Podcasts about Dursley

UKTS members and Transcend regulars Dursley & Scotcha return for this weeks edition of the podcast.   Enjoy!   # Track Title Artist 1 Sonic State Stowers & Cooper 2 Stardust Grant Trowbridge 3 Blueberry (Joss Langdon Remix) Probspot 4 Ses Gants Blancs Shelby Burnout & Edith Crosby 5 Echoes in Eternity Aeon Shift 6 Survival Peter Steele & John Dopping 7 Alternative Sphere Paul van Dyk & Troels Hammer 8 No Way Between Activa 9 Inertia Jay Del Mar 10 New Inner Way Ferry Corsten & Ruben de Ronde pres. NRG2000 11 Homage Signum 12 Autonomy Allan Morrow 13 Morgentau S.H.O.K.K. 14 Quantum Drift Brandt Hoff 15 Isolation Failure Misja Helsloot 16 Sunrise As Heartbreak Falls Chris Element 17 Light Beyond The Shadows (JAMX & D.Mand Mix) Dumonde 18 Golden Skies Illitheas 19 Finding You Ciaran McAuley & Amos & Riot Night 20 How You Feelin' Ben Gold 21 Saltwater (Paul Webster & Patrick Gormley Remix) Chicane feat. Moya Brennan 22 Technical Difficulties Thomas Lloyd 23 Don't Cry Adam Schofield 24 Say Goodbye K-Series

Long time UK Trance Society member as well as Transcend and Dark Matter head honcho, Ben Dursley, takes the reigns for the second Hard Sessions Unleased podcast, delving into modern Hard House.

Event in association with a London based charity - Lives Not Knifes. Donation Link: www.justgiving.com/page/ecubed-fun…aising-djav2025 Tracklist TBC

The UKTS Podcast returns for episode 213, brought to you by long term members Dursley & Scotcha

Recorded Live from The Ton of Brix, London on Saturday 21st December 2024. Tracklist: TBC

Harry Potter (Daniel Radcliffe) é um garoto órfão de 10 anos que vive infeliz com seus tios, os Dursley. Até que, repentinamente, ele recebe uma carta contendo um convite para ingressar em Hogwarts, uma famosa escola especializada em formar jovens bruxos. Inicialmente Harry é impedido de ler a carta por seu tio Válter (Richard Griffiths), mas logo ele recebe a visita de Hagrid (Robbie Coltrane), o guarda-caça de Hogwarts, que chega em sua casa para levá-lo até a escola. A partir de então Harry passa a conhecer um mundo mágico que jamais imaginara, vivendo as mais diversas aventuras com seus mais novos amigos, Rony Weasley (Rupert Grint) e Hermione Granger (Emma Watson). PIX: canalfilmesegames@gmail.com Siga o Filmes e Games: Instagram: filmesegames Facebook: filmesegames Twitter: filmesegames Spotify: https://open.spotify.com/show/5KfJKth Podcast: https://anchor.fm/fgcast

Join Andrew, Eric, Laura and Micah as we dive into the Muggle Mailbag and respond to listener feedback from the first five chapters of our Order of the Phoenix reread! Visit our new online store for can't-miss items that are one of a kind! MuggleCastMerch.com Voicemails cover what Hermione would be like in grad school, and a theory as to why the Cursed Child runtime keeps being shortened in America. An astute listener writes in about the historical name origins of the wizengamot! We are all impressed. Ron wearing the locket in Book 7 has the same exact feelings we see Harry have in early Book 5. Other topics include: Why Salazar Slytherin may have chosen emeralds as a house gem, whether we should feel sorry for Petunia Dursley, why Nearly Headless Nick should still be frozen, and Harry's sparse security detail. A fun What If… segment and Chicken Soup for the MuggleCast Soul round out the discussion. Finally, our Lynx Line benefit exclusively for Patrons has them sharing their overall thoughts on Book 5 so far. Next week's Quizzitch question: How many Halloween feasts do we see Harry attend during his time at Hogwarts? This episode is brought to you by Better Help. Get 10% off your first month at BetterHelp.com/mugglecast Learn more about your ad choices. Visit megaphone.fm/adchoices

# Track Title Artist 1 Don't Give Up (Giuseppe Ottaviani Extended Remix) Chicane Feat. Bryan Adams 2 Jetlag (Alphazone Remix) DJ Kim 3 7 Colours (RAM Extended Mix) Lost Witness 4 Spectrum (Extended Mix) UDM 5 The Afterlife (Extended Mix) Nu Spirit 6 Bioluminescent (Extended Mix) Asteroid, Transaphonic 7 Welcome To The Dance (Paul Denton Rework) Des Mitchell 8 The Church Of Ra (Arielle Andrist Remix) Digger 9 Exposure (Extended Mix) Connor Woodford 10 Orbital (Extended Mix) Allen Watts 11 Ride The Wave vs Burned With Desire (Armin van Buuren Mashup) John O'Callaghan & Giuseppe Ottaviani & Will Atkinson vs Armin van Buuren feat. Justine Suissa 12 Nerve (Extended Mix) Chris Jennings, Kenny Palmer 13 Destination Sunshine (DJ Tiesto Power Mix) Balearic Bill

Ist was nicht normal, wollen Sie nichts damit zu tun haben.Unfreundlich, stereotypisch, materialistisch & verhätschelnd.Das sind unsere Lieblingsmuggel. Die "Dursleys"Es gibt einige interessante Fakten über Vernon, Petunia und Dudley.Das erzählt uns heute Lukas.Instagram: https://instagram.com/missetatbegangen_officialMail: podcast@missetatbegangen.net Hosted on Acast. See acast.com/privacy for more information.

Welcome to Harry Potter Theory. Today, we'll be discussing how Vernon Dursley met Petunia Evans, and how the two of them eventually became Mr. and Mrs. Dursley—the widely disliked aunt and uncle of Harry Potter. As revealed by the memories of a dying Severus Snape, there was once a time when Petunia Evans and her younger sister, Lily, were actually quite close. In fact, it would seem that as a young girl Petunia had wished to become a witch just like Lily, and even went so far as to write to Headmaster Dumbledore to see if he could make an exception and allow her to attend Hogwarts School of Witchcraft and Wizardry despite the fact that she displayed no magical abilities. Unfortunately, it would seem that Dumbledore's refusal—although delivered kindly—ignited feelings of incredible resentment within Petunia, which is likely what spurned her on towards a life in which she hated magic to the point that she tried to pretend it didn't exist. Petunia was also openly resentful of the fact that her parents seemed delighted by the fact that her sister was a witch, which ultimately led to Petunia feeling such incredible dislike towards her sister, her family, and her home in Cokeworth, that she up and left in search of a much more ordinary life. It was around this time that Petunia met Vernon Dursley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Harry Potter Theory. Today, we'll be discussing how Vernon Dursley met Petunia Evans, and how the two of them eventually became Mr. and Mrs. Dursley—the widely disliked aunt and uncle of Harry Potter.As revealed by the memories of a dying Severus Snape, there was once a time when Petunia Evans and her younger sister, Lily, were actually quite close. In fact, it would seem that as a young girl Petunia had wished to become a witch just like Lily, and even went so far as to write to Headmaster Dumbledore to see if he could make an exception and allow her to attend Hogwarts School of Witchcraft and Wizardry despite the fact that she displayed no magical abilities. Unfortunately, it would seem that Dumbledore's refusal—although delivered kindly—ignited feelings of incredible resentment within Petunia, which is likely what spurned her on towards a life in which she hated magic to the point that she tried to pretend it didn't exist. Petunia was also openly resentful of the fact that her parents seemed delighted by the fact that her sister was a witch, which ultimately led to Petunia feeling such incredible dislike towards her sister, her family, and her home in Cokeworth, that she up and left in search of a much more ordinary life.It was around this time that Petunia met Vernon Dursley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Servet ve Hikmet bu bölümde Harry Potter ve Sırlar Odası kitabına giriş yapıyor. Hastalıkta sağlıkta Harry'e berbat muamelelerine devam eden Dursley'lere sövüyorlar. Tiktok hesabımız için tıklayın.Youtube Kanalımız için tıklayın.İhtiyaç Odası kanalımızı takip etmeyi unutmayın.Support the show

Ep. 176 - Capítulo três - A partida dos Dursley MANDE SUA CORUJA PARA: ⁠mundopottercast@gmail.com⁠ Início das Corujas (18:55): Carolina Alfaia - André Vicente Início do Capítulo (32:15) Redes:⁠ @mpottercast⁠ @ithasant e @rodriguesph PIX: ⁠mundopottercast@gmail.com⁠ Grupo do Telegram: @mundopotter Edição: Itamar Santos Roteiro: Paulo Rodrigues Apresentado por Itamar Santos e Paulo Rodrigues

Es gibt neuen Schokofrösche Merch: https://www.seedshirt.de/shop/schokofroescheshopEs herrscht wieder die große Liebe bei uns. Wir überlegen, wonach die Liebestränken von insgesamt sechs neuen Personen riechen könnten - es ist alles dabei von Kerzenduft bis Bleiche. Außerdem spielen wir zwei Quizze zur Liebe.. oder auch nicht so Liebe. Ihr wollt uns FanArt schicken oder Sticker von uns bekommen?Schreibt uns an:Postfach 71053281455 München

Wir sind wieder da! Tadaaaa! Max ist Freund der Dursleys und zeigt es in dieser Folge mehr als deutlich. Dazu gibt es noch Fachwissen über Autos. Und einen Ramon der noch immer etwas angeschlagen ist. Schade!Komm in die Gruppe! Hier gehts zu unserem WhatsappKanalhttps://whatsapp.com/channel/0029VabF6h3H5JM0EN0DwU0XRamon als Tom Bombadil https://www.youtube.com/watch?v=rPEVatb5b-YTolkühnes Merch!https://shop.spreadshirt.at/tollkuehn-podcast/Instagram @tollkuehn_podcastSchaut auf unserem Discord Server vorbei:https://discord.gg/hobbithoehleFalls du uns über Steady unterstützen willst:https://steadyhq.com/de/tollkuehn-podcasthttps://ko-fi.com/tollkuehn Become a member at https://plus.acast.com/s/tollkuehn. Hosted on Acast. See acast.com/privacy for more information.

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

The latest episode of UK Trance Society Podcast is brought to you by Dursley and Scotcha for their first UKTS podcast as a duo. Enjoy! 1 - Brandt Hoff - Pheonix Alpha (Extended Mix) 2 - Metodi Hristov, Anna Tur - Subliminal (Original Mix) 3 - DreamLife, Hidden Tigress, Sandro Mireno - Victory (DreamLife Extended Dub) 4 - Kenny Mitchell (UK) - Reflections (Extended Mix) 5 - Robert Nickson - Delyo's Voyage (Alan Morris Extended Remix) 6 - Mirage, Ferry Tayle, Tonks - Shifting Horizon (Extended Mix) 7 - Allan Morrow - The Pain Inside (Extended) 8 - Sarah De Warren, Audorn - Into the Night (Extended Mix) 9 - Earth Nation - Alienated (John Askew Remix) 10 - Connor Woodford - Exposure (Extended Mix) 11 - System F vs Armin van Buuren - Exhale (Matt Davey Remix) 12 - Simon Patterson - Us (Original Mix) 13 - Paul van Dyk & Amos & Riot Night & Matt Noland - Shine Together Now (Shine Ibiza Anthem 2024) (Extended) 14 - Trance Wax - Talamanca (Extended Mix) 15 - Key4050 - Want More (Extended Mix) 16 - Dmitry Kostyuchenko - Alpha (Extended Mix) 17 - Daniele Filaretti - How Could I Say It (Extended) 18 - Denis Efremov - Call Of Dreams (LR Uplift Remix) 19 - Arja - Ghosts Of The Past (Extended Mix) 20 - Rick Art - Thought Space (Extended Mix) 21 - REX.W - Hyperion (Extended Mix) 22 - Hoenir V & N-sKing - Reckless Love (Extended Mix) 23 - 3KM & Lost Knowledge - Give It All (Extended Mix) 24 - Bixx - Escape to Euphoria (Alatheia Extended Remix) 25 - Ciro Visone & Semper T. - Crowning Moment (Extended Mix) 26 - Ahmed Helmy - Love Never Fades (Extended Mix) 27 - Sinful Biz - Music (Blashear Extended Remix) 28 - Anna Reusch - Raya (Original Mix) 29 - Illuzio - Higher Consciousness (Original Mix) 30 - Hannah Laing - Poppin' (Extended Mix) 31 - Binary Finary - 1998 (Anfisa Letyago Extended Remix) 32 - Hannah Laing - Bouncing Ball (Doof Extended Mix)

Chapter 1 - The Riddle HouseThe villagers of Little Hangleton still called it “the Riddle House,” even though it had been many years since the Riddle family had lived there.Fifty years before, at daybreak on a fine summer's morning, when the Riddle House had still been well kept and impressive, and a maid had entered the drawing room to find all three Riddles dead.Q1 - What do you think happened to the three Riddles?“Frank!” cried several people. “Never!” … By the following morning, hardly anyone in Little Hangleton doubted that Frank Bryce had killed the Riddles.Q2 - Are you guys into true crime podcasts?Q3 - Have you ever been to a spooky or haunted place?Q4 - What are Wormtail and Voldemort talking about?“I will allow you to perform an essential task for me, one that many of my followers would give their right hand to perform.”Q5 - What do you think this task is?“But I am not a man, Muggle,” said the cold voice, barely audible now over the crackling of the flames. “I am much, much more than a man.”Q6 - What does Voldemort mean that he is much more than a man?Q7 - Who is Voldemort's most faithful servant?Q8 - What happened in this chapter and how did you like this opening chapter compared with the other books?Chapter 2 - The ScarNo, the thing that was bothering Harry was that the last time his scar had hurt him, it had been because Voldemort had been close by… but Voldemort couldn't be here, now…the idea of Voldemort lurking in Privet Drive was absurd, impossible…Q1 - Why do you think Harry's scar hurts whenever things like that happen?Q2 - Do you think Voldemort knows where Harry lives, and would he ever attack the house?As far as he knew, he was the only living person to have survived a curse like Voldemort's.Q3 - Do you think there is anyone else alive or even dead who has survived a curse like Voldemorts?Q4 - If you had to choose a bird to deliver mail to you, which bird are you picking?Chapter 3 - The InvitationThe school nurse had seen what Aunt Petunia's eyes – so sharp when it came to spotting fingerprints on her gleaming walls, and in observing the comings and goings of the neighbors – simply refused to see: that, far from needing extra nourishment, Dudley had reached roughly the size and weight of a young killer whale.Q1 - What are your thoughts on Dudley? Q2 - So far in this series, if there is a character who is irredeemable, who would it be?Q3 - Is it animal abuse to keep sending Errol to deliver your mail?Q4 - What do you normally eat for breakfast?“Look at this,” he growled. He held up the envelope in which Mrs Weasley's letter had come, and Harry had to fight down a laugh. Every bit of the letter was covered in stamps except for a square inch on the front, into which Mrs Weasley had squeezed the Dursleys' address in minute writing.Q5 - Who do you think is going to win the Quidditch World Cup?A slight spasm crossed Uncle Vernon's large purple face. The mustache bristled. Harry thought he knew what was going on behind the mustache: a furious battle as two of Uncle Vernon's most fundamental instincts came into conflict. Allowing Harry to go would make Harry happy, something Uncle Vernon had struggled against for thirteen years. On the other hand, allowing Harry to disappear to the Weasleys' for the rest of the summer would get rid of him two weeks earlier than anyone could have hoped, and Uncle Vernon hated having Harry in the house. To give himself thinking time, it seemed, he looked down at Mrs. Weasley's letter again.“If they say yes, send Pig back with your answer pronto, and we'll come get you at five o'clock on Sunday. If they say no, send Pig back pronto and we'll come get you at five o'clock on Sunday anyway.”Q6 - Harry eats his birthday cake…how long can he hide birthday cake under his floorboards before it starts to get moldy and inedible?He was going to the Quidditch World Cup. It was hard, just not, to feel worried about anything — even Lord Voldemort.Q7 - Should Harry be more worried about Lord Voldemort and his scar?Chapter 4 - Back to the BurrowQ1 - Thoughts on the Dursley's nerve and annoyance in the beginning of this chapter?Q2 - Are the Weasleys wrong for being so late?Q3 - Is the Floo Network a normal practice…to show up in someone's living room just unannounced?The electric fireplace shot across the room as the boarded-up fireplace burst outwards, expelling Mr Weasley, Fred, George, and Ron in a cloud of loose chippings.Q4 - What are your feelings on all of this happening?Indeed, from the tone of his voice when he next spoke, Harry was quite sure that Mr Weasley thought Dudley was quite as mad as the Dursleys thought he was, except that Mr Weasley felt sympathy rather than fear.Q5 - What do you think of the idea of having sympathy on people who are different from you? What should you do?Q6 - What is the rudest anyone has ever acted toward you?Q7 - Petunia in particular seems very terrified of magic, why do you think that she is?Chapter 5 - Weasleys' Wizard WheezesQ1 - Would you rather work with dragons or work at gringotts?“It isn't funny!” Mr Weasley shouted. “That sort of behavior seriously undermines wizard-muggle relations! I spend half my life campaigning against the mistreatment of Muggles, and my own sons —”Q2 - What is the Wizard perception of Muggles?Q3 - What do you think the of Fred and George's inventions? Q4 - What else do you think they'd make, or that you would make, if you were making a joke shop for wizards?“A report for the Department of International Magical Cooperation,” said Percy smugly. “We're trying to standardize cauldron thickness. Some of these foreign imports are just a shade too thin — leakages have been increasing at a rate of almost three percent a year —”Q5 - What do you think of Percy and his new job?“Just don't get him onto the subject of his boss. According to Mr Crouch…as I was saying to Mr Crouch…Mr Crouch is of the opinion…Mr Crouch was telling me…They'll be announcing their engagement any day now.”NOTE: Harry did not send any thank you letters or mail to his friends.Q6 - What are your thoughts on Mr and Mrs Weasley?PREDICTION: Scotland slaughtered by Luxembourg.Q7 - Is there a specific time you remember having a really good meal with people you loved?“I shudder to think what the state of my in-tray would be if I was away from work for five days.” “Yeah, someone might slip dragon dung in it again, eh, Perce?” said Fred. “That was a sample of fertilizer from Norway!” said Percy, going very red in the face. “It was nothing personal.” “It was,” Fred Whispered to Harry, as they got up from the table. “We sent it.”

Chapter 1 - The Worst Birthday“I want more bacon” “There's more in the frying pan, sweetums,” said Aunt Petunia, turning misty eyes on her massive son.Q1 - Has your opinion of the Dursley's changed at all?Harry stared from his purple-faced uncle to his pale aunt, who was trying to heave Dudley to his feet.Q2 - Why do you think Vernon is purple and Petunia is pale?Q3 - Why do you think Harry wants the Dursley's to recognize his birthday?Q4 - Are you a birthday person or not?Aunt Petunia knew he hadn't really done magic, but he still had to duck as she aimed a heavy blow at his head with the soapy frying pan.Chapter 2 - Dobby's WarningQ1 - First thoughts on Dobby?“Dobby has heard of your greatness, sir, but of your goodness, Dobby never knew.”Q2 - Where do you think Dobby came from?Q3 - Do you think a wizards word is more binding than a muggles? Why didn't Harry just say you have my word and lie to Dobby?See why I've got to go back to Hogwarts? It's the only place I've got — well, I think I've got friends.Q4 - When was the last time you wrote and mailed a hand-written letter to someone?Harry, whose insides were aching with hunger, jumped off his bed and seized it. The soup was stone cold, but he drank half of it in one gulp. Then he crossed the room to Hedwig's cage and tipped the soggy vegetables at the bottom of the bowl into her empty food tray. She ruffled her feathers and gave him a look of deep disgust.Q5 - What is Harry thinking and feeling at this moment?Q6 - Which family does Dobby serve? Why can't he just leave the family? Q7 - Why does Dobby want to warn Harry? And why Harry specifically?Chapter 3 - The BurrowQ1 - How do we like the Weasley's rescuing Harry?A lot of wizards think it's a waste of time, knowing this sort of Muggle trick, but we feel they're skills worth learning, even if they are a bit slow.”Q2 - From the little you know of the characters, what do you think their professions will be?Q3 - Do you think Harry forgetting Hedwig makes him a bad pet owner?Q4 - If you could bewitch any object in your house, what would you do and why?Mrs Weasley was marching across the yard, scattering chickens, and for a short, plump, kind-faced woman, it was remarkable how much she looked like a saber tooth tiger.Q5 - Does de-gnoming a garden sound fun?Q6 - Do you think you've ever been the victim of a shrinking door key?“Bless them, they'll go to any lengths to ignore magic, even if it's staring them in the face.”“Your sons flew that car to Harry's house and back last night!” shouted Mrs Weasley. “What have you got to say about that, eh?” “Did you really?” said Mr Weasley eagerly. “Did it go alright? I-I mean,” he faltered, as sparks flew from Mrs Weasley's eyes, “That was very wrong. Boys — very wrong indeed.”Q7 - How do you like Mr and Mrs Weasley?Q8 - How do you like the Burrow?Chapter 4 - At Flourish and BlottsLife at the burrow was as different as possible from life in Privet Drive.What Harry found most unusual about life at Ron's. However, wasn't the talking mirror or the clanking ghoul: it was the fact that everybody there seemed to like him.Q1 - What book sounds most interesting from the second-year reading list:The Standard Book of SpellsBreak with a BansheeGadding with GhoulsHolidays with HagsTravels with TrollsVoyages with VampiresWanderings with WerewolvesYear with the YetiQ2 - Why doesn't Harry at least try to give the Weasley's a bit of money?Q3 - Would you ever want to go shopping in Borgin and Burkes?Q4 - First impressions of Mr Malfoy?Q5 - Did you catch the diagonally and nocturnally?Q6 - Why do you think Wizards don't use ball point pens?“We have a very different idea of what disgraces the name of wizard, Malfoy,” he said.Chapter Five - The Whomping WillowThe end of the summer holidays came too quickly for Harry's liking. He was looking forward to getting back to Hogwarts, but his month at The Burrow had been the happiest of his life.Q1 - What do you think are the contents of Ginny's diary?Q2 - How dumb are Ron and Harry for not just waiting?Q3 - Why would they plant a tree at Hogwarts that could kill a student? No safer place than Hogwarts…“Or he might have been sacked!” said Ron enthusiastically, “I mean everyone hates him—” “Or maybe,” said a very cold voice right behind them, “he's waiting to hear why you two didn't arrive on the school train.”Q4 - Given the option, would you want to fly to Hogwarts in the car, or would you rather take the train? What other way would you want to get to the castle?“So,” he said softly, “the train isn't good enough for the famous Harry Potter and his faithful sidekick Weasley. Wanted to arrive with a bang, did we, boys?”Professor McGonagall gave him a piercing look, but he was sure she had almost smiled.SummaryBest MomentFavorite ChapterBest CharacterWhat is your favorite location so far in the Wizarding world?

Chapter 1 - The Boy Who LivedHe hurried to his car and set off home, hoping he was imagining things, which he had never hoped before, because he didn't approve of imagination.“You can't blame them,” said Dumbledore gently, “We've had precious little to celebrate for eleven years.”Q1 - What are your general impressions of McGonagall, Dumbledore, Hagrid, and the Dursleys?Q2 - Why can McGonagall transform into a cat? And if you could transform into an animal which would you choose?Q3 - Why do you think Voldemort could not kill Harry?Q4 - Do you think Dumbledore was right to separate Harry from the magical world?“You think it – wise – to trust Hagrid with something as important as this?” “I would Trust Hagrid with my life,” said Dumbledore.“Yes, yes, it's all very sad, but get a grip on yourself, Hagrid, or we'll be found,” Professor McGonagall whispered, patting Hagrid gingerly on the arm…“Good luck, Harry,” he murmured.Q5 - What year do you think all this happened?Q6 - Is Dumbledore irresponsible for leaving Harry on the doorstep with just a letter?Q7 - Why do you think it took so long for Dumbly and Hagrid to get to Privet Drive?Chapter 2 - The Vanishing GlassNearly ten years had passed since the Dursleys had woken up to find their nephew on the front step, but Privet Drive had hardly changed at all. The sun rose on the same tidy front gardens and lit up the brass number four on the Dursleys' front door; it crept into their living-room, which was almost exactly the same as it had been on the night when Mr Dursley had seen that fateful news report about the owls. Only the photographs on the mantelpiece really showed how much time had passed. Ten years ago, there had been lots of pictures of what looked like a large pink beach ball wearing different-coloured bobble hats – but Dudley Dursley was no longer a baby, and now the photographs showed a large, blond boy riding his first bicycle, on a roundabout at the fair, playing a computer game with his father, being hugged and kissed by his mother. The room held no sign at all that another boy lived in the house, too. Yet Harry Potter was still there, asleep at the moment, but not for long. His Aunt Petunia was awake and it was her shrill voice which made the first noise of the day. ‘Up! Get up! Now!'Q1 - Who is the nastiest to Harry?‘Well, get a move on, I want you to look after the bacon. And don't you dare let it burn, I want everything perfect on Duddy's birthday.' Harry groaned. Q2 - When you were a kid what was your favorite breakfast?He liked to complain about things: people at work, Harry, the council, Harry, the bank, and Harry were just a few of his favorite subjects. This morning, it was motorbikes.Q3 - Out of all the magical things Harry can do in chapter 2, which do you think was the coolest?Hair GrowthShrinking SweaterAppearing on the roofTalking with a snakeMaking the glass disappearQ4 - What are your first thoughts about Harry?Q5 - What was the best birthday gift you ever got?Q6 - Do you think it's normal for a wizard to be able to talk to snakes?He'd lived with the Dursleys almost ten years, ten miserable years, as long as he could remember, ever since he'd been a baby and his parents had died in that car crash. He couldn't remember being in the car when his parents had died. Sometimes, when he strained his memory during long hours in his cupboard, he came up with a strange vision: a blinding flash of green light and a burning pain on his forehead. This, he supposed, was the crash, though he couldn't imagine where all the green light came from. He couldn't remember his parents at all. His aunt and uncle never spoke about them, and of course he was forbidden to ask questions. There were no photographs of them in the house. Q7 - What is this flash of green light and pain on his forehead?Chapter 3 - The Letters From No OneQ1 - Do you think the knobbly sticks are a useful teaching/character building tool?“What's this?” he asked Aunt Petunia. Her lips tightened as they always did if he dared to ask a question. “Your new school uniform,” she said. Harry looked at the bowl again. “Oh,” he said. “I didn't realize it had to be so wet.”Three things lay on the doormat: a postcard from Uncle Vernon's sister Marge, who was holidaying on the Isle of Wight, a brown envelope that looked like a bill and – a letter for Harry? Turning the envelope over, his hand trembling, Harry saw a purple wax seal bearing a coat of arms; a lion, an eagle, a badger and a snake surrounding a large letter ‘H'. Q2 - Why do the Dursleys not want him to get this letter?Q3 - Do you think you can “stamp out” being a wizard? What do you think happens to people who suppress their magic?He hoped the roof wasn't going to fall in, although he might be warmer if it did. Four minutes to go. Maybe the house in Privet Drive would be so full of letters when they got back that he'd be able to steal one somehow.Q4 - Do you wonder if these letters are duplicated by magic or if Hogwarts is handwriting all these letters to Harry?Q5 - How would you have gotten the letter if you were Harry?Monday. This reminded Harry of something. If it was Monday – and you could usually count on Dudley to know the days of the week, because of television – then tomorrow, Tuesday, was Harry's eleventh birthday. Of course, his birthdays were never exactly fun – last year, the Dursleys had given him a coat-hanger and a pair of Uncle Vernon's old socks. Still, you weren't eleven every day. Q6 - What's your most memorable birthday?One minute to go and he'd be eleven. Thirty seconds ... twenty ... ten – nine – maybe he'd wake Dudley up, just to annoy him – three – two – one – BOOM. The whole shack shivered and Harry sat bolt upright, staring at the door. Someone was outside, knocking to come in. Q7 - What's going to happen next?Chapter 4 - The Keeper of KeysBOOM. They knocked again. Dudley Jerked awake. “Where's the cannon?” he said stupidly.Q1 - What was Dudley dreaming about?“Las' time I saw you, you was only a baby,” said the giant. “Yeh look a lot like yer dad, but yeh've got yer mum's eyes.”“Harry – yer a wizard.”Q2 - If you are starving in a hut and a massive giant breaks in and starts cooking up a meal, what would you hope that he made?Q3 - What are your first impressions of Hagrid? What's up with his assault of Dudley?Q4 - The logistics and maybe ethics of Hagrid throwing an owl out of the door in the middle of a raging storm is interesting. Let's discuss.She stopped to draw a deep breath and then went ranting on. It seemed she had been wanting to say all this for years.Q5 - Is it alarming or endearing that Hagrid can't spell Voldemort?Q6 - Why do you think Voldemort tried to kill Harry and killed Lily and James?Q7 - Do you have any theories about what stumped Voldy about Harry?Q8 - Hagrid says that us Muggles would want all our problems solved with magic. Do you think this is true? And what is the first problem you are fixing with magic?Chapter 5 - Diagon AlleyQ1- Should the wizarding world have more than one bank? That seems like a bad monopoly.“Gringotts is the safest place in the world for anything yeh want ter keep safe – ‘cept maybe Hogwarts.”Q2 - Hagrid and Harry took the boat off the island. How long were the Dursleys stranded there before they got off?Q3 - Which book sounds the most interesting from Harry's book list?Standard Book of SpellsA History of MagicMagical TheoryBeginners Guide to TransfigurationOne Thousand Magical Herbs and FungiMagical Drafts and PotionsFantastic Beasts and Where to Find ThemThe Dark Forces: A Guide to Self-ProtectionEven though everything Hagrid had told him so far was unbelievable, Harry couldn't help trusting him.Q4 - What is the weirdest thing you think Hagrid keeps in his pocket?“If anyone but a Gringotts goblin tried that, they'd be sucked through the door and trapped in there,” said Griphook. “How often do you check to see if anyone's inside?” Harry asked. “About once every ten years,” said Griphook, with a rather nasty grin.Q5 - Does Draco have the wrong wand? His mother picked it up for him…“But I know I'll be in Slytherin, all our family have been – imagine being in Hufflepuff, I think I'd leave, wouldn't you?”“Where are your parents?” “They're dead,” said Harry shortly.“Ah yes,” said the man. “Yes, yes. I thought I'd be seeing you soon. Harry Potter.”“It's really the wand that chooses the wizard, of course.”Q6 - If you could choose your wand, which wand core would you want and why?“I remember every want I've ever sold, Mr Potter. Every single wand. It so happens that the phoenix whose tail feather is in your wand, gave another feather – just one other. It is very curious indeed that you should be destined for this wand when its brother, why its brother gave you that scar.”Q7 - How do we like Hagrid?

It's a chapter that hosts David and Kyle had completely forgotten about during the latest reread podcast episode. This chapter almost reads like a crossover episode as Albus Dumbledore visits the Dursley's residence and soon whisks Harry away back into the magical world. Plus, what do "will" and "won't" exactly mean in this chapter?

This is a re-recording of Dursley & Scotcha's opening set at Uno in Malta for Rong on the Timeless stage, as the sun was setting!   # Track Title Artist 1 Once Again (Original Mix) Jason van Wyk 2 The Sound Of Goodbye (Armin's Tribal Feel) Armin van Buuren pres. Perpetuous Dreamer 3 Lunica (Original Mix) Son Of A Pitch 4 London Rain (Stoneface & Terminal Remix) Cosmic Gate 5 Simulated (Original Mix) Marco V 6 The Perspective Space (Markus Schulz Mashup) Ronski Speed feat. Sir Adrian vs Rex Mundi 7 Body Shine (Club Version) Three 'N One, Billy Hendrix 8 Amber (Thomas Datt Remix) Natious 9 Shine (Commie Remix) The Space Brothers 10 Touch Me (Mike Koglin Vs Jono Grant Remix) Cassandra Fox 11 The Eternal (Paul Thomas Remix) Jose Amnesia

I denne episode bliver Harry hentet af Dumbledore, der tydeligvis er utilfreds med familien Dursley. Dernæst tager Harry og Dumbledore ud til Schnobbevom, som de forsøger at overbevise om at komme tilbage til skolen. Dét og meget andet taler vi om i dette afsnit af Harry Pottcast og Halvblodsprinsen. 

Go to http://factormeals.com/jvsb50 and use code jvsb50 to get 50% off your first box plus 20% off your next month. Go to http://arenaclub.com/jvb to get 10% off your first purchase. Today J and Ben face off once more to find out who knows more about the most muggly muggles that ever muggled: THE DURSLEYS! What is there full address, just how horrible is Aunt Marge? What are they afraid Sirius is going to turn them into? PRIDE SHIRTS :: https://carlinbrothersmercantile.com/collections/pride-2024  Make J Grow a Mustache in May Follow on Instagram :: https://www.instagram.com/jonkerlin/ Sign Up for Newsletter :: https://supercarlinbrothers.com/  DONATE :: https://stopsarcoidosis.rallybound.org/SuperCarlinBrothers Tickets for Through the Griffin TOUR are ON SALE NOW! https://supercarlinbrothers.com/events/  Tour dates: Boston - 6/2 New York City - 6/3 Philadelphia - 6/5 Washington, D.C. - 6/13 (SOLD OUT!) SEE YOU IN REAL LIFE BROTHER! #supercarlinbrothers #HarryPotter #JvsBen Edited by : Ethan Edghill

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'Crime and Punishment'? Question 2: Which of these famous Russian novels was written by Leo Tolstoy? Question 3: Which author wrote 'The Snow Queen'? Question 4: Which piece of written work starts with the line 'The villagers of Little Hangleton still called it "the Riddle House" even though it has been many years since the Riddle family had lived there.'? Question 5: Which piece of written work starts with the line 'Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.'? Question 6: Who is the author of the novels 'Von Humboldt Fleisher', 'Augie March', and 'Moses Herzog'? Question 7: In which book does 'Mary Bennet' appear? Question 8: In which book series does 'Dr. John Watson' appear? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Harry Potter Theory. Today, we're discussing the Dursley's- Harry Potter's awful adoptive family. More specifically, we're going to be breaking down 3 thought-provoking Harry Potter fan theories that pertain to the members of this dysfunctional family.  Let's get in to it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Harry Potter Theory. Today, we'll be discussing whether or not Harry ever visited the Dursley family after he grew into adulthood. From the opening paragraph of Harry Potter and the Philosopher's Stone, it's understood that the Dursleys are not the easiest people to get along with. They are almost explicitly stated to be rather unreasonable people who were not fond of anything that might make them appear to be anything other than absolutely normal. This brings us to the question of today's video: After growing up in this type of environment with the Dursleys, did Harry ever visit them after he became an adult? Because, let's be honest, no one would blame him if he didn't. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Harry Potter Theory. Today, we'll be discussing whether or not Harry ever visited the Dursley family after he grew into adulthood.From the opening paragraph of Harry Potter and the Philosopher's Stone, it's understood that the Dursleys are not the easiest people to get along with. They are almost explicitly stated to be rather unreasonable people who were not fond of anything that might make them appear to be anything other than absolutely normal.This brings us to the question of today's video: After growing up in this type of environment with the Dursleys, did Harry ever visit them after he became an adult? Because, let's be honest, no one would blame him if he didn't. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

UKTS member and Transcend promoter Ben Dursley returns for this look back at trance and eurohouse/clubland.   Enjoy!   1 Just Be (Antillas Club Mix) Tiesto feat. Kirsty Hawkshaw 2 Why Does My Heart Feel So Bad (Ferry Corsten Remix) Moby 3 Forever (Pulser Dub) Dee Dee 4 Silent Heart (Flutlicht Remix) Green Court feat. Lina Rafn 5 Resurrection (Radio - BD Edit) PPK 6 You Take My Breath Away (Lange Mix) Sureal 7 Man in the Moon Fragma 8 Ordinary World (Above & Beyond Remix) Aurora 9 I Cant Help Myself (Mark Lucid Vs. Kenny Hayes Remix) Kenny Hayes, Lucid, Mark Lucid 10 Rock Da House (2006 Edit / Spotlight Mix) Tall Paul 11 Pizzaman (Club Mix) Cisko Kid 12 Something (Extended Mix)   Lasgo 13 Show Me A Sign (Original Club) Kontakt 14 The Way (Svenson & Gielen Vocal Remix) Divine Inspiration 15 Dreaming (Lange Remix) Ruff Driverz pres. Arrola 16 Blood is Pumpin' Voodoo and Serano 17 Passion 2003 (Paul Masterson Remix) Amen UK! 18 Operation Blade (Original Mix) Public Domain 18 Set You Free (Extended) N-Trance

Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. Today, we are happily joined once again by Dr. Zheala Qayyum, child & adolescent psychiatrist extraordinaire and medical director of Emergency Psychiatry Services at Boston Children's Hospital, to analyze the second "Harry Potter" movie. In this film, we begin meeting some extra special supporting characters like Dobby, Moaning Myrtle, Tom Riddle, and the Malfoy family. In this episode, we explore the themes of tween development and self-identity, specifically as it relates to Harry grappling with the "good" (Gryffindor) and "bad" (Slytherin) parts of himself. We also discuss narcissism as it relates to Gilderoy Lockhart, parental expectations as it relates to the Malfoys, and bullying as it relates to Moaning Myrtle, and classism and racism as they relate to Dobby and mudbloods. We also reflect on one of our favorite Dumbledore quotes - "It is our choices, Harry, that show what we truly are, far more than our abilities.” We hope you enjoy!Watch this episode on YouTube!!InstagramTikTokWebsiteDr. Katrina Furey: Hi, I'm Dr. Katrina Fury, a psychiatrist.Portia Pendleton, LCSW: And I'm Portia Pendleton, a licensed clinical social worker. And this is analyze Scripts, a podcast.Dr. Katrina Furey: Where two shrinks analyze the depiction of mental health in movies and tv shows.Portia Pendleton, LCSW: Our hope is that you learn some legit info about mental health while feeling like you're chatting with your girlfriends.Dr. Katrina Furey: There is so much misinformation out there.Dr. Katrina Furey, MD: And it drives us nuts.Portia Pendleton, LCSW: And if someday we pay off our student loans or land a sponsorship, like with a lay flat airline or a.Dr. Katrina Furey, MD: Major beauty brand, even better.Portia Pendleton, LCSW: So sit back, relax, grab some popcorn.Dr. Katrina Furey: And your DSM five, and enjoy.Portia Pendleton, LCSW: Hi.Dr. Katrina Furey: Welcome back to another very special episode of analyze scripts, because one of my favorite attendings and teachers from residency, Gila Kayum, is joining us once again to discuss the second Harry Potter movie, Harry Potter in the Chamber of Secrets. If you haven't listened to our last episode with please, you know, go back in your feed a little bit to find our first episode about Harry Potter and the sorcerer's Stone, because we're going to rebuild on that. And just to remind you. So Gila is the attending psychiatrist at Harvard. Basically, she's the medical director of the emergency Psychiatry Service and the director of the Child and Adolescent Psychiatry Fellowship program. She also remains on staff at Yale University, which is where I met her as my inpatient attending on the child and adolescent unit. So we love her because she's awesome and because she's so good at using fairy tales like Harry Potter to talk about development and themes about child and adolescent psychiatry. So we're just thrilled to have you back.Dr. Zheala Qayyum: No, thank you for having me. And I'm so excited that I get to do something that's dear to my heart and has fascinated me since I was in medical school, so that I'm kind of giving my age away. That's when I read Harry Potter. But to do it with some of my favorite people, so I think there's nothing better.Dr. Katrina Furey: Awesome. Well, so where do we get started, Portia?Portia Pendleton, LCSW: I don't know. I mean, they're back for year two, right? So I think the shock to Harry maybe isn't entirely over because there's, like, new monsters and people that he's meeting every year, but the fact that there is magic out there, I guess I would start with him returning home to the Dursleys, which I have never been happy about. I think we learn later kind of why, but now seeing him being so mistreated and kind of brought all back with the trauma, like, here we are. Know, you don't know Dudley is so amazing. Your parents were bad. It's like all these messages kind of return. So I think we should start there.Dr. Katrina Furey: I do think it's so realistic, though, unfortunately, right, that know Harry finally finds his place in Hogwarts and these people where he feels safe and loved and special. And what's awesome about Harry is the specialness isn't really what he loves, the know, like, seeking that part out. He just likes feeling secure and loved. And now he's to go back for the summer to this abusive environment. And I just think, unfortunately, that does mirror a lot of kids who are growing up in abusive households that you hope they have a place to go where they can see, like, the world won't always be like this, but he does have to go back, and it totally sucks.Portia Pendleton, LCSW: Yeah, it's like school, I guess.Dr. Zheala Qayyum: Yeah, exactly. And I think similarly we see what happens in many abusive relationships, although this was not intentional and Dobby had a role to play in it, is that you get cut off from your supportive relationships, right. That we're going to bolt your window. You're not going to do the things that bring you joy or magic is not allowed. Your friends don't even care about you to write to you. And all those things that he felt like he got in the first year were just suddenly taken away. And he sort of started believing it when he was like, maybe my friends won't come back, or I'm my own.Dr. Katrina Furey: Why haven't they written to me?Dr. Zheala Qayyum: A lot of self doubt, a lot of like, he's still growing in confidence, still thinking about what is real and what's not. And I think the other thing, which sort of contrasts is you go to the jerseys and everything is so proper and everything has to be done this way. I will come and greet them. And then I think one of the stark contrasts is we get introduced to the boroughs, which is a whole different world, and it's still a family. And then it gives you a contrast of the sort of the orderliness, the rigidness, the regimentedness at private drive. And then you go to the chaos of boroughs that is full of love and caring, and yet it has room for the unexpected. Each kid is different and accepted for being dragon trainers and whatever else that they're doing. I think we talked a little about this in the last one, where in such a big family, Ron is a little lost that his attachment style we talked about is a little like, anxious. He doesn't know if he'll get looked over in all of this chaos. But there is just so much curiosity. I think that was one thing that is so starkly different between those two households where the adults in boroughs are fostering curiosity and modeling curiosity for their kids. Like, what is this function of this rubber duck? Yeah, we're so fascinated, and yet there is no room for curiosity or thought in private drive.Portia Pendleton, LCSW: And I think different types of torture.Dr. Zheala Qayyum: For a young child.Portia Pendleton, LCSW: Totally.Dr. Katrina Furey: And I think even in maybe a more stable, non abusive home, we see that, right, in kids who maybe their parents have high expectations for them or want them to turn into x, y or z and don't leave room for the child's unique personality or individuality or interests. That can happen even if you're not being abused or neglected. Right. Like Harry. So I thought that was also just a beautiful addition to the story that I think matching kids watching it, even adults watching it, it'll resonate with them.Portia Pendleton, LCSW: I think it's funny and a little like, well, what else is Mr. Dursley supposed to say when Harry has the cake and it looks like he's doing it and then it goes over his client's wife and then he's, you know, that's my nephew.Dr. Zheala Qayyum: He's very disturbed.Portia Pendleton, LCSW: We didn't want him coming down to non magical people, Muggles. I think sometimes what we don't know is scary or disturbing. But I just thought it was, like, an interesting word choice, disturbed. I guess it fits from a Muggle's perspective of what's going on. And then also just like, they think he's disturbed and they think he's unwell and weird and crazy and bad, too. But I felt bad for Hedwig. We talk usually about people, but being stuck in her little cage, not being allowed to be let out. But, yes, we are introduced to Dobby, and he doesn't seem so great at first, right? He's like all this mischievous stuff. He's this new creature and he's starting to. Right? Like every time he says something not nice about his master or the family he works for, he kind of like self harms, right? So he's like hitting him up on the head with a lamp, banging his hand down. And Harry's like, what are you. Stop. Stop. And I think it's so telling to. Harry's so kind and nurturing, just spirit that we see again through the rest of the movies, especially with Dobby, that he's like, please stop. What are you doing? Please don't do this.Dr. Katrina Furey: Makes him uncomfortable.Dr. Zheala Qayyum: Yeah.Dr. Katrina Furey: I'm dying to hear what you think of Dobby, Dr. Q. I think Dobby.Dr. Zheala Qayyum: And I think it evolves more over the next book movies is. I think it's a bigger question of representation of race and otherness in the books because there's not a lot of focus on race per se. And yet there is in the pure bloods and the Muggles. And then there's even the people who sort of are very thoughtful about how Hagrid and the Weasleys support Muggleborn wizards and witches. There is in wizarding families. There's this neglect and oversight of these elves like nonexistent and invisible. And I think we see in the future books, too that there are characters who really take a lot of issue with sort of this thought about pure bloodedness and yet they're perfectly fine with elves working in their homes. So I just think it's interesting that there is even despite a lot of awareness there's sort of blind spot that Hermione picks up on later in the later books about these elves are being mistreated. But then also you see someone being restricted in what they can do and genuinely care about someone and just how their methods are.Dr. Katrina Furey: Right, but that's such a great point. And I thought of that too, in rewatching the movie again and perhaps especially now that I'm older and the times we're living in. It was such an interesting commentary on race and identity. That's like the whole plot of this movie, right? That, you know, Salazar Slytherin left this chamber of secrets with the basilisk that's meant to wipe out all the mudbloods, right? It's basically like the goal is genocide here, right? And we start to see what characters are for this, which ones are against it, who is a Mudblood, but even within that, exactly like what you're saying there's this blind spot to the elves and it's almost like, could be a parallel to what we might call these days, like microaggressions. Like, even if you mean well, the stuff you've grown up with could still be deeply rooted and you got to open your eyes to it. And it's a really interesting way to start introducing that concept to little kids or anyone.Portia Pendleton, LCSW: But I think it's really fascinating in terms of storytelling and fairy tales how this big, sometimes difficult topic is presented.Dr. Katrina Furey: So well in this movie.Portia Pendleton, LCSW: And it's so clear. And then you see, we see Draco seeing Harry getting all this attention when he. Lockhart. Right. We'll talk about him. Oh, my God. And Draco's so angry that. How dare Harry be getting all this attention, like, I'm a pure blood. I've been taught that I should be. Right. Like on stage with Lockhart. Why aren't then? You know, then he's terrible to the Dursleys. And then you see his dad walk in, you're like, oh, well, this is why. But you see. And good acting, I guess, with Tom Felton, like as a child, but the rage, he's so angry.Dr. Katrina Furey: Yeah, right. And we really get to meet. Or we start to meet the Malfoy family, right? We don't meet the mom yet whose name is Narcissa, which I always think is interesting. But again, Giela, I'm dying to hear what you think about the depiction of the Malfoys in this.Dr. Zheala Qayyum: It is, actually, I'm really intrigued by that sort of dynamic because I also think, interestingly, I think given my own south asian background, the whole colonialism and the british aristocracy and this sort of eliteness and classism that comes in and sort of, if that's the norm, how awful not to feel special.Dr. Katrina Furey: For Draco.Dr. Zheala Qayyum: Yes, right. If this is part of your identity and this is what you've been brought up with, and then suddenly someone comes and challenges what you know. I think one of the most interesting things I was told about child development was if parents do it right, every little child should have a little bit of narcissism going into school, knowing that they're special and that they're the kings and queens of their own little kingdoms. Then they come to school, and now you have to navigate other kings and queens. And I kind of see that happening a little later. For Draco, we would expect that happening earlier in school age, but now he's sort of met someone who can actually, he can find threatening.Dr. Katrina Furey: And so it sounds like what you're saying, too, is that hopefully, if you have good enough parents, they've instilled that healthy degree of narcissism in you, right, where you are confident, you do feel special, you feel unconditionally loved. And they're not the ones challenging it. Maybe at first, but then hopefully they can help you wrap your head around it and say, like, you are the best to us and there's other people around and their needs matter too. Right? You have to balance that with some empathy, altruism, integrity. And it's when those things are out of balance that I think we start to see personality pathology either way, whether it's more the narcissistic way or it's more of the know avoidant kind of way.Portia Pendleton, LCSW: Yeah, no, that's true, because we see it again later in the movie with Hermione and Draco when she's challenging him a. She challenges him academically and know a mudbud, but we also see her directly challenge him about his father buying the team all brooms and like, well, that's how you got on the team. And harry didn't need know, like, how dare you call me out and take my crown off my head? And you're right. Like, someone who I consider lesser. And I think then we see them really kind of throughout the movies, which we will cover go head to head a lot. But I think she really grinds his gears.Dr. Katrina Furey: That scene was hard to watch, even now. And just, you could tell, like, the word mudblood is like a racial slur. And they were all just really shocked he would even say it. It's one of those things where it's, know, maybe they all kind of sense. He thinks that. But then to be so. Just willing to say it so aggressively and in such a mean way. And then you see Harry not really understand, which, again, what a thoughtful way to introduce that concept, right. For him as a real outsider, not to get it. And now they're having to explain it to him again, really, I think mirrors trying to start to explain hard facts about the reality of the world to small children as they start to see things and ask questions.Dr. Zheala Qayyum: And I think that's actually one of the loveliest things about the Harry Potter movies and books, is that it parallels real life so well. Like, these kind of growing pains and experiences are so normal for kids in schools, and it is developmentally appropriate. Like, kids who have seen racism or racial slurs being modeled in their homes would have no qualms about saying it outside.Dr. Katrina Furey: Right.Dr. Zheala Qayyum: I think that's kind of where Draco is coming from, is we know that the father put the book in the cauldron, so he's been exposed to these, so it's not different for him. But like you said, for Harry, it's completely unknown. And then just how kids navigate this, like, their groups and their rivalries and their exams and their classes, I think because it's so close to real life, that it really resonates with. It may be a different school, but a. It exists in our world, even if it is magical. But I think the relatability of all the challenges that these kids are seeing and experiencing is just so relatable for kids.Portia Pendleton, LCSW: Yeah, no, I agree. Even thinking of just being silly and wanting a letter, I don't think I wanted or thought that I would be in Narnia. Right. You were saying this before, Sheila, or I didn't think that I was going to be in the Lord of the Rings, but I feel like Harry Potter is so different because it is in the real world. Right. And I was like, well, maybe I could get a letter.Dr. Katrina Furey: Yeah.Portia Pendleton, LCSW: I could go to the school. And I think, again, that resonates. And especially watching them grow up, like, we all can reflect back on childhood moments and betrayals in friendships early on and kids being not so nice on the playground. It's like that's all so real. And whether it's playing Quidditch or playing soccer, it's like it's the same feelings.Dr. Katrina Furey: Exactly. And it's interesting. In Harry Potter, I think, Jaylee, you were saying this before we started recording a little bit. Know the world of Hogwarts and magic is existing in parallel to reality or like the Mudblood world. And in this movie, we start to see what happens when these two worlds start to collide. And it's almost like an interesting metaphor maybe, for what it's like for Harry to be going back and forth, or maybe for any of them to go back and forth but know, dangerous it is for other people to start to recognize that there is this magical world. It kind of reminds me of how we talk about aliens. Are they there? Are they not there? And just all that stuff.Portia Pendleton, LCSW: You. We'd probably think they were an alien, right? Someone doing magic or seeing a car.Dr. Katrina Furey: Flying through the sky.Dr. Zheala Qayyum: Seven muggles saw that.Portia Pendleton, LCSW: Yeah. So they were, I'm assuming, right? Probably like obliviated, which makes me think of our dear friend, which I know. Katrina, you are dying to talk about Lockhart. And his best skill is apparently obliviating all these witches and wizards who he's stolen stories from to make him.Dr. Katrina Furey: Sheila, please, please share with us your deepest, darkest thoughts about him.Dr. Zheala Qayyum: Well, I think when I first see him, the most interesting thing is just how in awe Hermione is and all the girls and the little ones. And when he comes to know, Gildray Lockhart aside, I thought it was just very interesting to see how in this book, you see crushes develop a little. And even for Ron and Hermione, at the end, when she gets unpetrified, she goes, Harry. But there's this awkwardness between Ron and Hermione, which was really adorable.Dr. Katrina Furey: They just, like, shake hands. They're like, I don't know what to do.Portia Pendleton, LCSW: So cute.Dr. Zheala Qayyum: So I just felt like this was very interesting about narcissism that we were thinking about narcissist. But really, Gildoria Lockhart is. Remember, there was one classification somewhere in one of the papers about different types of narcissists, and there was the exhibitionistic narcissist, which was all about, look at me, I'm performing, so I kind of see him that way 100%. But also you see the compensatory narcissism of I'm not good enough. So how can I make myself be more likable, more inflated, more worthwhile? Clearly, he can't even do simple dueling spells.Dr. Katrina Furey: No, right.Portia Pendleton, LCSW: Well, I could have stopped you if I wanted to, but for the purpose of instruction, I chose not to. It's like fun.Dr. Katrina Furey: But honestly, though, what a classic narcissistic defense, right? That's exactly what someone with these traits or full blown narcissistic personality disorder, that's exactly how they would respond, right? The fact that in the film, he is so handsome and showy, and there's a big crowd, and again, he can only associate with Harry Potter, right? With other fancy, special people. Not Draco, even. He's not special. Know, it's just like so on point. And then when we learn that actually it's all a big farce, actually, he's been stealing other people's ideas and then obliviating their minds, that's like the ultimate gaslighting, right? It's just so perfect. I just loved the depiction of this. As we keep doing this podcast, we keep talking about narcissism so much, and I'm like, why are we seeing this everywhere? But we really are seeing it in so much different types of media. And this was just such a good spot on, I thought, representation of it, and even, like, the common defense mechanisms and the inner wound, it was just perfect.Dr. Zheala Qayyum: And the most, I thought cute part was when he gets obliviated himself. He's so nice.Portia Pendleton, LCSW: I know.Dr. Zheala Qayyum: Imagine someone without that narcissism if you take that away from him. He was lovely.Dr. Katrina Furey: I know. And it's so interesting, right, that it's like children who are taking it away from him, right? Who can finally challenge him. And I think that does maybe even speak to. There's always good inside, I hope maybe.Portia Pendleton, LCSW: You see, I think.Dr. Zheala Qayyum: I don't want.Portia Pendleton, LCSW: To say, like, the good side of narcissism. You see the likable side of narcissism through the whole movie, and you're like, oh, well, it's not that bad. But then when he, all of a sudden, it's like his mask comes off when he is about to obliviate them and take credit. And it's so ugly and different from before, just being showy and almost. And then there it is. There's the calculated kind of manipulative place that, I don't know, expectative side.Dr. Katrina Furey: Exactly.Portia Pendleton, LCSW: Yes.Dr. Katrina Furey: And that's the side that I think people who are in relationships with people with narcissistic traits see that other people on the outside don't see. And I'm sure in all of our work we have worked with children, adolescent adults who are coping with and trying to process the pain of that. Right. Because then it's not just when you're relating to someone like that. They manipulate you to start doubting your own sense of them and sense of reality. Then you start doubting it and then it's like everyone around you unwittingly contributes to that because they don't see the real person. Right. So again, just like beautiful representation of that.Dr. Zheala Qayyum: And I think it also points to the difference between adults and children in this, how they approached it. Because you see Snape, he knew what this guy was about. I mean, he did his way of sort of showing what it was like, but he never confronted him. And then you say McGonagall going and say time has come for you to do what you're best at, right? And then he tries to run away. But none of the adults, even if they know what he's about, confronted him, kind of played along. And I think that is also very relevant to people that you are around who might have narcissism. And people just tend to appease them and work with them because what else are you going to do? And yet they can anything to lose and they were able to call him.Dr. Katrina Furey: Out and maybe even building on that. That's so fascinating. I think it also speaks to the danger in confronting someone with these traits. And I would say he also has some sociopathic traits. Perhaps if you're going to obliviate children for your own gain, there's a danger that comes with confronting someone like this. Right? It's going to provoke what we call a narcissistic injury or narcissistic rage. Sometimes all that means is they yell at you or they stonewall you, they never talk to you again, but sometimes they could actually hurt you, like we see here, where he's then going to obliviate all of them. And maybe Snape and McGonagall as adults with fully developed frontal lobes somewhere in there, appreciate that. So they know how to toe the line, but children don't right especially maybe at their age they're still coping with I would think like that very rigid sense of right and wrong and maybe they're struggling to see like well why don't you understand this is wrong so stop doing very. That can be dangerous to confront people like, yeah.Portia Pendleton, LCSW: And I think it's interesting that Dumbledore who's kind of to me like all knowing goes along with it and I think the other professors take their cues from him and I wonder if Dumbledore in that moment was like leave or we're done with you. I think the other professors would have jumped on and been like yes, we don't like you or you're a fraud. But he had a very interesting, he didn't really say anything. Yeah. And he's powerful and certainly more powerful and is the person that I think could absolutely send him on his way without really repercussions and he didn't.Dr. Katrina Furey: He also probably hired. Exactly. Were they desperate?Portia Pendleton, LCSW: Maybe that position, right.Dr. Zheala Qayyum: It's cursed.Portia Pendleton, LCSW: And Lockhart probably thought well I could do it because I'm the best that.Dr. Katrina Furey: There ever was and I could imagine we've come to find out. I don't think we know it yet but how much Snape wants it and I bet there's some tension there with Dumbledore not letting him take know. We see that tension with Snape come out with every single defense against the dark arts teacher over time.Portia Pendleton, LCSW: True.Dr. Zheala Qayyum: And then to Dumbledore's point there was a lot more stuff happening that I think he was tied up in maybe like that children getting know being sent to Azkaban his own position being threatened. And I think that's the other thing. I draw the parallel of Lockhart's popularity to social media which is like if someone this popular says something about you at this juncture it's going to really impact your credibility because we have so many followers.Portia Pendleton, LCSW: True.Dr. Katrina Furey: Oh that's a really good point. That's a really good point. I thought the supporting characters in this movie were all so fascinating in their own ways. Like we've talked about some of them already. Dobby Lockhart, the Malfoy family. I also want to make sure we leave time to talk about moaning Myrtle, Fox, the Phoenix and Tom Riddle. But before we get there, Gila I was hoping you could speak more to the father son dynamic between Draco and Lucius Malfoy. And again I think probably intentional that they're know, white blonde british men.Portia Pendleton, LCSW: Right.Dr. Katrina Furey: As you're speaking to these cultural and racial differences like perfect casting it was lovely.Dr. Zheala Qayyum: I think the way they selected both of them and sort of Lucius's haughtiness and arrogance that comes through. But it also shows you his narcissism. Like the minute he finds that he was scammed by Harry for Dobby, his wand comes out.Dr. Katrina Furey: There's that narcissistic injury. There's. It is.Dr. Zheala Qayyum: You took something from me without my permission. How dare you? And then you also have this underlying dynamic of the Slytherin family their sort of loyalty to Salazar Slytherin, Voldemort being Slytherin's heir, who had opened the chamber of Secrets. It is all this loyalty and alliance and the way I would see that dynamic of it is something like father son passed on. But I think in the later books you also see the tension the Malfoy parents have in trying to keep their son. The dilemmas that they're sort of poor Draco is put in and this challenging situations that they are sort of stuck with, this alliance that they've formed. I also sort of draw the parallel of these are sort of the loyalties and belonging that people form to different groups that families can sort of inherit. I think one of the very poignant quotes I once read was that when we're born, we're given our name, an identity, a religion, a race, and we spend our whole lives trying to defend them. We chose none of it.Dr. Katrina Furey: That's so powerful and so true. I was just thinking too, like gender, even in this.Dr. Zheala Qayyum: And you have no control or choice in the matter. So there is a lot of, I think, modeling for Draco from Lucius. But I think later on, maybe not in this book, you kind of see their struggles of trying to know that your son belongs in this circle and how are you going to keep him safe knowing it's dangerous and all those things can be potentially fatal for him. And I think similarly with Voldemort and Salazar Slytherin, that whole thing about true blood and belonging to the true blood family. Similarly, Salazar Slytherin created the chamber of secrets for that reason. All of that just points towards this sort of propagation. Yet it is very covert, it is hidden, it is done on the sides, which is just such a lovely parallel to what happens with racism that, yes, when you give it permission, it becomes very overt and yet there are so many people who have it and maybe are just acculturated and this is their norm that they don't realize it and when given the opportunity, it comes up. But in other circumstances, it's very hidden.Dr. Katrina Furey: And even it's just such a beautiful visual representation of that. Right. Even the fact that it's, like in the bathroom. Right. Like, you can turn on the faucet and it'll flood or you can turn it off. It can trickle or you can go down the tube. Right. It's so beautifully masterfully done.Portia Pendleton, LCSW: What do we think about snakes, right. And, like, the symbolism of just, like, the monster being a snake. The symbol to talk to snakes, Harry. And then in book one, we see that right away kind of with him hearing at the zoo.Dr. Katrina Furey: At the zoo.Portia Pendleton, LCSW: It's a good animal that they chose.Dr. Katrina Furey: Yeah.Portia Pendleton, LCSW: Right.Dr. Katrina Furey: Because snakes are kind of like. A lot of people are scared of them. They're slimy, they're slithery. They kind of catch it by surprise. They can bite you and hurt you sometimes they're totally harmless. A quote that really stuck out to me in this movie was when Hermione told Harry hearing voices no one else can hear isn't a good sign, even in the wizarding world.Dr. Zheala Qayyum: True. Which is why I think that's the parallel of how close to reality that whole place is.Portia Pendleton, LCSW: Imagine hearing them.Dr. Zheala Qayyum: Right?Portia Pendleton, LCSW: Like, Harry. I mean, like, all of a sudden you're hearing this whooshing through the wall and then you're hearing this voice and everyone else is just like, what are you talking about? I mean, what a challenging ordeal to go through. And then it is real, right. Which is kind of like, thank goodness. Because then there's maybe other concerns going on if it's not. But that's hard shouldering again. It's like he's out on this island, right? He's Harry Potter.Dr. Zheala Qayyum: He's unique.Portia Pendleton, LCSW: And now it's, again, like this thing that makes him unique. Not really in a good way in this movie.Dr. Katrina Furey: In a scary way. And I think we start to see him grappling with the good and bad dark parts of himself which it seems like he shares with Voldemort. Right? And we start to see that inner tension he has. Like, should I been a slytherin? Am I a Gryffindor? As if it's so black or white. We start to see that such a beautiful representation.Dr. Zheala Qayyum: And I think similarly to your point, like snakes, I know, from a psychodynamic perspective, have a very different meaning. But I think the one thing about it is that the places they can penetrate and go. And I think that was with the basilisk that you have Hogwarts, the safe space of where magic is. This is sort of this magic central for education and learning and yet it is penetrated by evil. Forces from within and they're lurking. They're again, in the shadows. I think that's about snakes, is they hide in dark places. So I think there is this whole veil of. I read an article about this veil of concealment and deceit and deception that is very prevalent throughout all of the chamber of secrets because it's a chamber of secrets, right?Portia Pendleton, LCSW: It's in the name, literally.Dr. Zheala Qayyum: The deception, like the diary, deceives Jenny and it also kind of speaks to the power of words which can really influence people. Then the deception with the polyjuice that they're able to get some information, but they have to conceal, know, deceive, concealment under the invisibility cloak and concealment in a way of like Gildor Lockhart concealing his real identity and the truth about himself. So a lot of general themes about deception and concealment. And then I think the symbolism of the snake is also in the Garden of Eden about deception. So I think there are a lot of different themes and motifs and parallels around that. But to your point about the sort of ambivalence around your identity and belonging and I think between him and Voldemort, the core of the wands are the same. They are both parcel mouths. They are both, like, raised somewhat by Muggles. He was in an orphanage. He was with the Dursleys. So very similar life experiences that they start showing to where Dumbledore will say that it's the choices that you make that make all the difference. You can see that with all these similarities you can actually show kids and adults that really, just because we say someone had a very different upbringing or a difficult start or has certain traits, it's not a life sentence. And what a beautiful message to give that even if the things are against you and you have seen other role models or people that you sort of can identify with have very different paths that are not ideal, you can still carve a different one with the choices that you make.Dr. Katrina Furey: Right. That's so beautiful. And I think it's so important. I'd imagine, especially when you're working with kids and adolescents who are coming from difficult backgrounds, whatever they might be, even adults. But I think maybe especially when you're still forming your identity to know that you don't have to follow this path, you can make different choices. And that even though there might be parts of you that remind you of. I'm just thinking about, like a parent, maybe an abusive parent or you get angry and lash out, that doesn't mean you're just like them. And I think that's something that's so painful for people to process and work through when they're trying to recover from an upbringing like that.Dr. Zheala Qayyum: And I think that also speaks to corrective parenting like you have McGonagall and Dumbledore in a way that is a very stark contrast to Molly Weasley and also Petunia Dursley and Uncle Vernon where when they think they're going to get expelled and Professor McGonagall's response is, you're not getting expelled. But I must impress upon you the seriousness of what you've done. So they are really sort of the modeling of good parenting of they are trying to protect their kids but they are not fighting their fights for them. They are not going and intervening in every conflict. They are giving them their space to have their own adventures, come to their own conclusions, figure things out but still being sort of neutral, supportive, guiding, wise.Dr. Katrina Furey: But they don't give the kids the answers right.Portia Pendleton, LCSW: And still.Dr. Katrina Furey: Think.Portia Pendleton, LCSW: I wish that we got a little window into where when Ginny, I'm assuming, goes and meets her family or maybe sees her parents after the chamber. And just like I would imagine the support that she receives because she goes on to be appearingly a secure person. And I think it's even thinking of the build up before. I'm sure she's felt loved and important in the way that she can with so many siblings. And she's the only girl that she's okay. Even though dealing with this traumatic experience and having this relationship with Tom Riddle. Right. For almost the whole school year where she's writing and just thinking about all. I'm just so curious about how that affected her and why she was so susceptible to it. I think she got this special book and finally she had her own thing and this person wanted to talk to her. And of course, for her, I think it's just like a smart match which Lucius, I'm sure, knew.Dr. Katrina Furey: Yes, he did. These people can sniff it out, I always say.Portia Pendleton, LCSW: Yeah.Dr. Zheala Qayyum: And it also kind of sort of parallels how Draco is trying to put Harry and Hermione down how Lucius was trying to put the Weasleys down by sort of planting that book.Portia Pendleton, LCSW: Book.Dr. Zheala Qayyum: And he knew he would get Arthur Weasley into trouble because of all of this. And that was sort of the goal of if Jenny gets into trouble so there's bigger players and yet you have the little ones who have to go through these experiences.Portia Pendleton, LCSW: Yeah.Dr. Katrina Furey: Again, like you said, very covert and sort of maybe playing like a long game and using the children really? As pawns in his own game, which is pretty nasty.Portia Pendleton, LCSW: Yeah.Dr. Katrina Furey: Right in line with narcissism. Right in. So, you know, before we wrap up, Gila, I'm also dying to hear what you think about moaning Myrtle. One of my favorite characters of all time.Dr. Zheala Qayyum: Love moaning Myrtle.Dr. Katrina Furey: Love her.Dr. Zheala Qayyum: I just love the morbidity. Like, I was in my cubicle thinking of death.Dr. Katrina Furey: It's like, I don't know if you saw the Barbie movie that came out last summer.Portia Pendleton, LCSW: Did you see it when they're all.Dr. Katrina Furey: Dancing and she's like, y'all ever think about dying? And everyone's like, we can't go there.Dr. Zheala Qayyum: But what I took from Morning Myrtle was sort of this invisibility of not being seen even after death. Like, just come and throw another book at me. Imagine the distress in which she died was crying. Like, she didn't even see who it was because she was crying and she was distraught. And just how lonely she is in that bathroom that she says, if you die, you can come.Portia Pendleton, LCSW: Yeah.Dr. Katrina Furey: And so different from nearly headless Nick, who's also a ghost and walking around, but almost revered. Right?Portia Pendleton, LCSW: Like the crazy one who's up to no good. She's just in her bathroom being sad. But I really do want to say Harry's response, and I caught it this time, that I watched it with my mental health cap on. Ron is like, ew. And Harry's like, okay, sure, myrtle. Like, that's great. And he's just so kind and so just. I don't know. It's amazing, resilient.Dr. Katrina Furey: And I think he can tolerate that because he knows what that feels like. Right. Like, he just naturally, I think, will be more open to that. Maybe not even realize it's a strength.Portia Pendleton, LCSW: Yeah.Dr. Zheala Qayyum: The rejection, the isolation. And I think it's just such a close parallel to kids who are being bullied, school, who go and hide in the bathrooms. It's just so real. But it also kind of tells you that that is such an impressionable time in someone's life that these insults, she could not get over them after death either. So that was part of her sadness. And the Persona she carried was she wasn't seen. Or if she was, it was not in a very positive way.Dr. Katrina Furey: And those words really leave a mark indefinitely in her case.Portia Pendleton, LCSW: Yeah, it's sad again, but an important.Dr. Katrina Furey: Message for kids to learn, maybe, like, as you're watching the movie, the kindness.Dr. Zheala Qayyum: And also, I think that's the other theme that comes up through the movie where you talked about Hermione sort of standing up to Draco is that kids facing bullying, how do you do that? How do you stand up when to walk away versus when to actually address it? I think they're just beautifully highlighted in a very subtle way, but it is modeling for kids and this is one adverse outcome. And yet here are some good, strong role models for you to see who are going to come across that bully.Dr. Katrina Furey: I think even a good role model for parents as I'm watching it now as a parent with my children who are younger than these kids in the movie but are already starting to face some of these issues. We don't live in an ideal world where you can just resolve conflict with your words alone or there's always an adult around who can intervene. Like, yes, that's the hope. But when it's not, you have to start talking to your kids about, well.Portia Pendleton, LCSW: What do you do?Dr. Katrina Furey: And those are hard conversations to have as a parent.Portia Pendleton, LCSW: Yeah, but you're good at it, Dr. Fury. Yeah, I hope so. We'll see.Dr. Katrina Furey: Come back in about 15 years. We'll see how everything's going.Portia Pendleton, LCSW: Well.Dr. Katrina Furey: Before we wrap up, are there any other lingering thoughts or themes we want to make sure we address? I think the only other one on my mind was Fox the Phoenix and how I'm going to call her a she. I don't remember Fox's gender. It doesn't really matter. But I've decided it's the girl like us. How she saves the know.Portia Pendleton, LCSW: And Harry being a true Gryffindor, right? And that's what Dumbledore kind of reminds him of with the sword and then you called Fox, which means you must have been, I think it's like true of heart or you are putting yourself before someone else's needs to save. You know, thank goodness for Dumbledore because I think he really anchored Harry. And I did make the choice, right, to be in Gryffindor. I asked the hat and he was like, that's the difference which we mentioned before about the importance of our choices, despite what's sometimes in our environments or sometimes traits that we might have. And Fox is know, I love that they grow old and kind of like turn into ash and Harry's like, oh, my. Like, what's happening? Then the of out of death and darkness comes life and good things and rebirth.Dr. Katrina Furey: Yeah, it's really beautiful.Portia Pendleton, LCSW: Thanks for reminding us of that. That's a better way to end than exactly some think.Dr. Zheala Qayyum: Yeah, I think too.Dr. Katrina Furey: Just again, this movie and all of Harry Potter really touches on the good and bad parts in all of us. How we all have good and bad parts, and that's okay. And that, like, if you look up the traits of a slytherin or a Gryffindor, which, you know, so slytherin, they know ambition, resourcefulness, determination, cleverness. That all sounds great when you channel it in the right way, but you could channel it in this sort of elitist, villainous way that Salazar, Slytherin and some others have sort of evolved into. And same thing with, know, bravery, honor, loyalty, boldness. Again, channel it in a good way.Portia Pendleton, LCSW: Or you could kind of become reckless.Dr. Katrina Furey: Self righteous, have a short temper, always.Portia Pendleton, LCSW: Want to be the hero.Dr. Katrina Furey: That can get you into trouble sometimes, but it's like a double sided sword. Is that a thing where it could be good or bad, depending on how you channel it. And again, that speaks to the choices that we make and so important for kids to hear, and I think I heard a quote somewhere, I'm going to butcher it now, probably where I think we're not responsible for the trauma we might be born into or grow up in, but we are responsible for then kind of what we do with it and how to move forward. And that's a really important point I think we all probably use in our work with people and maybe just as humans walking the earth.Portia Pendleton, LCSW: Exactly.Dr. Zheala Qayyum: And I just know, to your point, the fact. Well, I'll say two things. One is not all slytherins are bad, which is, I think, something Harry bought into when he was like, please don't put me in Slytherin when he was under the sorting hat. But really, I think that to your .1 of the biggest things about the loyalty, the sacrifice, and I think that was one of the things that, throughout the whole series, helped Harry differentiate himself from Voldemort, is the sense of love we've internalized, which is so important for kids and us as adults and human beings, is to know we were loved, even if our parents are not around, even if those people who loved us are not in our lives. Just that sense of being loved can really change the life of a human being, which is something Voldemort did not just helps anchor him into. Yes, if I was loved, I can sacrifice my love for others. I can be loyal to others.Dr. Katrina Furey: Right.Dr. Zheala Qayyum: And I think every child just wants to belong to Hogwarts.Dr. Katrina Furey: Yeah. And I think Harry, although he lost his parents so early, I think it's deep down he knows he was loved. And he's constantly told that over and over. Right. About his life story. So even though he didn't have it for very long. Somewhere in there, he knows it, and he's reminded of that, which is so important for kids.Portia Pendleton, LCSW: Yeah.Dr. Katrina Furey: And when you don't have it, you're really vulnerable to nefarious people out. Oh, gosh, what a great way to start my day. This is just such a treat. Thank you so much for joining us, Sheila. We love you for all the.Portia Pendleton, LCSW: I guess, you know.Dr. Katrina Furey: Do you want to tell everyone where they can find you on instagram?Dr. Zheala Qayyum: Sure. It's zheeque and hope to be part of these in the future.Dr. Katrina Furey: Oh, my gosh, yes.Portia Pendleton, LCSW: We would love to have Harry Potter journey.Dr. Katrina Furey: Yes, we're on a journey, too. And again, thank you so much for listening to this episode. You can find us at Analyze Scripts podcast on Instagram, TikTok, and on YouTube. Now if you want to watch this episode. And we will see you again next Monday for our next episode.Dr. Zheala Qayyum: Great.Portia Pendleton, LCSW: Bye.Dr. Katrina Furey: All right, bye.Dr. Katrina Furey, MD: This podcast and its contents are a copyright of analyzed scripts. All rights reserved. Any redistribution or reproduction of part or all of the contents in any form is prohibited. Unless you want to share it with your friends and rate, review, and subscribe.Dr. Katrina Furey: That's fine.Dr. Katrina Furey, MD: All stories and characters discussed are fictional in nature. No identification with actual persons, living or deceased places, buildings, or products is intended or should be inferred. This podcast is for entertainment purposes only. The podcast and its contents do not constitute professional mental health or medical advice. Listeners might consider consulting a mental health provider if they need assistance with any mental health problems or concerns. As always, please call 911 or go directly to your nearest emergency room for any psychiatric emergencies. Thanks for listening and see you next time. Hosted on Acast. See acast.com/privacy for more information.

UKTS Podcast Episode 165, mixed by Ben Dursley   # Track Title Artist 1 North Cape (Asteroid Extended Remix) Stoneface & Terminal 2 Learning to Fly (Latex Zebra's Transcend Remix) Mothers Pride 3 Neurofun (Grant Trowbridge Remix) Atlantis 4 Doors (Mark Sherry Extended Remix) The Space Brothers 5 Afterburner (Extended Mix) John Askew 6 Hypnotizing (Extended Mix) UMEK & Maddix 7 Good God (Mark Sherry Extended Remix) JFK 8 Welcome To The Dance (Paul Denton Rework) Des Mitchell 9 Neuroshock (Extended Mix) Ralphie B & Frank Waanders pres Collide1 10 Temple Of Storms (Extended Mix) Kenny Palmer 11 Sanctuary (Original Mix) Will Rees 12 Sad Joyous (Extended Mix) Fantazm 13 Lost in the Music (Extended Mix) NG Rezonance & PHD & Avaxx 14 Nerve (Extended Mix) Chris Jennings, Kenny Palmer 15 Amazon (Sean Tyas Extended Remix) Midway 16 Nightfallen (Extended Mix) Kenny Palmer 17 Hello Beautiful (Extended Mix) Laucco 18 Chemical Future (Extended Mix) N-sKing & Thomas Lloyd 19 Expander (Kinetica Remix) Marc Dawn 20 Elevate (Extended Mix) Shaun Williams 21 Carnage (Extended Mix) Bryn Whiting 22 The Dawn (Mark Sherry Extended Remix) Tony De Vit 23 A Forest (Ron van den Beuken Remix) Blank & Jones feat. Robert Smith 24 Absoluum (Original Mix) Re:Locate 25 Rush (Extended Mix) Will Atkinson 26 Ordinary World (Binary Finary Remix) Aurora

Recorded live in the Baby Box, but there is some distortion due to a technical issue we experienced. Tracklist: 1. Dj Pure - My Definition (David Murtagh Remix) 2. Spy - Tomahawk (Extended Mix) 3. Kiran M Sajeev - Fables (Extended Mix) 4. Akira Kayosa & Hugh Tolland - Muriwai (Original Mix) 5. Ferry Tayle & Dan Stone - Vona (Extended Mix) 6. Grant Trowbridge - Whispers From The Past (Extended Mix) 7. Ferry Corsten feat. Haliene - Wherever You Are (Solis & Sean 8. Truby Extended Remix) 8. Rapid Eye - Circa Forever (Sean Tyas Extended Remix) 9. Lostly - Distant Shores (Club Mix) 10. Activa - Remember (Club Mix) 11. Alex Wright - Mnemba (Extended Mix) 12. Johan Gielen - Magnitude (Reorder Remix) 13. Flynn & Denton feat. Audrey Gallagher - Say My Name (Original Mix) 14. Underworld - Born Slippy (Activa Bootleg) 15. Sied Van Riel vs Standerwick - In A Perfect World (Solarstone Pure Mix)

In this episode we start the first chapter. We dive into Harry's hardships while at the Dursley's for the summer and does Petunia attempt to murder Harry??? Also, what is in Harry's bed???

Chapter 1 - The Worst Birthday“I want more bacon” “There's more in the frying pan, sweetums,” said Aunt Petunia, turning misty eyes on her massive son.Q1 - Has your opinion of the Dursley's changed at all?Harry stared from his purple-faced uncle to his pale aunt, who was trying to heave Dudley to his feet.Q2 - Why do you think Vernon is purple and Petunia is pale?Q3 - Why do you think Harry wants the Dursley's to recognize his birthday?Q4 - Are you a birthday person or not?Aunt Petunia knew he hadn't really done magic, but he still had to duck as she aimed a heavy blow at his head with the soapy frying pan.Chapter 2 - Dobby's WarningQ1 - First thoughts on Dobby?“Dobby has heard of your greatness, sir, but of your goodness, Dobby never knew.”Q2 - Where do you think Dobby came from?Q3 - Do you think a wizards word is more binding than a muggles? Why didn't Harry just say you have my word and lie to Dobby?See why I've got to go back to Hogwarts? It's the only place I've got — well, I think I've got friends.Q4 - When was the last time you wrote and mailed a hand-written letter to someone?Harry, whose insides were aching with hunger, jumped off his bed and seized it. The soup was stone cold, but he drank half of it in one gulp. Then he crossed the room to Hedwig's cage and tipped the soggy vegetables at the bottom of the bowl into her empty food tray. She ruffled her feathers and gave him a look of deep disgust.Q5 - What is Harry thinking and feeling at this moment?Q6 - Which family does Dobby serve? Why can't he just leave the family? Q7 - Why does Dobby want to warn Harry? And why Harry specifically?Chapter 3 - The BurrowQ1 - How do we like the Weasley's rescuing Harry?A lot of wizards think it's a waste of time, knowing this sort of Muggle trick, but we feel they're skills worth learning, even if they are a bit slow.”Q2 - From the little you know of the characters, what do you think their professions will be?Q3 - Do you think Harry forgetting Hedwig makes him a bad pet owner?Q4 - If you could bewitch any object in your house, what would you do and why?Mrs Weasley was marching across the yard, scattering chickens, and for a short, plump, kind-faced woman, it was remarkable how much she looked like a saber tooth tiger.Q5 - Does de-gnoming a garden sound fun?Q6 - Do you think you've ever been the victim of a shrinking door key?“Bless them, they'll go to any lengths to ignore magic, even if it's staring them in the face.”“Your sons flew that car to Harry's house and back last night!” shouted Mrs Weasley. “What have you got to say about that, eh?” “Did you really?” said Mr Weasley eagerly. “Did it go alright? I-I mean,” he faltered, as sparks flew from Mrs Weasley's eyes, “That was very wrong. Boys — very wrong indeed.”Q7 - How do you like Mr and Mrs Weasley?Q8 - How do you like the Burrow?

Re-recording for UKTS 10 Year Anniversary Celebration 28.10.23

An event to celebrate our Christmas Party at Club 414 in Brixton.

Welcome back to another episode of REAL TALK! In today's episode:  Travels!Dursley's in Harry Potter innocent victims?!New strain of covid?War in Israel.Japan US peanut day at baseball stadiums?!Real Talk is a production of ZTS Collective.Listen to us on all of your favorite podcasting apps!Follow us on Instagram: https://www.instagram.com/realtalkzts/

Clare walks with Mike Gunton, the man in charge of Planet Earth III, another blockbuster series from the BBC's Natural History Unit. Mike's a passionate walker and he takes Clare on a favourite local route around Oldbury on Severn where he courted his wife, and once filmed a sequence in a graveyard about the grim sounding ‘burying beetle'. He also shares stories of his many years working with Sir David Attenborough, and what it's like making some of the most beautiful and memorable TV shows of recent years. Oldbury on Severn is, as it sounds, near the banks of the longest river in the UK which runs 220 miles from its source in the Cambrian Mountains in mid-Wales to where it meets the sea at the Bristol channel. They meet at St. Arilda's Church and head off on a circular walk of around five miles ending back in the village, at the local pub. Map: OS Explorer 167 Thornbury, Dursley and Yate Presenter: Clare Balding Producer: Karen Gregor

Join J and Ben as they dive into Chapter 3 of the Philosopher's Stone and discuss Dumbledore's passive aggression, Harry's zingers, Smeltings colors, welks, the Dursley's weird logic, socks, and cliffhangers.Have a question you'd like answered for a future episode? Submit it here: https://forms.gle/i9pafKagAskyJism9Watch on Youtube: https://www.youtube.com/channel/UCEscP6ETYXWSSvsNrDHekMQ Follow us on twitter: https://twitter.com/GriffinDoorPodFollow SCB on Instagram: https://www.instagram.com/carlinbrothers/ Follow SCB on TikTok: https://www.tiktok.com/@super_carlin_brothers?lang=en Want more Harry Potter Content?Harry Potter Theories: https://youtube.com/playlist?list=PLLHeqkcn5RTcbxi40YpdLla30rsxtizc7&si=SAPeUtfANZZHoK84Dumbledore's Big Plan: https://youtube.com/playlist?list=PLLHeqkcn5RTfMVfRN3VwYN4trN0CXIBxI&si=sEacnvbgAtkL22Jn What If Harry Was in Slytherin: https://youtube.com/playlist?list=PLLHeqkcn5RTcJm1P391rp3tl8W0_ksFwc&si=LwKyPy-69M7GgVqn Edited by :: Ethan EdghillAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's time to reflect on our recent re-read of Harry Potter and the Prisoner of Azkaban! Join Andrew, Eric, Micah, and Laura as they open the MuggleMail bag once more to tackle an array of voicemails, e-mails and chicken soup submissions following our recent excursion into Book 3's Chapter-By-Chapter. The MuggleCast 2023 Listener Survey is HERE and is open to all listeners through October 6th! We want to know what you love about the show, what you think could improve it, and what other content you'd be interested in us making. Check out Parts 1 and 2 of Belated Binge Podcast's "Harry Potter: A History" and "Harry Potter: A Fandom" series with Eric! We begin our Book 3 wrap-up by revisiting our 7 Word Summaries and voting on which one should get a re-do! 7-Word Summary of Book 3: Sirius prevails over Ministry officials and Snape Voicemails include: Is there a connection between the Deathly Hallows and the gifts Harry receives from the Dursleys? Does the prophecy's existence explain why Snape picks on Neville? Is there another reason why Voldemort doesn't have hair? Lupin's werewolf depiction may be referenced elsewhere, and the phases of the moon are more gradual than you may think! A listener writes in about Micah's criticism of Time-Turning. Why are Lupin's lesson plans so creature-centric? Is there a reason behind the many strained paternal relationships in HP? Would Veritaserum help crack a Fidelius Charm? And, is being someone's Godfather a special magical bond? Listeners also point out: McGonagall's anti-Divination stance goes back to Book One. And, how does Professor Binns grade papers? One 13-year-old listener made her parents detour around Mount Greylock (we 100% support this). Quizzitch: Who found the Riddle family dead? Next week: Goblet of Fire movie commentary! This week's episode is brought to you by Better Help (Visit BetterHelp.com/mugglecast today to get 10% off your first month.)! And don't forget you can join our community at Patreon.com/MuggleCast and receive magical benefits, including Bonus MuggleCast! This week, we discuss moments that were cut from Book 4 for the movie!

Chapter 1 - The Boy Who LivedHe hurried to his car and set off home, hoping he was imagining things, which he had never hoped before, because he didn't approve of imagination.“You can't blame them,” said Dumbledore gently, “We've had precious little to celebrate for eleven years.”Q1 - What are your general impressions of McGonagall, Dumbledore, Hagrid, and the Dursleys?Q2 - Why can McGonagall transform into a cat? And if you could transform into an animal which would you choose?Q3 - Why do you think Voldemort could not kill Harry?Q4 - Do you think Dumbledore was right to separate Harry from the magical world?“You think it – wise – to trust Hagrid with something as important as this?” “I would Trust Hagrid with my life,” said Dumbledore.“Yes, yes, it's all very sad, but get a grip on yourself, Hagrid, or we'll be found,” Professor McGonagall whispered, patting Hagrid gingerly on the arm…“Good luck, Harry,” he murmured.Q5 - What year do you think all this happened?Q6 - Is Dumbledore irresponsible for leaving Harry on the doorstep with just a letter?Q7 - Why do you think it took so long for Dumbly and Hagrid to get to Privet Drive?Chapter 2 - The Vanishing GlassNearly ten years had passed since the Dursleys had woken up to find their nephew on the front step, but Privet Drive had hardly changed at all. The sun rose on the same tidy front gardens and lit up the brass number four on the Dursleys' front door; it crept into their living-room, which was almost exactly the same as it had been on the night when Mr Dursley had seen that fateful news report about the owls. Only the photographs on the mantelpiece really showed how much time had passed. Ten years ago, there had been lots of pictures of what looked like a large pink beach ball wearing different-coloured bobble hats – but Dudley Dursley was no longer a baby, and now the photographs showed a large, blond boy riding his first bicycle, on a roundabout at the fair, playing a computer game with his father, being hugged and kissed by his mother. The room held no sign at all that another boy lived in the house, too. Yet Harry Potter was still there, asleep at the moment, but not for long. His Aunt Petunia was awake and it was her shrill voice which made the first noise of the day. ‘Up! Get up! Now!'Q1 - Who is the nastiest to Harry?‘Well, get a move on, I want you to look after the bacon. And don't you dare let it burn, I want everything perfect on Duddy's birthday.' Harry groaned. Q2 - When you were a kid what was your favorite breakfast?He liked to complain about things: people at work, Harry, the council, Harry, the bank, and Harry were just a few of his favorite subjects. This morning, it was motorbikes.Q3 - Out of all the magical things Harry can do in chapter 2, which do you think was the coolest?Hair GrowthShrinking SweaterAppearing on the roofTalking with a snakeMaking the glass disappearQ4 - What are your first thoughts about Harry?Q5 - What was the best birthday gift you ever got?Q6 - Do you think it's normal for a wizard to be able to talk to snakes?He'd lived with the Dursleys almost ten years, ten miserable years, as long as he could remember, ever since he'd been a baby and his parents had died in that car crash. He couldn't remember being in the car when his parents had died. Sometimes, when he strained his memory during long hours in his cupboard, he came up with a strange vision: a blinding flash of green light and a burning pain on his forehead. This, he supposed, was the crash, though he couldn't imagine where all the green light came from. He couldn't remember his parents at all. His aunt and uncle never spoke about them, and of course he was forbidden to ask questions. There were no photographs of them in the house. Q7 - What is this flash of green light and pain on his forehead?Chapter 3 - The Letters From No OneQ1 - Do you think the knobbly sticks are a useful teaching/character building tool?“What's this?” he asked Aunt Petunia. Her lips tightened as they always did if he dared to ask a question. “Your new school uniform,” she said. Harry looked at the bowl again. “Oh,” he said. “I didn't realize it had to be so wet.”Three things lay on the doormat: a postcard from Uncle Vernon's sister Marge, who was holidaying on the Isle of Wight, a brown envelope that looked like a bill and – a letter for Harry? Turning the envelope over, his hand trembling, Harry saw a purple wax seal bearing a coat of arms; a lion, an eagle, a badger and a snake surrounding a large letter ‘H'. Q2 - Why do the Dursleys not want him to get this letter?Q3 - Do you think you can “stamp out” being a wizard? What do you think happens to people who suppress their magic?He hoped the roof wasn't going to fall in, although he might be warmer if it did. Four minutes to go. Maybe the house in Privet Drive would be so full of letters when they got back that he'd be able to steal one somehow.Q4 - Do you wonder if these letters are duplicated by magic or if Hogwarts is handwriting all these letters to Harry?Q5 - How would you have gotten the letter if you were Harry?Monday. This reminded Harry of something. If it was Monday – and you could usually count on Dudley to know the days of the week, because of television – then tomorrow, Tuesday, was Harry's eleventh birthday. Of course, his birthdays were never exactly fun – last year, the Dursleys had given him a coat-hanger and a pair of Uncle Vernon's old socks. Still, you weren't eleven every day. Q6 - What's your most memorable birthday?One minute to go and he'd be eleven. Thirty seconds ... twenty ... ten – nine – maybe he'd wake Dudley up, just to annoy him – three – two – one – BOOM. The whole shack shivered and Harry sat bolt upright, staring at the door. Someone was outside, knocking to come in. Q7 - What's going to happen next?

Welcome to Harry Potter Theory. Today, we're discussing the history of Harry Potter's only known surviving relatives—the Dursley family. The Dursleys are one of the most infamous Muggle families to exist within the Wizarding World. As his only living relatives at the time of Harry's parents' deaths, these were the people who—unfortunately— were given the responsibility of raising Harry from the time he was only a one-year-old child. But who are they, really? And how did they become such intolerable sods? In today's video, I'll be taking you through a deep dive into the backstories and lives of the entire Dursley family as we know them.  Let's get to it! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Vanessa and Matt explore the theme of Deception in Chapter Three of Harry Potter and the Order of the Phoenix! They discuss the Dursley's fake lawn care award, Moody's suspicions, and the Order's chosen method of transportation. Throughout the episode we consider the question: when is a little bit of deception helpful?Thank you to Emily for this week's voicemail! Next week we're reading Chapter 4, Number Twelve, Grimmauld Place, with Casper through the theme of Apathy.--It's two sickles to join S.P.E.W., and only two dollars to join our Patreon for extra bloopers every week! Please consider helping us fill our Gringotts vault so we can continue to make this show. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we discuss if the first book of the Harry Potter was a fitting beginning to the series. Enjoy!Topics/Summary:·      1:38 Did Dumbledore make the right choice? This is a big topic and it is difficult to pin down a single answer. This was one of the only options because if he brought Harry to an orphanage, he might have become the new Voldemort. Luckily, he didn't bring Harry to an orphanage, but the choice then becomes which family does he bring him to. But if McGonagall told him horror stories about the Dursleys, why would Dumbledore send him there? Well, his mother's protection applies at 4 Privet Drive. And for that reason, we can say that Dumbledore made the right decision.·      8:01 Do we get properly introduced to the characters? This is a much easier decision. We get a great introduction to all of the characters and though we don't get to see all that much of each one, but despite that we get a window into each of the people that will become main characters later in the story. Harry is the only characters that we don't fully meet in my opinion. We don't see his bravery or any of the other traits that make him the person we later get to know.·      13:13 It would have been great to see Harry to more magic. I know he did vanish the glass, but its more difficult to make the connection that its Harry. We don't know Harry's a wizard and it would be difficult to put two and two together. The vanishing spell is pretty advanced, and we're basing our entire knowledge of the wizarding world on this one interaction.·      17:34 It was a good choice to begin the story with Mr. Dursley instead of Harry. He knows the same amount about magic than us, so it is a great contrast between  the muggle world and the magical one. He sees owls and wizards in the streets, and we can appreciate how strange it is along with him. Magic stands out much more when looking through Mr. Dursley's eyes that Harry. Of course, it is a strange thing, but Mr. Dursley finds it even more alien. ·      21:29 Hagrid was a good liaison into the magical world. Hagrid is close enough to a normal person that muggles would look twice, but he is still a bit odd. He also knows how to talk to muggles and there's nothing terribly magical about him so he can blend in. If Dumbledore apparated into the middle of the cottage and starts pulling out his magical watches and maps and all that stuff, the Dursleys would have a heart attack. Hagrid is also a good person and Dumbledore knew that he would become good friends with the trio.·      26:58 Was the first book a fitting beginning to Harry Potter? Absolutely! It may not be 100% perfect, but this book is a positively fantastic entry to the story beyond.  Having anything you want to hear or say? Click here for a voice submission or here for text. ThePotterDiscussion@gmail.com@thepotterdiscussion on Instagramthepotterdiscussion.com

It's time to wrap up the conversation about Petunia by talking about her arc in the second set of two books and the final one book. Alice and Martha discuss her relationship with Dumbledore, the ending of her story with Harry, and memories from the Pensieve in this final Petunia episode. Please consider supporting us on Patreon! www.patreon.com/realweirdsistersNew episodes are released every Monday and special topics shows are released periodically. Don't forget to subscribe to our show to make sure you never miss an episode!

This week, Alice and Martha cover Petunia's storyline in the second set of two books, reviewing her relationship with her sister-in-law and her continued doting on Dudley. Remember the middle of the series, Petunia! Please consider supporting us on Patreon! www.patreon.com/realweirdsistersNew episodes are released every Monday and special topics shows are released periodically. Don't forget to subscribe to our show to make sure you never miss an episode!

Alice and Martha move to discussing Order of the Phoenix Real Weirdos, unfortunately skipping over the realest weirdo of all (Bungy) due to lack of source material. This week's episode focuses on the world's greatest aunt (no, not "Aunt Figg") in the first two books. Please consider supporting us on Patreon! www.patreon.com/realweirdsistersNew episodes are released every Monday and special topics shows are released periodically. Don't forget to subscribe to our show to make sure you never miss an episode!

Join us as we begin Chapter-by-Chapter of Harry Potter and the Chamber of Secrets! Harry's abuse rises to new levels, the Dursleys obtain Death Eater status, and Dobby complicates Harry's life despite his good intentions. From horcruxes to house-elves, from animal cruelty to servitude, there's lots to unpack from on this weeks' episode! We reflect on reading Chamber of Secrets for the first time and what we're expecting to get out of our re-read Main Discussion #1: Chamber of Secrets, Chapter 1: The Worst Birthday 7-Word Summary: The Day Harry Was Beaten By Family We deeply analyze the Dursley's mistreatment of Harry and add animal cruelty to the list of offenses Wouldn't Petunia know that Harry can't do magic outside of school? Perhaps she does not want to reveal her knowledge of the wizarding world to Vernon? How could Harry overcome the Dursleys' restrictions except for the rescue from the Weasleys? How does Dumbledore allow for this level of abuse to go on for so long? Don't use THAT word (MAGIC)... are the Dursleys the Death Eater equivalent in the Muggle world? Can we glean anything positive from Dudley remembering Harry's birthday? Main Discussion #2: Chamber of Secrets, Chapter 2: Dobby's Warning 7-Word Summary: Surprises await Harry in his bedroom tonight  We analyze the Mystery of Dobby's Ownership When would Lucius Malfoy have begun planning to unleash the Diary Horcrux? Connecting the Threads: we compare the behavior of Dobby in this book to Kreacher in Order of the Phoenix What is our general consensus on Dobby? Helpful or super, super annoying? Harry and Dobby: both are servants in their respective households, both are bound by magical contracts and both are treated horribly! Next week: we're off for Thanksgiving... (or are we)? Quizzitch: In Chapter 3 of Chamber of Secrets, what is the last of Harry's possessions to leave Privet Drive? This week's episode is brought to you by BetterHelp (get 10% off your first month at BetterHelp.com/MuggleCast)!

On this week's episode, we're busting open our MuggleMail bag as listeners send in owls about the first several chapters of Sorcerer's Stone! We entertain a few What Ifs about Petunia and Dudley and get some enlightening perspectives on Narcissa and Lupin! Hey, Apple Podcast users! You can now subscribe to the show right within the Apple Podcasts app. For $2.99/month, you'll receive early episode releases and ad-free MuggleCast! Thanks in advance for your support. We're opening up our Chapter-by-Chapter MuggleMail bag! Why was Hagrid sent for Harry? How big is the student body at Hogwarts? What happened to both sets of Harry's grandparents? How did Dudley's pigtail finally get removed? Did Harry's Horcrux impact the Dursley's treatment of him? What if... Petunia had magical ability and had been accepted at Hogwarts? What if... Dudley was a wizard? Would Vernon have disowned him? Could House-Elves be responsible for sending the Hogwarts letters? Other MuggleMail covers Leta Lestrange, The Elder Wand, Narcissa Malfoy and Remus Lupin Should Dumbledore have been sorted into Slytherin? Why wasn't Dobby asked to be in The Order? Quizzitch: In one of their very first History of Magic classes, which two famous wizards do the students in Harry's class get mixed up? On next week's episode: Chapters 9 & 10 of Sorcerer's Stone: The Midnight Duel and Halloween In this week's Bonus MuggleCast available exclusively to Patrons, we discuss excerpts from Alan Rickman's recently released diary, Truly Madly! This week's episode is brought to you by The Happiness Lab Podcast, BetterHelp (get 10% off your first month at BetterHelp.com/MuggleCast) and HelloFresh (use code muggle65 for 65% off plus free shipping at HelloFresh.com/Muggle65)!

This week, Vanessa and Matt explore the theme of Joy in Chapter Four of Harry Potter and the Goblet of Fire! They discuss the fun had at Dudley's expense, Harry's return to the Burrow, and a cramped moment in the Dursley fireplace. Throughout the episode we consider the question: how can we learn to find and cherish the fun in unplanned situations?Thank you to Michael for their voicemail! Next week we're reading Book 4 Chapter 5, Weasleys' Wizard Wheezes, through the theme of Healing with special guest Casper ter Kuile!!--It's two sickles to join S.P.E.W., and only two dollars to join our Patreon for extra bloopers every week! Please consider helping us fill our Gringotts vault so we can continue to make this show. Hosted on Acast. See acast.com/privacy for more information.