store idol for datidens bobby soxers. I starten af 1950’erne faldt populariteten betragteligt, og de færreste fattede, at Capitol Records gad skrive kontrakt med ham i 1953, hvor Columbia Records droppede ham. Men samme år revitaliserede hans rolle i filmen ”Herfra til evigheden” karrieren, og han gik ind i dens kunstnerisk mest frugtbare fase.Frem til 1962 indspillede han 15 mesterlige lp’er for Capitol, heraf over halvdelen i selskab med den kongeniale arrangør og orkesterleder Nelson Riddle, resten med folk som Gordon Jenkins, Billy May og Axel Stordahl. Hvert album slog en tone an, som forfulgtes hele vejen igennem, og i processen skabtes konceptpladen. Sinatra vekslede ligeligt mellem swing-tunes og torch-songs, to genrer, han ubesværet mestrede og resultatet blev det måske fineste og mest slidstærke underholdningsmusik, der nogensinde er blevet indspillet på magnetbånd.Playliste: I Get a Kick Out of You (Cole Porter) (1954) A Foggy Day (George & Ira Gershwin) (1954) Just One of Those Things (Cole Porter) (1954) Get Happy (Harold Arlen, Ted Koehler) (1954) In the Wee Small Hours of the Morning (David Mann, Bob Hilliard) (1955) It Never Entered My Mind (Richard Rodgers, Lorenz Hart) (1955) I’ve Got You under My Skin (Cole Porter) (1956) Old Devil Moon (Burton Lane, E.Y. ”Yip” Harburg (1956) Don’t Like Goodbyes (Harold Arlen, Truman Capote) (1957) I Got It Bad (And That Ain’t Good) (Duke Ellington, Paul Francis Webster) (1957) Autumn Leaves (Jacques Prévert, Johnny Mercer, Joseph Kosma) (1957) Lonely Town (Leonard Bernstein, Betty Comden, Adolph Green) (1957) Come Fly with Me (Sammy Cahn, Jimmy Van Heusen) (1958) Only the Lonely (Sammy Cahn, Jimmy Van Heusen) (1958) One for My Baby (And One More for the Road) (Harold Arlen, Johnny Mercer) (1958) Something’s Gotta Give (Johnny Mercer) (1959) Here’s That Rainy Day (Johnny Burke, Jimmy Van Heusen) (1959) How Deep Is the Ocean (Irving Berlin) (1960) On the Sunny Side of the Street (Jimmy McHugh, Dorothy Fields) (1961) September Song (Kurt Weill, Maxwell Anderson) (1962)Glædelig jul og godt nytår fra ‘Rockhistorier', vi er tilbage tirsdag d. 8.1.2019.

“Siéntelo con oído” es el magacín cultural que emitimos desde Zaragoza los jueves a las 7 de la tarde en Radio La Granja (102.1 FM), también por internet en radiolagranja.caster.fm) y los viernes a las 6 de la tarde por internet en teafm.net. Con esta preciosa canción francesa de 1945, interpretada por el gran Yves Montand, con letra de Jacques Prévert y música de Joseph Kosma, damos comienzo a nuestro otoñal programa número 67. Otoñal por lo que tiene de evocador, que no por triste. Así que, tranquilos que aquí estamos Antonio y yo dispuestos a pasarlo y a que lo paséis todos genial. SUMARIO de hoy: 1. Comenzará Antonio. Su “Nada más que música” se ocupa hoy del “Movimiento Hippie” 2. Continuaremos con con el sexto capítulo de “El capitán salió a comer y los marineros tomaron el barco”, las memorias de Bukowski a las que pone voz José María Burillo. 3. Después será el momento de “Nueva Consciencia”. José Antonio de Marco y María Pescador nos traen su entrega número 16, con la que nos dejarán sus siempre interesantes reflexiones. 4. Finalizaremos con un poema de El vientre de los espejos, el espacio de audio poesía de Fernando Alcaine. Hoy escucharemos “Marduk” Hasta aquí nuestro programa número 67, en el que han intervenido Antonio Giménez, Nestor Barreto, José María Burillo, José Antonio de Marco y María Pescador, además de los guionistas: Fernando y Manuel Alcaine.

“Siéntelo con oído” es el magacín cultural que emitimos desde Zaragoza los jueves a las 7 de la tarde en Radio La Granja (102.1 FM), también por internet en radiolagranja.caster.fm) y los viernes a las 6 de la tarde por internet en teafm.net. Con esta preciosa canción francesa de 1945, interpretada por el gran Yves Montand, con letra de Jacques Prévert y música de Joseph Kosma, damos comienzo a nuestro otoñal programa número 67. Otoñal por lo que tiene de evocador, que no por triste. Así que, tranquilos que aquí estamos Antonio y yo dispuestos a pasarlo y a que lo paséis todos genial. SUMARIO de hoy: 1. Comenzará Antonio. Su “Nada más que música” se ocupa hoy del “Movimiento Hippie” 2. Continuaremos con con el sexto capítulo de “El capitán salió a comer y los marineros tomaron el barco”, las memorias de Bukowski a las que pone voz José María Burillo. 3. Después será el momento de “Nueva Consciencia”. José Antonio de Marco y María Pescador nos traen su entrega número 16, con la que nos dejarán sus siempre interesantes reflexiones. 4. Finalizaremos con un poema de El vientre de los espejos, el espacio de audio poesía de Fernando Alcaine. Hoy escucharemos “Marduk” Hasta aquí nuestro programa número 67, en el que han intervenido Antonio Giménez, Nestor Barreto, José María Burillo, José Antonio de Marco y María Pescador, además de los guionistas: Fernando y Manuel Alcaine.

Can a man in a wheelchair find good in God? Joseph tells of his tragic accident in 2001 leading to paralysis, and the journey from yesterday's bitterness to today's hope, love, and joy in Christ. Inspiring life and episode! Support the show (https://tithe.ly/give?c=285228)

En el inicio del programa Héctor Larrea le describe a Bobby Flores una canción española que le llegó por su temática y por una justa, fresca y muy sensible interpretación de su autora, la cantante Bebe. A su tiempo Flores presenta al rockero norteamericano Iggy Pop y su versión del clásico francés Les fillies mortes - de Jaques Prévert  y Joseph Kosma -. Y luego material de Rudi Flores, John Lee Hooker,  Louis Armstrong y más...

I ugens program springer Frederik Korfix på hovedet i Joseph Kosma kompositionen Autumn Leaves. Hver lørdag kaster skiftende P8 Jazz-værter sig på hovedet i et emne, de ikke kan slippe. Hvad er historien bag Django Reinhardts manglende fingre? Hvordan revolutionerede Jaco Pastorius el-bassen? Hvordan lyder japansk jazzmusik anno 1961? Vi ruller anekdoterne ud, graver os ned i emnet, nørder os ind på stoffet. I en times tid stiller vi skarpt på et komma i den store jazzbog. Vært: Frederik Korfix. www.dr.dk/p8jazz

Matthew Sweet looks at music for films set against the background of WW1, including Joseph Kosma's music for Jean Renoir's masterpiece La Grande Illusion. The First World War prompted a cinematic response even before the War was over and has continued to exercise the film maker's imagination ever since. From Charles Chaplin's Shoulder Arms in 1918 to Steven Spielberg's recent War Horse, stories and commentaries are varied and include some of the great moments in film and film-music.

Matthew Sweet looks at music for films set against the background of the First World War, including the Classic Score of the Week, Joseph Kosma's music for Jean Renoir's movie masterpiece, La Grande Illusion. The First World War prompted a cinematic response even before the War was over and it has continued to exercise the film maker's imagination ever since. From Charles Chaplin's Shoulder Arms in 1918 to Steven Spielberg's recent War Horse, the stories and commentaries are varied and include some of the great moments in film and film-music (The African Queen; The Blue Max; Sergeant York; Lawrence of Arabia).