Podcasts about sir richard eyre

Sir Richard Eyre, the renowned theatre and film director, who has served as a BBC Governor, shares his concerns over the cuts to radio drama programming, the broader challenges facing the BBC's cultural remit, the tensions between the BBC's public service mission and commercial pressures, and role of the BBC in nurturing and sustaining the UK's cultural landscape. "I would say the BBC is the most important cultural organisation in the world, and the Director-General of the BBC should be standing up, saying that, and putting his heart and soul and practical application into making sure that the BBC lived up to that proclamation. Well, they don't, and they've pitifully ignored the arts. They've cut the arts department in television, and now, they're cutting drama on in radio." Listen to all our episodes here: https://podfollow.com/beebwatch/view To support our journalism and receive a weekly blog sign up now for £1.99 per month (NB we only charge for one creation per month): www.patreon.com/BeebWatch/membership Or if you'd rather make a one-off payment (which doesn't entitle you to the blog) please use our crowdfunding page:https://www.crowdfunder.co.uk/p/roger-boltons-beeb-watch-podcast @BeebRogerInstagram: rogerboltonsbeebwatchLinkedIn: Roger Bolton's Beeb Watchemail: roger@rogerboltonsbeebwatch.comwww.goodeggproductions.uk  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

After starring in Translations and Othello at the National Theatre, Jack Bardoe is currently touring in Richard Eyre's acclaimed revival of A Voyage Round My Father. The production opened in Theatre Royal, Bath and is currently making its way around the UK, bringing John Mortimer's much loved piece to audiences throughout the country. In an exclusive interview, Jack Bardoe opens up about his experiences working with some of our most esteemed directors such as Sir Richard Eyre and Ian Rickson. After leaving RADA, Jack also been seen in shows such as Belgravia as Charles Pope as well as played Toby Phillips in SCREW. Now, Jack stars in a brand new revival of John Mortimer's semi-autobiographical piece opposite award-winning actor Rupert Everett as the Father. Since leaving drama school, Jack has played principal roles in Translations and Othello, both at the National Theatre, a venue he grew up visiting. He talks fondly about the experience stepping out onto the Olivier and Lyttleton stages in 2 landmark productions of great texts. Now, as he continues on tour, he looks back at how theatre continues to be a strong passion and he tells us how this motivates him forward to continue looking for challenging and interesting work.A Voyage Round My Father is on tour until 18 November.

Matthew Bannister on Gita Mehta, the author who set out to reveal the truth about India to the West. Her friend the theatre director Sir Richard Eyre pays tribute. Matteo Messina Denaro, the Italian mafia boss who boasted he could “fill a cemetery” with his murder victims. Irma Brenman Pick, the psychoanalyst who investigated the emotional reactions between patient and therapist. John Stevenson, who wrote some of the best loved episodes of Coronation Street. Sally Wainwright shares her memories of working with him. Interviewee: Sir Richard Eyre Interviewee: Barbie Latza Nadeau Interviewee: Daniel Pick Interviewee: Margaret Rustin Interviewee: Sally Wainwright Producer: Gareth Nelson-Davies Archive used: Gita Mehta interview with Charlie Rose: The complexity and diversity of India, Charlie Rose website, 12/05/1997; Paperbacks: Gita Mehta interview about her book Karma Cola, BBC One, 29/04/1981; Gita Mehta documentary, Dateline Bangladesh, 18/12/2014; Gita Mehta interview, Woman's Hour, BBC Radio 4, 02/07/1990; News report: Falcone killed in bomb explosion, BBC News, 23/05/1992; News report: Anti-Mafia Judge murdered, BBC News, 19/07/1992; Matteo Messina Denaro arrested, The World Tonight, Radio 4, 16/01/2023; Ken Barlow Finds Out About Deidre's Affair, Coronation Street YouTube channel, uploaded 21/01/2015; Hilda Ogden unveils her new "muriel " , Coronation Street, 1976; Rovers Return scene, Coronation Street, 11/09/1978; Reg's Waterbed Floods His Apartment, Coronation Street YouTube Channel, uploaded 30 May 2017; Brass opening scene, ITV, 21/02/1983; Ken gives Raquel French Lessons , Coronation Street Facebook page, uploaded 19/08/2020;

400 years after the publication of William Shakespeare's First Folio, five writers are each asked to pick a speech from one of the Folio's plays, tell it what they think it means, and what it means to them. In the first essay of this series, award-winning theatre and film director Sir Richard Eyre chooses a speech from his favourite Shakespeare play: King Lear. Richard's choice is a speech by Lear from Act 5, Scene 3 of the play. At this point, Lear and his daughter Cordelia are reunited but are about to be dragged off to prison. Richard reveals why he finds Lear's words so moving - after sound and fury, there's quiet: "birds in a cage" and "gilded butterflies." Richard tells us when he first encountered Shakespeare and about when he first felt ready to direct King Lear. He explores how directors have to pick and choose between the Folio version and the Quarto text of the play. He reflects on the power of Lear and Cordelia's relationship and how it evolves through the play. Produced by Camellia Sinclair for BBC Audio in Bristol Mixed by Suzy Robins

On this weeks show we welcome Sir Richard Eyre director of the Oscar nominated Iris, Notes on a Scandal and the recent feature film Allelujah.Richard sits down for a chat with Giles Alderson, Tori Butler-Hart and Matthew Butler -Hart all about his career up until this point.They talk about:Moving from Theatre to TV and TV to filmHow he learnt on the job and became a better director.The importance of rehearsalThe differences between actorsHow editing is key to making a film workAnd he gives some amazing advice for filmmakers.Allelujah is in CINEMAS now.Filmmaking Book:Full to the Brim with Fizz, Ginger, and Fierce Determination;A Modern Guide to Independent Filmmaking AVAILBLE HERECrowdfunderUnravelling https://www.crowdfunder.co.uk/p/unravellingshortfilmLIVE EVENT – TFP at London Independent Film Festival16th April 2pm TICKETS – https://genesiscinema.co.uk/GenesisCinema.dll/WhatsOn?f=30747623PATREONBig thank you to:Mark HammettLee HutchingsMarli J MonroeKaren NewmanWant your name in the show notes or some great bonus material on film-making?Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects!SUPPORT THE PODCASTCheck out our full episode archive at TheFilmmakersPodcast.comCREDITSThe Filmmakers Podcast is hosted, produced, edited and written by Giles Alderson @gilesaldersonSocial Media by Kalli Pasqualucci @kallieepMarketing Huw SiddleLogo and Banner Art by Lois Creative Theme Music by John J. Harvey Hosted on Acast. See acast.com/privacy for more information.

In Act II of Jonathan's chat with Sir Richard, the director talks of receiving right proper rollickings from theatre royalty, how he used light to change the shape of the stage for his legendary Guys and Dolls, his dreams of casting one of the great Olympic champions as Ariel, writing his first original play and the reception it received, whether the theatre has ever failed him and the insecurities that continue to plague him despite his extraordinary professional success. Hosted on Acast. See acast.com/privacy for more information.

Sir Richard Eyre is a cornerstone of contemporary British theatre, who has given us Jonathan Pryce and Daniel Day Lewis as Hamlets, Ian Holm as King Lear, Mary Poppins in the West End and 5 Olivier awards along the way. In the first part of his chat with Jonathan, he charts his rise from a country boy with no knowledge of the form whatsoever to becoming director of the National Theatre. Along the way, we discover which legend he saw playing Hamlet on his first ever trip to see a proper play, why he got drunk on stage performing with Stephen Frears at university, how his complex relationship with his father may have informed much of his greatest work and plenty more besides ... Hosted on Acast. See acast.com/privacy for more information.

In this special Christmas episode, Lucy's speaks to David Mumeni. Originally an actor, famous for his roles in 'Stath Lets Flats' and 'Dead Pixels', he is also the founder of Open Door, an organisation that helps talented young people who do not have the financial means to gain a place at one of the UK's leading drama schools. As well as discussing his favourite speech, NSFW by Lucy Kirkwood, and its relation to the first year of Open Door, David talks about diversity within the industry, how you can never judge what's going to be a success and what isn't, and the frustrating and proud aspects of being a mixed race Iranian working in the British TV and theatre industry.Hosted by Lucy Eaton, theatre producer and West End & screen actress best known for her role as Lucy in hit comedy ‘Staged'. Other episodes include Olivier award winner Patsy Ferran, ex Bond villain Toby Stephens and theatre royalty Sir Richard Eyre.Follow us on TikTok, Instagram and Twitter at @PodHearMeOut, and watch visual clips from the show on our Youtube channel: https://bit.ly/3l7vRht** Join the family by becoming a Hear Me Out Patreon! www.patreon.com/podhearmeout **Now in the Top 10 theatre podcasts on Feedspot: https://blog.feedspot.com/theatre_podcasts/A Lucy Eaton Productions podcast. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Best Actress Olivier award winner Patsy Ferran talks about a speech from the play that made her famous: Tennessee Williams' Summer and Smoke. As well as discussing her favourite Alma speech and why she's the best character Williams ever wrote, Patsy and Lucy talk about Patsy's method for learning lines, which theatre marketing phrases are grinding their gears at the moment and just what it was like to win the Best Actress Olivier.Hosted by Lucy Eaton, theatre producer and West End & screen actress best known for her role as Lucy in hit comedy ‘Staged'. Other episodes include king of theatre Sir Richard Eyre, BBC leading lady Joanna Vanderham and screen/theatre writer Jack Thorne.Follow us on TikTok, Instagram and Twitter at @PodHearMeOut, and watch visual clips from the show on our Youtube channel: https://bit.ly/3l7vRht** Join the family by becoming a Hear Me Out Patreon! www.patreon.com/podhearmeout **Now in the Top 10 theatre podcasts on Feedspot: https://blog.feedspot.com/theatre_podcasts/A Lucy Eaton Productions podcast. Hosted on Acast. See acast.com/privacy for more information.

Star of Jamestown and Netflix's recent hit The Sandman, Niamh Walsh, breaks down the brilliance of her favourite speech by Hermione from Shakespeare's The Winter's Tale. Amidst some enthusiastic discussion around the badass role of Hermione, Niamh talks to Lucy about decolonising our thinking around accents, why filming Sandman was the best thing ever and what she took from her training at LAMDA. Hosted by Lucy Eaton, theatre producer and West End & screen actress best known for her role as Lucy in hit comedy ‘Staged'. Other episodes include national treasure Sanjeev Bhaskar, king of theatre Sir Richard Eyre and BBC leading lady Joanna Vanderham. Follow us on TikTok, Instagram and Twitter at @PodHearMeOut, and watch visual clips from the show on our Youtube channel: https://bit.ly/3l7vRht ** Join the family by becoming a Hear Me Out Patreon! www.patreon.com/podhearmeout ** Now in the Top 10 theatre podcasts on Feedspot: https://blog.feedspot.com/theatre_podcasts/ A Lucy Eaton Productions podcast.

Theatre royalty Sir Richard Eyre joins the show to discuss Shakespeare's King Lear, in particular the ‘Come, let's away to prison' speech. Why does he believe it's the most beautiful language in all of Shakespeare? Who did it best: Ian Holme or Anthony Hopkins? Do actors need to have experienced something to act it? And do you really acquire wisdom and ease in older age? Richard and Lucy get into it all in this deep-dive episode into the joys and curses of Shakespeare, directing and the theatre industry. Hosted by Lucy Eaton, theatre producer and West End & screen actress best known for her role as Lucy in hit comedy ‘Staged'. Other episodes include Goodness Gracious Me's Sanjeev Bhaskar, Blackadder's Tim McInnerny and James Bond's Toby Stephens. Follow us on Instagram and Twitter at @PodHearMeOut, and watch visual clips from the show on our Youtube channel: https://bit.ly/3l7vRht ** Join the family by becoming a Hear Me Out Patreon! www.patreon.com/podhearmeout ** Now in the Top 10 theatre podcasts on Feedspot: https://blog.feedspot.com/theatre_podcasts/ A Lucy Eaton Productions podcast.

"What's your favourite speech?" We're back for a second series! And kicking us off is the sublimely talented Joanna Vanderham (Emmy Award winning The Runaway, BBC's The Control Room and Paradise, What Maisie Knew, The Boy with the Topknot). Joanna discusses Penelope Skinner's translation of Alexei Arbuzov's 'The Promise'. What made her audition for the play so unique, why does she appreciate her time at Royal Welsh College so much and how does it feel when a writer creates a brand new monologue especially for you? Hosted by Lucy Eaton, theatre producer and West End & screen actress best known for her role as Lucy in hit comedy ‘Staged'. Other episodes include Goodness Gracious Me's Sanjeev Bhaskar, Olivier award winning director Sir Richard Eyre and Blackadder's Tim McInnerny. Follow us on Instagram and Twitter at @PodHearMeOut, and watch visual clips from the show on our Youtube channel: https://bit.ly/3l7vRht ** Join the family by becoming a Hear Me Out Patreon! www.patreon.com/podhearmeout ** Now in the Top 10 theatre podcasts on Feedspot: https://blog.feedspot.com/theatre_podcasts/ A Lucy Eaton Productions podcast.

Sir Richard Eyre is one of the UK's most distinguished and celebrated directors - equally at home in theatre, film, and television. At the age of 79, he has just made his debut as a playwright with his new play, The Snail House, which has just opened at Hampstead Theatre. He talks to Samira about his late literary blooming and what needs to happen for theatre audiences to return to their pre-pandemic levels. The name Sylvia Anderson was recently invoked by Dr. Lisa Cameron MP, during a debate on gender equality in the media in Westminster Hall. The late Sylvia Anderson was a pioneer in the male dominated world of television, co-creating Thunderbirds in the 1960s with her then husband Gerry. But her family say her name has often been omitted from credits and merchandise in the years since then. Samira speaks to Sylvia's daughter Dee Anderson and Dame Heather Rabbatts, Chair of Time's Up UK, who are campaigning for her legacy to be restored and to Barbara Broccoli, producer of the James Bond films, who remembers Sylvia as her mentor. The French film director Jean-Luc Godard, who spearheaded the revolutionary French New Wave of cinema, has died at the age of 91. The French President, Emmanuel Macron, has described him as “a national treasure, a man who had the vision of a genius." French film critic Agnes Poirier guides us through Godard's long career, beginning with the classic, À bout de souffle (Breathless), and his influence on directors from Martin Scorsese to Quentin Tarantino. Producer: Kirsty McQuire

Patrick Marber and Peter Curran escape from the hurly-burly of the day into their nearest faraway place - the Bunk Bed. Recorded in the dark and on beds, this is the perfect place for letting thoughts to drift without rhyme or reason. This time, after a top bunk malfunction, they are forced to snuggle up together in the same bed. Socks with 12 hours of wear on them, uncut toenails and grinding all bring conflict. Eventually, we hear the strange voice of science fiction pioneer HG Wells from a 1934 BBC broadcast that spookily sums up society today. This leads naturally to a discussion of national pride, Seamus Heaney, and the male orgasm. Occasional sleepover guests for this series will include star of The Simpsons and This Is Spinal Tap, Harry Shearer, actor Jane Horrocks, cook and presenter Andi Oliver, and director Sir Richard Eyre. Producer: Peter Curran A Foghorn production for BBC Radio 4

Hello and welcome to the 4D Human Being podcast! This is the final episode in a short series on ‘leadership from the perspective of the theatre director'. In this episode Matt from 4D is excited to be talking with the brilliant Bruce Guthrie. Matt and Bruce discuss the process of directing a play and bringing a team together in service of a goal (and a deadline!), the flexibility needed to lead different teams producing very different work and how to encourage individuals to flourish and maximise their creative potential. Bruce is the head of HEAD OF THEATRE & FILM at the NATIONAL CENTRE FOR THE PERFORMING ARTS in Mumbai, India and has worked extensively in the UK, USA and in Asia. Having initially trained as an actor Bruce has a wonderful perspective on being led by directors and what it takes to lead truly creative and collaborative teams. He trained at the National Theatre Studio and with Howard Davies, Sir Richard Eyre, Deborah Warner & Sam Mendes.

This week, Susan and Laura have a bloody delightful time talking with Sir Richard Eyre, whose creative work has spanned all manner of Arts -- directing theatre, film, television and opera, as well as writing books and plays.  He has guided Kate Winslet, Anthony Hopkins, Emma Thompson, Colin Firth, Dame Judi Dench and many more to some of our favorite performances. His insight from decades of experience is both practical and inspirational, and at 75, he is far from finished! 

Bre and Savannah chat about her time on the West End with “Wicked”! We breakdown Savannah’s acting philosophy and talk about how her life has changed since having her son. An established West End leading lady, Savannah Stevenson is best known for playing Glinda in the West End production of Wicked at the Apollo Victoria Theatre, London. Savannah is also an acting coach and masterclass facilitator, wife to Nate and new mum to Ezra. Her further West End credits include Guenevere in Camelot at the London Palladium, Sybil Evers in Chariots of Fire, the Original Cast of Mary Poppins directed by Sir Richard Eyre, The Menier Chocolate Factory's major revival of Aspects of Love by Andrew Lloyd-Webber and Gone with the Wind, both directed by Sir Trevor Nunn. She trained at The Guildford School of Acting, winning a scholarship to the three-year degree course and graduating with First Class Honours in Performance and the Principals Award.She has been involved in workshops for new stage adaptations including Hugo by Brian Selznick, Evelyn Waugh's The Loved One, Austen's Pride and Prejudice and Lincoln Centre's production of Women on the Verge of a Nervous Breakdown directed by Barlett Sher. She was chosen after worldwide auditions to play Mary, Mother of Jesus in The Bible Videos for The Church of Jesus Christ of Latter-day Saints, filmed on location in Utah, USA. Get coached by Savannah! Visit her website here:www.savannahstevenson.com Full show notes here.www.pepperfoxphoto.com/pod/savannahstevenson

With Antonia Quirke As Singin' In The Rain returns to cinemas, Antonia goes behind the scenes of this famous musical with Gene Kelly's widow Patricia Ward Kelly and hears from fans Sir Richard Eyre, Pamela Hutchinson and Neil Brand.

Hear what North Carolina Theatre's Elizabeth Doran (President/CEO) and Eric Woodall, Producing Artistic Director, have to say about NC Theatre’s the decision-making process, as it pertains to licensing, casting, and building an entire season from scratch. For more information about NC Theatre, visit https://nctheatre.com/ (https://nctheatre.com/). About the Guests ELIZABETH DORAN joined NC Theatre in March 2017. With over 15 years of experience as an arts leader and theatre producer, Elizabeth has successfully led several arts organizations serving as the CEO of San Diego Theatres, executive director of The Pasadena Playhouse, the State Theater of California, and as managing director of The Actors’ Gang. Along with producing theatre internationally in Europe and South America, Elizabeth has worked on the development side of major Broadway-bound shows such as JERSEY BOYS and ONE NIGHT WITH JANIS JOPLIN, and has presented many Broadway touring shows including PHANTOM OF THE OPERA and THE LION KING. Beyond her depth of experience in producing and presenting the arts, Elizabeth’s focus on education, audience development, and diversity and inclusion have attracted millions of dollars of funding to support programs which break down barriers by merging the arts into schools, universities, prisons, underserved and new-immigrant neighborhoods, and businesses. Elizabeth has an MBA in strategy and entrepreneurship from Rensselaer (RPI). ERIC WOODALL has a long history with NC Theatre; as an actor, teacher, and director. As a high school student, he performed in JESUS CHRIST SUPERSTAR and GEORGE M! at NC Theatre. After successful years on stage and television, Eric returned to NC Theatre in the late ’90s to direct and help cultivate the existing Summer Theatre Arts School program into the NC Theatre Conservatory. For the past16 years, Eric worked as one of New York’s top casting directors in the office of Tara Rubin Casting. Through casting and developing new musicals, Eric has been lucky enough to work alongside Stephen Sondheim, Cameron Mackintosh, William Finn, Sir Richard Eyre, Stephen Daldry, Susan Stroman, Stephen Schwartz, Casey Nicholaw, James Lapine, Phyllida Lloyd, and Hal Prince. A few of his Broadway casting credits include SUNSET BOULEVARD, ALADDIN, FALSETTOS, LES MISERABLES, PHANTOM OF THE OPERA, BILLY ELLIOT, MARY POPPINS, THE LITTLE MERMAID, and MAMMA MIA! (Broadway, National tour.) Past NC Theatre directorial credits include GYPSY, JESUS CHRIST SUPERSTAR, MARY POPPINS, BILLY ELLIOT, DRIVING MISS DAISY, and STEEL MAGNOLIAS. Other directing credits include NEXT TO NORMAL, WEST SIDE STORY, BIG RIVER, ON GOLDEN POND (Casa Manana); BIG FISH, THE LIGHT IN THE PIAZZA, PARADE, AUGUST OSAGE COUNTY and VIOLET (Theatre Raleigh); AMADEUS (Memphis’ Playhouse on the Square), and HAY FEVER (Playmakers Repertory.) As a guest lecturer, Eric has taught at universities and training programs around the country including NYU, Baldwin Wallace, and Elon. Internationally, Eric was invited to lead workshops in Sydney and Melbourne, Australia through Actors Equity of Australia. Last year, American Theatre named Eric one of the “People You Should Watch” in its “Role Call: Six Theatre Workers You Should Know” series. Eric is a drama graduate of Carnegie Mellon-University and is a member of SDC and CSA. He is grateful to be “home” at NC Theatre. Connect with RDU on Stage Facebook – @rduonstage Twitter – @rduonstage Instagram – @rduonstage Web http://www.rduonstage.com/ (www.rduonstage.com) Support this podcast

Eric Woodall has a long history with North Carolina Theatre; as an actor, teacher, and director. As a high school student, he performed in JESUS CHRIST SUPERSTAR and GEORGE M! at NC Theatre. After successful years on stage and television, Eric returned to NC Theatre in the late 90’s to direct and help cultivate the existing Summer Theatre Arts School program into the NC Theatre Conservatory. For the past 16 years, Eric worked as one of New York’s top casting directors in the office of Tara Rubin Casting. Through casting and developing new musicals, Eric has been lucky enough to work alongside Stephen Sondheim, Cameron Mackintosh, William Finn, Sir Richard Eyre, Stephen Daldry, Susan Stroman, Stephen Schwartz, Casey Nicholaw, James Lapine, Phyllida Lloyd, and Hal Prince. A few of his Broadway casting credits include SUNSET BOULEVARD, ALADDIN, FALSETTOS, LES MISÉRABLES, THE PHANTOM OF THE OPERA, BILLY ELLIOT, MARY POPPINS, THE LITTLE MERMAID, and MAMMA MIA! (Broadway, National tour). Past NC Theatre directorial credits include MAMMA MIA!, GYPSY, JESUS CHRIST SUPERSTAR, MARY POPPINS, BILLY ELLIOT, DRIVING MISS DAISY, and STEEL MAGNOLIAS. Other directing credits include NEXT TO NORMAL, WEST SIDE STORY, BIG RIVER, ON GOLDEN POND (Casa Manana); BIG FISH, THE LIGHT IN THE PIAZZA, PARADE, AUGUST: OSAGE COUNTY, and VIOLET (Theatre Raleigh); AMADEUS (Memphis’ Playhouse on the Square), and HAY FEVER (Playmakers Repertory). As a guest lecturer, Eric has taught at universities and training programs around the country including NYU, Baldwin Wallace, and Elon. Internationally, Eric was invited to lead workshops in Sydney and Melbourne, Australia through Actors Equity of Australia. Last year, American Theatre named Eric one of the "People You Should Watch" in its “Role Call: Six Theatre Workers You Should Know” series. Eric is a drama graduate of Carnegie Mellon University and is a member of SDC and CSA. I recently had the great pleasure of interviewing Eric about how things are going with his new job as Producing Artistic Director for North Carolina Theatre, their recently announced 2019-20 season, and the remaining shows for 2018-19. For more information regarding North Carolina Theatre, please visit: https://nctheatre.com/ Follow Kare Reviews at www.karereviews.com and on Twitter: @KareReviews Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor, Apple, Google, SoundCloud, Spotify, Breaker, Overcasts, Pocket Casts, and RadioPublic. --- Support this podcast: https://anchor.fm/jeffrey-kare/support

With Antonia Quirke. Sir Richard Eyre discusses his re-union with novelist Ian McEwan with the release of The Children Act, three decades after they collaborated on The Ploughman's Lunch. Marc Forster discusses Christopher Robin, his take on what happened to Winnie The Pooh's friend after he left Hundred Acre Wood and got a job in the city Larushka Ivan-Zadeh and Rosemary Fletcher discuss the cross-over between children's and grown-up's movies.

Australian film Sweet Country is an Australian Western set in the 1920s - can there be justice when an aboriginal man kills a white farmer in self defence. High Society is a new exhibition at The Rijksmuseum in Amsterdam - a series of life-size portraits from the masters of art history from Rembrandt to Manet and Velasquez. The National Theatre's latest production stars Rory Kinnear and Anne Marie Duff in Macbeth. Wendy Cope's first collection of poetry in 7 years is Anecdotal Evidence David Byrne has been one of the most consistently inventive and exciting musicians and performers for more than 4 decades. His latest release American Utopia is his first solo album for nearly a decade-and-a-half and looks at the state of the US right now. What does his eye alight upon and what does he make of it...? Tom Sutcliffe's guests are Sir Richard Eyre, Tracy Chevalier and Natalie Haynes. The producer is Oliver Jones.

The death of Sir Peter Hall was announced today, at the age of 86. Friends and colleagues look back on his life. We'll be hearing from those who lived and worked with him including the Opera singer Maria Ewing, who was married to Sir Peter Hall for eight years and who was directed by him many times. We'll also speak to former heads of the National Theatre Sir Nicholas Hytner and Sir Richard Eyre, the director Sir Trevor Nunn, playwright David Edgar and theatre critic Michael Billington.Peter Hall, whose career spanned more than six decades, was a director of theatre, opera and film. As well as founding the Royal Shakespeare Company, running the National Theatre for 15 years, working as artistic director at Glyndebourne Festival Opera, and setting up the Peter Hall Company, he will be remembered for his extensive work which ranged from Shakespeare and the Greek classics to Pinter and of course Peter Shaffer's Amadeus with Paul Scofield and Simon Callow. Presenter Samira Ahmed Producer Helen Fitzhenry.

Film and theatre director Sir Richard Eyre describes how he was inspired by "The People's War" by Angus Calder. This social history of the Second World War relives the experience of ordinary citizens during the conflict: "their endurance and patience and their cowardice, complaints, and selfishness, as much as their heroism and humanity." It provided Eyre with a vision - albeit unfulfilled - of social justice, which was in sight during the social revolution of wartime. "So I return to this book, this litany of courage and misery and endurance and hardship - the only book I return to constantly and obsessively - for solace." Producer: Smita Patel.

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Chris Campbell and Sasha Dugdale about the art of translation. A translator and poet, Sasha Dugdale has translated many plays from Russian for theatres around the world, including the Royal Court Theatre, the Traverse Theatre, the Royal Shakespeare Company and BBC Radio Drama. She also translates poetry and short stories, and her translation of the poet Elena Shvarts’ Birdsong on the Seabed (Bloodaxe) was a Poetry Book Society Recommended Translation and shortlisted for the Popescu and Rossica Prizes. Sasha translated 'Take the Rubbish Out, Sasha' by Ukrainian playwright Natalia Vorozhbyt as part of Traverse Theatre A Play, A Pie and A Pint Spring Season 2015. Chris Campbell has worked as an actor at theatres including The National, The Royal Court, The Traverse, The West Yorkshire Playhouse, The Birmingham Rep, The Gate and English Touring Theatre. Directors have included Howard Davies, Sir Richard Eyre, Sir Peter Hall, Richard Wilson, William Gaskill, Erica Whyman, Stephen Daldry, Ian Brown and Annie Castledine. He most recently appeared alongside Meryl Streep in 'The Iron Lady'. He has translated plays by Philippe Minyana, David Lescot, Rémi de Vos, Adeline Picault, Magali Mougel, Launcelot Hamelin, Frédéric Blanchette, Catherine-Anne Toupin and Fabrice Roger-Lacan for The National, The Almeida, The Donmar, The Traverse, The Birmingham Rep and The Young Vic among others. Chris was Deputy Literary Manager of the National Theatre for six years and is currently Literary Manager of the Royal Court. In 2014, Chris was appointed Chevalier de l’Ordre des Arts et des Lettres by the French government. Chris translated 'Right Now' by Quebecois playwright and actor Catherine-Anne Toupin. Right Now is presented by the Traverse Theatre Company in May 2015. Original music by James Iremonger www.jamesiremonger.co.uk Produced by Cian O Siochain and Eleanor Pender Devised and engineered by Cian O Siochain

Sir Richard Eyre's distinguished career as a director encompasses both theatre and film. He ran the National Theatre in London for ten years and also created acclaimed productions of Guys and Dolls and Mary Poppins. For the big screen he's directed Notes on a Scandal and Iris. He talks to Mariella Frostrup about his five favourite books, and how they shaped his life.

Libby Purves is joined by writer Abbie Ross; director Sir Richard Eyre; poet and and wild swimmer Andrew Fusek Peters and Peter Francis, warden of Gladstone's Library. In 1972 when Abbie Ross was two her cosmopolitan parents moved from London to rural Wales to lead an alternative lifestyle. In her book, Hippy Dinners, she recreates this childhood - in particular her parents' friendships with local hippies and their embarrassing taste for hummus, cheesecloth and yoga. Hippy Dinners - A memoir of a rural childhood is published by Transworld. Sir Richard Eyre CBE is a director of theatre, film, television and opera who brings his latest production of The Pajama Game to London's West End. He started his career in regional theatre before becoming director of the National Theatre in 1987. He has directed numerous productions including Betty Blue Eyes, Quartermaine's Terms and Stephen Ward: The Musical. He won the 2014 Olivier Award for Best Director for his production of Ibsen's Ghosts. His film and television credits include Notes on a Scandal; Iris; Henry IV Parts I and II and Tumbledown for which he won a BAFTA. The Pajama Game is at The Shaftesbury Theatre, London. Andrew Fusek Peters is a poet and storyteller. His new book Dip - Wild Swims and Stories from the Borderlands is the story of his year of wild swimming in rivers, lakes, waterfalls and hidden pools. The book is an honest account of his recovery from a bout of severe depression and how swimming helped him regain a sense of purpose. Dip - Wild Swims and Stories from the Borderlands is published by Rider. Peter Francis is an Anglican priest who became the warden of Gladstone's Library in 1997. Britain's only Prime Ministerial library, it was founded by the Victorian statesman himself and, following his death in 1898, became the national memorial to his life and work. Peter was instrumental in developing the Islamic Reading Room Project, a resource to nurture dialogue between Christians and Muslims.

Director of theatre, opera, musicals and films, Sir Richard Eyre chooses 'Blue Suede Shoes' by Elvis Presley and 'The Heart of Saturday Night' by Tom Waits.

With Kirsty Lang. Booker Prize-winning Irish author Roddy Doyle discusses why he decided to resurrect one of his earliest characters - Jimmy Rabbitte who first appeared in The Commitments 25 years ago - in his new novel The Guts. He also reflects on topics of conversation among men his own age, and offers his top tip to stop snoring. Sir Richard Eyre has returned to the National Theatre to direct Liola, a drama by the Italian playwright Luigi Pirandello. Set in rural Sicily at the end of the 19th century, the play centres on Liola - a charming young man who has caused controversy by fathering three sons with different women. Andrew Dickson reviews the new version by Tanya Ronder, which is performed by an Irish cast. The theatre director Josie Rourke brings the 1987 comedy drama film Broadcast News, starring William Hurt and Holly Hunter, to the Cultural Exchange. Disney's summer blockbuster The Lone Ranger, which stars Johnny Depp as Tonto, has flopped at the US box office and is expected to lose millions of dollars. Adam Smith explains why, despite many attempts to re-vamp the genre, Westerns from Wild Wild West, via Cowboys and Aliens to Jonah Hex have failed to deliver. Producer Olivia Skinner.

“There is no room for being a dilettante as an actor” Sir Richard Eyre informed me tonight. He wasn’t accusing me, just answering my question regarding his experience of working of some of Britain’s greatest actors of the last thirty plus years. This is the  weekly podcast newsletter where we track our creativity but first […]

As Colin Firth is honoured with a star on Hollywood's Walk of Fame, Jonathan Maitland profiles the actor hotly tipped to receive an Oscar for his performance in The King's Speech.Colin Firth is famous for his eclectic roles and campaigning zeal. He first came to prominence in the BBC adaption of Pride & Prejudice. He played Mr Darcy, a performance he claims never to have watched in full. But his break was as a public schoolboy in Another Country. His real life was very different, he went to a state school in Winchester. At home, books and theatre were highly valued. His grandparents were missionaries which might help to explain his involvement in a number of charitable and campaigning organisations. He is particularly interested in supporting indigenous people, fair trade and foreign development. In the past he has supported Labour and came out - briefly - last year for the Lib Dems. His career has mixed serious roles in Tom Ford's A Single Man and Michael Winterbottom's Genoa with Phyllida Lloyd's Mamma Mia and the reprisal of Mr Darcy in the Bridget Jones films. Profile talks to his parents, Shirley and David Firth, the actor, David Morrissey and director Sir Richard Eyre.Producer: Rosamund Jones.

Slapstick; sexual jealousy; and mistaken identity. At its best, farce can be sublime – its intricate plotting and sheer silliness combining to blissful comic effect. But should we take farce seriously, or is is mere lowbrow entertainment? What makes a good farce, and how should a director approach it? On the opening of Georges Feydeau’s 1907 farce 'A Flea in Her Ear' at the Old Vic in London, Jan Dalley puts these questions to its distinguished director, Sir Richard Eyre, who was artistic director of the National Theatre for a decade, and to Sarah Hemming, the FT's theatre critic. Produced by Griselda Murray Brown. See acast.com/privacy for privacy and opt-out information.