Podcasts about La Chaux

This week on The Business of Watches, we're in La Chaux-de-Fonds to talk to the man heading Greubel Forsey, one of the most revered and respected brands in independent watchmaking. The company had been on a recent roll, with Meta CEO and chairman Mark Zuckerberg seen wearing its pricey timepieces and a 'Mechanical Exception' win for its Nano Foudroyante at the Grand Prix d'Horlogerie Genève (a watch also in Zuckerberg's collection). Then news broke that Stephen Forsey, one of the brand's founders, was stepping down from the board, and, in a widely-seen social media post, Forsey said he had been "disengaged" from his duties by the board and chose to resign.  Nydegger tells us some of the backstory to the situation and how the company plans to move forward under stable ownership. Greubel Forsey isn't looking for investors, and should Forsey want to sell his minority stake, Robert Greubel, his fellow co-founder and majority owner, has a right of first refusal on the shares. So where is Greubel Forsey headed? Nydegger says the only thing shrinking will be the size of its timepieces as it continues a push to make its watches more wearable and possibly prices as they are trying to produce an entry-level watch in the lineup priced at around CHF 120,000 or less. They haven't quite got there just yet.  But first, we're joined by Arthur Touchot, the co-founder of Marteau & Co., to talk about his upstart auction house's plans to cut independent watchmakers in on the sale proceeds. For its sophomore edition, called 'The Echo', Marteau is auctioning off watches from independents, including Simon Brette, a Berneron Mirage Tiger Eye, vintage Daniel Roth, and an Audemars Piguet Starwheel. So will mighty AP be in line for 3% of the hammer price? Tune in to find out. Show Notes 1:30 Arthur Touchot  2:40 Marteau & Co.  4:13 New Swiss Auctioneer Aims To Bring 'Artist's Resale Right' Concept To Independent Watchmaker Sales  6:21  The Echo catalogue (Marteau & Co.)  11:40 M.A.D. Gallery Geneva  12:52 AHCI  14:11 Audemars Piguet Starwheel (Hodinkee)  16:08 Greubel Forsey (The Art of Invention)  19:14 Greubel Forsey Gets New CEO - Michel Nydegger (SJX)  20:20 Introducing The Greubel Forsey Double Tourbillon Technique Black, The First Titanium Watch From Greubel Forsey  20:40 Guy Takes $600,000 Greubel Forsey Double Tourbillon 30 Degrees Technique Swimming, Resists Heart Attack (Hodinkee)  24:02 Quadruple Tourbillon The History  24:50 Interview: Giulio Papi, Director Audemars Piguet Renaud & Papi (Hodinkee)  29:59 Greubel Forsey Watches: A Division of Labor (NYT paywall)  32:01 Micro-machinist in watchmaking (FHH)  38:20 These Watches Used To Be A Secret Of The Ultra Rich. Not Anymore. (Bloomberg paywall)  46:30 Stephen Forsey, Co-Founder Of Greubel Forsey, Steps Down From Company Board (Hodinkee)  49:02 Michel Nydegger acceptance speech GPHG 2025 Mechanical Exception prize (GPHG Youtube)  54:40 Mark Zuckerberg Wears $900,000 Watch To Announce End Of Meta Fact Checks (Bloomberg paywall)  55:30 Greubel Forsey Family 

Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d'Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l'oeil de l'architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L'Architecture modern à l'écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman's Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d'Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l'oeil de l'architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L'Architecture modern à l'écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman's Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d'Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l'oeil de l'architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L'Architecture modern à l'écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman's Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d'Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l'oeil de l'architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L'Architecture modern à l'écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman's Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Invitée: Katherine Choong, grimpeuse. Dicodeurs et dicodeuses: Marie Riley, Jérémy Crausaz, Julie Conti, Forma et Lord Betterave. Accompagné-e-s en musique par Olivier Magarotto. Réalisation: Thierry Galeuchet.

Invitée: Katherine Choong, grimpeuse. Dicodeurs et dicodeuses: Marie Riley, Jérémy Crausaz, Julie Conti, Forma et Lord Betterave. Accompagné-e-s en musique par Olivier Magarotto. Réalisation: Thierry Galeuchet.

Née à La Chaux-de-Fonds, Angélique Singele n'était pas destinée à l'horlogerie. Du moins, pas en apparence. Jusqu'au jour où elle s'assoit à un établi, essaie… et vit une révélation. Le geste, la précision, le contact avec la matière : tout fait soudain sens.Dans cet épisode, Angélique se livre sans filtre. Elle revient sur son parcours, de ses jobs d'été chez Rolex à sa première rencontre avec Kari, moment fondateur qui marquera profondément la suite de son aventure professionnelle. Elle évoque aussi les personnes clés qui ont compté dans l'évolution de sa carrière, ainsi que ses passions, comme le hockey, qui disent beaucoup de son tempérament.Aujourd'hui CEO de Voutilainen, Angélique nous explique ses missions, ses responsabilités, mais aussi les défis que représente le fait d'être à la tête d'une marque aussi forte, exigeante et respectée, fondée par Kari Voutilainen.Un échange sincère et inspirant, qui permet de découvrir la femme derrière la fonction, et la vision derrière la marque.Si tu veux nous poser une question ou simplement discuter, ça se passe ici, sur ▶️ Instagram ◀️Si tu veux partager le podcast à un ami, tu peux utiliser ce lien : MERCI DU PARTAGEHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Invitée: Katherine Choong, grimpeuse. Dicodeurs et dicodeuses: Marie Riley, Jérémy Crausaz, Julie Conti, Forma et Lord Betterave. Accompagné-e-s en musique par Olivier Magarotto. Réalisation: Thierry Galeuchet.

Invitée: Katherine Choong, grimpeuse. Dicodeurs et dicodeuses: Marie Riley, Jérémy Crausaz, Julie Conti, Forma et Lord Betterave. Accompagné-e-s en musique par Olivier Magarotto. Réalisation: Thierry Galeuchet.

Invitée: Katherine Choong, grimpeuse. Dicodeurs et dicodeuses: Marie Riley, Jérémy Crausaz, Julie Conti, Forma et Lord Betterave. Accompagné-e-s en musique par Olivier Magarotto. Réalisation: Thierry Galeuchet.

This week on The Business of Watches, we head to La Chaux-de-Fonds and sit down with a CEO that running a very different business than most watch brands. Mitchell Wein is the scion of a family that's been in the watch business for more than a century, and the Marathon brand launched back in 1939, supplying timing instruments for the Allied Forces in World War II. Selling watches, stopwatches, and clocks to governments and military organizations is still the bulk of Marathon's business these days. Wein says 80% of the watches they sell, by volume, are for these kinds of clients. For a company based in Toronto that makes its watches in Switzerland, that comes with a special list of challenges, particularly in the current geopolitical landscape, where conflicts are heightening, and more trade barriers are being erected. Marathon notably supplied the U.S. military with field watches during the Gulf War way back in the early 1990s, and even today, Wein says the company always has to be ready for a potential war and a potential big order from a military looking to outfit its soldiers with a watch able to withstand the rigors of modern armed conflict. But first, we're joined by another Canadian from the wide world of watches. Hodinkee Editor-in-Chief, James Stacey, drops in to talk about a recent trip to Japan and the launch of the Louis Vuitton X De Bethune LVDB-03 Louis Varius Project, a very exclusive travel watch that, if you're in the right price bracket, comes with a Sympathique clock that serves as a docking station to wind and set the watch. Show Notes: 2:04 Introducing The Louis Vuitton X De Bethune LVDB-03 Louis Varius Project (Hodinkee) 5:16 Denis Flageollet 6:40 F.P. Journe Reveals Why He Paid More Than $6 Million For A Breguet Clock He Designed 9:30 Hands-On: The DB25 Starry Varius (Hodinkee) 11:01 Exclusive: Hermes heir takes aim at LVMH's Arnault in missing shares civil lawsuit, court document shows (Reuters) 13:02 Travels With A Marathon Watch In Search Of Adventure (Cole Pennington, Hodinkee) 13:40 The Marathon Navigator – Now With A Steel Case! (Hodinkee) 14:30 Marathon X Jeep 18:00 Marathon Our Story (Marathon) 26:00 Comparison of Marathon Navigator Steel vs. Plastic (You're Terrific YouTube) 30:02 Doxa 34:15 Marathon Limited Edition ADANAC Stainless Steel Navigator Pilot's Automatic 40:05 Electromagnetic Pulse (EMP) Following a Nuclear Detonation (U.S. Dept. Health and Human Services) 42:16 IntroducingThe Marathon Navigator 'Blue Yonder' Limited Edition (Hodinkee) 48:11 NATO Stock Numbers (Wikipedia) 1:02:30 Robertson Screw (Wikipedia) 1:10:12 Marathon Clocks (Amazon) 

-Un festival littéraire à La Chaux-de-Fonds. -La Mongolie au Musée Rietberg à Zurich. -Dans les coulisses du "miracle suisse" au Chateau de Prangins. -La coupe du Monde de Catch Impro, de Fribourg à Lausanne en passant par Vicques. -La relève de la scène classique à Fribourg.

Prune Carmen Diaz mi ha colpito nell'esatto istante in cui ho sentito il suo singolo “Flight simulator”. undefinedNon sapevo nulla di questa creatura artistica nata e cresciuta a La Chaux-de-Fonds, se non che ruotasse nell'orbita di Humus Records. La sua voce così evocativa e la nostalgia che fuoriusciva da quelle melodie hanno fatto breccia e la curiosità è cresciuta singolo dopo singolo, fino all'uscita del suo primo album “Disobedience”, uno dei più belli (di genere) di tutto l'anno discografico svizzero.undefined“Disobedience” di Prune Carmen Diaz è un disco pop orchestrale e malinconico costruito con suoni vintage e atmosfere intime. È nato nella grande famiglia di Humus Records con l'affetto e la partecipazione attiva dell'amico cantautore, attivista e discografico Louis Jucker. undefinedIn otto canzoni veraci e organiche, Prune Carmen Diaz racconta il suo difficile percorso di crescita in un'infanzia segnata dal peso oppressivo e rigido della religione, un forte senso di diversità e la gestione della sindrome di Asperger. Nella sua opera, Prune Carmen Diaz esplora l'identità, la vulnerabilità, il dolore e la ribellione, ispirandosi al romanticismo e alla filosofia. “Disobedience” rappresenta in maniera sia esplicita che metaforica un atto di liberazione e accettazione di sé.undefinedHo preso il treno e sono andato à La Chaux-de-Fonds a conoscerla.

Dee belsche Journalist Jean-Bernard Rauzer trëfft sech mam Claude Luisier, e fréiere Schwäizer Holzfäller, dee sech vun der éischter Nout un an de Balafon verléift huet, a säi Liewen dem Perfektionéiere vum westafrikaneschen Xylophon verschriwwen huet. An dann ass do nach de Christophe Erard, e renomméierte Multiinstrumentalist, deen Concerten a Musekscoursen am Ex-Rex, dem Weltmusekzentrum zu La Chaux-de-Fonds, ubitt, an dat natierlech fir Balafon.

Chaque semaine, Christophe Schenk nous présente trois infos locales et inspirantes, sélectionnées parmi les émissions de la RTS. Cette semaine : un chœur éphémère à Neuchâtel, un club de découverte de la nature à La Chaux-de-Fonds, et lʹIA au service de manuscrits médiévaux à Genève.

Jafar Panahi, multi récompensé à New York, condamné à Téhéran Fabergé, l'artiste aux oeufs d'or Laurence Perez, à la tête de La Chaux-de-Fonds capitale culturelle 2027

Chaque semaine, Christophe Schenk nous présente trois infos locales et inspirantes, sélectionnées parmi les émissions de la RTS. Cette semaine : un quartier sans voiture à Bâle, un restaurant social et convivial à La Chaux-de-Fonds (NE), et la vie en vidéo dʹun nid de faucons à Zurich.

Témoignage recueilli dans le cadre de l'exposition En toile de fond présentée en 2024 à la Bibliothèque de la Ville de La Chaux-de-Fonds à l'occasion des 80 d'histoire du Club 44. - Marie DuPasquier est muséologue et curatrice indépendante. Dans ses recherches récentes, elle se concentre sur la conception et les dispositifs d'exposition, l'activation des systèmes d'images et l'entrelacement des corps, des comportements, de l'architecture, des œuvres et des matériaux dans l'espace avec l'idée de l'exposition comme zone de contacts rapprochés. Depuis 2015, elle est la directrice de Display, espace de pratiques artistiques et curatoriales à Berlin (DE). Elle revient sur l'exposition En toile de fond, dont elle a été la curatrice et la commissaire, abordant ses recherches, les axes définis et les dispositifs imaginés. - Enregistré au Club 44 au printemps 2025. Afficher moins

Le quartet noise-rock Coilguns emmené par la voix de Louis Jucker nʹarrête pas de tourner et dʹenregistrer. Après " Odd Love ", un album paru en novembre dernier conçu dans un studio isolé en Norvège, les Neuchâtelois ont publié, fin septembre, deux titres issus de la même session dʹenregistrement mais jugés trop violents et trop sombres. Dans la foulée, ils viennent de mettre cette fois en boîte de nouveaux morceaux durant une dizaine de jours dʹoctobre à La-Chaux-de-Fonds. Le guitariste Jona Nido est au micro dʹOlivier Horner

Comment réussir un concept de restaurant? Carol et Olivier Cuche tiennent la Buvette Maillard, sur les hauts de La Chaux-de-Fonds, depuis vingt-cinq ans. Carol est seule en cuisine, mais on ne se prend pas la tête, on mise sur la simplicité et la générosité, le bouche-à-oreille faisant le reste. À Lausanne, Nathalie s'apprête à ouvrir son établissement. Elle ne veut rien laisser au hasard et fait appel à une coach pour définir un business plan. Reportages d'Alexandre Lachavanne Réalisation: Mathieu Ramsauer Production: Raphaële Bouchet

Episode très "carte postale": je vous emmène avec moi dans ma voiture car sinon vous ne m'auriez pas entendue aujourd'hui. Bon, le son a l'air pas mal quand même..... Et le contenu, je crois, mérite un peu d'attention. Ca parle de lien entre les humains, de sentiment d'appartenance, de souvenirs suspendus et des prochaines invitations au café-récits que je vous glisse ici: - Mardi 18 novembre à Neuchâtel au Café CALM pour "Comme à la maison" pour nous inspirer parmi- Vendredi 21 novembre à La Chaux-de-Fonds à la Bibliothèque publique pour parler "lectures" et souvenirs associés - Vendredi 5 décembre à La Chaux-de-Fonds au Café du Coin pour évoquer quelques "parfums d'enfance" - Mardi 9 décembre à Neuchâtel au restaurant Trait-d'Union (cité universitaire) pour partager nos "voeux" Tout ceci est gratuit, bien sûr :) Je vous dis à bientôt? ____________________________________________Bienvenue dans Les Bulles de Flo(w), un défi (un peu) fou : 100 bulles audio en 100 jours, entre confidences intimes, réflexions sensibles et outils concrets.Je suis Florence Hügi, Facilitatrice des impossibles, et chaque jour, je vous propose une bulle pour souffler, questionner, transformer.Pas de perfection ici — juste des histoires, des ratés, des déclics.

Seit gut hundert Tagen ist Michael Kinzer Direktor der Pro Helvetia und somit oberster Kulturförderer der Schweiz. Was bekommen die Steuerzahlenden für die 47 Millionen Franken, welche die Schweizer Kulturstiftung jedes Jahr verteilt? Michael Kinzer ist Gast im «Tagesgespräch». Der Romand mit deutsch-österreichischen Wurzeln hat die Pro Helvetia in einem schwierigen Moment übernommen. Sein Vorgänger wurde, weil er seine Lebenspartnerin in hohe Positionen in der Schweizer Kulturstiftung befördert hatte, zum Rücktritt gedrängt. Die Stimmung in der Pro Helvetia war schlecht. Zudem muss auch die bundesnahe Stiftung sparen. Wie geht Kinzer damit um? Und wo setzt er in seinen ersten zwei Jahren Akzente? Gestritten wird in der Kulturförderung immer wieder über die Vergabepraxis. Gerade in einem kleinräumigen Land wie der Schweiz, wo sich in den verschiedenen Kulturszenen alle kennen, steht schnell der Verdacht der Vetternwirtschaft im Raum. Zudem kritisieren bürgerliche Parteien insbesondere das Engagement der Pro Helvetia im Ausland. Was bringen die Aussenstellen der Kulturstiftung in Neu-Delhi? Und sind die Auslandaufenthalte für Schweizer Kulturschaffende tatsächlich „bezahlte Ferien“, wie bürgerliche Politiker gerne kritisieren? Michael Kinzer ist ein Studienabbrecher und hat sich seine Kulturkompetenz in der Praxis angeeignet. Im alternativen Freiburger Kulturzentrum Frison hat er Konzerte organisiert, in La Chaux-de-Fonds ein Theater geleitet, in Lausanne jahrelang das „Festival de la cité“ organisiert und dann die Kulturabteilung geleitet. Und jetzt ist Kinzer Direktor der Pro Helvetia. Das klingt nach einem Weg hin zu mehr Macht, aber auch hin zu mehr Bürokratie. Wie geht Kinzer damit um? Roman Fillinger hat mit Michael Kinzer darüber gesprochen.

Chaque semaine, Christophe Schenk nous présente trois infos locales et inspirantes, sélectionnées parmi les émissions de la RTS. Cette semaine : une start-up vaudoise qui propose de surveiller sa santé grâce à ses règles, un atlas sonore des patois jurassiens, et un festival low-tech à La Chaux-de-Fonds (NE).

Personne nʹy croyait, et pourtant. Premiers projets pour La Chaux-de-Fonds Capitale Culturelle. Le grand remplacement des artistes par lʹIA, ça commence.

Immer mehr Gemeinden setzen neben dem bisherigen Streusalz auch auf Flüssigsalz. So hat die Gemeinde Wettingen AG zum Beispiel neu ein Salzfahrzeug, das Salzsole ausbringen kann. Das spare Salz, heisst es hier. Weitere Themen in der Sendung: · Grenchner Gemeinderat will Steuern nicht erhöhen - die zweitgrösste Solothurner Stadt rechnet mit einem Minus im Jahr 2026. · Der EHC Olten verliert zum zweiten Mal ein Heimspiel in dieser Saison: Olten spielt gegen La-Chaux-de-Fonds 2:3 und findet, der starke Oltner Auftritt sei nicht belohnt worden.

- Allô la terre! - À La Chaux-de-Fonds, une forêt pour la biodiversité et… pour lʹassiette ! - Des vergers communaux en libre accès à Lausanne. - Du poison dans la viande de requin.

A Lyon jusquʹau 25 octobre, le Théâtre des Célestins et le Festival Sens Interdits présentent la dernière création de Tatiana Frolova, désormais réfugiée en France avec toute sa troupe du KNAM Teatr. " Iʹm fine " est un adieu à la Russie autant quʹun autoportrait dʹexil et de résistance. La metteuse en scène sʹexplique au micro de Thierry Sartoretti. A voir en tournée suisse : La Chaux-de-Fonds, TPR, 14 et 15 novembre. Nyon, Usine à gaz, 19 et 20 mars 2026. www.sensinterdits.org

Vendredi 10 octobre, Dson Beats est notre invité dans Première Loge ! Originaire de La Chaux-de-Fonds, il est l'architecte de nombreux hits que vous écoutez au quotidien. Travailleur de l'ombre, il a collaboré avec des légendes comme Gucci Mane, Nicki Minaj ou plus récemment Damso. Entre mélodies, trap et efficacité […] The post Première Loge – Dson Beats, l'architecte de hits planétaires first appeared on Radio Vostok.

Dernier appel aujourd'hui pour soutenir la recherche de matériel pour l'association "Meli Art et Culture" créée en été 2023 à La Chaux-de-Fonds par Melinda et Daniele, un couple qui réside au Nicaragua depuis près de 30 ans et qui enseigne le langage des signes aux personnes sourdes, mais pas seulement puisque cette nouvelle école permettra à des jeunes avec de légers retards mentaux, des problèmes moteurs, dyslexiques et souffrant d'autres difficultés, de suivre des cours d'alphabétisation, d'enseignement du langage des signes et des langues étrangères, de gymnastique, de danse, de musique, de chant, d'artisanat, et tout ce qui peut aider au développement de l'art et la culture. DEMANDE: - Du matériel électrique (interrupteurs et prises murales, multiprises, boîtes électriques) - Des lampes de jardin avec panneaux solaires - Des plafonniers - Des petites caméras de surveillance - De la colle pour carreaux et pierre - Des bidons d'enduit d'étanchéité sous carrelage - Des jeux (UNO, dominos, memory, yahtzee, solitaires, jeux instructifs, puzzles pour enfants de 2 à 6 ans et puzzles de 20 à 500 pièces) - Du petit matériel scolaire (crayons, taille-crayons, gommes, trousses, stylos, boîtes, feutres pour tableaux blancs, blocs de papier de couleur, sacs à dos) - De la plomberie (robinets avec mitigeur, pommeaux de douche, syphons de lavabo, porte-serviettes, porte-savons, etc) - Des paquets de laine acrylique de différentes couleurs - Des briques réfractaires rouges - 2 sacs de 10kg de mortier réfractaire - Des sandales de plage en plastique (taille 28 à 45)

Melinda Consoli et son mari Daniele ont créé en été 2023 à La Chaux-de-Fonds l'association "Meli Art et Culture" qui a désormais pour objectif de terminer la construction d'un établissement scolaire au Nicaragua. L'école Happy Days permettra à des élèves sourds, aveugles, avec de légers retards mentaux, des problèmes moteurs, dyslexiques ou souffrant d'autres difficultés, de suivre des cours d'alphabétisation, d'apprentissage du langage des signes et des langues étrangères, de gymnastique, de danse, de musique, de chant, d'artisanat, et de tout ce qui peut aider au développement de l'art et la culture. Le couple, qui va retourner sur place plusieurs mois dès la mi-octobre, recherche encore du matériel divers. DEMANDE: - Du matériel électrique (interrupteurs et prises murales, multiprises, boîtes électriques) - Des lampes de jardin avec panneaux solaires - Des plafonniers - Des petites caméras de surveillance - De la colle pour carreaux et pierre - Des bidons d'enduit d'étanchéité sous carrelage - Des jeux (UNO, dominos, memory, yahtzee, solitaires, jeux instructifs, puzzles pour enfants de 2 à 6 ans et puzzles de 20 à 500 pièces) - Du petit matériel scolaire (crayons, taille-crayons, gommes, trousses, stylos, boîtes, feutres pour tableaux blancs, blocs de papier de couleur, sacs à dos) - De la plomberie (robinets avec mitigeur, pommeaux de douche, syphons de lavabo, porte-serviettes, porte-savons, etc) - Des paquets de laine acrylique de différentes couleurs - Des briques réfractaires rouges - 2 sacs de 10kg de mortier réfractaire - Des sandales de plage en plastique (taille 28 à 45)

Einkaufstourismus aus der Schweiz nimmt zu, drei Bünder Gemeinen wollen Verkauf des Skigebiets verhindern, Flughafen von La Chaux-de-Fonds vor dem Aus

" Une rencontre peut changer la vie dʹun enfant. " Cʹest la conviction de la directrice et fondatrice du festival Les Mots-Clés à Moléson, dont la 3e édition aura lieu du 3 au 5 octobre, à Rue. Son objectif : permettre à la littérature jeunesse dʹêtre accessible au plus grand nombre. Parmi les artistes présents, lʹillustratrice Catherine Louis. Karine Vasarino a pu visiter son atelier à La Chaux-de-Fonds.

Cet été 2025, 'Prise de terre' fait vibrer les ondes avec les temps forts hebdomadaires des "énergiques", lʹémission nomade et survoltée! L'équipe de joyeux arpenteurs a parcouru l'Arc jurassien pour une semaine riche en découvertes! Première étape à La Chaux-de-Fonds, où ils ont visité l'Espace de l'urbanisme, plongeant dans l'histoire architecturale de cette ville. Cap ensuite sur Mont-Soleil pour évoquer la technologie de pointe à la centrale solaire. A Boudry, ils ont découvert les secrets de l'énergie hydraulique à l'usine hydroélectrique. L'aventure s'est poursuivie à Saignelégier, où ils ont ressenti l'effervescence du Marché Concours national de chevaux. Et enfin, pour clôturer en beauté cette 3ème semaine de vadrouille, ils ont savouré un brunch du 1er août à la ferme des tourbières au Joratel (NE).

My Story   Talk 19  Ministry in Basingstoke 1968-78 Part 4 Welcome to Talk 19 in our series where I am reflecting on God's goodness to me throughout my life. Today I'll be talking about how, while I was at Basingstoke, the Lord started to open up a wider ministry overseas.   It all began when early in 1971 Willy Droz, a pastor from Switzerland appeared on my doorstep and introduced himself. He had trained at the International Bible Training Institute in Sussex where he had met his wife Brenda. He knew about me through the SPF newsletter which reported details of my travels around the universities preaching on the baptism in the Holy Spirit. He was organising a youth weekend retreat at les Rasses in the Swiss Jura mountains and asked if I would be the main speaker.   I had not been to Switzerland since my first visit in 1958 when I heard about the baptism in the Spirit from Laurie Dixon, and I eagerly accepted the invitation. But I first made sure that they would not expect me to preach in French. There are no less than four different languages spoken in Switzerland, German, French, Italian, and Romansh (spoken only by a small minority). Les Rasses is in the French-speaking area, known also as La Suisse Romande.   It was fifteen years since I had taken my French A level and I had forgotten, or thought I had forgotten, all of it. So I was grateful for the assurance that my preaching would be interpreted, which was a particularly interesting experience as I was at least familiar with the language into which I was being interpreted. In some ways it's much easier when you don't know the language and just have to trust the interpreter, but, when you know the language, you're constantly checking to make sure the interpreter is getting it right! And on one occasion I surprised everyone by saying, Non, je n'ai pas dit cela – No, I didn't say that.   So the French I had learnt at school had not entirely deserted me, but I have to confess that, when I was introduced to the wife of the pastor from Geneva, I could not even remember how to say, I'm pleased to meet you. It was only when in La Chaux-de-Fonds they lodged me for a few days with an elderly woman who spoke no English, that I was compelled to speak French and found the language coming back to me.   But I was far from ready to start preaching in French. The opportunity to do so came three years later in March 1974 as the result of my meeting Jerry Sandidge at an SPF house party at Capel, then the home of the Elim Bible College. Jerry told me he was the director for University Action in Eurasia for the American Assemblies of God, had heard about my ministry in Britain and the USA – about which, more later – and invited me to preach in the University of Louvain (or Leuven) in Belgium on the subject, Charismatic Gifts – are they for today?   He also said that he could arrange for me to speak at CBC, the Continental Bible College, later to become the Continental Theological Seminary, near Brussels, where they had two language streams, one in English and the other in French. It was there, I think, that I first met Warren Flattery, who asked if I would mind taking one of his French classes.             In French? I asked.             Oh no, he said, I always do it in English. To which I responded by politely asking how long he had been living in a French speaking country, and didn't he think he ought to be doing it in French? And so I asked him for a French Bible and, as I had a day or so to prepare for it, after apologising to the class up front for the mistakes I was sure to make, I somehow managed to preach my first sermon in French. At the end of which the class applauded and Warren said,             Lui, s'il peut le faire, moi, je peux le faire!             If he can do it, I can do it!   And the class applauded again, and from then on Warren took all his classes in French. In my case, the applause was certainly not for the quality of my French, but, I suspect, was an expression of sympathy and appreciation that I had made the effort.   The next opportunity came in 1977 as a result of my meeting Marie-France, a French student at Mattersey. The Bible College had moved in 1973 from Kenley to Mattersey and in 1976, in the final week of the summer term, I was giving a lecture when I happened to mention that on one occasion in Switzerland I had spoken to someone in French. Marie-France approached me afterwards, pleased to know that there was someone she could speak to in her own language.   The outcome of that conversation was that over the next few years Marie-France came to stay with us in Basingstoke on several occasions. She became a good friend of our family and a great help to me in improving my spoken French. Several of my sermons had been recorded on cassettes and Eileen had patiently typed them up, word for word as I had preached them. Marie-France kindly offered to translate them for me, so that I could refer to them whenever I might need to preach in French.   The following year, having heard about me from Marie-France, the pastor of her church in Paris invited me to preach whenever I would next be on the continent. So while I was in Brussels for a fortnight writing a course for ICI (International Correspondence Institute, later to become Global University) – more of which later – I travelled to Paris for the weekend and preached one of the sermons Marie-France had translated for me. The French, of course, was excellent, but I can't say the same about the delivery! I was so nervous that I read every word of it! And I did the same the following year when Willy Droz arranged for me to preach in several churches in Switzerland – Vevey, Ste. Croix, Payerne, Lausanne, Saxon, Colenberg, Neuveville, Couvet. I think it was in Vevey that some people came up to me after the service and, after chatting with me, in French of course, for about twenty minutes said, Thank you for your message. It was very good. But why did you read it all? To which I replied that someone had translated it for me and that I did not have enough confidence in my French to do it without reading it. But they replied, You've been speaking with us in perfectly good French for the last 20 minutes. You should trust in the Lord. And I can hardly believe that I made the following stupid reply, Yes, I know how to trust the Lord in English, but I don't know how to trust him in French! But the time did come when occasionally I would have to trust the Lord to help me preach in French without notes, but that's a story for a later talk. It's time now to mention the trips I made to the USA while we were still in Basingstoke.   I have already mentioned John Miles who was my closest friend while we were at Oxford. He was part of that group of Pentecostal students who very much took the initiative in the formation of the Students' Pentecostal Fellowship. After graduating John spent a year or so school teaching in England before going to the Congo as a missionary. It was there he met and married Sara, an American missionary and where their first child Julia was born. By 1972 they were back in the USA where John did a PhD in French at the University of Illinois and eventually became Professor of French at Wheaton College.   However, at one point they were thinking of returning to Congo and in 1972 John wrote to me saying that, if I was thinking of visiting them in the States, I should do so fairly soon. His letter coincided with one of my regular visits to Kenley Bible College where I met Don Mallough, a guest lecturer from America who, over lunch, asked me if I had ever visited the States and encouraged me to go if I had the opportunity.   In those days travelling to the States was far less common than it is today, and to me the decision to go there was far from easy. However, I was talking to Eric Dando, a well-known preacher and member of the AoG Executive Council and asked him what he thought. His reply went something like this: Well, David, I go to America like I go anywhere else. If I feel that I can be a blessing to them and they can be a blessing to me, I go. That put things in perspective for me and on that basis I decided to go, even though at the time I had received no specific invitation to minister anywhere. So I arranged to go for the month of October, and shortly after received an unexpected letter. It was from Jim Hall who had heard about the work I was doing for the SPF in the universities in Britain and asked if I would do something similar in Illinois where he was the Assemblies of God Director for University Action.   So that's what I did. Jim arranged preaching engagements for me in churches morning and evening every Sunday and on Wednesday evenings. An offering was taken in each meeting, half of which was designated for the University Action department, the other half for me, to cover the cost of my airfares and a gift for my ministry. This was a complete surprise for me as I had decided to go to the States before I knew of this.   It was also a wonderful answer to prayer. We had been struggling financially as the church was not yet able to pay me an adequate salary and any funds we originally had as the result of the sale of our bungalow in Colchester had now run out. But now our needs were met, and I came home with a renewed faith and expectation that God would always find a way to meet our financial needs.   But the most satisfying thing about the trip was not the financial reward but the response I received in the churches and universities. I was based at Urbana with John and Sara, and I preached there the first Sunday morning I was there. I preached on repentance and was amazed to see how many people came forward in response to the appeal. I received a similar response everywhere I went, and I quickly learnt how different Americans are from us Brits in responding to an appeal.   But for most of the month I was travelling around the state of Illinois accompanied by Jim Hall who acted as my chauffeur and guide and was a great encouragement to me. We learned a lot from each other over the many miles we travelled together and became great friends. We visited eight universities altogether, spending two days in each. These were: Illinois State University, Normal; University of Illinois, Urbana; Northwestern University, Evanston; Northern Illinois University, DeKalb; Western Illinois University, Macomb; Southern Illinois University Edwardsville; Southern Illinois University, Carbondale; and Eastern Illinois University, Charleston.   Over the course of the three weeks we were touring, dozens of students were baptised in the Spirit and began to speak in tongues, one professor telling me how grateful he was to God ‘for the wisdom he had given' me in the way I taught the Word and how I prayed for people to receive. And Jim Hall was so encouraged that he sent a report about my ministry to Aaron Linford, the editor of Redemption Tidings, which was published shortly after I returned to England.   I made a similar trip to Illinois two years later in October 74, visiting the same universities, but this time speaking on two main themes, The fruit of the Spirit (Galatians 5:22-23), and The Christan's Armour (Ephesians 6:10-20). On each of these trips I had left Eileen and the children back in England and we all missed each other very much. For Eileen it was particularly difficult as in 1972 Jonathan was only two, and the girls were just seven and eight.   One example of this was when I returned at the end of October 72 and Eileen had driven up to Heathrow with the kids to meet me. During my trip people had asked me about the weather in England and if it was very foggy – I think they must have been watching some of the Sherlock Holmes movies – and I had replied that we occasionally get a bit of fog, but not very much. But ironically, when our flight approached Heathrow, the captain announced that our landing would be delayed because of fog. The delay was so long that we had to go back to Shannon in Ireland to refuel and we eventually landed at Heathrow four and a half hours later than scheduled. And all this time Eileen was waiting with three young children in a very crowded Heathrow. But the third time I went to the States Eileen and the children came with me. This was for six weeks from mid-February to the end of March 1977, and the children had to have special permission to miss school. This was granted on the educational value of the trip and on the condition that whenever possible they went to school in Wheaton, where John and Sara Miles were now living. Most of my ministry during the trip was in churches rather than in universities, although I did speak to students at a breakaway retreat in Carlinville, the headquarters of the Illinois district of Assemblies of God. I also conducted a seminar in Wheaton College on the baptism in the Spirit, more of which in a moment. Once again, the churches we visited were in Illinois. These included Rockford, Urbana, Granite City, Springfield, Naperville, Schaumberg, East Saint Louis (where we took the opportunity to go to the top of the famous arch), and La Grange. The experience at East Saint Louis was interesting for two reasons, first because after the morning service the whole congregation stayed behind for what they called an agapē meal, or love-feast, where they presented a delicious array of both hot and cold dishes.   That church was also significant because during the meal the pastor showed me the notes of a sermon he had preached which were almost identical to what I had preached that morning. It was on the subject of team leadership based on the church in Antioch (Acts 13), about which I will say more next time. The Lord was clearly saying the same thing to different people in different parts of the world.   Our experience at La Grange was even more interesting. I preached there on the first Sunday of our trip and they invited me back for a series of meetings from Sunday to Wednesday towards the end of our stay when I gave a series of talks on Gideon. We were invited by a family whose children were about the same age as ours for a typical Thanksgiving meal specially prepared for us as it was not really the season for Thanksgiving. It was on the Wednesday before the final service and we really enjoyed it, so much so in fact that we arrived a little late for the service and I was so full I could hardly preach!   Even more interesting was the fact that they enjoyed the ministry so much that they asked me if I would seriously consider accepting the pastorate of the church as the pastor had recently announced that he was moving on. The offer was extremely tempting, but, as I will explain later, by this time I was already convinced that the Lord was calling me to Mattersey.   Other significant features of that trip included a visit to the Assemblies of God headquarters in Springfield, Missouri, a journey to Tulsa, Oklahoma, at the invitation of Oral Roberts to attend as his guests a seminar at the Oral Roberts University, and finally, a seminar I was asked to conduct at Wheaton College on the baptism in the Holy Spirit on Saturday 19th March. On the Friday evening I had been asked to appear on television by a Christian TV station in Chicago and was on my way there accompanied by Pastor Tom Richardson when he received a phone call to say that they had made a last-minute decision to have instead a telethon evening to raise much needed funds.   Although this was disappointing, we had no alternative than to return to Wheaton where the next morning I preached on the baptism in the Spirit and several came forward for prayer and were filled with the Spirit. When the meeting was over, one of them asked me if I had heard Professor James Dunn the previous evening.   I said no, at which she expressed some surprise. Dunn, who is well-known for his rejection of the Pentecostal understanding of baptism in the Spirit, had given his reasons for doing so, but I, without knowing what he said, had answered him on every point. This was clearly, without my knowing it, due to the leading of the Holy Spirit in all I had said, and was in itself an evidence of the truth of what I was preaching.

On s'interroge souvent sur notre relation aux animaux, mais on oublie qu'on s'en sert, parfois là où on ne s'y attend pas: du prétoire aux usines, des laboratoires à la traite esclavagiste. L'usage des animaux, c'est le fil rouge de la nouvelle série d'Histoire Vivante, et le thème de la 10e édition du Festival Histoire et Cité, du 31 mars au 6 avril à Genève, Lausanne, Neuchâtel et La Chaux-de-Fonds. En 1925, le "procès du singe" secoue Dayton, dans le Tennessee aux Etats-Unis. Partisans de la science et créationnistes, défenseurs d'une lecture religieuse de l'origine de l'humanité s'affrontent autour de l'enseignement de l'évolution à l'école. Ce procès fondateur soulève une question cruciale : notre lointaine parenté avec les singes. Une affaire qui ouvre une longue série de confrontations similaires jusqu'à aujourd'hui. Récit avec Thomas Hochmann, professeur de droit public à l'université Paris Nanterre.

Pascal Magne Courses: Www.pascalmagne.com Podcast Website Follow @dental_digest_podcast  Instagram Follow @dr.melissa_seibert on Instagram Connect with Melissa on Linkedin Dr. Pascal Magne was born in La Chaux-de-Fonds (Switzerland) in 1966. He grew up and followed his primary education in Neuchâtel then moved to Geneva where he graduated in dentistry in 1989 and completed a Doctoral Thesis in 1992. He taught and continued his postgraduate education in Prosthodontics and Operative Dentistry at the University of Geneva until 1997. Awarded with major grants by the Swiss Science Foundation, the Swiss Foundation for Medical-Biological Grants, and the International Association for Dental Research, he spent two years as a full-time research scholar in Biomaterials and Biomechanics at the University of Minnesota between 1997 and 1999. Back at the University of Geneva, he received his PhD degree in 2002 and served as Senior Lecturer from 1999 to 2004. Since February 2004, he became Associate Professor at the University of Southern California (USC, Los Angeles) where he also serves as Director of the Center for Esthetic Dentistry. He is the author of the textbook -- "Bonded Porcelain Restorations" (Quintessence Publishing, 2002), as well as clinical and research articles on esthetics and adhesive dentistry and is frequently invited to lecture on these topics.

Invité: Maxime Felder. Lorsquʹon parle des villes suisses, ce sont souvent les plus grandes qui sont évoquées: Genève, Lausanne, Bâle, Zurich, Berne. Il existe pourtant dans notre pays de très nombreuses communes urbaines de taille moyenne, qui sont souvent peu étudiées par la recherche. Des villes comme Bienne, La Chaux-de-Fonds, Martigny, Schaffhouse ou Thoune. Une équipe de recherche du Laboratoire de sociologie urbaine (LASUR) de lʹEPFL sʹest penchée sur douze ville Suisse de moyenne importance. Elle en a tiré un livre: "La Suisse de A(rbon) à Z(oug). Portrait en 12 villes" chez EPFL Press. Tribu reçoit Maxime Felder, sociologue, chercheur au LASUR, qui a codirigé le livre avec Renate Albrecher, Vincent Kaufmann et Yves Pedrazzini.

(01:02) Die Ausstellung «Hilfe, ich erbe!» zeigt auf spielerische Art, wie sehr uns das familiäre Erbe prägt und wo es Handlungsspielraum gibt, es selbst zu gestalten. Weitere Themen: (05:35) «Warum eine Pistole auf der Bühne nicht schiesst»: Theatermacher Matthias Hartmann hat Buch veröffentlicht und versucht damit, das Theater zu retten. (10:46) Einer der experimentierfreudigsten Autoren in Nachkriegsdeutschland: «Musée des Beaux Arts» in La Chaux-de-Fonds zeigt Ausstellung mit Bildern von Arno Schmidt. (15:13) Zeitlose Lyrik über Liebe, Krieg und Natur: «Der arabische Diwan. Die schönsten Gedichte aus vorislamischer Zeit.» (19:42) Ägeribad in Zug: Innovative und nachhaltige Architektur.

«Les festivals ont des missions sociétales» affirme Emmanuel Moser, le directeur artistique de la Plage des Six Pompes. Ce festival international des arts de la rue qui se tient à La Chaux-de-Fonds a reçu cette année la visite de la conseillère fédérale Elisabeth Baume-Schneider, un an après la tempête qui avait conduit à l'annulation de l'édition 2023. Que ce soit à la Chaux-de-Fonds, à Avenches ou à Nyon, les festivals contribuent à la réputation des communes où ils se déroulent. Nyon Région Tourisme surfe sur la vague dans sa communication. Reportages de Grégoire Molle Réalisation: Matthieu Ramsauer Production: Laurence Difélix

Coilguns aus La Chaux-de-Fonds, Luce aus Luzern, Odd Beholder aus Baden und Long Tall Jefferson aus Zürich haben uns ganz feine Songs gesteckt, die offiziell erst am Freitag erscheinen. Ein Premierenrausch, brachial und packend, schlafraubend schön, verträumt-verliebt und liechtfüssig-sinnsuchend.

This week, we catch up with Matt Smith Johnson, AKA Teenage Grandpa, and his work in watches and watch design, including brands like Vero, Laco, and others. Beyond the expected chat around dial text and case proportions, our chat with Matt goes in some less expected directions, specifically around metal band t-shirt design and which metal groups need a watch sponsorship deal, stat.  Before all that, Andy and Felix chat about Andy's recent trip to the Cartier Manufacture in La Chaux-de-Fonds, the recent TAG Heuer X Kith Formula One reissue, and what other brands might be looking for a ‘Moonswatch Moment' in the near future.  This episode of OT: The Podcast is in partnership with Cartier, find out more about their latest watches at cartier.com.au Love Cartier? Join our Discord. Show Notes: Cartier Cartierwatchcommunity on Instagram TAG Heuer x Kith Toledano X Chan Teenage Grandpa on Instagram   OT: Discord - https://discord.com/invite/X3Vvc9z7aV How to follow us: https://www.instagram.com/ot.podcast https://www.facebook.com/otpodcastau https://instagram.com/andygreenlive https://instagram.com/fkscholz   Send us an email: otthepodcast@gmail.com   If you liked our podcast - please remember to like/share and subscribe.

Pour cette nouvelle série, Histoire Vivante accompagne le festival Histoire et Cité à Genève, Lausanne, Neuchâtel et à La Chaux-de-Fonds, ainsi qu'aux Châteaux de Prangins et de Nyon, du 15 au 21 avril 2024. Cette édition est consacrée à la rue et pour l'accompagner, Histoire Vivante vous propose une traversée historique des usages de la rue sur vingt-quatre heures, du soir au petit matin. Il est 8 heures du matin, on sort de chez soi. Le premier contact avec la rue c'est la circulation. Une bataille s'engage avec les bêtes, les détritus et les étals, et bientôt les voitures à chevaux ou à moteur. Au XIXème siècle, on voit bientôt apparaitre les tramways, et bientôt les piétons ne sont plus qu'un risque parmi d'autres. Tiphaine Robert est historienne à Fribourg, spécialiste de l'histoire de la route aussi bien en ville qu'à la campagne.