Podcasts about National heritage

Fidel's words have been performed, published & shared wildly.  A limited edition of ‘Words on Water, nature-inspired poems produced for National Heritage week 2023 (Friends of Castle lake Catchment). Is the perfect marriage between poetry, nature & science. She has two full collections ‘Living with Love' & ‘Time' (‘Time' was named in the top 10 non-fiction of 2020 by Dublin City Libraries). Her short stories can be found in ‘Thrice Remembered – An Anthology of Cavan Writings'. Collaborations that Inspire is a series of Fidel's poems paired with various artists.

We're following tragedy this morning after two people died in a plane crash just near the airport. Casey Lund is live at the scene with the latest. Lahaina could become the first place in Hawaii to be named a National Heritage site. What could this mean for the community? A big company merger is potentially in the works. What two major automakers have to say about recent reports.See omnystudio.com/listener for privacy information.

A University of Missouri professor spent years listening to insects — hear how his work is influencing other researchers. Plus, a 117-year-old African American church in Parkville is getting much-needed restoration work thanks to the National Heritage fund.

Anna Meenan, Traditional Farm Buildings grant scheme programme manager, and Ian Doyle, Head of Conservation with the National Heritage council in Kilkenny, join us to discuss the importance of historic farm building conservation and how to apply. For more episodes and information from the Environment Edge, visit the show page at:https://www.teagasc.ie/environmentedge/

Burrenbeo Trust has confirmed that the latest round of the National Heritage Keepers Programme opened for applications on the 3rd of September. Over 150 groups and schools have completed the free programme to date. Heritage Keepers are now looking for community groups and senior classes of primary schools to take part in its highly anticipated fourth round. They have worked with community groups from Clare in addition to many Clare primary schools. To find out more, Peter O'Connell was joined by Heritage Keepers Co-ordinator, Mary Dillon and member of Quin group, Anne Marie O'Looney. Photo (c): https://burrenbeo.com/hk/

Jocelyn Clark is a performer and scholar. Before becoming a professor at Pai Chai (培材) University in South Korea, she founded and directed the CrossSound new music festival in Alaska, and the new music touring ensemble IIIZ+ (guzheng, koto, gayageum, and percussion), organizations through which she commissioned and/or premiered over 30 new works for Korean gayageum. Next to her work in contemporary music she is the first foreigner without Korean heritage to become an official government disciple in the National Heritage system, in the genre gayageum sanjo and byeongchang [伽倻琴散調/竝唱]. As a scholar, Clark has spent over 25 years in Japan, China, and Korea studying traditional musics. She holds a Ph. D. from Harvard University in East Asian Languages and Civilizations where she wrote on the language of pansori, focusing on the tension between its oral transmission/low social standing and its tenuous relationship to Chinese classical poetic texts of the High Tang. Other research interests include music of place, aesthetics, and contemporary “national music” performance practices in Northeast Asia in the age of AI. She has published in academic journals such as The World of Music, Asian Musicology, and Perspectives on Korean Music. She writes an opinion column for the national newspaper the JoongAng Daily. The introduction music is taken from Jocelyn playing here: https://www.youtube.com/watch?v=hAQ6u3-N0YY Discussion Outline 0:00 Starting a Korean Journey 14:05 Understanding Korean Music 22:00 Explaining Pansori 33:45 Pansori, Gender, and Change 38:36 Cultural Transmission and Education 45:15 Concepts and Social Recognition of Korean Culture 51:55 Seopyeonjae (서편제) and The Sound of a Flower (도리화가) 58:30 Korean Sounds 1:04:40 Aesthetics: More than Music 1:17:40 The Korean Language 1:22:30 3 Minutes Speaking Korean 1:25:45 Live Concerts 1:35:10 A Chinese Lesson   Korea Deconstructed by David Tizzard ▶ Get in touch: datizzard@swu.ac.kr ▶ David's Insta: https://www.instagram.com/datizzard/ ▶ KD Insta: https://www.instagram.com/koreadeconstructed/ ▶ Yunseo Jeon: https://www.instagram.com/y_jeon_s/ ▶ Support us on Patreon: https://www.patreon.com/user?u=62047873 ▶ Watch us on Youtube: www.youtube.com/@UCXcdboOUCnCFnrAOF5dV1sg ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com

Have you ever found yourself on a long road trip, cruising down the highway, and wondered what those “brown signs” along the roadside are all about? Or say to yourself, “I wish we had more time to stop and check that out?” If you happen to be in the Detroit-Metropolitan area anytime soon, you need to take that off ramp and check out the Motorcities National Heritage Area where they tell the stories of how southeast and central Michigan “Put the World on Wheels.” And with us is Director of Communications and Engagement Bob Sadler to explain why taking this particular detour needs to be part of your upcoming travel plans.  ===== (Oo---x---oO) ===== The Motoring Podcast Network : Years of racing, wrenching and Motorsports experience brings together a top notch collection of knowledge, stories and information. #everyonehasastory #gtmbreakfix - motoringpodcast.net More Information: https://www.motoringpodcast.net/ Become a VIP at: https://www.patreon.com/ Online Magazine: https://www.gtmotorsports.org/

In our "Singapore Home Brew" segment… “Saturday Mornings” host Glenn van Zutphen and co-host, author Neil Humphreys are joined by David Chew, Festival Director, Singapore Night Festival and Lynn Chong, Head of Brand Marketing, Mobile eXperience, Samsung Singapore as they give details on the 15th Singapore Night Festival.See omnystudio.com/listener for privacy information.

In this short podcast Danny covers a brief history before the event which is The National Heritage Week Day on the 25 August 2024 at the Cashen organised by Ballybunion Tidy Towns at their Biodiversity Site near the famous Cashen River in North Kerry Ireland. This episode is for those who will not be able to attend the event and our people living abroad. There will be an update on this day in the near future this is truly Brilliant Ballybunion. Enjoy.

Saturday Mornings host Glenn van Zutphen and co-host, author Neil Humphreys talk with Cheryl Koh, Director, Heritage Institutions, at The National Heritage Board as they started its: “Let's Celebrate – Embracing Harmony” at Our Tampines Hub. In celebration of Racial Harmony Day, the event featured specially commissioned performances, cultural workshops, a student-guided heritage trail, traveling exhibitions and displays, a community mural painting workshop, and more to highlight the rich cultures and heritage of our various communities.See omnystudio.com/listener for privacy information.

Saturday Mornings host Glenn van Zutphen and co-host, award-winning author Neil Humphreys talk with Arthur Tan, Manager/Strategic Planning and Data Management, NHB, Lee Shu Yu, NHB Youth Panel Collaborations & Partnerships Committee Co-Lead, and  Ahmad Hasif Bin Mohammad Amran about the National Heritage Board's first-ever "Youth Heritage Blueprint" to guide museums and heritage organisations about what young people want to see and experience.See omnystudio.com/listener for privacy information.

The SBS Sinhala monthly radio tour - Australian Rural Beauty is to national heritage-listed Brewarrina Fish Traps in New South Wales. Janaka Weerasinghe, Queensland State Correspondent of SBS Sinhala Radio takes you on this travel. - මිනිසුන් විසින් ඉදිකරන ලද ලොව පැරණිතම ඉදිකිරීමක් ලෙසට සැලකෙන ඕස්ට්‍රේලියාවේ නිව් සවුත්වේල්ස් ප්‍රාන්තයේ Brewarrina Fish Traps නරඹන්න මෙවර අපි ඔබව SBS සිංහල සේවයේ මාසික ගුවන් විදුලි චාරිකාවෙන් එක්ක යනවා. සුපුරුදු ලෙසින් ඔබව මේ චාරිකාව රැගෙන යන්නේ SBS සිංහල ගුවන් විදුලියේ ක්වීන්ස්ලන්ත ප්‍රාන්ත වාර්තාකරු ජනක වීරසිංහ විසින්

May is National Heritage Month in the Philippines. As a proud Filipino, what aspects of the Filipino culture do you want to pass on to your children or to the next generation? - Ngayong Mayo ay National Heritage month sa Pilipinas. Bilang isang proud Pinoy, anong mga kulturang Pinoy ang nais mong ipamana sa mga anak mo o sa susunod na henerasyon?

Our Lady of Mercy Church in Port au Port West-Aguathuna-Felix Cove has just won a national heritage competition called "Canada's Next Great Save." We speak with a member of the Our Lady of Mercy Complex Committee and a local business owner/community member. (Jamie Fitzpatrick with Joanne Rose and Paula Cornec)

Saturday Mornings host Glenn van Zutphen and co-host, award-winning author Neil Humphreys talk with Lynn Xu, Director, Strategic Comms and Digital at the National Heritage Board about the findings of their Heritage Awareness Survey and the upcoming NHB initiatives for 2024 and what to do around Singapore.See omnystudio.com/listener for privacy information.

Amidst the charming chaos of my homestead's dogs and chickens, I found myself contemplating the legacy we leave for our children. The tale of Eddie Rickenbacker's valor whispered to me of a profound dedication, a story that I knew needed to be shared—not just for the echo of history it carries but for the future it promises our youngsters. Join me, Jesse Cope, as I weave a thread through the tapestry of our nation's past, presenting a heartfelt narrative that celebrates the heroes who have shaped our identity. It's not just about honoring their memories; it's about ensuring that the ethos of service and sacrifice is more than a whisper in the classrooms and hallways where our children learn about the world.The battleground of education and culture is rife with contention, and I stand firm in the fray, addressing the contentious issue of historical monuments being dismantled. This isn't just a matter of stone and metal; it's about the very soul of our nation. I draw stark parallels to the erasures of history that have led to global upheavals, making a fervent appeal to preserve the stories that have molded us. This episode is a rallying cry, a clarion call to families everywhere to stand sentinel over our shared narrative, to keep the flame of America's spirit alight for those who will walk the paths we lay now. So, gather 'round as we engage in a crucial conversation about protecting and passing on the heritage that defines us, blessing our families with the courage to carry this torch into the future.Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

A quinta edição do Rede Capoeira, evento nacional para a discussão do futuro da capoeira no Brasil e no mundo, foi aberto nesta quarta-feira (24) em Salvador. A edição que vai até sábado (27) tem entre os participantes a Ministra da Cultura, Margareth Menezes e terá homenagens a 14 mestres octogenários.   Luciana Rosa, correspondente da RFI em Nova York Entre os homenageados na edição de 2024, organizada pelo projeto Mandinga, estão dois mestres radicados nos Estados Unidos: mestre Acordeon de 80 anos, que vive no Novo México e mestre João Grande, hoje com 92 anos, residente em Nova York, que é considerado o mais velho mestre de capoeira do mundo.Nascido em Itagi na Bahia no ano de 1933, João descobriu a capoeira de Angola aos 10 anos, mas só arriscou os primeiros movimentos aos 20, quando se juntou ao movimento Corta Capim.Os famosos mestres João Pequeno e Barbosa, foram seus primeiros professores e o apresentaram a outra lenda: mestre Pastinha.Mestre Pastinha abriu a primeira Escola de Capoeira Angola de Salvador em 1941, lugar dedicado a preservar e dar continuidade à longa tradição da Capoeira Angola como caminho de autoconhecimento e domínio.João conta que foi Pastinha quem disse que a capoeira seria o melhor para ele. "Eu fiquei com o João Pequeno, treinando o tempo todo. Depois eu fui com o mestre Pastinha. Saí de lá e fui para o Cardeal Pequeno, em Brota", conta mestre João Grande.Mas ele não vivia da dança, trabalhava na construção civil. Até que decidiu fazer shows folclóricos e ingressou no Viva Bahia, o pioneiro grupo folclórico de Emília Biancardi, e viajou para a Europa e Oriente Médio, na década de 1970.Antes disso, em 1966, foi à África com mestre Pastinha participar do Festival de Artes Negras de Dakar, no Senegal."Foi a minha primeira viagem internacional", diz João. "Eu trabalhava de construção civil, nas docas, essas coisas enquanto eu estava na Bahia. Quando eu viajei com a Emília, ela pagava, em 1974, passamos 9 meses viajando", relembra hoje o mestre internacionalmente reconhecido.Embaixador da Capoeira AngolaSurgia o mestre João Grande, que, ao lado de João Pequeno, tornou-se o guardião da capoeira Angola, mesma expressão pela qual era conhecido mestre Pastinha.Mestre João também conhecido como Grão-Mestre de Capoeira Angola é uma figura altamente respeitada no mundo da capoeira e recebeu inúmeros prêmios.Entre eles, um Doutorado em Letras Humanas do Upsala College em 1995 e o National Heritage Fellowship pelo National Endowment for the Arts em 2005, que é um dos mais prestigiados prêmios para artistas dos Estados Unidos.João Grande é uma espécie de embaixador da capoeira e no evento de Salvador ele contará suas experiências e o trabalho pela Internacionalização da Capoeira.Tendo viajado extensivamente pela África, Europa e Ásia, pelo Brasil e pelos Estados Unidos, ele levou a prática a lugares inesperados como a Casa Branca.Onde ele se apresentou acompanhado de velhos amigos, como João Pequeno, ao receber o National Heritage em 2001.Conexão Bahía para Nova YorkA mudança definitiva para Nova York aconteceu em 1992. "Viajei para fazer o batizado do mestre Jelon.  Ensinei capoeira lá na Bahia, depois arranjei a viagem para vir para aqui, para o festival de Atlanta, em 1966. Aí gostei e fiquei aqui", conta João. O mestre capoeirista diz que a escolha por Nova York foi obra divina. "É Deus que determina a pessoa! Deus me colocou aqui e eu vim", é sua justificativa.Mestre João, levou a cultura da capoeira através do ensino da prática e chegou a levá-la ao cinema, fazendo uma demonstração no filme de 2005, "A intérprete", que tem Nicole Kidman como protagonista.Em 2015, ele receberia das mãos do ministro Juca Ferreira a Ordem do Mérito Cultural, a mais alta condecoração brasileira no campo, em uma cerimônia no Palácio do Planalto com a presença da então presidente, Dilma Rousseff.Hoje em dia, mesmo com a idade avançada, mestre João continua ensinando, de forma virtual, e praticando capoeira, aos 92 anos, completados no último dia 15 de janeiro.Rede Capoeira Nas palavras do organizador do evento, mestres como João Grande são história viva, donos da vivência e sabedoria de quem divulgou no mundo a cultura afro-brasileira, abrindo arduamente caminhos para os capoeiristas que vieram depois", diz mestre Sabiá, idealizador e coordenador do Rede Capoeira desde a sua primeira edição, há 40 anos.Um dos maiores símbolos da cultura afro-brasileira, a capoeira precisa de seus mestres, para seguir viva."Eu pensei", diz mestre João Grande sobre a possibilidade de voltar definitivamente para a Bahia, mas conta que nunca deu vazão à vontade porque acredita que a capoeira perdeu força por lá.Ele sente que na Europa e nos Estados Unidos "o pessoal dá mais valor" à prática.Aproveitando a oportunidade de estar diante de um mestre, pergunto a João Grande se a capoeira é uma dança ou é uma luta."É dança e é luta!", diz ele, resumindo a dicotomia da batalha para manter a capoeira viva, uma tradição tão cara à cultura do nosso país.E finaliza, dizendo que capoeira "é uma dança que não pode parar"!

A quinta edição do Rede Capoeira, evento nacional para a discussão do futuro da capoeira no Brasil e no mundo, foi aberto nesta quarta-feira (24) em Salvador. A edição que vai até sábado (27) tem entre os participantes a Ministra da Cultura, Margareth Menezes e terá homenagens a 14 mestres octogenários.   Luciana Rosa, correspondente da RFI em Nova York Entre os homenageados na edição de 2024, organizada pelo projeto Mandinga, estão dois mestres radicados nos Estados Unidos: mestre Acordeon de 80 anos, que vive no Novo México e mestre João Grande, hoje com 92 anos, residente em Nova York, que é considerado o mais velho mestre de capoeira do mundo.Nascido em Itagi na Bahia no ano de 1933, João descobriu a capoeira de Angola aos 10 anos, mas só arriscou os primeiros movimentos aos 20, quando se juntou ao movimento Corta Capim.Os famosos mestres João Pequeno e Barbosa, foram seus primeiros professores e o apresentaram a outra lenda: mestre Pastinha.Mestre Pastinha abriu a primeira Escola de Capoeira Angola de Salvador em 1941, lugar dedicado a preservar e dar continuidade à longa tradição da Capoeira Angola como caminho de autoconhecimento e domínio.João conta que foi Pastinha quem disse que a capoeira seria o melhor para ele. "Eu fiquei com o João Pequeno, treinando o tempo todo. Depois eu fui com o mestre Pastinha. Saí de lá e fui para o Cardeal Pequeno, em Brota", conta mestre João Grande.Mas ele não vivia da dança, trabalhava na construção civil. Até que decidiu fazer shows folclóricos e ingressou no Viva Bahia, o pioneiro grupo folclórico de Emília Biancardi, e viajou para a Europa e Oriente Médio, na década de 1970.Antes disso, em 1966, foi à África com mestre Pastinha participar do Festival de Artes Negras de Dakar, no Senegal."Foi a minha primeira viagem internacional", diz João. "Eu trabalhava de construção civil, nas docas, essas coisas enquanto eu estava na Bahia. Quando eu viajei com a Emília, ela pagava, em 1974, passamos 9 meses viajando", relembra hoje o mestre internacionalmente reconhecido.Embaixador da Capoeira AngolaSurgia o mestre João Grande, que, ao lado de João Pequeno, tornou-se o guardião da capoeira Angola, mesma expressão pela qual era conhecido mestre Pastinha.Mestre João também conhecido como Grão-Mestre de Capoeira Angola é uma figura altamente respeitada no mundo da capoeira e recebeu inúmeros prêmios.Entre eles, um Doutorado em Letras Humanas do Upsala College em 1995 e o National Heritage Fellowship pelo National Endowment for the Arts em 2005, que é um dos mais prestigiados prêmios para artistas dos Estados Unidos.João Grande é uma espécie de embaixador da capoeira e no evento de Salvador ele contará suas experiências e o trabalho pela Internacionalização da Capoeira.Tendo viajado extensivamente pela África, Europa e Ásia, pelo Brasil e pelos Estados Unidos, ele levou a prática a lugares inesperados como a Casa Branca.Onde ele se apresentou acompanhado de velhos amigos, como João Pequeno, ao receber o National Heritage em 2001.Conexão Bahía para Nova YorkA mudança definitiva para Nova York aconteceu em 1992. "Viajei para fazer o batizado do mestre Jelon.  Ensinei capoeira lá na Bahia, depois arranjei a viagem para vir para aqui, para o festival de Atlanta, em 1966. Aí gostei e fiquei aqui", conta João. O mestre capoeirista diz que a escolha por Nova York foi obra divina. "É Deus que determina a pessoa! Deus me colocou aqui e eu vim", é sua justificativa.Mestre João, levou a cultura da capoeira através do ensino da prática e chegou a levá-la ao cinema, fazendo uma demonstração no filme de 2005, "A intérprete", que tem Nicole Kidman como protagonista.Em 2015, ele receberia das mãos do ministro Juca Ferreira a Ordem do Mérito Cultural, a mais alta condecoração brasileira no campo, em uma cerimônia no Palácio do Planalto com a presença da então presidente, Dilma Rousseff.Hoje em dia, mesmo com a idade avançada, mestre João continua ensinando, de forma virtual, e praticando capoeira, aos 92 anos, completados no último dia 15 de janeiro.Rede Capoeira Nas palavras do organizador do evento, mestres como João Grande são história viva, donos da vivência e sabedoria de quem divulgou no mundo a cultura afro-brasileira, abrindo arduamente caminhos para os capoeiristas que vieram depois", diz mestre Sabiá, idealizador e coordenador do Rede Capoeira desde a sua primeira edição, há 40 anos.Um dos maiores símbolos da cultura afro-brasileira, a capoeira precisa de seus mestres, para seguir viva."Eu pensei", diz mestre João Grande sobre a possibilidade de voltar definitivamente para a Bahia, mas conta que nunca deu vazão à vontade porque acredita que a capoeira perdeu força por lá.Ele sente que na Europa e nos Estados Unidos "o pessoal dá mais valor" à prática.Aproveitando a oportunidade de estar diante de um mestre, pergunto a João Grande se a capoeira é uma dança ou é uma luta."É dança e é luta!", diz ele, resumindo a dicotomia da batalha para manter a capoeira viva, uma tradição tão cara à cultura do nosso país.E finaliza, dizendo que capoeira "é uma dança que não pode parar"!

Howard Bass, Tina Chancey, and Susan Gaeta are the members of Trio Sefardi, a group they formed in 2010 to perform traditional songs of the Sephardim – the descendants of Jews exiled from Spain in 1492. They draw on their individual experience and expertise in many different genres of music, including jazz, folk, and early music, and they mine the rich song traditions of Sephardic communities from the former Yugoslavia, Greece, Bulgaria, Turkey, and North Africa. Trio Sefardi has a special place in their hearts for the traditional and original songs they learned from their mentor, Bosnian-born singer/composer and 2002 National Heritage awardee Flory Jagoda. Suzanne spoke with Tina Chancey and Howard Bass about their work with Trio Sefardi, and why this music is so personally important to each of them.

Tesco invasion and disappearance of Shoprite, future of Manx food and drink producers, Bushy's perspective, cold callers still about & Manx National Heritage seek vintage pop posters. It's Mannin Line with Andy Wint #iom #manninline #manxradio

National Heritage Month is a beacon, illuminating the rich tapestry of cultures that weave our shared history. Among the numerous threads, the powerful stories of Latinas stand out, leaving indelible imprints of resilience, passion and triumph. These narratives find a voice through book publishing, reaching hearts and minds across generations. Adriana Rosales is on a mission to make these powerful stories and books published through her publishing agency, Adriana & Company™, a platform for these trailblazing Latinas. In this episode of Legacy Leaders Show, Andrian shares a powerful personal story that led her to become John Maxwell Trainer, Founder of Latinas100™, USAF Veteran and so much more. For Andria, it is not just about preserving heritage but celebrating it, echoing the tales of these women who have faced adversity, shattered ceilings, and paved paths for the future. In doing so, we protect our heritage and inspire countless others to craft their own stories.Buckle Up, Champions!

National Heritage Month is a beacon, illuminating the rich tapestry of cultures that weave our shared history. Among the numerous threads, the powerful stories of Latinas stand out, leaving indelible imprints of resilience, passion and triumph. These narratives find a voice through book publishing, reaching hearts and minds across generations. Adriana Rosales is on a mission to make these powerful stories and books published through her publishing agency, Adriana & Company™, a platform for these trailblazing Latinas.In this episode of Legacy Leaders Show, Andrian shares a powerful personal story that led her to become John Maxwell Trainer, Founder of Latinas100™, USAF Veteran and so much more.For Andria, it is not just about preserving heritage but celebrating it, echoing the tales of these women who have faced adversity, shattered ceilings, and paved paths for the future. In doing so, we protect our heritage and inspire countless others to craft their own stories.Buckle Up, Champions!

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, Founder of Rubber Cheese.Download the Rubber Cheese 2022 Visitor Attraction Website Report - the first digital benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcastCompetition ends on 20th December 2023. The winner will be contacted via Twitter.Show references: https://vacevents.com/THURSDAY 5TH OCTOBER – QEII CONFERENCE CENTRE, WESTMINSTERhttps://vacevents.com/committee/ Bernard Donoghue OBECEO & Director, ALVA, the Association of Leading Visitor Attractions, Mayor of London's Culture Ambassador. Co-Chair, London Tourism Recovery Board.https://www.alva.org.uk/https://www.linkedin.com/in/bernard-donoghue-obe-0aa9b97/ Bernard has been the Director of ALVA, the UK's Association for Leading Visitor Attractions, since 2011 following a career in advocacy, communications, and lobbying, latterly at a senior level in the tourism and heritage sector. In  2017, the Mayor of London, Sadiq Khan, appointed Bernard to be the Mayor's Ambassador for Cultural Tourism and a member of the Mayor's Cultural Leadership Board. Bernard is Co-Chair of the London Tourism Recovery Board. He is also Chairman of LIFT, London International Festival of Theatre; Chairman of the Bristol Old Vic, the oldest continually operating theatre in the English-speaking world, and also of the People's History Museum, the Museum of Democracy.  He has been a member of the UK Government's Tourism Industry Council since 2016.  Bernard was named by Blooloop in 2020 as one of the world's 50 most influential people in museums, and in July 2021 won the public vote for the COVID Special Recognition Award from the UK Museums and Heritage Awards for his service to, and leadership of the museums and heritage sector in the UK during the pandemic. Ken Robinson CBE FTS - Founder of VAChttps://www.linkedin.com/in/ken-robinson-cbe-fts-bb811312/Ken is an independent adviser who speaks and writes on tourism topics.  As a "tourism enthusiast" he aims to be a pragmatic pioneer of new initiatives, strategies and solutions to optimise the economic, cultural and social benefits of tourism.   Ken's Consultancy companies completed over 1500 assignments, mostly in the UK but also several hundred international projects, beginning over 50 years ago, before the days of mass tourism.  He was a founding member of the Tourism Society and supported the formation of the Tourism Alliance, both of which organisations he has served as a board member and Chair, as he has on several other Tourism bodies. Specialising initially in visitor attractions, Ken initiated and subsequently chaired the National Visitor Attractions Conference, VAC, and has been on its Committee ever since.  In addition to many clients in the public, private and third sectors, he has advised the UN's International Trade Centre, on national and regional Tourism strategy development.  His current focus is to move the industry's thinking from marketing to the critical need to manage future tourism for the benefit of host communities, and to optimise tourist's experiences.  Ken was appointed CBE for services to Tourism in 1997, and an Honorary Doctorate in 2014. Paul KellyChief Executive, BALPPA, Chair of VAC https://www.balppa.org/https://www.linkedin.com/in/paul-kelly-2714a922/Having been with BALPPA for 11 years and working with VAC for that amount of time as well, Paul started his career in the attractions sector at Thorpe Park in the 80's and then moved on to the London Eye for its opening around the millennium.  He has  always been involved with visitor attractions.  Several more years working within Merlin followed both in the UK and abroad, mainly on business development.  Being a BALPPA member for 30 years means, being Chair of the organising committee at VAC keeps Paul in touch with all aspects of the attractions industry. Liz Terry MBEManaging Director, Leisure Media Grouphttps://www.linkedin.com/in/elizterry/ Janet Uttley Head of Business Transformation for VisitEnglandhttps://www.linkedin.com/in/janetuttley/  Transcriptions: Kelly Molson: Welcome to Skip The Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. Season 5 kicks off today with not one, not two, but three excellent guests.On today's episode, I have the pleasure of speaking to Bernard Donoghue, Paul Kelly and Ken Robinson, founders of the Visitor Attractions Conference. You also know Bernard as, Director of ALVA and Paul as CEO of BALPPA.VAC celebrates its 20th anniversary this year and I'm finding out where the idea for the event spanned from, how it's changed and developed over the years. And we take a look ahead to what 2024 has in store for the attraction sector.Unfortunately, fellow Founder; Liz Terry, the Managing Director of Leisure Media Group, and also Janet Uttley, Head of Business Transformation for VisitEngland, were unable to join us on this episode. But stay tuned for lots of insight and to find out how you can get your ticket for the VAC conference this year.Kelly Molson: If you like what you hear, you can subscribe on all the usual channels by searching Skip the Queue.Kelly Molson: Bernard, Ken, Paul, it is a treat to have you all on the podcast today. Thank you for joining me. I think this is the first time I've had three guests as well, so this could be interesting. Bernard Donoghue: And three men as well. I mean, it's like a really bad testosterone banana rama, isn't it? Really. Kelly Molson: I'm just a little flower in the middle of you thorns today. Yes, it's a real shame. So, unfortunately, Janet Uttley and Liz Terry couldn't make it along to join us today, which is a shame. But I'm sure that they will get lots of mentions as we talk through some of the things that we're going to chat about today. But first, as ever, I want to start with a little icebreaker. I'm going to ask you all the same thing because I'm intrigued as to whether you ended up doing what you thought you might. So, Ken, I'm going to start with you first. When you were at school, what did you think that you'd grow up and be when you were older? Ken Robinson: I didn't know. Kelly Molson: Had no clue at all? Ken Robinson: No, I didn't have a clue. I was lucky to have a good education. I didn't work at school. And then I got into a job, which was I was very successful at it and it was very boring. So I left. And when I discovered tourism and visitor attractions, it took me over. I didn't decide to do it. It told me that was it. Kelly Molson: Oh, I love it. It's like a calling. Ken Robinson: At the time it was, I was actually sitting in a turret room which had been vacated by Lord Montague. His desk used to face in and I liked that because I didn't have to look at the faces of the visitors going past who might complain, because in those days, buli was very expensive. And then one day I thought to myself, these people are investing their hard earned money and leisure time in making a decision to come here and it's our job to make sure they have a good time. And I turned my desk round and I looked at them all day long and the moment I turned my desk round, everything changed. Kelly Molson: I love that, because you could see the whites of their eyes and how they were engaging with the venue as they turned up. Ken Robinson: Well, it's just such a failure, isn't it? If you've got somebody who makes a choice and spends their time and money, a family decision for many people, and it should be a highlight. And if it isn't, whose fault is it? It's probably the fault of the visitor attraction, given that the person has chosen to go there in not communicating well enough with them about what they've got and what they would find interesting. Kelly Molson: This is such a brilliant story and that wasn't where I was expecting this to go either, Ken. I love it. Paul, what about you, Paul?Paul Kelly: Yeah, I mean, when I was at school, I was interested in sports and that was it, really, and luckily, that dragged me through the various places I went to. But what I was going to end up doing sports. I think once you get into sports quite seriously, you realise fairly quickly that actually you're not going to make it, so you have to find something else. So, laterally, I decided that business was a good idea. So I started doing business studies up in North Wales and for some reason were doing a sandwich course in those days, I think it was called that. One of those, I got placed at Thorpe Park. I don't know why particularly, so there's a group of six of us went down to Thorpe Park to work there and I actually started working on the rides.Paul Kelly: I'm not sure what it had to do with business at the time, but I'm glad somebody thought it did. And I couldn't believe that was a job that you could do, you could be paid for, because I came from the north at that point and there wasn't an awful lot going on in the 80s and actually be paid. Everyone enjoyed themselves, fantastic atmosphere, parties every night. I'm sure it's still like that. And it was just amazing. And from that moment on, regardless of what happened after that, including other colleges, other bits and pieces, effectively, I never left. Kelly Molson: It's always going to be in that sector. Paul Kelly: Yes. Kelly Molson: Excellent. Great. Bernard, same to you. Bernard Donoghue: Well, this may come as a surprise, but my grandfather was in the Irish Guards, my father was in the Grenadier Guards, my brother was in the Royal Marines, and I had a very large collection of action men. I genuinely thought I would probably end up in the army. And actually, I got an offer after university to go into the Household Cavalry. I don't think I've ever told anyone this before. Anyway, it just clearly I didn't pursue the application. It wasn't for me at all. Got really into politics. So I started working in the House of Commons, House of Lords and the Council of Europe in Strasbourg, and then I've just been in sort of lobbying, campaigning, political world ever since. But I still miss the uniforms. Can't deny it. Kelly Molson: I think we'd like to see you in that uniform, Bernard, if I'm not going to lie. So from the lobbying aspect, which is obviously a really big part of the role that you currently have, how did the attractions bit kind of slot into those? Where did the two join up? Bernard Donoghue: It's a really odd coincidence. I was trustee of a charity that Diana, Princess of Wales, was a patron of, and I was working full time for a charity that she was a patron of. So when she divorced Prince of Wales, now the King, she reduced her patronages down from 187 to six. And I happened to be involved with six of them. I went to work for her as a deputy private secretary, press secretary. But of course, the moment she died, which was August 31st, I had no job. Suddenly I was unemployed. And I got contacted by a woman who Ken will certainly know, probably Paul will, too, by Sue Garland, who used to be Deputy Chief Executive of VisitBritain, who'd heard me speak at something and said, "Well, we're just about to create this post of government affairs liaison. Would you be interested to working on the role while working on what you do next?”Bernard Donoghue: And that was in August 1997. And here I am still. Ken Robinson: But also, can I add something to that? Because I was lucky enough to be sitting in the room on many occasions when Bernard would give his briefing at meetings that were held by VisitBritain. And it was always a highlight of the day because Bernard, in those days, never pulled his punches. I'm not saying he does now, but he would just explain to everybody in the room what was going on with all of the political parties, which we never understood, and explain what we ought to be doing in order to best put our case. So it was really no shock when he turned up at ALVA, because I would say this if he wasn't here, he was the star of the show there, and that expertise that he showed has blossomed in the job that he's doing now. Kelly Molson: This is lovely, isn't it? Aren't you all nice? Bernard Donoghue: This is love in.. Kelly Molson: Probably why you all work together, right? You will get on so well. Right, back to you, Ken. Unpopular opinion, please. Ken Robinson: Most visitor attractions do not deliver full value for money to most of their visitors. Kelly Molson: Okay, Paul and Bernard, do you agree with this? Will our listeners agree with this? Is this an unpopular opinion?Paul Kelly: Did you use the word most, Ken? Ken Robinson: I did. Paul Kelly: I'll go for some, not most. Bernard Donoghue: Yeah, I'll go for some as well. One of my favourite programmes is Yes, Minister. And whenever you'd hear something off the wall, bonkers, they would say, that's a very brave opinion, Minister. That's a very brave opinion, Ken.Ken Robinson: Now's not the time to justify it. I'll do that on another occasion. Kelly Molson: Yeah, we will invite you back and we can do that one on one, Ken. Paul, what about you? Unpopular opinion? Paul Kelly: Well, I'm guessing that anybody that's worked in a theme park will probably have the same opinion I have. So I worked at Thorpe Park, which was 450 acres, two thirds of which was water. And at the end of the day, when you were walking out, and in those days, that could be 9, 10 o'clock at night, it was beautiful. On a late summer's evening, calm waters, walking through a park which had just been cleaned and tidied and ready for the next day. It was fantastic. And we all had the same opinion once were down the pub discussing the day. It's just a shame we have to let people into theme parks because it's the absolutely beautiful place without them there. So sometimes people let the parks down. Kelly Molson: That's a good one. That is a good one. Yeah. And you don't want to let them in to see the beautiful bit either, do you? Because then there'd be people there. It wouldn't be serene. Paul Kelly: No, I mean, those evenings, if there was still time, we'd go windsurfing on the lakes, cable water ski around the back. And it was just a shame that all these people came in every day and messed it all up. Kelly Molson: Yeah. Well, I'm pretty sure that most people who've worked in theme parks aren't going to disagree with you on that one, Paul. Good one. Bernard, what about yours? Bernard Donoghue: Even though I chair a theatre and I know how important the revenue is, I'm not a fan of selling drinks and food to people in theatres because they just make a noise. I can't bear it. I mean, it depends. I mean, it depends if it's a panto or something like that. Completely fine. Ken Robinson: Oh, no, it's not. Bernard Donoghue: It kind of allies to what Paul was saying as well, which was I don't know whether it's an unpopular opinion. I think it's probably a popular opinion. But visitor behaviour, whether it's in a theatre, a museum, an art gallery or wherever, has completely deteriorated post lockdown. Some people's behaviour is getting worse and it's very difficult to know what to do about it. Kelly Molson: Yes, agree. I don't think that's going to be very unpopular at all, actually, considering some of the things that we've seen recently. Thank you all for sharing. Okay, let's get back to the serious bit. The Visitor Attractions Conference. It's 20 years old this year. If you are listening and you're not familiar with it, one, why the hell not? And two, you need to grab a ticket today. It's the leading networking and learning event for visitor attractions across the UK. And I first visited in October 2019 and it was the first sector specific conference that I had been to. We'd been working in the sector for probably about three or four years, had never really at that point kind of gone all out on our like, "This is what we're going to niche and this is what we're going to specialise in."Kelly Molson: So I was kind of doing a bit of a fact finding mission really, and I came along and it absolutely blew me away. I think it was one of the friendliest conferences I've ever been to. I think you'd created an environment where everybody was really welcome, no stupid questions. Everyone from speakers to guests where kind of felt like they were all on the same level, really happy to answer questions that you had, really happy to talk to you. And I think that was for me. I came away from that event, I went back to my team and said, "This is where we should be. This is the event for us, this is where we should be attending, these are the people that we should be speaking to." And I've absolutely loved every minute of that. Kelly Molson: I mean, the next one I went to was a virtual one. So it was very different to the 2019 event, but still excellently organised. So firstly, thank you for making that happen. But where did the idea for the VAC come from in the first place? How did this come about? Ken Robinson: So we have to remember that the world was very different over 20 years ago. Really, really very different. Not just a question of internet or pre COVID and all those things and pre Olympics, but just very different. And attractions in those days thought and acted and communicated in their sectoral associations. Historic houses talked to historic houses, curators of museums talked to curators, bishops talked to priests, zoologists talked to botanists, but they didn't talk across the sectors. There were two exceptions to that. One was that in Visit England or English Tourist Board, there'd always been a committee there which was across the sectors, but the other one was ALVA. Now, when ALVA was formed, it was a 1 million visitors plus club for attractions, with 1 million plus visitors a year. Ken Robinson: Subsequently, groups of attractions, particularly English Heritage, National Trust, were involved originally associates, but it was a 1 million plus club and that's only 1% of the attractions in the United Kingdom had over 1 million. And it was very London centric. And ALVA had a five objectives, four of which were about government. And the interesting thing was that I was very good friends all through this time with Lord Lee, who know a very big part of the early success, pre Bernard of ALVA. I said to John Lee, “Look John, could you not change your name to ALVA and be involved with all the visitor attractions because they badly need something which glues everybody together and we need to get across this away from this sectoral stuff.” Ken Robinson: And everybody was talking about historic houses, talk about the house museums, talking about the continents of the museum but they weren't talking about visitors. They weren't talking about how you communicated with the visitors or what they were motivated by or how you could better manage things for visitors, give them better they weren't doing that. So John agreed with this and I've got the original papers here. I looked them out that I was asked first of all by ALVA in December of 2001 to write a paper on the future of ALVA which is headed: ALVA in the Future Representing All Visitor Attractions. Then after that the conversation went on and we realised that if were going to have some kind of overall event we couldn't do it without the National Tourist Board, we couldn't do it without Visit Britain, Visit England. We needed their input.Ken Robinson: We needed them to talk to DCMS and make sure it would happen. And also we wanted to do this not on a commercial basis but being by the industry, for the industry, run by the industry, not for profit. And that was a problem because we wanted to do it in the QE II Centre because we wanted to be in the centre of everything and that was going to cost an extraordinary sum of money and there wasn't that much money that could in that first year come originally from VisitEngland. So the partners in this, the partners being ALVA, BALPPA, Paul's organisation, Leisure Media the wonderful Liz Terry and her magazine which has forever been behind this event for no recompense whatever and myself put up 5000 pounds each security in order that the thing would happen. Ken Robinson: You said, "We'll stand the risk, let's do it.". So in 2004 I wrote the briefing of the first conference and I found from a 2003 the government asked for a list of topics that would be discussed in order they could work out whether or not they might like it and it's still here. What I like about it is it would do quite well for this year's conference. All those topics are still relevant. So that's where it came from. That's where it came from. We wanted it to have at the time the lowest possible attendance fee to get the highest number of people there. We wanted to involve everybody. Ken Robinson: And the cast list for that 2004 event, my goodness me, absolutely fantastic cast list in terms of the people we had for an initial event and you can imagine when it was announced and everybody was behind it ALVA was behind it. BALPPA, I should have mentioned that Colin Dawson, Paul's predecessor was an absolute stalwart of the conference in the early years he stood by know, when times were tough and that's where it came from. Kelly Molson: That is phenomenal. It was really putting your money where your mouth is, isn't it? By all of you actually personally investing in this thing to bring it to life. You don't hear many things happening in that way anymore, do you? It's all about getting investment and asking other people to make the commitment to it and take the risk. Ken Robinson: Well, we have a company now, I should say. We have a company called VAC Events, and we are all equal. The four of us are equal shareholders, that's to say, Bernard and ALVA, BALPPA and Paul, Liz and myself, for no benefit. Martin does it for us, but we are the people that carry the can, if you like, and I don't think we've ever had anything out of it apart from a nice lunch at Christmas, but apart from that, it's a great feeling of doing something. When you say everybody is very friendly and talks to one another. That's why they're all in the same business. Bishop, curator, zoologist person running a heritage railway, they're all in the same business. Kelly Molson: Obviously, the first event was a success. You've been on and you've done many, what, 20, 20 events since that first one. How have you seen it kind of change and develop over the years? So what did that first conference look like compared to what this year's will look like? And how have you kind of evolved it over that time to keep it relevant to your audience? Paul Kelly: Well, I think so. My involvement directly has been the last ten years, so I'm halfway through chairing for this one, but I was actually there at the early ones because I worked at that time. I was working at the London Eye, just across the river, and I was good friends with Colin Dawson at the time. I'd worked with him at Thorpe Park and he for some people, may well remember Colin as entertaining Princess Diana on a log flume in 92, 3 and 4. Paul Kelly: And I was there. It's hard to tell, but I was actually there. I'm not in any of the photos in Paris Match and all of those places. I have a couple of myself here. I didn't get anything signed by Princess Diana and sent over to you know, bitterness takes a while to and I've joked with Colin over this many years. Colin was there, but if you look closely behind the scenes, you'll find I was there too, but so I was great friends with Colin over many years and still am. He was obviously contacting everyone he knew about this conference. He was working for BALPPA at the time. I was working for the Two Swords Group, had the operational contract for the London Eye. Paul Kelly: So I went to the first one and I suppose my impressions of the first one was for somebody who hasn't been there before, the QE II is extremely impressive as a conference center. I don't go to many that look like that around the UK. Most of them normally the ones I go to are in attractions, they're slightly different so it was hugely impressive both on its location and what was across the road and how things went and I was a little bit starstruck I suppose, for the first one. Now I get the opportunity to sit on the stage and look out at everybody and have a slightly different view on it all, but still think it's an extremely impressive environment to do that. Paul Kelly: And I think the biggest change for me, and I think we may cover a little bit later, is how we've broken up the afternoons into separate segments and sections where people can go along to a smaller, informal group discussing a topic that they particularly want. And I think the thing I also like about that is the amount of people who want to go to more than one of them that are on at the same time and are almost complaining there's too many things to go to, which I think is hilarious, which means it's really good. And hopefully that means that next time they'll really think about which one do I want to go to, obviously I want to go to more than one, but I'm going to pick my best one. Paul Kelly: So I think for me, that's probably the biggest change over time. But what doesn't change for me is the team that we have putting these things together, which we're actually relatively slick at. Everyone gets the chance to put their opinions and I'm glad we don't record those meetings and it works out really well. And I think as a team, it's amazing how long we've stuck at it and stuck together. Kelly Molson: I'd love to be on a little fly on the wall for those meetings. Have you ever had a fallout about something? Bernard Donoghue: Yes, we're frequently violent. It's a visitor experience in its own right, I think. Kelly Molson: I'll pay for it. Bernard Donoghue: We reflect the madness that some of our visitors demonstrate on site so in that case I think we're rooted in the industry. The first one that I went to was in 2011, so I just joined ALVA at that point. And the first one I spoke, it was in 2012 and I've been doing the same kind of slot ever since. I do a kind of State of the Nation in the morning because ALVA obviously gets loads of data and information and we publish all of our visitor figures and all the rest of it, and actually we collect and commission much more data now than we ever used to. So I share all of that in the kind of Donoghue half hour copyright. Bernard Donoghue: What's lovely I mean, Paul's absolutely right is that over the last twelve years I think we've seen a real move from people desperately wanting to speak about their successes to being really open about what hasn't worked, which of course is far more interesting and useful. So there's been a really lovely shift from people saying, "No, I don't have to do the propaganda stuff.” Actually, I'm going to tell you what it was like, why it was a disaster and what we learned from it. And that's so useful. So you do get this real honesty coming from the speakers who know that's what they find useful too. So why not share it? I think the other one is I do a presentation about, is there core behaviours of successful visitor attractions regardless of type?Bernard Donoghue: And there are there's about ten of them, but one of them is the ability to foster creative partnerships with unusual suspects. So the presentations that are most fascinating for me is where a visitor attraction, it doesn't matter whether it's a cathedral or whether it's a museum or gallery or theme park, have teamed up with someone that you wouldn't expect them to team up with to tell the story of their people and places and collections in a new, innovating, exciting way. And those are fascinating, absolutely fascinating. So I love those. There's much more of that. Kelly Molson: Fantastic. Well, on that note, I want to know from each of you who has been the most inspiring speaker that you've had at the conference over the past 20 years. Ken, let us start with you. Who do you think would be on your list for that? Ken Robinson: I had a look through the programs going back to 2004 and came up with the following names which surprised me, actually. I think originally our first most inspiring speaker was Simon Jenkins, the columnist of the Times, who had very strong views, which didn't necessarily agree with what government and others were doing. He did give a very inspiring presentation and then there are some people who perhaps we would expect less. The most single most surprising speaker was somebody called Tristram Mayhew, who titles himself as the Chief Gorilla of Go Ape and in a room full of suits and quite smart dresses and trouser suits, Go Ape shambled onto the stage in a car key shirt and proceeded to explain how he'd done things differently. And frankly, it was riveting. We had a chap called Tony Berry from the National Trust who gave presentations. Ken Robinson: His first one was just stunnning, you know, in the days when HR was less popular, Tony Berry would tell you why you should be interested and he was absolutely amazing. And Sue Wilkinson, incidentally, of the National Trust, who was the person responsible really for dragging the Trust from its sort of old form to its new marketing orientated thinking about its supporters future success? She was terrific. And the other person I would mention another Tony, I don't know whether or Tony's there's Tony Butler from the Museum of East Anglian Life, who again, when Bernard was talking about people talking about doing things differently and it inspires you. Some of those examples are very interesting, but not easy to copy. Ken Robinson: In other attractions, we always look for things that do go across the piece, so anybody can learn from the lessons within the example that we're talking about. And incidentally, we do have arguments in meetings, it's about whether particular speakers and particular topics are the way of doing things. And generally speaking, when we all have a good go at it comes out better than it did when anybody said, “Well, I know what the right answer is. No, you don't. Let's all talk about it. So that works.” So you get these people that actually inspire and they light up the room, not because of clever graphics and not because of a forceful way, but they light up the room because of the originality of their ideas. Now, I'll come to my number one. Ken Robinson: I'm sorry about this, because he's sitting on my screen down there, and that's young Bernard, who since he joined our there you go. That's the top half that works. You should see the bottom half doesn't work. He's just had pins put in it. Kelly Molson: Just for our listeners here, Bernard is given a little muscle strong arm salute on screen here. Ken Robinson: Bernard combines the latest immediate knowledge of talking to people across the industry with an absolutely amazing gift of the gab, with a power of communication. And he's unstoppable. And we wouldn't have stood him for all these years if he wasn't. So of all the years and all the speakers, the consistent best is Bernard. But we have had other people, often surprising, who take know, you don't expect it, you think you're going to listen to ordinary session, all of a sudden it takes fire. Kelly Molson: Bernard, what have you got to say to that? Bernard Donoghue: What I say to Ken is there are packets of cash going from London to the south coast with immediate effect. Delighted. Thank you very much. It's really lovely, actually. I've tried to change things every year to do partly political, but also partly about good practice and who's doing what and who's interesting. I'll tell you what, one of my favourite speakers, and it was in a conversation, one of the things that we've introduced is a sort of conversation with slot, which works really well, actually, because a bit like this, you're off script, you respond to people. Liz chaired a conversation last year, so were in Birmingham last year and it was all about HR issues and of course, it know, coming out of COVID and cost of living crisis and recruitment challenges and all of those kind of stuff. Bernard Donoghue: And Tina Lewis is the director of people at the National Trust. National Trust, getting great repertoire here. She came out with an idea that they're doing at the National Trust and I've implemented it in the three organisations that I chair and it's made the biggest difference. So the National Trust, they will pay the rent deposit for your flat if you need them to. So if you're going through a cost of living crisis and you can't get up the cash to put down a rent deposit on your flat, they'll do it for you. You can't get up the cash to put down a rent deposit on your flat, they'll do it for you. That was such a transformational thing to hear. You could almost hear the gasp in the room of people going, "Oh, my God. Yeah, if we can, let's do that." Bernard Donoghue: And I've now introduced it. As I say in the organisations that I chair, not many people have taken it up, but the fact that we've said it has made such a difference to people. I mean, as it is at the Trust, actually, there's been a relatively small number of people at the Trust who've taken it up, but the very policy decision, the very communication of it, just spoke volumes about an organisation that cares about its staff, and particularly those staff who are on really limited budgets. So there's been loads and loads of speakers over the course of the last few years, but that for me was a nugget which has changed people's lives and has been implementable. Kelly Molson: I think that's the key to that part, isn't it, is that it's an incredible thing that they've done, but the fact that it can be implemented someone has listened to that talk. They can take that away, take it to their board, take it to whoever needs to okay that, and they can put that into action like that straight away. That's the power of a really good initiative and a good speaker to be able to deliver that as well. Paul, what about you? Please don't say Bernard. I think he's had enough praise today. Bernard Donoghue: No, keep going. Kelly Molson: No. Paul Kelly: You're OK, Bernard? We'll leave that one where it is, shall we? If we can squeeze Bernard into the room next. Right, so one special mention I wanted to give, actually, which is one of the years not too long ago, we invited Simon Calder to speak, the travel journalist, and I have to say I wasn't convinced, because clearly he's not working in one of our attractions and doesn't necessarily know the industry pretty well. But I have to say, he was hugely entertaining, had done his homework, was hugely knowledgeable, and so he was absolutely excellent. But I think the most important thing for me is that he left us and he said to me, “Enjoyed it so much, I'll come back later.” And I said, “Yes, of course you will.”Paul Kelly: So he went away and he came back at the end of the day to talk to all the people that he'd seen early in the day, because he loved the atmosphere and he wasn't required to do that. And he came along. And for that I have to put a special mention in one for myself to actually listen to the others when they say, “This will be good”, and secondly for him, for actually doing a bit and actually coming back later. And he was a fabulous addition and outside of our industry. So my inside the industry one is somebody I ended up working with because I was with the Two Swords group and then they were bought by Merlin with Nick Varney and his Merry Men. Paul Kelly: So Nick and his team had obviously been in the industry a very long time at this point, dipped in and out of theme parks and attractions. But Nick didn't actually do many talks. You wouldn't actually hear him speak about too much. I'd heard him speak over in the IAAPA trade show held in Orlando every November, and he was absolutely brilliant. And then Ken managed to get him to speak at VAC one year. And again, he was absolutely excellent. And this fits in nicely because now that he's retired from Merlin, he's speaking again this year. So I think that will be really interesting because he's absolutely excellent. Ken Robinson: And by the way, guys, just to show you that we know what we're doing here, this is 2004, okay? And it says here the recipe for success. Nick Varney chief executive, will talk about the components for commercial success. And that's before. So we've got him first and look what happened. Kelly Molson: I'm really looking forward to that interview, actually, and I think it would be really interesting to see how he differs now. He's kind of outside of the sector, and I think that the format that you've got him in. So that's the interview with Liz, isn't it? On stage? I think that's going to be a really great format as well. I've seen that work really well in the past where she's interviewed people and it just feels really comfortable and really conversational. I think that brings out the best of people. Bernard Donoghue: Kelly, do you want to know who's been of most variable quality? Kelly Molson: Oh, yes. Bernard Donoghue: Tourism Minister. I mean, without doubt. I mean, we've been going 20 years now, therefore we've had 20 tourism ministers, had one a year, like Christmas cards. And some of them have completely got the industry completely understood. It delivered a barnstorming speech, and then the next year you'll get the annual Tourism Minister pop up and they'll read something flat, banal, uninteresting. And we're so torched by the experience that we don't invite the one next on the year. So we're always banging on about this. Tourism is very good at job creation. In fact, we've created 20 Tourism Minister jobs in years, but they are of variable quality. Ken Robinson: The best we ever had, Bernard, I think, by far, was John Penrose, when he had completed his review of the industry and got very clear views, which he put to government. Unfortunately, government didn't do it, as they usually don't, but he was good and people liked him and gave him a high rating. I think the next best was probably Margaret Hodge, who was very good and spoke from the heart. But as you say, when we look at every year, we look at a rating of every speaker and the meeting after the event, we go through those ratings and decide, those that got good ratings, why did they get it? Was it intrinsic to their character, their nature, their topic? Was there something special? And those who didn't, why was that? Was it our fault? Ken Robinson: Did we not brief them properly? Or was it never going to be any better? Ken Robinson: And that way we managed to manage the conference. So know the attraction sector. We sometimes forget that over half of all visits to visitor attractions in the UK are free of charge. We forget that the majority of visitor attractions are medium and small businesses. We forget that there are charitable and commercial attractions. We must be able to bring this whole sector together and move our thinking forward in the way that Bernard has just explained in terms of what he does with ALVA. And the other thing that Bernard mentioned was ALVA's research now. Ken Robinson: 20 years ago, you had to wait until the annual book came out from Thames Tower and then eventually from the centre of luck look to page 16 and there would be numbers, but very little interpretation of what those numbers meant. Now, Bernard is behind much of the work that is done now with ALVA. But the key to it is it's not just numbers, it's interpretation. And because of the communication skills, when ALVA put out a message, it is interpreted. It says why it was a successful year or what was mitigating against that. And that's so important in trying to move our case forward. Kelly Molson: But it's important in improving the content that you give your audience at the conferences as well, right? If something isn't working and you've got a process of evaluating why that hasn't worked and how you improve on it for the next one. Let's just focus on why should people attend VAC this year? What is in it for them? What's on the agenda? What have they got to look forward to and how can we get them to book a ticket? Bernard Donoghue: I'll happily go first and go quite niche, actually. One of the things that I do now outside of ALVA, or because of ALVA is that I co chair the advisory board for VisitLondon. So essentially chair the London tourist board. And I do that with Kate Nichols of UK hospitality. And we created the London Tourism Recovery Group during COVID So my suggestion would be Sadiq Khan. So we've managed to get the Mayor of London to come along and speak at this anniversary conference. And it's not just because he's the Mayor of London and it's the 20th anniversary, but it's because he's the first ever Mayor of London that hazard one of his four political priorities, culture and tourism. That's number one. Bernard Donoghue: Number two is that he put his money where his mouth was and he funded the Let's Do London Recovery campaign, which was both domestic and international with the industry. We delivered it with London and partners, but he put up the lump sum behind it. And third, he completely gets that tourism and heritage and culture is both where you grow jobs and we're very good at it, but it's also where you grow people. It's where you grow people in terms of their cultural literacy or their sense of community or their independence or their sense of history. And therefore knowing where you come from enables you to be a better future citizen, if you like. Bernard Donoghue: So my quick blast would be we've got him doing a welcome, but also saying why visitor attractions and tourism are so important to him and to the economy and the politics of London. So that's not to be missed. Kelly Molson: That is a big draw. Absolutely a big draw. Paul, you mentioned earlier about the variety in splitting up that second session, that second part of the day with the seminars and the smaller talks that you do as well. That for me, as an attendee, is really valuable because you can kind of pick and choose what's relevant to you and go along and see lots of different talks. What do you think is the draw for people to come to the conference this year for you? Paul Kelly: Well, I was just jotting down, thinking about it's a little bit. An extension of what Ken was talking about is that it's the variety of what we do in one place is greater than anywhere else. And all the conferences I do because of the nature of what we do each end of the spectrum. So we've got talks about people who run charities to people who run hugely commercial operations. We've got people doing talks on which are free to get into those who are quite expensive, but focus on value for money. And you've got those that are indoor, those that are outdoor. When I spent my time business development at Merlin, they were always focused on a balanced portfolio. And a balanced portfolio meant making sure that right across your business, you have every aspect covered. Paul Kelly: So everything balances indoor, outdoor, UK, Europe, USA, whatever it is. And I think with our conference, that's what we try and do, we try and balance all of those types of different types of operations so that everything is covered, not to the point where it's too thin and you don't learn anything. And that's the key to it, is that we go into the depth. And the depth, I think, is greater now because we do those breakout sessions and we've got time to do in fact, we double up for those three different areas just for that afternoon. So I think those are the things, if anyone asks me why they should come, it's about the variety.Kelly Molson: Regardless of size of your attraction as well. And actually, from my perspective as a supplier to the industry, it's just as valuable to come along and learn and understand what's going on in the sector. You don't have to be an attraction to come along and take part and be educated about what's happening in the sector. What about you, Ken? Ken Robinson: Well, I think that those of us who have stood on the stage at the QE II Centre and looked at the people who have come can see that there aren't any slumbering faces out there. There are people making notes, people nudging the person next to them, people looking round when we ask a question. We now have a sort of red and green card system for, do you agree? Don't you agree? Which we sometimes use, which is very interesting, engaging the mood of the room. And I think that the thing about VAC is don't be lazy if we're going to come to VAC. Don't be lazy. If you're coming to VAC, l And jot down what questions you might like to ask those people or what you'd like to learn from that session. Write it down, don't think you can remember it at the time. Ken Robinson: Bring it on a note with you when you come and then you will find, and we all know this, that the networking that happens at the end of the day and in the breaks at VAC it's like a family wedding in a way. I mean, everybody wants to talk to everybody else and it's so valuable. I think everybody who goes away from VAC should have a good few things that day, which they say, “I wouldn't have thought of that if I hadn't been there”, or even, “I disagree with that”, but it's made me realise what my true opinion about that is equally valuable. But don't be a lazy attendee. Come and participate, come and enjoy, come and learn, come and take back benefit to everybody that works with you. Kelly Molson: Yeah, I couldn't agree more. I think that thing about not being scared to ask questions is really valid as well, Ken, because this happened to me, actually. I went to one of the seminar sessions, and this is back in 2019 and was really inspired by one of the speakers about it was Julez Osbek, who was at Continuum Attractions at the time, and she talked about marketing segmentation, but had a completely different perspective on it in terms of not doing it demographically, just talking about age brackets and things like that. And it was really interesting. I didn't get a chance to ask a question during the seminar, but I found her afterwards and she was very approachable, very happy to answer my question. And then I stalked her on Twitter and got her to come on to the podcast afterwards to talk about it. Kelly Molson: But that's for me, what VAC is about. It's the openness that people are really willing to share. So don't be afraid to go and find the speaker that you've been inspired by and go and ask them the question afterwards, because everyone's really happy to talk about their topic and they're really happy to help people. That's my little key takeaway from it anyway. Right, so it's going to be on Thursday, the 5th October. This podcast episode is launching on the 20th September, so you haven't got long to go and get your tickets, so make sure you do. It is the 5th October, the QE II Conference Centre in Westminster. The website address is vacevents.com. That's Vacevents.com and you can get your ticket there. All of this information will be in the show notes, so don't worry if you didn't get time to scribble that down. Kelly Molson: While I've got you all, though, because you all are in the sector and you've got lots of insights to share. I want to know from each of you what you think that attractions should be focusing on and what 2024 might look like for the sector. Paul, what about you? Start with you. Paul Kelly: So I've been chatting to some of our operators. We have some very large operators around the UK asking them how it's going? And unsurprisingly, you could have said the same question 20 years ago, what's our biggest challenge? It's the weather. It's not actually the cost of living crisis, it's not COVID you can put plans together for those things and you can work on it, but the weather always is a little bit of a challenge. So this summer inverted commerce has been quite hard to focus on what we can deliver when the days have been half decent. Actually, we've done quite well, we always do relatively well, certainly in our sector, I'm sure the others will agree, in a recession. Paul Kelly: So the key seems to be, and I'm going to put it out, I haven't quite found the right words for it, but I'll develop this once I've spoken to a few more. What every attraction for me has to have is an opportunity for people to downgrade what they did slightly. What they're doing is they're ringing it up and saying, "Can't afford to do this, have you got something that's almost like that?" But whether it's a slightly different experience, less time, one day less so whatever the packages are that people are offering, there has to be one rung lower than it was before to still encourage people to come along because they're not able to reach the same heights at the moment that they did previously. But they still want to have that family experience that day out, create those memories. Paul Kelly: All of those things are still relevant. And if you don't have that opportunity, then they'll either go elsewhere or they won't go. So, again, it's managing. So I'm not talking about huge discounts, I'm talking about being relatively clever in what you package and what you put together to make sure they still attend and they still get what they perceive to be value for money. But unless you have that option then I think they won't come. Kelly Molson: Really great advice, Paul. Thank you. Bernard, what about you? Bernard Donoghue: Like Paul, actually, especially since Lockdown ended, but actually for about the last five or six years I've noticed a particular thing which is where visitor attractions have got reserves, and that's a big if by the way, particularly in the course of the last couple of years. Actually, especially since Lockdown ended, but actually for about the last five or six years I've noticed a particular thing which is where visitor attractions have got reserves, and that's a big if by the way, particularly in the course of the last couple of years. So it comes back to Paul's point about kind of ensuring yourself against the excesses of the weather and making sure that you're still particularly a family attractive visitor attractions that'd be one. Second is cost of living crisis, certainly for the average customer, but also the energy costs for visitor attractions too. Bernard Donoghue: Just crazy amounts of money that visitor attractions are now paying i If you're a zoo or an aquarium you can't turn down the temperature of your botanics you're a living reef. So we're going to have to find some way out of that. And that means that actually for many organisations it's going to be as financially challenging over the next twelve months as it has been over the last two. And then I think the third, and this is a continual for me and Kelly, you and I have talked about it before, but it forms the last session of the day at the VAC conference which is diversity and inclusivity. And my feeling is that every visitor attraction should be critically honest about who comes, who doesn't, why they don't come and what are you going to do about it?Bernard Donoghue: And in particular those organisations who in receipt are government money or public money or who had COVID loans from the UK taxpayer. If their visitors don't look like the community in which they're housed, they have a moral question at the heart of their business. That's it. If you want to take public money you need to have an audience that looks like the diversity of the public. And that's a challenge. I get that, I completely get that. But I think that making sure that we are as accessible in every conceivable way, economically, physically. Accessible to people and that they see their stories and themselves reflected in their collections and people and staff and volunteers and board members, I think that's the biggest challenge of the sector as it is indeed to many other sectors. Bernard Donoghue: But I think we're doing some amazing things and we need to shout about it and we need to share and we need to learn from each other. Kelly Molson: Absolutely agree. And that session is going to be a really great session. That's one not to miss. Ken? Ken Robinson: Well, I would say two things. First of all, as far as our visitors are concerned, I think there is a bigger polarisation now than there ever has been between those who have money and can still afford to do things and are not much impacted by the current circumstances, despite everything. And those who haven't and those who haven't have got to find ways of saving money, getting more for their money. There are so many things they can do that are free and alternatives that charged attractions find it difficult. I think we have to remember that the biggest number of attractions in the United Kingdom are heritage based attractions and they weren't purpose built like many of Paul's members, the attractions are purpose built for entertainment. But heritage attractions have got a bigger responsibility or museums housed in historic buildings. Ken Robinson: And all the time they're having to cut their costs and finding life difficult. Money isn't going into maintaining that National Heritage. And that's a real big long term challenge, one that government can't ignore. So government has a vested interest in the health of our businesses because the more healthy they are, the less will fall back on the state eventually. One last thing, I would like to mention Martin Evans and the tourism business. Ken Robinson: For the last I don't know how many years, Martin has been the person who has put together this event for us. He has to do the heavy lifting. He is backed up by our conference organisers, who are also very efficient. And the other person that I wouldn't like to miss from this, because if she could have been here today, you would have got a different flavour, is the wonderful Liz Terry and the support that her organisation. That's Liz's Organisation, her hard work in Leisure Media Group. She publishes Attractions Management magazine. Ken Robinson: She has never asked for anything from this conference and she gives it great support, without which we wouldn't have made 20 years, as I said earlier. And also a big shout and a screen for Liz. Kelly Molson: That is lovely. Thank you. I'm sure Liz will very much appreciate that. We won't forget her. Don't worry, she'll be on the credits for this podcast. I always ask our guests to leave us with a book recommendation for our listeners. So a book that you've loved, a book that you've enjoyed as part of your career growth can be absolutely anything. So, Paul, what would you like to share with us today? Paul Kelly: Oh, I tell you what, books are a bit highbrow for me. Yes, Bernard agrees with that. So I'm from the north, so I used to travel a lot when I was working North America. Commuting a little bit. So I did read a little bit then, but I very quickly swapped over to podcasts things that I download. I watch Silent Witness from the 90's, early 2000s repeatedly. I like Meet Marry Murder, which is one of the cable channels, so I'm quite simple. So I don't really have a book recommendation. I think when I have time to read, I will look forward to reading what somebody else recommends. Kelly Molson: Well, I will take Silent Witness as a recommendation because I love Silent Witness, Paul. Oh, so good. Never miss an episode, ever. So, OK, they go I mean, I can't give it away as a prize, but go and check out Silent Witness if you haven't. Bernard, what's yours? Bernard Donoghue: Well, I've been on this before and I remember my recommendation and it sounds really facile, but it was absolutely true, was Ladybird Books when I was a kid, and then that's how I got into history and heritage and storytelling and absolutely loved them. And I've still got loads of them, which is a bit sad, actually. I'm currently confined to home with a broken ankle. So I've been going through my big Bernard book of books, of all the ones that I haven't got around to reading, and the one that I've enjoyed most and has really surprised me is Lucy Worsley's biography of Agatha Christie. Absolutely fascinating. I thought I knew her. I thought I knew all about her. I know all of her characters, I've watched every conceivable film and TV program, but what a fascinating woman. Bernard Donoghue: So that's the one that I've loved this summer. Kelly Molson: Great recommendation. Yeah. I wondered what were going to get from you, actually, because you've had a lot of time on your hands to go through that book pile. Bernard Donoghue: It was either going to be Agatha Christie or the Argos catalogue. Honestly, it could have gone. Kelly Molson: It's not Christmas yet. You only do the Argos catalogue at Christmas. Ken, over to you for our last recommendation. Ken Robinson: Well, the best book quite hard to get hold of now, but I can supply copies is Action For Attractions, the National Policy Document, written in 2000. But if you want something other than that, then I have just finished reading a book which everyone else read years ago called Sapiens, which is about this thick, that's to say two and a half inches thick. For those of you listening. It's by somebody, I've just had to look him up because I couldn't have remembered it, by Yuval Noah Harari. And it's entitled A Brief History of Humankind. And what's so interesting about it is it goes through segments explaining the great moves that have happened to us humans since we appeared on this Earth. Ken Robinson: And I found the whole thing fascinating to read in one go what took me a long time, particularly the last bit, which talks about how commerce has changed the world and what we're all doing, and that's, after all, what we're doing at VAC. We are engaged in the kind of commerce that is to entertain, amuse and give enjoyment to our visitors, and at the same time keep the heritage of the country going and keep an awful lot of people employed, so I recommend Sapiens. Kelly Molson: Ken, that's a great book. It took me a really long time to read as well, but it is an absolutely fascinating book. I would totally back up your recommendation there. Have you read the next one as well, Homodeus? Ken Robinson: No one a year is enough for me. Kelly Molson: Well, I've got a toddler, so reading doesn't come easy for me right now. But Homodus is next on my list to read because that's the next one on from Sapiens and it's supposed to be a really good read as well. Right, listeners as ever, if you want to win a copy of Ken and Bernard's book, retweet this episode announcement with the words, I want the Vax books and you will be put into a prize drawer to win them. And also, do go and watch Silent Witness, Paul's recommendation, because it is blooming brilliant. I love it. Thank you all so much for coming on to join me today. I've really appreciated it. It's been a fascinating kind of deep dive into the Visitor Attractions Conference. I genuinely love this conference. It is one absolutely not to be missed. Kelly Molson: I mean, there might be a speaker called Kelly at this one. This is so I'll be there. Come and see me too. But no, thank you. It's been wonderful. As I said, we will put all of the info in the show notes. We'll put all of the connections to Paul, Ken and Bernard too. So if you've got any follow up questions that you want to ask them, I'm sure they'd be really happy to help. But it's vapevents.com. Go and grab your ticket now. Thank you, guys. Ken Robinson: And I have to tell you, Kelly, we are going to spend our time at our next committee meeting thinking of impossible questions for you for when you're speaking at VAC.Kelly Molson: Oh, God. Do it. I love impossible questions. Put me on the spot, Ken. I'll enjoy it. Kelly Molson: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast. 

Former Chief Minister Tony Brown takes calls and questions on Castle Rushen High School, Southern Pool, Manx National Heritage, solving the housing problem and 'that' Yamaha 650. It's Mannin Line with Andy Wint #iom #manninline #manxradio

National Heritage Week is a nine-day celebration of Ireland's natural, built and cultural heritage. Newstalk journalist Marése O'Sullivan joins Luke to give an overview of some of the events happening around Ireland this week.

Welcome to a captivating episode of "The Truth in This Art"! Join host Rob Lee as he engages in a meaningful conversation with the innovative and passionate Shauntee Daniels, the Executive Director of the Baltimore National Heritage Area (BNHA), a distinguished region that celebrates historic structures, cultural traditions, and unique patterns of history.In this episode, we explore:- Shauntee Daniels' inspiring journey as an advocate for heritage tourism and promoting Black history and cultural heritage.- A comprehensive understanding of heritage areas, with a focus on BNHA's pivotal role in preserving Baltimore's rich past and promoting cultural development.- BNHA's impactful initiatives, including guided walking tours and grants that encourage tourism and historic preservation.Join us for an insightful exploration of Shauntee Daniels' journey at BNHA, the significance of heritage areas, and the profound impact of promoting cultural heritage through heritage tourism.

Clancy Overall, Errol Parker and Effie Bateman wrap up all the biggest stories from the week - live from the Desert Rock FM studio in downtown Betoota.See omnystudio.com/listener for privacy information.

Chicago's Black cultural hub receives a national landmark recognition that will help it preserve its historical sites. Reset chats with Bernard Turner, executive director of the Black Metropolis National Heritage Area Commission and with WBEZ editor Alden Loury about the designation and what it could mean for the neighborhood.

The bill, championed by the late Congressman Donald McEachin, now goes to President Biden for signing.

What is 10,000 square miles, has over 1100 recognized assets along with 14 National Park Service highway signs in Southeast and Central Michigan? The Motor Cities National Heritage Area!Hear from our guest Shawn Pomaville-Size, Executive Director, MotorCities National Heritage Area, and host Ed Clemente as they explore the fascinating world of a US Heritage Area (there are about 50+ of these areas around the US.)  The Motor Cities National Heritage Area Partnership is a nonprofit corporation affiliated with the National Park Service.  They preserve, interpret and promote the region's rich automotive and labor heritage. A view of automotive and labor history that is diverse, equitable and inclusive. Learn also about Jr. Rangers, Arsenal of Democracy and the 1100+ historical museums and sites in this area. You can also read the transcript from our conversation. 

Thursday, November 17, 2022 - There are 55 National Heritage Areas in the United States, and one of the newest is the Northern Plains National Heritage Area. It strives to connect visitors to heritage stories and deepen the sense of place involving Federal, state, county, city and non-profit sites along the Missouri River in central North Dakota. Aaron Barth is the executive director, and he visits with John Harris in an excerpt from the Prairie Pulse television show. ~~~ Tom Isern shares a musical Plains Folk essay, “Bargains and Ballads.” ~~~ Sue Balcom is here for Main Street Eats. Her topic this week is clean eating.

In Subversive Archaism: Troubling Traditionalists and the Politics of National Heritage (Duke UP, 2022), Michael Herzfeld explores how individuals and communities living at the margins of the modern nation-state use nationalist discourses of tradition to challenge state authority under both democratic and authoritarian governments. Through close attention to the claims and experiences of mountain shepherds in Greece and urban slum dwellers in Thailand, Herzfeld shows how these subversive archaists draw on national histories and past polities to claim legitimacy for their defiance of bureaucratic authority. Although vilified by government authorities as remote, primitive, or dangerous—often as preemptive justification for violent repression—these groups are not revolutionaries and do not reject national identity, but they do question the equation of state and nation. Herzfeld explores the political strengths and vulnerabilities of their deployment of heritage and the weaknesses they expose in the bureaucratic and ethnonational state in an era of accelerated globalization. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postmodernist postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Subversive Archaism: Troubling Traditionalists and the Politics of National Heritage (Duke UP, 2022), Michael Herzfeld explores how individuals and communities living at the margins of the modern nation-state use nationalist discourses of tradition to challenge state authority under both democratic and authoritarian governments. Through close attention to the claims and experiences of mountain shepherds in Greece and urban slum dwellers in Thailand, Herzfeld shows how these subversive archaists draw on national histories and past polities to claim legitimacy for their defiance of bureaucratic authority. Although vilified by government authorities as remote, primitive, or dangerous—often as preemptive justification for violent repression—these groups are not revolutionaries and do not reject national identity, but they do question the equation of state and nation. Herzfeld explores the political strengths and vulnerabilities of their deployment of heritage and the weaknesses they expose in the bureaucratic and ethnonational state in an era of accelerated globalization. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postmodernist postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

In Subversive Archaism: Troubling Traditionalists and the Politics of National Heritage (Duke UP, 2022), Michael Herzfeld explores how individuals and communities living at the margins of the modern nation-state use nationalist discourses of tradition to challenge state authority under both democratic and authoritarian governments. Through close attention to the claims and experiences of mountain shepherds in Greece and urban slum dwellers in Thailand, Herzfeld shows how these subversive archaists draw on national histories and past polities to claim legitimacy for their defiance of bureaucratic authority. Although vilified by government authorities as remote, primitive, or dangerous—often as preemptive justification for violent repression—these groups are not revolutionaries and do not reject national identity, but they do question the equation of state and nation. Herzfeld explores the political strengths and vulnerabilities of their deployment of heritage and the weaknesses they expose in the bureaucratic and ethnonational state in an era of accelerated globalization. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postmodernist postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In Subversive Archaism: Troubling Traditionalists and the Politics of National Heritage (Duke UP, 2022), Michael Herzfeld explores how individuals and communities living at the margins of the modern nation-state use nationalist discourses of tradition to challenge state authority under both democratic and authoritarian governments. Through close attention to the claims and experiences of mountain shepherds in Greece and urban slum dwellers in Thailand, Herzfeld shows how these subversive archaists draw on national histories and past polities to claim legitimacy for their defiance of bureaucratic authority. Although vilified by government authorities as remote, primitive, or dangerous—often as preemptive justification for violent repression—these groups are not revolutionaries and do not reject national identity, but they do question the equation of state and nation. Herzfeld explores the political strengths and vulnerabilities of their deployment of heritage and the weaknesses they expose in the bureaucratic and ethnonational state in an era of accelerated globalization. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postmodernist postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Subversive Archaism: Troubling Traditionalists and the Politics of National Heritage (Duke UP, 2022), Michael Herzfeld explores how individuals and communities living at the margins of the modern nation-state use nationalist discourses of tradition to challenge state authority under both democratic and authoritarian governments. Through close attention to the claims and experiences of mountain shepherds in Greece and urban slum dwellers in Thailand, Herzfeld shows how these subversive archaists draw on national histories and past polities to claim legitimacy for their defiance of bureaucratic authority. Although vilified by government authorities as remote, primitive, or dangerous—often as preemptive justification for violent repression—these groups are not revolutionaries and do not reject national identity, but they do question the equation of state and nation. Herzfeld explores the political strengths and vulnerabilities of their deployment of heritage and the weaknesses they expose in the bureaucratic and ethnonational state in an era of accelerated globalization. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postmodernist postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In Subversive Archaism: Troubling Traditionalists and the Politics of National Heritage (Duke UP, 2022), Michael Herzfeld explores how individuals and communities living at the margins of the modern nation-state use nationalist discourses of tradition to challenge state authority under both democratic and authoritarian governments. Through close attention to the claims and experiences of mountain shepherds in Greece and urban slum dwellers in Thailand, Herzfeld shows how these subversive archaists draw on national histories and past polities to claim legitimacy for their defiance of bureaucratic authority. Although vilified by government authorities as remote, primitive, or dangerous—often as preemptive justification for violent repression—these groups are not revolutionaries and do not reject national identity, but they do question the equation of state and nation. Herzfeld explores the political strengths and vulnerabilities of their deployment of heritage and the weaknesses they expose in the bureaucratic and ethnonational state in an era of accelerated globalization. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postmodernist postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

On July 19, 2022, the U.S. House of Representatives passed H.R.2024, the Southern Maryland National Heritage Area Act.  Tune in to this episode as Community Engagement Coordinator, Doria Fleisher, hosts a discussion about the benefits and importance of this bill to Charles County.  Listen to the thought provoking conversation about Southern Maryland's rich cultural history and the vital need to preserve, study and share that history.  Joining Ms. Fleisher are Lucille Walker, Executive Director of Destination Southern Maryland, and Chairman Francis Gray, Tribal Chair of the Piscataway-Conoy Tribe in Southern Maryland.   http://www.piscatawayconoytribe.com/https://smcm.academia.edu/JuliaKingKinghttps://www.congress.gov/bill/117th-congress/house-bill/2024/text 

This week on The Mohua Show we have Desmond Nazareth and  Conrad Braganza.Desmond Nazareth is the principal founder and MD of Agave India and Conrad Braganza is the blender, manager of sales and marketing in Goa and in-house mixologist/bartender for Agave India. Agave India is India's first and only rurally based ‘greenfield' small batch ‘field-to-bottle' and ‘forest-to-bottle' craft distillery, which uses Indian know-how and raw materials. Their products are sold under the master brand name, ‘DesmondJi', or ‘DJ'. Their most recent products, DJ Mahua spirit and DJ Mahua liqueur were released in Goa in June 2018. They are currently working on a plan to take their international quality Mahua products to the world.In today's episode Desmond and Conrad enlighten us about the socio-cultural importance of the Mahua flower in the tribal community and their plans on making the Mahua liqueur the National Heritage Spirit of India.The Mohua Show:Instagram: @themohuashowFacebook: @themohuashowYoutube: @themohuashowTwitter: @themohuashowLinkedin: @themohuashowDisclaimer: The views expressed by our guests are their own. We do not endorse and are not responsible for any views expressed by our guests on our podcast and its associated platforms.

Una Kelly has been to Donegal to take a look at some of the preparations being made for this year's National Heritage Week.

On this week's episode of the Practical Preservation Podcast, Danielle spoke with Mark Platts, President of the Susquehanna National Heritage Area. Mark and Danielle discussed the process of purchasing a historic area, why adapting historic buildings for modern use is important, and why to be involved in your local historic organizations.

On this week's episode of the Practical Preservation Podcast Danielle spoke with Shauntee Daniels, Executive Director of the Baltimore National Heritage Area. Danielle and Shauntee discussed heritage tourism, the experience of going to a place and becoming a part of the story, allowing the tourists to experience the culture that existed at one time in place.

The I & M Canal connects Lake Michigan to the Illinois and Mississippi Rivers. Some say this facilitated trade, making Chicago an important crossroads to the West and contributed to making Chicago the city it is today. Reset learns more about the history of the canal and the Discovery Challenge with the president of the canal association.

Korea24 – 2022.04.12. (Tuesday) News Briefing: The Democratic Party has decided it will push through a controversial reform bill, that would strip the prosecution of its investigative powers, before the end of President Moon Jae-in’s term. (Eunice KIM) In-Depth News Analysis: The Ukrainian President Volodymyr Zelenskyy addressed the South Korean national assembly via video on Monday, where he asked Korea to provide military hardware for his nation’s fight against Russia’s aggression. Zelenskyy's request, however, came after Seoul had reiterated its refusal to send such weapons last week, citing South Korea's security situation. To talk more about the Ukranian leader's address as well as the role of the United Nations in the conflict, South Korea’s former Ambassador to the UN, Oh Joon, joins us on the line. Korea Trending with Jenny Suh: 1. The global vaccine-sharing initiative COVAX has allocated 1.83 million doses of COVID-19 vaccines to North Korea, despite the regime canceling the last batch 10 days prior. (백신접종 시작 안한 北…코백스, 물량 취소했다가 183만회분 재배정) 2. Cultural authorities in Korea have announced that they will no longer use the term '문화재' or ‘Cultural Heritage’ and instead use '국가유산' or ‘National Heritage’. (문화재, 이제부터 ‘국가유산’으로 부른다) 3. The bestselling novel ‘Pachinko’ by Min Jin Lee will no longer be on sale in Korea from Wednesday, amid uncertainties about a contract extension with its publisher. (소설 '파친코' 판매중단…베스트셀러 '절판' 초유 사태) Touch Base In Seoul: The children’s book author, Hope Lim, known for her touching stories of children learning more about the world, joins us via video this week. Her latest book “MOMMY’S HOMETOWN” follows a young boy who travels with his mother to her childhood hometown in Korea, only to find it was not as he had imagined it. She tells us more about the book, as well as the inspiration behind her works.

Are you concerned about our nation and her future? Uncertain about what, if anything you can do to make things better?  Me too.  Join us in this very special mediation that invokes the Divine Inception of our Nation and the Constitution, and infuses it with Divine light. Together we connect to Divine light and draw this light into the template of Love, Unity and Strength to call forward the very highest and best that the country can be. We start with an easy breath meditation and call in our own connection to the Light. We join with all those who are meditating as a form of inner activism to uplift and inspire our experiment in democracy. As we make this connection we reach into the realms of Divine Light, forming a bridge of Light that connects to our experience of our country and the constitution as a living document. Connecting to the evolutionary energy we infuse our appreciation for the Founders and their community for this inspired blueprint of democracy. We finish by hearing the recitation of the Preamble to the Constitution as a ringing of Truth down the generations. I hope you'll join us in bringing forward the highest and best our nation can aspire to become. WE THE PEOPLE. Together, we can fulfill the Promise of our National Heritage.'Songs of the One' music by Sanaya Roman (orindaben.com)Podcast production by iRonickmedia.comDisclaimer:Breath exercises are not intended to diagnose or treat illness. Anyone undertaking to practice breath awareness and exercises should be mindful of their health and consult their health care practitioner if they have any questions about their fitness for this practice. 

Why do some people get off certain holidays while others don't? Public employees get them off whereas many corporate employees do not. Does this diminish our national heritage? Take a listen.

Following in Dr. Rosenbach's footsteps, in this episode of The Rosenbach Podcast, we will take our own trip to the Royal Library at Windsor Castle and speak with a Royal Collection Trust staff member about the work of the Library today. Rachel Scott of Royal Collection Trust shares her thought about the book Dr. Rosenbach's acquired from the Royal Library and tells us what it's like to work at Windsor Castle today.

Join us for an interview with Brandon Johnson, a native of Lenoir, N.C. now living in Asheville, N.C., where he is the Program Manager for the Blue Ridge National Heritage Area, an organization that preserves and promotes the natural and cultural heritage of the North Carolina mountains and foothills.He formerly worked as an English Literature instructor at Mars Hill College and is a graduate of both Mars Hill and Appalachian State University.Brandon is also a skilled musician, luthier, and writer.On this episode our host, Joseph Franklyn McElroy sits down with Brandon Johnson to discuss visiting Blue Ridge National Heritage Area that is rich in history.Tune in for this fun conversation at TalkRadio.nyc or watch the Facebook Livestream by Clicking Here.Segment 1Joseph starts off with his usual intro before getting into the sponsored message. After the message, he talks about the beautiful fall colors in the Smokies that peak around this time of year. After, he opens the floor for special guest, Brandon Johnson, before asking Brandon what got him into being a musician. Brandon describes a few significant people such as the bands he listened to, a fiddle repairman, and other influences such as watching the fall colored leaves while listening to bluegrass. Then, Brandon talks about the process of making his upcoming album, and some of the behind the scenes. Joseph shifts the conversation to how Brandon got into the writing business, and Brandon depicts his early life of writing short stories as a kid, some of which he still has.Segment 2Coming back after the break, Joseph gets right into it by asking Brandon about his writing career, and some special influences that stuck with Brandon. Brandon remembers a multitude of stories he read as a kid, but one particular story stood out. It was a story about a tall man which made him cry after reading it because it described him perfectly, and he felt heard from it. Following this, Joseph wanted to talk about Brandon's thesis and what he calls “social energy,” or the creation of connections among the works of others. Brandon elaborates saying that many books pulled material from other books prior to them, and these new books go on to influence future works. From this, one could draw a lineage of literature, almost like a family tree. This isn't limited to literature as the same concept can be applied to music and visual arts. Segment 3After the commercials, Joseph noted Brandon's fiddle collection and asked if woodworking was the cause. Brandon conceded that he got into woodworking from watching someone take apart and repair a fiddle, making him curious to do the same. He started by small repairing fiddles, evolving to creating his own and selling them, to expanding into other instruments. Afterwards, the two began discussing what the Blue Ridge National Heritage Area goal is and how it achieves this purpose. Brandon explains that the goal is to educate people on the culture and heritage behind the Appalachians through a variety of programs like the traditional music or hiking trails people once walked on. Following this, Brandon divulges some of the venues he played at, the podcast he works on, and how the podcast helped him expand as a writer.Segment 4After the final ad break, Joseph wanted to talk about Brandon's opening line to one of his books and the story behind it. Then came time for Brandon to make his ideal itinerary. He lists off many breakfast spots, hiking trails, restaurants for lunch, golfing places, and dinner restaurants before ending the show with Brandon's social media platforms and where you can find him.

As we reflect on 2019, we're looking back at some of our best interviews, through challenging conversations and illuminating storytelling. This segment originally aired on October 2, 2019.

Dan Ansotegui was raised around Basque music, food and dance. He's been playing the button accordian in different musical groups for decades and was recently awarded the National Heritage Award from the National Endowment for the Arts. He joins Idaho Matters to discuss his cultural heritage and the thrill of winning his award.