Podcast appearances and mentions of alfredo garcia

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 15:“Dr. Jeckyll and Mr. Hyde” (Rouben Mamoulian, 1931)“The Wolfman” (George Waggner, 1941)“The Adventures of Baron Munchausen” (Terry Gilliam, 1988)“Barry Lyndon” (Stanley Kubrick, 1975)“A Trip to the Moon” (Georges Méliès, 1902)“Monty Python's Flying Circus” (Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, 1969-1974)“Pee-wee's Playhouse” (Paul Reubens, 1986-1990)“Star Wars” (George Lucas, 1977)“Pinocchio” (Ben Sharpsteen and Hamilton Luske, 1940)“South Park” (Trey Parker and Matt Stone, 1997-present)“Snow White and the Seven Dwarfs” (David Hand, 1937)“The Adventures of Prince Achmed” (Lotte Reiniger, 1926)“The Lord of the Rings” (Ralph Bakshi, 1978)Audio quotation in GATEWAY CINEMA, Episode 15:“The Fabulous Baron Munchausen” (Karel Zeman, 1962)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 16:“Joker” (Todd Phillips, 2019)“Austin Powers: International Man of Mystery” (Jay Roach, 1997)“Austin Powers: The Spy Who Shagged Me” (Jay Roach, 1999)“Austin Powers in Goldmember” (Jay Roach, 2002)“Alien 3 (Assembly Cut)” (David Fincher, 1992) (Assembly Cut in 2003)“Aliens” (James Cameron, 1986)“Gremlins 2: The New Batch” (Joe Dante, 1990)“Gremlins” (Joe Dante, 1984)“Deadpool & Wolverine” (Shawn Levy, 2024)“Alien: Romulus” (Fede Alvarez, 2024)“Beetlejuice Beetlejuice” (Tim Burton, 2024)“Transformers One” (Josh Cooley, 2024)“Mary Poppins” (Robert Stevenson, 1964)“The Rocky Horror Picture Show” (Jim Sharman, 1975)“Singin' in the Rain” (Gene Kelly and Stanley Donen, 1952)“La La Land” (Damien Chazelle, 2016)“Hated: GG Allin and the Murder Junkies” (Todd Phillips, 1993)“Kneecap” (Rich Peppiatt, 2024)“Wicked” (Jon M. Chu, 2024)“Braveheart” (Mel Gibson, 1995)“Megalopolis” (Francis Ford Coppola, 2024)“The Minecraft Movie” (Jared Hess, 2025)“E.T. the Extra-Terrestrial” (Steven Spielberg, 1982)“Shoa” (Claude Lanzmann, 1985)Audio quotation in GATEWAY CINEMA, Episode 16:“Joker: Folie à Deux” (Todd Phillips, 2024), including the songs “Uh Oh, I'm in Trouble” (2024) by Hildur Guðnadóttir, https://www.youtube.com/playlist?list=PLBKadB95sF45I8ypDP8cYu5glfXTT0FyH, and “That's Life” (1963) by Dean Kay and Kelly Gordon, performed by Lada Gaga, “Bewitched (Bothered and Bewildered)” (1940) by Richard Rodgers and Lorenz Hart, performed by Lady Gaga and Joaquin Phoenix, “To Love Somebody” (1967) by the Bee Gees, performed by Lady Gaga and Joaquin Phoenix, “If You Go Away” (1959) by Jacques Brel, performed by Joaquin Phoenix, and “(They Long to Be) Close to You” (1963) by Burt Bacharach and Hal David, performed by Lady Gaga and Joaquin Phoenix, https://www.youtube.com/playlist?list=PLKUcDyFltysbYrVO-rWYqfQqSuIKkxxgI

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 13:“One Battle After Another” (Paul Thomas Anderson, 2025)“Kill Bill: Volume 1” (Quentin Tarantino, 2003)“Kill Bill: Volume 2” (Quentin Tarantino, 2004)“Night and Fog” (Alain Resnais, 1956)“Salò, or the 120 Days of Sodom” (Pier Paolo Pasolini, 1975)“Amadeus (Director's Cut)” (1984/2002)“Marie Antoinette” (Sofia Coppola, 2006)“The Meg” (Jon Turtletaub, 2018)“The Meg 2: The Trench” (Ben Wheatley, 2023)“Gamer” (Mark Neveldine and Brian Taylor, 2009)“Battleship Potemkin” (Sergei Eisenstein, 1925)“The Godfather Coda: The Death of Michael Corleone” (Francis Ford Coppola, 2020)“The Godfather” (Francis Ford Coppola, 1972)“The Godfather Part II” (Francis Ford Coppola, 1974)“Scarface” (Brian De Palma, 1983)“Miami Vice” (Anthony Yerkovich 1984-1990)“Licensed to Drive” (Greg Beeman, 1988)“The Lost Boys” (Joel Schumacher, 1987)“The Naked Gun: From the Files of Police Squad!” (David Zucker, 1988)“The Naked Gun” (Akiva Schaffer, 2025)“The Swimmer” (Frank Perry, 1968)Audio quotation in GATEWAY CINEMA, Episode 13:“Crank” (Mark Neveldine and Brian Taylor, 2006), including “Don't Stop” by Paul Haslinger, https://www.youtube.com/playlist?list=PL42C18193F6C62450, and “Bring Us Bullets” (2002) by Rocket from the Crypt; and “Turn Me Loose” (1980) by Loverboy, https://www.youtube.com/watch?v=ogx0ZcjZCHQ&list=PLyFcnFZyFXeVx3B9pjQanSrShZMf8kFuU“boing sound effect 1”, https://www.youtube.com/watch?v=Q-3qnJxEYmc“Galaga Theme”, https://www.youtube.com/watch?v=0ie4U89t7Cs&list=RD0ie4U89t7Cs&start_radio=1“Crank 2: High Voltage” (Mark Neveldine and Brian Taylor, 2009), including “Kickin'” and “The Hammer Drops” by Mike Patton, https://www.youtube.com/playlist?list=PLyFcnFZyFXeVx3B9pjQanSrShZMf8kFuU 

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”. ***Referenced media in GATEWAY CINEMA, Episode 14:“The Smashing Machine” (Benny Safdie, 2025)“Goodfellas” (Martin Scorsese, 1990)“I, Tonya” (Craig Gillespie, 2017)“Oppenheimer” (Christopher Nolan, 2023)“Perfect Days” (Wim Wenders, 2023)“Hot Shots!” (Jim Abrahams, 1991)“Rain Main” (Barry Levinson, 1988)“The Piano” (Jane Campion, 1993)“Ammonite” (Francis lee, 2020)“Ferris Bueller's Day Off” (John Hughes, 1985)Audio quotation in GATEWAY CINEMA, Episode 14:“Portrait of a Lady on Fire” (Céline Sciamma, 2019), including the songs “La Jeune Fille en Feu (The Young Lady on Fire)” (2019) by Para One and Arthur Simonini and “Summer” from “The Four Seasons” (1718-1723) by Antonio Vivaldi“Ferris Bueller's Day Off” (John Hughes, 1985), including the song “Oh Yeah” (1985) by Yello, https://www.youtube.com/watch?v=2cPmiQwXc4U&list=RD2cPmiQwXc4U&start_radio=1

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”. ***Referenced media in GATEWAY CINEMA, Episode 12:“The Magnificent Ambersons” (Orson Welles, 1942)“Do the Right Thing” (Spike Lee, 1989)“A Clockwork Orange” (Stanely Kubrick, 1971)“Glengarry Glen Ross” (James Foley, 1992)“Barfly” (Barbet Schroeder, 1987)“The Ren & Stimpy Show” (John Kricfalusi, 1991-1995)“Adventures of Huckleberry Finn” (Mark Twain, 1884)“Leave It to Beaver” (Joe Connelly and Bob Mosher, 1957-1963)“1917” (Sam Mendes, 2019)“Birdman or (The Unexpected Virtue of Ignorance)” (Alejandro G. Iñárritu, 2014)“Mutiny on the Bounty” (Frank Lloyd, 1935)“Spartacus” (Stanley Kubrick, 1960)“Return to Oz” (Walter Murch, 1985)“Phase IV” (Saul Bass, 1974)Audio quotation in GATEWAY CINEMA, Episode 12:“The Night of the Hunter” (Charles Laughton, 1955)“Do the Right Thing” (Spike Lee, 1989)“The Ren & Stimpy Show” (John Kricfalusi, 1991-1995), https://www.youtube.com/watch?v=W5NfgKPVZ2g

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 11:"Amadeus (Director's Cut)” (Milos Forman, 1984/2002)“Breakfast Club” (John Hughes, 1985)“Moulin Rouge!” (Baz Luhrmann, 2001)“Conan the Barbarian” (John Milius, 1982)“Saturday Night Life” (Lorne Michaels, 1975-now)“John Adams” (Tom Hooper, 2008)“Interview with the Vampire” (Neil Jordan, 1994)“The Power of the Dog” (Jane Campion, 2021)“Civil War” (Alex Garland, 2024)“Star Trek: Next Generation” (Gene Roddenberry, 1987-1994)“The Virgin Suicides” (Sofia Coppola, 1999)“Lost in Translation” (Sofia Coppola, 2003)“Rushmore” (Wes Anderson, 1998)“Star Wars” (George Lucas, 1977)“Barry Lyndon” (Stanley Kubrick, 1975)“Eye in the Sky” (Gavin Hood, 2015)“The New World” (Terrence Malick, 2005)“Titus” (Julie Taymor, 1999)“Titus Andronicus” (William Shakespeare, 1588-1593)“The Lion King” (Julie Taymor, 1997-now)“Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” (Larry Charles, 2006)“Nashville” (Robert Altman, 1975)“The Player” (Robert Altman, 1992)“American Graffiti” (George Lucas, 1973)Audio quotation in GATEWAY CINEMA, Episode 11:“Marie Antoinette” (Sofia Coppola, 2006), including the songs “Intro Versailles” (2006) by Brian Reitzell, “I Want Candy” (1982) by Bow Wow Wow, “Fools Rush In” (1982) by Bow Wow Wow, “Aphrodisiac” (1983) by Bow Wow Wow, “Hong Kong Garden” (1978) by Siouxsie and the Banshees, “What Ever Happened?” (2003) by The Strokes, and “Kings of the Wild Frontier” (1980) by Adam and the Ants, https://www.youtube.com/playlist?list=PLkTESLJ1DzwVuwneRvZRNBzJkbNQsX-sP“Don't You (Forget About Me)” (1985) by Simple Minds, https://www.youtube.com/watch?v=CdqoNKCCt7A&list=RDCdqoNKCCt7A&start_radio=1Theme for “Star Trek: The Next Generation” (1987) by Jerry Goldsmith, https://www.youtube.com/watch?v=p5kcBxL7-qI&list=RDp5kcBxL7-qI&start_radio=1

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 10:"Half Baked” (Tamra Davis, 1998)“Up in Smoke” (Lou Adler, 1978)“The Big Lebowski” (Joel Coen, 1998)“Boyz n the Hood” (John Singleton, 1991)“Are We There Yet?” (Brian Levant, 2005)“Deadpool” (Tim Miller, 2016)“Deadpool 2” (David Leitch, 2018)“Deadpool & Wolverine” (Shawn Levy, 2024)“Menace II Society” (The Hughes Brothers, 1993)“South Central” (Stephen Milburn Anderson, 1992)“Colors” (Dennis Hopper, 1988)“ER” (Michael Crichton, 1994-2009), Season 11, Episode 15: “Alone in a Crowd” (Jonathan Kaplan, March 24, 2005)“Alfred Hitchcock Presents” (Alfred Hitchcock, 1955-1965), Season 1, Episode 7: “Breakdown” (Alfred Hitchcock, November 13, 1955)“The Diving Bell and the Butterfly” (Julian Schnabel, 2007)“Next Friday” (Steve Carr, 2000)“Friday After Next” (Marcus Raboy, 2002)“Last Friday” (TBD)“Saturday Night Live” (Lorne Michaels, 1975-present)“Stagecoach” (John Ford, 1939)“Monty Python and the Holy Grail” (Terry Gilliam and Terry Jones, 1975)“Monty Python's Life of Brian” (Terry Jones, 1979)Audio quotation in GATEWAY CINEMA, Episode 10:“Friday” (F. Gary Gray, 1995), including the songs “Friday” (1995) by O'Shea Jackson, “Blast If I Have To” (1995) by Shon Adams and Mark Ogleton, “I Heard It Through the Grapevine” (1981) by Whitfield and Barrett Strong, “Hoochie Mama” (1995) by David Hobbs, Luther Campbell, Chris Wong Won, and Mark Ross, and “Mary Jane” (1978) by James Ambrose Johnson“It Was a Good Day” (1993) by O'Shea Jackson, Marvin Isley, Rudolph Isley, O'Kelly Isley, Ernie Isley, Ronald Isley, and Chris Jasper

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 9:"The Wild Bunch” (Sam Peckinpah, 1969)“Straw Dogs” (Sam Peckinpah, 1971)“The Osterman Weekend” (Sam Peckinpah, 1983)“Bonnie and Clyde” (Arthur Penn, 1967)“Pat Garrett and Billy the Kid” (Sam Peckinpah, 1973)“The Parallax View” (Alan J. Pakula, 1974)“Chinatown” (Roman Polanski, 1974)“The Terminal Man” (Mike Hodges, 1974)“Truck Turner” (Jonathan Kaplan, 1974)“Death Wish” (Michael Winner, 1974)“Gone in 60 Seconds” (H.B. Halicki, 1974)“California Split” (Robert Altman, 1974)“The Longest Yard” (Robert Aldrich, 1974)“The Texas Chainsaw Massacre” (Tobe Hopper, 1974)“The Taking of Pelham One Two Three” (Joseph Sargent, 1974)“It's Alive” (Larry Cohen, 1974)“Phantom of the Paradise” (Brian De Palma, 1974)“Cockfighter” (aka “Born to Kill”) (Monte Hellman, 1974)“Two-Lane Blacktop” (Monte Hellman, 1971)Audio quotation in GATEWAY CINEMA, Episode 9:“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974), including the songs “Bring It to Me”, “Prelude to a Rape”, “Elita's Dream”, and “Guatemala” composed by Jerry Fielding“The Three Stooges Theme Song”, https://www.youtube.com/watch?v=s5a45f1uy80&list=RDs5a45f1uy80&index=1

In this multi-part series, we've focused on just one movie to explore a key idea in film studies. But this one choice means we've left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Bring Me the Head of Alfredo Garcia”.***Referenced media in GATEWAY CINEMA, Episode 9A:“Nashville” (Robert Altman, 1975)“The Deer Hunter” (Michael Cimino, 1978)“Dersu Uzala” (Akira Kurosawa, 1975)“Mean Streets” (Martin Scorsese, 1973)“The Babadook” (Jennifer Kent, 2014)Audio quotation in GATEWAY CINEMA, Episode 9A:“Vintage Movie Projector | Sound Effect | Feel The Past Film Industry” by n Beats, https://www.youtube.com/watch?v=JhUICp5XeJ4“Film Clapperboard Green Screen Effect With Sound” by Jacob Anderson, https://www.youtube.com/watch?v=P1sEiCa-yic“Slide projector changing with clicks” by (Soundsnap), https://www.soundsnap.com/tags/slide_projector?page=2

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 8:"Alien 3 (Assembly Cut)” (David Fincher, 1992/2003)“Indiana Jones and the Temple of Doom” (Steven Spielberg, 1984)“Ghostbusters” (Ivan Reitman, 1984)“Gremlins” (Joe Dante, 1984)“The Karate Kid” (John G. Avildsen)“Purple Rain” (Albert Magnoli, 1984)“Silver Spoons” (Martin Cohan, Howard Leeds, and Ben Starr, 1982-1987)“Red Dawn” (John Milius, 1984)“Stop Making Sense” (Jonathan Demme, 1984)“The Terminator” (James Cameron, 1984)“At the Movies” (Gene Siskel and Roger Ebert, 1982-1986)“Conan the Barbarian” (John Milius, 1982)“Body Double” (Brian De Palma, 1984)“The Killing Fields” (Roland Joffé, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“Dune” (David Lynch, 1984)“The Cotton Club” (Francis Ford Coppola, 1984)“The Cotton Club: Encore” (Francis Ford Coppola, 2017)“Starman” (John Carpenter, 1984)“E.T.” (Steven Spielberg, 1982)“The Thing” (John Carpenter, 1982)“Come and See” (Elen Klimov, 1985)“Star Wars” (George Lucas, 1977)“Time Bandits” (Terry Gilliam, 1981)“The Smurfs and the Magic Flute” (José Dutillieu, 1975)“Style Wars” (Tony Silver, 1983)“Mary Poppins” (Robert Stevenson, 1964)Audio quotation in GATEWAY CINEMA, Episode 8:“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002), including “Piano Concerto In E Flat, K. 482; 3rd Movement” (1785), “Die Entfuhrung Aus Dem Serail: Finale” (1781), “Symphony 29 in A Major, 1st Movement” (1774), https://www.youtube.com/playlist?list=PLq6-EneBMiNHmdqqE_5TmkJ9neViFMvTL“Rock Me Amadeus” by Falco (1985), https://www.youtube.com/watch?v=cVikZ8Oe_XA&list=RDcVikZ8Oe_XA&start_radio=1“Purple Rain” (Albert Magnoli, 1984)“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 7:“Sweet Smell of Success” (Alexander Mackendrick, 1957)“From Here to Eternity” (Fred Zinnemann, 1953)“The Killers” (Robert Siodmak, 1946)“The Room” (Tommy Wiseau, 2003)“The Graduate” (Mike Nichols, 1967)“Planet of the Apes” (Franklin J. Schaffner, 1968)“Psych Out” (Richard Rush, 1968)“The Producers” (Mel Brooks, 1968), “2001: A Space Odyssey” (Stanley Kubrick, 1968)“The Odd Couple” (Gene Saks, 1968)“The Detective” (Gordon Douglas, 1968)“Petulia” (Richard Lester, 1968)“Rosemary's Baby” (Roman Polanski, 1968)“The Green Berets” (Ray Kellogg, 1968)“The Thomas Crown Affair” (Norman Jewison, 1968)“Hang ‘Em High” (Ted Post, 1968)“Targets” (Peter Bogdanovich, 1968)“Rachel, Rachel” (Paul Newman, 1968)Audio quotation in GATEWAY CINEMA, Episode 7:“The Swimmer” (Frank Perry, 1968), including “Theme from ‘The Swimmer' (Send for Me in Summer) / Big Splash”, “Carnival”, “Hurdles”, “My Kids Love Me / Traveling Home / Closer to Home / Home / Marcia Funebre”, “Down the Steps / On the Road”, and “Theme from ‘The Swimmer' (Send for Me in Summer) (Reprise)” by Marvin Hamlisch, https://www.youtube.com/playlist?list=PLkAUJkbhd-RgA8zSAa_Uqqq45GMl_ONci“TCM Jingle 2000 2002 2001 2003 2004 2008 2009 2012” by UPCGamesBogdanThePocoyoElemental&MarioWonder, https://www.youtube.com/watch?v=X8SRkoE16nc“Main Title” by Jerry Goldsmith from “Planet of the Apes” (Franklin J. Schaffner, 1968)

Whether you're looking for the best pico de gallo to bring to carne asada, or a fresh twist on tres leches cake – try a bit of matcha powder – chef Alfredo Garcia's new cookbook has got you covered. “Let's Make It! A Mexican-American Culinary Adventure” reflects on the dual influences on Alfredo's cooking, with Mexican-inspired versions of American classics.  Alfredo Garcia has been a full-time content creator since 2021. Before that, he was the private chef for multiple Major League Baseball players. His love of cooking is inspired by the strong women in his family, especially his mother, grandmother, and aunts. Watch this episode at youtube.com/TalksAtGoogle.

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 6:“Marty” (Delbert Mann, 1955)“Director's Cut” (2001) by Fantômas“The Godfather” (Francis Ford Coppola, 1972)“Cape Fear” (J. Lee Thompson, 1962)“The Omen” (Richard Donner, 1976)“Spider Baby: or, the Maddest Story Ever Told” (Jack Hill, 1967)“Charade” (Stanley Donen, 1963)“Investigation of a Citizen Above Suspicion” (Elio Petri, 1970)"Twin Peaks: Fire Walk with Me” (David Lynch, 1992)“Scarface” (Howard Hawks, 1932)“Spartacus” (Stanley Kubrick, 1960)“Brick” (Rian Johnson, 2005)“A Face in the Crowd” (Elia Kazan, 1957)“12 Angry Men” (Sidney Lumet, 1957)“Gunfight at the O.K. Corral” (John Sturges, 1957)“Paths of Glory” (Stanley Kubrick, 1957)“The Bridge on the River Kwai” (David Lean, 1957)“Throne of Blood” (Akira Kurosawa, 1957)Audio quotation in GATEWAY CINEMA, Episode 6:“Sweet Smell of Success” (Alexander Mackendrick, 1957)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 4:“Drum” (Steve Carver, 1976)“Shoah” (Claude Lanzmann, 1985)“Paths of Glory” (Stanely Kubrick, 1957)“Platoon” (Oliver Stone, 1986)“Ran” (Akira Kurosawa, 1985)“Solaris” (Andrei Tarkovsky, 1972)“Full Metal Jacket” (Stanley Kubrick, 1987)“Hamburger Hill” (John Irvin, 1987)“Casualties of War” (Brian De Palma, 1989)“Atonement” (Joe Wright, 2007)“Dunkirk” (Christopher Nolan, 2017)Audio quotation in GATEWAY CINEMA, Episode 4:“The Sacred War” by Alexander Vasilyevich Alexandrov and Vasily Lebedev-Kumach (1941), https://www.youtube.com/watch?v=maYCStVzjDs&list=RDmaYCStVzjDs&start_radio=1“Circus” (Grigori Aleksandrov and Isidor Simkov, 1936), including the song “Trip to the Stratosphere”, https://www.youtube.com/watch?v=SCEWd_zDYmc“Drum” (Steve Carver, 1976), including the song “Tell My Story” by Charlie Smalls“Moments in Love” by Art of Noise (1983), https://www.youtube.com/watch?v=cen22TBHo9M&list=RDcen22TBHo9M&start_radio=1“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 5:“Babel” (Alejandro González Iñárritu, 2006)“13 Assassins” (Takashi Miike, 2010)“Seven Samurai” (Akira Kurosawa, 1954)“The Long Good Friday” (John Mackenzie, 1980)“F1” (Joseph Kosinski, 2025)Audio quotation in GATEWAY CINEMA, Episode 5:“Toilet Flush Sound Effect - High Quality Flushing” by Sound Effect Doggo, https://www.youtube.com/watch?v=BhsVpvM2ZrM“The Twilight Zone Theme” (1959) by Marius Constant, https://www.youtube.com/watch?v=BhsVpvM2ZrM“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, “Pale Blue Eyes” (1969) by The Velvet Underground, “Feeling Good” (1965) by Nina Simone, “House of the Rising Sun (Japanese Version)” (2023) by Sayuri Ishikawa, and “Perfect Day” (1972) by Lou Reed, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Bill & Ted's Excellent Adventure” (Stephen Herek, 1989)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “The Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 3:“Alien 3” (David Fincher, 1992)“Alien Quadrilogy” (Ridley Scott, James Cameron, David Fincher, and Jean-Pierre Jeunet)“Alien” (Ridley Scott, 1979)“Alien: Director's Cut” (Ridley Scott, 2001)“Aliens” (James Cameron, 1986)“Aliens: Directors” Cut” (James Cameron, 1991)“Alien Resurrection” (Jean-Pierre Jeunet, 1997“Alien Resurrection: Director's Cut” (Jean-Pierre Jeunet, 2003)“The Abyss” (James Cameron, 1989)“The Abyss: The Special Edition” (James Cameron, 1992)“Fatal Attraction” (Adrian Lyne, 1987)“Fatal Attraction: A Special Collector's Edition” (Adrian Lyne, 1992)“Terminator 2: Judgment Day” (James Cameron 1991)“Terminator 2: Judgment Day: Special Edition” (James Cameron, 1993)“Pulp Fiction” (Quentin Tarantino, 1994)“Jackie Brown” (Quentin Tarantino, 1997)“Basic Instinct” (Paul Verhoeven, 1992)“Lethal Weapon 3” (Richard Donner, 1992)“Patriot Games” (Phillip Noyce, 1992)“Encino Man” (Les Mayfield, 1992)“The Oprah Winfrey Show” (Oprah Winfrey, 1986-2011)“Die Hard” (John McTiernan, 1988)“The Lord of the Rings: The Return of the King” (Peter Jackson, 2003)“Game of Thrones” (David Benioff and D.B. Weiss, 2011-2019)“Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Star Wars: Episode V – The Empire Strikes Back” (Irvin Kershner, 1980)“Star Wars: Episode VI – Return of the Jedi” (Richard Marquand, 1983)Audio quotation in GATEWAY CINEMA, Episode 3:“Alien 3 (Assembly Cut)” (David Fincher, 1992), including “Main Title”, “First Attack”, “It Won't Kill Me”, and “End Credits” composed by Elliott Goldenthal“Terminator 2: Judgement Day” (James Cameron, 1991), including “Main Title Theme” composed by Brad Fiedel“Star Wars: Episode V – The Empire Strikes Back” (Irvin Kerschner, 1980), including “The Imperial March (Darth Vader's Theme)” composed by John Williams“Dentist Drill Sound Effect [HD]” by n Beats, https://www.youtube.com/watch?v=Qf1lJywmMY8

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “The Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 2:“The Jerry Springer Show” (Burt Dubrow, 1991-2018)“Roots” (David L. Wolper, 1977)“Gone With the Wind” (Victor Fleming, 1939)“Alien” (Ridley Scott, 1979)“Mandingo” (Richard Fleischer, 1975)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“Battlestar Galactica” (Glen A. Larson, 1978-1979)“Star Trek” (Gene Roddenberry, 1966-1969), including S1 E26 “Errand of Mercy”“Jo Jo Dancer, Your Life Is Calling” (Richard Pryor, 1986)“Pretty Baby” (Louis Malle, 1978)“Conan the Barbarian” (John Milius, 1982)“Song of the South” (Harve Foster and Wilfred Jackson, 1946)“Ilsa, She Wolf of the SS” (Don Edmonds, 1975)“M*A*S*H” (Larry Gelbart, 1972-1983)“Ran” (Akira Kurosawa, 1985)“Django Unchained” (Quentin Tarantino, 2012)“12 Years a Slave (Steve McQueen, 2013)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Private Property” (Leslie Stevens, 1960)“Ride the High Country” (Sam Peckinpah, 1962)“Stripes” (Ivan Reitman, 1981)“Blazing Saddles” (Mel Brooks, 1974)“The Bad News Bears” (Michael Ritchie, 1976)“Sparkle” (Sam O'Steen, 1976)“All the President's Men” (Alan J. Pakula, 1976)“Family Plot” (Alfred Hitchcock, 1976)“Grizzly” (William Girdler, 1976)“Jaws” (Steven Spielberg, 1975)“Embryo” (Ralph Nelson, 1976)“Leadbelly” (Gordon Parks, 1976)“Silent Movie” (Mel Brooks, 1976)“Logan's Run” (Michael Anderson, 1976)“The Omen” (Richard Donner, 1976)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“The Bingo Long Traveling All-Stars & Motor Kings” (John Badham, 1976)“The Shootist” (Don Siegel, 1976)“Bugsy Malone” (Alan Parker, 1976)“The Birth of a Nation” (Nate Parker, 2016)“Birth of a Nation” (D.W. Griffith, 1915)Audio quotation in GATEWAY CINEMA, Episode 2:“Drum” (Steve Carver, 1976), including the song “Tell My Story” composed by Charlie Smalls“The Jerry Springer Show” (Burt Dubrow, 1991-2018), https://www.youtube.com/watch?v=dize77oSCPE“Anvil of Crom”, composed by Basil Poledouris for “Conan the Barbarian” (John Milius, 1982)“Zip-a-Dee-Doo-Dah”, composed by Allie Wrubel and Ray Gilbert for “Song of the South” (Harve Foster and Wilfred Jackson, 1946)“Stripes” (Ivan Reitman, 1981)

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Producers' Cut)”, “Come and See”, “Perfect Days”, “The Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 1:“Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Mary Poppins” (Robert Stevenson, 1964)“Star Wars: Episode V – The Empire Strikes Back” (Irvin Kerschner, 1980)“Taylor Swift: The Eras Tour” (Sam Wrench, 2023)“Stray Dog” (Akira Kurosawa, 1949)“Kids” (Larry Clark, 1995)“Ken Park” (Larry Clark and Edward Lachman, 2002)“Bless the Beasts and Children” (Stanley Kramer, 1971)“Vertigo” (Alfred Hitchcock, 1958)“Jaws” (Steven Spielberg, 1975)“Munich” (Steven Spielberg, 2005)“Boogie Nights” (Paul Thomas Anderson, 1997)“Casino” (Martin Scorsese, 1995)“Toy Story” (John Lasseter, 1995)“Heat” (Michael Mann, 1995)“Nixon” (Oliver Stone, 1995)“Four Rooms” (Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino, 1995)“12 Monkeys” (Terry Gilliam, 1995)“Dead Man Walking” (Tim Robbins, 1995)“From Dusk till Dawn” (Robert Rodriguez, 1996)“Beautiful Girls” (Ted Demme, 1996)“The Bird Cage” (Mike Nichols, 1996)“Fargo” (The Coen Brothers, 1996)“The Celluloid Closet” (Rob Epstein and Jeffrey Friedman, 1996)“Girl 6” (Spike Lee, 1996)Audio quotation in GATEWAY CINEMA, Episode 1:“Star Wars Main Theme” by John Williams for “Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Burnin' and Lootin'” by Bob Marley for the album “Burnin'” by Bob Marley and the Wailers (1973), used in “La Haine” (Mathieu Kassovitz, 1995)“Butch Cassidy and the Sundance Kid” (George Roy Hill, 1969)“Eugene's Lament” by Beastie Boys, Nishita, Bobo, and Eugene Gore for the album “Ill Communication” by Beastie Boys (1994), used in “La Haine” (Mathieu Kassovitz, 1995)

En parlem amb Alfredo Garcia, enginyer de telecomunicacions, operador i supervisor de reactors nuclears i amb 27 anys d'experiència al sector. Actualment treballa a la Central d'Ascó

This is the last one, I swear!  No more TV adaptations of 80s movies ever again!  But let's end it with a bang as I chitchat about 1980's Fame, and as I wax poetic 1983's Blue Thunder, or as I contemplate 1988's Working Girl, all before I finally offer my in-depth thoughts on 1980's Stir Crazy.  Who else would do that for you?  And, as an added bonus, I'll offer up some opinions on Sam Peckinpah's Bring Me the Head of Alfredo Garcia, Dana Carvey's slasher film origins, and Patrick Swayze teaching Rob Lowe to fight.  It's a doozy.

Oooh! We got a grimy one for ya today. We dive right into the dirt with famed auteur Sam Peckinpah's minor (but still fascinating) work: Bring Me the Head of Alfredo Garcia. Warren Oates leads a quirky cast populated by Mexican sex workers and suspiciously corporate hitmen in this tale of sexual jealousy, work, and morality and we just have a ball talking about it! Topics include: the hosts views on violent cinema, the strange life of “the world's most interesting man” and Peckinpah's friendship with Pauline Kael.

Hi Livvin for Food listeners! This week on the podcast I chatted with Alfredo Garcia, otherwise known as Freddsters on social media. He previously worked as a private chef for an MLB player, while finding his way in and out of the culinary industry. Now, he's coming out with his first cookbook. This chat was a fun one!Make sure to follow the podcast on Instagram or check me out on TikTok. Check out Alfredo on Instagram or shop his new cookbook on my Amazon Storefront.Recording by Riverside.fmMusic by Music_Unlimited from Pixabay

     This week- two films about getting, in several common definition senses, a head, also using multiple definitions.     When a teen in Biarritz, France decide to take advantage of his mother having to live in another country for work and begins hosting sex parties for the whole school to attend. Soon relationships are broken and videos from the parties begin making their way online threaten the make the activity known to all. The first feature from Eva Husson, Bang Gang (A Modern Love Story).     When the teen daughter of a powerful Mexican crime lord becomes pregnant, a bounty is put on the unborn child's father. Two months later, a Mexico City bar and bar managing pianist  Bennie finds himself on the road with his girlfriend, Elita, on a small errand that will give them both the chance to completely change their futures. Sam Peckinpah's uncompromising and violent black comedy, Bring Me the Head of Alfredo Garcia.      All that and Tyler asks a simple question. Join us, won't you?  Episode 407- Getting a Head

Sam Peckinpah embodies the essence of what the Kill or Be Killed project is all about like no other filmmaker.  Bleak, nihilistic and brutal, Bring Me the Head of Alfredo Garcia is a relentless journey through the dark landscapes of Mexico following the grisly journey of a desperate man expertly portrayed by Warren Oates. From top to bottom excellent performances are logged in by Oates, Isela Vega, Robert Weber and Kris Kristofferson.   Intro: “All the Dark Things” – Mike Hill Outro: “Adelita” – Jerry Fielding 

Ian Cooper has written widely on a host of subjects, but today we're focusing on two of his books which are nevertheless interrelated: Charles Manson and the Family, and Sam Peckinpah's Bring Me the Head of Alfredo Garcia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Video episode and more on patreon.com/agitator Live commentary on the first couple minutes of Tokyo Mafia 2: Wrath of the Yakuza. Brad Pitt as Alfredo Garcia. Sam Peckinpah's memorial service. Stefon King. Q-tip tampons and building a brand. Fuck, Marry, Kill. The physical logistics of Russian Roulette. Traditional publishing vs the entrepreneurial spirit. Keep up with the Agitator boys and friends: brokenriverbooks.com jdavidosborne.com kelbylosack.com The story "Podunk News" by Gadfly as read in the episode: https://www.hobartpulp.com/web_features/podunk-news  Our latest Rare Candy appearance as referenced: https://open.spotify.com/episode/1pgp0IDsf51x1nalnGRQaG?si=ZckBlbpeQ3ap5J3EAJjN9Q NOVEL MARKETING: Indie Publishing vs Traditional Publishing: https://open.spotify.com/episode/5L4CE0CktetNB3hWwJHZo2?si=eInOXofoQ0aOqJ9YdVZTxA The only good MOVIES podcast: https://www.patreon.com/c/lowres/posts This episode's theme song: https://www.youtube.com/watch?v=z2bkhRBHE2Q

Cette semaine, les vibes ne sont PAS BONNES avec Bring Me The Head of Alfredo Garcia de Sam Peckinpah, Touch of Evil d'Orson Welles et Une nuit en Amérique de Jean Chabot! Aussi au programme: Yannick décortique les nouveautés Conclave et A Real Pain et nous plongeons dans l'oeuvre de Samuel Fuller en plus de jaser de Murder by Contract et Hollow Triumph!

The guys kick off another round of retro reviews with one of Joe's favorites, Bring Me the Head of Alfredo Garcia, a 1970s neo-western from Sam Peckinpah. The discussion evolves into an exploration of Peckinpah's entire oeuvre. Michael also talks about an older beloved western, Joe checks out an unseen Paul Schrader movie, and Jared recommends a recent indie film.

Send us a textIn this episode, Alfredo Garcia joins On Top of PR host Jason Mudd to discuss best practices for producing PR events. Tune in to learn more!Our guest:Our episode guest is Alfredo Garcia, vice president of sales for Sight & Sound and Mugwump Productions. He started his journey with Sight & Sound as a marketing intern, where he discovered his passion for the audio-visual production side of events. Now an executive leader, he's played a pivotal role in the company's growth from 15 employees to more than 50 today. Five things you'll learn from this episode:1. Questions event producers will ask 2. Technical media accommodations 3. How much notice event production teams need 4. What organizations should consider before planning an event 5. Logistics and budget planningQuotables:“My first question is always the same, no matter what type of media event it is. And that is, “Why are we doing this event? Why are we spending your money? Why are we pulling in resources and what is the purpose and outcome we are trying to get out of this event?” — @Alfredo Garcia“If you're depending on media to be there, how embarrassed might you be if they just can't come or don't come for whatever reason?” — @JasonMudd9“If you're depending on media to fill the room, you better have a pretty good announcement.” — @JasonMudd9“Whenever I see a whole bunch of microphones, I think of crisis communication.” — @Alfredo Garcia“Why would you not want to engage with an expert company to have them bring their experience, know-how, and ideas that might save you time, money, and ultimately drive home that better first impression for the attendees at your event?” — @JasonMudd9“We try to become an extension of what our clients are trying to do. We are thinking of things people don't think about.” — @Alfredo GarciaIf you enjoyed this episode, please share it with others or leave us a quick podcast review.About Alfredo GarciaAs Sight & Sound's vice president of sales, Alfredo manages daily sales operations, develops sales strategies, and forecasts company revenue. He focuses on client retention and expanding the client base locally and nationally. Alfredo earned a communication degree from Jacksonville University, which laid the foundation for his career in the hospitality industry. He's drawn to the industry's opportunities for travel, bringing creative solutions to events, and building long-lasting relationships. His journey with Sight & Sound began in 2005 when he joined as a marketing intern and discovered his passion for the audio-visual production side of events. After progressing through roles as a marketing coordinator and project manager, he found his niche in sales. Outside of work, Alfredo enjoys gardening with his wife, traveling with his family, and supporting all his local sports teams. Support the Show. On Top of PR is produced by Axia Public Relations, named by Forbes as one of America's Best PR Agencies. Axia is an expert PR firm for national brands. On Top of PR is sponsored by ReviewMaxer, the platform for monitoring, improving, and promoting online customer reviews.

Bring Me the Head of Alfredo Garcia is a 1974 Mexican-American neo-Western film directed by Sam Peckinpah, co-written by Peckinpah and Gordon Dawson from a story by Peckinpah and Frank Kowalski, and starring Warren Oates and Isela Vega, with Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández and Kris Kristofferson in supporting roles. 

El periodista Alfredo Garcia es uno de los más reconocidos periodistas de izquierda. Creo el Semanario Voces, ha escrito libros y es una persona frontal que no esquiva ninguna respuesta. Sobre política, democracia, la dictadura y las próximas elecciones hablamos en #MalosPensamientosPodcast

Buckle up, because we're heading back to 1974 and diving into two cinematic sinkholes of desperation, debauchery, and… digging for dead bodies? For Episode 40, Brad's thrown Jake into the grimy, gambling purgatory of "The Gambler," while Jake's plunged Brad into the blood-soaked, tequila-fueled odyssey of "Bring Me the Head of Alfredo Garcia." First up, Brad's wrestled with James Caan's Axel Freed, a down on his luck teacher in pursuit of one last roll of the dice. Brace yourselves for existential despair, smoky backrooms, and enough high-stakes wagers to make you sweat through your earbuds. Meanwhile, Jake's been grappling with Sam Peckinpah's magnum opus of chaos, "Bring Me the Head of Alfredo Garcia." Warren Oates stars as Bennie, a hapless pianist dragged into a grotesque quest for a severed head and a hefty payday. Expect sun-baked highways and more moral ambiguity than a Tijuana back alley. Did Jake find solace in Caan's self-destructive symphony? Did Brad endure the psychedelic fever dream that is "Alfredo Garcia?" And will anyone emerge from this episode with their sanity intact? Tune in, but remember that when it comes to 1974, the only guarantee is that things are gonna get messy. So grab your whiskey, your existential dread, and your metaphorical shovels, because we're about to dig up some classic cinema dirt. Other movies discussed in this episode: Onionhead (1958), Ride a Crooked Trail (1958), Bonnie and Clyde (1967), The Wild Bunch (1969), Midnight Cowboy (1969), Duel (1971), Straw Dogs (1972), Badlands (1973), Charley Varrick (1973), The Taking of Pelham 123 (1974), Murder on the Orient Express (1974), The Man With the Golden Gun (1974), Young Frankenstein (1974), Chinatown (1974), Blazing Saddles (1974), The Year Without Santa Claus (1974), The Front Page (1974), The Conversation (1974), Italianamerican (1974), Alice Doesn't Live Here Anymore (1974), Lenny (1974), Going in Style (1979), Thelma & Louise (1991), Last Action Hero (1993), The Straight Story (1999), The Road (2009), Django Unchained (2012), The Gambler (2014), Win It All (2017), Uncut Gems (2019), Self Reliance (2023).  See what we're covering next week. Follow us on: Facebook | Brad on Letterboxd | Jake on Letterboxd

As ministers of the gospel, we are called to rely upon the Bible as our number one source of power and lead others to it. 

Imprint Companion is the only podcast on the Australian Internet about "DVD Culture."Hang onto your slipcases because Blake Howard (One Heat Minute) joins one of the best long-form film critics working today, host of INCREMENT VICE, and video essayist behind Portrait of the Artist as a Dead Man: ‘Bring Me the Head of Alfredo Garcia' and Sam Peckinpah's Last Chance (available on this very disc)- Travis Woods. Blake and Travis team up to unbox, unpack and unveil upcoming releases from Australia's boutique Blu-Ray label Imprint Films. This episode reviews the incredible Bring Me The Head Of Alfredo Garcia (1974) – Imprint Collection #251Blake Howard - Twitter & One Heat Minute Website Visit imprintfilms.com.au Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.FOLLOW TRAVIS ON TWITTER HERE.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Imprint Companion is the only podcast on the Australian Internet about "DVD Culture."Hang onto your slipcases because Blake Howard (One Heat Minute) joins one of the best long-form film critics working today, host of INCREMENT VICE, and video essayist behind Portrait of the Artist as a Dead Man: ‘Bring Me the Head of Alfredo Garcia' and Sam Peckinpah's Last Chance (available on this very disc)- Travis Woods. Blake and Travis team up to unbox, unpack and unveil upcoming releases from Australia's boutique Blu-Ray label Imprint Films. This episode reviews the incredible Bring Me The Head Of Alfredo Garcia (1974) – Imprint Collection #251Blake Howard - Twitter & One Heat Minute Website Visit imprintfilms.com.au Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.FOLLOW TRAVIS ON TWITTER HERE.Support this podcast at — https://redcircle.com/imprint-companion/donations

this week on the podcast I revisit a Sam Peckinpah cult classic film 1974 Bring me the head of Alfredo Garcia @TheJayGiles @JayMovieTalk Website: www.tvzonepodcastnetwork.com

In the spring of 1905, a couple of down-and-out cowboys robbed a dice game in Winslow, Arizona. What followed was a literal pursuit to hell, a bloody gunfight, and an Old West Lazurus rising from the grave for one final sip of whiskey.    Check out the website for more true tales from the Old West https://www.wildwestextra.com/   Email me! https://www.wildwestextra.com/contact/   David Lambert on the Canyon Diablo shootout - https://twitter.com/DavidLambertArt/status/1525570484514848768   David Lambert's drawing of Bring Me The Head of Alfredo Garcia - https://twitter.com/DavidLambertArt/status/1698242129171304810   David Lambert's artwork - https://www.patreon.com/davidlambertart/posts   David Lambert Wrong Reel Podcast | Jesse James - https://wrongreel.com/podcast/wr470-jesse-james-american-outlaw/   David Lambert Wrong Reel Podcast |Wyatt Earp - https://wrongreel.com/podcast/wr450-wyatt-earp-and-the-gunfight-at-the-o-k-corral/   Devil's Canyon Shootout by Bob Boz Belle - https://truewestmagazine.com/article/devil-canyon-shoot-out/   Texas History Lessons - https://open.spotify.com/show/6o5AIqdtjbzY9VctfRArOT   Buy me a coffee! https://www.buymeacoffee.com/wildwest   Free Newsletter! https://wildwestjosh.substack.com/   Join Into History for ad-free and bonus content! https://intohistory.supercast.com/   Merchandise! https://www.teepublic.com/user/wild-west-extravaganza   Book Recommendations! https://www.amazon.com/shop/wildwestextravaganza/list/YEHGNY7KFAU7?ref_=aip_sf_list_spv_ofs_mixed_d  

Ed Scarborough cut his teeth chasing outlaws like Black Jack Ketchum when he was still a teenager. He'd go on to become a deputy sheriff, constable, Arizona Ranger, and according to those who knew him, Ed was born to a saddle, an excellent marksman, and did not know the meaning of the word fear. Make no mistake about it, Ed Scarborough took down many a sassy bandit over the course of his career. Be that as it may, the toughest opponents he'd ever face turned out to be himself and a rabid skunk. Toss in a little bit of cross-dressing, a shootout with a bicycle, some good ole fashioned homicide and a daring prison escape, and we've got what may be the most absurd tale I've ever had the pleasure to share. Trust me; you're not going to want to skip this one.   Check out the website for more true tales from the Old West https://www.wildwestextra.com/   Email me! https://www.wildwestextra.com/contact/   David Lambert on Ed Scarborough - https://twitter.com/DavidLambertArt/status/1431153148618440704   David Lambert's drawing of Bring Me The Head of Alfredo Garcia - https://twitter.com/DavidLambertArt/status/1698242129171304810   David Lambert's artwork - https://www.patreon.com/davidlambertart/posts   David Lambert Wrong Reel Podcast | Jesse James - https://wrongreel.com/podcast/wr470-jesse-james-american-outlaw/   David Lambert Wrong Reel Podcast |Wyatt Earp - https://wrongreel.com/podcast/wr450-wyatt-earp-and-the-gunfight-at-the-o-k-corral/   Bringing a Bike to a Gunfight by Mark Boardman | True West Magazine - https://truewestmagazine.com/bringing-a-bike-to-a-gunfight/   Texas History Lessons - https://open.spotify.com/show/6o5AIqdtjbzY9VctfRArOT   Buy me a coffee! https://www.buymeacoffee.com/wildwest   Free Newsletter! https://wildwestjosh.substack.com/   Join Into History for ad-free and bonus content! https://intohistory.supercast.com/   Merchandise! https://www.teepublic.com/user/wild-west-extravaganza   Book Recommendations! https://www.amazon.com/shop/wildwestextravaganza/list/YEHGNY7KFAU7?ref_=aip_sf_list_spv_ofs_mixed_d

Join Tony Michas and John Mathews along with special guest, Paul John Blair discuss the September 2023 releases. September Bundle titles include Cross of Iron, Bring Me the Head of Alfredo Garcia, Film Focus: George Peppard and Ray Bradbury's The Martian Chronicles.

Content warning: Discussions of attempted sexual assault. Reprehensible and unrepentant, BRING ME THE HEAD OF ALFREDO GARCIA trades in the same extensive violence and fragility-masked-by-corruption that became a trademark of director Sam Peckinpah. Running a seedy bar in Mexico City, small-time lowlife Bennie sees a chance to elevate himself above his station when the titular job lands in his lap. His white-collar employers give him just enough rope to hang himself – and his partner, Elita – as they travel the Mexican countryside to deliver the head of a dead man to the crime boss he crossed. In this episode, we discuss seeing ALFREDO GARCIA at the Trylon after so long; Bennie's tenuous, poisonous drive to assert himself over the people and land around him; and the movie's bizarre, humorous, rage-addled final act. Watch BRING ME THE HEAD OF ALFREDO GARCIA for free on the Internet Archive: https://archive.org/details/bring.-me.the.-head.of.-alfredo.-garcia.-1974.-remastered.-1080p.-blu-ray.-h-264.-aac-rarbg “Scent, Sense, and Senselessness in Bring Me the Head of Alfredo Garcia” by Sophie Durbin at Perisphere, the Trylon blog: https://www.perisphere.org/2023/04/28/scent-sense-and-senselessness-in-bring-me-the-head-of-alfredo-garcia/ “A Head's Tale: The Emotional Journey of Bring Me the Head of Alfredo Garcia” by Lucas Hardwick at Perisphere, the Trylon blog: https://www.perisphere.org/2023/04/28/a-heads-tale-the-emotional-journey-of-bring-me-the-head-of-alfredo-garcia/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "El Jefe" by Jerry Fielding from the BRING ME THE HEAD OF ALFREDO GARCIA soundtrack. Timestamps 0:00 - Episode 226: BRING ME THE HEAD OF ALFREDO GARCIA (1974) 2:46 - The Patented Aaron Grossman Summary 5:01 - “Unfortunately, it's a masterpiece” 13:31 - A third-act shift 23:57 - A cuck fear movie 38:13 - Commenting on the nihilism of ‘70s cinema 45:37 - Set design, privilege, and perfect ridiculous symbolism 54:37 - The Junk Drawer 1:02:58 - Good Grief, Give Me a GIF! 1:07:19 - Trylibs: Presented by Peckinpah

George enjoys a good Bill Murray movie, when he recognizes him anyway. And we just showed him National Lampoon's Vacation, which was directed by Stripes co-star Harold Ramis. And John Candy is here. What could go wrong? Will George remember the Anthony Michael Hall cameo? Did Travis enjoy the final act of Stripes more than he did 25 years ago? Did Dan just convince the guys to watch Bring Me The Head of Alfredo Garcia? And after the episode, check out the Extra Credit Discussion group on Facebook: https://www.facebook.com/groups/remedialfilmpod Did you know we are now on YouTube? Find extra video goodies and subscribe at https://www.youtube.com/c/RemedialFilmClassPodcast Theme song recorded by The Hungry Sevens, featuring Shawnee Houlihan.

Heads Up! Oatestober kicks off as Brian is joined by film editor and festival programmer Luke Mullen to discuss arguably Peckinpah's grittiest film: Bring Me the Head of Alfredo Garcia.

VHS EPISODE: BRING ME THE HEAD OF ALFREDO GARCIA **TRIGGER WARNING** THIS FILM HAS  A SCENE OF ATTEMPTED SEXUAL ASSAULT WHICH IS ADDRESSED ON THE EPISODEVHS, in its heyday, was the best way to watch movies. They opened up a generation to movies previously impossible to see if they weren't circulating in movie theaters years and decades after release. You could argue our current nerd culture, where everybody has seen everything, was kickstarted by GEN X getting their hands on previously obscure movies (they definitely gave us Tarantino, anyway; a lot to answer for!) But the technology, compared to our current 8K restored and improved versions was not the best (BETA also kicked its ass). A lot of transfers of older movies to VHS were crappy. Too dark, pan-and-scanned, compressed, color resolution sometimes bordering monochromatic. But in 2022 it IS a visual  aesthetic filmmakers try to recreate to give their films a grimy, unwashed and somehow dangerous feel. BRING ME THE HEAD OF ALFREDO GARCIA (1974) was Sam Peckinpah at his most exhausted. Fresh off the disappointing studio theft of PAT GARETT AND BILLY THE KID, always drunk, high or hungover, he decamped to Mexico to make the one movie he would later say was the only one the studios didn't butcher. It was the movie he set out to make. Old comrade Warren Oates plays what is known to be a clear impersonation of Peckinpah himself, down to even wearing Peckinpah's own dark-as-a-black-hole sunglasses. Sounds great, right?Garcia stands as one of the grimiest, nihilistic movies of the 1970s, itself a decade filled with grimy nihilistic films borne of social unrest, disgust at our institutions and a studio system that had no idea what movies people wanted to see.  One of the miracle movies of the decade.  Desperate people desperately trying to escape their desperate situations. Jack had never see it before and Ken's memories of the film are so entwined with the look of the 1988 VHS version, it makes for a hopping episode.  Garcia may be a film of extreme moral exhaustion and of clear-eyed cynicism of human nature but there is sweetness buried under the muck.  We think? Jack and Ken discuss the making of the film, its legacy, and, most importantly, how the primitive technology of VHS might improve the effect this movie has!Sam Peckinpah is who opens every episode now on our theme song so we had to get one of his movies on here at some point.   THEME SONG BY: WEIRD A.I. (ft. Sam Peckinpah)Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralJack: jackk1096

For our 95th episode, Austin brings screenwriter Jake Bottiglieri back to the show to talk about Sam Peckinpah's Bring Me the Head of Alfredo Garcia (1974) in order to celebrate it's 48th anniversary. Why 48th? Because they had planned on talking about it for Peckinpah's birthday but it fell through. SO IT'S AN EXCUSE, ALRIGHT?! All that and more on Medium Cool: A Movie Podcast. Enjoy!0:00 - Intro3:35 - Bring Me the Head of Alfredo GArcia (1974)1:18:20 - Outro Please subscribe to Medium Cool: A Movie Podcast wherever you get your podcasts! Also, follow us on social media to get updates on all of the exciting things we have coming up!Facebook: www.Facebook.com/mediumcoolpodInstagram: MediumCoolPodTwitter: @MediumCoolPod / Host's Twitter: @AustinGliddenLetterboxd: www.letterboxd.com/AustinGliddenYouTube: https://www.youtube.com/channel/UCloDyC7c094vxCxUDlc0-XQEmail: MediumCoolPod@gmail.com

Brady, Josh and Alison explore the meta-narratives of Clouds of Sils Maria - Oliver Assayas' 2014 Swiss Alps drama starring Juliette Binoche and Kristen Stewart!Plus!The Video Dead, Prophecy, Hard Times, In The Mood For The Love, Bring Me The Head of Alfredo Garcia, Final Cut: Ladies & Gentlemen, the Blood Drive, combine derbies, and troubled troubadours!Leave us a voicemail! We'll play it on the show. Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and TwitterLeave a review on Apple Podcasts and Spotify!

In arguably our most diverse slate yet, cohosts Mike and Dino catch each other up on all their latest cinematic servings in I Eat Movies #26: Seen Report, Vol. III. From basking together in the 35mm glow of First Blood at the Mahoning Drive-In, Mike digs up the head of Alfredo Garcia, experiences high-octane stunts and laughs with Burt Reynolds in Hooper, rides the high country and California waves with Sam Peckinpah and John Milius respectively plus, pops pills with those groovy gals in Valley of the Dolls and Beyond the Valley of the Dolls! Meanwhile, Dino hitches a ride with Vincent Gallo in Buffalo 66, hunts for Bigfoot on 16mm in The Legend of Boggy Creek, is floored by the delightful lunacy of The Return of Captain Invincible and raves about the ahead of its time Hudson Hawk. As if all this weren't enough, 90s neo-noirs, Woody Allen, Roman Polanski and so much more is covered in this recommendation heavy installment so bust out those notepads and spoil yourself with I Eat Movies #26: Seen Report, Vol. III!

Warren Mercer Oates was an American actor best known for his performances in several films directed by Sam Peckinpah, including The Wild Bunch and Bring Me the Head of Alfredo Garcia. Another of his most acclaimed performances was as officer Sam Wood in In the Heat of the Night. Though he died in 1983 Warren is back and he's ready for breakfast! Hear all about WARREN'S OATS on this brand new episode of DEATH BY DVDThe Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTREDEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Sit right here and have another beer in Mexico...it very well may be your last! Our latest look at crime cinema has us trudging through the muck of Bring Me the Head of Alfredo Garcia, director Sam Peckinpah's unforgiving neo-western from 1974. But before we descend into oblivion, we load up a Blue Plate Special where we discuss Kathryn Bigelow's appropriately titled Strange Days, parse the latest David Cronenberg release Crimes of the future, and celebrate the dearly departed character acting legend Phillip Baker Hall. Upon eventually taking the off-ramp to Hell, we consider the game changing filmography of Peckinpah, the beauty of Warren Oates, and weigh what exactly today's film in question adds to the genre complexion of New Hollywood's cynicism. Feel free to skip to 2:12:05 for the beginning of our audio commentary. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

Zach & Zo are joined by Donnell & Robert who make up the awesome team over at the fabulous TV & film show: Watchin It Podcast.  Together the fearsome foursome examine the crazy, campy and action packed Demolition Man.  They knock heads and try to answer serious the questions that this movie brings up.  Check out this episode to hear their conclusions of this fascinating flick.  Make sure you make proper use of the three sea shells before you leave the restroom. Back Look Cinema Podcast links:www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @backlookcinemaFacebook: The Back Look Cinema Podcast Instagram: backlookcinemapodcast Watchin It Podcast Links:www.watchinitpod.comEmail: watchinitpodcast@gmail.comTwitter: @watchinitpodInstagram:@watchinitpodcast

Movie Review Starts at 41:49 Master Class is in session folks as Snobby Bobby and Crude Rude Dude breakdown the 1974 Peckinpah classic BRING ME THE HEAD OF ALFREDO GARCIA starring the great Warren Oates. But first, listen discussions on Zack Snyder's ARMY OF THE DEAD, SWEET TOOTH, humpback whales and so much more.