Podcasts about Dollhouse

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 10:"Half Baked” (Tamra Davis, 1998)“Up in Smoke” (Lou Adler, 1978)“The Big Lebowski” (Joel Coen, 1998)“Boyz n the Hood” (John Singleton, 1991)“Are We There Yet?” (Brian Levant, 2005)“Deadpool” (Tim Miller, 2016)“Deadpool 2” (David Leitch, 2018)“Deadpool & Wolverine” (Shawn Levy, 2024)“Menace II Society” (The Hughes Brothers, 1993)“South Central” (Stephen Milburn Anderson, 1992)“Colors” (Dennis Hopper, 1988)“ER” (Michael Crichton, 1994-2009), Season 11, Episode 15: “Alone in a Crowd” (Jonathan Kaplan, March 24, 2005)“Alfred Hitchcock Presents” (Alfred Hitchcock, 1955-1965), Season 1, Episode 7: “Breakdown” (Alfred Hitchcock, November 13, 1955)“The Diving Bell and the Butterfly” (Julian Schnabel, 2007)“Next Friday” (Steve Carr, 2000)“Friday After Next” (Marcus Raboy, 2002)“Last Friday” (TBD)“Saturday Night Live” (Lorne Michaels, 1975-present)“Stagecoach” (John Ford, 1939)“Monty Python and the Holy Grail” (Terry Gilliam and Terry Jones, 1975)“Monty Python's Life of Brian” (Terry Jones, 1979)Audio quotation in GATEWAY CINEMA, Episode 10:“Friday” (F. Gary Gray, 1995), including the songs “Friday” (1995) by O'Shea Jackson, “Blast If I Have To” (1995) by Shon Adams and Mark Ogleton, “I Heard It Through the Grapevine” (1981) by Whitfield and Barrett Strong, “Hoochie Mama” (1995) by David Hobbs, Luther Campbell, Chris Wong Won, and Mark Ross, and “Mary Jane” (1978) by James Ambrose Johnson“It Was a Good Day” (1993) by O'Shea Jackson, Marvin Isley, Rudolph Isley, O'Kelly Isley, Ernie Isley, Ronald Isley, and Chris Jasper

In this episode of Perfect Prey Podcast, I sit down with journalist and author Rich Cohen to discuss his book, Murder in the Dollhouse, which explores the tragic case of Jennifer Dulos, a mother from New Canaan, Connecticut, murdered by her husband, Fotis Dulos. Together, we examine the role of coercive control in intimate partner violence, the systemic failures that too often leave victims unprotected, and the broader implications for Jennifer's Law in Connecticut.Rich Cohen is a bestselling author and award-winning journalist whose work has appeared in The New York Times, Vanity Fair, The Atlantic, and Rolling Stone. His keen ability to uncover the human story behind complex events has shaped his career as both a storyteller and social commentator, bringing clarity and depth to difficult conversations.Rich shares powerful insights into the patterns of abuse, the hidden nature of coercion, and why it is essential for all of us to recognize the warning signs. Connect with Rich:Buy the book: https://www.amazon.com/Murder-Dollhouse-Jennifer-Dulos-Story/dp/0374608067Follow Rich on Social Media: https://www.instagram.com/author.richcohen/?hl=enhttps://www.facebook.com/rich.cohen1https://www.linkedin.com/in/rich-cohen-4736816/https://x.com/richcohen2003?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorResources To Support this Podcast:

As they rewatch PLL season 5 episode 10 "A Dark Ali", Ashley and Hayley realise that they've set themselves up to record The Best Episode of All Time. They immediately achieve this goal by pranking "A" himself (DAle) on pod, celebrating Hanna's choir audition and discover "Malicia".   You can also WATCH our regular fortnightly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

This week, we discuss the Jennifer Dulos in depth with author Rich Cohen.  What happens when the Ivy grows thorns?   ★ Support this podcast on Patreon ★

Aproveitando a estreia de Alien Earth (Disney +), resolvemos relembrar as grande séries sci-fi das últimas décadas e também, claro, as péssimas séries do gênero que tivemos o desprazer de ver. Séries citadas no episódio: Battlestar Galactica, Fundação, The Expanse, The OA, The 4400, Sense8, Orphan Black, Dark, WestWorld, Black Mirror, Fringe, Stranger Things, Firefly, Dollhouse, Life on Mars, Lost, Doctor Who. Também falamos de Too Much, Dexter, Dying for Sex, Abbot Elementary e Terra da Máfia.

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 9:"The Wild Bunch” (Sam Peckinpah, 1969)“Straw Dogs” (Sam Peckinpah, 1971)“The Osterman Weekend” (Sam Peckinpah, 1983)“Bonnie and Clyde” (Arthur Penn, 1967)“Pat Garrett and Billy the Kid” (Sam Peckinpah, 1973)“The Parallax View” (Alan J. Pakula, 1974)“Chinatown” (Roman Polanski, 1974)“The Terminal Man” (Mike Hodges, 1974)“Truck Turner” (Jonathan Kaplan, 1974)“Death Wish” (Michael Winner, 1974)“Gone in 60 Seconds” (H.B. Halicki, 1974)“California Split” (Robert Altman, 1974)“The Longest Yard” (Robert Aldrich, 1974)“The Texas Chainsaw Massacre” (Tobe Hopper, 1974)“The Taking of Pelham One Two Three” (Joseph Sargent, 1974)“It's Alive” (Larry Cohen, 1974)“Phantom of the Paradise” (Brian De Palma, 1974)“Cockfighter” (aka “Born to Kill”) (Monte Hellman, 1974)“Two-Lane Blacktop” (Monte Hellman, 1971)Audio quotation in GATEWAY CINEMA, Episode 9:“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974), including the songs “Bring It to Me”, “Prelude to a Rape”, “Elita's Dream”, and “Guatemala” composed by Jerry Fielding“The Three Stooges Theme Song”, https://www.youtube.com/watch?v=s5a45f1uy80&list=RDs5a45f1uy80&index=1

Hi Everyone, Happy Tuesday! As many of you know, I am currently shooting up in Vancouver with none other than my amazing BSG co-star Tahmoh Penikett. So of course that means now is the perfect time for him to join me on the podcast! In addition to his role as Karl “Helo” Agathon in Battlestar, Tahmoh has also appeared on Supernatural and as Paul Ballard on Dollhouse. It has been such a joy getting to reconnect with him on this new job— and you'll see why in this interview. We talk about his childhood as the son of a politician in the Yukon, his relationship with his First Nations grandmother, his journey as an actor and why Helo was a part he felt destined to play. Tahmoh is such a thoughtful, charismatic guy and our conversation goes deep, fast! We have a really important conversation about the state of the world and why Battlestar still matters after two decades. We also talk openly about navigating doubt as an actor and what it takes to re-build your confidence after difficult on-set experiences. There's lots of laughter and even some tears, but that's talking with Tahmoh! Please remember to stick around for the Hindsight this week, where my producer Jeph and I talk about the interview and celebrate Jeph's one-year anniversary as Hindsight co-host! Send me an email thesackhoffshow@gmail.com Produced by Rabbit Grin Productions Mail Sack Song by Nicolas @producer_sniffles Join us on Patreon! http://patreon.com/thesackhoffshow ----------------------------------------------------- Support our Sponsors: New EveryPlate customers can enjoy a special offer of only $1.99/meal. Go to everyplate.com/podcast and use code katee199 to get started. Applied as discount on first box, limited time only. Go to buyraycon.com/Sackhoff to get 20% off the fan favorite Everyday Earbuds Classic!

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 8:"Alien 3 (Assembly Cut)” (David Fincher, 1992/2003)“Indiana Jones and the Temple of Doom” (Steven Spielberg, 1984)“Ghostbusters” (Ivan Reitman, 1984)“Gremlins” (Joe Dante, 1984)“The Karate Kid” (John G. Avildsen)“Purple Rain” (Albert Magnoli, 1984)“Silver Spoons” (Martin Cohan, Howard Leeds, and Ben Starr, 1982-1987)“Red Dawn” (John Milius, 1984)“Stop Making Sense” (Jonathan Demme, 1984)“The Terminator” (James Cameron, 1984)“At the Movies” (Gene Siskel and Roger Ebert, 1982-1986)“Conan the Barbarian” (John Milius, 1982)“Body Double” (Brian De Palma, 1984)“The Killing Fields” (Roland Joffé, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“Dune” (David Lynch, 1984)“The Cotton Club” (Francis Ford Coppola, 1984)“The Cotton Club: Encore” (Francis Ford Coppola, 2017)“Starman” (John Carpenter, 1984)“E.T.” (Steven Spielberg, 1982)“The Thing” (John Carpenter, 1982)“Come and See” (Elen Klimov, 1985)“Star Wars” (George Lucas, 1977)“Time Bandits” (Terry Gilliam, 1981)“The Smurfs and the Magic Flute” (José Dutillieu, 1975)“Style Wars” (Tony Silver, 1983)“Mary Poppins” (Robert Stevenson, 1964)Audio quotation in GATEWAY CINEMA, Episode 8:“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002), including “Piano Concerto In E Flat, K. 482; 3rd Movement” (1785), “Die Entfuhrung Aus Dem Serail: Finale” (1781), “Symphony 29 in A Major, 1st Movement” (1774), https://www.youtube.com/playlist?list=PLq6-EneBMiNHmdqqE_5TmkJ9neViFMvTL“Rock Me Amadeus” by Falco (1985), https://www.youtube.com/watch?v=cVikZ8Oe_XA&list=RDcVikZ8Oe_XA&start_radio=1“Purple Rain” (Albert Magnoli, 1984)“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

While rewatching season 5 episode 9 of PLL "March Of Crimes", Hayley and Ashley lose their minds over Aria's behaviour, choice of words, and general existence. They also dissect the mechanics of Noel's little eye holes, and mess around with a little horse play!   You can also WATCH our regular fortnightly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 7:“Sweet Smell of Success” (Alexander Mackendrick, 1957)“From Here to Eternity” (Fred Zinnemann, 1953)“The Killers” (Robert Siodmak, 1946)“The Room” (Tommy Wiseau, 2003)“The Graduate” (Mike Nichols, 1967)“Planet of the Apes” (Franklin J. Schaffner, 1968)“Psych Out” (Richard Rush, 1968)“The Producers” (Mel Brooks, 1968), “2001: A Space Odyssey” (Stanley Kubrick, 1968)“The Odd Couple” (Gene Saks, 1968)“The Detective” (Gordon Douglas, 1968)“Petulia” (Richard Lester, 1968)“Rosemary's Baby” (Roman Polanski, 1968)“The Green Berets” (Ray Kellogg, 1968)“The Thomas Crown Affair” (Norman Jewison, 1968)“Hang ‘Em High” (Ted Post, 1968)“Targets” (Peter Bogdanovich, 1968)“Rachel, Rachel” (Paul Newman, 1968)Audio quotation in GATEWAY CINEMA, Episode 7:“The Swimmer” (Frank Perry, 1968), including “Theme from ‘The Swimmer' (Send for Me in Summer) / Big Splash”, “Carnival”, “Hurdles”, “My Kids Love Me / Traveling Home / Closer to Home / Home / Marcia Funebre”, “Down the Steps / On the Road”, and “Theme from ‘The Swimmer' (Send for Me in Summer) (Reprise)” by Marvin Hamlisch, https://www.youtube.com/playlist?list=PLkAUJkbhd-RgA8zSAa_Uqqq45GMl_ONci“TCM Jingle 2000 2002 2001 2003 2004 2008 2009 2012” by UPCGamesBogdanThePocoyoElemental&MarioWonder, https://www.youtube.com/watch?v=X8SRkoE16nc“Main Title” by Jerry Goldsmith from “Planet of the Apes” (Franklin J. Schaffner, 1968)

From growing old together to cruise ship mysteries, we're diving into a wild week of pop culture. Ozzy, Aquaman, Coldplay talk, Happy Gilmore 2 review, and of course… the infamous Poop Cruise. —it's a chaotic catch‑up!00:00 - Couples growing old 02:31 - RIP Ozzy 07:24 - Aquaman 10:00 - Coldplay 14:20 - Happy Gilmore 2/Superman 17:20 - Fantastic 4/Pedro Pascal 20:40 - Poop Cruise/Amy Bradley 25:30 - Ms. Rachel 30:20 - Gabby's Dollhouse 33:00 - Hospital Drama 34:00 - Back to our grass roots! 36:00 - See you next week! Catch new episodes of the CayVin Universe every week on YouTube and all audio apps! |The Squanchy Show & Bonus contenthttps://www.patreon.com/cayvin |Merch (CayVin.com)https://cayvinuniverse.square.site/

As they recap the bananas episode of PLL that is season 5 ep 8 "Scream For Me, Ashley and Hayley stumble upon Horse/Murder/Cashmere/Ghost and Theatre Country. They also berate Aria for asking "What are you saying?" and enter the era of Oinkburky.   You can also WATCH our regular fortnightly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 6:“Marty” (Delbert Mann, 1955)“Director's Cut” (2001) by Fantômas“The Godfather” (Francis Ford Coppola, 1972)“Cape Fear” (J. Lee Thompson, 1962)“The Omen” (Richard Donner, 1976)“Spider Baby: or, the Maddest Story Ever Told” (Jack Hill, 1967)“Charade” (Stanley Donen, 1963)“Investigation of a Citizen Above Suspicion” (Elio Petri, 1970)"Twin Peaks: Fire Walk with Me” (David Lynch, 1992)“Scarface” (Howard Hawks, 1932)“Spartacus” (Stanley Kubrick, 1960)“Brick” (Rian Johnson, 2005)“A Face in the Crowd” (Elia Kazan, 1957)“12 Angry Men” (Sidney Lumet, 1957)“Gunfight at the O.K. Corral” (John Sturges, 1957)“Paths of Glory” (Stanley Kubrick, 1957)“The Bridge on the River Kwai” (David Lean, 1957)“Throne of Blood” (Akira Kurosawa, 1957)Audio quotation in GATEWAY CINEMA, Episode 6:“Sweet Smell of Success” (Alexander Mackendrick, 1957)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 4:“Drum” (Steve Carver, 1976)“Shoah” (Claude Lanzmann, 1985)“Paths of Glory” (Stanely Kubrick, 1957)“Platoon” (Oliver Stone, 1986)“Ran” (Akira Kurosawa, 1985)“Solaris” (Andrei Tarkovsky, 1972)“Full Metal Jacket” (Stanley Kubrick, 1987)“Hamburger Hill” (John Irvin, 1987)“Casualties of War” (Brian De Palma, 1989)“Atonement” (Joe Wright, 2007)“Dunkirk” (Christopher Nolan, 2017)Audio quotation in GATEWAY CINEMA, Episode 4:“The Sacred War” by Alexander Vasilyevich Alexandrov and Vasily Lebedev-Kumach (1941), https://www.youtube.com/watch?v=maYCStVzjDs&list=RDmaYCStVzjDs&start_radio=1“Circus” (Grigori Aleksandrov and Isidor Simkov, 1936), including the song “Trip to the Stratosphere”, https://www.youtube.com/watch?v=SCEWd_zDYmc“Drum” (Steve Carver, 1976), including the song “Tell My Story” by Charlie Smalls“Moments in Love” by Art of Noise (1983), https://www.youtube.com/watch?v=cen22TBHo9M&list=RDcen22TBHo9M&start_radio=1“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 5:“Babel” (Alejandro González Iñárritu, 2006)“13 Assassins” (Takashi Miike, 2010)“Seven Samurai” (Akira Kurosawa, 1954)“The Long Good Friday” (John Mackenzie, 1980)“F1” (Joseph Kosinski, 2025)Audio quotation in GATEWAY CINEMA, Episode 5:“Toilet Flush Sound Effect - High Quality Flushing” by Sound Effect Doggo, https://www.youtube.com/watch?v=BhsVpvM2ZrM“The Twilight Zone Theme” (1959) by Marius Constant, https://www.youtube.com/watch?v=BhsVpvM2ZrM“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, “Pale Blue Eyes” (1969) by The Velvet Underground, “Feeling Good” (1965) by Nina Simone, “House of the Rising Sun (Japanese Version)” (2023) by Sayuri Ishikawa, and “Perfect Day” (1972) by Lou Reed, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Bill & Ted's Excellent Adventure” (Stephen Herek, 1989)

I spoke with producer Rayne Zukerman & lead programmer Luke Ruminski about The Dollhouse as a part of my remote coverage of Cannes Immersive 2025. See more context in the rough transcript below. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

On the morning of May 24, 2019, Jennifer Dulos dropped her kids off at New Canaan Country School. And then minutes later, she vanished. Her presumed murder quickly became a national story. This hour, Wall Street Journal columnist Rich Cohen joins us to talk about his new book, Murder in the Dollhouse: The Jennifer Dulos Story. Plus: a look at our ongoing obsession with these true crime stories. GUESTS: Rich Cohen: Writer at large at Air Mail and a columnist at The Wall Street Journal; his new book is Murder in the Dollhouse Bethany Usher: A journalist and academic and the author of Journalism and Crime Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Dichen Lachman is a Tibetan-Nepalese Australian actress known for her captivating presence and dynamic range across film and television. She stars as “Gemma” and “Ms. Casey” in Apple TV+'s acclaimed series Severance, earning praise from Esquire and Rolling Stone for her standout performance. Lachman first gained recognition in Joss Whedon's Dollhouse and went on to star in Altered Carbon, Animal Kingdom, and Jurassic World: Dominion. Her film and TV credits also include Agents of S.H.I.E.L.D., Supergirl, The 100, and Kingdom of the Planet of the Apes. Born in Kathmandu and raised in Australia, she now lives in London with her family.

As they recap PLL's season 5 episode 7 “The Silence of E. Lamb”, Ash and Hayley ask what constitutes a Gurgle vs a Doll???? They also question Pam Fields' hosting motivations, brainstorm a charity idea called “Beanies For Beauties” and discover the power of Caleb Vision!   You can also WATCH our regular fortnightly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

Join Justin as he chats with actor Tahmoh Penikett about growing up in the wilderness, his paranormal experiences, fatherhood, overcoming impostor syndrome, Battlestar Galactica, Trick 'r Treat, Supernatural, and more!Tahmoh Penikett bio:“Tahmoh Penikett (born May 20, 1975) is a Canadian actor. He is known for playing Karl "Helo" Agathon on SyFy's 2004 television series Battlestar Galactica and Paul Ballard in the Fox series Dollhouse. He has appeared in TV series Supernatural, the Showcase time travel show Continuum, and as the antagonist Darius in the 2006 racing video game Need for Speed: Carbon. “Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.

“With brilliant, razor-sharp writing and deep reporting of the case, he proves to be the perfect narrator as we witness two lives on an inevitable collision course.” That's what  award winning journalist, Katie Couric, said describing the book ‘Murder in the Dollhouse: The Jennifer Dulos Story and the author, Rich Cohen. We spoke with Cohen about his book and why it's a unique take on the high-profile case.   IMAGE CREDIT: Rich Cohen / https://www.authorrichcohen.com/

New podcast format! Scrapping the weekly recaps and jumping straight into the movie going forward. Thanks for listening!

After Roselind Nadine Earles passed away a week before Christmas, her parents honored her memory by building a permanent playhouse structure as a mausoleum over her grave site. Her parents are buried beside her in Lanett, Alabama. https://www.atlasobscura.com/places/little-nadine-earles-doll-house-grave-lanett   https://www.roadsideamerica.com/tip/21933   https://www.findagrave.com/memorial/11332/roselind-nadine-earles   https://www.al.com/living/2014/06/alabama_childs_playhouse_mauso.html  

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “The Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 3:“Alien 3” (David Fincher, 1992)“Alien Quadrilogy” (Ridley Scott, James Cameron, David Fincher, and Jean-Pierre Jeunet)“Alien” (Ridley Scott, 1979)“Alien: Director's Cut” (Ridley Scott, 2001)“Aliens” (James Cameron, 1986)“Aliens: Directors” Cut” (James Cameron, 1991)“Alien Resurrection” (Jean-Pierre Jeunet, 1997“Alien Resurrection: Director's Cut” (Jean-Pierre Jeunet, 2003)“The Abyss” (James Cameron, 1989)“The Abyss: The Special Edition” (James Cameron, 1992)“Fatal Attraction” (Adrian Lyne, 1987)“Fatal Attraction: A Special Collector's Edition” (Adrian Lyne, 1992)“Terminator 2: Judgment Day” (James Cameron 1991)“Terminator 2: Judgment Day: Special Edition” (James Cameron, 1993)“Pulp Fiction” (Quentin Tarantino, 1994)“Jackie Brown” (Quentin Tarantino, 1997)“Basic Instinct” (Paul Verhoeven, 1992)“Lethal Weapon 3” (Richard Donner, 1992)“Patriot Games” (Phillip Noyce, 1992)“Encino Man” (Les Mayfield, 1992)“The Oprah Winfrey Show” (Oprah Winfrey, 1986-2011)“Die Hard” (John McTiernan, 1988)“The Lord of the Rings: The Return of the King” (Peter Jackson, 2003)“Game of Thrones” (David Benioff and D.B. Weiss, 2011-2019)“Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Star Wars: Episode V – The Empire Strikes Back” (Irvin Kershner, 1980)“Star Wars: Episode VI – Return of the Jedi” (Richard Marquand, 1983)Audio quotation in GATEWAY CINEMA, Episode 3:“Alien 3 (Assembly Cut)” (David Fincher, 1992), including “Main Title”, “First Attack”, “It Won't Kill Me”, and “End Credits” composed by Elliott Goldenthal“Terminator 2: Judgement Day” (James Cameron, 1991), including “Main Title Theme” composed by Brad Fiedel“Star Wars: Episode V – The Empire Strikes Back” (Irvin Kerschner, 1980), including “The Imperial March (Darth Vader's Theme)” composed by John Williams“Dentist Drill Sound Effect [HD]” by n Beats, https://www.youtube.com/watch?v=Qf1lJywmMY8

While rewatching season 5 episode 6 of PLL “Run, Ali, Run”, Ashley renames the NAT Club to “Nah, Ali, Tststs!” and Hayley decides Tanner is the 9th Gurgle (for the complete list of The Gaggle of Gurgles, keep your ears wide open while listening to this one). They also ask where the HECK King Byrong is, as no parents are apparent, and ask you to measure your life in PLL anniversaries (HAPPY 15TH ANNIVERSARY, DOLLS!)   You can also WATCH our regular fortnightly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

I Watched Myself Die from the Corner of the Room⁠ - ⁠I have an insane paranormal story I've held on to for over 30 years⁠ - ⁠I think me and my parents met an angel.⁠ - ⁠The Doll House, Unattended Death Scene⁠ - Serial Killer in the House, from listener Tony This! is Disturbed: True Paranormal Featuring narrations by: Daniel de Groh Adam C. Alderson Danny Boyle Gregory James Brian Jeffords Get exclusive content, ad-free & early episodes, and more: www.patreon.com/disturbedpodcast Submit your true, horrifying experience to hear it on the podcast: ⁠⁠⁠disturbedpodcast.com/submit⁠⁠⁠ Voicemail: ⁠⁠⁠hotline.disturbedpodcast.com⁠⁠⁠ Station: ⁠⁠⁠https://station.page/disturbed⁠⁠⁠ Merch: ⁠⁠⁠⁠⁠⁠⁠https://www.disturbedpodcast.com/p/merch/⁠⁠⁠ Disturbed: True Paranormal is a production of Killer Podcasts, a part of the Evergreen network. For more paranormal and true crime shows, visit ⁠⁠⁠KillerPodcasts.com⁠⁠⁠. Follow us ⁠⁠⁠@disturbedpodcast⁠⁠⁠ on Instagram. If you enjoyed the show, subscribe and give us a review on your favorite listening platform. Music by epidemic sound and by Carl Casey at white bat audio. Our Host is Doug Bailey. Our Producer is Noah Foutz. Our audio engineer is Nathan Corson. Thanks for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I'm chatting with Steve (@welcome_2_the_dollhouse ) all about growing up with Barbie, taking Barbie photos, the process behind Barbie photography and the fun (and sometimes stress) of content creating. We also talk about the possibility of a new main face sculpt for Barbie and so much more! Follow me on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@britneyspearscustomdolls⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@iconicdollcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Special thanks to @supsupnathan on instagram for the awesome podcast art!**Theme song used from Facebook Sound CollectionHave a doll line that you think you could talk hours about?! Reach out to me at iconicdollcast@gmail.com and you could be featured on this podcast!

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “The Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 2:“The Jerry Springer Show” (Burt Dubrow, 1991-2018)“Roots” (David L. Wolper, 1977)“Gone With the Wind” (Victor Fleming, 1939)“Alien” (Ridley Scott, 1979)“Mandingo” (Richard Fleischer, 1975)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“Battlestar Galactica” (Glen A. Larson, 1978-1979)“Star Trek” (Gene Roddenberry, 1966-1969), including S1 E26 “Errand of Mercy”“Jo Jo Dancer, Your Life Is Calling” (Richard Pryor, 1986)“Pretty Baby” (Louis Malle, 1978)“Conan the Barbarian” (John Milius, 1982)“Song of the South” (Harve Foster and Wilfred Jackson, 1946)“Ilsa, She Wolf of the SS” (Don Edmonds, 1975)“M*A*S*H” (Larry Gelbart, 1972-1983)“Ran” (Akira Kurosawa, 1985)“Django Unchained” (Quentin Tarantino, 2012)“12 Years a Slave (Steve McQueen, 2013)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Private Property” (Leslie Stevens, 1960)“Ride the High Country” (Sam Peckinpah, 1962)“Stripes” (Ivan Reitman, 1981)“Blazing Saddles” (Mel Brooks, 1974)“The Bad News Bears” (Michael Ritchie, 1976)“Sparkle” (Sam O'Steen, 1976)“All the President's Men” (Alan J. Pakula, 1976)“Family Plot” (Alfred Hitchcock, 1976)“Grizzly” (William Girdler, 1976)“Jaws” (Steven Spielberg, 1975)“Embryo” (Ralph Nelson, 1976)“Leadbelly” (Gordon Parks, 1976)“Silent Movie” (Mel Brooks, 1976)“Logan's Run” (Michael Anderson, 1976)“The Omen” (Richard Donner, 1976)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“The Bingo Long Traveling All-Stars & Motor Kings” (John Badham, 1976)“The Shootist” (Don Siegel, 1976)“Bugsy Malone” (Alan Parker, 1976)“The Birth of a Nation” (Nate Parker, 2016)“Birth of a Nation” (D.W. Griffith, 1915)Audio quotation in GATEWAY CINEMA, Episode 2:“Drum” (Steve Carver, 1976), including the song “Tell My Story” composed by Charlie Smalls“The Jerry Springer Show” (Burt Dubrow, 1991-2018), https://www.youtube.com/watch?v=dize77oSCPE“Anvil of Crom”, composed by Basil Poledouris for “Conan the Barbarian” (John Milius, 1982)“Zip-a-Dee-Doo-Dah”, composed by Allie Wrubel and Ray Gilbert for “Song of the South” (Harve Foster and Wilfred Jackson, 1946)“Stripes” (Ivan Reitman, 1981)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Producers' Cut)”, “Come and See”, “Perfect Days”, “The Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 1:“Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Mary Poppins” (Robert Stevenson, 1964)“Star Wars: Episode V – The Empire Strikes Back” (Irvin Kerschner, 1980)“Taylor Swift: The Eras Tour” (Sam Wrench, 2023)“Stray Dog” (Akira Kurosawa, 1949)“Kids” (Larry Clark, 1995)“Ken Park” (Larry Clark and Edward Lachman, 2002)“Bless the Beasts and Children” (Stanley Kramer, 1971)“Vertigo” (Alfred Hitchcock, 1958)“Jaws” (Steven Spielberg, 1975)“Munich” (Steven Spielberg, 2005)“Boogie Nights” (Paul Thomas Anderson, 1997)“Casino” (Martin Scorsese, 1995)“Toy Story” (John Lasseter, 1995)“Heat” (Michael Mann, 1995)“Nixon” (Oliver Stone, 1995)“Four Rooms” (Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino, 1995)“12 Monkeys” (Terry Gilliam, 1995)“Dead Man Walking” (Tim Robbins, 1995)“From Dusk till Dawn” (Robert Rodriguez, 1996)“Beautiful Girls” (Ted Demme, 1996)“The Bird Cage” (Mike Nichols, 1996)“Fargo” (The Coen Brothers, 1996)“The Celluloid Closet” (Rob Epstein and Jeffrey Friedman, 1996)“Girl 6” (Spike Lee, 1996)Audio quotation in GATEWAY CINEMA, Episode 1:“Star Wars Main Theme” by John Williams for “Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Burnin' and Lootin'” by Bob Marley for the album “Burnin'” by Bob Marley and the Wailers (1973), used in “La Haine” (Mathieu Kassovitz, 1995)“Butch Cassidy and the Sundance Kid” (George Roy Hill, 1969)“Eugene's Lament” by Beastie Boys, Nishita, Bobo, and Eugene Gore for the album “Ill Communication” by Beastie Boys (1994), used in “La Haine” (Mathieu Kassovitz, 1995)

While recapping PLL season 5 episode 5 "Miss Me X 100" (the 100th episode, ooOooooOooh!) Hayley and Ashley are delighted at the mention of the WICKEDLY talented Adele Dazeem. They also vom in their mouths at the Bad Barch that happens betwixt Ezra's floppy sheets, and ask "is there a supermarket in Rosewood????"   You can also WATCH our regular fortnightly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

Author Rich Cohen joins Rick Kogan to talk about his latest book ‘Murder in the Dollhouse: The Jennifer Dulos Story’. Rick also discusses Rich’s profound career and his upcoming appearance on Tuesday, June 10th at The Book Stall in Winnetka.

On this episode, we're holding a very important meeting of the Special People Club, and inviting our much older crush to dine on some Hostess snacks, while we cover the pitch black comedy from 1995, Welcome to the Dollhouse. This movie was written and directed by Todd Solondz.We explore how this movie was a huge part of the indie movie boom in the mid-90s, and how this launched the careers of both its director (Todd Solondz), and its star (Heather Matarazzo). We also try to dissect some of the themes that this movie tackles, and why it's been such a beloved classic for the marginalized and the misfits.----Article Referenced:"How we made Welcome to the Dollhouse", The Guardian, Phil Hoad, Tuesday, August 23rd, 2016Click HereIntro/Outro Music: "Phantom Fun" by Jonathan Boyle----Show E-Mail: cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Bluesky, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

Today, we venture into the shadowy charm of The Haunted Dollhouse Museum in San Antonio—a place where porcelain faces smile sweetly… and might be secretly watching you. Giovanna Albrecht, is the museum's founder, curator, and fearless caretaker of hundreds of dolls, many of which are rumored to harbor the energy—and perhaps the spirits—of their former owners. She takes us behind the scenes of this historic home-turned-paranormal hub, sharing spine-tingling tales of haunted artifacts, strange happenings, and visitors who left with more questions than answers… and maybe an extra presence tagging along. From late-night ghost hunts to dolls that seem to move on their own, this creepy-cute destination blurs the line between the delightful and the disturbing. Whether you're a hardened investigator or someone who sleeps with the lights on, this is your invitation to explore the unsettling charm of a place where the dolls don't always stay silent. This is Part Two of our conversation. For more information, visit their website at forgottendollhousemuseum.com and you can make a donation to help the dolls. Every dollar helps! Become a GRAVE KEEPER and get access to ALL of our EPISODES - AD FREE, BONUS EPISODES & ADVANCE EPISODES!!! Sign up through Apple Podcast Channel or Patreon. Sign up through Apple Podcasts or Patreon http://www.patreon.com/thegravetalks

Today, we venture into the shadowy charm of The Haunted Dollhouse Museum in San Antonio—a place where porcelain faces smile sweetly… and might be secretly watching you. Giovanna Albrecht, is the museum's founder, curator, and fearless caretaker of hundreds of dolls, many of which are rumored to harbor the energy—and perhaps the spirits—of their former owners. She takes us behind the scenes of this historic home-turned-paranormal hub, sharing spine-tingling tales of haunted artifacts, strange happenings, and visitors who left with more questions than answers… and maybe an extra presence tagging along. From late-night ghost hunts to dolls that seem to move on their own, this creepy-cute destination blurs the line between the delightful and the disturbing. Whether you're a hardened investigator or someone who sleeps with the lights on, this is your invitation to explore the unsettling charm of a place where the dolls don't always stay silent. For more information, visit their website at forgottendollhousemuseum.com and you can make a donation to help the dolls. Every dollar helps! Become a GRAVE KEEPER and get access to ALL of our EPISODES - AD FREE, BONUS EPISODES & ADVANCE EPISODES!!! Sign up through Apple Podcast Channel or Patreon. Sign up through Apple Podcasts or Patreon http://www.patreon.com/thegravetalks

LEGO Lord of the Rings is back and ready to be put between your books, Nike sets are here, and time for some June shopping! All that and more on this week's Bricking News!LEGO almost got this right - YouTube.comSet Review: 10349 Happy PlantsMOC Review:  76215 Black Panther Bust Alternate Build by Ransom_FernBecome a Brick Stud! – Patreon.comSubscribe on YouTube! – YouTube.comRebrickable Instructions - Rebrickabe.comTimeless CreationsLord of the Rings Book NookJune shopping listDREAMZzz Season 3 Nike Air MaxNike DunkLEGO Island Reverse Engineered - YouTube.com Levi Colwill FootballGabby's Dollhouse the Movie3D Printer in LEGO - YouTube.comSydney Block-buster exhibitionTransformers ShockwaveFootball LEGO TattooTwist of Nostalgia winnerEpic Universe buildNinjago Graphic NovelLEGO Ideas GWP RumorsSonic GWP RumorThank you, Patrons! - Bellefonte Bricks Studio, Jimmy Tucker, David, Paul Snellen, Lee Jackson, Pop's Block ShopSupport the showSee some of the designs I've built - REBRICKABLE.COMHead over to Back2brick.com for links to the latest LEGO set discounts!Support the podcast through our affiliate links AND join the Back 2 Brick Patreon!Have a question? Want to be a guest? Send me a message!backtobrick@gmail.comBack 2 Brick Podcast is not an affiliate nor endorsed by the LEGO Group.LEGO, the LEGO logo, the Minifigure, and the Brick and Knob configurations are trademarks of the LEGO Group of Companies. ©2025 The LEGO Group.

This week, we talk about the things that make us happy. Please like, rate, subscribe, and review. It really helps us out.

As they recap season 5 episode 4 of PLL, "Thrown From The Ride", Hayley and Ash open their first ever piece of DollMail™ which makes them say "postal coastal" 476 times out of pure joy!!!!!! They also ask the important question, "is Toburky worky as carpenturky?" and find respect for Paige being the Squealer that she was born to be.   You can also WATCH our regular fortnightly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult   Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

An interview with Rich Cohen, author of Murder in the Dollhouse: The Jennifer Dulos Story. Jennifer Dulos, a beautiful, rich suburban mother who dropped her kids off at the New Canaan Country School one morning and vanished. Her body has never been found. Dulos was in the midst of an ugly divorce―one of the most contentious in Connecticut state history. The couple, a beautiful, highly connected pair, met at Brown University, had five children, and led what appeared to be a charmed life. In the wake of her disappearance, Dulos's husband and his girlfriend were arrested. He died by suicide on the day he was supposed to report to court; she was tried and convicted of conspiracy to commit murder. A gripping story of status, wealth, love, and hate, Murder in the Dollhouse peers beneath the sparkling veneer of propriety that surrounded the Duloses to uncover the origins and motivations of a crime that has become a national obsession. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Angela and Natalie are talking about one of the best cult classics out there - the story of a girl trying to come out of her shell, getting hell for it, and trying not to become a monster herself. #podcastersofinstagram #podcastersoffacebook #putyourbooksdown #gentlecomedy #nataliecsandersonjones #angelabingham #gentlecomedy #genx     Follow Put Your Books Down on social media:     Facebook: https://www.facebook.com/putyourbooksdown     Instagram: https://www.instagram.com/putyourbooksdown/     Natalie on IG:  https://www.instagram.com/nataliesanderson/     Angela on IG:  https://www.instagram.com/angelabinghamofficial/     Podcast produced by http://clantoncreative.com

A&P are joined by Andrew Woods, the GC of AdTech company PubMatic, formerly of Twitter. Andrew's origin story can be heard on the 2/22/23 Episode. This conversation focuses on the changing economic model of the internet and AI's massive impact on our future and the future of ads/privacy.

“We spend so much of our life trying to put the pieces back in the dollhouse… the furniture changes, the people change.” — Beverly Jean Armento In this emotional episode of Uncorking a Story, Michael Carlon sits down with author and educator Beverly Jean Armento to discuss her powerful memoir, Seeing Eye Girl. Beverly reflects on a childhood marked by violence, secrecy, and trauma—and how the love of teachers, a resilient spirit, and the act of writing helped her reclaim her story. Now in her 80s and still writing, Beverly proves it's never too late to transform pain into purpose. Key Themes: The Broken Dollhouse as a Metaphor for Trauma: Beverly recounts a pivotal childhood moment—the night her family imploded—through the lens of a shattered dollhouse. That image would become a central metaphor for the chaos and damage wrought by familial dysfunction. The Silent Strength of “Strong Beverly”: For decades, Beverly coped with her trauma by compartmentalizing—presenting as competent and successful on the outside while suppressing her pain. It wasn't until much later that “Strong Beverly” made room for healing. Teachers as Lifelines: Beverly credits a string of devoted educators—her “angel teachers”—with being her saving grace. Each one provided a safe space, encouragement, and belief in her when her home life did not. The Power and Pain of Memoir Writing: It wasn't until retirement that Beverly began to write her story. Through guided prompts and emotional breakthroughs, she discovered that telling the truth—however painful—was both a burden and a liberation. The Essential Role of Forgiveness: Beverly's decision to forgive her mother came during a profound therapy exercise involving her mother's ashes and a conversation between “little Beverly” and her imagined mother. That moment lifted a lifelong weight. Legacy, Perspective, and the Late Blooming Artist: Beverly published Seeing Eye Girl at 81 and is already working on a follow-up. With age came perspective, and with perspective came compassion—for herself, her parents, and her past. Trauma is Timeless—So is Hope: While her story takes place decades ago, the issues of abuse, resilience, and the search for meaning remain relevant. Her memoir speaks not only for herself but for anyone who has grown up in chaos and fought their way to clarity. Buy Seeing Eye Girl Amazon: https://amzn.to/3Yexgrg Bookshop.org: https://bookshop.org/a/54587/9781647423919 Connect with Beverly Website: www.beverlyarmentoauthor.com YouTube: https://www.youtube.com/@beverlyarmento8430 Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. #UncorkingAStory #MemoirMonday #TraumaRecovery #AuthorInterview #ChildhoodResilience #BeverlyArmento #SeeingEyeGirl #ForgivenessJourney #WritersOfInstagram #BookPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew and Riki dive into Severance Season 2, exploring the philosophical questions raised about identity, consciousness, and corporate culture while examining where the show succeeds and falls short in its sophomore season.Is Season 2 Living Up to the Promise of Season 1?Both hosts acknowledge feeling somewhat let down by Season 2, with Riki noting it "asks more questions than it answers" in typical mystery box fashion. While the first season brilliantly established the premise of people separating their work and personal consciousness, the second season prioritizes expanding the mysterious corporate lore rather than fully exploring the ethical questions at its core.What Makes Someone a "Real" Person?The most compelling aspect of Severance remains its exploration of what constitutes personhood. The show presents characters whose consciousness is split between "innies" (work selves) and "outies" (outside selves), raising profound questions about which version is the "real" person and whether eliminating one version constitutes a form of death. The hosts particularly praise Dylan's storyline, where his innie falls in love with his outie's wife, creating a fascinating ethical dilemma about identity and relationships.Does the Show Fall Into Problematic Tropes?Riki points out how the season finale's romantic choice falls into troubling tropes, with Mark S choosing Helly over his wife Gemma. The hosts discuss the racial implications of this storyline, noting how it perpetuates patterns where Asian women are portrayed as "damsels in distress" rather than equal romantic partners. This choice undermines the more profound philosophical questions about identity by reducing them to a conventional love triangle.Other Topics CoveredThe show's "mystery box" approach and whether it delivers satisfying answersOffice culture representation and corporate cults as commentary on modern tech companiesCharacter development for Harmony Cobel and the mysterious Miss WongThe metaphorical significance of severance in our own compartmentalized livesComparison to shows like Dollhouse that explore similar themes of identityThe cinematography and standout episodes from Season 2The hosts conclude that while Severance Season 2 has moments of brilliance, particularly in episodes like Harmony Cobel's hometown visit, it ultimately prioritizes expanding its mysterious lore over answering the profound ethical questions that made the first season so compelling. Though both hosts express disappointment with certain aspects of the season, they remain intrigued enough to continue following the series and its exploration of identity, corporate culture, and consciousness. **************************************************************************This episode is a production of Superhero Ethics, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Star Wars Generations.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page. You can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Artoun and Christina are back in theaters with The Surfer (2025) [RATED R]. It's been a while since our duo has braved the theater for another Cage flick and this one brought up a lot of feelings. They discuss whether this film is inherently about Australians, talk the Doll House effect of the film, and praise Cage's slow and simmering work on this Join us next week as Artoun and Christina are watching another new release Gunslingers (2021) [RATED R] ! Don't forget to rate & review the pod, subscribe on your favorite platform, and follow us on Twitter & Instagram @cageoldquestion. You can always email us any thoughts or questions at cageoldquestionpod@gmail.com.

Reacapping season 5 episode 3 of PLL "Surfing the Aftershocks" has Hayley and Ash zoomin', dude (meaning they are on extra SUPER silly mode and sing "Pump It" by The Black Eyed Peas for the first 8 minutes of the episode). They repeatedly yell at Ali to "get buried", learn the art of The Ape Index and discover "Toboinky"!!!!!!   You can also WATCH our fortnightly weekly episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdult   Want more Call An Adult? Come join our Dollhouse over on Patreon! patreon.com/callanadult

“My grandparents were lying in bed, melted”--At 9:15AM on March 23, 2007, a 4-year-old arrives at his church daycare alone, wearing his pajamas and out of breath. Following his next words, his teacher immediately calls 911. Something terrible has just happened in the rural community of Bradford, and Dameon Huffman, the 4-year-old boy, is the only witness to the horrors.Little do police know that what little Dameon saw was actually one of the most twisted cases of home invasion gone wrong that the state of Ohio has ever known.---CreditsWritten, directed & edited by Matthew RiceResearched by Manon LafosseVoiceover by William AkanaProduced by Alexandrs Salois & Salim Sader---Sources:“The Green Monster”, American Monster, Discovery+, 2017 (Arrow Media)“A Dragon in the Farmhouse”, In Ice Cold Blood, Oxygen Network, 2021. (Asylum Entertainment & Final Level Entertainment) “The Green Dragon”, On the Case with Paula Zahn: Discovery+, 2014. (Investigation Discovery & Scott Sternberg Productions, Inc.) “The Green Dragon”, Solved: Investigation Discovery, 2009 (Digital Ranch)“In the Bag”, Forensic Files: Film Rise & Tru TV, 2008, (Medstar Television)“Greg Must Choose Life In Prison or Death”, Red Tree Stories: Youtube, 2023 (Youtube)

This week we're talking about Joss Whedon's Dollhouse! We discuss a concept that just doesn't work (and is actively creepy at best) and praise the actors who managed to make the best of a crappy situation. SPOILER WARNING SEVERANCE: There are comparisons made to the TV series Severance, there is an audio warning at one point in the episode before a major spoiler for Severance.   Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

Subscriber-only episodeSend us a textThis week on Ones Ready, Aaron and Peaches dive into an episode that's part roast, part rock anthem, and part tactical life lesson—mostly about how not to book an Airbnb. What started as a “members only” chat quickly spiraled into Nickelback fanboying, ruined daughters with backstage passes, and tactical breakdowns of why doom-ups are Satan's favorite underwater evolution. We cover everything from civilian helicopters to hot air balloon jumps, operator training summits, and the exact moment Aaron got seduced by a business class seat.Meanwhile, Trent's missing (again), living his best life backstage with Canada's greatest export, while Aaron is out here trying not to get PTSD from dolls in his Airbnb bedroom. You're not ready for this one—and that's fine, because neither were we.

Jim Hill and Eric Hersey take a closer look at Hop, Illumination's forgotten holiday hopeful, and why Easter has never quite found its Elf or Home Alone. From Universal's big swings to nostalgic flops, they explore what makes holiday movies stick - and why the Easter Bunny keeps missing the mark. •      Why Hop had all the ingredients for success… but still faded into obscurity •      A look back at forgotten Easter specials like The Tale of the Bunny Picnic and Here Comes Peter Cottontail •      The challenge of making Easter “cinematic” compared to Christmas •      Wicked's Peacock streaming success and speculation on future park tie-ins •      Epic Universe's Parisian land and its links to Fantastic Beasts •      Horror Unleashed teases its Las Vegas Scarecrow maze •      Gabby's Dollhouse heads to the big screen - and maybe to DreamWorks Land •      First look at the Five Nights at Freddy's 2 trailer and HHN speculation Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special bonus episode, the Story Pirates reveal the winner of the Dreamworks' Gabby's Dollhouse contest and thank everyone who sent in a story.

Announcing a special collaboration with the fantastic show Gabby's Dollhouse!  We're looking for kid-written stories about “failing fantastically.” We'll choose one story to adapt for a special Gabby's Dollhouse-themed bonus episode of the Story Pirates Podcast and EVERY story that's submitted will get a personal, handwritten note of encouragement for its kid author. Parents or guardians can send in your kids' stories today at storypirates.com. Grownups, Gabby's Dollhouse is available to watch now on Netflix.