Podcasts about i allegro

Saates kõlab: * Eino Tamberg / Sandor Petöfi - "Madalal on pilve süle" tsüklist "Viis romanssi S.Petöfi sõnadele" op.4 (Georg Ots, Eugen Kelder) * Eino Tamberg / Sandor Petöfi - "Tuul viib õilmelt lehe ära" tsüklist "Viis romanssi S.Petöfi sõnadele" op.4 (Georg Ots, Eugen Kelder) * Eino Tamberg / Sandor Petöfi - "Aknast välja vahin ma" tsüklist "Viis romanssi S.Petöfi sõnadele" op.4 (Georg Ots, Eugen Kelder) * Eino Tamberg / Sandor Petöfi - "Kevad ja sügis" tsüklist "Viis romanssi S.Petöfi sõnadele" op.4 (Georg Ots, Eugen Kelder) * Eino Tamberg / Sandor Petöfi - "Mu laulud" tsüklist "Viis romanssi S.Petöfi sõnadele" op.4 (Georg Ots, Eugen Kelder) * Eino Tamberg - Concerto grosso F-duur, op 5; osad: I Allegro, II Andante, III Presto quasi toccata (Samuel Saulus, Hannes Altrov, Andres Lepnurm, Lembit Saarsalu, Loit Lepalaan, Ivari Ilja, Eesti Riiklik Sümfooniaorkester, dirigent Lev Markiz)

La selección está compuesta por:'Rinaldo' ('Lascia ch'io pianga'). Händel.'Concierto para oboe y cuerdas nº 4 en mi mayor BWV 1055' (I-Allegro). Bach.'Notations II. Très vif. Strident'. Boulez.'La consagración de la primavera'. Stravinsky. (Director: Pierre Boulez).'Scheherezade Op. 35' ('El mar y el barco de Simbad'). Rimski-Kórsakov.

Kõlab Johannes Brahmsi klaverikvartett g-moll nr 1: I Allegro, II Intermezzo: Allegro ma non troppo - Trio: Animato, III Andante con moto, IV Rondo alla Zingarese: Presto (Frankfurti Raadio sümfooniaorkester, dirigent Paavo Järvi) Stuudios on muusikateadlane Tiia Järg.

Aram Khachaturian (1903-1978) - Ode in memoria di Lenin  Armenian Philharmonic OrchestraLoris Tjeknavorian, conductor**********10:54Aram Khachaturian (1903-1978) – Russian fantasy London Symphony OrchestraLoris Tjeknavorian, conductor**********16:22Aram Khachaturian (1903-1978) – Poema festivo I - Allegro vivace con fuoco - Andante agitato con appassionatissimo - Tempo IArmenian Philharmonic OrchestraLoris Tjeknavorian, conductor**********36:15Aram Khachaturian (1903-1978) - Sabre Dance     from Gayane (ballet Act IV)Berlin PhilharmonicSeiji Ozawa, conductor 

On this episode of One Symphony, conductor Devin Patrick Hughes interviews Henry Fogel, a prominent figure in the orchestral music field. Fogel discusses his early life in music, his exciting journey in radio, and his passion for making symphonic music more accessible. They also delve into Fogel's contribution to orchestras as a director and a manager. From his beginnings in a home where Broadway musicals were the high end of musical taste, to his rise as a key figure in the world of orchestral music, Fogel's insights on board members and anecdotes about conductors provide a unique window into the business side of the symphony orchestra. Henry Fogel has served as President and CEO of the League of American Orchestras, where he significantly impacted the orchestral landscape by supporting and consulting with over 190 orchestras during his tenure. His leadership as President of the Chicago Symphony for 18 years saw substantial growth in the organization's endowment and community engagement efforts. Henry's extensive career also includes leadership positions at the National Symphony Orchestra of Washington, D.C., and the New York Philharmonic. He is actively involved in various nonprofit boards and serves as Chair of the Chicago Classical Music Recording Foundation. Henry's contributions to the American symphonic landscape have been recognized through honorary doctorate degrees and many awards, including the League of American Orchestras' Gold Baton Award. Beyond his professional achievements, Fogel is an accomplished narrator and producer, sharing his passion for classical music over the radio waves for 5 decades. Henry enjoys spending time with his children, grandchildren, and pursuing his interest in Chinese cuisine.   Thank you for joining us on One Symphony. Thanks to Henry Fogel for sharing his wealth of wisdom. Musical selections on this episode today include   Mass in B Minor, BWV 232: I. Kyrie: No. 1, Kyrie eleison I (Chorus)[Music Download] From the album Bach: Mass in B Minor, BWV 232 By: The Netherlands Bach Society & Jos van Veldhoven   Glagolitic Mass, From the album Janáček: Glagolitic Mass - Martinů: Field Mass By: Czech Philharmonic, Prague Philharmonic Choir, Václav Neumann, Josef Veselka, Jan Hora, Gabriela Beňačková, Věra Soukupová, František Livora, Karel Průša   Berwald: Symphony No. 4 in E flat major - I. Allegro risoluto[Music Download] From the album Schubert: Symphony No.4 "Tragic" / Berwald: Symphonies Nos.3 "Singulière" & 4 By: Berliner Philharmoniker and Igor Markevitch   Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto[Music Download] From the album Shostakovich: Symphony Nos. 5 & 9 By: Leonard Bernstein and the New York Philharmonic Orchestra   Corigliano: Symphony No. 1[Music Download] Symphony No. 1: I. Apologue. Of Rage and Remembrance By: Daniel Barenboim and the Chicago Symphony Orchestra   Nielsen: Symphonies Nos. 3 & 5[Music Download] Symphony No. 5, Op. 50, FS 97, CNW 29: I. Tempo giusto - Adagio By: Leonard Bernstein and the Royal Danish Orchestra https://www.wfmt.com/programs/collectors-corner-with-henry-fogel/ https://devinpatrickhughes.com You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Na jedynym zachowanym portrecie olejnym François Joseph Gosseca kompozytor w dumnej pozie siedzi z piórem w dłoni. Na pulpicie za nim widnieje „Marche lugubre”, a na półce poniżej jego drugie „Te Deum” – obie kompozycje napisane dla upamiętnienia poległych bohaterów Rewolucji Francuskiej. O Gossecu powiedział jeden z krytyków, że był najbardziej zaangażowanym politycznie kompozytorem Europy. Czy to prawda? Nie całkiem. Owszem, oddał swój talent Rewolucji, ale w przeciwieństwie do wielu swoich kolegów po fachu nigdy nie był oportunistą. Za swoje oddanie ideom wolności, równości i braterstwa otrzymał przydomek Tyrteusza Rewolucji, ale jednocześnie przez szalonego Robespierre'a niemal stracił głowę na gilotynie. Dziś jednak to nie jego rewolucyjna twórczość, ale wielka symfoniczna msza żałobna „Grande Messe des Morts” skomponowana w wieku zaledwie 26 lat uchodzi za dzieło życia Gosseca. Wzorowali się na niej wszyscy – Mozart, Cherubini, a szczególnie Berlioz. Kim był François Joseph Gossec, kompozytor trzech epok, który zaczynał karierę u Rameau, a umarł na rok przed premierą „Symfonii Fantastycznej” Berlioza? Z okazji 290 rocznicy jego urodzin, która przypadała 17 stycznia (w dniu również moich urodzin!) zapraszam na kolejną podcastową opowieść. Podcast powstał dzięki Mecenasom Szafy Melomana. Jeśli chcesz stać się jednym z nich i wspierać pierwszy polski podcast o muzyce klasycznej, odwiedź mój profil w serwisie Patronite.pl. Muzyka w odcinku (fragmenty): 1. F.J. Gossec, „Te decet hymnus” „Grande Messe des Morts”, wyk. Orkiestra i Chór Radia Szwajcarii Włoskiej, Collegium Vocale Cantemus, Claude Darbellay, Howard Crook, Maite Arruabarrena, Roberta Invernizzi, dyr. Diego Fasolis. 2. F.J. Gossec, „Judicandus” „Grande Messe des Morts”, wyk. Orkiestra i Chór Radia Szwajcarii Włoskiej, Collegium Vocale Cantemus, Claude Darbellay, Howard Crook, Maite Arruabarrena, Roberta Invernizzi, dyr. Diego Fasolis. 3. J.P. Rameau „Pièces de clavecin en concert nr 5 (La Marais)”, wyk. Il Giardino Armonico, flet/dyr. Giovanni Antonini. 4. J.A. Stamtiz, „Trio orkiestrowe E-dur op. 5 nr 3”, wyk. New Zealand Chamber Orchestra, dyr. Donald Armstrong. 5. F.J. Gossec, „Tuba mirum”, „Grande Messe des Morts”, La Grande Ecurie et la Chambre du Roy, Choeur de Chambre de Namur, dyr. Jean-Claude Malgoire, K617, live (2022). 6. F.J. Gossec, „Mors stupebit”, „Grande Messe des Morts”, La Grande Ecurie et la Chambre du Roy, Choeur de Chambre de Namur, dyr. Jean-Claude Malgoire, K617, live (2022). 7. F.J. Gossec, „Confutatis”, „Grande Messe des Morts”, La Grande Ecurie et la Chambre du Roy, Choeur de Chambre de Namur, dyr. Jean-Claude Malgoire, K617, live (2022). 8. F.J. Gossec, „Symfonia d-moll", op. 4, nr 6, cz. I Allegro, wyk. Niemiecka Orkiestra Kameralna Neuss, dyr. Simon Gaudenz, Deutsche Rundfunk (2019). 9. F.J. Gossec, „Symfonia D-dur", op. 4, nr 1, cz. I Allegro, wyk. Niemiecka Orkiestra Kameralna Neuss, dyr. Simon Gaudenz, Deutsche Rundfunk (2019). 10. W.A. Mozart, „Symfonia D-dur", wyk. Czeska Filharmonia w Pradze, wyk. Jiří Bělohlávek, Harmonia Mundi (2005). 11. F.J. Gossec, „Marche lugubre”, wyk. Orchestre d'Harmonie des Gardiens de la Paix de Paris, dyr. Claude Pichaureau 12. F.J. Gossec, „Symphonie à 17 parties”, wyk. Les Siècles, dyr. François-Xavier Roth, Harmonia Mundi (2020). 13. F.J. Gossec, „Vado et non revertar” „Grande Messe des Morts”, wyk. Orkiestra i Chór Radia Szwajcarii Włoskiej, Collegium Vocale Cantemus, Claude Darbellay, Howard Crook, Maite Arruabarrena, Roberta Invernizzi, dyr. Diego Fasolis. Zrealizowano w ramach stypendium Ministerstwa Kultury i Dziedzictwa Narodowego. (odcinki w styczniu i lutym stanowią jeszcze realizację stypendium, w ramach którego byłem zobowiązany do nagrania 50 audycji)

To the general amazement of musical circles, Aleksander Tansman, a citizen of Lódz, a young student of law, and a student of Piotr Rytel and Henryk Melcer swept all three prizes (the Grand Prix and two honorable mentions) at the first Warsaw composition competition, organized in independent Poland in 1919. Owing to this spectacular success, he then organized his first composition concert in Lódz and Warsaw. During the concert held on the 27th of February 1919 in Lódz, he performed together with Eli Kochanski his first three compositions for cello and piano, including Sonata No.1 (Allegro, Adagio, Fugue), written in 1918. The manuscripts later went missing; however, the fact that they once existed and the record of favorable critical reviews after the concert proves the young composer's interest in the cello as a solo instrument.Track Listing:1 Deux pieces pour violoncelle et piano_I Melodie Lento2 Deux pieces pour violoncelle et piano_II Capriccio Molto vivo3 Sonate No. 2 pour violoncelle et piano_ I Allegro moderato4 II Largo5 III Scherzo Allegro grazioso6 Fantaisie pour violoncelle avec orchestre ou piano_Moderato - Molto vivace7 Partita pour violoncelle et piano_I Pre´ambule, Interlude et Toccata Lento8 II Dialogue et Aria Andante sostenuto - Molto piu lento sostenuto - tempo primo9 III Divertimento Allegro10 IV Interlude Andante cantabile - Tranquillo11 V Cadence et Fugue Largo improvisando - Allegro deciso12 Quatre pieces faciles pour violoncelle et piano_ I Cavatine Moderato13 II Sicilienne Andante grazioso14 III Rondine Allegro ma non troppo15 IV Serenade AllegrettoHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Donald Macleod surveys the life and music of the elusive French composer, Edouard Lalo Even if you know the name, it's possible you might not be able to place the French composer Edouard Lalo date-wise. He was born in Lille in 1823. Berlioz was his senior in age by some twenty years, Saint-Saëns twelve years his junior. Lalo has a direct contemporary in the shape of César Franck, another composer who preferred to stay out of the limelight. As a musician, Lalo cut an independent path, preferring to complete his music studies privately rather than following the accepted route of attending the Paris Conservatoire. Lalo had a retiring nature, a man who appears to have preferred the quiet life. That doesn't mean he wasn't sociable. He seems to have been generally well liked. He lived in Paris from the age of sixteen and mixed with and knew all the leading musical personalities of the day. Aside from the Symphonie espagnole, he wrote several operas, a ballet, a symphony, a whole number of orchestral and chamber works including three piano trios and a string quartet, and something in the region of 30 songs. Trying to get a handle on Lalo isn't straightforward. The first letter that's been preserved dates from 1848, by which time Lalo was in his late twenties. His son Pierre was a primary source of information about his father, but more recent research indicates the picture he drew seems to have been somewhat rose-tinted. The first full length biography in English has yet to be published. Donald Macleod sets about mapping the life and the music of this elusive, yet significant figure in French musical history in a survey that takes us from Lalo's early experiences in Lille, where he first met Berlioz, to his eventual triumph, age sixty on the opera stage with Le roi d'Ys. Music Featured: Guitarre, op 28 arr. Ernest Guiraud Symphonie Espagnole in D minor , Op 21 (I: Allegro non troppo) Le roy d'Ys - Overture Violin sonata in D major, “Grand duo concertant” Op 12 (2nd movement Variations) Piano Trio No 2 (III: Minuetto: Allegro) Violin Concerto No 1 in F major, Op 20 (I: Andante – Allegro) Deux impromptus, Op 4 (I : Espérance) Symphonie Espagnole in D minor, Op 21 (II : Scherzando; Allegro molto) Trois mélodies La fenaison Six romance populaires (IV : Si j'étais petit oiseau; I : La pauvre femme) Piano Quintet "Grand Quintette" in Ab major (2nd movement) Cello Concerto in D minor (I. Prélude. Lento - Allegro maestoso) Rapsodie norvégienne Divertissement No 3: Andantino Fiesque, Act 2: Entr'acte: une place de Gênes Fiesque, Act 1: Je ne puis supporter Fiesque Act 2 (except) Piano Trio No 3 in A minor, Op 26 (II: Presto) Sonata for cello and piano (I: Andante non troppo) Concerto russe (II: Chants russe; III. Intermezzo) Namouna, Act 1: Valse de la Cigarette Symphony in G minor (III: Adagio) Namouna Suite No 2 Piano Trio in A Minor, Op 26 (I: Allegro appassionato) Cello Concerto in D minor (II: Intermezzo; III: Introduction: Andante - Allegro vivace) Overture to Le roi d'Ys (excerpt) Le roi d'Ys, Act 3: Vainement, ma bien-aimée String Quartet in E flat (I: Allegro vivo) Piano Concerto in F minor (I: Lento-Allegro) Le roi d'Ys, Act 1 (excerpt) Le roi d'Ys, Act 3 (excerpt) Symphonie Espagnole (V: Rondo) Presented by Donald Macleod Produced by Johannah Smith for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Edouard Lalo (1823-1892) https://www.bbc.co.uk/programmes/m001rhyp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Ahead of an upcoming performance with the London Philharmonic Orchestra, violinist Christian Tetzlaff spoke to Davina about performing Bartok's Violin Concerto no.2. When did he first encounter it? What are his favourite moments? How does he get through the monumental work in one piece? Christian will be performing the Bartok on 30 September with the London Philharmonic Orchestra and Edward Gardner. Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ I: Allegro non troppo III: Allegro molto Bartok – Violin Concerto no.2 Sz.112 Christian Tetzlaff, violin / Finnish Radio Symphony Orchestra / Hannu Lintu Ondine Photo credit: Giorgia Bertazzi  

Earlier this year, pianist Alice Sara Ott became the face of the Apple Music Classical app when she starred in its launch video, performing Beethoven's Piano Concerto No. 1, Op. 15 with the Netherlands Radio Philharmonic Orchestra and its Chief Conductor Karina Canellakis. The recording of it now becomes the headline work in Ott's latest Deutsche Grammophon album, Beethoven. The pianist has paired it with a series of solo works, including “Für Elise” and the “Moonlight” Sonata.Track Listing:1 Piano Concerto No_ 1 in C Major, Op 15 - I Allegro con brio2 II Largo3 III Rondo_ Allegro scherzando4 Piano Sonata No 14 in C-Sharp Minor, Op 27 No 2 Moonlight - I Adagio sostenuto.5 No 2 Moonlight - II Allegretto – Trio6 III Presto agitato7 Fu¨r Elise, WoO 598 11 Bagatelles, Op_ 119 No 1 - Allegretto9 Bagatelle in C Major, WoO 54 Lustig und Traurig10 Allegretto in B Minor, WoO 61Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Mozart's Mannheim has been carefully curated to give 21st-century listeners an idea of the sound world experienced by Mozart when he visited Mannheim in the late 1770s. The southern German city's legendary court orchestra made it a go-to destination for 18th-century cultural pilgrims and the Freiburger Barockorchester (FBO) has chosen to paint a musical portrait of Mannheim for its debut Deutsche Grammophon album. Mozart's Mannheim presents a variety of orchestral and chamber pieces by Cannabich, Danner, Holzbauer, Toeschi and Vogler – including four world premiere recordings – as well as two key works composed by Mozart while he was in the city. The album will be released on 19 May 2023 and the FBO will perform most of its repertoire on 20 May at Schwetzingen Palace, as part of this year's Schwetzingen Festival.Track Listing1 Vogler: Der Kaufmann von Smyrna: Overture2 Cannabich, J C: Symphony No. 55 in C major / I. Allegro maestoso3 II. Andante non tanto4 III. Presto ma non troppo5 Danner, C: Violin Concerto in F major / I. Allegro moderato6 II. Adagio7 III. Rondeau8 Toeschi: Sextet in B flat major: Andante grazioso-Allegro9 Holzbauer: Günther von Schwarzburg: Overture10 Mozart: Alcandro, lo confesso - Non so d'onde viene, K29411 Mozart: Non so d'onde viene12 Mozart: Symphony No. 52 in C, K208 / 102 / I. Molto allegro13 II. Andantino (After Aria "Intendo, amico" from Il re pastore, K. 208)14 III. Presto assaiHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).        

Komt de maan weer zo helder aan de hemel staan? Oi Kuu - oh maan - is de titel van een prachtig stuk voor basklarinet en cello van de gisteren overleden Finse componist Kaija Saariaho. Te horen in deze uitzending. Naast een track van de Hollandse Nieuw (Mattias Spee speelt Hans Henkemans), een tip voor het Red Light Jazz festival in Amsterdam, en muziek van Laurie Anderson, die op 8 juni in Amsterdam optreedt in het kader van het Holland Festival. Check het artikel 't Vrije Geluiden Weekend op de website van NPO Klassiek! 23.04 CD Eclipse (TRPTK TTK 0102) Hans Henkemans: Sonate voor piano - I Allegro molto moderato Mattias Spee [piano] 3'57” 23.13 eigen opname VPRO Robin Scherpen: Ongoing Reverie Robin Scherpen [gitaar] 2'22” 23.17 eigen opname (YouTube) Duke Ellington: In a sentimental mood Double Espresso saxofoonkwartet 3'56” 23.22 LP Big Science Laurie Anderson: Oh Superman Laurie Anderson 8'25” LP Mister Heartbreak Laurie Anderson: Kokoku Laurie Anderson 7'08” 23.40 CD Bright Red Laurie Anderson: Bright Red Laurie Anderson, Lou Reed 3'13” CD Bright Red Laurie Anderson: World without end Laurie Anderson, Lou Reed 2'48” 23.48 CD Nature (SOL Classics 010) Kaija Saariaho: Oi Kuu Fie Schouten [basklarinet]; Eva van de Poll [cello] 6'33” 23.55 CD Dalva Frederic Alvarez: Dalva, soundtrack (fragmenten) Frederic Alvarez 3'00”

虽然同属“古典音乐三巨头”，贝多芬与海顿、莫扎特在时间线上俨然已经是下一个世代的人了，那个时间的欧洲风云突变，启蒙思想兴起，一切的变化对贝多芬的音乐创作也产生了很大的影响。本期节目我们就来聊聊这些影响在贝多芬音乐中留下来的痕迹，以及贝多芬在音乐上是如何成为那个时代乃至整个古典时代的代表人物的。欢迎关注+订阅，欢迎互动，感谢收听。包含曲目：0:26- Piano Trio No.7 in B-Flat major - I. Allegro moderato (降B大调第7钢琴三重奏《大公》，作品 97)13:40- Symphony No. 3 in E Flat Major, Op. 55 "Eroica" - Finale. Allegro molto (E major)27:25- Beethoven: String Quartet No.13 in B flat major, Op.130 - 5. Cavatina (Adagio molto espressivo) (降B大调第13号弦乐四重奏，作品130 - 第五乐章 小歌调 - 深情的柔板)35:30- Symphony No. 9 in D Minor, Op. 125 - II. Molto vivace - Presto (D小调第9号交响曲，作品125“合唱” - 第二乐章 甚活泼)

勃拉姆斯独身一辈子，他与舒曼克拉拉夫妇的香火情一直为世人津津乐道。本期讲述浪漫主义时代最古典的作曲家勃拉姆斯隐秘的爱情故事，带你去深入了解勃拉姆斯其人其音乐。包含曲目：0:26 - Brahms: Trio in A minor, Op. 114, I: Allegro.3:13 - Intermezzi, Op. 117 - Brahms: Intermezzi, Op. 117 - 1. In E-Flat Major (间奏曲，作品117 - 第1首 降E大调).8:52 - Hungarian Dance - No. 4 in F-Sharp Minor (匈牙利舞曲 - 第4首 升f小调).

Follow these five steps for a successful dress rehearsal. In order from one to five: appearance - make it your best; 2) get a good night's sleep; 3) choose an appropriate background setting for a video; 4) check the audio before videotaping, and 5) PLAY - hit the right notes. An audience is optional, but highly recommended. Play for puppets or stuffed animals. Something. Take your time viewing the results. Sign off before posting to social media. A star is born or is in the process. Enjoy the process. It should only get better over time. Congratulations to you! The music in this video is composed by Ludwig van Beethoven (1770-1827) : Sonatina in F Major, Anh. 5 (I : Allegro assai) - From "Zwei Klaviersonatinen", Kinsky-Halm Anhang 5 Performed by Joel Cummins and free to use from the YouTube Audio Library. Song title: Sonatina No. 2 in F Major Allegro.

Na gisterenavond toch nog eens wat meer horen van die vergeten Engelse componist Clement Harris (1871-1897). En natuurlijk horen we, zoals elke zondagavond deze zomer, Componist Des Vaderlands Martin Fondse! 23.04 CD Beethoven Complete String Trios (Zefir Records ZEF 9675) Ludwig van Beethoven: Strijktrio opus 9 nr 3 in c - I Allegro con spirito Brunsvik String Trio 1'30” 23.10 CD Gesualdo: I tormenti d'amore, Anthology of madrigals (Etcetera ) Carlo Gesualdo: Mille Volte il di Moro Claritas olv James Grossmith 3'31” CD Gesualdo: I tormenti d'amore, Anthology of madrigals (Etcetera ) Carlo Gesualdo: Belta, Poi che t'assenti Claritas olv James Grossmith 3'02” CD Visions of the Renaissance (Channel Classics CCS SA 28908 ) Carlo Gesualdo: Mille Volte il di Moro Meridian Arts Ensemble 3'46” CD Visions of the Renaissance (Channel Classics CCS SA 28908 ) Carlo Gesualdo: Belta, poi che t'assenti Meridian Arts Ensemble 2'55” 23.26 CD The Complete Piano & Chamber Music (VMS Musical Treasures – VMS 124) Clement Harris: Romance voor klarinet, cello en piano Ulrich Urban [piano]; Alexander Roske [klarinet]; Anna Niebuhr [cello] 5'56” 23.33 CD Kagel, Vol. 1: Pan & String Quartets (Auvidis Montaigne – MO 782129) Mauricio Kagel: Strijkkwartet nr 1 Arditti String Quartet 11'08” 23.45 CD Betula (Elsewhere Music elsewhere 023-2) Germaine Sijstermans: Lavendula Leo Svirsky [accordeon]; Antoine Beuger [dwarsfluit]; Rishin Singh [trombone]; Fredrik Rasten [gitaar, e-bow]; Johnny Chang [altviool]; Germaine Sijstermans [basklarinet] 12'12”

Elke zaterdagavond in juli, in Vrije Geluiden, tijdens het laatste uurtje van de dag, een of meer splinternieuwe composities! Ontstaan tijdens Een Harp Onder De Riem in de Mozes-en-Aaronkerk in Amsterdam, waar je elke werkdag tussen 16.00 en 20.00 kan binnenlopen om te luisteren naar improvisaties op basis van wat bezoekers vertellen aan de musici. En... je kunt er ook je eigen verhaal kwijt. Een herinnering, iets waar je verdrietig of juist blij over bent, iets wat jou bezighoudt: in alle vertrouwen deel je je verhaal met een van de musici, en die gaat dan op basis van jouw verhaal improviseren. Aan het eind van de dag worden alle improvisaties verwerkt in een nieuwe compositie. En sommige van die composities hoor je dan weer in dit programma... 23.04 CD Sonatas for piano and violin vol. 2 (Challenge Classics CC72861) Ludwig van Beethoven: Sonate nr 7 in c-klein, opus 30 nr 2 - I Allegro con brio Michael Foyle [viool]; Maksim Sjtsjura [piano] 1'30” 23.10 EBU opname SM/2022/06/55/01, CHRTS Music Hall, La Chaux-de-Fonds, 2 november 2021 Béla Bartók (1881-1945): Excerpt, from 'Romanian Folk Dances, Sz.56 04:16 Charles Mingus (1922-1979): Fables of Faubus 3:47 Traditional: Klezmer dance for clarinet and string quartet 4:27 Martin Fröst, clarinet Ebène Quartet Pierre Colombet, violin Gabriel Le Magadure, violin Marie Chilemme, alto Raphaël Merlin, cello 23.25 15 juli: “Patronen” Compositie en uitvoering: Peter Tiehuis, gitaar en Beate Loonstra, harp. 10'24” 23.37 14 juli: “Blind vertrouwen” Compositie en uitvoering: Jessie Brevé, basklarinet en Beate Loonstra, harp. 7'52” 23.45 eigen uitgave Capo di Famiglia III André Schoorlemmer: Ombra Aleksandra Kaspera [cello]; Dymphi Peeters [stem]; André Schoorlemmer [snaarinstrumenten] 7'19”

Möt två av de främsta inom dansk konstmusik: äkta paret konsertpianisten Katrine Gislinge och tonsättaren Bent Sørensen. Med ett intensivt och passionerat förhållande till varandra och till musiken. Den danska nedstängningen under den forsta corona-perioden har nu resulterat i ett vackert musikverk, mellan vildhet och omhet, pianokonserten La sera estatica - Den extatiska aftonen (2021).Katrine Gislinge gav under pandemin konserter hemma pa flygeln for sin man for att han skulle kunna njuta av livemusik, da det offentliga konsertlivet var nedstangt. Hon spelade Beethoven, Mozart, Chopin, Schubert, Schumann m fl och Bent Sørensen horde detta och inspirerades alltsa att komponera sin tredje pianokonsert, vilken han tillagnat Katrine Gislinge. Han har tidigare tillägnat sin hustru flera andra verk.De har bada aktenskap med andra, flera barn och egna karriarer bakom sig. De fann varandra 2011 vid en musikfestival.Hur paverkar deras relation dem musikaliskt? Hur kanns det for Bent att skriva musik till Katrine och hur kanns det for Katrine att spela den? Har deras forhallande till tonsattandet och musicerandet forandrats?Om Bent Sørensen har skrivits: Hans musik paminner mig om nagot jag aldrig hort forut! Han ar en underbart poetisk kompositor vars musik svavar och flyger som hostvindar i oberaknelig skonhet!2018 vann han en av varldens framsta klassiska musikpriser, Grawemeyer Award, for sin Concerto i fem satser Lisola della Citta (On i staden), fran 2016. Verket ar for violin, cello, piano och stor orkester.En recensent skrev: Katrine Gislinges tolkningar praglas av en darrande kanslighet, dar varje liten detalj i musiken blir valdigt viktig men samtidigt samlas i en klar och framatblickande strom. I sina hander, i sin musik, lyckas hon skapa den perfekta balansen mellan det skoraste och det mest direkta, och nar man lyssnar pa henne gar man in i ett musikaliskt rum av "berusande sensualitet".Katrine Gislinge är känd för att spela den klassiska repertoaren, men hon arbetar även i många andra genrer. Hon har bl a spelat in Mozarts Pianokonserter 11, 12 och 13 med kadenser av Bent Sørensen. Tillsammans med svenska Stenhammarkvartetten.I 1999 spelade Katrine Gislinge in cd'en Piano Works pa Deutsche Grammophon och var darmed den forsta danska pianist att utge musik pa denna label.Vi far forstas i programmet lyssna pa den mycket vackra musiken.Låtlista:Mignon - Papillons - IV. Allegretto, Bent Sørensen, musikKatrine Gislinge, piano, John Storgårds, dirigent, Lapplands kammarorkesterDACAPO 8.226134Sigrids Wiegenlied, 12 Nocturner For piano (20002014), Bent Sørensen, musikKatrine Gislinge, pianoDACAPO 8.226627Kreisleriana, Op. 16/ I. Außerst bewegt (Extremely animated), Robert Schumann, musikKatrine Gislinge, pianodanacord DACOCD 741Fantasia Appassionata For Piano Solo, Bent Sørensen, musikKatrine Gislinge, piano,DACAPO 8.226135Sterbende Gärten, I Allegro, molto fluente, Bent Sørensen, musikRebecca Hirsch, violin Leif Segerstam, dirigent Danmarks Radios Symfoniorkesterdacapo 8.224039Piano Concerto No. 3, "La Sera Estatica" (2020/21), Bent Sørensen, musikKatrine Gislinge, piano, John Storgards dirigent, Copenhagen Phil (Sjallands Symfoniorkester) 12 nov 2021LiveImpromptus For Piano D 899, Nr. 4 Ass-dur, opus 90, Franz Schubert, musikMaria Joao Pires, pianoPiano Concerto No. 12 Kv414/ II Andante A-dur, W A Mozart, musik, Cadenzas by Bent SørensenKatrine Gislinge, piano, Stenhammar QuartetAlba Records ABCD 418Piano Concerto No. 13 Kv415/ I Allegro C-dur, W A Mozart, musik, Cadenzas by Bent SørensenKatrine Gislinge, piano, Stenhammar QuartetAlba Records ABCD 418Nachtlicher Fluss, 12 Nocturner For piano (20002014), Bent Sørensen, musikKatrine Gislinge, pianoDACAPO 8.226627Pianosonat nr 2, op. 36 i b-moll, Sergej Rachmaninov, musikKatrine Gislinge, piano LiveKitch musik, Valentin Silvestrov, musikKatrine Gislinge, pianoLiveMondnacht (Berceuse No. 2), 12 Nocturner For piano (20002014), Bent Sørensen, musikKatrine Gislinge, pianoDACAPO 8.226627

Coco Tomita is a rising star in the violin world. A former semi-finalist in the BBC Young Musician competition in 2020, she is currently studying at the University for Music Hanns Eisler in Berlin. Having recently released her debut album Origins on Orchid Classics, she reminisces about performing in 2020 with the pandemic just around the corner, as well as the challenges she faced while forging a solo career over the last two years. Check out thestrad.com for the latest news and articles on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_   Lili Boulanger: Two pieces for violin and piano I - Nocturne Francis Poulenc: Sonata for violin and piano I – Allegro con fuoco Coco Tomita, violin / Simon Callaghan, piano Origins Orchid Classics ORC100194

我們說交響樂之父是海頓，為什麼呢? 是因為他寫得最好？因為他寫過最多交響曲？ 要我說，莫札特的41部交響曲，貝多芬的的9部，馬勒的9部，柴可夫斯基的6部，德佛札克的9部，雖然數量不敵海頓，但部部都是了不起的大作品， 怎麼交響樂之父這個冠冕被海頓拿下了呢? [BGM（opening）] Joseph Haydn - Symphony No.49 in F minor - II. Allegro di molto [BGM（background）] Mozart - Symphony No.34, C major - I. Allegro vivace 小額贊助支持本節目： https://pay.firstory.me/user/the-music-history 留言告訴我你對這一集的想法： https://open.firstory.me/story/ckygu02qy90dy0882q11dv62r?m=comment Powered by Firstory Hosting

Bu 2 bölümlük Podcast serisinde Kaos Teorisi'ni, popüler ismiyle Kelebek Etkisi'ni konuşacağız. Bu bölümde, yani ilk bölümde Kaos Teorisi'nin bulunuşuna doğru giden tarihsel süreçte bir yolculuk yapacağız. Bu süreci bilmek, teorinin hem felsefi hem de bilimsel boyutunu irdeleyebilmek için elzem çünkü Kaos kelimesinin zihnimizdeki çağrışımları ve teorinin kendisi insan denen canlıyla birebir ilişkili. Böylece belli çıkarımlar yapmaya çalışacağımız 2. bölüm için gerekli alt yapıyı da kurulmuş olacak. Kaos Teorisi, matematikçi ve meteorolog Edward Norton Lorenz'in bir deney esnasındaki keşfi ile bilimsel literatüre ciddi şekilde giriş yapıyor. Hatta kelebeğin kanat çırpışı üzerinden yapılan analoji de direkt Lorenz'e ait. Peki, kelebeğin kanat çırpışı kadar küçük bir şey, hiç ummadığımız bir etki yaratıp büyük sonuçlara neden olabilir mi? 11:10'daki müzik: Bach - Violin Concerto No.1 In A Minor, BWV 1041 I Allegro moderato (Daniel Lozakovich version) 22:05'teki müzik: Beethoven - Moonlight Sonata, III Presto Agitato (Valentina Lisitsa version)

Ahoy Fellow Pastafarians! strap on yer boots and put on those Pasta Strainers for this bumpy episode. Who is the Flying Spaghetti Monster? What is Pastafarianism? How was it made? When was it made? Why is their heaven and hell identical? All these questions you have will probably be problematically answered be me, your cult leader: Paul. Enjoy! Sounds used: "Curb your Enthusiasm" theme "Snow White" Original movie clip sound Carlson "Toyotathon" Commercial "Sandstorm" by Darude  "Harry Potter and the Philosophers Stone" Original Movie Sound clip "Skyrim" sound clips Rick Astley - "Never Gonna Give You Up" Original Movie sound clip "Avengers: Endgame" "GTA San Andreas" Original Sound Clip Shakira "Hips Don't Lie" Cover "The Oldest Known Melody - Hurrian Hymn No. 6" sound Call of Duty: Modern Warfare Original Sound Clip "Who Wants To Be A Millionaire?" Original Sound Clip "Star Wars: Revenge of the Sith" Movie sound clip "Mozart - Sonata for Harpsichord Four Hands in C Major, K19:d I Allegro"  "Elevator Music - Vanoss Gaming background music" Les Cyclopes: Harpsichord Solo: It's Always Sunny in Philadelphia Theme                  Halo Theme Kazoo Orchestra (ft. my desk)                                 Worst Musical Instrument Ever!                                 Halo Theme | EPIC VERSION (Halo Infinite Tribute)                                 Halo theme song performed by 80 guys in 1 bathroom                                 Billy Mays Mighty Putty Commercial                                 Pasta N More Commercial As Seen On TV                                 Pasta Pro Cooker (2003)                                 Church of the Flying Spaghetti Monster Invocation                                 Top 5 Church of the Flying Spaghetti Monster Facts                                 How Powerful Is The Flying Spaghetti Monster?                                 What is Pastafarianism?                                 The Church of the Flying Spaghetti Monster Documentary                Bread Bag Boot Productions Citations Wikipedia. “Flying Spaghetti Monster”. https://en.wikipedia.org/wiki/Flying_Spaghetti_Monster (accessed September 8, 2020) the Church of The Flying Spaghetti Monster. https://www.spaghettimonster.org (accessed September 6, 2020)

Crowds filled the streets around the old Schwarzenberg Palace, desperate to hear Franz Joseph Haydn's new oratorio, The Creation. The premiere was a private performance, and those allowed inside must have an invitation or they would be turned away. Inside, the audience would become so enthralled by Haydn's music, that they could have sworn they saw light shoot out of the composers eyes and they would go about their daily lives for days thinking only about the performance with stars in their eyes. Join me and an incredible, growing community living healthier lifestyles in a body positive space with Roy Belzer Fitness: roybelzerfitness.com offer code chronpodcast. To become a member of The Composer Chronicles, click on the following link to Patreon: https://patreon.com/thecomposerchronicles Music in this episode: String Quartet No. 62 in C Major, Op. 76, No. 3 ("Kaiser"), Mvts. I: Allegro and III: Menuetto by Franz Joseph Haydn String Quartet No. 52 in E♭ major, Op. 64, No. 6, FHE No. 36, Hoboken No. III:64, Mvt. II: Andante by Franz Joseph Haydn Sources for this episode: Haydn: The Creation by Nichlas Temperley: https://www.amazon.com/Haydn-Creation-Cambridge-Music-Handbooks/dp/0521378656 --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Las piezas más icónicas de la música clásica que definitivamente debes conocer. Las mejores canciones instrumentales que todos conocen, pero nadie sabe el nombre, a pesar de que casi todos los días las escuchamos en programas de televisión o en anuncios. Mozart, Chopin, Beethoven, Tchaikovsky y mucho más. ¡Esto es realmente clásico! Temas: 1)00:00 - Tchaikovsky, Swan lake, Dance of little Swans (or cygnets) 2)00:19 - Rossini, The barber of Seville 3)00:26 - George Bizet, Toreador song 4)00:38 - Vivaldi "Four seasons", Summer 5)00:54 - Edvard Grieg - In the hall of the Mountain King 6)1:15 - Chopin, Nocturne in C#m 7)1:36 - Tchaikovsky, Dance of the sugar plum fairy 8)1:48 - Beethoven, Fur Elise 9)2:00 - Johann Strauss II, Wiener Blut 10)2:13 - Dvorak, Symphony no 9 11)2:26 - Richard Strauss, Also sprach Zarathustra 12)2:39 - Mozart, Symphony no 40 13)2:48 - Chopin, Nocturne in Eb op 9 no 2 14)3:08 - Bach, prelude in C 15)3:23 - Erik Satie, Gymnopedie no 1 16)3:38 - Leo Delibes, Flower duet 17)3:48 - Giuseppe Verdi, libiamo ne' lieti calici 18)4:03 - Bach, Orchestral suite no 2 19)4:18 - Boccherini, minuet 20)4:30 - Tchaikovsky, The Nutcracker: Russian dance 21)4:38 - Mozart, Eine kleine Nachtmusic 22)4:55 - Erik Satie, Gnossienne no 1 23)5:15 - Chopin, Nocturne in Bbm 24)5:32 - Johann Strauss II, The Blue Danube 25)5:47 - Chopin, "Minute Waltz" 26)6:00 - Beethoven "Ode to Joy" 27)6:14 - Modest Mussorgsky, Night on bald mountain 28)6:39 - Tchaikovsky, 1812 Overure 29)6:51 - Mozart, Lacrimosa 30)7:09 - Chopin, "Funeral March" 31)7:29 - Tchaikovksy, Waltz of the Flowers 32)7:44 - Jacques Offenbach, "Orpheus in the Underworld" 33)7:58 - Mozart, Rondo Alla Turca 34)8:12 - Bach, Air on the G string 35)8:28 - Johann Strauss II, Tales from Vienna Woods 36)8:44 - Vivaldi, Four Seasons: Autumn 37)9:02 - Rossini, William Tell Overture 38)9:28 - Richard Wagner, Ride of the Valkyries 39)9:35 - Chopin, Revolutionary Etude 40)9:45 - Tchaikovsky, The Nutcracker March 41)9:56 - N. Rimsky-Korsakov, Flight of the Bumblebee 42)10:09 - Beethoven, Symphony no. 5 43)10:25 - J.S.Bach – Toccata and Fugue in D minor, BWV 565 44)10:35 - Felix Mendelssohn – Wedding March (from “A midsumer Night’s Dream”) 45)10:46 - P.I. Tchaikovsky – swan lake: act I: No.2 Valse 46)11:07 - Leo Delibes – Pizzicato (from “Sylvia”) 47)11:20 - W.A. Mozart – Piano Concerto no.21 in C major (II Movement) 48)11:31 - Johann Strauss II – Kunstlerleben (Artist’s life) op. 316 49)11:46 - Antonin Dvorak – Serenade for strings (II. Menuetto: Allegro con moto) 50)12:10 - G.F.Handel – Messiah (HWV 56) 51)12:18 - Edvard Grieg – Morning Mood 52)12:25 - Antonin Dvorak – Humoresque Op. 101, No.7 53)12:43 - Giuseppe Verdi – La donna e mobile 54)13:04 - Georges Bizet – Habanera 55)13:20 - Jahannes Brahms – Hungarian Dance no.5 in F sharp minor 56)13:31 - Johann Strauss II – “Fruhlingsstimmen” Op 410 (Voices of Spring) 57)13:44 - Georges Bizet – Prelude to Act 1 for “Carmen” 58)13:57 - Antonio Vivaldi – the Four seasons “Spring” (I: Allegro) 59)14:13 - P.I. Tchaikovsky – swan lake, Act II: No.10 Scene (Moderato) 60)14:33 - Franz Liszt – Liebestraume no. 3 in A flat major 61)14:42 - Claude debussy – Clair De lune (from Suite bergamasque) 62)15:07 - Erik Satie – Gnossienne No.3 63)15:32 - Frederic Chopin – Prelude Op.28, no.4 64)15:56 - Ludwig van Beethoven – Moonligh Sonata

Bach neemt een ‘oud’ werk, en werkt het om tot, waarschijnlijk, zijn laatste Concerto. Een kwestie van een spiegelpaleis, waarin de muziek in een nieuwe gedaante naar zichzelf kijkt. Johann Sebastian Bach Prelude en Fuga in a, BWV.894 Ivo Janssen, piano VOID 9812 9’28’’ Johann Sebastian Bach Concert voor fluit, viool en klavecimbel, BWV.1044, deel I – “Allegro” La Risonanza olv Favio Bonizzoni 9’06’’

10 20 2019 - Violin Sonata In A Major, D 574 - I Allegro moderato - II Scherzo: presto by Snowmass Chapel

Willkommen zum Podcast aus Potsdam! In der ersten Episode stellen wir uns vor und nehmen dich mit nach Potsdam. Jingle © by Kammerakademie Potsdam, CD: CPE Bach Flute Concertos; Flute Conerto in A Minor, WG 166, H. 430: I Allegro assai

Un emocionante episodio en el que jugarás con la nieve con Tchai y sus mejores amigos: muñecos de nieve, peleas de bolas de nieve, y por supuesto, la carrera de trineos. Todo acompañado de música clásica que hará volar tu imaginación. Las notas del episodio en allegromagico.com/9.  En este episodio escucharás: [0:56] The Bells  (Kokola) Op.35: I Allegro ma non tanto (The Silver Sleigh Bells) - Sergei Rachmaninov  [3:00] Vremena Goda  (The Seasons), Op.67: Winter Hail - Alexander Glazunov [03:58] Las Cuatro Estaciones Op.8, Winter: Allegro non Molto - Antonio Vivaldi [07:42]  Hungarian Dance no.5 - Johannes Brahms [09:00] Epilogue, Band Sonora Frozen - Christophe Beck [11:21] Romeo y Julieta, Acto II, Escena XXXIII, La pelea de Tibalto y Mercurio - Sergei Prokofiev  [13:00] Obertura de Guillermo Tell - Gioacchino Rossini Comparto mi primer comentario y el primer dibujo.  ¿Te gustó el episodio? Si sí, suscríbete y califica el podcast en iVoox o en iTunes.  Si quieres recibir nuestro newsletter da click aquí.  ¿Qué temas te gustaría escuchar en el podcast? Escríbenos aquí.  Síguenos en: Facebook @allegromagicopodcast Twitter @AllegroMagico Instagram @allegromagico    

선곡표 1. Wouter hamel _March, april, may 2. Vivaldi -협주곡 Concerto in d minor, RV514, I악장 Allegro non molto 2악장 Adagio 3악장 Allegro molto 3. Mendelssohn -피아노 3중주 1번 - 3악장 4. Chopin -녹턴 B플랫단조 op.9-1 5. Granados -Granadas 6. Dvorak -현악 4중주 12번 F장조 op.96 아메리칸 중 1mov. Allegro ma non troppo 7. Sibelius -교향곡 2번 D장조 op.43 중 4mov. Finale. allegro moderato 8. Mascagni -오페라 카발렐리아 루스티카나 중 오렌지꽃 향기는 바람에 날리고

When pianist and From the Top host Christopher O’Riley and cellist Matt Haimovitz recorded a new album of Beethoven’s music, they decided to kick it old school: Chris played an original Broadwood fortepiano and Matt played a Goffriller cello with ox-gut strings. Why would these two artists – often recognized for their arrangements of Radiohead, for performing with young musicians, and for playing classical music in nightclubs – decide to play period instruments? Is there a true benefit to playing music on the instruments it was written for, or is this classical music nerdery? Learn the answers to these and so many other questions in this episode! Audio production by Todd “Todd Rundgren” Hulslander with harshing of mellows by Dacia Clay and editing by Mark DiClaudio. Music in this episode: (From Christopher O’Riley and Matt Haimovitz’s new CD, Beethoven, Period.) Sonata for Pianoforte and Violoncello in F Major, Op. 5, No. 1. II Rondo. Allegro vivace Sonata for Pianoforte and Violoncello in G Minor, Op. 5, No. 2. I Adagio sostenuto e espressivo. Sonata for Pianoforte and Violoncello in A Major, Op. 69.  I Allegro ma non tanto III Allegro vivace (From their Shuffle.Play.Listen. CD) Arcade Fire: “Empty Room” Radiohead: “Pyramid Song” (From other places…) Ludwig van Beethoven: Piano Sonata No. 23 in F Minor, Op. 57. Arthur Rubinstein. For more about Christopher O’Riley, Matt Haimovitz, and their new CD: www.pentatonemusic.com/pentatone-oxi…thoven-period

This week, Cedille Chicago Presents recordings by Chicago chamber ensembles; Rembrandt Chamber Players, Chicago Baroque Ensemble, Vermeer Quartet, and The Chicago Chamber Musicians. Subscribe to the Cedille Email List to receive one free music track from each week's show!  This week's download comes from The Chicago Baroque Ensemble's performance of Vivaldi: Concerto in G for Flute and Strings, Mvt. I (Allegro).

Joseph Haydn: from Piano Sonata in E-flat Major, Hob. XVI/49, movt. I: Allegro

W. A. Mozart: Piano Concerto No. 25 in C Major, K. 503, movt. I: Allegro maestoso

W. A. Mozart: Symphony No. 40 in G Minor, K. 550, movt. I: Allegro non troppo

Ludwig van Beethoven: Symphony No. 5 in C Minor, op. 67, movt. I: Allegro con brio

W. A. Mozart: Eine kleine Nachtmusik, K. 525, movt. I: Allegro