Podcast appearances and mentions of Kevin Moore

In this episode, hosts Matt Considine and Dr. Kevin Moore sit down with renowned golf course architect Rob Collins of King Collins Dormer Design, delving into the proposal and process that won the bid for Royal Dornoch. KCD was selected to design and build two new courses, a par-3 course, and practice facilities at Royal Dornoch. Rob shares personal stories of immersing himself in local Scottish culture, pivotal moments that inspired the ambitious master plan, and the powerful emotions felt when securing such a prestigious project. Highlighting the balance between tradition and innovation, he emphasizes the critical role of community collaboration, stewardship, and the importance of stellar presentation. The hosts also reflect on their recent travels, including memorable experiences in Anguilla and Montgomery, and express excitement for future golfing adventures, notably NewClub's bi-annual International Fixture to England. NewClub > https://www.newclub.golf Titleist > https://www.titleist.com King Collins Dormer > https://www.kcdgolf.com/ Royal Dornoch Master Plan > https://www.kcdgolf.com/royaldornoch Royal Dornoch Membership Presentation > https://www.youtube.com/watch?v=mTjSzzd8r6A Chapters 00:00 Introduction to the Podcast and Hosts 08:07 Introduction of Guest Rob Collins 15:50 The Royal Dornoch Project Announcement 23:51 The Collaborative Approach to Golf Course Design 00:00 Embracing a New Culture 01:32 The Bidding Process and Initial Impressions 03:56 Unlocking the Vision: The Ridge Line Discovery 08:46 The Power of Presentation 12:57 The Magical Round: A Personal Connection 16:41 Honoring Tradition While Innovating 20:50 Community Engagement and Support 25:07 Project Timeline and Future Prospects 27:50 Leveraging Past Experiences for Future Success 32:36 Looking Ahead: Future Projects and Aspirations

Clip taken from Raised By Giants episode titled “True Crime Investigation in the UFO Community with Kevin Moore” link to full episode here: https://youtu.be/FDcqSfj_I1s Raised By Giants LInkTree: https://linktr.ee/raisedbygiantspod

In this episode of Engineer Your Success, Dr. James Bryant interviews Kevin Moore, Executive Vice President at Rimkus, about his extensive career in structural engineering and his evolution into executive leadership. Kevin shares how his upbringing and years in technical roles shaped his leadership philosophy — with a strong emphasis on authenticity, empathy, and elevating others. The conversation covers: Moving from technical execution to people leadership The value of serving clients well Creating high-performing teams through transparency Balancing work ambition with personal life Preparing for the future of engineering, including technology and inclusion Whether you're climbing the leadership ladder or helping others grow, Kevin’s insights offer a powerful roadmap for leading with integrity and impact. ⏱ Episode Timestamps: 00:00 – Introduction to Engineer Your Success 00:42 – Meet Kevin Moore: A Journey in Structural Engineering 02:35 – Transition to Executive Leadership 07:32 – The Importance of Authentic Leadership 15:38 – Managing a Large Team 18:01 – A Message to the Team Kevin Leads 21:13 – Leadership Advice for Aspiring Executives 21:23 – Advice for Aspiring Engineering Leaders 21:43 – The Importance of Confidence and Planning 23:45 – Interview Anecdote: Speaking the Right Language 30:32 – Balancing Work and Personal Life 33:29 – The Future of Engineering: Technology and Diversity 37:46 – Final Thoughts & How to Connect with Kevin  

In the spotlight is Kevin Moore, author of “The Book of Souls,” a mystical ghost story and the first in a series of books featuring protagonist Jack Kelly and his paranormal abilities. The sequel to that book is “The Book of Demons” (think Harry Potter meets The Exorcist). Moore will continue the Jack Kelly paranormal saga with a third book released later this year. His play, “Conversations from the Sports Arena,” was performed at the HBO Theater in Hollywood, and his children's picture book, “Me and My Shadow,” was published in 2021.  We discuss:  >> Lucid dreaming >> Paranormal abilities >> Spirituality >> Ghosts >> Zen Catholicism >> The power of love >> Yoga >> Reiki >> Etc.  Learn more about Kevin Moore here: https://kevinmoorepublishing.com  Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no  Write to Mike Consol at novelistspotlight@gmail.com 

Artspeak Radio, Wednesday, March 26, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes curator Kevin Moore, author Christine Cronin, […] The post Artspeak Radio with Kemper Museum of Art, Christine Cronin and Debbie Barrett-Jones appeared first on KKFI.

Kevin Moore is back to help us pay tribute to one of timba's brightest stars, Paulito FG (EPD), who died tragically on March 1.Songs played:El humo o la vida, Dan Den feat. Paulito FGY ahora que,Percussion and vocal track for Entre Dos AmigosNo te lo creas, Laura (demo track) El puntoSend us a textSupport the showYou can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple PodcastsFind The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

With Eaton still on IR, Joe, Dave and Greth discuss the latest in the EIHL, including the title run in, the contract extension for Kevin Moore, and the podcasts starts to discuss their team of the season, starting with the goalies.

Summary In this episode of The Bag Drop, hosts Matt Considine and Dr. Kevin Moore explore various themes in golf, including recent changes in mixed-gender competitions, the historical context of these events, and innovations in their formats. They discuss the Australian Open's decision to separate men's and women's events, player reactions, and the implications for the future of gender equality in golf. Matt and Kevin focus on the evolving landscape of golf, emphasizing gender equality, the impact of technology, and the future of mixed-gender events. They examine cultural differences in golf events, the importance of media coverage, and the potential of the Grant Thornton Invitational as a model for mixed-gender competition. Additionally, they address the role of junior golf in promoting gender equality and the significance of storytelling in women's golf. They conclude with reflections on the upcoming Olympics and golf's unique opportunity to showcase mixed-gender competition. Chapters 00:00 Introduction and Bagel Debate 03:03 Titleist Innovations and Wedge Fitting 06:04 Sports Innovation: A Historical Perspective 08:52 The NFL's Unique Revenue Model 12:02 Mixed Gender Competition in Golf 14:59 Historical Context of Mixed Gender Events 18:03 Amateur Golf and Mixed Gender Formats 20:58 The Australian Open's Format Change 23:47 Player Reactions and Course Conditions 26:49 The Future of Mixed Gender Competitions 34:04 The Impact of Technology on Golf Courses 35:02 Understanding What Golfers Truly Want 35:57 Gender Inequality in Golf 37:14 Examining Mixed Gender Events in Golf 37:54 Leadership and Gender Equality in Golf 38:52 Cultural Differences in Golf Events 40:05 The Role of Intentionality in Golf's Future 40:53 The Importance of Media Coverage in Golf 41:50 The Grant Thornton Invitational Format 43:07 The Future of Mixed Gender Competition in Golf 44:04 The Olympics and Golf's Unique Opportunity 44:55 The Potential of Golf as a Mixed Gender Sport 46:06 The Future of Golf Events 47:06 The Role of Junior Golf in Gender Equality 48:02 The Importance of Storytelling in Women's Golf 49:00 The Impact of the Olympics on Golf 50:06 Closing Thoughts on Gender Equality in Golf NewClub > https://www.newclub.golf Titleist > https://www.titleist.com

Today's sermonette based on Romans 11:1-24 is given by Rev. Kevin Moore. This is a rebroadcast from January 22, 2016. Hear a guest pastor give a short sermonette based on the day's Daily Lectionary New Testament text during Morning and Evening Prayer. Submit comments or questions to: listener@kfuo.org

“Life is stranger than fiction. I use the things I've experienced—the pain, the joy, and even the ghosts—in my writing.” — Kevin Moore In this episode of Uncorking a Story, Mike Carlon sits down with Kevin Moore, the author behind the captivating Jack Kelly series, including The Book of Souls and The Book of Demons. Kevin shares his journey from a chaotic childhood in New York to becoming a storyteller inspired by grief, lucid dreaming, and the supernatural. Dive into a heartfelt discussion about the power of imagination, processing loss, and the thin line between reality and fantasy. Key Takeaways: Turning Grief Into Art: Kevin's writing began as a way to process personal losses, including the death of his mother and siblings. The Jack Kelly Series: An overview of his spiritual thrillers, where ghosts, shadows, and time-traveling psychics collide. Lucid Dreaming and Writing: How Kevin's vivid dreams influence his storytelling and add depth to his characters. Navigating Self-Publishing: Insights into his decision to self-publish and the importance of working with a professional editor. Importance of Libraries: A childhood love for libraries shaped his mission to make his books accessible in public collections. Music and Pop Culture: How Marvin Gaye, Sinatra, and The Godfather series inspire his creative spirit. Advice for Aspiring Writers: Kevin emphasizes embracing imagination and finding strength through storytelling. Buy Kevin's Books Amazon: https://amzn.to/3PlCv3G Connect with Kevin Website: https://kevinmoorepublishing.com/ Facebook: https://www.facebook.com/kevinmoorepublishing Instagram:  https://www.instagram.com/kevinmoorepublishing/ Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. #UncorkingAStory #KevinMoore #JackKellySeries #WritingThroughGrief #LucidDreaming #SpiritualThrillers #SelfPublishing #StorytellingJourney Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode I chatted with Kevin Moore, Kevin grew up in Tulsa. His childhood experiences would have pushed most off course. Kevin knew he was destined for more in life and set himself down a path for achievement. Kevin suffered bouts of homelessness, instead of becoming another statistic he applied for every scholarship, worked extremely hard and focused his entire being on becoming something everyone else thought wasn't possible. He founded Serac Ventures an Oklahoma-based early-stage venture capital firm investing in the next generation of global companies. Our competitive advantage is our ability to invest where others won't creating differentiated opportunities to achieve outsized returns. I hope Kevins story inspires you to change the way you look at your life. I hope you take his incremental life plan and put it in place for just one thing in your life.  Connect with Kevin here: https://www.linkedin.com/in/kevinjosephmoore/ Huge thank you to our sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and for daily updates go to www.instagram.com/oklahomahof The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net Diffee Ford Lincoln Third generation Oklahoma business, the Diffee family continues to do business the right way, the family way. Go to www.diffeeford.net for all your new and used car needs and follow them on instagram www.instagram.com/diffee_ford Dog House OKC - When it comes to furry four-legged care, our 24/7 supervised cage free play and overnight boarding services make The Dog House OKC in Oklahoma City the best place to be, at least, when they're not in their own backyard. With over 6,000 square feet of combined indoor/outdoor play areas our dog daycare enriches spirit, increases social skills, builds confidence, and offers hours of exercise and stimulation for your dog http://www.thedoghouseokc.com/  

Unwrap the magic of Christmas and the Winter Holiday Season with this episode of Big Blend Radio featuring best-selling author Kevin Moore who talks about his new book, "Christmas Stories: Volume II," that shares tales that will warm your heart and spark your imagination. In this eagerly awaited follow-up to his #1 Amazon bestseller, "Christmas Stories: 7 Original Short Stories," Moore masterfully crafts a tapestry of unforgettable characters and heartwarming narratives that embody the essence of the holiday season.  Journey with a young boy who creates a profound and mystical Christmas for his community, a woman who stumbles upon a mysterious pink gift card filled with unexpected surprises, and a troubled young man who hears the magical sound of snowflakes falling. Each story invites you on a path of self-discovery, love, and miracles. With a range of stories from heartbreaking to humorous, magical to everyday, Moore's protagonists experience profound transformations. They find hope, learn valuable lessons, and uncover the true meaning of Christmas. Perfect for savoring by the fire or during life's daily journeys, this captivating collection reminds us that the magic of the holiday is real—if we only open our hearts to it. Learn more at https://kevinmoorepublishing.com/ 

In this episode of The TRU Leader Podcast, Michelle and Tracy are joined by Dr. Mari Tietze and Steve Love, Deb Rio and Mike Edwards, and their husbands- Kevin Moore and Jerry Christopherson and to explore the transformative impact of the Breakthrough Year Mastermind program on personal and relational growth. Through in-person and virtual retreats featuring meditation, journaling, and education, the mastermind fosters deep connections and meaningful self-discovery. Mari and Deb share how the program has boosted their self-esteem and work-life balance, with their husbands' support playing a vital role in their journey. Steve and Mike reflect on the positive changes in their wives, attributing much of the growth to the leadership group's influence. The conversation highlights the value of shared activities, like Enneagram sessions, in strengthening relationships and understanding. Tracy and Michelle's mindful coaching style and dynamic energy are praised for creating a supportive and uplifting environment that blends laughter with learning. Their book, "Polarity Intelligence: The Missing Logic and Leadership" is also recognized as a key resource for participants' personal growth and happiness. Themes of balance, partnership, and polarity intelligence are emphasized as essential tools for fostering stronger relationships and greater joy in life. Are you looking for a breakthrough this 2025? Step into the new year the right by joining our Breakthrough Mastermind!  We are taking a limited number of leaders into our next mastermind group. Apply for the Breakthrough Year Mastermind in the full show notes below: For full show notes and links, visit  https://www.missinglogic.com/truleader If you found value in this episode, please subscribe and leave us a review on Apple Podcasts! SOCIAL MEDIA LINKS: https://www.linkedin.com/company/missinglogic-llc https://www.facebook.com/missinglogicLLC https://twitter.com/MissingLogicLLC https://www.instagram.com/missinglogic_llc/

It's the most wonderful time of the year! Christmas is one of my favorite holidays, so it's only fitting to mark it with Kevin Moore's new book, “Christmas Stories, Vol. II.” Kevin may love Christmas even more than I do, as his new book is a collection of Yuletide-themed short stories, including “a young boy who creates a profound and mystical Christmas for his community, a woman who stumbles upon a mysterious pink gift card filled with unexpected surprises, and a troubled young man who hears the magical sound of snowflakes falling” according to the story synopsis. Kevin talks about some of his favorite aspects of the stories and how writing one led to another, then another, and wound up as a new book. He employs a technique called ‘lucid dreaming' which has helped with his writing. Kevin shares how lucid dreaming is done and the insight it has offered to his work. And of course, we talk about the holiday and why it's so special to him.

Join Allen Wyma as he chats with Kevin Moore, Product Manager for the Dart & Flutter team, about the latest updates in Flutter Web, Dart language features, and more! This is an audio-only episode, perfect for your next coding break.Timecodes:00:00 - Meet Kevin Moore, Product Manager of Dart & Flutter team  04:37 - Dash the mascot, Flutter & Dart discussion  12:56 - Dart - what kind of language is it?  20:01 - Macros  22:50 - WASM  30:56 - Hot code reload  34:48 - Multithreading  42:38 - Closing discussion  On the show:

Kevin talks about how his son, who has autism, health issues and is non-verbal, is the best teacher he's ever had. For example, Kevin is able to view fear and death from a different perspective. His son's quiet presence has taught him to be still. Kevin shares the following nuggets of life wisdom: be still we have our own roadmaps be in the moment while we're still here, be helpful purpose doesn't have to be grand we can be a loving, positive energy, just where we are never stop questioning tags: Kevin Moore, writer, author, Lucid Dreaming, certified Yoga teacher, Advanced Reiki Practitioner, The Book of Souls, story, stories, that, empower, empowering, empowerment, inspire, inspiring, inspiration, encourage, encouraging, encouragement, hope, light, podcast, Sean,  

November 18, 2024 ~ Corewell Health's nurses overwhelmingly voted to unionize last week, following staffing issues and inadequate compensation. Guy, Lloyd, and Jamie talk with Michigan Teamsters president Kevin Moore about what's next for the nurses in Southeast Michigan.

In today's episode, author Kevin Moore returns to read us a story from his recent collection entitled "Christmas Stories, Vol. 2". The story is called "The Rag Tag Sleigh Flyers", and it's a heartwarming story set at the North Pole. Henry the Elf is in trouble. It's almost Christmas and Santa's reindeer are not able to fly! What could the problem be, and will they figure out a solution before Christmas is canceled?  I am so grateful for Kevin sharing his beautiful story with us! You can find his Christmas books and other books he's written at https://kevinmoorepublishing.com/  This Month's Cozy Christmas Bookclub Pick: Christmas at Sugar Plum Manor by Roseanna White! (bookshop.org affiliate link) Timestamps: 00:00 Introduction, Book Club Updates, News, etc. 03:37 Introduction of the story 05:32 The Rag Tag Sleigh Flyers 43:22 Conclusion   Ways to support the show: Rate and review: https://podcasts.apple.com/us/podcast/a-cozy-christmas-podcast/id1523423375  Buy me a coffee? www.ko-fi.com/cozychristmas  Ornaments, Mugs, and Notebooks: https://www.etsy.com/shop/CozyChristmasPodcast  Logo shirt designs: http://tee.pub/lic/edygC_h4D1c      Contact Me: facebook: https://www.facebook.com/cozychristmaspodcast  instagram: https://www.instagram.com/cozychristmaspodcast/  twitter: https://twitter.com/CozyXmasPod  youtube: https://www.youtube.com/channel/UCCikiozEbu0h9pKeI1Ei5TQ email: cozychristmaspodcast@gmail.com   #Christmas #christmaspodcast #podcast

Today I sit down with author Kevin Moore who has published two volumes of Christmas stories. First we talk about the joy that Christmas can bring, even during difficult times (which has been the unofficial theme of my podcast this year!). Then we dig into his book and talk about some of the short stories in it. Then we dive deep into the joy of Christmas and talk about our favorite Christmas things, the surprising differences between an LA and New York City Christmas (hint - it involves graveyards), and ways to spread Christmas kindness to our neighbors!  Stay tuned - on Friday another episode will be out, and Kevin will be back to read one of his stories! Find out more about Kevin and order his books here: https://kevinmoorepublishing.com/  Timestamps: 3:50 Kevin's Backstory with Christmas and Writing 9:30 The Joy and Melancholy of Christmas 13:50 Discussion of Christmas Stories Vol 1 23:33 Our Christmas Traditions and Memories   Ways to support the show: Rate and review: https://podcasts.apple.com/us/podcast/a-cozy-christmas-podcast/id1523423375  Buy me a coffee? www.ko-fi.com/cozychristmas  Ornaments, Mugs, and Notebooks: https://www.etsy.com/shop/CozyChristmasPodcast  Logo shirt designs: http://tee.pub/lic/edygC_h4D1c    Contact Me: facebook: https://www.facebook.com/cozychristmaspodcast  instagram: https://www.instagram.com/cozychristmaspodcast/  twitter: https://twitter.com/CozyXmasPod  youtube: https://www.youtube.com/channel/UCCikiozEbu0h9pKeI1Ei5TQ email: cozychristmaspodcast@gmail.com        #christmas #christmaspodcast #cozychristmas

During this episode, our host, Danny Brister, Jr., interviews Dr. Adrienne Starks of STREAM Innovations and Brittany Hogan of Empowered To Conquer alongside special guest host Kevin Moore of Mission Increase of Central Alabama. They discuss the realities of being a Black executive director of a nonprofit in the south. Brittany Hogan - https://www.empoweredtoconquer.org/Dr. Adrienne Starks - https://streaminnovations.org/Kevin Moore - https://missionincrease.org/central-alabama/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.actjustlylovemercy.org/subscribe

Made for Agriculture co-hosts Adam Jones and Cameron Horine do a deep dive into Soybean Cyst Nematodes and related challenges with the disease in soybean fields. MFA Crop-Trak agronomists Scott Wilburn, Kevin Moore and Jesse Surface discuss what they've seen in grower fields and the effects of the disease, testing and its management. Learn more the Made For Agriculture podcast and find show notes at https://mfa-inc.com/resources/made-for-agriculture-podcast

Kevin Moore, a Pawtucket Rhode Island native, is currently a sports reporter and anchor for NBC's WJAR 10 News Station in Rhode Island.Originally falling in love with sports from playing football and baseball, Kevin knew heading into school he wanted to have a profession in sports. Kevin would go on to graduate from the University of Rhode Island and eventually go on to work his first full time position Duluth, Minnesota as a sports reporter and anchor for Northern News Now.Tune into this week's episode to find out how the Rhode Island native made his way back home doing what he loves most !Kevin Moore: https://x.com/kmooretv?s=21&t=dyau09T6IvSno9i9L75WNQLIKE, COMMENT, AND SUBSCRIBE FOR MORE CONTENT: https://www.youtube.com/channel/UCt67wUrnmYLGSSAsGEnpZ-gFollow Cam's Corner on all podcast and social media platformsApple Podcast: https://podcasts.apple.com/us/podcast/cams-corner/id1585645433Spotify: https://open.spotify.com/show/4T2tKB3OSECsm8blrdmkutTwitter: https://twitter.com/camiasimoneTVInstagram: https://www.instagram.com/cams1corner/TikTok: https://www.tiktok.com/@cams1corner?lang=enListen to episodes on the Cam's Corner official website:https://www.camscorner.orgTune into my self made, produced, and edited documentary on Dan Mazzulla Jr.https://www.camscorner.org/documentary

In this episode of The NewClub Bag Drop, host Matt Constine and co-host Dr. Kevin Moore are joined by special guest Davis Thompson, a PGA Tour winner. The conversation covers topics such as Davis' journey from amateur to professional golf, his college golf experiences at the University of Georgia, and his participation in the Walker Cup. Davis shares insights into his work ethic, the balance between golf and other sports in his youth, and the mental aspects of his game. The episode also touches on Davis' success in match play and his memorable moments from the Walker Cup. Davis Thompson reflects on his top experiences in golf, including winning on the PGA Tour and playing in the Open Championship. He discusses the logistics of traveling to tournaments and the excitement of playing in prestigious events. Thompson also shares his approach to preparing for the Masters and other elevated events, focusing on improving his driving accuracy and short game. He emphasizes the importance of enjoying the college experience and not taking everything too seriously. Thompson's favorite guilty pleasures include double-stuffed Oreos and reading about Georgia football. Chapters 00:00 Introduction and Excitement for Golf Trip to Scotland 02:15 Apology and Fact of the Week 08:29 Davis Thompson's Journey in Golf 13:12 Balancing Golf and Other Sports in Youth 16:20 Impact of College Golf on Davis Thompson's Development 24:38 Representing Country and Playing at Prestigious Courses 26:27 Success in Match Play and Memorable Moments 28:48 Top Experiences in Golf 32:09 Logistics of Traveling to Tournaments 35:22 Being in the Zone at the John Deere Tournament 38:40 Improving Short Game and Creativity 44:39 Favorite Movie: The Dark Knight Rises 50:26 Dealing with Challenges and Learning Experiences 53:00 Advice for Younger Self: Enjoy College

NewClub > https://www.newclub.golf In partnership with Titleist - https://www.titleist.comIn On his episode of The NewClub Bag Drop, host Matt Considine and co-host Kevin Moore welcome guest Don Carpenter, a legendary golfer from Athens, Georgia. They discuss various topics, including Don's early golf journey, his time at Florida State University, and recent senior golf accomplishments. Don shares stories about practicing on a military base, the fun of cross-country golf, and the unique challenges of playing in different conditions. The conversation also touches on the love for the game, the significance of the Olympics in golf, and the impact of equipment. Don Carpenter discusses his experience playing on the Hooters Tour and transitioning from professional to amateur golf. He shares stories of playing with notable golfers like Zach Johnson and Jim Furyk. He then discusses his experience playing in the US Senior Open at Saucon Valley and the British Senior Open at Carnoustie, as well as the pressure of competing at a high level. Don also talks about the Royal Peasant Golf Club, a golf society he helped create, and the importance of bringing golfers of all levels together. 00:00 Introduction and Welcome Back to the Co-host 09:36 Guest Introduction: Don Carpenter 13:03 The Golf Journey of Don Carpenter: From Florida to Athens 18:26 Challenges and Experiences: Practicing and Playing Golf in Different Conditions 22:19 Practicing Golf on a Military Base 24:31 The Significance of the Olympics in Golf 26:35 Titleist: Impact and Importance in the Golf Industry 28:39 Playing on the Hooters Tour and Competing with Notable Golfers 32:50 Transitioning from Professional to Amateur Golf 34:18 The Pressure of Playing in the US Senior Open 01:06:48 Bringing Golfers Together through the Royal Peasant Golf Club

A commercial free episode of Tuesday's Sports Loud Mouth show, featuring interviews with special guests MLBBro.com senior writer Kevin Moore and former Cowboys, Colts, and Broncos fullback Chris Gronkowski. We get into Dan Orlovsky's comments about the Jets, Patrick Mahomes' comments about the quarterback contract market, the NFL changing the onside kick rule, Keyshawn Johnson's beef with Kevin Durant, Gleyber Torres' comments about the Yankees, and our recap of the MLB trade deadline. --- Support this podcast: https://podcasters.spotify.com/pod/show/world-wide-sports-radio-n/support

Soly catches with with Dr. Nico Darras of Golf Blueprint to talk through his rapid progression from beginning to play the game in his early 20s to working as a performance coach with some of the best players in the world. We also cover his academic background and how he's worked with partner Dr. Kevin Moore to create a program that applies their research to create unique and specialized practice plans for their clients. If you enjoyed this episode, consider joining The Nest: No Laying Up's community of avid golfers. Nest members help us maintain our light commercial interruptions (3 minutes of ads per 90 minutes of content) and receive access to exclusive content, discounts in the pro shop, and an annual member gift. It's a $90 annual membership, and you can sign up or learn more at nolayingup.com/join Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Bag Drop, co-hosts Matt Considine and Dr. Kevin Moore are joined by Brian Ross, a golf course architect. They discuss Brian's background and how he got into golf course design. Brian discusses his work on the project and the upcoming Jekyll Island project, which involves blending two existing courses into one cohesive layout and restoring the unique greens that Walter Travis is known for. NewClub > https://www.newclub.golf NV5 Invitational Presented by Old National Bank > https://nv5invitational.com/ Brian Ross Design > https://www.rossgolfarchitects.com/ Golfblueprint > https://www.golfblueprint.com/ Zen and the art of motorcycle maintenance > https://a.co/d/4VHujJO

Dan and Eric talk about Scott Wampler, Kevin Moore, Larry Allen, Michigan Central Station, Lauryn Hill, Joe Satriani, IN A Violent Nature, Under Paris, The Watchers, Them

In this episode, we sit with Kevin Moore, the fund manager at Serac Ventures. Kevin shares his unconventional journey to venture capital. Starting with a degree in civil engineering, Kevin transitioned through roles as a financial advisor, a regulatory worker at the Federal Reserve Bank, and eventually into the VC world. He emphasizes the importance of diverse experiences and a curious mindset for sourcing and evaluating investment opportunities. He discusses his methodology for investment selection and the significance of a disciplined approach across various investment mediums. Kevin provides insights into the venture capital industry, highlighting the importance of understanding both the finance aspects and the operational challenges of startups, he also delves into the specifics of fundraising, offering advice on engaging with different types of investors, including foundations, endowments, family offices, and high net worth individuals. Furthermore, Kevin outlines the strategic focus of Serac Ventures on fintech, B2B SaaS, and commerce enablement solutions, emphasizing the fund's commitment to diversity and hands-on support for portfolio companies. If your company is looking to scale its AI initiatives, head over to Tesoro AI (www.tesoroai.com). We are experts in AI strategy, staff augmentation, and AI product development.  Founder Bio: Kevin Moore is the Founder and Managing Partner at Serac Ventures. Kevin has over 18 years' experience in public and private markets investing having worked at Spur Capital Partners (VC FoF), i2E (VC Fund), Morgan Stanley, The Federal Reserve Bank, and Northwestern Mutual. Kevin is also the author of Starting Your Investment Fund: A How to Guide and he has a Bachelor of Science in Civil Engineering from Oklahoma State University and an MBA from the University of Central Oklahoma. Time Stamps: 02:52 Kevin Moore's unconventional paths to VC success 08:03 First steps into venture capital and the importance of background diversity 11:25 Embracing your role for personal and professional growth 13:08 Navigating the investment landscape: from LP to VC fund manager 18:33 Strategies for investment managers to engage with endowments 26:36 Challenges and strategies in fundraising for successive funds 28:06 Strategizing fund size for investment success 30:34 Financing GP commitments through fund distributions 32:33 Investment criteria and strategies at Serac Ventures 36:28 VC leverage expert networks for founders 38:24 Investment trends and predictions for 2024 and beyond 41:51 Dry powder and investment strategy in fund management 46:32 What is coming up for Serac Ventures Resources Company website: https://www.seracventures.vc/Youtube: https://www.youtube.com/@SeracVentures LinkedIn: https://www.linkedin.com/company/serac-ventures-vcfund/ Twitter: https://twitter.com/seracventures

Welcome to the first episode of "Building a Legacy," a new three-part series on "That's What I Call Marketing," in partnership with Legacy Communications. In this series we will deep dive into the evolving world of communications and how Legacy Communications are shaping the future. In Episode One of this 3 part series, host Conor Byrne sits down with Bernard Brogan and Kevin Moore, of Legacy Communications, to share the fascinating journey of their agency from its inception to becoming a renowned name in the industry.Bernard Brogan, a Dublin football legend with a background in accountancy and business management, and Kevin Moore, a seasoned PR professional with a history in high-profile campaigns, bring their unique perspectives and experiences to the table. Together, they discuss the importance of storytelling, creativity, and strategic thinking in building and maintaining a successful agency.Starting with the origin story of Legacy Communications, Bernard and Kevin recount their early days of working without wages, setting up a small office, and the challenges they faced. They highlight key moments and client wins that propelled their agency forward, including securing significant partnerships with AIG, Volkswagen, and Littlewoods Ireland. The conversation delves into the operational challenges of running a fast-growing agency, the importance of culture and values, focusing on the core principles: Be Brave, Be Sound, and Be Curious. .As they look to the future, Bernard and Kevin share their plans for international expansion and the strategic moves they're making to stay ahead in the digital age. Join us for this inspiring episode filled with personal anecdotes, professional insights, and practical advice for anyone interested in the dynamic world of communications and marketing. Don't forget to subscribe, rate, and review the podcast, and stay tuned for the next episode in the "Building a Legacy" series, where we explore the power of creativity in shaping successful marketing campaigns.01:01 Meet the Guests: Bernard Brogan and Kevin Moore04:36 The Origin Story of Legacy Communications08:03 The Journey of Building Legacy Communications15:04 Key Moments and Client Wins for Legacy Communications20:14 Learning from Mistakes and Growing the Business26:47 The Importance of Relationships in Business Success27:59 Mastering Client Relationships and Scaling Challenges29:21 Strategic Planning and Growth Amidst Uncertainty32:19 Embracing Digital Transformation and SEO Integration38:39 Cultivating a Strong Agency Culture and Values43:41 Innovative Approaches to Client Success and Agency Growth47:22 Looking Ahead: International Expansion and Leveraging Technology53:49 Reflecting on the Journey and Lessons Learned56:01 Building a Legacy Through People and PartnershipsVisit https://legacycommunications.com/Visit https://www.thatswhaticallmarketing.com/ Hosted on Acast. See acast.com/privacy for more information.

The last two weeks have brought a lot of moisture to a dry MFA territory. Made for Agriculture podcast co-hosts Adam and Cameron talk replants, weed control, cover crops & crop reports from around the territory with MFA Agronomists Scott Wilburn, Shannon McClintock, Kevin Moore & Jesse Surface. #cropprotection #rowcrop

A collection of former College & NFL Stars discussed the hottest topics in the sports, in football and everything else!!!  Join us at 7PM for a different perspective on the game and from inside.  NeverHadItRadio

This week on The Bag Drop, Co-hosts Matt Considine and Kevin Moore discuss the fascination of promotion and relegation in sports. NewClub > https://www.newclub.golf In partnership with Titleist - https://www.titleist.com

This week on The Bag Drop, co-hosts Matt Considine and Kevin Moore discuss the upcoming Masters, Augusta National, and taking action for golf inclusivity. NewClub > https://www.newclub.golf In partnership with Titleist - https://www.titleist.com

This week on The Bag Drop, Aaron Dill John Habegger join co-hosts Matt Considine and Kevin Moore to discuss unexpected collector's items and the hidden gems in golf. NewClub > https://www.newclub.golf In partnership with Titleist - https://www.titleist.com

In this one-on-one conversation from Botti at Sea earlier this year, Alonzo Bodden, our longtime comedian in residence, sat down with Keb' Mo' to talk about his storied career in music. And that career has truly been storied, starting with the fact that Keb' released his first album way back when, billed by his given name of Kevin Moore. Of course, that became grist for material for our friend Alonzo. Make no mistake, Keb' is a humble yet gifted guitarist, singer and songwriter. Someone who has earned every bit of his remarkable success. As is often the case, the audience got into the act at the end with informed questions and comments. 

We head out to Ohio this week on the search for some of the Buckeye states strangest cases from over the years.  Authors Kevin Moore and Kristina Smith from the Rutherford B Hayes Museum join me to cover some of the fascinating and perplexing cases covered in their book "Unnatural Ohio" which covers everything from cryptids, monsters, UFOs and ghosts!  From Ray Shockey's encounter with the Loveland Frogman, to two of the most compelling UFO cases from the 50s and 70s, Bigfoots long association with the state and a curious case of the headless motorcyclist, their book has it all!  A big thank you to Kevin and Kristina for joining me this week!  The book can be found here: You can find their Facebook page here: The Museum can be found here: Our Patreon is now live, if you want to support the show and get Ad-Free episodes, bonus content, early release of the regular show and monthly prizes for everyone who signs up! Join here now for the flat fee of $4 a month which is a bargain! You can also support the show by leaving a review to help spread the word. Don't forget, you can now show your support with our Merchandise shop on Redbubble! Check it out here! You can join us on Facebook and Instagram as well. You can also subscribe to our YouTube channel! Email us at mysteriesandmonsters@gmail.com with any feedback, guest suggestions or if you'd like to appear.            All artwork by Dean Bestall and the show was produced by Brennan Storr of the Ghost Story Guys.  Our theme music is kindly provided by the amazing Weary Pines, you can find them here:  Intro - Zombies Ate My Shotgun     Outro - Into The Night      Mysteries and Monsters is a part of the Straight Up Strange Network. #LovelandFrogman #KevinMoore #KristinaSmith #UnnaturalOhio #RayShockey #Werewolves #UFO's #Bigfoot #Ghosts #Fremont #Ohio #BuckeyeState #PortageCounty #TheCoyneUFOIncident #RutherfordBHayes #TheElmoreRider #Defiance #Dogman #Mothman #LakeErie #Museum

This week on The Bag Drop, Aaron Dill and John Habegger join Co-hosts Matt Considine and Kevin Moore to discuss their favorite clubs, golfing tips, and why they fell in love with the game! NewClub > https://www.newclub.golf In partnership with Titleist - https://www.titleist.com

Today's sermonette based on Romans 11:1-24 is given by Rev. Kevin Moore. This is a rebroadcast from January 22, 2016.

This week on The Bag Drop, Co-hosts Matt Considine and Kevin Moore, the Professor discuss the essence of Heathland Golf and the unsung heroes of the British Isles golf societies. In partnership with Titleist > https://www.titleist.com/golf-clubs/irons/ Join NewClub > https://www.newclub.golf/join/application

Whats going on with Rhys Hoskins? If he is not going to stay with the Phillies, where is he at on getting signed somewhere else? Listing the top Ranked MLB Pitchers and Power rankings as of today. Renee Washington, Jamie Lynch, and Tyler Zulli are also joined by special guest Kevin Moore, a senior writer at MLBbro.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

This week on The Bag Drop, Co-hosts Matt Considine & Kevin Moore discuss the unique beauty of one of the best golf resorts Sand Valley. In partnership with Titleist - https://www.titleist.com/golf-clubs/irons/ NewClub > https://www.newclub.golf/join/application

This week on The Bag Drop Co-hosts Matt Considine and Kevin Moore share their thoughts on the organic growth and spirit of Sweetens Cove.

Dr. Nancy Lin at Johns Hopkins is working on a way to quickly diagnose Sarcoidosis - at last compared to the current ways it is being done.  She is looking at our micro RNA to see if there is something different in sarcoidosis patients.  Her research is being funded by a $150,000 grant from the Foundation for Sarcoidosis Research.  Not only does it appear promising, but it may one day open doors to a cure.  Listen to this fascinating conversation as Dr. Lin explores the root causes of sarcoidosis as far as we currently understand it. Show Notes www.kinevant.com www.sarcoidosistrial.com Click here for information on how to sign up for the clinical trial: https://bit.ly/3DaVsR6 ClinicalTrials.gov listing for RESOLVE-Lung: https://clinicaltrials.gov/ct2/show/NCT05314517 ClinicalTrials.gov listing for RESOLVE-Heart: https://clinicaltrials.gov/ct2/show/NCT05351554 More on Dr. Nancy Lin https://www.stopsarcoidosis.org/fsr-awards-2022-2024-sarcoidosis-research-fellowship-to-dr-nancy-lin-of-national-jewish-health/ (Note: Dr Lin recently moved from National Jewish Health to Johns Hopkins) Meet Olympic Cyclist Jennifer Valente: https://en.wikipedia.org/wiki/Jennifer_Valente       More on Kevin Moore's Sarc Battle:  https://voice.vumc.org/a-mysterious-heart-ailment-almost-killed-kevin-moore-it-took-a-vanderbilt-team-to-pull-him-through/ Help FSR further its mission by becoming an Alliance Volunteer:  www.stopsarcoidosis.org/gsca-leaders/ Become a community outreach leader: https://www.stopsarcoidosis.org/gsca-leaders/ MORE FROM JOHN Cycling with Sarcoidosis http://carlinthecyclist.com/category/cycling-with-sarcoidosis/ Do you like the official song for the Sarc Fighter podcast?  It's also an FSR fundraiser!  If you would like to donate in honor of Mark Steier and the song, Zombie, Here is a link to his KISS account.  (Kick In to Stop Sarcoidosis)  100-percent of the money goes to the Foundation.  https://stopsarcoidosis.rallybound.org/MarkSteier The Foundation for Sarcoidosis Research https://www.stopsarcoidosis.org/ Donate to my KISS (Kick In to Stop Sarcoidosis) fund for FSR  https://stopsarcoidosis.rallybound.org/JohnCarlinVsSarcoidosis?fbclid=IwAR1g2ap1i1NCp6bQOYEFwOELdNEeclFmmLLcQQOQX_Awub1oe9bcEjK9P1E My story on Television https://www.stopsarcoidosis.org/news-anchor-sarcoidosis/ email me  carlinagency@gmail.com    

Timba star Tirso Duarte (pianist, singer, arranger, songwriter) passed away tragically on Sept. 29 in Colombia. Timba.com creator Kevin Moore, who worked closely with Duarte and wrote a book about him, joins Rebecca to pay tribute to "el angel negro" and discuss what made him so special as a musician.Songs played:El bla bla bla, La Charanga Habanera Iala, Tirso DuarteAquí Están, Los Ases de la TimbaSupport the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

A new book - “Unnatural Ohio: A History of Buckeye Cryptids, Legends and Other Mysteries” - has been released by Kevin Moore and Kristina Smith, who both work at the Hayes Presidential Library and Museum. They share with us three of their stories: the legend of Holcomb Woods (Wood County), the Elmore Rider (Ottawa County) and the Defiance Dogman (Defiance County.) www.ohiomysteries.com feedback@ohiomysteries.com www.patreon.com/ohiomysteries www.twitter.com/mysteriesohio www.facebook.com/ohiomysteries Additional music: New Horizon - Aderin; Audionautix- The Great Unknown; The Great Phospher- Daniel Birch Learn more about your ad choices. Visit megaphone.fm/adchoices

A commercial free episode of Wednesday's Sports Loud Mouths show, featuring interviews with special guests MLBBro.com senior writer Kevin Moore and former Steelers, Cowboys, Ravens, Bengals, and Giants quarterback Anthony Wright. --- Support this podcast: https://podcasters.spotify.com/pod/show/world-wide-sports-radio-n/support

Kevin Moore has a passion for riding motorcycles. He transitioned from corporate America and chased his passion with his son Dillon when he opened Colorado Motorcycle Adventures. Listen in as Tony and Sam talk to him about the fun he has by offering motorcycle tours that quench the appetite of enthusiasts world wide.

On this edition of  Inside the (Rob) Parker, Rob checks in to discuss why he believes the Tampa Bay Rays will eventually lose their lead atop the AL East, tell us why Ronald Acuna's quest to become the first member of the 30/60 Club is a little fraudulent and explain why the Los Angeles Dodgers getting JD Martinez may have been the biggest steal of the offseason. Later, former Major League manager and Los Angeles Angels television analyst Bobby Valentine swings by to discuss Shohei Ohtani's future with the club, why he's still optimistic about the currently struggling San Diego Padres, what makes Aaron Judge such a devastating hitter and much more! Plus, we've got appearances from the analytics guru himself Anthony Masterson and MLBBro.com managing editor JR Gamble. Finally, MLBBro.com senior writer Kevin Moore swings by. Subscribe and download all of the latest Inside the Parker podcasts and follow Rob on Twitter!!   #OddCouple See omnystudio.com/listener for privacy information.