Podcasts about nederlands dans theater

Garen Scribner is a producer, manager, and arts leader with over 20 years of experience on stage and behind the scenes. Credits include four seasons of the 6x Emmy-nominated broadcast TV series BROADWAY SANDWICH (Creator, Host), the 10-part limited series AND THE TONY NOMINEES ARE (Producer), and the film WAITING PLACES (Producer), all for New York Public Media (PBS/WNET/ALL ARTS). On stage, Garen starred as Jerry in the Broadway and National Tour productions of An American in Paris after a decade as a soloist with the San Francisco Ballet and artist of Nederlands Dans Theater. Garen is the Artistic Director of the San Francisco Dance Film Festival and the founder of Pilot MGMT, a management and production company representing many of the world's most extraordinary dance-based artists. He holds a Master's degree in Public Administration from Harvard University and lives in Santa Monica, CA with his husband Geoff and their dog Maya. Rebecca Soldinger is an Emmy Award winning television producer with over two decades in the business. She currently serves as the Creator and Executive Producer of the 6-time Emmy nominated series, "Broadway Sandwich." Previous credits include 17 seasons at "Rachael Ray," and "Tamron Hall." Want to try our Broadway fitness program for free? ⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Garen Scribner is a producer, manager, and arts leader with over 20 years of experience on stage and behind the scenes. Credits include four seasons of the 6x Emmy-nominated broadcast TV series BROADWAY SANDWICH (Creator, Host), the 10-part limited series AND THE TONY NOMINEES ARE (Producer), and the film WAITING PLACES (Producer), all for New York Public Media (PBS/WNET/ALL ARTS). On stage, Garen starred as Jerry in the Broadway and National Tour productions of An American in Paris after a decade as a soloist with the San Francisco Ballet and artist of Nederlands Dans Theater. Garen is the Artistic Director of the San Francisco Dance Film Festival and the founder of Pilot MGMT, a management and production company representing many of the world's most extraordinary dance-based artists. He holds a Master's degree in Public Administration from Harvard University and lives in Santa Monica, CA with his husband Geoff and their dog Maya. Rebecca Soldinger is an Emmy Award winning television producer with over two decades in the business. She currently serves as the Creator and Executive Producer of the 6-time Emmy nominated series, "Broadway Sandwich." Previous credits include 17 seasons at "Rachael Ray," and "Tamron Hall." Want to try our Broadway fitness program for free? ⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Summary: Christina Ricucci, a dynamic artist who blends singing, songwriting, acting, dancing, and choreography. Christina shares her journey from starting dance at age two to competing and training rigorously, achieving national titles, and landing performances featured in Disney projects. She reflects on how Lyme disease, diagnosed in her teenage years, drastically shifted her career, leading her to explore music and acting. This illness ultimately led to the release of her first self-written single, Ophelia, marking a creative milestone. Now teaching dance, choreographing, and producing music, Christina offers valuable advice for aspiring artists, highlighting the importance of adaptability, passion, and creative exploration. This episode is filled with insights for anyone navigating creative careers and personal transformation. Show Notes: (00:00) - Introduction to the podcast and guest, Christina Ricucci (02:00) - Christina's early start in dance and first performances (05:00) - Transition from dance to music and songwriting (08:30) - How Lyme disease impacted Christina's career and forced a pivot (12:00) - Embracing other creative outlets: music, acting, and songwriting (15:30) - The current role of dance in Christina's life: teaching and choreography (18:00) - Advice for young dancers exploring multiple creative avenues (22:00) - Q&A with Business of Dance mentees (40:00) - Christina recommends summer programs and intensives for dancers (44:00) - Reflecting on competitive dance and ballet training (49:00) - Christina shares memories from Showstoppers and other dance competitions (51:00) - Final thoughts from Christina on following your passion and embracing creativity (53:00) - Closing remarks and sign-off Biography: Christina Ricucci is an alternative singer-songwriter, actress, and dancer/choreographer based in Los Angeles, CA. She draws inspiration from life experiences, pain, love, happiness, poetry, and, of course, art, in her creative endeavors. As a dancer and choreographer, Christina has trained extensively in ballet, contemporary, jazz, lyrical, tap, hip hop, and musical theater. She has furthered her training at intensives with prestigious institutions such as The Juilliard School, Nederlands Dans Theater, Cedar Lake Contemporary Ballet, American Ballet Theater, Hubbard Street Dance, Complexions Contemporary Ballet, Martha Graham, Limon, and Batsheva/Gaga. Christina has choreographed award-winning pieces and has taught dance workshops and choreography across the country. Christina is an 8-time National Champion soloist and has toured the U.S. and Canada as a demonstrator with both the JUMP and NUVO Dance Conventions. She was awarded the prestigious National Title of “Best Dancer” from the Dance Awards, the Hope Award from YAGP, and was a Gold Medalist at the World Ballet Competition. She has also appeared on the covers of Dance Spirit magazine as their Cover Model Winner and Inside Dance magazine. Christina's dance career led to her first acting job at age 12, when she was cast as a ballerina in a Disney project. After enduring several years of Lyme Disease treatment, she expanded her creative pursuits to include acting and music. She has won “Best Actress” awards at multiple film festivals. In 2019, Christina was the featured vocalist on Nowhere Near, an international award-winning soundtrack. Her music weaves dark pop with contemporary production, and her upcoming project includes the release of her first single, Ophelia, inspired by John Everett Millais' painting based on Shakespeare's Ophelia. The debut EP is expected to be released in late 2024. Connect on Social Media: https://www.instagram.com/christinaricucci https://www.facebook.com/christina.ricucci

Dansen in het basisonderwijs mét apps, maar zónder dansvakdocent? Daarover gaat Maud Bakker in gesprek met Desirée Veraart en Eva Monen, van de afdeling Talentontwikkeling & Educatie van Nederlands Dans Theater. In deze podcast praten ze onder andere over de (on)vervangbaarheid van de dansvakdocent, en wat de samenwerking van NDT met de app-ontwikkelaars van Kiss the Frog en vormgevers van Studio Beige hen heeft opgeleverd. Meer weten? Luister dan naar de podcast of lees Mauds reflectie op het gesprek.

Brecht van Hulten in gesprek met danseres Omani Ormskirk, danseres bij Nederlands Dans Theater. Omani Ormskirk danst sinds augustus 2022 bij het NDT 2, de jongerentak van het Nederlands Dans Theater. Daarvoor studeerde Omrskirk aan de prestigieuze The Juilliard School in New York City. Deze maanden toert Ormskirk met het NDT 2 door het land met het drieluik 'Illuminate'. Het programma zet de schijnwerpers op drie jonge, getalenteerde choreografen die de jonge, virtuoze dansers uitdagen met een grote verscheidenheid aan ideeën en bewegingsstijlen. Het programma 'Illuminate' bestaat uit 'Bedtime story' van Nadav Zelner en wereldpremières van Jermaine Spivey en Micaela Taylor (choreograaf en artistiek directeur van het in Los Angeles gevestigde gezelschap The TL Collective). 

Vystudoval pražskou Taneční konzervatoř a hned po škole odjel na několik let do Nizozemí, kde působil v tamním Nederlands Dans Theater. Po návratu do vlasti založil soubor současného tance 420PEOPLE, který dodnes vede. Do povědomí lidí se dostal především jako porotce televizní soutěže StarDance. Nejen o tanci, ale také o kreativní pauze a pocitu vyhoření, promluvil v pořadu Až na dřeň tanečník a choreograf Václav Kuneš.Všechny díly podcastu Až na dřeň můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Welcome to the 1st episode of this 3rd season.Our guest today doesn't need much of a presentation. He is mainly known as the Artistic Director of the UK-based Hofesh Shechter Company, formed in 2008. His dance company tours the world constantly and is a reference for many people!!Shechter has also staged and choreographed works for leading international dance companies including the Alvin Ailey American Dance Theater, Batsheva Ensemble, Candoco Dance Company, Cedar Lake Contemporary Ballet, Nederlands Dans Theater 1, Paris Opera Ballet, Royal Ballet and Royal Ballet Flanders. He has also choreographed for theatre, television and opera. In 2016 he received a Tony Award nomination for his choreography for the Broadway revival of Fiddler on the Roof. Grand Finale was nominated for an Olivier Award for Best New Dance Production. In 2020, Hofesh Shechter Company was named the winner of the Fedora – VAN CLEEF & ARPELS Prize for Ballet for LIGHT: Bach Dances, in collaboration with Royal Danish Opera and co-directed by Hofesh Shechter and John Fulljames. In 2018 Hofesh Shechter was awarded an honorary OBE (Most Excellent Order of the British Empire)  for Services to Dance. In 2020, Hofesh Shechter Company was named the winner of the Fedora – VAN CLEEF & ARPELS Prize for Ballet for LIGHT: Bach Dances, in collaboration with Royal Danish Opera and co-directed by Hofesh Shechter and John Fulljames.We just talked to him a few days after he finished his surfing holidays in the north  of Spain… so that's where we started, from there we went on talking about:SurfingWhat is Hofesh's missionHow dance gives us the opportunity to experience life for what it isThe whole point of dance in a fucked up worldTransference of consciousnessHow the dancers that work with Hofesh achieve a state of flow through the sense of togetherness  Does Hofesh's experience flow? What challenges does he encounter? Maturity and healthy approaches to difficult jobsAnd so much more.A very complex, down-to-earth and pragmatic conversation.We referenced: Jiddu KrishnamurtiRemember that at the end of each episode, Bridget will also offer a brief summary of this conversation as well as a simple exercise designed to help you take away the best bits of the episode and try them out for yourself.This season is brought to you by:- Choreography Online (https://choreography.online)and- Ground Grooves (https://www.groundgrooves.tv)Support the show

“Becoming a mother gave me this drive and confidence. I felt like I had a voice and that I felt ready to be that person that was at the front of the room, having those ideas, using my imagination, and attempting to communicate that to a whole room of dancers.” ~ Dani Rowe  Kaitlin talks with Choreographer and filmmaker, Dani Rowe about her transition to motherhood and how that impacted her career as a whole. Dani started out as a dancer from very early on in her life, with her first professional role at age 17. From 2001-2015, she was a Principal Dancer with the Australian Ballet and Houston Ballet, and also danced with the prestigious Nederlands Dans Theater. After her daughter was born, having moved to the States with her husband (also a dancer), Dani pursued choreography and became even more dedicated to dance, though in a different way. She has created works for San Francisco Ballet, Nederlands Dans Theater's SWITCH program, and Royal New Zealand Ballet, to name a few.  During the pandemic, her work shifted to include filmmaking, which you can see on http://daniellerowe.net/ (her website). Dani and Kaitlin talk about: Dani's transition from dancer, to mother and choreographer. Before You Had a Name, a unique collaborative project between Dani, violinist and upcoming guest on this podcast Heather Powell, and dancer & choreographer Sarah van Patten. The unfavorable effect that pregnancy often has on female dancers' careers, an outrageous imbalance that inarguably stems from patriarchal bias, and one that the very foundation of Before You Had a Name challenged from the get go. The juggle between motherhood and Dani's choreography work. The concept of invisible work, how that resonates with Dani, and the importance and value of making space for creative ideas. Related resources: More about Before You Had a Name:https://www.daniellerowe.net/#/beforeyouhadaname/ (https://www.daniellerowe.net/#/beforeyouhadaname/) More about Violinist Heather Powell:https://www.heather-violin.com/bio (https://www.heather-violin.com/bio) More about Dancer Sarah Van Patten:https://www.sarahvanpatten.com/ (@sarah.vanpatten) To find out more about flow, read the book and research by https://g.co/kgs/SpLp6d (Mihaly Csikszentmihalyi)   Please subscribe wherever you get your podcasts and give us a rating. This will help us reach more listeners like you who are navigating the joys and pitfalls of artistic and parenting identities. You can find Dani on her: Website:https://www.daniellerowe.net/ (https://www.daniellerowe.net/) Instagram: https://www.instagram.com/_danirowe_/ (_danirowe_)

Sean catches up with Allen Leech, who plays Tom Branson in Downton Abbey: A New Era. The renowned Nederlands Dans Theater is set to return to Bord Gáis Energy Theatre this May Bank Holiday. Tara Brady and Justin MacGregor discuss the latest movie reviews, Downton Abbey: A New Era - Casablanca Beats - The Velvet Queen

V podnělí 21. března oslaví svoje 75. narozeniny choreograf, tanečník a fotograf Jiří Kylián. Poslechněte si rozhovor, který s ním v roce 2016 udělala Jitka Novotná. Rodák z Prahy a světoobčan, který se už ve svých 29 letech stal uměleckým šéfem Nederlands Dans Theater, se v něm vyznává z toho, že na prahu sedmdesátky se cítí konečně svobodný.Všechny díly podcastu Host do domu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Boston Gallacher (25) is a contemporary dance artist originating from Glasgow, Scotland and currently working at Nederlands Dans Theater. They place importance on improvisation and imagery and endeavour towards a more inclusive working environment. As the first non-binary dancer at NDT they are shaping what it means to be non-binary in such a long standing institution and intend to implement enduring change in the system.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

This week I try a new solo format called "Dancer reacts.." and do a commentary podcast on Jiří Kylián's "Petite Mort". Created back in '91 this work is by the choreographer who headed up Nederlands Dans Theater for two decades. I've been binge watching his back catalogue on marquee.tv/ and this piece and another piece "Bella Figura" I was really struck by. To watch it with me check out David's Dance Podcast on YouTube as I unpack the choreography. I also talk about photographer Tyler Mitchell's book "I Can Make You Feel Good". Mitchell's depiction of young Black Americans in playful scenarios, speaks to an artist that is reclaiming the narratives around the representation of himself and people like him, young Black men. While not dance, his work has to do with the body and how it is represented both aesthetically and in conversation with culture and historical narratives. In that way it is a great discussion launcher for those interested in dance and the performative body. My instagram: @dance_across_mediumsEmail me: davidsdancepodcast@gmail.com

The guest on Episode 5 of 'A Body's Language' is Paul Lightfoot. Paul speaks about some of his and Sol's favourite creations, his life, how his first piece of choreography makes him cringe and how he and the original cast of Petit Mort weren't so sure about the creation, until the curtain went up opening night. Paul Lightfoot (1966, England) joined Nederlands Dans Theater in 1985, starting as a dancer with NDT 2. Two years later Lightfoot joined NDT 1, where he danced until 2008. During his dancing career, he started choreographing together with Sol León. From September 2011 until August 2020 he also was Artistic Director of the company.León and Lightfoot have been a choreographer's duo since 1989 and together they have created more than fifty pieces for the company, for which they received prestigious awards. In 2002 León and Lightfoot were appointed house choreographers for NDT, a position they held until August 2020.https://www.youtube.com/watch?app=desktop&v=mg9SCrc0dSISad Case-Music: Pérez Prado: Mambo no. 8; Muchachita; Always in my heart; Caballo Negro Alberto Dominguez: Frenesi Ray Barretto: El Watusi Trio Los Panchos: Perfidia Augustin Lara: Maria Bonita | Set and costumes: Sol León & Paul Lightfoot | Light: Tom Bevoort.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Danielle Rowe is the guest for episode four of  'A Body's Language'.Dani Rowe was born in Shepparton, Australia and trained at The Australian Ballet School. From 2001-2015 Dani was a Principal Dancer with the Australian Ballet and Houston Ballet, and also danced with the prestigious Nederlands Dans Theater. She now lives in San Francisco and works as a choreographer, film director and creator and writer. She is the former Associate Artistic Director of SFDanceworks.We speak about how during  the COVID-19 pandemic, Dani pivoted to film making. Her creations included Shelter, created, directed and choreographed with Garen Scribner and Alexander Reneff-Olson, Wilis in Corps-en-tine for The Australian Ballet, written, directed and choreographed with Garen Scribner, I Am Spartacus for The Australian Ballet, written, directed and choreographed with Garen Scribner and The Animals for Ballet Idaho. The films garnered positive attention from Vogue, The New Yorker, The Guardian and Dance Magazine.We also speak with Dani about her career as a choreographer and how she never imagined herself 'making dances'.  Dani has created works for San Francisco Ballet, most recently creating 'Wooden Dimes' for their digital season, Nederlands Dans Theater's SWITCH program, Royal New Zealand Ballet, Co.Lab Dance (featuring dancers from American Ballet Theater), Ballet Idaho, Grand Rapids Ballet, SFDanceworks, Diablo Ballet, Oakland Ballet and Berkeley Ballet Theater. She also choreographed for the award-winning dance film Sirens Tango (featuring principal dancers, Sasha de Sola and Luke Ingham of San Francisco Ballet), and we speak about her cross-disciplinary immersive theater production of FURY (a collaboration between San Francisco Ballet, Alonzo King LINES Ballet and indie-pop band YASSOU).Dani also reflects on her incredible dancing career.  She originated roles in creations by Paul Lightfoot/Sol Leon, Christopher Wheeldon, Wayne McGregor, Alexander Ekman, Crystal Pite, Marco Goecke and Medhi Walerski and worked with choreographers Mats Ek, Jiri Kylián, Hans van Manen, Alexei Ratmansky and Christopher Bruce. Rowe has also performed in works by Kenneth McMillan, Jerome Robbins, George Balanchine, Mark Morris and Nacho Duato as well as the title roles in Giselle, Cinderella, Sleeping Beauty, Kitri in Don Quixote and Sugar Plum Fairy in The Nutcracker. https://www.youtube.com/watch?v=K8PMw7NuaPM Link for Danielle Rowe as 'The Baroness' in Graeme Murphy's Swan Lake.The Australian BalletChoreography - Graeme MurphyThe Australian Opera and Ballet OrchestraConductor - Nicolette FraillonThe Sydney Opera House - 2008https://www.youtube.com/watch?v=CISGInB-bagLink for 'Shoot the Moon' trailer. Music: Philip Glass: Movement II from Tirol Concerto for piano and orchestra © Dunvagen, New York / Albersen Verhuur B.V., 's-Gravenhage | Light: Tom Bevoort | Choreography, decor and costumes: Sol León and Paul Lightfoot.

Autor: Hüster, Wiebke Sendung: Kultur heute Hören bis: 19.01.2038 04:14

In 1988 Marco Goecke completed his ballet education at the Heinz-Bosl-Stiftung Ballet Academy in Munich, after which he graduated at the Royal Conservatory in The Hague in 1995. Subsequently Goecke worked together with the Deutschen Oper Berlin and the Theater Hagen. Here Goecke made his first choreography in 2000. Since then Goecke is one of the world's most sought-after choreographers, due to his particular movement language. Goecke's work is performed by dance companies worldwide. Since 2005 Goecke is resident choreographer at the Stuttgart Ballet, between 2006 and 2011 with Scapino Ballet Rotterdam and since 2013 he is also associate choreographer with Nederlands Dans Theater. In the past decade, he has created over fourty choreographies, including two full-length performances: The Nutcracker and Orlando for the Stuttgart Ballet. Goecke further created for Les Ballets de Monte Carlo, Hamburg Ballet, Pacific Northwest Ballet in Seattle, Nederlands Dans Theater 1 and 2, the Norwegian National Ballet, the Leipzig Ballet and Zurich Ballet.

Marina Mascarell (Oliva, Spain,1980) is a choreographer based in The Netherlands. Resident Choreographer at Korzo Theatre in The Hague between 2011-21 and Associated Artist at Mercat de les Flors in Barcelona since 2018. In her art the reflexions, inquiries and concepts turn into a poetic fight, where thought transforms into corporeality and movement. Marina is interested in a rebellious body characterized by questioning ‘normativity'. In the dancing body as a form of resistance, deeply rooted in a political and social action. Beside her independent work Marina has also been commissioned to create pieces by different institutions such as GöteborgsOperans Danskompani, Biennale de la Danse of Lyon with Lyon Opera Ballet, Skanes Dansteater, Dance Forum Taipei or Nederlands Dans Theater. She collaborates as well with fellow artists in the fields of visual arts, film, music and theatre. Her work has been seen in The Netherlands, Germany, Sweden, Spain, Italy, France, Greece, Taiwan, China, Korea, Brazil, Argentina and Chile. She has been recognised and awarded with several prizes along her career such as BNG Excellent Dans Award 2015 and the past years she has been nominated by Barcelona Critics Awards and Butaca Awards. Along side with her work as a choreographer Marina has developed a practice which is strongly linked to her choreographic process. A method focus in movement research and the increase of body awareness. She teaches workshops at different festivals, institutions or schools. Ph: Jubal Battisti

Astrid Boons (BE) is a choreographer and performer. Astrid graduated from The Royal Ballet School of Antwerp (BE). She holds a BA Dance from Codarts (NL) and a BA of Arts (Honours) in Humanities (Art History and Philosophy) from the Open University (UK). As a dancer Astrid worked with Tanztheater Wuppertal Pina Bausch (2017-2018), Nederlands Dans Theater 1 (2017), GöteborgsOperans Danskompani(2013-2016), Nederlands Dans Theater 2 (2009-2013), Dansgroep Amsterdam(2009) and Dansgroep Krisztina De Châtel (2008). Astrid received the prestigious BNG Bank Dance Award 2017 and Piket Art Award 2017 for her duet Rhizoma (2016). Her work Vestige (2017) was shortlisted in the top 5 performances of 2017 in Amsterdam based newspaper Het Parool. Since 2017 Astrid is connected as a choreographer to Korzo Theatre in The Hague, The Netherlands. Photo:©David Krooshof

Out of clutter, find simplicity. From discord, find harmony. In the middle of difficulty lies opportunity. -Albert EinsteinTo describe this time as difficult is an understatement for most, yet within it lies a surplus of serendipities and loads of lessons. I am grateful to experience this firsthand learning from artists that I would not have access to if it weren't for the pandemic. Two of these awesome artists are Spenser Theberge and Jermaine Spivey. The Betweens was a fantastic and engaging work created by Spenser Theberge and Jermaine Spivey for L.A. Dance Project based on the current condition of this world because of COVID, the political climate and more. I am excited to share this rich conversation as we discuss creating this wonderful work, navigating through the unpredictable and the what has inspired them as people and as artists. Some key takeaways from Spenser and Jermaine: Discovering and working with dancers as people first Being flexible with the twists and turns of COVID that affected the creation and timing of their work Conflict resolution can be approached differently but still arrive at a common place. Dance and technique are not separate. Inspiration can come from anywhere. Links from this session: http://spensertheberge.com (Spenser Theberge ) https://www.instagram.com/jamsvy/ (Jermaine Spivey Instagram) https://ladanceproject.org (Los Angeles Dance Project) https://kiddpivot.org/ (Kidd Pivot) https://www.ndt.nl/en/ (Nederlands Dans Theater) https://en.wikipedia.org/wiki/The_Forsythe_Company (The Forsythe Company) https://www.juilliard.edu/ (Julliard) https://dance.calarts.edu/ (Cal Arts) Would you review The DancePreneuring Studio?I would be extremely appreciative if you would subscribe and leave your feedback on Apple Podcasts or Stitcher Radio. It really helps if you do it through the native Apple Podcast App on your smart device. Thanks so much!

Aujourd'hui, l'Abécéd'Air est un Abécéd'Autres et c'est le I d'Instinct en compagnie de la danseuse Léa Salomon. Léa Salomon est née en 1996 à Paris. En 2015, elle obtient le Prix du Conservatoire National Supérieur de Musique et de Danse de Paris et entre au Junior Ballet du CNSMDP. L'année suivante, elle rejoint le Ballet du Capitole pour la production de "Giselle". Elle expérimente également, à l'étranger, des répertoires nouveaux (Nederlands Dans Theater , Batsheva Dance Compagny…). En 2017 elle intègre la compagnie de Blanca Li et danse "Solstice", sa nouvelle création, toujours en tournée aujourd'hui. En 2019, elle rencontre Karl Paquette et intègre le corps de ballet de "Mon premier Lac des Cygnes", créé et produit au Théâtre Mogador. À 24 ans aujourd'hui, Léa continue de s'enrichir et de se découvrir dans une carrière mêlant le répertoire classique et contemporain. ... Le feu découle de terres séquestrées, de semences stérilisées. Instinct de feu dans l'œuf — une consolation dernière pour réchauffer du froid premier. Notre imagination est une blague brûlante et carnassière. Une nuée d'oiseaux est un nuage qui danse et les oiseaux sont d'anciens dinosaures. Instinct d'ailleurs et morsure du ciel. Entre deux eaux, deux rives, un souffle — devenir ce que l'on est. ... Merci à l'amie comédienne, Bénédicte Lesenne, glissant Jenny Litzelmann et Konrad Lorenz, serpentant Charles Baudelaire, et plumant/déplumant le Quetzalcoatl aussi bien qu'Eluard.

De aftrap van Radio Futura valt onvermijdelijk samen met een analyse van de huidige stand van zaken in podiumkunstenland. Over welke future hebben we het eigenlijk? Het beleid en de keuzes van de Raad voor Cultuur en het Fonds Podiumkunsten worden doorgelicht door Gable Roelofsen (acteur, zanger, theatermaker, schrijver, co-artistiek directeur Het Geluid en medeoprichter van Need for Legacy. Tussen 2013 en 2019 was hij adviseur (theater) van de Raad voor Cultuur en in 2017 voorzitter van de commissie die een toekomstadvies schreef over opera en muziektheater voor de Minister van Cultuur) en door Janine Dijkmeijer (sinds deze zomer Executive Creative Director bij The New Zealand Dance Company, voorheen o.a. algemeen directeur van Nederlands Dans Theater, oprichter en directeur Cinedans. Ze is adviseur en tevens voorzitter van beoordelingscommissie festivals van de Raad voor Cultuur).

In the first episode of series one host Emma Lister talks to classically trained dancer Zoë Ashe-Browne, currently an artist at the Royal Ballet of Flanders. They discuss her choreography for that company and The National Ballet of Ireland, the possible limitations of classical companies for the creative individual and the flaws of hiring ballet stars as artistic directors.We discussed Zoë’s pieces Us and Flux, full films of which are on her website.Zoë’s Instagram: @zoeashebrowne_choreographerThe last three questions...What’s the piece of art that changed everything for you?Jiří Kylián triple bill, Nederlands Dans Theater, Sadler’s WellsWhat’s a piece of art that you didn’t necessarily love, but has value?The kind of contemporary dance that she wasn't exposed to as a young dancer.Nominate another artist that we should all know aboutJames Vu Anh Instagram (@jamesvuanh)

Choreographer of Ballet Idaho's 2019 production of Cinderella, Edwaard Liang, talks with Garrett Anderson about the challenges and joys of being an Artistic Director. Edwaard had a stellar career as a dancer with New York City Ballet, on Broadway, and with Nederlands Dans Theater, and transitioned seamlessly into working as an international freelance choreographer. His curious mind and love for a challenge then led him to take leadership of Ballet Met, which has flourished under his leadership. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ballet-idaho/message Support this podcast: https://anchor.fm/ballet-idaho/support

Choreograaf Paul Lightfoot volgde zijn dansopleiding aan The Royal Ballet School in Londen. Hij werd in 1985 aangenomen bij Nederlands Dans Theater 2 en stroomde twee jaar later door naar Nederlands Dans Theater 1. Hij was tot 2008 één van de boegbeelden van het gezelschap. Tijdens zijn danscarrière begon Lightfoot te choreograferen samen met Sol León. Het choreografenpaar creëerde sindsdien ruim vijftig choreografieën voor het NDT. Hun werk is meermaals onderscheiden met dansprijzen en wordt wereldwijd uitgevoerd. In 2011 werd Lightfoot benoemd tot artistiek directeur van Nederlands Dans Theater, dat in oktober zestig jaar bestaat. Pieter van der Wielen praat een uur met Paul Lightfoot

March 2019. Michael Hasted talks to Rob Kramer who runs the Popta Music School in a social housing complex in Delft, Chuck Jones who is a dancer with Nederlands Dans Theater in The Hague (NDT) and with Miel van Teijlingen of the Dutch National Theatre (HNT)who talks about language issue for non-Dutch speakers. Photo of Rob Kramer © and courtesy of Fred Leeflang

Cathy converses with internationally acclaimed, award-winning Vancouver dance artist Crystal Pite following the NAC opening night performance of Revisor, her most recent choreographic work co-created with Canadian actor/writer Jonathon Young. They touch on Crystal's childhood aspiration to be a complete dance artist, her early choreographic career, the founding of her company Kidd Pivot in 2002 that united the dancer and choreographer in herself, and life-work balance. Crystal has created over 50 works for her company and others such as Ballet British Columbia, Les Ballets Jazz de Montréal, Cedar Lake Contemporary Ballet, Nederlands Dans Theater and The Royal Ballet. In great demand internationally, her immediate future includes a tour of Revisor and commissions by The Paris Opera Ballet, The National Ballet of Canada and Nederlands Dans Theater.

We were so happy to have the privilege of squeezing in an interview with Paul Lightfoot, Artistic Director of Nederlands Dans Theater, while he was briefly in town for New York City Center’s 2018 Fall for Dance Festival. Paul’s lively enthusiasm made for a conversation that was both informative and entertaining! He shared insight into […]

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Life Picks Ep 8 (Oct 11) - Lady Gaga lights up the screen, a pop-up party in a vinyl store and a riveting contemporary dance 5:30 minsSynopsis: A new weekly podcast by The Straits Times, highlighting the best films, concerts, restaurants and arts events.  We chat about the new movie A Star Is Born starring Lady Gaga and Bradley Cooper, Japanese record label Jazzy Sport's pop-up party at White Label Records in Ann Siang Road on Oct 12 and Oct 13, and the Nederlands Dans Theater which will perform at the Esplanade on Oct 13 and Oct 14.    Produced by: Melissa Sim and Ernest Luis Feedback to: podcast@sph.com.sg Download ST & BT podcasts for offline listening: http://str.sg/stbtpodcasts On website: http://str.sg/stpodcasts On Spotify: https://spoti.fi/2PwZCYU On iTunes: https://apple.co/2Lu4rPP On Google podcasts: http://str.sg/googlestbt

Life Picks Ep 8 (Oct 11) - Lady Gaga lights up the screen, a pop-up party in a vinyl store and a riveting contemporary dance 5:30 minsSynopsis: A new weekly podcast by The Straits Times, highlighting the best films, concerts, restaurants and arts events.  We chat about the new movie A Star Is Born starring Lady Gaga and Bradley Cooper, Japanese record label Jazzy Sport's pop-up party at White Label Records in Ann Siang Road on Oct 12 and Oct 13, and the Nederlands Dans Theater which will perform at the Esplanade on Oct 13 and Oct 14.    Produced by: Melissa Sim and Ernest Luis Feedback to: podcast@sph.com.sg Download ST & BT podcasts for offline listening: http://str.sg/stbtpodcasts On website: http://str.sg/stpodcasts On Spotify: https://spoti.fi/2PwZCYU On iTunes: https://apple.co/2Lu4rPP On Google podcasts: http://str.sg/googlestbt See omnystudio.com/listener for privacy information.

Tom Klaassen checkt vanavond nog wat dansmuziek die niet als dansmuziek bedoeld was, bijvoorbeeld voor de voorstelling 'Holes' van het Nederlands Dans Theater, waar filmmuziek van Angelo Badalamenti in zit. Maar eerst: een pracht van een nieuwe CD door Stile Antico, een tip voor een gitaarconcert, en een duik in het archief van de Proms in Paradiso (vanwege 50 jaar Paradiso).

We were fortunate to have choreographer Crystal Pite in our studios for 4 weeks as she choreographed and reworked Plot Point. Originally choreographed for Nederlands Dans Theater in 2010, we are proud to present the American premiere here in Seattle. The evening before opening night, PNB Artistic Director Peter Boal had a few questions for Crystal. Hear her discuss her beginnings in ballet, her own Company, Kidd Pivot and of course, Plot Point.  

In this final episode, Crystal Pite talks about the dual role of choreographer-performer, the creation process, her attachment to Canada's National Arts Centre, and her enduring passion for the art of choreography. In closing, she touches on her upcoming commissions for Cullberg Ballet, the 2010 Cultural Olympiad in Vancouver, Nederlands Dans Theater and Cedar Lake Contemporary Ballet, and the presentations of Kidd Pivot at Sadler's Wells (UK) and Jacob's Pillow (USA).