Podcasts about y tu mam tambi

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

Traverse across South and Central America with us ad we examine two South American Road Trip Movies with the Alfonso Cuarón film Y Tu Mamá También and the adaptation of Che Guevara's early diaries, The Motorcycle Diaries Timings for this week are: Y Tu Mamá También: (02:04) The Motorcycle Diaries: (33:07) Next episode our theme will be Alienated Pianist Films. Follow us on social media: Instagram Twitter Threads Bluesky Letterboxd Facebook Email: frame.to.frame250@gmail.com Support Film Stories Podcast Network on Patreon: https://www.patreon.com/simonbrew Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: https://filmstories.co.uk/ Gothamlicious by Kevin MacLeod Link License Leave us a review on Podchaser or Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Desde Little Miss Sunshine hasta Y Tu Mamá También, hacemos un repaso por la presencia de las eternas carreteras en el cine.

Aldo Juraidini Zorrilla is a Design Director at Studio Rodrigo. He has worked in fintech, healthcare, and the nonprofit sector, with clients including (but not limited) to Barclays, Peacock, Google, Make the Road NY, and more. Plus! Aldo leads Cinema Rodrigo once a month, when everyone is welcome to watch a film and chat about it over drinks and food. Y tu mamá también made an impact on Aldo at a young age. The movie stars Gael Garcia Bernal as Julio and Diego Luna as Tenoch, two very close friends who embark on a road trip with Luisa, played by Maribel Verdú. At the beginning of their trek, Julio and Tenoch have their own selfish intentions but as the journey progresses, Luisa teaches them a lesson or two, changing their lives in unexpected ways.-Y tu mamá también (2001)https://www.imdb.com/title/tt0245574/https://www.imdb.com/name/nm0190859/ https://www.imdb.com/name/nm0190860/ https://www.theguardian.com/film/2002/apr/12/1 https://www.nytimes.com/2021/08/25/movies/y-tu-mama-tambien.html-Gael Garcia Bernal and Diego Lunahttps://variety.com/2024/film/news/la-maquina-diego-luna-gael-garcia-bernal-boxing-butts-botox-hulu-1236174602/https://letterboxd.com/crew/story/gael-garcia-bernal-and-diego-luna-reflect/ -Aldo Juraidini Zorrillahttps://www.aldojuraidini.com/https://www.cinemarodrigo.com/-Other movies and art discussedhttps://www.imdb.com/title/tt6155172/https://www.imdb.com/title/tt0245712/https://www.imdb.com/title/tt0061722/https://www.imdb.com/title/tt0113540/https://www.imdb.com/title/tt0110598/https://olympics.com/en/olympic-games/mexico-city-1968/logo-designhttps://www.brian-eno.net/about/https://en.wikipedia.org/wiki/Mexico_City_Metrohttps://www.imdb.com/title/tt17677860/https://www.imdb.com/title/tt0206634/https://www.imdb.com/name/nm0939182/

When the Rommies' partners go away for the summer, they soon realize they need a new outlet for their horniness, and what better way than to road trip to the beach with a cousin-in-law?? Listen in as they dive into Alfonso Cuarón's masterpiece, which may be the horniest and summeriest (and saddest) film of the entire run.

This week on Peanuts and Popcorn, we begin with the Popcorn with two excellent selections, perhaps the two best this season, Atlantic City (1980), and Y Tu Mamá También (2001). In Peanuts, we salute the Detroit Tigers, their excellent fans and their first-rate broadcaster. The Chicago White Sox are now the worst team of the modern era and Shohei Otani has possibly the greatest day of any hitter ever. Next Show: Leo's Pick: The Road to Perdition (2002) Tom's Pick: The Last Detail (1973)

Todos los episodios contienen SPOILERS. Esta semana festejamos a México con una de las mejores películas que ha producido este país y que ha sido aclamada por crítica, audiencias, y hasta la Criterion Collection. Dándonos un vistazo a la longeva amistad de Diego Luna y Gael Garcia, y dirigida por el cuatro veces ganador del Oscar, Alfonso Cuarón, esta semana entra a la colección: Y TU MAMÁ TAMBIÉN ¡NO OLVIDES SEGUIRNOS EN REDES SOCIALES! - Instagram: @coleccionablespodcast - Facebook: @coleccionablespodcast - Tiktok: @coleccionablespod

Coming of age story?  Sexual awakening?  Road trip movie?  These all characterize Alfonso Cuarón's tale of two young men and  one women whose lives intersect for a brief period one summer… kind of.  While this film displays a keen understanding of convention it constantly subverts expectations and values along and becomes something all the more charming, touching, challenging, and political at heart.  Two future superstars, Gael Garcia Bernal and Diego Luna alongside Maribel Verdu, propel this still iconoclastic film to a rare stature alongside the best of Mexican cinema. Join our Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Neil Jordan's Mona Lisa (1986).

Mike D de los Beastie Boys lo dijo mejor: Camilo es un verdadero conocedor de la música que sabe de todo tipo de cosas raras. Camilo Lara crea ritmos irresistibles para la pista de baile global con su proyecto Instituto Mexicano del Sonido. Basado en Ciudad de México, Camilo también escribe música para cine, televisión y videojuegos. Su trabajo como compositor le ha valido un Emmy y múltiples nominaciones y premios Grammy a través de los años. Camilo creó la música incidental y fue consultor musical de Coco de Pixar (¡y tuvo un cameo!) y de todas las temporadas de Narcos México. Formó parte de los equipos musicales de Thor: Love and Thunder y Black Panther: Wakanda Forever. Su música ha aparecido en Narcos, Breaking Bad, Y Tu Mamá También, Vacation Friends, Mosquito Coast, Californication y Ugly Betty, entre muchos otros. Tiene su propia estación de radio, EastLos FM, en el juego más vendido de todos los tiempos, Grand Theft Auto V.El trabajo de Camilo como artista y productor también le ha valido una nominación al Grammy y ocho nominaciones al Grammy Latino. Produjo el disco más vendido en México en los últimos 25 años (Los Ángeles Azules). Sus créditos de producción incluyen un amplio espectro de artistas que van desde Santa Fe Klan y Natanael Cano, hasta artistas legendarios como Lila Downs, Norah Jones y Calexico. Ha producido artistas de una amplia gama de géneros, desde los iconos congoleños Jupiter & Okwess, Band of Horses, Beck, o el ecléctico Africa Express de Damon Albarn. Igualmente artistas como Metallica, Run the Jewels, Beck, Beastie Boys, Morrissey, Placebo, Interpol, Don Letts, Madness, Julieta Venegas, Tony Allen, Babasónicos, Hermitude, Amadou & Marian, y Sofi Tukker le han comisionado remixes. El Instituto Mexicano del Sonido lanzó su álbum debut Méjico Máxico en 2006. Desde entonces ha lanzado un total de 5 álbumes. Distrito Federal (2021) entró en la lista de NPR de lo Mejores Álbumes del Año. En 2024 lanza Algo Ritmo (2024), una retrospectiva de su trabajo durante los últimos 20 años. El Instituto Mexicano del Sonido se ha presentado en todos los continentes, encabezando el Festival Vive Latino de la Ciudad de México en 2024 ante una multitud de más de 80,000 personas. La revista Time nombró a Camilo uno de los 80 mexicanos dando forma a la cultura contemporánea y el El País lo nombró una de las 50 personas más Influyentes de América Latina. Hosted on Acast. See acast.com/privacy for more information.

Participación especial de: Iván Ferreiro, Dante Spinetta, Gonzalo Aloras, Vetusta Morla y Ariel Rot. Playlist: 1- M – Iván Ferreiro (LR Sessions) / 2- La Rubia Sideral - La Derecha / 3- Perdóname - Superlitio (Demorado) / 4- De Perros Amores - Control Machete + Eli Guerra (BSO Amores Perros) / 5- La Tira - Molotov (BSO Todo el Poder) / 6- Cruces - Árbol  (Jardín Frenético) / 7- Willie Nelson Remix - Niña / 8- Algún Día - Soda Stereo (Tributo a Queen) / 9- Nubosidad Variable - IKV (Juntos a Chiapas) / 10- El Listón de tu Pelo - Julieta Venegas y Pau Donés (Asesino En Serio) / 11- Afila el Colmillo - Titan ft. Mala Rodríguez (Y Tu Mamá También) / 12- Tengo un trato - Mala Rodríguez y Refree / 13- I Could Take Place of Your Man – Charly García (Prince Cover 1989) / 14- Emotival - Gonzalo Aloras (LR Sessions) / 15- La Regla Primordial - Tepetokio + Rubén Albarrán (Tributo a 31 Minutos) / 16- Oso Carpintero – Liquits / 17- Cenizas en el Aire- Ariel Rot (Directo Bogotá) / 18- Los Días Raros - Vetusta Morla (Directo FEP Bogotá) / Bonus Track - Lenguas Amplificadas RexMix

Participación especial de: Iván Ferreiro, Dante Spinetta, Vetusta Morla y Ariel Rot. Playlist: 1- M – Iván Ferreiro (LR Sessions) / 2- La Rubia Sideral - La Derecha / 3- Perdóname - Superlitio (Demorado) / 4- De Perros Amores - Control Machete + Eli Guerra (BSO Amores Perros) / 5- La Tira - Molotov (BSO Todo el Poder) / 6- Cruces - Árbol  (Jardín Frenético) / 7- Willie Nelson Remix - Niña / 8- Algún Día - Soda Stereo (Tributo a Queen) / 9- Nubosidad Variable - IKV (Juntos a Chiapas) / 10- El Listón de tu Pelo - Julieta Venegas y Pau Donés (Asesino En Serio) / 11- Afila el Colmillo - Titan ft. Mala Rodríguez (Y Tu Mamá También) / 12- Tengo un trato - Mala Rodríguez y Refree / 13- I Could Take Place of Your Man – Charly García (Prince Cover 1989) / 14- Emotival - Gonzalo Aloras (LR Sessions) / 15- La Regla Primordial - Tepetokio + Rubén Albarrán (Tributo a 31 Minutos) / 16- Oso Carpintero – Liquits / 17- Cenizas en el Aire- Ariel Rot (Directo Bogotá) / 18- Los Días Raros - Vetusta Morla (Directo FEP Bogotá) / Bonus Track - Lenguas Amplificadas RexMix

The new CHALLENGERS is a sports drama the same way Alfonso Cuarón's Y TU MAMÁ TAMBIÉN is a road movie: secondarily, as both films tend to be associated first with their respective sexy love triangles, each with a woman at its center. That shared character dynamic results in a lot of connections between the two films, which we'll cover in the next episode, but this week we're focusing on all the other elements that distinguish Y TU MAMÁ TAMBIÉN, from the way its narration forces us to consider the bigger picture that's ignored by our young protagonists, to an ending revelation that recontextualizes (or, for one of our panelists, undermines) everything that comes before. And in Feedback, we take up a spoiler-filled question about the ending and viewer reception of CIVIL WAR. Please share your comments, thoughts, and questions about Y TU MAMÁ TAMBIÉN, CHALLENGERS,  or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Films: Y tu mamá también (2001, d. Alfonso Cuarón) US Blu-ray: https://www.amazon.com/Y-Tu-Mama-Tambien-Blu-ray/dp/B0915GWTKD Children of Men (2006, d. Alfonso Cuarón) US Blu-Ray: https://www.amazon.com/Children-of-Men-Blu-ray/dp/B001YV502C UK Blu-ray: (Superior transfer but region locked): https://www.amazon.co.uk/Children-of-Men-Blu-ray/dp/B07G1YPKM9 Roma (2018, d. Alfonso Cuarón) US Blu-ray: https://www.amazon.com/Roma-Blu-ray/dp/B081KMQY17 Two friends discuss the theory behind classic, arthouse, and independent cinema, and go on a journey together to learn about under-appreciated works. Each episode will establish a common thread between three films and engage in discussion about them. This podcast is produced by Brave Voice Films. You can reach out to us at framesofreference@bravevoicefilms.com Tweet us: @podcastfor Our episodes will run bi-weekly. Please email us your suggestions!

Ryan and Dylan are joined by Abiesel A. Baez to talk about one of Alfonso Cuaron's first films, Y tu mamá también.

for the full episode join the Patreon [patreon.com/fashiongrunge]It's been a while since we've reviewed a film after 2000. Y Tu Mamá También has been on my list and it's the perfect film for this summer heat and the spirit of adventure and exploration. Me and Jai had a great time diving into this world that neither one of us have visited in quite a while. Directed by Alfonso Cuarón who takes you on a short but fulfilling journey that leaves you questioning and reminiscing about your own similar experiences. We found a lot of behind the scenes info, drool over Gael, and realize just how much we relate to Luisa. --- Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastSubstack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod 

Jamie, Caitlin, and special guest Adriana Ortega hop in the car and discuss Y Tu Mamá También while heading to La Boca del Cielo. (This episode contains spoilers) For Bechdel bonuses, sign up for our Patreon at patreon.com/bechdelcast Follow @adriana_oa9 and @espanolconadriana on Instagram.See omnystudio.com/listener for privacy information.

Our "Summer Abroad" international film series continues with director Oz Rodriguez (Miguel Wants to Fight, SNL) joining to discuss Alfonso Cuarón's Mexican road picture, Y TU MAMÁ TAMBIÉN starring Diego Luna, Gael García Bernal and Maribel Verdú. Cuarón and his brother Carlos scripted this unconventional coming-of-age story of two teenage boys on a road trip, while vying for the affection of a newly single traveling companion in her late twenties. Layered against the backdrop of Mexico's class disparity and late-millennium political upheaval, Y TU MAMÁ TAMBIÉN was an unqualified world cinema smash upon release in 2001, but how has its frank and sexy subject matter matured in the past two decades? Join Mama's discussion of MAMA along with diversions into Oppenheimer, Andor, Pablo Larraín, Looking, directing fight scenes, natural wine, Great Expectations, circumcision and much, much more! MIGUEL WANTS TO FIGHT is available to stream on Hulu. Y TU MAMÁ TAMBIÉN is available for streaming rental and on Blu-ray from The Criterion Collection.

Academy Award-nominated editor Alex Rodríguez (Mosul, Children of Men) talks about his experience cutting adrenaline-pumping action sequences - including an amazing 21-minute "oner" - in the film, Extraction 2!Alex reveals his unique process and techniques for crafting breathtaking action scenes that have left audiences on the edge of their seats. From the challenges he faced to the creative decisions that shaped the final product, you'll gain invaluable knowledge from a true master of the craft.Although initially aspiring to become a radio host, Alex found himself in a role of audiovisual television production in Mexico City shortly after leaving college. He navigated a web of connections, roles, and opportunities, ultimately finding himself in the role of editor for the critically-acclaimed film, Y Tu Mamá También. This pivotal project not only showcased Alex's skills, but also marked the start of a creative partnership with director Alfonso Cuarón. Alex discusses navigating an ever-changing and unpredictable industry, his own creative ideas, making the move from Mexico City to Hollywood, and his editing process for various films.CLICK HERE to learn how you can start a career in film & scripted television!Join the Hollywood Editing Mentor community!>>> SUBSCRIBE and leave a 5-star review on Apple Podcasts! >>>Original Music: "Apollo's Haze" and "Do You Want" by JesusdapnkFacebook: www.fb.com/jesusdapnkSoundcloud: www.soundcloud.com/jesusdapnkInstagram: @jesusdapnk

Reviewing the Criterion Collection's own Y tu mamá también directed by Alfonso Cuaron. Shoutout to patron Callum Singh for the review suggestion! Become a Patron! Join to gain access to an abundance of exclusive perks like early access, merch discounts, Discord access, personalized video messages, Q & A, and more! https://www.patreon.com/reeltokpodcast Grab some ReelTok merch! Designs so amazing you have to see them to believe them! https://reeltokpodcast.com/ Go follow us on all of our socials below! ReelTok Podcast YouTube: https://www.youtube.com/@reeltokpodcast TikTok: https://www.tiktok.com/@reeltokpodcast Instagram: https://www.instagram.com/reeltokpodcast/ Twitter: https://twitter.com/reeltokpodcast Letterboxd: https://letterboxd.com/reeltokpodcast/ Patreon: https://www.patreon.com/reeltokpodcast Listen and Rate Us 5 Stars on Spotify and Apple Podcasts: Spotify: https://open.spotify.com/show/3V214vWwkO823aa4OaeDrO Apple Podcasts: https://podcasts.apple.com/us/podcast/reeltok-podcast/id1644680412 George Carmi Letterboxd: https://letterboxd.com/georgecarmi/ TikTok: https://www.tiktok.com/@moviesandstuff14 YouTube: https://www.youtube.com/@moviesandstuff14 Instagram: https://www.instagram.com/georgecarmi/ Twitter: https://twitter.com/georgecarmi Tyler Whitmore Letterboxd: https://letterboxd.com/TylerCWhitmore/ TikTok: https://www.tiktok.com/@tylercwhitmore YouTube: https://www.youtube.com/@tylercwhitmore Instagram: https://www.instagram.com/tylercwhitmore/ Twitter: https://twitter.com/TylerCWhitmore Seth's Film Reviews Letterboxd: https://letterboxd.com/sethsreviews/ TikTok: https://www.tiktok.com/@sethsfilmreviews YouTube: https://www.youtube.com/@Sethsfilmreviews Instagram: https://www.instagram.com/sethsfilmreviews/ Twitter: https://twitter.com/sethsfilmreview Cam Walsh Letterboxd: https://letterboxd.com/cjwalsh27/ TikTok: https://www.tiktok.com/@camwalsh27 Instagram: https://www.instagram.com/camwalsh/ Twitter: https://twitter.com/CamWalsh27 Logo and channel art created by Adamson Visuals: TikTok: https://www.tiktok.com/@adamsonvisuals?lang=en Instagram: https://www.instagram.com/adamsonvisuals/ Twitter: https://twitter.com/_AdamsonVisuals Welcome to ReelTok Podcast hosted by Cam, Tyler, Seth, and George where we talk all things movies, TV, and pop culture news. We are four movie-based social media creators who came together to try and make an accessible and engaging film podcast. Weekly podcast episodes are released every Monday with YouTube videos uploaded daily. #movies #moviereviews #podcast #moviepodcast #reeltok #reeltokpodcast Help us become the #1 movie podcast in the entire world! --- Support this podcast: https://podcasters.spotify.com/pod/show/reeltokpodcast/support

It's Calum's Birthday! So, he decided we were going to enjoy some nice, friendly soft-core entertainment together; as friends do! You guessed it, this week we discussed Y tu mamá también (2001) otherwise known as And Your Mother Too (2001). While the obvious happens, this film has a lot of additional depth (lol). So, we get really deep in our discussions. Why don't you get deep with us? We'd love to hear your thoughts if you've watched this film. You'll probably be more eloquent than us awkwardly fumbling around discussing awkward fumbling. Join us next week as we leave Mexico and head to Russia with Leviathan (2014) --- Send in a voice message: https://podcasters.spotify.com/pod/show/one-of-us-is-board/message

Diego Luna shares stories from his performances in ‘Y Tu Mamá También,' ‘Frida,' and ‘Andor' in this career spanning discussion moderated by Clayton Davis, Variety. This interview is part of the SAG-AFTRA Foundation Conversations series, an essential resource for actors, filmmakers and students of discussions with performers, exploring the process and profession of acting. The views expressed in the presentation materials and films, and by the guests and moderators are solely those of the organization and/or individual providing them and do not reflect the opinions of the SAG-AFTRA Foundation, its staff or Board of Directors. Watch Past Q&A's: https://www.youtube.com/c/SAGAFTRAFoundation/videos Follow the SAG-AFTRA Foundation on social media: Instagram: https://www.instagram.com/sagaftraFOUND/ Facebook: https://www.facebook.com/sagaftraFOUNDATION Twitter: https://twitter.com/sagaftraFOUND` The SAG-AFTRA Foundation is a 501(c)(3) nonprofit organization dedicated to providing the most comprehensive, educational and state-of-the-art resources to SAG-AFTRA members. The Foundation believes that the contributions made to our culture by performing artists are not only valuable, but essential. The SAG-AFTRA Foundation relies entirely on donations to provide emergency assistance and free educational programs to SAG-AFTRA artists. This conversation is made possible thanks to the generosity of our supporters. During the pandemic, the Foundation has given over $7 million in disaster relief to more than 7,500 performers. If you are a SAG-AFTRA artist and need help, please ask. And, if you can help, please give at: https://sagaftra.foundation/donate. All donations are tax-deductible.

Join the #WatchTowerFilmPodcast boys as they dive into yet another phenomenal picture that'll make you laugh, make you cry, and make you question your existence (or at least it did with De La O). We discuss Alfonso Cuarón's cinematic triumph “Y Tu Mamá También”. Join us as we highlight how this film takes traditional filmmaking techniques and tosses them out the window and instead uses French New Wave and documentary style techniques to tell such a compelling and original story. Help us by SUBSCRIBING, LIKING, and SHARING! #WatchTowerFilmPodcast #FilmPodcast #Cinema #IndieFilm #Film #Movies #MoviePodcast

In the thirtieth episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, fellow podcaster Ben Thelen, journalist Kerry Harwin, and screenwriter Gio Maldonado, to discuss a friendship defined by harmful masculinity, divided class, and covert sexuality in a shifting political Mexico in Alfonso Cuarón's riveting road film of discovery and social commentary Y Tu Mamá También (2001). 

"Life is like the surf, so give yourself away like the sea."  We watched Y tu mamá también (2001) with our friend Sandra Espinoza and we're packing the station wagon for a roadtrip to Boca del Cielo.  Time is a hell of a concept and man did it do a number on us when we re-watched this classic of Mexican cinema.  As young lads first introduced to this film, we were struck by the beauty of its cast, its locations and its story, but as aged queens of the 2020's we've really changed who we identify with.  Of course as teens coming to grips with our queerness we sided with the beautiful Julio (Gael García Bernal) and Tenoch (Diego Luna) and their spontaneous beach trip.  Now that we're grown - it's fully team Luisa (Maribel Verdú) who feels like she's babysitting without getting paid.  Masterfully directed by Alfonso Cuarón and shot by Emmanuel "Chivo" Lubezki - it captures the beauty of Mexico in a way not often seen in American movies.  No yellow filter to be found - just 2 boys, a girl, a lot of tequila and colorful translations of Mexican slang. No mames guey! Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Y'all, it's that time again! Time for another adventure into the great beyond. Jonathan and guest Cecille Sofi Jiménez navigate threesomes, sex between friends, and the summer of Luisa, in their discussion of Alfonso Cuarón's "Y tu mamá también." QUEER STORYBLOCKS WORKSHOP October 16, 2022 @3pm PST BOARD THE PATREON Cecille Sofi Jiménez: @cecillesofi Cecille's Shop: FreewingVintage - Etsy TCU Podcast: @TCUpodHQ Jonathan Andre Culliton: @jonathanandrethegiant Heath&Henshaw Productions: @heathandhenshaw BOMBSHELL SPOOKABLE Next week's destination: "A League of Their Own"

Pour up a Heaven's Mouth and join Steven McCash and Cadbury as they relive the 2001 masterpiece, Y Tu Mamá También. To make the Heaven's Mouth, you'll need:1oz silver tequila 2oz pineapple juice1oz Cointreau 0.5oz lime juiceTwist of lime for garnishIn a shaker full of ice, combine the tequila, Cointreau, lime juice, and pineapple juice. Shake vigorously until chilled. Pour into a glass of ice and garnish with the lime twist.Check out our friends at Trouble Spirits: https://troublespirits.com/And, while you're here, be sure to go subscribe to our friends at 440 Sports on YouTube: https://www.youtube.com/c/440Sports

Hey film buds, This week to help us continue our Hispanic Heritage in Film celebration we are joined by Friend of the Show, Nick Delgadillo. This week we celebrate another of the internationally recognized Holy Trinity of Mexican filmmakers, Alfonso Cuarón with his film Y tu mamá también. We shall review his road-trip film, discuss roadtrip movies, and more. If you haven't already, check out last week's episode. You can follow Nick on his IG, Twitter, Discussing Film, Knotfest, or personal website.Thanks y'all,The BudsShow Open - 00:00IntroductionsOpening ChatY tu mamá también (2001) - 09:01Review and DiscussionEnd of Show - 41:55What We're WatchingOutroTotal Runtime - 58:45Be a Friend to the Film Buds:thefilmbuds.comThe Buds on PatreonThe Buds on bandcamp@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Hey film buds, This week to help us continue our Hispanic Heritage in Film celebration we are joined by Friend of the Show, Nick Delgadillo. This week we celebrate another of the internationally recognized Holy Trinity of Mexican filmmakers, Alfonso Cuarón with his film Y tu mamá también. We shall review his road-trip film, discuss roadtrip movies, and more. If you haven't already, check out last week's episode. You can follow Nick on his IG, Twitter, Discussing Film, Knotfest, or personal website.Thanks y'all,The BudsShow Open - 00:00IntroductionsOpening ChatY tu mamá también (2001) - 09:01Review and DiscussionEnd of Show - 41:55What We're WatchingOutroTotal Runtime - 58:45Be a Friend to the Film Buds:thefilmbuds.comThe Buds on PatreonThe Buds on bandcamp@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Hey film buds, This week to help us continue our Hispanic Heritage in Film celebration we are joined by Friend of the Show, Nick Delgadillo. This week we celebrate another of the internationally recognized Holy Trinity of Mexican filmmakers, Alfonso Cuarón with his film Y tu mamá también. We shall review his road-trip film, discuss roadtrip movies, and more. If you haven't already, check out last week's episode. You can follow Nick on his IG, Twitter, Discussing Film, Knotfest, or personal website.Thanks y'all,The BudsShow Open - 00:00IntroductionsOpening ChatY tu mamá también (2001) - 09:01Review and DiscussionEnd of Show - 41:55What We're WatchingOutroTotal Runtime - 58:45Be a Friend to the Film Buds:thefilmbuds.comThe Buds on PatreonThe Buds on bandcamp@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

In the third episode of Reel Latinos, our cinamigos - Guti, Ismael, and Ron - stop being bashful and talk about some real grown-up stuff. Go on the spiciest road trip ever with us as we discuss Alfonso Cuarón's 2001 coming-of-age drama, Y tu mamá también. Get in touch with @reellatinos on Instagram and Twitter or email reellatinos@gmail.com.

This week Mary and Sarah talk taboo, manic pixie dream girls and curatorship in two erotic classics: Alfonso Cuarón's Y Tu Mamà También (2001) and 9 1/2 Weeks (1986) by Adrian Lyne.

This week on the InSession Film Podcast, we prepare further for our 2002 Retrospective by discussing Alfonso Cuarón's Y tu mamá también and continuing our Studio Ghibli Movie Series with Hayao Miyazaki's 1992 film Porco Rosso!  - Review: Y tu mamá también (7:39) - Notes / Discussion (53:49) - Studio Ghibli: Porco Rosso (1:16:36) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! Apple Podcasts: https://podcasts.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9pbnNlc3Npb25maWxtLmxpYnN5bi5jb20vcnNz?ep=14 Podchaser: https://www.podchaser.com/podcasts/insession-film-podcast-195831 Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/listen-now/

Brendan and Zach discuss Y Tu Mamá También. They deep dive into the movie, discuss listener feedback and decide the suggestion for the next movie rung in the Ladder. The next movie discussion begins at 1:10:14. So (re)watch the film (currently streaming on Criterion Channel) and listen along to the discussion. Then stay tuned to hear what connected film we pick for next week. Submit your questions, comments, rating and suggested connections for next week's movie to themovieladder@gmail.com. You can find the podcast on Letterboxd (@TheMovieLadder) and Twitter (@LadderMovie). View our Watchlist to see all the movies suggested on this podcast. You can find each of us individually on Twitter (@FitzyBrendan and @brooksza) and Letterboxd (@FitzyBrendan and @brooksza).

Episodio 125 del podcast «No Pasa Nada»: Cuando los hombres de éxito ruegan porque los estafen Hablamos de: Explorando el catálogo de Kanopy, el servicio de streaming disponible a través de las bibliotecas públicas de Estados Unidos. “Putin: el Último Zar”: documental que te muestra cómo se forjó el autócrata que desató la invasión a Ucrania. “I Want You Back” en Amazon Prime y “Amira & Sam” en Kanopy: dos comedias románticas que prueban que Manuel Diaz tiene corazón. “The Invention of Lying”: poniéndote al día con la comedia de Ricky Gervais. “Extraños a la Paz”: el documental Colombiano sobre tres desmovilizados de las FARC es de lo mejor en el festival de Cine de Miami. “Amalgama”: la nueva película de Carlos Cuarón corteja demasiado sus ecos de “Y Tu Mamá También”. Otra vuelta con las estafadoras de alto vuelo: el final de “Inventing Anna” en Netflix, y un capítulo de antología en “The Dropout” en Hulu. “Winning Time: The Rise of the Lakers Dynasty”: la comedia picaresca sobre un momento revolucionario en la historia del basketball en HBOMax…que terminó con la amistad entre Will Ferrel y Adam McKay. Conducen Juan Carlos Ampie y Manuel Diaz --- Send in a voice message: https://anchor.fm/no-pasa-nada/message Support this podcast: https://anchor.fm/no-pasa-nada/support

This week Branden and Lewis discuss the 2020 film Wander Darkly directed by Tara Miele and starring Sienna Miller and Diego Luna. We talk about Death, Grief and phenomenal performances. The episode isn't all doom and gloom however we promise! Thank you so much for the support on the previous episodes, we love reading all the comments and reviews! If you like the show, make sure to leave us a rating and review wherever you listen! We hope that you enjoy the show and return in future to the congregation! Further Viewing: A Ghost Story (2017), The Girl (2012), Y Tu Mamá También (2001)

Join us for a sexy three way road trip as Matt and Shahir ride with "Other Men Need Help" producer and host Mark Pagán to discuss Alfonso Cuarón's seminal 2001"Y tu mamá también".How does Cuaron weave the personal and political against the backdrop of a rapidly changing Mexico and does the films sexier moments still grab our attention 20 years later? Listen in as we talk class dynamics, background storytelling and... circumcision? For directions to Heaven's mouth, email us in at onlymoviepodcast@gmail.com or smell the bread over on our Twitter feed. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join me as we celebrate the 20th anniversary of the iconic film, Y Tu Mamá También! We will explore the soundtrack and I'll share some of my favorite moments from the film. Roque FM Vol 18 is the audio from my live radio show on 10.05.21 Broadcasting live out of Los Angeles, 101.5FM All mixes, audio stories, and production by me, (Jaime) Content for some audio stories found on the interwebs and read by me. Enjoy! --- Send in a voice message: https://anchor.fm/theculturelab/message

Nat and Alli discuss Alfonso Cuarón's famous and/or notorious 2001 road film Y tu mamá también (Sp: "And your mom, too"). In a movie that builds to a climactic moment of bisexuality, how are sex and gender portrayed in the lead up? What does the movie have to say about life and death? And why haven't Nat and Alli written their own manifesto? Follow us on Twitter Snails & Oysters: twitter.com/SnailsOysters Alli Rogers: twitter.com/allinotallie Nat Roberts: twitter.com/GnatRoberts Our theme song is Gumballs by Billy Libby: twitter.com/billylibbymusic And our cover art was designed by Abby Austin: instagram.com/abigailbaustin --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Wrapping up the summer series with the Annee's sizzling pick of Alfonso Cuarón's Y Tu Mamá También (2001), the sisters admire the smoking hot talent in front of and behind the camera

Ah, the good ole days of passing around R rated spank tapes. This movie is so trashy, it gave Charlie Sheen HIV. Wild Things (1998) d. John McNaughton Starring: Kevin Bacon Neve Campbell Matt Dillon Denise Richards Daphne Rubin-Vega Bill Murray When teen debutante Kelly fails to attract the attention of her hunky guidance counselor, Sam, she cries rape, igniting a scandal that results in his arrest. Sam appeals to Ken, a hack personal-injury lawyer who has never handled a case that couldn't be helped by a prop neck brace. Soon, a second victim, Suzie, comes forward, and Detective Duquette discovers that the unfolding case is far from what it seems. Things discussed in the show: Passing around R rated spank tapes Porn in the 90s and holograms Y Tu Mamá También (Alfonso Cuarón, Carlos Cuarón, Maribel Verdú, Gael García Bernal, Daniel Giménez Cacho) Harry Potter The Handmaid's Tale (Margaret Atwood, Bruce Miller, Elisabeth Moss, Yvonne Strahovski, Joseph Fiennes) WandaVision (Jac Schaeffer, Elizabeth Olsen, Paul Bettany, Kathryn Hahn) Dinosaurs (Not the Mama, Michael Jacobs, Bob Young, Stuart Pankin, Jessica Walter, Jason Willinger) The Flintstones (Joseph Barbera, William Hanna, Alan Reed, Mel Blanc, Jean Vander Pyl) X-Files – (Joe Napolitano, Chris Carter, David Duchovny, Gillian Anderson, Mitch Pileggi) Red Shoe Diaries (David Duchovny, Anthony Addabbo, Audie England) Skinamax Supernatural (Eric Kripke, Jared Padalecki, Jensen Ackles, Jim Beaver, Misha Collins, Alexander Calvert, Mark Pellegrino) SyFy Channel Z Nation (Craig Engler, Karl Schaefer, Russell Hodgkinson, Nat Zang, Keith Allan) Resident Alien (Chris Sheridan, Alan Tudyk, Sara Tomko, Corey Reynolds) Dr. No (James Bond, Terence Young, Sean Connery, Ursula Andress, Bernard Lee) Dr. No novel (Ian Fleming) John Carter of Mars (Edgar Rice Burroughs) Law & Order Special Victims Unit (SVU, Dick Wolf, Mariska Hargitay, Christopher Meloni, Ice-T) Spin Doctors, Third Eye Blind, Hootie and the Blowfish Scream (Wes Craven, Neve Campbell, Courteney Cox, David Arquette, Drew Barrymore, Rose McGowan, Matthew Lillard, Jamie Kennedy, Liev Schreiber) PEN15 (Maya Erskine, Anna Konkle, Sam Zvibleman) Rumble Fish (Francis Ford Coppola, S.E. Hinton, Matt Dillon, Mickey Rourke, Diane Lane) Michael Rapaport Swamp vs. bayou Robert Wagner, Natalie Wood, Christopher Walken Brian De Palma Next week: Black Cat White Cat

This week on Total Movie Recall, things get grim and a little too close to 2020 reality for comfort. Definitely don't watch this movie if you're fresh out of rehab, which Ryan can tell you all about. The future is bleak, but if it's also as ruggedly handsome as Clive Owen is and has the greatest single-take of all time, it might not be so bad. This is also one of the greatest movies of all time, just to be clear about it. Children of Men (2006) d. Alfonso Cuarón Starring: Clive Owen Julianne Moore Chiwetel Ejiofor Michael Caine Clare-Hope Ashitey Charlie Hunnam When infertility threatens mankind with extinction and the last child born has perished, a disillusioned bureaucrat (Clive Owen) becomes the unlikely champion in the fight for the survival of Earth's population; He must face down his own demons and protect the planet's last remaining hope from danger. Things discussed in the show: Y Tu Mamá También (Carlos Cuarón, Alfonso Cuarón, Maribel Verdú, Gael García Bernal, Daniel Giménez Cacho) A Little Princess (Alfonso Cuarón, Liesel Matthews, Eleanor Bron, Liam Cunningham) Borat Subsequent Moviefilm (Jason Woliner, Sacha Baron Cohen, Maria Bakalova, Tom Hanks, Rudy Giuliani) Impractical Jokers The Movie (Chris Henchy, Paula Abdul, Joe Gatto, James Murray, Brian Quinn, Sal Vulcano) Bad Trip (Kitao Sakurai, Eric André, Lil Rel Howery, Tiffany Haddish) Jackass The Movie (Jeff Tremaine, Johnny Knoxville, Bam Margera, Chris Pontius, Spike Jonze, Steve-O, Ryan Dunn, Jason 'Wee Man' Acuña) Ali G Indahouse (Mark Mylod, Sacha Baron Cohen, Dan Mazer, Emilio Rivera, Gina La Piana) Brüno (Larry Charles, Sacha Baron Cohen, Gustaf Hammarsten, Clifford Bañagale) Jimmy Kimmel and Borat The Yes Men (Dan Ollman, Sarah Price, Andreas Bichlbauer, Mike Bonanno, Andy Bichlbaum, Chris Smith) Who Is America? (Sacha Baron Cohen, Roy Elghanayan, Emanuela Postacchini) Topnotch Idiots - YouTube Dr. Sleep (Mike Flanagan, Stephen King, Ewan McGregor, Rebecca Ferguson, Kyliegh Curran) The Shining (1980, Stanley Kubrick, Stephen King, Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers) Supernatural (Eric Kripke, Jared Padalecki, Jensen Ackles, Jim Beaver, Misha Collins, Mark Sheppard, Mark Pellegrino) The Haunting of Hill House (Mike Flanagan, Michiel Huisman, Carla Gugino, Henry Thomas) The Haunting of Bly Manor (Mike Flanagan, Victoria Pedretti, Oliver Jackson-Cohen, Amelia Eve) The Conjuring (James Wan, Chad Hayes, Carey W. Hayes, Patrick Wilson, Vera Farmiga, Ron Livingston) Slimer Scream (Wes Craven, Kevin Williamson, Neve Campbell, Courteney Cox, David Arquette, Drew Barrymore, Skeet Ulrich, Rose McGowan, Matthew Lillard, Jamie Kennedy) Blair Witch - 2016 (Adam Wingard, Simon Barrett, James Allen McCune, Callie Hernandez, Corbin Reid) The Guest (Adam Wingard, Simon Barrett, Dan Stevens, Sheila Kelley, Maika Monroe) The Blair Witch Project Cloverfield (Matt Reeves, Drew Goddard, Mike Vogel, Jessica Lucas, Lizzy Caplan) REC (Jaume Balagueró, Paco Plaza, Manuela Velasco, Ferran Terraza, Jorge-Yamam Serrano) The VVitch (Robert Eggers, Anya Taylor-Joy, Ralph Ineson, Kate Dickie) The Witches - 1990 (Nicolas Roeg, Roald Dahl (book), Allan Scott (screenplay), Anjelica Huston, Mai Zetterling, Jasen Fisher) The Witches - 2020 (Robert Zemeckis, Anne Hathaway, Octavia Spencer, Stanley Tucci) The Best Little Whorehouse in Texas (Colin Higgins, Burt Reynolds, Dolly Parton, Dom DeLuise) Anjelica Huston vs. Anne Hathaway Colossal (Nacho Vigalondo, Anne Hathaway, Jason Sudeikis, Austin Stowell) Taking of Pellam 123 - 1974 (Joseph Sargent, Walter Matthau, Robert Shaw, Martin Balsam) Assault on Precinct 13 (John Carpenter, Austin Stoker, Darwin Joston, Laurie Zimmer) Money Train (Joseph Ruben, Wesley Snipes, Woody Harrelson, Jennifer Lopez) Zombeavers (Jordan Rubin, Rachel Melvin, Cortney Palm, Lexi Atkins) Roma (Alfonso Cuarón, Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey) Great Expectations (Alfonso Cuarón, Charles Dickens (novel), Mitch Glazer (screenplay), Ethan Hawke, Gwyneth Paltrow, Hank Azaria) The Possibility of Hope (documentary, overpopulation, climate change, the rise of fascist powers, Fabrizio Eva, John Gray, Naomi Klein) Avengers Endgame (The Thanos Snap, Josh Brolin, Anthony Russo, Joe Russo, Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Benedict Cumberbatch, Chadwick Boseman, Brie Larson, Tom Holland, Tom Hiddleston, Jon Favreau, Natalie Portman, Jon Favreau, Taika Waititi) Gravity (Alfonso Cuarón, Jonás Cuarón, Sandra Bullock, George Clooney, Ed Harris) Die Hard (John McTiernan, Bruce Willis, Alan Rickman, Bonnie Bedelia) Allegories to the Virgin Mary The Christmas Truce of WWI Thriller Franz Kafka The Canterbury Tales - Geoffrey Chaucer Billy on the Street with Julianne Moore (Billy Eichner) The Murder of Fred Hampton Logan's Run (Michael Anderson, Michael York, Jenny Agutter, Richard Jordan) “There's no such thing as an anti-war film,” is a quote often attributed to the late French filmmaker François Truffaut. American Sniper (Clint Eastwood, Bradley Cooper, Sienna Miller, Kyle Gallner) Next week: Cabin Boy