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Wolfgang Flür, formerly of Kraftwerk, and musical collaborator Peter Duggal, discuss musical journeys, memories from the Kraftwerk years, collaborating with members of Daft Punk and Joy Division for the new LP "Times" and much more. Topics Include: Introduction of new album "Times" release details First 200 vinyl copies include signed postcards Peter's role as Wolfgang's longtime collaborator since 2015 Peter's musical background in 1980s electronic music Previous collaboration on album "Magazine" released in 2022 Collaborators on "Times" including Boris Blank and Daft Punk Modern vs. old technologies for music production Wolfgang's frustration with German music industry Cherry Red Records supporting Wolfgang's career in England EMI's mishandling of Wolfgang's earlier album "Time Pie" Peter's personal relationship with vinyl records Production quality of the vinyl pressing in Czechoslovakia Mastering process with different approaches for vinyl vs. CD Collaborating with Emil Schult, former Kraftwerk visual artist The track "Planet in Fever" originally written in 1993 Wolfgang's approach to revisiting and evolving older songs How Peter and Wolfgang know when a song is "done" Comparing music creation to cooking a meal Process of collaborating with Boris Blank on "Global Youth" Wolfgang's childhood in post-WWII Germany First record purchase: Khachaturian's "Sabre Dance" at age 10 Musical influences from his mother and grandmother First musical instrument was a mouth organ Discovering drums at school at age 16 Designing electronic drum pads for Kraftwerk Wolfgang's friendship with Florian Schneider until his passing Their emotional final meeting at a brewery Working with Thomas from Daft Punk Planned joint appearance at a Chicago film festival Live performance concept "Musiksoldat" as anti-war statement Wolfgang and Peter completed their 60th show together Wolfgang's last visit to Australia in 1981 Karl Bartos' importance to Kraftwerk's musical compositions Plans for future performances and promoting the album EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8
durée : 01:28:19 - En pistes ! du mardi 11 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Les Vêpres de Monteverdi ont les faveurs des interprètes ces dernières années, avec aujourd'hui la version d'Emiliano Gonzalez Toro et I Gemelli. Également au programme : la musique pour clavecin de Handel, mais aussi Brahms, Chopin ou Khachaturian
durée : 01:28:19 - En pistes ! du mardi 11 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Les Vêpres de Monteverdi ont les faveurs des interprètes ces dernières années, avec aujourd'hui la version d'Emiliano Gonzalez Toro et I Gemelli. Également au programme : la musique pour clavecin de Handel, mais aussi Brahms, Chopin ou Khachaturian
Eine neue CD von Jean-Yves Thibaudet - vorgestellt auf NDR Kultur.
Con Carlos Iribarren | El 1 de enero nos parece un día ideal para escuchar 8 piezas que coinciden en el ritmo, así como en la probable intención de sus respectivos compositores: ponernos a todos de buen humor e incluso motivarnos lo suficiente como para bailar y saltar. Hoy Toca disfrutar del galope, un compañero habitual del vals y la polka en los conciertos de Año Nuevo en Viena y que escucharemos, en la mayor parte de los casos, en interpretaciones de la Orquesta Filarmónica de la capital austríaca. Los autores seleccionados por Carlos en esta ocasión son tan variopintos como los 2 Johann Strauss (padre e hijo), Johann Hellmesberger Jr., Hans Christian Lumbye, Offenbach, Tchaikovsky, Bizet y Khachaturian. Descubre un ritmo imparable que surgió en Europa y disfruta con nosotros del primer día del año en la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.
Avui escoltarem: Suite del ballet "Espartacus", op. 82; "Obertura de benvinguda", en re bemoll major, op. 51. Aram Khachaturian (1903-1978)
Avui escoltarem: Concert per a violoncel i orquestra, en mi menor, op. 65; Oda a la mem
Avui escoltarem: Suite del ballet "Gayane"; Simfonia n
Avui escoltarem: Concert per a viol
9ep19- Show#419 Guest: Emil Khachaturian (2024) Interview on Nexxlegacy Hosted by Charles iambranded Madison Download the FREE Radio Station App GooglePlay - Android Devices (Free App) #iOS - IPhone Devices (Free App) Download the app for free #Nexxlegacy #Music #HipHop #Culture #Music #GooglRnB #RythmnBlues #MotivationalSpeaker #Radio #Nexxlegacy #Rap or go to http://www.nexxlegacy.com
What a pleasure it was to sit across from a professional in communications. I had a lot more in common than I expected with this old soul, wise-beyond-her-years, grounded girl. Listen as this Champaign native talks purity before marriage, leaving the popular ciLiving local lifestyle show, maintaining uncompromisable roots while being flexible enough to travel for her husband's professional baseball career, making your mess your message with her book "It's OK, Finding Peace in Unexpected Places," having a career in a business where appearance matters, dwelling on the social outskirts and reaching the goal of running a marathon and writing a book before entering holy matrimony. Her parents raised a good one with Grace. I can't wait for her next chapter. Thank you so much for listening! However your podcast host of choice allows, please positively: rate, review, comment and give all the stars! Don't forget to follow, subscribe, share and ring that notification bell so you know when the next episode drops! Also, search and follow hyperlocalscu on all social media. If I forgot anything or you need me, visit my website at HyperLocalsCU.com. Byee.
Aram Khachaturian (1903-1978) – Concerto per pianoforte e orchestra in re bemolle maggiore op. 381. Allegro ma non troppo e maestoso2. Andante con anima 15:393. Allegro brillante 26:25 Alicia de Larrocha, pianoLondon Philharmonic OrchestraRafael Frückbeck de Burgos, conductor
Aram Khachaturian (1903-1978) – Concerto per violino in re minore1. Allegro con fermezza (00:00)2. Andante sostenuto (14:56)3. Allegro vivace (27:13) David Oistrakh, violinMoscow Radio Symphony OrchestraAram Khachaturian, conductor It was composed for David Oistrakh and was premiered on 16 November 1940 by Oistrakh.
Aram Khachaturian (1903-1978) – Sinfonia n. 2 in mi minore “Le campane”1. Andante maestoso 2. Allegro risoluto (16:08)3. Andante sostenuto (25:40)4. Andante mosso - Allegro sostenuto (38:20) Royal Scottish National OrchestraNeeme Järvi, conductor
Aram Khachaturian (1903-1978) – Sinfonia n. 1 in mi minore 1. Andante maestoso con passione – Allegro ma non troppo2. Adagio sostenuto (18:09)3. Allegro risoluto (30:35) Armenian Philharmonic OrchestraLoris Tjeknavorian, conductor
Aram Khachaturian (1903-1978) - Ode in memoria di Lenin Armenian Philharmonic OrchestraLoris Tjeknavorian, conductor**********10:54Aram Khachaturian (1903-1978) – Russian fantasy London Symphony OrchestraLoris Tjeknavorian, conductor**********16:22Aram Khachaturian (1903-1978) – Poema festivo I - Allegro vivace con fuoco - Andante agitato con appassionatissimo - Tempo IArmenian Philharmonic OrchestraLoris Tjeknavorian, conductor**********36:15Aram Khachaturian (1903-1978) - Sabre Dance from Gayane (ballet Act IV)Berlin PhilharmonicSeiji Ozawa, conductor
Aram Khachaturian (1903-1978) – Lermontov Suite (1959)1. Introduction - On the Death of a Poet 2. Mazurka 03:203. Waltz 07:054. Intermezzo and Finale (Lermontov in the Caucasus) 13:35Armenian Philharmonic Orchestra Loris Tjeknavorian, conductor
Aram Khachaturian (1903-1978) – Spartacus, Ballet Suite No. 1 1. Introduction and Dance of Nymphs 2. Introduction, Adagio of Aegina and Harmodius 05:053. Variations of Aegina and Bacchanalia 12:104. Scene and Dance with Crotalums 15:495. Dance of the Gaditanian Maidens and Victory of Spartacus 19:43Scottish National OrchestraNeeme Järvi, conductor
For the first week of Beauty Month, Maggie is joined by her makeup artist Anton Khachaturian. In this episode, Anton gives Maggie all hot details on the Espresso Makeup Look, the scariness behind Red Lips, why we're all obsessed with Thrive Causemetics, and of course, soulmate dogs. Sponsors: Nutrafol - For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code METIME. Jenni Kayne - Find your forever pieces @jennikayne and get 15% off with promo code MAGGIE at jennikayne.com/MAGGIE #jennikaynepartner Follow on Instagram: @metimewithmaggie Learn more about your ad choices. Visit megaphone.fm/adchoices
El concierto de la OSRM será emitido por Onda Regional, con los comentarios de Juan González Cutillas, a partir de las 21:00 horas este sábado 6 de enero.Esta tarde escuchamos la polca 'Tritsch Tratsch' y el vals de 'El murciélago', ambas piezas de Johann Strauss II, el vals de Roque Baños para la película 'Obra maestra', 'La viuda valenciana' de Khachaturian y la 'Marcha Radetzky' de Johann Strauss I.
durée : 01:28:22 - En pistes ! du mercredi 08 novembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous poursuivons la semaine aux côtés d'Emilie et Rodolphe qui ont choisi pour vous ce matin la musique de Boccherini, de Vivaldi, de Dvorak, en passant par celle de Ravel, de Mendelssohn et Khachaturian. En pistes !
Do you sometimes feel down and wish you could boost your mood? You're not alone. Many people are looking for ways to feel better, mentally and physically. That's where "hope molecules" come in. While it's not a term scientists use, it helps us discuss some special brain chemicals. These chemicals, like endorphins and dopamine, have a big say in how you feel each day. What if you could understand these brain chemicals better? What if you knew how to get more of these feel-good molecules naturally? Scientists have been looking into these questions for years.Kringelbach, M. L., & Berridge, K. C. (2017). Pleasure, happiness, and the brain. Oxford Handbook of Philosophy of Emotion, 4, 329-344.,Rothman, R. B., Baumann, M. H., Dersch, C. M., Romero, D. V., Rice, K. C., Carroll, F. I., & Partilla, J. S. (2019). How stimulants affect the brain. Synapse, 39(1), 32-41. In this article, we'll talk about these special chemicals one by one. We'll discuss what Hope Molecules do, why you might not have enough of them, and how you can get more through what you eat, exercise, and supplement your diet. We'll also cover lifestyle factors that influence them the most. All of this is based on real science to help you take steps to feel better. What are "Hope Molecules"? The term "hope molecules" is a memorable way to discuss a group of critical neurotransmitters in our brain. Based on how they work, you'll find that the term "Hope Molecule" is an appropriate term to describe them. These are the biochemical messengers that significantly influence our emotions and overall well-being. When you're feeling good, chances are your levels of these particular molecules are balanced. On the flip side, imbalances can lead to feelings of stress, unhappiness, or even physical discomfort. The key players in this biochemical dance are: Endorphins: Often referred to as natural painkillers, endorphins elevate your mood and can even produce a sense of euphoria. Dopamine: This neurotransmitter acts like a reward system for your brain, providing feelings of pleasure and satisfaction. Oxytocin: Commonly known as the "love hormone," oxytocin strengthens social bonds and enhances feelings of trust and empathy. Serotonin: This molecule contributes to your sense of happiness and well-being, and it also plays a role in regulating your sleep and appetite. Brain-Derived Neurotrophic Factor (BDNF): This unique molecule supports the health of your brain cells and improves cognitive functions like learning and memory. In the following sections, we'll delve into each of these neurotransmitters in detail. We'll explore their roles, why you might be lacking in them, and how to naturally boost their levels through lifestyle choices like diet and exercise. And rest assured, every point is supported by credible scientific research to guide you in making informed decisions.Gold, P. E. (2015). The role of acetylcholine in learning and memory. Neurobiology of Learning and Memory, 104, 3-10.,Southwick, S. M., Bonanno, G. A., Masten, A. S., Panter-Brick, C., & Yehuda, R. (2018). What is resilience? European Journal of Psychotraumatology, 5(1), 25338. Endorphins: The Uplifting Hope Molecule Endorphins are the first of the Hope Molecules we'll look at. They are primarily produced in the pituitary gland and released into the bloodstream during moments of stress and pain. They act on the opiate receptors in your brain, much like morphine or other prescription painkillers, but without the addictive qualities.Akil, H., Watson, S. J., Young, E., Lewis, M. E., Khachaturian, H., & Walker, J. M. (1984). Endogenous opioids: biology and function. Annual Review of Neuroscience, 7(1), 223-255. Their primary role is to inhibit the transmission of pain signals and promote a sense of euphoria. Causes of Endorphin Deficiency Chronic Stress: When stress becomes a long-term companion, your body prioritizes releasing stress hormones like cortisol over mood...
This week, Maggie is joined by her first "expert" of the season, celebrity makeup artist Anton Khachaturian. In this episode, Anton gives Maggie all of the important tips, tricks and trends best known in the makeup industry. If there's one thing to take away from this week, it's that once you meet your mascara soulmate, you've matched for life! Products include Thrive Causemetics Brilliant Eye Brightener, Charlotte Tilbury Pillow Talk, SuperGoop GlowScreen, Tarte Shape Tape, Armani Luminous Silk Concealer and more. Follow on Instagram: @metimewithmaggie Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Empire Strikes Back minutes 51-55, Han and Leia share their first kiss and we meet the Emperor for the first time. Joining me (for the 4th time!) is music theorist/film musicologist Frank Lehman. We discuss the lineage of musical love themes, John Williams's distinctive Lydian signature, the strange proto-Emperor cue, and he gives us a sneak peek of the major updates he's making to the Star Wars Thematic Catalogue. This episode is also on YouTube (with visuals): https://youtu.be/N_jXuEWiaLY Timestamps: 0:00 - Hello there! 3:20 - Teasing the Emperor scene. 8:17 - Augmented hexatonic collection of pitches (characteristic chord type in ESB, 4-20). 11:26 - Yanked out portion of the cue, R5P3 "End Fix" (orchestrated by Angela Morley). 15:05 - Instrumental introduction to Han & Leia's theme. A distinctive treatment of Lydian mode (descending pentachords -- the 5th down to the tonic). 18:50 - The descending Lydian figure is a Williams hallmark of his 80s-ish scores. Examples from E.T. (1993) and ALWAYS (1989). 25:05 - On Han being a "scoundrel." 29:01 - What do you think of the comparisons to Tchaikovsky's Violin Concerto? 38:35 - Listening to other love themes: El Cid (Miklós Rózsa), Adagio from Spartacus (Khachaturian) 51:48 - First truly functional chord in a while. Enharmonicism. 57:27 - Throwing down the gauntlet. 58:23 - John Williams holding back on the low bass note until a beat or two after the onset of a theme. 1:00:11 - Proud lineage of musical love scenes that are interrupted. 1:08:50 - Han Solo and the Princess concert arrangements (there are at least 3!) 1:14:56 - Sneak peek of changes to the thematic catalogue. 1:29:36 - Dom shoutout 1. 1:38:21 - Brittle, rocky xylophone. 1:45:39 - 90's Emperor/Energizer Bunny commercial. 1:46:26 - Fascinating musical sequence during the Emperor's first appearance. 1:55:44 - Dom shoutout 2. 1:58:09 - ESB editor Paul Hirsch on temp tracking this scene with Bartók. 2:06:28 - Comparing Ian McDiarmid to the original emperor's voice from 1980 (Clive Revell) 2:13:19 - Dark Side motif. 2:25:00 - SWMM Questionnaire Things to Check Out: Dominic Sewell's analysis of cue 5M4/6M1 "Solo and the Princess" - https://youtu.be/Nxe_rd2GVPY Pitch Class Set Calculator: https://www.mta.ca/pc-set/calculator/pc_calculate.html E.T. excerpt (queued up to the descending Lydian line)- https://youtube.com/watch?v=P7CyzH6R7f4&t=721 "Pete in Heaven" from Always (John Williams) - https://youtu.be/z8v1OEIkp3U Predatory Romance in Harrison Ford Movies (Pop Culture Detective on YouTube) - https://youtu.be/wWoP8VpbpYI Tchaikovsky's Violin Concerto - https://youtu.be/QCKL95HAdQ8 Tchaikovsky's Romeo and Juliet - https://youtu.be/finYYXkdYmA "Fossils" from Carnival of the Animals (Saint-Saens) - https://youtu.be/bcAJpsWWuIY Béla Bartók Music for Strings, Percussion and Celesta - https://youtu.be/ymqRNY4K4NA?t=1016 Andrew Norman "Play" - Detroit Symphony Orchestra, Cristian Măcelaru https://youtu.be/Dc9rYygfwNI?t=1316 Love Scene from El Cid (by Miklós Rózsa)- https://youtu.be/91SunNLBDoI?t=303 Emperor Palpatine Energizer Bunny commercial - https://www.youtube.com/watch?v=QxafIhYFOr0 Adagio from Spartacus (by Khachaturian) - https://youtu.be/LZLMKkEGFRo?t=133 The Red Violin OST (by John Corigliano) - https://youtube.com/playlist?list=PL6Oa6vj9pJz7IPAC5yVw666aU-OReTM1K The Empire Strikes Back - the original Emperor scene from 1980 - https://youtu.be/rKtciRCVpFE Cues: Tail end of 5M3 "Yoda's Entrance" 5M4/6M1 "Solo And The Princess" Musical Themes: 11a. Han & Leia (A Section) 11b. Han & Leia (B Section) 10a. Imperial March (Theme) 24) Imperial March Vamp 16a. Dark Side (Motif) Where are we in the soundtrack(s)?: "Luke's Nocturnal Visitor" "Han Solo and the Princess" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? New answer: My lifelong obsession. Solo season: Vaguely remembered music. ANH season: Dissonant pedal notes. Minor planing triads. 2. What's something related to Star Wars music or sound that you want to learn more about? New answer: What was going on in the scoring of Obi-Wan Kenobi? Solo season: Who will be main composer for the Kenobi series? ANH season: What are we musically in store for as Star Wars moves onto the next chapters of its development? What was the actual score to Episode IX supposed to be (before changes)? 3. What's a score or soundtrack you're fond of besides anything Star Wars? New answer: White Lotus (series) (composed by Cristobal Tapia de Veer) Solo season: Severance (series) (composed by Theodore Shapiro) ANH season: Star Trek: The Motion Picture (1979) (composed by Jerry Goldsmith) --------------- Guest: Frank Lehman Website: https://franklehman.com/ Complete Catalogue of the Musical Themes of Star Wars: https://franklehman.com/starwars/ A Guide to the Musical Themes of Indiana Jones: https://franklehman.com/indiana-jones-themes/ Book: Hollywood Harmony: Musical Wonder and the Sound of Cinema - https://www.amazon.com/Hollywood-Harmony-Musical-Wonder-Cinema/dp/0190606401 Frank's previous episodes: Solo 7: Powell's Fresh Take (Minutes 31-35 with Frank Lehman) - https://youtu.be/x_dF58geISQ ANH 6: Binary Sunset Breakdown (Minutes 26-30 with Frank Lehman) - https://youtu.be/JrCg4KLk054 TLJ 30: Musical DNA of The Last Jedi (Minutes 146-150 with Frank Lehman) - https://youtu.be/NZwIpV3igBo ------------------ If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin
Alex Khachaturian serves as a Director in FINRA's Office of Financial Innovation (OFI) in Washington, DC. Alex supports OFI's mission in the identification and analysis of emerging technologies, laws and regulations, business models, and industry practices (both domestic and international) to inform FINRA's risk management and strategy goals. His primary area of focus, in recent years, has been at the intersection of technology, law, and regulatory compliance. Alex's professional background includes several years of federal government service, law firm practice, and operations within global financial institutions. Facilitating compliance through innovation will be a key area of focus for years to come in the financial services industry. The industry is increasingly relying on technology to improve both internal operational functions as well as regulatory compliance. In this context, regulatory taxonomies (i.e., a method of classifying and categorizing a hierarchy of key legal, business, and regulatory terms and concepts) have been seen as a way to make regulations more easily processed by a computer and, therefore, potentially less time-consuming and costly for a firm's legal and compliance staff to review. In addition, application programming interfaces (APIs) can be used to ingest rule content, including the application of regulatory taxonomies to rules. Join Olga and Alex as they discuss how technology-based tools can allow financial market participants to potentially enhance the effectiveness and efficiency of their compliance efforts, thereby supporting investor protection and market integrity.
Programa dedicado a presentar obras del repertorio de música clásica creadas para el ballet. Selección realzada por Carolina Valdés. Martes a las 12:00 hrs. en 95.1 FM y www.radioudec.cl
Jay presents a program of music by Aram Khachaturian. You get the “Sabre Dance,” sure, from the ballet “Gayane.” But plenty more, too. Very interesting fellow, Khachaturian. All tracks by Aram Khachaturian Waltz from “Masquerade” (orchestra) Suite from “Gayane” Adagio from “Spartacus” Waltz from “Masquerade” (piano) Piano Concerto Violin Concerto
Jay presents a program of music by Aram Khachaturian. You get the “Sabre Dance,” sure, from the ballet “Gayane.” But plenty more, too. Very interesting fellow, Khachaturian. All tracks by Aram Khachaturian Waltz from “Masquerade” (orchestra) Suite from “Gayane” Adagio from “Spartacus” Waltz from “Masquerade” (piano) Piano Concerto Violin Concerto... Source
Jay presents a program of music by Aram Khachaturian. You get the “Sabre Dance,” sure, from the ballet “Gayane.” But plenty more, too. Very interesting fellow, Khachaturian. All tracks by Aram Khachaturian Waltz from “Masquerade” (orchestra) Suite from “Gayane” Adagio from “Spartacus” Waltz from “Masquerade” (piano) Piano Concerto Violin Concerto
From AFRTS, July 1964. The program opens with Strike Up the Band by George Gershwin (Photo). Also music by R. Strauss, Khachaturian and Bizet.
Star violinist Rachel Barton Pine joins Haley Taylor for a conversation about her Music by Black Composers project, and her new album from Avie Records, which contains the folk music-infused violin concertos of Antonin Dvořák and Aram Khachaturian.
In the aftermath of the Soviet war victory, ideological control was tightened again, contrary to expectations. The six leading Soviet composers (including Prokofiev, Shostakovich, Myaskovsky and Khachaturian) were censured and humiliated by a Party Resolution against 'formalism'. This is a story of necessary retreat and compromise, but also of resilience and survival, when even under great pressure, composers produced works of deep lyricism and humanity.It will feature performances from: Laura van der Heijden (cellist) and Petr Limonov (pianist).A lecture by Marina Frolova-WalkerThe transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/watch-now/1948-musicGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.ukTwitter: http://twitter.com/GreshamCollegeFacebook: https://www.facebook.com/greshamcollegeInstagram: http://www.instagram.com/greshamcollege
Khachaturian, Tchaikovsky, Beethoven
Aznavoorian Duo — Gems From Armenia (Cedille) Jump to giveaway form New Classical Tracks - Aznavoorian Duo by “It's like watching French films. It's the simplest thing, yet you're bawling your eyes out,” pianist Marta Aznavoorian said. “These pieces are like that for us; they're memories. They're examples of what it means for us to be Armenian.” The Aznavoorian Duo, which also features her sister, cellist Ani Aznavoorian, makes its debut with the album Gems From Armenia. “Most Armenians have an extraordinarily strong sense of being Armenian, even if we weren't born there. We both have a strong sense of what it means to be Armenian,” Marta said about their heritage. “This music is like little windows to our memories of our grandparents, and recording it was quite cathartic.” Why did you dedicate this recording to your grandfather? Ani: “He was the godfather of our family. All decisions went through him, but he was an extremely loving grandfather, very present in our lives. He'd come over every day. He would have loved these Armenian tunes that reminded him of his childhood, of the sacrifices his parents made when they left Turkey and came to the United States. “He would have related to all of Komitas' music that starts the CD. Komitas is thought of as the grandfather of Armenian music. He's the one who created that Armenian flavor that we think of when we hear Armenian music.” Can you talk about how the album is divided into three Armenian musical eras? Marta: “Aram Khachaturian was very celebrated while he was alive. He discovered Arno Babajanian, another composer on our disc. Babajanian's Elegy is one of the piano solo pieces on this disc that was for Khachaturian's funeral. “After Babajanian, we move to Alexander Arutunian, who was around the same generation of composers as Khachaturian. Ani and I grew up playing Arutunian's Impromptu, which is also on this album. It's become a part of us, so we really couldn't change anything. We could only play it the way we've always played it since we were little kids. Tell us about Peter Boyer. Ani: “Boyer is a wonderful composer. It was an interesting curveball for all of us when this idea came up. Everyone is used to him writing American themes and having this American sound. We wanted to surprise everyone. “To make it work, we thought, why don't we have this American composer write something based on Armenia. What is a bigger symbol of Armenia than Mount Ararat?” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Aznavoorian Duo — Gems From Armenia (Cedille Store) Aznavoorian Duo — Gems From Armenia (Amazon) Ani Aznavoorian (official site) Marta Aznavoorian (official site)
The tribulations of WWII (the “Great Patriotic War”) prompted a temporary liberalisation within Soviet culture. Images of horror and grief, formerly unacceptable, found their way into the wartime music of Soviet composers. The debate over Shostakovich's Eighth Symphony showed how the boundaries of Socialist Realism could be stretched, but also where the limits lay. The lecture will also discuss some works on Jewish themes (by Shostakovich, Weinberg and Gnessin) and their complex connection to the War and to the Holocaust.A lecture by Marina Frolova-WalkerThe transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/watch-now/soviet-war-musicGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.ukTwitter: http://twitter.com/GreshamCollegeFacebook: https://www.facebook.com/greshamcollegeInstagram: http://www.instagram.com/greshamcollege
Segon programa dedicat a compositors russos i ucra
What's Good Family!! Check out Jimmy Bonds Podcast airing Mon thru Fri @8AM EST on Illadelphia Radio!! illadelphiaradio.com On this episode we welcome back our first ever podcast guest Emil Khachaturian!! Emil discusses his new music project "Intimate" and the process he took in creating this instrumental only work He shares what he has been doing since our last interview and how his music has evolved Emil also plays 2 records off the project "Intimate" So tune in and lets #openthedialogue with Emil Khachaturian!! #StayUp #DontSleepOnYourDreams #JimmyBondsPodcast #IlladelphiaRadio #Exit6Studios #EmilKhachaturian #Intimate http://www.youtube.com/c/EmilKhachaturian https://www.facebook.com/EmilKhamusic https://instagram.com/emil_khachaturian https://jimmybonds.com/
We are back with the 2nd season of our podcast dedicated to sight-reading in music! It is going to be an exciting season. Our first guest is Alexis Kossenko. « Alexis Kossenko is a multi-skilled young genius whose career will take him where he wills. (…) Few conductors are so compelling to watch, whether by his players or we listeners, but there is no 'showing off' to impress an audience. » (Musical Pointers) We met Alexis in Riehen and had a short interview with him in a cafe before his recording of Mozart Concertos, it was a very inspiring conversation! After that we met at the Schola Cantorum for a short sight-reading session of a Sonata for 2 flutes and Cembalo by Johann Sebastian Bach, BWV 1028, reconstructed by J. Bopp. Born in Nice, Alexis Kossenko performs as a soloist with Deutsche Symphonie-Orchester Berlin, Stockholm Philharmonic Orchestra, Concerto Copenhagen, Ensemble Matheus, Philharmonie der Nationen, La Grande Ecurie et la Chambre du Roy, Concert d'Astrée, Stradivaria, Barokksolistene, B'Rock, Le Cercle de l'Harmonie, La Chambre Philharmonique, Modo Antiquo, Le Concert Lorrain, Holland Baroque Society, Helsinki Baroque Orchestra, in a repertoire ranging from Vivaldi to Khachaturian including Mozart concertos on tour with Emmanuel Krivine. He therefore recently performed in Berlin Philharmonie, Stockholm Philharmonie, Moscow Philharmonie, Franz Liszt Concert Hall in Budapest, Wigmore Hall and Royal Albert Hall in London, Mozarteum Salzburg, Théâtre des Champs-Elysées and Salle Gaveau in Paris, Opéra Royal and Chapelle Royale in Versailles, Ton-Halle in Zürich, Bruges and Amsterdam Concertgebouw. Fine connaisseur of all the historical forms of his instrument, Alexis Kossenko plays as well on the modern flute (he was awarded from Conservatoire National Supérieur de Paris in the class of Alain Marion) as on baroque flute, classical and romantic flutes, or recorder. He is now first flautist of La Chambre Philharmonique (dir. Emmanuel Krivine), Ensemble Matheus (dir . Jean-Christophe Spinosi), Gli Angeli Genève (Stephan MacLeod), Le Concert Spirituel (Hervé Niquet) and from now Orchestre des Champs-Elysées (dir. Philippe Herreweghe), He recorded flute concertos by Nielsen, Telemann, Haydn, Touchemoulin, and specially, for French label Alpha, the complete concertos by CPE Bach, Vivaldi concertos (Editor's Choice de Gramophone) and Charpentier leçons de ténèbres with baryton Stephan MacLeod. As a conductor, Alexis Kossenko was invited by European Union Baroque Orchestra, B'Rock, Le Concert d'Astrée, Holland Baroque Society, Arte dei Suonatori, Musica Viva Moscow ; But it is at the head of Les Ambassadeurs that he undertakes his most significant projects, such as the new series for Alpha « per l'orchestra di Dresda » as well as an intense work on Rameau, Purcell, CPE Bach and Mozart. https://en.wikipedia.org/wiki/Alexis_Kossenko https://www.les-ambassadeurs.com/ Follow our Instagram and Telegram channels where you can see some pictures from sight-reading sessions and where you can write us https://t.me/insight_reading_enlightenment https://www.instagram.com/insight_reading_enlightenment/ YouTube https://www.youtube.com/channel/UCgJqHSY4qpaFAU95PaB6AjA Yours Darina and Sebastien #flute #traverso #alexiskossenko #kossenko #podcast #earlymusic #earlymusicpodcast #insightreadingenlightenment --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message
ARGUING WITH REDDIT! Ben does a rapid fire round of reacting to your music-related hot takes. We go over this week's spicy news in gaming, film and media music. Featured topics: Roblox, Khachaturian, Rhythm in Music and more! #Khachaturian #Reddit #Roblox Mixed Media is a LIVE podcast broadcasting every Friday at 7PM on YouTube and Twitch. We love integrating our live audiences into our show so SUBSCRIBE to get notified for the next stream to join the conversation. We post our podcasts/ videos a day or two after they are recorded. Become a supporter for EARLY ACCESS to the podcast/ stream and exclusives: https://mixedmedia.locals.com Continue the conversation on DISCORD: https://auriela.co/mixedmedia/discord INSTAGRAM: https://auriela.co/mixedmedia/instagram TWITCH: https://auriela.co/mixedmedia/twitch PODCAST: https://auriela.co/mixedmedia/listen RUMBLE: https://auriela.co/mixedmedia/rumble Want to be interviewed or have any business questions? Send us an email: mixedmediapodcast@outlook.com TAGS: roblox,roblox news,roblox developer,roblox studio,roblox dev,mixed media podcast,mixed media,podcast clips,reddit,askreddit,ask reddit,rslash,reddit reactions,film podcast,hot takes,reacting,reaction,composer,classical composer reacts,filmmaker reacts,irving nestor,ben costello,react,unpopular opinions reddit,unpopular opinions,unpopular opinion,nathan nestor,Khachaturian,aram khachaturian,music theory,rhythm music theory,music theory for beginners
This collection of heartfelt adagios includes famous excerpts from Tchaikovsky's The Nutcracker and The Sleeping Beauty, and Glazunov's Raymonda, Prokoviev's Cinderella and the famous adagio from Spartacus by Khachaturian.
Aram Il’yich Khachaturian once described how he “grew up in an atmosphere rich in folk music, popular festivals, rites joyous and sad, events in the lives of people always accompanied by music… deeply engraved in my memory, that determined my musical thinking.” He remains the most renowned of 20th-century Armenian composers, whose unmistakable style came with an urge to invent new forms that reconciled Western practice with Eastern idiom. Raymond Bisha introduces a new album of his piano works performed by Maltese pianist Charlene Farrugia. Her programme comprises Khachaturian’s 2 Children’s Albums and the 7 Recitatives and Fugues.
durée : 00:10:55 - Serge Prokofiev, Aram Khachaturian - Zagreb Philharmonic Orchestra, Dmitrij Kitajenko - L'Orchestre Philharmonique de Zagreb sous la direction de Dmitrij Kitajenko nous offre une série de disques autour de la musique russe. Après Glazounov et Stravinsky, voici aujourd'hui Prokofiev et Khachaturian avec des pièces rarement entendues dans leur intégralité.
From Vincent Van Gogh to a secret commission to the blues, Felix Hill and Khachaturian's 'Sabre Dance'...
Carlos Iribarren | Hoy Toca acompañar a dos mujeres sensacionales en un viaje vital y por supuesto musical. Conversamos con Lesya y Milena Milyutenko, violinista y violista respectivamente, mientras escuchamos algunas de las piezas que han marcado sus vidas tanto en lo personal como en lo profesional: son obras de Vivaldi, Mozart, Skoryk, J. J. Benda, Khachaturian y Sarasate, que ilustran perfectamente dos vidas dedicadas a la música clásica. Carlos y Mario Mora coincidieron al terminar el programa en una idea: España y Ucrania están más cerca de lo que parece. Seguro que estás de acuerdo después de escuchar esta nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.
Carlos Iribarren | Hoy Toca acompañar a dos mujeres sensacionales en un viaje vital y por supuesto musical. Conversamos con Lesya y Milena Milyutenko, violinista y violista respectivamente, mientras escuchamos algunas de las piezas que han marcado sus vidas tanto en lo personal como en lo profesional: son obras de Vivaldi, Mozart, Skoryk, J. J. Benda, Khachaturian y Sarasate, que ilustran perfectamente dos vidas dedicadas a la música clásica. Carlos y Mario Mora coincidieron al terminar el programa en una idea: España y Ucrania están más cerca de lo que parece. Seguro que estás de acuerdo después de escuchar esta nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.
This is an interview we did on Illadelphia Radio with world renowned musician Emil Khachaturian. Emil is from Ukraine and now lives in Isreal. During our interview Emil discusses his music journey, his most recent music and his current challenges and set backs during the pandemic. Emil also plays his latest piece "Exodus". Sit back and enjoy the sounds of Emil Khachaturian. StayUp. Don't Sleep On Your Dreams.
Recorded at the Khachaturian Cello Competition in Yerevan, Armenia, Jon Jacob speaks to some of the finalists competing for the first prize about the competition experience, the challenges of playing some of the repertoire and their own hopes and aspirations for the future.
In this episode, Ilona sits down with Armen Khachaturian, Director of Sales for Clos Du Val Winery in the Stags Leap AVA of Napa County. After studying wine business at Sonoma State University, Armen built a career in in wine country and across the US. He is also a published author and speaker - including lectures at UC Davis and Sonoma State.
In this episode, Ilona sits down with Armen Khachaturian, Director of Sales for Clos Du Val Winery in the Stags Leap AVA of Napa County. After studying wine business at Sonoma State University, Armen built a career in in wine country and across the US. He is also a published author and speaker - including lectures at UC Davis and Sonoma State. https://www.closduval.com
In this episode, Ilona sits down with Armen Khachaturian, Director of Sales for Clos Du Val Winery in the Stags Leap AVA of Napa County. After studying wine business at Sonoma State University, Armen built a career in in wine country and across the US. He is also a published author and speaker—including lectures at UC Davis and Sonoma State.
In this episode, Ilona sits down with Armen Khachaturian, Director of Sales for Clos Du Val Winery in the Stags Leap AVA of Napa County. After studying wine business at Sonoma State University, Armen built a career in in wine country and across the US. He is also a published author and speaker—including lectures at UC Davis and Sonoma State.
Violinist and Classical Classroom mascot Rachel Barton Pine is back to teach all about the violin concertos of Czech composer Antonin Dvorak and Soviet-Armenian Aram Khachaturian. Learn about their lives and music! Get lost with Dvorak in New York City! Hear about Khachaturian becoming a new father! Find out who threw shade at Dvorak and mucked up his whole concerto composing process, and how Khachaturian wrote his concerto in a blissed-out creative flurry. Also, learn about what makes "folk music" folksy and other music...not.
Chicago violinist Rachel Barton Pine now has more than three dozen recordings in her catalog. Pine specializes in thematic collections of violin works not typically brought to the recording studio. Dvorak and Khachaturian are the subjects of her newest release as she chats with WRCJ’s Peter Whorf.
Star violinist Rachel Barton Pine joins Haley Taylor for a conversation about her Music by Black Composers project, and her new album from Avie Records, which contains the folk music-infused violin concertos of Antonin Dvořák and Aram Khachaturian.
Star violinist Rachel Barton Pine joins Haley Taylor for a conversation about her Music by Black Composers project, and her new album from Avie Records, which contains the folk music-infused violin concertos of Antonin Dvořák and Aram Khachaturian.
Growing up with a piece of music is something very special for many instrumentalists, and that's something that violin soloist Rachel Barton Pine has done in this new recording (along with the Royal Scottish National Orchestra led by Teddy Abrams ), taking on two violin concertos: Dvořák's and Khachaturian's. Classiclectic host Kurt Hauswirth had an opportunity to speak with Rachel Barton Pine about this new release from Avie Records :
Amigos, o podcast dessa semana vai se concentrar numa trilha sonora que começou por um filme e se expandiu por toda uma saga, Guerra nas Estrelas. Quando o diretor George Lucas escreveu o roteiro de Guerra nas Estrelas, imaginou para seu filme o mesmo recurso usado por Stanley Kubrick para o inesquecível 2001 - Uma Odisséia no Espaço, a utilização de músicas clássicas, como "Danubio Azul" de Johann Strauss, a obra impressionista de György Ligeti, ou do russo Khachaturian. Fechado na ideia até o dia em que Steven Spielberg, na sala de edição do filme, falou de John Williams, como compositor de primeira linha e parceiro dele. Lucas, achando que sua ideia de trilha ainda era o melhor para seu filme, resolveu dar uma chance para John Williams, mas exigindo que a música deveria ter o mesmo sabor da música erudita. Baseado no desejo do diretor, John Williams se pois a fazer uma trilha onde, em vários momentos, as obras de Tchaikovsky, Ígor Stravinsky, Richard Wagner, Gustav Holst e ainda Frederic Chopin, seriam lembradas. Deixo aqui um único exemplo onde John Williams criou o leitmotiv (melodia que caracteriza um personagem) para a figura Dart Vader, pegando as primeiras notas da marcha fúnebre de Chopin. De qualquer forma, nesta segunda série do podcast "Os grandes prêmios de John Williams", vamos mostrar o trabalho magistral de John Williams, um compositor com 51 indicações ao Oscar e ganhador de cinco.
Today's show brings you a powerful and honest conversation on very important topics, including how changing your mindset can change your life, how focusing on your musical voice instead of perfection in execution and external validation can transform your relationship with practicing, enrich your playing, and affect the trajectory of your career. Milan Milisavljevic, Principal Viola with the Metropolitan Opera Orchestra, elaborates on: the major impact a mentor had in his life the importance of knowing where you're coming from as a musician the importance of having a clear intention of what you want to sound like and listen intently to yourself and monitor your body when playing why shame has no business in the practice room his scale routine how he feels sound production in his arm the importance of “reducing the distance between thought and sound (I love that one!!!) how the fear transmitted from a teacher made him dread practicing, and how that has since changed how he uses the Pomodoro technique why it's important to be calm when we're facing things that make us feel uncomfortable how changes in our lives come from us making the effort to go through the reflection and do the work the important of courage in approaching music why serving others and serving music IS THE POINT of music-making! why it's about “saying something meaningful rather than being perfect” MORE ABOUT MILAN: Website: http://milanmilisavljevic.com/ YouTube channel: https://www.youtube.com/channel/UCsqbMHG_aOg5dgnTX_jYApw The Metropolitan Opera Orchestra: http://www.metorchestramusicians.org/milan-milisavljevi Facebook: https://www.facebook.com/milimusique/ Instagram: https://www.instagram.com/quincejuice/ Widely considered one of the leading violists of his generation, Milan Milisavljević is Principal Viola with the Metropolitan Opera Orchestra and is on the viola faculty at Mannes School of Music in New York. His performances combine intense expression with an immediate and profound link to his listeners and have won much critical acclaim. The Strad magazine has described his playing as “very imaginative, with a fine, cultured tone.” Milan's solo album Sonata-Song, released by Delos Music, has received glowing reviews, with the recording of A. Khachaturian's solo sonata on the album hailed as “definitive”. He has won prizes at competitions such as Lionel Tertis and Aspen Lower Strings and has performed at Marlboro, Cascade Head, Classical Tahoe, Agassiz and Grand Teton music festivals. Milan has appeared as soloist throughout the world, with orchestras such as the Munich Chamber Orchestra, the Belgrade Philharmonic, Aspen Sinfonia, Classical Tahoe, Orquesta Filarmónica de Boca del Río and many others. As a chamber musician, he has collaborated with members of the Guarneri and Mendelssohn String Quartets, as well as Joseph Kalichstein, Sergiu Luca, Cho-Liang Lin and many others. Milan has been heard worldwide on countless recordings and broadcasts of the MET. He previously served as its Assistant Principal Viola for twelve seasons. He is a former member of the Royal Concertgebouw Orchestra and has served as guest Principal Viola of many orchestras, such as the Toronto Symphony. In addition to his teaching activities at Mannes, Milan has coached violists in masterclasses at universities and conservatories worldwide, as well as at Verbier Music Festival, Aspen Music Festival, and as a volunteer at Ecole de musique St-Trinite in Port-au-Prince, Haiti. He is also increasingly in demand as a conductor. Milan's teachers include Jutta Puchhammer, Atar Arad, James Dunham, Nobuko Imai and Samuel Rhodes. He plays a viola made by Joseph Curtin of Ann Arbor, Michigan, and is a Larsen Strings Artist. Milan is also active as a conductor and founder of Music for the People, a New York-based ensemble dedicated to a new perspective and concert experience of classical music. In addition to his musical interests, he is also an avid runner, an occasional triathlete and a huge fan of modern architecture and design, especially the Mid Century Modern style. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
“It never ceases to lift my spirits. You listen to this music, and this music is soaring.” Actor Alec Baldwin talks about how the soaring soundscape of the Adagio of Spartacus and Phrygia from Khachaturian's ballet Spartacus revives him when he needs to reset. Subscribe wherever you get your podcasts to receive a new episode every day or delve deeper into our companion playlist. Alec Baldwin is an actor and the host of WNYC's podcast Here's The Thing With Alec Baldwin. You can also hear him as host of WQXR's broadcasts with the New York Philharmonic. Did you like the track Alec chose? Listen to the music in full: Adagio of Spartacus and Phrygia from the Spartacus Suite No. 2 by Aram Khachaturian
Con Carlos Iribarren | Hoy toca escuchar música maravillosa que sirve para acompañar otro arte monumental: el ballet. Nos hemos centrado en la amplia producción de obras de compositores rusos como Tchaikovsky, Glazunov, Prokofiev, Stravinsky, Minkus y Khachaturian, maestros consagrados que compusieron ballets inolvidables: El lago de los cisnes, Raymonda, Romeo y Julieta, Polichinela, Don Quijote y Gayane. Nos acompaña Nuria Balbaneda, historiadora y profesora en el Conservatorio “Carmen Amaya” de Madrid, con la que aprenderemos el nombre de varias acciones características, todas ellas de nombre francés, como el plié y… ¿te sabes alguna más? ¡Escucha una nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender!
Con Carlos Iribarren | Hoy toca escuchar música maravillosa que sirve para acompañar otro arte monumental: el ballet. Nos hemos centrado en la amplia producción de obras de compositores rusos como Tchaikovsky, Glazunov, Prokofiev, Stravinsky, Minkus y Khachaturian, maestros consagrados que compusieron ballets inolvidables: El lago de los cisnes, Raymonda, Romeo y Julieta, Polichinela, Don Quijote y Gayane. Nos acompaña Nuria Balbaneda, historiadora y profesora en el Conservatorio “Carmen Amaya” de Madrid, con la que aprenderemos el nombre de varias acciones características, todas ellas de nombre francés, como el plié y… ¿te sabes alguna más? ¡Escucha una nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender!
Brahms, Elgar and Khachaturian will grace our ears at the Bainbridge Symphony Orchestra's November concert, Emergence. Shows November 10 at 7:30 pm and November 11 at 3 pm with a director chat at 2:15. Listen here as Bainbridge Symphony Orchestra’s new Music Director and Conductor, Mario Alejandro Torres, talks about Emergence, the first of four concerts for the 2018-2019 Season. The BSO’s classical series features a star-studded cast of guest performers, masterworks, beloved favorites, original compositions and special collaborations. November 10 & 11, 2018: Emergence February 16 & 17, 2019: Muses April 13 & 14, 2019: Rebellion June 8 & 9, 2019: Symphony Spectacular: Music for All Emergence features the following pieces: ARAM KHACHATURIAN: Gayane's Adagio Soothing and warmhearted, from his ballet “Gayane.” EDWARD ELGAR: Cello Concerto in E minor, Op. 85 – Cellist Nathan Chang joins the stage to perform Elgar’s captivating Cello Concerto in E minor, one of the most important pieces in the cello literature. JOHANNES BRAHMS: Symphony No. 2 in D Major, Op. 73, Brahms’ most endearing symphony. You won't want to miss this moving performance! For tickets and information, visit BainbridgePerformingArts.org. Credits: BCB host: John Fossett; audio editor and publisher: Diane Walker; social media: Jen St. Louis.
On the Rocks Radio Show LIVE: with internationally acclaimed photographer Magnus Hastings, celebrity makeup artist and judge of Beauty School Knockout, Anton Khachaturian with pop culture correspondent and model, Steven Dehler and television personality Enrique Sapene (LATV's Glitterbomb) with your host, Alexander Rodriguez! Follow us on Twitter/Instagram: @ontherocksonairwww.OntheRocksRadioShow.com On the Rocks: Where Celebrities & Cocktails Mix
In this episode, international violin soloist James Ehnes talks about what the essence of mindful instrumental practice is: having a clear goal, work efficiently, listen intently, and connect with others. He elaborates on: His artistic journey – growing up in Brandon Manitoba, the practicing habits he developed as a child that helped him succeed, and the mentors that helped shape his career Practicing efficiently – how practicing should be goal oriented, how we should practice practicing, the importance of identifying and analyzing problems Competitions – how they can be beneficial for one's career How we should have a performance mindset while practicing Figuring out how to find balance in our life and career His process to learn a work and to prepare for a performance The importance of developing the skill to truly listen to ourselves objectively while we play How music really addresses our humanity and brings us together Website: http://www.jamesehnes.com/james/ Facebook: https://www.facebook.com/jamesehnes/ Instagram: https://www.instagram.com/jamesehnes/ James' discography: http://www.jamesehnes.com/james/index.php?id=62 His recording of the Aaron Jay Kernis Concerto Beethoven Celebrations – Recital with Andrew Armstrong at Northwestern University on January 13, 2019 David Copperfield by Charles Dickens Biography James Ehnes has established himself as one of the foremost violinists of his generation. Gifted with a rare combination of stunning virtuosity, serene lyricism and an unfaltering musicality, Ehnes is a favourite guest of many of the world's most respected conductors including Ashkenazy, Alsop, Sir Andrew Davis, Denève, Dutoit, Elder, Ivan Fischer, Gardner, Paavo Järvi, Noseda, Robertson and Runnicles. Ehnes's long list of orchestras includes, amongst others, the Boston, Chicago, Cleveland, Philadelphia, Los Angeles, Pittsburgh, New York, London Symphony, Philharmonia, BBC Philharmonic, Czech Philharmonic, DSO Berlin and the NHK Symphony orchestras. Ehnes has an extensive discography and has won many awards for his recordings including a Gramophone Award for his live recording of the Elgar Concerto with Sir Andrew Davis and the Philharmonia Orchestra. His recording of the Korngold, Barber and Walton violin concertos won a Grammy Award for ‘Best Instrumental Soloist Performance' and a JUNO award for ‘Best Classical Album of the Year'. His recording of the Paganini Caprices earned him universal praise, with Diapason writing of the disc, “Ehnes confirms the predictions of Erick Friedman, eminent student of Heifetz: ‘there is only one like him born every hundred years'.” Ehnes's recent recording of the Bartók Concerti was nominated for a Gramophone Award in the Concerto category. Recent releases include concertos by Britten, Shostakovich, Prokofiev and Khachaturian and sonatas by Debussy, Elgar and Respighi, and his recording of the Beethoven Violin Concerto with the Royal Liverpool Philharmonic Orchestra and Andrew Manze will be released in October 2017 (Onyx Classics). Ehnes began violin studies at the age of four, became a protégé of the noted Canadian violinist Francis Chaplin aged nine, made his orchestral debut with Orchestre Symphonique de Montréal aged 13 and graduated from The Juilliard School in 1997, winning the Peter Mennin Prize for Outstanding Achievement and Leadership in Music. He is a Fellow of the Royal Society of Canada and in 2010 was appointed a Member of the Order of Canada and the Artistic Director of the Seattle Chamber Music Society. James Ehnes plays the "Marsick" Stradivarius of 1715. He currently lives in Bradenton, Florida with his family. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to producer, Bella Kelly! If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit the website and the facebook page for information about past and future podcasts, and for more resources on mindful practice. MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/
Today we are talking to Rafael Khachaturian again about the DSA or Democratic Socialists of America. You may have heard the name, but aren't sure what it is. You may, like me, be familiar with the DSA but remain skeptical of its goals, its effectiveness, or just the word "socialism." Rafael, whose been involved with the DSA in Bloomington, IN and Pittsburgh, PA is here to allay those fears. Democratic Socialists of America Eliza Griswold, "The Hard-Left Candidate Taking On the Democratic Establishment in Southwestern Pennsylvania," New Yorker (May 11, 2018). Eliza Griswold, "A Democratic-Socialist Landslide in Pennsylvania," New Yorker (May 16, 2018). The Public Sphere is a podcast from Contrivers Review. Visit www.contrivers.org to read great essays and interviews. You can also sign up for our newsletter, follow us on Twitter, or like our Facebook page. If you have a suggestion for the podcast, or an essay or review you'd like to pitch, get in touch with us through social media or email. The Public Sphere is on iTunes where you can rate and review us. Please consider supporting The Public Sphere and Contrivers' Review on Patreon. Thanks for listening.
Recorded at the Khachaturian Cello Competition in Yerevan, Armenia, Jon Jacob speaks to some of the finalists competing for the first prize about the competition experience, the challenges of playing some of the repertoire and their own hopes and aspirations for the future.
We're currently in between Season 1 and Season 2, so we've decided to take the opportunity to reproduce the "State Theory and Socialist Strategy Series" from 2017 in a more linear and coherent fashion. Old and new listeners, alike, will benefit from this presentation that will unfold over the next week, which develops a critical analysis of the relationship between the capitalist state and socialist strategy. Ep. 1 is a 175-year trek through Marxian state theory, from Marx and Engels to present. Joining me this week to talk about Marxian and Neo-Marxian State Theory is Rafael Khachaturian, a scholar and research associate at the University of Pittsburgh. We argue for the centrality of the capitalist state in our approach to achieving Socialism for Regular-Ass People, and we break down the concept of the state from Marx to Present What is the State? Why does it matter? What did Marx, Lenin, and others have to say about it? How about Gramsci, Miliband, Poulantzas and many others? Tune in to find out. Check out Rafael’s article that I mention early in the show here: “On Thinking With and Against the State,” logosjournal.com/2016/khachaturian-2/ ***Support the new left agends and get access to our back catalog of B-Sides for only $5/month: www.patreon.com/deadpundits*** ------------------------- Twitter: @deadpundits Soundcloud: www.soundcloud.com/deadpundits Facebook: www.facebook.com/deadpunditssociety iTunes: itunes.apple.com/us/podcast/id1212081214 Patreon: www.patreon.com/deadpundits
Today we're talking about Nancy Fraser, eminent political and critical theorist. She is a professor of philosophy and politics at the New School for Social Research. Her work addresses the intersection of feminism and Marxism, by arguing in part that the exploitation of unpaid domestic, mostly female labor is a key aspect of capitalism. She recently wrote an essay for the journal American Affairs: "From Progressive Neoliberalism to Trump and Beyond." It was later republished at Public Seminar. Nancy Fraser, "From Progressive Neoliberalism to Trump and Beyond," Public Seminar. American Affairs Nancy Fraser, "Behind Marx's Hidden Abode: For an Expanded Conception of Capitalism." NLR 86 March-April 2014 Nancy Fraser, "Contradictions of Capital and Care," NLR July-August 2016. Nancy Fraser, "How Feminism became capitalism's handmaiden — and how to reclaim it," Guardian Oct 14, 2014.
Joining me for part two of our episode this week to talk about Marxian and Neo-Marxian State Theory is Rafael Khachaturian, a scholar and research associate at the University of Pittsburgh. We argue for the centrality of the capitalist state in our approach to achieving Socialism for Regular-Ass People, and we break down the concept of the state from Gramsci to present. What is the State? Why does it matter? What, exactly, was the Miliband-Poulantzas debate and why is it essential for building socialism for regular-ass people? Tune in to find out! Check out Rafael’s article that I mention early in the show here: “On Thinking With and Against the State,” logosjournal.com/2016/khachaturian-2/ ————————— Soundcloud: www.soundcloud.com/deadpundits iTunes: itunes.apple.com/us/podcast/id1212081214 Twitter: @deadpundits Facebook: www.facebook.com/deadpunditssociety Patreon: www.patreon.com/deadpundits
Joining me this week to talk about Marxian and Neo-Marxian State Theory is Rafael Khachaturian, a scholar and research associate at the University of Pittsburgh. We argue for the centrality of the capitalist state in our approach to achieving Socialism for Regular-Ass People, and we break down the concept of the state from Marx to Gramsci. What is the State? Why does it matter? What did Marx, Lenin, and others have to say about it? Tune in to find out. Check out Rafael’s article that I mention early in the show here: “On Thinking With and Against the State,” http://logosjournal.com/2016/khachaturian-2/ ***In a couple of days, I will be posting the B-Side of this interview to the Patreon page. Get access to that content and much more for $5/month: www.patreon.com/deadpundits*** ————————— Soundcloud: www.soundcloud.com/deadpundits iTunes: https://itunes.apple.com/us/podcast/id1212081214 Twitter: @deadpundits Facebook: www.facebook.com/deadpunditssociety Patreon: www.patreon.com/deadpundits
Ara Khachaturian, PhD, chair and president of the National Biomedical Research Ethics Council joins WIilliam Mobley, MD, PhD to discuss the evolution of biomedical research in Alzheimer's disease and the ethical standards needed to maintain excellent patient care. From institutional review boards (IRB) to industry and academic partnerships, learn how we can support and maintain effective research infrastructure. Series: "Alzheimer's Disease" [Health and Medicine] [Show ID: 31770]
Ara Khachaturian, PhD, chair and president of the National Biomedical Research Ethics Council joins WIilliam Mobley, MD, PhD to discuss the evolution of biomedical research in Alzheimer's disease and the ethical standards needed to maintain excellent patient care. From institutional review boards (IRB) to industry and academic partnerships, learn how we can support and maintain effective research infrastructure. Series: "Alzheimer's Disease" [Health and Medicine] [Show ID: 31770]
Dance critic Mark Monahan presents music for the ballet from the 1930s to the present day. Including music by Prokofiev, Stravinsky, Khachaturian and Philip Glass.
Okay, so it’s a little bit of a departure from our typical classical music fare, but it’s the holidays so we’re indulging in some serious fun: Craig Cohen, host of our mothership’s daily public affairs program, Houston Matters, walks us through the music of the films of Joel and Ethan Coen, better known as the Coen Brothers. In part 1 of our epic conversation, you’ll learn about the musical mastermind behind the brothers’ films, Carter Burwell. You’ll also hear a little melodramatic Khachaturian, and, of course, some yodeling. Music in this episode: From Blood Simple: Music by Carter Burwell From Raising Arizona: Featuring the yodel stylings of Mieczyslaw Litwinski and a banjo player who Carter Burwell claims may have been one of the Coen brothers’ optometrists From Miller’s Crossing: Orchestral score by Carter Burwell From Barton Fink From The Hudsucker Proxy: Featuring compositions by Aram Khachaturian, including “Sabre Dance” Audio production by Todd “Fink” Hulslander with hula hooping by Dacia Clay and assistance from Mark DiClaudio.
While a lot of newspapers in the grownup world are struggling to get by, one kind of newspaper is doing kind of ok thank you. In France, Germany and the UK children's newspapers are going strong, mailed out to a waiting audience of school-age children. Saffron Howden is launching "Crinkling" April, a kids' newspaper in Australia and she's ready to tell us all about the workings of these junior newspapers. Links from this episode: Crinkling launches in April. Have a look at their pre-launch stories or subscribe. You might also want to read their story on whether whether Syrian refugees get to go to school. There are all sorts of kids newspapers around the world. Mon Quotidien, publisher of two other kids' titles in France, Le Petit Quotidien and L'Actu. First News is an English language, UK newspaper that a lot of adults seem to read as well. Germany's Kruschel is also pretty cool (in German). Mon Quotidien's Paris coverage actually published an English version (PDF). The New York Times tells you a little more about how they make that paper. Who was that Craig Mod guy? Zacha wrote about him at Concrete Playground. Songs from this episode: Robot Parade — They Might Be Giants Goodnight My Friends — They Might Be Giants Love is Blindness — Jack White This Abyss — The Gothic Archies Drive Away — Thomas Newman (A Series of Unfortunate Events soundtrack) Up the Spout — Mateo Messina (Juno soundtrack) Shipwrecked — The Gothic Archies Sleepwalkers — They Might Be Giants The Hula Hoop — Carter Burwell (after Khachaturian)
Preludio Do mayor de Bach (arreglo de J. Loussier) J. Loussier TríoRequiem Op 5 (selc) de Berlioz, Orq y Coro de ParísGayaneh (selc) de Khachaturian, Orq. Fco. VienaSpem in Alium de Tallis , The Thallis Scholars Escuchar audio
Empezamos el programa de hoy analizando los titulares de El Mundo y El País que se centran en la posible disolución de la Troika en Grecia. Analizamos junto a a nuestro corresponsal en Londres, Jesús Murciego, la situación económica de Grecia. Analizamos también el artículo de Evans Pritchard en el periódico inglés The Telegraph que también trata la tan candente situación griega. En la segunda parte del programa analizamos las noticias que nos llegan de Oriente Medio. Analizamos el asesinato del piloto jordano Moaz al Kasasbeh por parte del Estado Islámico. En la tercera parte del programa analizamos el sondeo de Enero del CIS sobre la estimación de voto para las elecciones generales. Terminamos el programa analizando los acuerdos entre PP y PSOE en materia de terrorismo y educación. El programa ha sido presentado por Cristina y Elena Bazán con la intervención de Don Antonio García-Trevijano y Jesús Murciego. Manu Ramos en la parte técnica. Música: El bolero de Ravel, Danza de las horas - Ponchielli, Danza Rusa (Cascanueces) - Tchaikovsky, Danza de los sables - Khachaturian.
Empezamos el programa de hoy analizando los titulares de El Mundo y El País que se centran en la posible disolución de la Troika en Grecia. Analizamos junto a a nuestro corresponsal en Londres, Jesús Murciego, la situación económica de Grecia. Analizamos también el artículo de Evans Pritchard en el periódico inglés The Telegraph que también trata la tan candente situación griega. En la segunda parte del programa analizamos las noticias que nos llegan de Oriente Medio. Analizamos el asesinato del piloto jordano Moaz al Kasasbeh por parte del Estado Islámico. En la tercera parte del programa analizamos el sondeo de Enero del CIS sobre la estimación de voto para las elecciones generales. Terminamos el programa analizando los acuerdos entre PP y PSOE en materia de terrorismo y educación. El programa ha sido presentado por Cristina y Elena Bazán con la intervención de Don Antonio García-Trevijano y Jesús Murciego. Manu Ramos en la parte técnica. Música: El bolero de Ravel, Danza de las horas - Ponchielli, Danza Rusa (Cascanueces) - Tchaikovsky, Danza de los sables - Khachaturian.
Sean Rafferty gets a special sneak preview of 'Rubens and His Legacy - Van Dyck to Cézanne', a new exhibition at the Royal Academy of Arts in London focusing on the work of the Flemish Baroque painter Peter Paul Rubens. Sean talks to curator Nico Van Hout about some of the exhibition's highlights, and we hear music of the period by Khachaturian, Monteverdi and Purcell.
Donald Macleod explores the life and work of Aram Khachaturian, a composer whose colourful scores led him to be dubbed the 'Rubens of Russian Music'
El programa de hoy es variado, tocamos temas nacionales como los avales de los candidatos a la Secretaría General del PSOE, la corrupción en Andalucía, esta vez a costa de los Cursos de Formación y seguimos con noticias internacionales, los últimos sucesos acaecidos en Ucrania, la guerra de los yihadistas del ISIS/EIIL en Irak y Siria, que propugnan el nacimiento de un nuevo Califato y los problemas de David Cameron al oponerse al nombramiento del nuevo presidente de la Comisión Europea, el luxemburgués Jean-Claude Juncker. Ha conducido el programa Baldomero Castilla, con la intervención de D. Antonio García Trevijano, y con la colaboración técnica de Pedro Gómez, Manu Ramos, Alejandro González y Álvaro Méndez Música: El Bolero de Ravel, Danza de los sables - Khachaturian, Danza Rusa (Cascanueces) - Tchaikovsky, Danza de Anitra - E. Grieg, Danza de las horas – Ponchielli.
El programa de hoy es variado, tocamos temas nacionales como los avales de los candidatos a la Secretaría General del PSOE, la corrupción en Andalucía, esta vez a costa de los Cursos de Formación y seguimos con noticias internacionales, los últimos sucesos acaecidos en Ucrania, la guerra de los yihadistas del ISIS/EIIL en Irak y Siria, que propugnan el nacimiento de un nuevo Califato y los problemas de David Cameron al oponerse al nombramiento del nuevo presidente de la Comisión Europea, el luxemburgués Jean-Claude Juncker. Ha conducido el programa Baldomero Castilla, con la intervención de D. Antonio García Trevijano, y con la colaboración técnica de Pedro Gómez, Manu Ramos, Alejandro González y Álvaro Méndez Música: El Bolero de Ravel, Danza de los sables - Khachaturian, Danza Rusa (Cascanueces) - Tchaikovsky, Danza de Anitra - E. Grieg, Danza de las horas – Ponchielli.