Podcasts about novoselic

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Latest podcast episodes about novoselic

Journal du Rock
Axelle Red et Chad Smith ; les Red Hot Chili Peppers ; 3rd Secret ; Brian May de Queen ; Guns N' Roses ; Paul McCartney et Bruce Springsteen

Journal du Rock

Play Episode Listen Later Jun 29, 2023 3:59


Le festival folklorique Ommegang 2023, outre la chanteuse belge Axelle Red qui porte le rôle de Héraut et clame le texte le long de la cérémonie, il y a d'autres invités de marque comme le batteur des Red Hot Chili Peppers, Chad Smith, citoyen d'honneur de la ville de Bruxelles, à voir sur Classic21.be. Anthony Kiedis n'est apparemment pas à l'aise avec son statut de musicien, bien qu'il soit le frontman des Red Hot Chili Peppers depuis 40 ans, a évoqué par Flea dans le cadre de la série This Little Light. 3rd Secret, le nouveau groupe composé du guitariste de Soundgarden, Kim Thayil, du bassiste de Nirvana, Krist Novoselic, et du batteur de Soundgarden et Pearl Jam, Matt Cameron, a partagé un nouveau clip pour le titre "Ditch" tirée du deuxième album, ‘'The 2nd 3rd Secret'', formation est complétée par Bubba Dupree, guitariste du groupe hardcore Void de Washington et du supergroupe de métal alternatif Hater (avec Cameron), les chanteuses Jennifer Johnson et Jillian Raye (coéquipière de Novoselic dans Giants in the Trees). Lors de l'épisode du 27 juin de "Trunk Nation With Eddie Trunk" de SiriusXM, le guitariste de Queen, Brian May, a ouvert une nouvelle fois la porte à une éventuelle suite au biopic Bohemian Rhapsody. La récente prestation de Guns N' Roses au festival de Glastonbury a fait l'objet de nombreuses critiques négatives, et le groupe a maintenant réagi à cette mauvaise presse. Paul McCartney reproche à Bruce Springsteen d'avoir fait en sorte que les fans s'attendent maintenant à des spectacles qui durent des heures, totalement inimaginable à l'époque des Beatles. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

Expediente Sonar con Alfredo Lewin
El último testamento que grabó Nirvana

Expediente Sonar con Alfredo Lewin

Play Episode Listen Later Feb 20, 2023 18:52


"You Know You're Right", la última canción registrada por Cobain, Grohl y Novoselic, fue algo más que un single perdido lanzado ocho años más tarde. Es el testamento de un grupo, que a pesar del huracán que los arrasaba, intentaron encontrar consuelo en lo único que los mantenía juntos: Tocar música.

The Guys Review
Nirvana, Nevermind

The Guys Review

Play Episode Listen Later Aug 29, 2022 104:59


Nirvana, Nevermind Welcome to The Guys Review, where we review media, products and experiences.  **READ APPLE REVIEWS/Fan Mail**Mention Twitter DM group - like pinned tweet @The_GuysReviewRead emails theguysreviewpod@gmail.com Nirvana Nevermind​ Produced by Butch Vig. Kurt CobainKrist NovoselicDave GrohlReleased September 24, 1991 Budget $65,000 ($141,394.57 in 2022) Rating: google users: 96% RYM 3.95/5. ON spotify Nirvana has around 24M listerner a month. On Youtube Nevermind album has 4,9M views  Nevermind is the second studio album by the american grunge band Nirvana, released on September 24, 1991 by DGC Records. It was Nirvana's first release on a major label and the first to feature drummer Dave Grohl.Produced by Butch Vig, Nevermind features a more polished, radio-friendly sound then the band's prior work. Recording took place at Sound city studio in Van Nuys, California, and smart studios in Madison Wisconsin in May and June -91, with mastering being completed in August of that year st The Mastering Lab, California.Written primarily by frontman Kurt Cobain, the album is noted for channeling a range of emotions, being noted as dark, humorous, and disturbing. Thematically, it includes anti-establishment views, anti-sexism, Frustration, alienation and troubled love inspired by Cobain's broken relationship with Bikini kill's Toby Vail. Contrary to the popular hedonistic themes of drugs and sex at the time, writers have observed that Nevermind re-invigorated sensitivity to mainstream rock. According to Cobain, the sound of the album was influenced by bands such as Pixies, R.E.M, The Smithereens, and the Melvins. While the album is considered a cornerstone of the grunge genre, it is noted for its musical diversity, which includes acoustic ballads ("Polly" and "´Something in the way") and Punk-inspired Hard Rock("Territorial Pissings" and "Stay Away"). Nevermind became an unexpected critical and commercial success, charting highly on charts across the world. By January 1992, it reached number one on the US Billboard 200 and was selling approximately 300,000 copies a week. The lead single "Smells like teen spirit" reached the top 10 of the US Billboard Hot 100 and went on to be inducted into the Grammy hall of fame. Its video was also heavily rotated on MTV. Three other successful singles were released: "Come as you Are", "Lithium", and "In Bloom". The album was voted the best album of the year in Pass & Jop critics' poll, while "Smells Like Teen Spirit" also topped the single of the year and video of the year polls. The album also garnered the band three Grammy Award nominations in total across the 34th and 35th Grammy Awards, including Best Alternative music album. AwardsHere cometh thine shiny awards Sire. My Lord Tucker the Wanker second Earl of Wessex. Lord of the Furries. Heir of Lord baldy the one eyed snake wrestler. Protector of Freedom units. Step Sibling with funny feelings down stairs. Entertainer of uncles. Jailor of innocent. Spanker of innocent milk maids and stable boys. Nirvana has 1 win and 6 Nominations NominationsBest Alternative Music AlbumNevermind (Album)Wins Best Alternative Music PerformanceMTV Unplugged In New York  Tracks1) "Smells Like Teen Spirit" Written by: Kurt Cobain, Krist Novoselic, Dave Grohl 5:01 Released September 10, 1991 as the lead single for the album.-One of the catchiest intro hooks of all time.-Very nonsensical and def full of contradictions; but it give the feeling of angst its supposed to.-Cobain said it was an attempt to write a song in the style of the Pixies, a band he admired:"I was trying to write the ultimate pop song. I was basically trying to rip off the Pixies. I have to admit it. When I heard the Pixies for the first time, I connected with that band so heavily that I should have been in that band—or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard."When Cobain presented the song to his bandmates, it comprised just the main guitar riff and the chorus vocal melody. Cobain said the riff was "clichéd", similar to a riff by Boston or the Richard Berry song "Louie Louie". Bassist Krist Novoselic dismissed it as "ridiculous"; in response, Cobain made the band play it for an hour and a half. Eventually, Novoselic began playing it more slowly, inspiring drummer Dave Grohl to create the drum beat, which drew from disco artists like The Gap Band. As a result, it is the only song on Nevermind to credit all three band members as writers. 2) "In Bloom" Written by Kurt Cobain 4:14 Released November 30, 1992 "In Bloom" was released as the album's fourth and final single in November 1992-The lyrics are just making fun of listeners who don't understand what Cobain is talking about. Never realized that.-I like to visualization and juxtaposition of the clean cut 50's style band to them wearing dresses and tearing everything up.-According to the 1993 Nirvana biography Come As You Are by Michael Azerrad, "In Bloom" was originally written about "the jocks and shallow mainstream types" of the underground music scene the band began to find in their audience after the release of their 1989 debut album, Bleach. In his biography of Cobain, Heavier Than Heaven, Charles R. Cross asserted that the song was a "thinly disguised portrait" of Cobain's friend Dylan Carlson. 3) "Come As You Are" Written by Kurt Cobain 3:38 Released March 2, 1992 as the second single from Nevermind.-Great song, all of the intros are very catchy and pull you in.-Interesting visuals in the music video... Lots of sperm swimming around and flowing water.-The origin of the song's title is unclear, but Charles R. Cross speculated the song may have been named after a motto used by the Morck Hotel in Cobain's hometown of Aberdeen, Washington. The Morck was one of many places Cobain stayed in after leaving home for a time while he was seventeen years old 4) "Breed" written by Kurt Cobain 3:03 Released September 24, 1991-Much heavier sound than the previous tracks. High energy and poppy.-Reading the lyrics, it is a bunch of just nonsense.-Lyrically, the song addresses themes of teenage apathy and fear within the American middle-class. Stevie Chick of Kerrang wrote that lyrics such as "We can plant a house, we can build a tree" displayed Cobain's "gift for crafting witty, purposeful nonsense. 5) "Lithium" written Kurt Cobain 4:16 Released July 13, 1992 as the third single from Nevermind.-Very chilled vibe from the previous tracks-It's still got a LOT of energy in the YEAH parts that gets hard.-As Cobain explained, "In the song, a guy's lost his girl and his friends and he's brooding. He's decided to find God before he kills himself. It's hard for me to understand the need for a vice like [religion] but I can appreciate it too. People need vices.” 6) "Polly" written by Kurt Cobain 2:57 Released September 24, 1991-Very downtrodden song. considering the content, not surprising.-This is a really dark song. Jesus.-Cobain wrote "Polly" about an incident in Tacoma, Washington involving the abduction and rape of a 14-year-old girl in August 1987. Gerald Arthur Friend kidnapped the girl while she was leaving a rock concert, suspended her upside down from a pulley in his mobile home and raped and tortured her with a blow torch. She managed to escape by jumping from his truck at a gas station, attracting attention from surrounding people. Arthur was later arrested and convicted for his crimes. Cobain's addition to the story was to have the victim fool the kidnapper into thinking she was enjoying what he was doing to her, causing him to let his guard down long enough for her to escape.-In his Nirvana biography Come As You Are, journalist Michael Azerrad noted that rape seemed to be a consistent theme in Cobain's songs and interviews, as if Cobain was "apologizing for his entire gender." However, Cobain explained, "I don't feel bad about being a man at all. There are all kinds of men that are on the side of the woman and support them and help influence other men. In fact, a man using himself as an example toward other men can probably make more impact than a woman can". 7) "Territorial Pissings" written by Kurt Cobain and Chet Powers. 2:22-Very punk and heavy.-I have no idea how Kurt would be able to perform this song live... It hurts my voice hearing his guttural screams.-this song is a two-and-a-half-minute punk lambasting of the typical "Macho Man." In addition to being about sexism, the song is also about the way Kurt Cobain saw Native Americans treated around his home town of Aberdeen, Washington. 8) "Drain You" written by Kurt Cobain 3:43 Released September 24, 1991 as a promotional single-
Good song, musically in the same category as the more popular Nirvana tracks. Heavy, but simple and poppy.-The strangest "love" song I've ever heard.-In the 1993 Nirvana biography Come As You Are: The Story of Nirvana, Michael Azerrad described "Drain You" as "a love song, or rather a song about love," in which the babies in the lyrics "represent two people reduced to a state of perfect innocence by their love." Cobain told Azerrad that the lyrics made him think of "two brat kids who are in the same hospital bed." The song's imagery predicted the medical themes that would feature heavily in the lyrics of Nirvana's following album, In Utero.-According to the 2001 Cobain biography Heavier Than Heaven by Charles Cross, "Drain You" was one of "a half dozen...memorable songs" Cobain wrote following his break-up with American musician, Tobi Vail, in November 1990. Cross described the lyric, "It is now my duty to completely drain you," as "both an acknowledgement of the power [Vail] had over [Cobain] and an indictment." 9) "Lounge Act" written by Kurt Cobain 2:36-Super bass heavy.-It reminds me of Offspring sound-This is a song about heartache in a relationship.-The title comes from the fact that Nirvana thought that the bass intro sounded like something a cheesy lounge band would use.-This is the only song Kurt Cobain admitted was about his much maligned ex-girlfriend, Tobi Vail. 10) "Stay Away" written by Kurt Cobain 3:32-Very punk inspired-Pretty simple and to the point; confusion and agitation, easier to push people away than try to explain things to them.-Again, no idea how he would be able to sing anything else after this song. Dang.-Originally titled Pay To Play, this song appears to be about many things, including annoyance ("stay away"), lack of popularity ("I'd rather be dead than cool"), and predictability in people ("every line ends in a rhyme"). 11) "On a Plain" written by Kurt Cobain 3:16. Released on the album in September 1991, released as a promotional single in 1992.-Very much in the vein of the other tracks. Again, somewhat nonsensical, but still angsty and full of energy-Good track, I remember the single.-In a July 1993 interview in New York City, Cobain told English journalist Jon Savage that "On a Plain" was about "classic alienation, I guess," although he then noted he had to change his explanation every time he was asked about the meaning to his songs, saying that his lyrics were largely taken from "pieces of poetry thrown together," and that his poetry was "not usually thematic at all." 12) "Something in the Way" written by Kurt Cobain 3:52-Very downtrodden and depressing-Very heavy and moody-Doesn't have the explosive energy the other tracks did. But it's still solid and full of feeling.-Never released as a single and never a consistent part of the band's live setlist, "Something in the Way" charted for the first time in August 2020, after appearing in the first trailer for the 2022 superhero film, The Batman. The song peaked at number two on Billboard's US Rock Digital Songs Sales chart, and number five on their US Alternative Digital Songs Sales charts.[2] It also reached the top 20 in both Amazon Music's and iTunes' digital music charts-Cobain himself suggested that the song was not necessarily autobiographical, telling Nirvana biographer Michael Azerrad that the lyrics were "like if I was living under the bridge and I was dying of AIDS, if I was sick and I couldn't move and I was a total street person. That was kind of the fantasy of it". 13) "Endless, Nameless" written by Kurt Cobain-Very heavy and chaotic-I honestly don't know if I've ever heard this one before, but I'm not a fan of it... I don't like jam bandy type music. Sounds like they're just making noise.-According to Come As You Are, Cobain himself was unsure of what he was singing during the performance, but believed the lyrics included the lines, "I think I can, I know I can."-According to author Chuck Crisafulli, the song's placement on Nevermind was in part inspired by the use of hidden tracks by the Beatles, such as "Her Majesty" on their 1969 album, Abbey Road. **TRIPLE LINDY AWARD** **REVIEW AND RATING** TOP 5Stephen:1 Breakfast club2 T23 Sandlot4color out of space5 Mail order brides Chris:1. sandlots2. T23. trick r treat4. rocky horror picture show5. hubie halloween Trey:1) Boondocks Saints2) Mail Order Brides3) Tombstone4) Very bad things5) She out of my league  Tucker:1. T22: Tombstone4: My Cousin Vinny5: John WickNational treasure WHAT ARE WE DOING NEXT WEEK? Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReview - Twitter DM groupFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys

Hammered
Ep 78 - A Nirvana Tribute Experience " Nirvani"

Hammered

Play Episode Listen Later Jun 27, 2022 67:17


Nirvani is a Nirvana Tribute BAnd based out of Raleigh, NC. Nirvani embodies Cobain, Novoselic, and Grohl in their talent and authenticity. Rick, Brian, and Aaron are dedicated to portraying both the appearance and playing styles of their Nirvana counterparts.

Icons and Outlaws
Foo Fighters

Icons and Outlaws

Play Episode Listen Later May 23, 2022 107:41


David Eric Grohl was born in Warren, Ohio on January 14, 1969. Mom is teacher Virginia Jean Hanlon and dad was news writer James Harper Grohl. In addition to being an award-winning journalist, Dave's dad had also served as the special assistant to Republican Congressman and US Senator Robert Taft Jr.  When Dave was young, the Grohl family moved to Springfield, Virginia. When he was seven, his parents divorced, and he was raised primarily by his mom. At the age of 12, he began learning to play the guitar. He grew tired of lessons and instead taught himself, eventually playing in bands with friends. He said, "I was going in the direction of faster, louder, darker while my sister, Lisa, three years older, was getting seriously into new wave territory. We'd meet in the middle sometimes with Bowie and Siouxsie and the Banshees." At 13, Grohl and his sister spent the summer at their cousin Tracey's house in Illinois. Cousin Tracey introduced them to punk rock by taking the pair to shows by several different punk bands. His first concert was Naked Raygun at The Cubby Bear in Chicago in 1982. Grohl recalled, "From then on we were totally punk. We went home and bought Maximumrocknroll, (a punk subculture music zine that ran from 1982 to 2019) and tried to figure it all out." In Virginia, he attended Thomas Jefferson High School as a freshman and was shockingly elected class vice-president. He taught himself to play pieces of songs by punk bands like Circle Jerks and Bad Brains and, using his clout as vice president, would play them over the school intercom before his morning announcements. His mother decided he should transfer to Bishop Ireton High School in Alexandria because he was smoking too much weed and it was affecting his grades. He stayed there for two years, one of those repeating his first year.  After his second year, he transferred yet again to Annandale High School. While in high school, he played in several local bands, including a short stint as guitarist in a band called Freak Baby. It was during this period that he thought it was a good idea to switch to learning drums. When Freak Baby kicked out its bass player and reshuffled its lineup, Davel took on the role of drummer and history was made. Show's over, folks! The band then changed their name to “Mission Impossible.” Dave has said he did not take drumming lessons and instead learned by listening to Rush and punk rock bands. Obviously, insanely talented and possible robot and Rush drummer Neil Peart was an early influence: "When I got 2112 when I was eight years old, it fucking changed the direction of my life. I heard the drums. It made me want to become a drummer." During his beginning years as a drummer, Grohl cited John Bonham as his greatest influence, and eventually had Bonham's three-rings symbol tattooed on his right shoulder. Mission Impossible changed their name once again to “Fast” before breaking up, after which Dave joined the hardcore punk band Dain Bramage in December 1985.  Dain Bramage ended in March 1987 when Dave up and quit without warning to join Scream, having produced the I Scream Not Coming Down LP. Many of Dave's early influences were at the 9:30 Club, a music venue in Washington, D.C. He said, "I went to the 9:30 Club hundreds of times. I was always so excited to get there, and I was always bummed when it closed. I spent my teenage years at the club and saw some shows that changed my life." As a teenager in D.C.,Dave briefly thought about joining shock-rocker punk/metal band, GWAR, who were looking for a drummer around this time. At age 17, Dave auditioned with local Washington, D.C. favorites Scream to fill the vacancy left by the departure of drummer Kent Stax. In order to be considered for the position, Dave lied about his age, saying he was 34. I'm kidding but he did say he was older. To Dave's surprise, the band asked him to join and so he pulled a Jay-Z (last week's Icon) and dropped out of high school in his junior year. He has been quoted as saying, "I was 17 and extremely anxious to see the world, so I did it." Over the next four years, Grohl toured extensively with Scream, recording a couple of live albums (their show of May 4, 1990 in Alzey, Germany being released by Tobby Holzinger as Your Choice Live Series Vol.10) and two studio albums, No More Censorship and Fumble, on which Grohl penned and sang vocals on the song "Gods Look Down". During a Toronto stop on their 1987 tour, Grohl played drums for Iggy Pop at a CD release party held at the El Mocambo, which became best known for the 1977 surprise show by The Rolling Stones, which became popular when then Prime Minister Pierre Trudeau's wife, Margaret Trudeau, showed up and partied with the Stones.. In 1990, Scream unexpectedly disbanded mid-tour when bassist Skeeter Thompson left the band. Nirvana (1990–1994) We obviously can't talk about Foo Fighters without discussing Nirvana. They'll definitely have their own episode so we won't get too into them today. While playing in Scream, Grohl became a fan of the Melvins and eventually befriended them. During a 1990 tour stop on the West Coast, Melvins guitarist Buzz Osborne took his friends Kurt Cobain and Krist Novoselic, of future Icons Nirvana, to go see Scream. Grohl called Osborne for advice after Scream disbanded and Osborne informed him that Nirvana was looking for a drummer. He gave Dave the phone numbers of Cobain and Novoselic, who then invited Grohl out to Seattle to audition. Grohl soon joined the band. Novoselic later said, "We knew in two minutes that he was the right drummer." Dave told the U.K. based magazine Q: "I remember being in the same room with them and thinking, 'What? That's Nirvana? Are you kidding?' Because on their record cover they looked like psycho lumberjacks... I was like, 'What, that little dude and that big motherfucker? You're kidding me'." When Dave joined Nirvana, they had already recorded several demos for the follow-up to their debut album Bleach, produced and recorded by Butch Vig. Initially, the plan was to release the album on Sub Pop, but they received a ton of label interest based on their demos. Dave spent the initial months with Nirvana traveling to various labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the infamous Sound City Studios in Los Angeles to record Nevermind as seen in Dave's amazing documentary, Sound City, from 2013. The album Nevermind was released later that year and exceeded all expectations becoming a worldwide commercial success. At the same time, Dave was compiling and recording his own material, which he released on a cassette called Pocketwatch in 1992 on indie label Simple Machines. Rather than using his own name for the project, Dave released the songs under his pseudonym "Late!" In the later years of Nirvana, Dave's songwriting increased. In his first months in Olympia, Washington, Kurt Cobain overheard him working on a song called "Color Pictures of a Marigold", and they wound up working on it together. Dave would later record the song for the Pocketwatch cassette. Dave stated in a 2014 episode of the documentary series, Foo Fighters: Sonic Highways, that Kurt kissed him when he first heard a demo of "Alone + Easy Target" that Dave had recently recorded. According to Dave, "I'd told him I was recording and he said, 'Oh, I wanna hear it, bring it by.' He was sitting in the bath-tub with a walkman on, listening to the song, and when the tape ended, he took the headphones off and kissed me and said, 'Oh, finally, now I don't have to be the only songwriter in the band!' I said, 'No, no, no, I think we're doing just fine with your songs.'" Nirvana would jam Dave's song on soundchecks during their 1991 European tour. Dave reluctantly held back his songs in the beginning. In a 1997 interview he said, "I was in awe of [Kurt Cobain's songs], and [I was] intimidated. I thought it was best that I kept my songs to myself." During the sessions for In Utero, Nirvana's third and final studio album, the band decided to re-record "Color Pictures of a Marigold" and released it as a B-side on the "Heart-Shaped Box" single, with a slight title change; "Marigold". Dave also wrote the main guitar riff for "Scentless Apprentice", another song on In Utero. In a 1993 MTV interview, Kurt had said that, at first, he thought the riff was "kind of boneheaded", but was happy with how the song developed. Part of this development process can be heard  in a demo on the Nirvana box set ``With the Lights Out”, released in 2004. Cobain had said that he was excited at the possibility of having Chris Novoselic and Dave contribute more to the band's songwriting. Before embarking on their 1994 European tour, Nirvana scheduled session time at the popular Robert Lang Studios in Seattle to knock out some demos. The recording session was only 3 days long and Cobain wasn't there for most of it, so Chris and Dave worked on demos of their own songs. They completed several of Dave's songs, including future Foo Fighters songs "Exhausted", "Big Me", "February Stars", and "Butterflies". On the third day, Kurt finally arrived, and the band recorded a demo of a song later Titled "You Know You're Right". It was to be Nirvana's last studio recording.   After the death of Kurt Cobain in 1994, the band known as Nirvana broke up. Dave received numerous offers to work with various artists and there were rumors saying he might join Pearl Jam. Dave almost accepted a position as the drummer for Tom Petty and the Heartbreakers. He later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do."  Instead he booked time at Robert Lang Studios in October 1994 and began recording 15 of his own songs. Dave played every instrument and sang every vocal part on the record with the exception of one guitar part on "X-Static", which was played by Greg Dulli of the Afghan Whigs,.  He completed an album's worth of material in only five days and handed out cassette copies of the sessions to his friends for feedback.   Dave hoped to keep his anonymity and release the recordings in a limited run under the title "Foo Fighters", taken from the World War II term "foo fighter", used to refer to unidentified flying objects. "Around the time that I recorded the first FF tape, I was reading a lot of books on UFO's. Not only is it a fascinating subject, but there's a treasure trove of band names in those UFO books!" he said. "So, since I had recorded the first record by myself, playing all the instruments, but I wanted people to think that it was a group, I figured that FOO FIGHTERS might lead people to believe that it was more than just one guy. Silly, huh?" Continuing, Dave contends that a better band name could have been created. "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world."   The demo tape circulated the music industry, creating serious interest among record labels. This WAS the drummer from arguably the biggest rock band in the world, right?  Dave put together a  band to support the album. He talked to Nirvana bassist Krist Novoselic about joining, but they both decided against it; Dave said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on himself.   Having heard about Sunny Day Real Estate breaking up, Dave snagged the group's bass player, Nate Mendel, and their drummer, William Goldsmith. Dave then asked George Ruthenberg to join the band as their second guitarist. George, better known as Pat Smear, played as a touring guitarist for Nirvana after the release of In Utero. Pat was one of the founding members of the iconic punk band, The Germs, and Dave was a huge fan.   Dave then licensed the album to Capitol Records, releasing it on his new record label, Roswell Records. Get it? Roswell. UFO's?   The very first Foo Fighters show happened on February 19th, 1995. They played above a boat house in Seattle in front of friends and family. They made their official live, public debut on February 23rd, 1995 at a gig at the Jambalaya Club in Arcata California. They just happened to be in the area mixing their album when a local promoter asked the cover band, The Unseen, if Foo Fighters could open for them. They agreed.   Dave and his band of Foo Fighters then embarked on their first US tour in April of 1995 in support of The Stooges and Porno For Pyros bass player Mike Watt's solo tour. This tour featured an additional new band called “Hovercraft”, an instrumental outfit featuring Pearl Jam singer, Eddie Vedder. Dave refused to play large venues or even do interviews to promote their debut album. The first single, “This Is A Call”, was released in June of 1995 and the album, “Foo Fighters”, was released in July containing the follow up singles “I'll Stick Around”, “For All the Cows”, and “Big Me”.   Foo Fighters toured for almost an entire year and then jumped right back into the studio. This time it was Bear Creek Studio in Woodinville, Washington with English producer Gil Norton who produced the Pixies, Jimmie Eat World, Counting Crows and so many more.   Dave, of course, wrote the songs but the band had a hand in arrangements. Nearly finished, he took the rough mixes to LA to finish his vocal and guitar parts. As he was listening to the mixes, something just didn't sound right. It wasn't what he envisioned. The drums weren't perfect, not that they were bad. Dave was a drummer. He knew drums. He had a career based on playing the drums and could arguably be considered one of the greatest rock drummers of all time. So, he set up some drums, mic'd them up and re-recorded the drums for the album. All of them.   Dave wanted Goldsmith to remain as their live drummer, but he was rightfully butthurt. Goldsmith quit. He quit what would become one of the biggest rock bands ever. Recently, drummer William Goldsmith has said “It was a pain in the ass. Like, that's the only band that I wish I could just, like, remove that from.” He continued by saying: “It doesn't matter what happened because the Foo Fighters are like Disney. Everyone wants to love Mickey Mouse. Everyone loves Mickey Mouse, so it's a difficult thing, but sometimes Mickey Mouse is a little rough around the edges. It's a no win scenario, so I'd rather remove it. I think the best thing to do is have a one on one conversation with Mickey.” He has gone to say that he has no ill will towards Dave.   Shortly after this, Pat Smear decided to leave, as well, claiming he was exhausted and burnt out. Goldsmith and Smear were replaced by the late, great Taylor Hawkins and former Scream guitarist Franz Stahl, respectively, although Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose in 1999.    Drummer Taylor Hawkins had played as Alanis Morissette's drummer from June of 1995 until March of 1997 in support of her “Jagged Little Pill” and “Can't Not” tours.   I thought it would be cool to hear Taylor explain how he wound up being Foo Fighters drummer and Dave Grohl's best friend. This is all from interviews Taylor Hawkins and Dave Grohkl did with NME, Entertainment Weekly and Kerrang.   “I'd met Dave at this [US radio station] K-Rock Christmas show because Foo Fighters were on their way up and Alanis Morrissette was through the f***ing stratosphere at that point,”. “Me and Dave just looked like long lost brothers in a weird way.    “We had a similar vibe and I don't know why. I remember my friend playing with the Foo Fighters before I met Dave and watching them goof around backstage. He said to me, ‘That guy could be like your brother.' “And sure enough, when we met, we just thought, ‘We're brothers from another mother!' It was instantaneous – so much so that Alanis Morrisette just said ‘What are you going to do when Dave asks you to be the drummer in the Foo Fighters?'” “I was driving with my girlfriend at the time, and we were listening to KROQ,” “I heard William had departed and they were looking for a new drummer.”   Tylor immediately called Dave. “I said, ‘I heard you guys are looking for a drummer,' and he said, ‘Well, do you know any?' I thought Alanis wanted to go in a more laid-back direction, and it seemed like the right time to jump. Alanis didn't need me! I basically said to Dave, ‘I'll play drums for you,' and we jammed a couple of times.  “I remember I was at home watching Showgirls with my girlfriend, and Dave called to ask if I wanted to join.” Initially, Dave never thought Taylor would leave Morissette and Taylor's allegiance was always with Alanis; that's why he asked Taylor if he knew of any good drummers. When Hawkins agreed to join, all Dave cared about was that he was getting a friend, not a great drummer.  Dave told Entertainment Weekly, “I sent Taylor a tape of one of the new songs. It was ‘Monkey Wrench.' I went over to his little house in Topanga Canyon, he sat down and played for three seconds, and the first time he hit a snare drum, I knew it.”  Dave knew Taylor was the guy. “I swear to God, I was like, ‘That's all I need to f***ing hear. I love you as a person. You've just given me hearing damage for the rest of my life in three seconds. You have to be in the band.” Later, Grohl said Hawkins came into his life like an F5 tornado. “When he joined the band, his drumming was the least important factor – I just thought I want to travel the world with this guy, I want to jump on stage and drink beers with this person. That was my biggest concern,”. Morissette didn't take Hawkins leaving personally. They remained friends over the years. Taylor has said he would have been delivering pizzas if it wasn't for her. She was the first person who gave him a break in the music world. “She gave me a lot of space to do what I wanted. It was probably the biggest album of the year (referencing her debut album “Jagged Little Pill”), and there was a lot of pressure on her. She was having to learn to be this leader on the job, which isn't easy. But it was really one of the most fun times of my life.” The band announced Tylor would be its new drummer on March 18, 1997. His first appearance with the Foo Fighters was in the music video for the 1997 single "Monkey Wrench", although the song was recorded before he joined the band.   Foo Fighter's second album, “The Colour and the Shape” was released on May 20th, 1997 through Capitol and Roswell Records with the legendary singles, “Monkey Wrench”, “Everlong” and “My Hero” blasting through the airwaves. The album charted at number ten on the Billboard 200 and was nominated for a Grammy in 1998 for best rock album. It has sold more than 2 million copies.   The band then traveled to Dave's home state of Virginia in 1998 to record their third album, “There Is Nothing Left To Lose”. Dave and Pat Smear's replacement, Franz Stahl, just couldn't see eye to eye as songwriters. Dave said "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Franz was Dave's childhood friend and the decision to fire him from the band was a hard one.    Then, shortly after Franz's termination, bassist Nate Mendel called Dave and said he was quitting to rejoin Sunny Day Real Estate, but the next day changed his mind and decided not to leave.    Dave, Taylor and Nate spent the next several months recording their third album at Dave's home studio. “There Is Nothing Left To Lose” spawned mega hits like “Learn To Fly”, “Stacked Actors”, “Generator” and “Break Out”.    “Learn To Fly” was the band's first single to chart on the US Billboard Hot 100.   Right before the album was released, the president of Capitol Records (Foo Fighters record label), Gary Gersh was forced out and with the help of a “key man clause” in their contract, they were allowed to leave Capitol upon Gersh's release. They left Capitol to sign with RCA who then bought the rights to their previous albums from Capitol.   Upon completing the recording of their third album, the band started auditioning guitarists. Foo Fighters selected No Use For A Name and, what I didn't know, Me First and The Gimmie Gimmies guitarist, Chris Shiflett. He was only supposed to come into the fold as the band's touring guitarist, but was hired on full time before they recorded “One By One”, their fourth studio album.   Right around 2001, Dave and Taylor, being diehard fans of the band Queen, established a relationship with the future Icons and Outlaws episode subjects. Dave and Taylor had the distinct pleasure of inducting them into the Rock and Roll Hall of Fame that same year and joined them to perform the 1976 classic, Tie Your Mother Down, with Taylor playing drums alongside Roger Taylor. Queen's legendary guitarist Brian May even added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar", which was on the soundtrack to Mission: Impossible 2. In 2002, guitarist Brian May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining gig at Hyde Park in London, England.   At the end of 2001, the boys got together to record their fourth studio record, “One By One. They spent four months in a LA studio and something was off. The spark just wasn't there and the band were having issues, internally. So, Dave stepped away for a while and worked with Queens of the Stone Age, helping them complete their 2002 record, “Songs for the Deaf”. Touring commenced for Foo Fighters and Queens of the Stone Age, but the internal struggles were still there and just as they were about to call it quits, they hit the stage at Coachella. Dave and Taylor wanted to complete the album and the next day, they rocked the festival and agreed to do so.   Almost every part of the album was scrapped and re-recorded at Dave's studio in Virginia, in only ten days. Seven songs from the original recording of One By One eventually leaked, but the full album has never been released. That record has often been referred to as “Million Dollar Demos”.   The band finally released its fourth album, One by One, in 2002. This record had hit singles like “All My Life”, “Have It All”, “Low” and “Times Like These”. This was Chris Shiflett's first recorded appearance as part of the band and where Taylor played all of the drums. “One By One” topped the charts globally and sold a million units in the U.S., bringing home a Grammy for Best Rock Album in 2004.   Supporting One By One by touring for a year and half, Dave wasn't in a hurry to record another Foo Fighters album. He was more interested in doing an acoustic, solo record but it turned into a full band ordeal. They built a new studio in Northridge, Los Angeles, called Studio 606 West and began recording their 5th album, In Your Honor, a two disc set with full blown rock songs on one and the other with acoustic tracks. It was released in 2005 and had the hits, “DOA”, “Resolve” and one of my all time favorites, “Best of You”. The album also had guest performances by Led Zeppelin's John Paul Jones, Queen of the Stone Age's Josh Homme and Norah Jones. It also featured their new keyboardist, Rami Jaffee of the Wallflowers, who wouldn't become a full-time member until 2017.    “In Your Honor” was nominated for five Grammy Awards, hit the number one spot in five countries and number two in the U.S., selling more than a million copies.   Foo Fighters released their first live CD, “Skin and Bones” in November of 2006, with 15 songs recorded at a 3 night performance at the Pantages Theater in Los Angeles. The album featured a violinist, Pat Smear joining in and a three song encore with Dave playing “Best of You”, “Everlong”, and “Friend of a Friend”. The record debuted at number 21 on the Billboard 200, sold 49,000 copies in its first week and over 357,000 total.    Foo Fighters released its sixth album, Echoes, Silence, Patience & Grace, in 2007 and recruited producer Gil Norton, who worked on the band's “The Colour and the Shape”. This was primarily because Dave felt the songs were different from the band's previous input and "had the potential to be something great". So, he considered that instead of doing something like the last three albums, the band had to go out of "our own comfort zone" and "needed someone to push us out of there".   Preparing to record this album was extensive: first Dave started off developing demos with Taylor, but for the first time he tried to input vocals and lyrics early in the writing phase. After finalizing the song's composition with guitarist Chris and bassist Nate, Dave spent two weeks with Gil Norton discussing "arrangements, harmony and melody" and condensing the song ideas. They then spent four weeks rehearsing, and playing "a song a day, from noon to midnight". Taylor stated that "we basically played each of these songs 100 different times, trying every little thing every different way" and that it was the first time since The Colour and the Shape ``that Dave had to deal with someone in the room questioning all his ideas". Dave claimed the choices were for the "most powerful, dramatic songs" and that there was an effort to "make everything sound as natural as possible – just like on the albums we grew up listening to".    On this album's sound, Taylor Hawkins said: "We haven't been ready to write a record like this until now. I know that Dave wouldn't have been comfortable putting violins on a song before. But for whatever reasons, it just felt like the right time to explore those things now. The last record, obviously, was half heavy stuff, half acoustic songs. So it really was like two sides of the coin. It sounds obvious, but this time around we weren't afraid of incorporating everything into one song if it felt right." The first single, “The Pretender”, topped Billboard's modern rock chart for 19 weeks. Other singles from this album were “Long Road to Ruin”, “Let It Die” and “Cheer Up Boys”. It was nominated for five Grammys, winning Best Rock Album and Best Hard Rock Performance and won the Brit Award, (Britain's version of the American Recording Academy) for Best International Album.   Foo Fighters hit the road again in 2007 on a world tour and at the European MTV Music Awards, Pat Smear was confirmed as a returned member of the band.   June 7th, 2008 saw Foo Fighters headline the world renowned Wembley Stadium in London, England. Jimmy Page and John Paul Jones from Led Zeppelin joined them on stage and after rocking out the songs “Rock and Roll” and “Ramble On”, Dave excitedly shouted “Welcome to the greatest fucking day of my whole entire life!”   The attendance at this amazing sold out concert was 85,000.  In August 2010, the band began recording their seventh studio album with the return of producer Butch Vig. The album was recorded in Dave's garage using only analog equipment. The album won five Grammys and was nominated for six.    Planning the seventh album, Dave realized he was bored of the band's typical recording process. Even though the group own 606 Studios, he is still a punk rocker at heart, and found himself yearning for a grittier, wholly analogue approach to recording. One night in his hotel room in Melbourne, while on tour with Them Crooked Vultures (his side project with Josh Homme and John Paul Jones), he hatched a plan to return to recording basics for what was to become Wasting Light. Dave told Sound on Sound.com, "I thought, rather than just record the album in the most expensive studio with the most state‑of‑the‑art equipment, what if Butch and I were to get back together after 20 years and dust off the tape machines and put them in my garage? We've recorded an album somewhere where no‑one has ever recorded before. We've not gone to the studio where Zeppelin made In Through The Out Door, we've gone into my garage. The only person that's recorded in my garage before is me for shitty demos that I've done for the last two records.”   The first single from Wasting Light, "Rope", was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album were "Walk", "Arlandria", "These Days", and "Bridge Burning". Alongside Wasting Light's release, the band released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later.   The first batch of ‘Wasting Light' CDs include pieces of the album's analog tape master Look inside your CD copy of the band's Wasting Light album. If you were one of the first fans to pick one up, chances are it includes a piece of the original analog tape the album was recorded on. After announcing a break after touring in support of Wasting Light, Dave said in 2013 that they were starting to write new material for their 8th studio album, “Sonic Highways”, bringing back Butch Vig. They announced their return to the stage by posting a video of Erik Estrada, one of the main actors from the 70's motorcycle cop show, CHIPS, riding a motorcycle and delivering each member of the band an invitation to play in Mexico.    They announced that their eighth album would be released in November of 2014 and they would commemorate it and their 20th anniversary with an HBO TV series called “Sonic Highways”, directed by Dave, himself.    Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. Each track features contributions from one or more musicians with ties to that city's musical history.   The album debuted at number two on the Billboard 200, with sales of 190,000 copies in the United States. It has sold over 617,500 copies in the US and had amazing songs like “Something From Nothing”, “The Feast and the Famine”, and “Congregation” featuring country artist, Zac Brown Foo Fighters were the last musical performance on Late Show with David Letterman on May 20th, 2015, as he retired from his 33 year career as a late night show host.   On June 12th, 2015, Dave had the misfortune of falling off the stage in Gothenburg, Sweden and breaking his leg during the second song. The band kept playing while Dave was fixed up by the medical staff and then RETURNED TO THE STAGE to finish the last two hours of their set while sitting in a chair and a medic taking care of his leg. He was flown to London, England after the show and received six metal pins to stabilize the fracture in his leg.   There was speculation that Foo Fighters would drop out of their 20th anniversary, fourth of July bash, after canceling their remaining European dates following Dave's accident. Instead, The band performed for 48,000 people with Dave in a custom-built moving throne which he claimed to have designed himself while on painkillers. They renamed the following tour the “Broken Leg Tour”.   November 25th, 2015 Foo Fighters released a surprise EP named “Saint Cecilia”, available for digital download, and Dave announced an indefinite hiatus. This EP peaked at number 3 on Billboard's mainstream rock songs chart.   Krist Novoselic, who played with Grohl in Nirvana, described Saint Cecilia as Foo Fighters' "statement on how they are the biggest rock band in the world". Novoselic also said that "Saint Cecilia is more straight-ahead rock that is done really well", and went on to say that "I went to the Foo's last gig at the Moda Center in Portland and they rocked a packed house. I love the drummer Matt Sorum (Guns and Roses). However, he is so wrong in his statement about danger and the Foo's somehow lacking it. First off all, I know about danger in rock. I was the bassist in Flipper — and survived! Look at a band like Queen, who totally rocked. They were way more dandy than danger. Queen knows how to rock a stadium. So do the Foo Fighters and you'll hear big rock on Saint Cecilia". Rumors about Foo Fighters breaking up were everywhere so, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!"   Dave announced that the band would spend most of 2017 recording their ninth studio album, “Concrete and Gold”. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Menon backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain.   Concrete and Gold has sold over 262,000 units.   In October 2019, the band announced that they were recording their tenth studio album based on Dave's demos. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Dave  announced that the new album was complete but by May, it was delayed indefinitely because of a little unforeseen event called the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War".  On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks.] On February 25, 2022, the band released a comedy horror film, Studio 666, directed by BJ McDonnell. It stars the band members as themselves, alongside Will Forte, Whitney Cummings, Jeff Garlin, and Jenna Ortega. In the movie, the band attempts to record an album in a haunted mansion; Dave is possessed by a demonic spirit and the other members are killed off one by one.  It was filmed in the same mansion in which the band had recorded their most recent album, Medicine at Midnight. Studio 666 is currently available on Amazon Prime Video.    Dave has recently released an EP of songs from the film, Dream Widow, on March 25, 2022. On March 25, 2022, Foo Fighters drummer Taylor Hawkins died in his room at the Casa Medina hotel in Bogotá, Colombia. No cause of death was given. Taylor had suffered chest pain, and had ten substances in his system at the time of his death, including opioids, benzodiazepines, tricyclic antidepressants, and THC. Foo Fighters were scheduled to perform that night at the Estéreo Picnic Festival as part of their ongoing South American tour; the festival stage was turned into a candlelight vigil for Taylor. A few days later, the band canceled all remaining tour dates. According to Sony Music Japan, FOO FIGHTERS sold over 32,000,000 albums worldwide, including 9,065,000 in the United States and 5,260,000 in the United Kingdom. The best-selling album by FOO FIGHTERS is GREATEST HITS, which sold over 2,775,000 copies .

covid-19 united states god american texas chicago english disney starting washington los angeles england mexico germany sound west friend war walk club gold european ohio seattle toronto united kingdom medicine mom current songs silence illinois portland grammy run ufos sweden britain melbourne tired queens colombia world war ii mine shape skin cd studio dvd rumors rolling stones mtv midnight academy awards bones west coast rush feast jay z capitol scream rock and roll roses studios stones butterflies ruin chips cows icon neighborhood billboard nirvana grammy awards cds sxsw mission impossible paul mccartney unseen silly resolve coachella justin timberlake degrees pink floyd outlaws springfield thc hawkins colour touring breakout foo fighters led zeppelin echoes franz concrete famine david letterman mickey mouse amazon prime video rope deaf south american eps exhausted roswell icons tom petty kurt cobain pearl jam cigars nevermind rock and roll hall of fame greatest hits congregation butch bleach bogot osborne late show banshees bee gees dave grohl stone age ff iggy pop generator entertainment weekly germs long road alanis morissette pixies stahl goldsmith doa lights out hyde park rca taylor hawkins pretender jimmy page flipper zeppelin stooges wembley stadium showgirls record store day eddie vedder fumble gothenburg brian may gwar neil peart heartbreakers norah jones smear capitol records northridge counting crows brit awards nme cobain f5 jagged little pill foo alanis whitney cummings siouxsie bad brains stick around bonham melvins circle jerks my hero knuckleheads john bonham wallflowers will forte john paul jones one by one sub pop make it right kroq nick lachey kerrang tylor josh homme these days roger taylor jeff garlin me first something from nothing republican congressman grohl woodinville in utero alanis morrisette mike watt gersh medium rare butch vig hbo tv sound city afghan whigs all my life learn to fly have it all pierre trudeau morissette in virginia topanga canyon everlong sunny day real estate monkey wrench alanis morrissette erik estrada let it die krist novoselic chris shiflett hovercraft heart shaped box andy gibb pocketwatch shame shame saint cecilia ramble on moda center them crooked vultures thomas jefferson high school us billboard hot best rock album sonic highways greg kurstin pat smear shadow dancing shawn stockman naked raygun buzz osborne greg dulli wasting light no use for a name simple machines maximum rocknroll mainstream rock alzey william goldsmith pantages theater margaret trudeau x static cubby bear james moll sound city studios sky is foo fighters sonic highways gimmie gimmies novoselic franz stahl
ANSA Voice Daily
I Nirvana vincono la causa con l'ex bimbo nudo di Nevermind

ANSA Voice Daily

Play Episode Listen Later Jan 5, 2022 2:29


Il giudice dà ragione alla band dopo la denuncia per pornografia infantile relativa alla copertina del celebre album

Mes disques à moi
MDAM - 28 Years Ago - In Utero sorti le 13 septembre 1993 avec Palem Candillier

Mes disques à moi

Play Episode Listen Later Sep 13, 2021 42:18


Salut à toutes et à tous, J'ai le plaisir de recevoir Palem Candillier pour parler d'In Utero sorti le 13 septembre 1993. Nous revenons sur le contexte particulier qui accompagne la sortie de ce disque marqué par un enregistrement très rapide et une production propre à Steve Albini. Les thèmes abordés par Cobain sont toujours en avance sur son époque et il s'avère épaulé de mains de maîtres par Grohl et Novoselic, continuant dans la veine à la fois bruitiste, mélodique et appuyant le coté sensible des compositions. La période n'est pas exempte de galères et de discussion avec le label pour finalement débouler en septembre 93 et prolonger la trajectoire de Nevermind. Vous pouvez retrouver le livre In Utero de Palem Candilier aux éditions Discogonie ici  si vous souhaitez venir parler d'un album qui vous a marqué, n'hésitez pas à me contacter par DM via Twitter : twitter.com/MDAM_pod ou par mail : mdam.lepodcast@gmail.com Bonne écoute

Free With This Months Issue
Free With This Months Issue 31 - Rachel Branson from Moshermags selects Kerrang Presents Nirvana Nevermind Forever

Free With This Months Issue

Play Episode Listen Later Sep 12, 2021 76:46


In episode 31 Rachel Branson from the utterly brilliant Mosher Mags Instagram account returns to talk about Kerrang Presents Nirvana Nevermind Forever from September 2011.The CD's full tracklisting is -1 – Arcane Roots - Smells Like Teen Spirit2 – Framing Hanley - In Bloom3 – Deaf Havana - Come As You Are4 – Rise To Remain - Breed5 – Francesqa - Lithium6 – Young Guns - Polly7 – The Dillinger Escape Plan - Territorial Pissings8 – Kids In Glass Houses - Drain You9 – Evile - Lounge Act10 – The Blackout - Stay Away11 – Frank Turner - On A Plain12 – Spycatcher - Something In The Way13 – Dangerous! - Endless Nameless14 – We Are The Ocean - SliverFollow Rachel's excellent Mosher Mags account on Instagram at https://www.instagram.com/moshermags/ where you'll find a smorgasbord of old clippings from the baggy jeans & wallet chain end of the old music magazine spectrum. Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2Q You can buy a copy of the cd from Discogs here - https://www.discogs.com/Various-Kerrang-Presents-Nirvana-Nevermind-Forever/release/3133679Hosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Made This podcast network. https://twitter.com/wmt_network Twitter – https://twitter.com/thismonthsissue Instagram - https://www.instagram.com/freewiththismonthsissue/ Facebook - https://www.facebook.com/freewiththismonthsissue/ Find our other episodes at www.wedigpodcasts.com Find other We Made This shows & writing at www.wemadethisnetwork.com

We Made This
Free With This Months Issue 31 - Rachel Branson from Moshermags selects Kerrang Presents Nirvana Nevermind Forever

We Made This

Play Episode Listen Later Sep 12, 2021 76:46


In episode 31 Rachel Branson from the utterly brilliant Mosher Mags Instagram account returns to talk about Kerrang Presents Nirvana Nevermind Forever from September 2011. The CD's full tracklisting is - 1 – Arcane Roots - Smells Like Teen Spirit 2 – Framing Hanley - In Bloom 3 – Deaf Havana - Come As You Are 4 – Rise To Remain - Breed 5 – Francesqa - Lithium 6 – Young Guns - Polly 7 – The Dillinger Escape Plan - Territorial Pissings 8 – Kids In Glass Houses - Drain You 9 – Evile - Lounge Act 10 – The Blackout - Stay Away 11 – Frank Turner - On A Plain 12 – Spycatcher - Something In The Way 13 – Dangerous! - Endless Nameless 14 – We Are The Ocean - Sliver Follow Rachel's excellent Mosher Mags account on Instagram at https://www.instagram.com/moshermags/ where you'll find a smorgasbord of old clippings from the baggy jeans & wallet chain end of the old music magazine spectrum. Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2Q You can buy a copy of the cd from Discogs here - https://www.discogs.com/Various-Kerrang-Presents-Nirvana-Nevermind-Forever/release/3133679 Hosts - Ian Clarke & Colin Jackson-Brown Recorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig Podcasts Part of the We Made This podcast network. https://twitter.com/wmt_network Twitter – https://twitter.com/thismonthsissue Instagram - https://www.instagram.com/freewiththismonthsissue/ Facebook - https://www.facebook.com/freewiththismonthsissue/ Find our other episodes at www.wedigpodcasts.com Find other We Made This shows & writing at www.wemadethisnetwork.com

Columbia House Party
36. Nirvana - In Utero (1993)

Columbia House Party

Play Episode Listen Later Jul 6, 2020 74:21


It’s about time. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy finally open up the grunge side of the podcast, diving deep on Nirvana’s industry-changing 1993 album In Utero. If you preferred Nevermind, well, blame the Patreon supporters who voted for this, and maybe give that take a second thought upon re-listening. Find out more about what Kurt Cobain set out to do with the impossible task of following up on Nevermind, the difficult process of trying to perfect the album with Steve Albini, and the monumental musical influence of In Utero on this week’s podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today’s show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Columbia House Party
Nirvana - In Utero (1993)

Columbia House Party

Play Episode Listen Later Jul 6, 2020 74:21


It's about time. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy finally open up the grunge side of the podcast, diving deep on Nirvana's industry-changing 1993 album In Utero. If you preferred Nevermind, well, blame the Patreon supporters who voted for this, and maybe give that take a second thought upon re-listening. Find out more about what Kurt Cobain set out to do with the impossible task of following up on Nevermind, the difficult process of trying to perfect the album with Steve Albini, and the monumental musical influence of In Utero on this week's podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Mashups, Relish, Moutarde
MRM - Épisode 11 - Spécial Nirvana

Mashups, Relish, Moutarde

Play Episode Listen Later May 17, 2018 58:27


Avec la multitude de mashups de Smell Like Teen Spirit qui existent, je ne pouvais m'empêcher de vous faire écouter les meilleurs, ainsi que ceux créés à partir des autres chansons de Nirvana. (58 minutes)

By The Time You Hear This Podcast
15: Nevermind the Impact

By The Time You Hear This Podcast

Play Episode Listen Later Nov 19, 2016 108:38


Greg and Ben are joined by Matt to discuss how social media made Rae Sremmurd #1, John Lennon’s letter to Paul McCartney, lots of new music being released, Kanye being a would’ve-been Trump supporter, Drake getting too involved in the sports, Nirvana’s ‘Nevermind,’ and our Earworm’s of the Week! (Sorry the music is too loud during some parts the recording.) Nirvana - On A Plain The Police - Synchronicity II Nirvana - Smells Like Teen Spirit Nirvana - Come As You Are Nirvana - Breed The Wipers - Potential Suicide Nirvana - Territorial Pissings Scala & Kolacny Brothers - Smells Like Teen Spirit Finger Eleven - Polly The Polyphonic Spree - Lithium Kiiara feat. Ashley All Day - dopemang Nirvana - Drain You facebook.com/bythetimeyouhearthis Follow us on Instagram - @bythetimeuhearthis, @matthew__vaughan Email us: bythetimeuhearthis@gmail.com Subscribe on iTunes and/or Podomatic!

Bienvenido a los 90
Programa 189 - Especial Foo Fighters

Bienvenido a los 90

Play Episode Listen Later Oct 29, 2015 85:19


Emitido el 29/10/2015 en www.radioutopia.es El 19/11/2015 será una fecha para recordar. Foo Fighters terminan en Barcelona su gira Europea por lo que la noche se antoja de las que recordaremos durante años. En el programa de hoy vamos al el primer concierto que Dave asistió con la banda Naked Raygun en Chicago, pasando por primeras bandas: Freak Baby, Mision Imposible y Dain Bramage. Escuchamos una composición con Dave a la voz y a las baquetas dentro de la discografía de Scream, recordamos a Nirvana y su single "Heart Shaped Box" porque allí encontramos la joya Marigold con Dave a la guitarra, voz, batería y su Novoselic al bajo. Escuchamos gran parte de su proyecto Late!, su actuación con Tom Petty para el Saturday Night Live y algunas canciones del primer LP de Foo Fighters de 1995, como también algunas demos, caras b y directos. Próximamente regresamos con una joya... el concierto que Foo Fighters ofreció en la extinta sala madrileña "Canciller" el 28 de Noviembre de 1997.

Bienvenido a los 90
Programa 189 - Especial Foo Fighters

Bienvenido a los 90

Play Episode Listen Later Oct 29, 2015 85:19


Emitido el 29/10/2015 en www.radioutopia.es El 19/11/2015 será una fecha para recordar. Foo Fighters terminan en Barcelona su gira Europea por lo que la noche se antoja de las que recordaremos durante años. En el programa de hoy vamos al el primer concierto que Dave asistió con la banda Naked Raygun en Chicago, pasando por primeras bandas: Freak Baby, Mision Imposible y Dain Bramage. Escuchamos una composición con Dave a la voz y a las baquetas dentro de la discografía de Scream, recordamos a Nirvana y su single "Heart Shaped Box" porque allí encontramos la joya Marigold con Dave a la guitarra, voz, batería y su Novoselic al bajo. Escuchamos gran parte de su proyecto Late!, su actuación con Tom Petty para el Saturday Night Live y algunas canciones del primer LP de Foo Fighters de 1995, como también algunas demos, caras b y directos. Próximamente regresamos con una joya... el concierto que Foo Fighters ofreció en la extinta sala madrileña "Canciller" el 28 de Noviembre de 1997.

Bienvenido a los 90
Programa 133 - Krist Novoselic

Bienvenido a los 90

Play Episode Listen Later Oct 23, 2014 108:49


Emitido el 23/10/2014 en www.radioutopia.es Arrancamos nuestro viaje a los 90 haciendo una pequeña parada en Madrid para hablar con los chicos de Julieta Jones, una de mis bandas favoritas ofrece un concierto en Malasaña. Después nos dejamos seducir por las nuevas propuestas de The Smashing Pumpkins y Foo Fighters para después meternos de lleno en el universo Novoselic. Repasamos la carrera del bajista de Nirvana desde que su hermano Robert, le presentó a Kurt hasta nuestros días.

Bienvenido a los 90
Programa 133 - Krist Novoselic

Bienvenido a los 90

Play Episode Listen Later Oct 23, 2014 108:49


Emitido el 23/10/2014 en www.radioutopia.es Arrancamos nuestro viaje a los 90 haciendo una pequeña parada en Madrid para hablar con los chicos de Julieta Jones, una de mis bandas favoritas ofrece un concierto en Malasaña. Después nos dejamos seducir por las nuevas propuestas de The Smashing Pumpkins y Foo Fighters para después meternos de lleno en el universo Novoselic. Repasamos la carrera del bajista de Nirvana desde que su hermano Robert, le presentó a Kurt hasta nuestros días.