Podcast appearances and mentions of Jack Cassidy

Join us as Ben, Dessy, Tiago, and Rose cover the inspirations behind Ace Attorney! Today we're watching the first episode of the original Columbo TV movies, "Murder by the Book!" This excellent introduction to the character is a favorite of ours already, so we're thrilled to rewatch it and talk about it here! We talk about Peter Falk, Jack Cassidy, and how this episode was directed by Steven Spielberg! We also have our usual tangents about Ken Penders, Doogie Howser, and the most important thing of all: conversation pits. Also discussed are the wonderful use of light and shadow in the episode, how Columbo is like Jaws, and why does Columbo need so many bowls to make a omelette?? Find out the answers to SOME of this and more in today's pod! NEXT TIME: G.K. Chesterton's "The Innocence of Father Brown" Follow us online: aceattorney.bsky / aceattorneypod.tumblr.com / updatedautopsy.report Watch Ben, Dessy, & Iro's Let's Plays of the series on YouTube here! Want a shirt? Check out our store here! Ben: yotsuben.bsky Dessy: dessy.bsky Rose: rosenonsense.bsky Tiago: tiagosdutra.bsky / linktr.ee

GGACP celebrates National Couples Appreciation Month with this ENCORE of the first of a 2-part interview featuring celebrated actors and longtime Hollywood couple Richard Benjamin and Paula Prentiss. In this episode, Richard and Paula talk about their seven-decade careers in front of (and behind) the camera, co-starring in a groundbreaking sitcom, co-hosting “Saturday Night Live,” meeting Stan Laurel and Buster Keaton and working with legendary directors Howard Hawks, Mike Nichols and Billy Wilder. Also, Jack Cassidy plays a superhero, Jack Benny exits “The Sunshine Boys,” Paula shares the stage with Hope and Crosby and Richard teams Burt Reynolds and Clint Eastwood. PLUS: Uncle Goopy! “Goodbye, Columbus”! Remembering Jim Hutton! Walter Matthau plays the ponies! And Richard and Paula gush over Gilbert's James Mason impression! Learn more about your ad choices. Visit megaphone.fm/adchoices

Vinterpausen er overstået, og AaB skal søndag genoptage overlevelseskampen i Superligaen. Hvad er status på klubben efter træningslejr og testkampe og hvilke forventninger kan man tillade sig at have til de kommende måneder. Det er bl.a. noget af det, vi ser nærmere på i denne udgave af Ripodsten, hvor det også skal handle om en 30 års fødselar og en usædvanlig træningslejr. Medvirkende:Simon Ydesen, sportsjournalist, Det Nordjyske Mediehus Jens Otto Barsøe, sportsjournalist, Det Nordjyske MediehusFrederik Børsting, Vendsyssel FF Der er interviews med: Jack Cassidy, assistenttræner, AaB Poul Buus, målmandstræner, AaB Melker Widell, AaB Hosted on Acast. See acast.com/privacy for more information.

Can live music capture more than just sound? Join us as we unravel the mysteries behind the Owsely Stanley Foundation's newest release of Bear's Sonic Journal: John Hammond - 'You're Doin' Fine' and explore how they preserve history by creating these immersive "sonic journals." We're thrilled to welcome back Starfinder Stanley, Redbird Stanley, and Pete Bell for their sixth time on the show. Together, we journey into the world of live music recordings and the meticulous processes that bring these historical moments back to life, with techniques pioneered by Bear that capture the essence of intimate venues. This episode offers a window into the heart of music preservation. We discuss the painstaking efforts involved in transferring and mastering delicate recordings, ensuring that the soul of each performance is immortalized for future generations. The art of capturing live music is contrasted with traditional studio methods, showcasing Bear's unique approach and his use of "steel giraffes" to capture the ambient magic of live performances. Discover how these recordings offer not just sound, but a visceral experience that transports listeners directly into the atmosphere of past gigs. With insights into the creative process behind the Sonic Journals project, we explore how this endeavor is about more than just music; it's an intricate tapestry woven with stories, art, and cultural heritage. From the captivating artwork by Richard Biffle to the fascinating tales of artists like Jack Cassidy and Tom Waits, this episode celebrates the community and collaboration that make these projects extraordinary. Head over to www.owsleystanleyfoundation.org to order your copy of this release and all the other amazing Bear's Sonic Journal releases. -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music

GGACP celebrates October's National Book Month by revisiting this 2021 interview with David Koenig, author of “Shooting Columbo: The Lives and Deaths of TV's Rumpled Detective.” In this episode, David and the boys look back at the iconic detective series, its mercurial star Peter Falk and its impressive lineup of guest killers and character actors. Also in this episode: Bing Crosby takes a pass, Eddie Albert speaks his mind, Steven Spielberg knocks it out of the park and Larry Cohen signs on as “murder consultant.” PLUS: Vito Scotti! The brilliance of Jack Cassidy! The genius of Levinson & Link! The debacle of “Mrs. Columbo”! Truman Capote “bumps off” Johnny Carson! And David reveals the truth (?) about Danny Kaye and Laurence Olivier! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

Harvey Brownstone conducts an in-depth Interview with Patrick Cassidy, Broadway, Movie & TV Star, Son of Shirley Jones & Jack Cassidy About Harvey's guest: Today's guest, Patrick Cassidy, is a popular actor and singer who's been dazzling the world of stage and screen with his remarkable talent, charisma and versatility for over 4 decades.   And his talent comes as no surprise, given that he is a member of Hollywood royalty.  He's the son of the beloved and legendary entertainers Jack Cassidy and Shirley Jones.    His body of work in musical theatre is incredibly impressive.  On Broadway, he starred in “The Pirates of Penzance”, “Annie Get Your Gun”, “Aida”, “42nd Street” and “Leader of the Pack”, which earned him a Tony Award nomination for Best Actor.  He's also starred in national tours of some of those shows I just mentioned, and in fact he won the National Broadway Theatre Award for Best Actor in a Touring Musical for his performance in “Aida”, before playing the role on Broadway.   He originated the role of “The Balladeer” in the Off-Broadway production of Stephen Sondheim's “Assassins”.  And he has starred in numerous other theatrical productions including “The Sound of Music”, “Joseph and the Amazing Technicolor Dreamcoat”, “The Robber Bridegroom”, “Company”, and “The Threepenny Opera”, for which he was nominated for the Garland Award for Best Actor.   On the big screen, he's appeared in “Off the Wall”, “Nickel Mountain”, “Fever Pitch”, “Love at Stake”, “Man of Her Dreams”, “A One Time Thing”, and of course, the brilliant, groundbreaking Oscar-nominated movie, “Longtime Companion”.  On television, you've seen him in many movies, TV series and miniseries including: “Midnight Offerings”, “Angel Dusted”, “Dress Gray”, “Dirty Dancing”, “Napoleon & Josephine”, “Hitler's Daughter”, “Ruby & The Rockits” and many more.    Our guest is also the artistic director of the renowned Studio Tenn Theatre Company in Franklin, Tennessee.   For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Patrick Cassidy, go to:https://www.instagram.com/patrickcassidyofficial/ #PatrickCassidy    #harveybrownstoneinterviews

A magician kills his owner over the knowledge of his dark secret, and BOY is it dark. That aside this is a banger as Jack Cassidy shows us why he's talked about. We talk about: Luke Hates FF7R, This Dude Is A Nazi, Magic Tricks, New Coat, Jack Cassidy Loves The Mob, Handcuffs, Weird Daughter Stuff, Many Copies, Magic Shows, Jack v Jack v Jack,Episode Watched: Season 5, Episode 5: Now You See Him…

GGACP celebrates the 50th anniversary (!) of the groundbreaking Norman Lear sitcom "Good Times" (premiered February 8, 1974) by revisiting this charming mini-episode interview with star John Amos. Also in this episode: Jack Cassidy! "704 Hauser"! Tom Hanks sings a TV jingle! Gilbert writes a Superboy comic! And John remembers Mary Tyler Moore!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Cassidy is back to square off against Lt. Columbo. He's gone from author to publisher in "Publish or Perish" where he knocks off the prize author (Mickey Spillane) who is about to move to his rival's publishing house. The twist this time is that Cassidy is setting himself up as the murder as well as providing himself with an air-tight alibi courtesy of a mad bomber.

Today on the Rarified Heir Podcast, we are talking to a Connecticut Yankee in Hal Prince's Court. And while that might not make sense to you now, believe me, it will after you listen to this episode with guest Luke Yankee. Son of Oscar winning actress Eileen Heckart, Luke talked to us about his mother with great affection as well as great humor. You see Eileen didn't suffer fools gladly and it made for some very pointed (but funny) asides which we read about in his book about his mother Just Outside the Spotlight and discuss here. I ask you, on what other podcast can you hear first-hand accounts of both Soupy Sales and Elizabeth Ashley, Sophia Loren and Bette Davis as well as Marilyn Monroe and, you guessed it, Edie Adams? While Eileen's love was Broadway and she played roles in everything from Butterflies Are Free to Barefoot in the Park, it was her roles in films lie The Bad Seed and the film version of Butterflies that fans might know her best from After all, she did win an Oscar for the latter and was nominated for the former. Along the way we discuss roles as Aunt Flo on The Mary Tyler Moore Show, her drive for normalcy in New Canaan for her children and family while in show business and maybe one of the most poignant stories we've ever heard on this podcast that frankly, unexpectedly choked us up. Along the way we hear stories about the randy George Segal, the ‘bad boy' Jack Cassidy and the play that Luke will have produced about his relationship with his mother in February 2024. So sit back and take a listen to this episode is the Rarified Heir Podcast. Everyone has a story.

SHE LOVES ME  Book by Joe Masteroff, Music by Jerry Bock, & Lyrics by Sheldon HarnickWorks Consulted & Reference :She Loves Me (Libretto) by Joe Masteroff & Sheldon HarnickSense of Occasion by Harold PrinceTo Broadway, To Life! The Musical Theatre of Bock & Harnick by Philip Lambert She Loves Me (2016 Live Capture ) Directed by Scott EllisMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Tonight at 8" from She Loves Me (Original Broadway Cast Recording)  | Music by Jerry Bock, Lyrics by Sheldon Harnick | Performed by Jenn Colella and 'Come From Away' Company"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Dr. Evan Ortlieb joins us to discuss the 2023 edition of the What's Hot in Literacy survey. This survey was started by Dr. Jack Cassidy in 1997 and is now conducted by Dr. Ortlieb and Dr. Stephanie Grote-Garcia. In this episode we discuss what was hot, what is recieving increased interest, and should be hot. […]

Welcome to episode 92 of Holly Jolly X'masu! In this special Christmas Podcasters Day episode, I talk about “Mr. Magoo's Christmas Carol,” from 1962. I can't tell you how much I love this special. It's one of those things from when I was kid that has really stood the test of time. Jule Styne and Bob Merrill's music is a big reason for that, as are the performances of Jim Backus, Jack Cassidy and the rest of the cast. I was really only able to scratch the surface about the special and the people involved. If you'd like to learn more, do yourself a favor and get yourself a copy of Darrell Van Citters exceptional book, “Mr. Magoo's Christmas Carol, The Making Of The First Animated Christmas Special.” Since this is Christmas Podcast Day, make sure to check out a few of the other podcasts out there. You can find us all at christmaspodcasts.com, but we'll also be posting links to each other's shoes throughout the day. Be sure to join me back here next month as I talk about the music of Japanese clarinetist Shoji Suzuki. Up first is the 1959 compilation, “X'mas All Star Jazz Parade.” After that, I'll be covering his 1963 album, “Merry Christmas.” Then join me on the 25th for “Swingin' Christmas” from 1961. It's one of the first Japanese Christmas albums I found online, and one that really got me hooked on finding more. All three are exceptional albums and you won't want to miss them. As always, any feedback on this episode would be appreciated. If have any suggestions, or if you'd like to recommend a song or album for a future episode, drop me a line and let me know. Remember, I've added a button to my Ko-fi page. If you'd like to support me one cup of coffee at a time, a donation is only $3. I've also opened a Redbubble store. I only have a couple designs up, but keep an eye on it as I'll be trying to add more. Half of any proceeds or donations received will be donated to support the people of Ukraine, while the rest will be used to purchase new Japanese Christmas music to review for future episodes. You can also find me on Facebook, Instagram and Twitter. And if you get a chance, leave me a review on iTunes. Thanks!

Agents Scott and Cam, along with guest operative Jon Auty from the Behind the Stunts podcast and YouTube channel, scale a treacherous mountain while decoding the 1975 Clint Eastwood action thriller The Eiger Sanction.   Directed by Clint Eastwood. Starring Clint Eastwood, George Kennedy, Vonetta McGee, Jack Cassidy, Heidi Brühl, Thayer David, Reiner Schöne, Michael Grimm, Jean-Pierre Bernard and Brenda Venus. Hear more from John on the Behind the Stunts YouTube channel and podcast. Make sure to check out his Raiders of the Lost Ark episode! You can also follow him on Twitter. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Watch the video of this podcast. Extended cut video on Patreon! Patrons get early access, Bonus episodes, and listen ad-free! patreon.com/perfectlymarvelouspodcast3rd installment in our MVP series: Jade and Paul shamelessly gush about Colombo and deep-dive into villain territory! Who reigns supreme? Cassidy or Culp? We discuss 6 episodes in total!Jack Cassidy's episodes – Murder by the Book S1E1, Publish or Perish S3E4, and Now You See Him S5E5.Robert Culp's episodes – Death Lends a Hand S1E2, The Most Crucial Game S2E3, and Double Exposure S3E4. Get your rewatch on and join the party because this one was definitely a favorite to record! Enjoy! XOXO

Subscribe to "Shall We Compare Thee" Podcast feed HERE! Never miss an episode ;-)Watch the video of this podcast. Extended cut video on Patreon! Patrons get early access, Bonus episodes, and listen ad-free! patreon.com/perfectlymarvelouspodcast3rd installment in our MVP series: Jade and Paul shamelessly gush about Colombo and deep-dive into villain territory! Who reigns supreme? Cassidy or Culp? We discuss 6 episodes in total!Jack Cassidy's episodes – Murder by the Book S1E1, Publish or Perish S3E4, and Now You See Him S5E5.Robert Culp's episodes – Death Lends a Hand S1E2, The Most Crucial Game S2E3, and Double Exposure S3E4. Get your rewatch on and join the party because this one was definitely a favorite to record! Enjoy! XOXO

Gary is joined by Jack Cassidy to discuss ways that coaches can add a little more detail and relevance to the preparation on their training sessions. Jack's current role is as Senior Professional Development Phase Coach (U21) & Pathways Manager at Cambridge United FC and he recently created a document where he researched all the goals scored in the Premier League. You can access Jack's document below: https://heyzine.com/flip-book/PremierLeagueGoalsTechnicalReport-JackCassidy

This week we go LARGE as @EchoChamberFP https://www.instagram.com/echochamberfp/ goes triple the fun!!! In 'Part ONE', we have two different types of horror from Netflix, we jump back to check out Atomic Monster, Universal Pictures & Blumhouse creepy doll. There's a holiday sequel from Hulu & Disney+. AND we end on a thriller from RLJE Films, Hammerstone Studios & Signature Entertainment. Today we have: Killer Book Club (El club de los lectores criminales) Watch Review: Here. https://youtu.be/XkmWpgiRxlM Digital Release Date: 25th August 2023 Director: Carlos Alonso Ojea Cast: Veki Velilla, Iván Pellicer, Álvaro Mel, Priscilla Delgado, Hamza Zaidi, María Cerezuela, Ane Rot, Carlos Alcaide, Daniel Grao, Carmela Lloret Running Time: 89 min Cert: 15 Trailer: Here. https://youtu.be/2wZlDZ-PVzo?si=zcHgxgQirXgiyLWb ------------ Zom 100: Bucket List of the Dead Watch Review: Here. https://youtu.be/EYJEQh0VX0Y Digital Release Date: 3rd August 2023 Director: Yûsuke Ishida Cast: Eiji Akaso, Akira Tendo, Mai Shiraishi, Shizuka Mikazuki, Shuntarô Yanagi, Kenichiro Ryuzaki, Yui Ichikawa, Mayo Kawasaki, Kazuki Kitamura Running Time: 129 min Cert: 15 Trailer: Here. https://youtu.be/zKvLB-N2RdA?si=NaX3UHKvYvL8WAY- Watch via Netflix: Here. https://www.netflix.com/title/81464329 ------------ M3GAN Watch Review: Here. https://youtu.be/68f6ZjAzPNg Digital Release Date: 25th August 2023 Director: Gerard Johnstone Cast: Allison Williams, Violet McGraw, Ronny Chieng, Amie Donald, Jenna Davis, Brian Jordan Alvarez, Jen Van Epps, Stephane Garneau-Monten, Lori Dungey, Amy Usherwood, Jack Cassidy, Michael Saccente, Samson Chan-Boon, Kira Josephson, Renee Lyons, Arlo Green Running Time: 102 min Cert: 15 Trailer: Here. https://youtu.be/mvfxFltDdao?si=0BqK8Cwa0TU007c2 Digital Platforms: Amazon, iTunes, Google Play, YouTube Movies, Vudu, Xfinity, Fios Watch via Apple TV+: Here. https://tv.apple.com/us/movie/m3gan/umc.cmc.5rwomfz98u19czniaz4pdm5pc ------------ Vacation Friends 2 Watch Review: Here. https://youtu.be/lPDWxM08CVg Digital Release Date: 25th August 2023 Director: Clay Tarver Cast: Lil Rel Howery, Yvonne Orji, John Cena, Meredith Hagner, Carlos Santos, Steve Buscemi, Ronny Chieng, Jamie Hector, Julee Cerda Running Time: 105 min Cert: 15 Trailer: Here. https://youtu.be/lMUu-ag9ofk?si=xLW_1sUqXDd04heo Watch via Hulu: Here. https://www.hulu.com/movie/vacation-friends-2-2de551ad-c025-46e6-a7f9-ed9a37852215 Watch via Disney+: Here. https://www.disneyplus.com/en-gb/movies/vacation-friends-2/5md4EF55MDb5 -------------- Sympathy for the Devil Watch Review: Here. https://youtu.be/oOTOoUXO0iI Fantasia International Film Festival: 22nd July 2023 Theatrical Release Date: 28th July 2023 Digital Release Date: 8th September 2023 Director: Yuval Adler Cast: Nicolas Cage, Joel Kinnaman, Kaiwi Lyman, Nancy Good, Alexis Zollicoffer, Cameron Lee Price, Oliver McCallum, Burns Burns, Rich Hopkins Running Time: 90 min Cert: 15 Trailer: Here. https://youtu.be/14Dpigy2wJA Digital Platforms: Amazon, iTunes, Google Play, YouTube Movies, Vudu and FandangoNOW Watch via Apple TV+: Here. https://tv.apple.com/us/movie/sympathy-for-the-devil/umc.cmc.jcr4na97b4jxrzbdvk1y7kc4 Website: Here. https://sympathyforthedevilmovie.com/ ------------ *(Music) 'Cot Damn' (feat. Ab-Liva & Rosco P. Coldchain) by Clipse - 2002 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

In every way imaginable, this "Naked Lunch" is a moving feast -- and a hilarious one, too. Teen sensation turned successful TV writer/producer Shaun Cassidy gets caught in traffic, and so thus this fun and freewheeling conversation begins with Shaun on the road. Phil, David and Shaun retrace Cassidy's remarkable life and career thus far, from growing up a Hollywood "nepo baby," the son of Oscar-winning legend Shirley Jones and actor Jack Cassidy, as well as the half-brother of David Cassidy, to becoming a stadium-packing "Teen Dream" with big pop hits like "Da Doo Ron Ron," "That's Rock 'n' Roll" and "Hey Deanie," to creating TV shows like "American Gothic," "Roar" and writing in recent years on the popular medical drama, "New Amsterdam." All this, plus Shaun tells a hugely funny story about Andy Warhol and how Oprah Winfrey and his wife Tracey helped set the stage for Shaun to return to the road after three decades for his acclaimed current touring show "The Magic of the Midnight Sky." Shaun also answers a star question sent by Kim Williams Paisley who helped set up this "Lunch," as well as taking a fan call from Monica's younger sister Jennifer Horan. Find more about Shaun at https://www.shauncassidy.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Katie Cassidy is third generation Hollywood royalty and a triple threat herself, as actor, writer and producer. She never met her grandfather Jack Cassidy, but she is very candid about her complicated relationship with her late father, teen heart throb David Cassidy, and shares his last words and the impact they had on her. The actors' strike had just begun on the day of this podcast and Katie reveals some exciting new projects she will be working on. A bonus for aspiring actors, she explains how Liam Neeson taught her to play dead in the first “Taken” movie.

Dans le premier épisode d'une longue série, Max découvre le célèbre concier... lieutenant pour la toute première fois. Naviguez entre les coquilles d'oeuf et les fontaines à eaux dans cet épisode classique mis en scène par un jeune Spielberg, où la bataille entre Peter Falk et Jack Cassidy laisse présager de la qualité de la série à venir. Avec deux meurtres, deux détectives, deux auteurs et deux bouteilles de champ', nos deux acolytes mettent environ deux heures à décortiquer, scène par scène, cet épisode pilote. Bonjour et au revoir Lily La Sanka ! unjeunechezcolumbo@gmail.com pour nous contacter et donner votre avis. 

Sven meets up with José Guzmán (He/Him) in the lobby at the Krannert Center for the Performing Arts to talk about his composition "Holande Pa Uste" as performed by the UIUC Latin Jazz Ensemble, finding a musical connection with blending different Puerto Rican musical traditions as well as West African styles, and his favorite non-musical things.   José is running the 2023 Chicago Marathon for his favorite charity: Mercy Home, you can donate to his fundraising here: https://marathon.mercyhome.org/chicago2023/jguzman SONG: Holande Pa Uste performed by UIUC Latin Jazz Ensemble. Soloists: Matthew Storie on alto sax, Jack Cassidy on trumpet, and Kurt Reeder on piano. BANDS: Mr. Chair (Madison, WI), KASA Quartet, Eddie Barbash with KASA Quartet, The Afro-Caribbean Jazz Collective Favorite treat: Almond croissant or Banana bread with black coffee. Photo credit: Herminio Rodriguez

Download the “65 Investment Terms You MUST Know to Reach Your Financial Goals” for FREE by going to ⁠https://TodaysMarketExplained.com/ Dominic Vaccaro and Jack Cassidy from Burlington Capital (https://burlingtoncapital.com/) tell us about their journey from lenders to property owners, the importance of vertical integration in property management, and how they've navigated real estate cycles for consistent returns. In this episode Brian Kasal, Dominic Vaccaro and Jack Cassisdy discuss: The Power of Vertical Integration in Real Estate The Strategy behind Acquiring Class B and C Properties Turning Challenges into Opportunities in Real Estate The Importance of Stable Neighborhoods in Multifamily Investments Website: https://www.linkedin.com/in/dominic-vaccaro-85a544199/  LinkedIn: https://www.linkedin.com/company/burlington-capital-group-emerging-markets/  Facebook: https://www.facebook.com/burlingtoncapital/    Instagram: https://www.instagram.com/burlingtoncapital/  Follow us here to see short videos of all our best investing tips: TikTok: ⁠https://www.tiktok.com/@todaysmarketexplained⁠ Instagram: ⁠https://www.instagram.com/TodaysMarketExplained⁠ YouTube: ⁠https://www.youtube.com/@todaysmarketexplained⁠ Facebook: ⁠https://www.facebook.com/TodaysMarketExplained⁠ Twitter: ⁠https://twitter.com/PodcastTME⁠ Website: ⁠https://todaysmarketexplained.com/⁠ DISCLAIMER: This podcast is provided by FourStar Wealth Advisors for the general public and general information purposes only. This content is not considered to be an offer to buy or sell any securities or investments. Investing involves the risk of loss and an investor should be prepared to bear potential losses. Investment should only be made after thorough review with your investment advisor considering all factors including personal goals, needs and risk tolerance. FourStar is an SEC registered investment advisor that maintains a principal business in the state of Illinois. The firm may only transact business in states in which it has filed or qualifies for a corresponding exemption from such requirements. For information about FourStar's registration status and business operations please consult the firm's form ADV disclosure documents, the most recent versions of which are available on the SEC investment advisory public disclosure website at www.adviserinfo.sec.gov

For Video Edition, Please Click and Subscribe Here: https://www.youtube.com/watch?v=YUDb4KAuiRI&t=14s Imagine you are an 8-year-old introvert informed by your father that you will spend the afternoon at a famous actor's house—a famous actor you've never met! In fact, this famous actor from Hollywood's golden age will be your babysitter. From the spooky car ride up a narrow driveway in Benedict Canyon to the creaky opening of the front door that reveals an elderly James Cagney, you are captivated! The star of The Public Enemy, Yankee Doodle Dandy, White Heat, Mister Roberts, and many other Hollywood classics is nothing like you'd expect. He's not brash; he's not a killer; he isn't loud and he doesn't sing and dance. He is quiet and gentle and full of imagination. In one afternoon away from the pressures of a perfectionist father, you relax and fall under the spell of a wonderful babysitter who makes you feel special and encourages you to enter an imaginary world where leprechauns come to life and owls speak to you from the trees. Hours later, you leave James Cagney's house changed from a timid child into an enthusiastic young man who's infused with self-confidence and ready for life's next adventure. Ryan Cassidy is the youngest of the Cassidy brothers and is often placed into context with brothers David Cassidy (half-brother), Shaun Cassidy and Patrick Cassidy or parents Shirley Jones and the late Jack Cassidy. At first, Ryan was unswayed by the lure of show business and considered a career in law enforcement. Johnny Ray Miller, a native of Canton, Ohio, has been an aficionado of the Partridge Family television program and their recorded music from the show's beginnings. Miller is a concert and theatre producer, actor and director.

Got a mountain-sized episode for ya, folks. Today we're attempting Eastwood's spy thriller THE EIGER SANCTION with writer John Semley (@johnsemley3000) and talking the difficulty of making an American Bond, the deadly injury on the set of this film, and even more George Kennedy appreciation than last week's episode. Listen to it or be sanctioned (just kidding, it's fine)! Topics include: the water in Oaxaca, Jake doesn't know anything about football, scurrying through hatches, some quick and dirty espionage history, Clint's little shorts, Jack Cassidy, the film's casual but intense homophobia, Tom Cruise, the Vanderpump empire, Brenda Venus's strange life, and much more. Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Inspired by Alicia's stories about Shirley Jones and Jack Cassidy, Stacie takes a look at the difficult road that David Cassidy's sudden Partridge Family stardom propelled him down. Further Reading C'mon, Get Happy...: Fear and Loathing on the Partridge Family Bus, by David Cassidy and Chip Deffaa (Amazon link) Want early, ad-free episodes, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Sponsors Criminality. Listen wherever you get podcasts, or visit criminalityshow.com to learn more. To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TrashyDivorces. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For a while, it seemed like Shirley Jones had it all: a roaring career, a gorgeous, famous husband, and even an Academy Award. But away from the bright lights, Shirley's husband Jack Cassidy was growing more and more extreme in his behavior, until an unavoidable - and terrifying - breaking point brought their long marriage to an end. Want early, ad-free episodes, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Further Reading Shirley Jones: A Memoir, by Shirley Jones (Amazon link) Sponsors Moms and Mysteries Podcast! Binge the catalog of more than 260 true crime stories, with more than 30 million downloads so far. Subscribe where you're listening now! Dipsea. Get 30 days of full access to steamy stories for free when you go to dipseastories.com/trashy! To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TrashyDivorces. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some people have all the luck, and at least when it comes to breakthroughs in show business, stage and screen legend Shirley Jones was certainly charmed. After somewhat accidentally - and also successfully - auditioning for Rodgers and Hammerstein, her career took off. It led her to an intoxicating love affair with the charming but not exactly faithful actor Jack Cassidy, who would become Shirley's ex-husband in 1975. Join us this Thursday, February 16, for That Trashy Show – A Valentine's Day Decompression Session! Get your tickets at https://www.moment.co/trashydivorces. Further Reading Shirley Jones: A Memoir, by Shirley Jones (Amazon link) Sponsors Moms and Mysteries Podcast! Binge the catalog of more than 260 true crime stories, with more than 30 million downloads so far. Subscribe where you're listening now! Dipsea. Get 30 days of full access to steamy stories for free when you go to dipseastories.com/trashy! To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TrashyDivorces. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rodgers and Hart's classic 1937 score is one for the ages; here's Judy Garland, Frank Sinatra, Jack Cassidy, Lena Horne, Barbra Streisand and others tackling classics such as "Where or When?," "My Funny Valentine" and so many more.

Chris and Taylor review the new sci-fi horror film "M3GAN" written by Akela Cooper and directed by Gerard Johnstone.  A robotics engineer at a toy factory company builds a life-like doll that begins to take on a life of its own.  The film stars Allison Williams, Violet McGraw, Jen Van Epps, Brian Jordan Alvarez, Jack Cassidy, Ronny Chieng, Amy Usherwood, Lori Dungey, Amie Donald and Jenna Davis.Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcast/?ref=pages_you_manageTwitter: https://twitter.com/thepotentialpodThanks to our sponsor: Let'sGetCheckedGet 25% off your health test at trylgc.com/potential and enter the code POTENTIAL25

Ronald Young Jr. reviews M3gan with JC Howard RYJ and JC talk about the dangers of using technology to raise your children.JC - 4.15 of 5 starsRYJ - 3.5 of 5 starsFollow me on IG, and Twitter - @ohitsbigronFollow JC Howard on IG and Twitter - @thejchowardFind out more about JC by checking out his website:http://www.thejchoward.com/ Use the link below to get Leaving the Theater LIVE show tickets; https://www.unionstage.com/shows/leaving-the-theatre-live-love-onscreen-miracle-theatre/ Available in TheatersStarring Amie Donald, Jenna Davis, Allison Williams, Violet McGraw, Jen Van Epps, Brian Jordan Alvarez, Jack Cassidy, and Ronny ChiengDirected by Gerard JohnstoneWritten by Akela CooperSupport Leaving the Theater on Patreon using the link below:https://www.patreon.com/LeavingTheTheater

Welcome fellow adventurers! The guys close out the year with a discussion on their words of the year for 2022. The clips are from "Coach Carter," ""Let Go," by Jack Cassidy, and a clip of Nick Vujicic. The journey continues, so grab your gear, be blessed, and Happy New Year! Be sure to check out our other podcasts, Masculine Journey After Hours and Masculine Journey Joyride.

Let's take a tour around this state we love so much. On this episode of Municipal Equation, NCLM's podcast about cities and towns adapting to change, we explore how municipalities from the mountains to the coast are programming their American Rescue Plan allocations -- federal funds with transformative potential, and recipient cities are acting in that regard. Our guest on this episode is NCLM's Jack Cassidy, who has been covering ARP from its inception and likes to point out that when municipalities get support, they get the job done. Plenty of examples to celebrate and inspire, here. Listen now. 

The follow-up episode to my previous Forgotten Broadway episode is an epic one, chock full of fascinating composers, lyricists, performers and shows. We begin with a tribute to birthday boy Leonard Bernstein, a song from Peter Pan sung by gay Broadway icon Larry Kert. From there we encounter shows by Lerner and Loewe, Rodgers and Hammerstein, Kander and Ebb, Cy Coleman, Dorothy Fields, Strouse and Adams, Jerry Herman, Stephen Sondheim, Schmidt and Jones, Vernon Duke, Mary Rodgers, Sigmund Romberg, Harold Rome and Leroy Anderson, among others, performed by Jane Powell, Pat Suzuki, Melba Moore, Rita Gardner, Jack Cassidy, Rebecca Luker, Cesare Siepi, Susan Johnson, Dody Goodman, Pearl Bailey, Ezio Pinza, Elaine Stritch, Shannon Bolin, and others. Diverse topics discussed include the Broadway revue, queer subjects and performers, and the place of performers of color on Broadway. This is a long episode that I recommend listening to in segments! And please be aware that an equally mammoth third segment on Forgotten Broadway will be published this weekend for my Patreon supporters! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

Jack Cassidy grew up in a musical household and after losing on" The Voice" at 18, he lost himself in a world of Hollywood parties and drugs.

A little something for your Christmas Eve! Michael Falzarano has been a working musician for over 45 years, most notably in Hot Tuna, the famed offspring of The Jefferson Airplane; The New Riders of the Purple Sage; The Memphis Pilgrims, a Memphis-style rock ‘n' roll band he founded in NYC; and his current projects The Extended Family and The Englishtown Project.We're stoked to talk to Michael about his new album 'A Kaleidoscope Christmas', his years playing with Jorma Kaukonen and Jack Cassidy, blessings wrapped in turmoil, and a whole lot more!Song at the start of the episode: BOOGIE WOOGIE CHRISTMASSong at the end of the episode: YOU'RE STILL STANDINGHead over to michaelfalzarano.com for music, news and more!Become a Patron through Patreon.com - This is how you get involved in making sure we can continue bringing you conversations with artists and talking about the things that connect us as a Family! JOIN THE NO SIMPLE ROAD FAMILY!Leave us a 5 star review on Apple Podcasts, Stitcher, Spotify or wherever you get NSR!No Simple Road is part of OSIRIS MEDIA. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. To stay up to date on what we're up to, visit our site and sign up for our newsletter. Osiris works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live musicSupport this show http://supporter.acast.com/nosimpleroad. See acast.com/privacy for privacy and opt-out information.

Hansel and Josh are joined by Jack Cassidy, former contestant on The Voice. Jack is open and vulnerable as he shares about his struggles with mental health, drug use, and the moment that Jesus saved him. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rita Ryan takes a break from interviewing local musicians to be interviewed by one on the Rick Z Show.  Rita's live radio show Localmotion airs Wednesdays at 4pm on 91.3 WVKR Vasser College. Her over 200 shows shines a spotlight on local talent and the venues they play as well as known musical icons from Paul Schafer and Martin Sexton to Jack Cassidy and Malcolm Cecil. 

Adam and Dr. Drew open the show continuing a conversation from a past show about how things get lodged in our psyches at a very young age. After also doing a deep dive on the life and times of Jack Cassidy they turn to the phones and speak to a caller who advocates for an unusual cause and wants the guys thoughts. Please Support Our Sponsors: EightSleep.com/Love LifeLock.com, promo code ADAM TrueCar.com Pluto.tv See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Tony and Gary showcase two of their favorite celebrity interviews. First, Tony and Gary talk to David Cassidy in a surprisingly candid and emotional conversation. David opens up about fame and family (including his complicated relationship with his father, actor Jack Cassidy) and his struggle with alcoholism. David was once the biggest teen idol in the world as Keith Partridge on The Partridge Family, and still performs today to sell-out crowds of devoted fans.Next, Tony and Gary have a hysterical chat with Emmy Award winner, Tom Bergeron, host of ABC's Dancing with the Stars and America's Funniest Home Videos! Tom gives the hilariously unexpected inside scoop on those shows plus his time at Hollywood Squares, Good Morning America, FX's Breakfast Time, and more!