Podcasts about We Belong Together

In this special episode of Forgotten TV, journey back to the fall of 1986, when NBC urged America to “Come Home,” ABC proclaimed, “We Belong Together,” and CBS asked viewers to “Share the Spirit.” Through rare promos, network image campaigns, and the debut of new shows including ALF, L.A. Law, Head of the Class, Designing Women, My Sister Sam (and several others you probably don't remember), explore a fascinating moment when all three major networks seemed to be selling something larger than television itself: family, togetherness, reassurance, and emotional connection...with NBC and CBS occasionally resembling a boisterous Sunday morning revival meeting. We also explore the likely reason that: NBC invited viewers to "Come Home." ABC insisted "We Belong Together." CBS urged audiences to "Share the Spirit." Researching and producing podcasts and articles is extremely time consuming. Please consider financially supporting Forgotten TV in any of the following ways: SUPPORT FORGOTTEN TV ON PATREON Support Forgotten TV with Paypal Buy Me a Coffee Shop the Forgotten TV Merch Store Original audio clips included are for the purposes of historical context, review, commentary, and criticism only and are not intended to infringe. Some music used under license from Epidemic Sound. If you need music for your podcast or YouTube channel, please visit Epidemic Sound.  Be sure to check out promotional partner Q106.5, the home of 80s and 90s hits at Q1065.com Forgotten TV is not affiliated with or authorized by any production company or TV network involved in the making of any TV show or film mentioned. All TV series, films, and characters are copyright and property of their respective rights holders. Copyright 2026 Forgotten TV Media  

“No credit, no conversation… Corporate has been stealing” ~ Shatasha Williams In this episode of Skipping Class presented by The Progress Report, Lalaa Shepard sits down with legendary vocalist Shatasha Williams, best known as the voice behind Bone Thugs-N-Harmony's classic hit “Thuggish Ruggish Bone.” During the conversation, Shatasha Williams reflects on her relationship with Bone Thugs-N-Harmony, reuniting with the group for the first time since the 90s during Verzuz, and her connection to Eazy-E during the Ruthless Records era. She also opens up about not receiving proper compensation or credit for records she contributed to, including songs connected to some of the biggest artists in music. Shatasha Williams also discusses filming the “Thuggish Ruggish Bone” music video in Cleveland, her work on “Knockin' Boots” with Candyman, recording reference vocals tied to Mariah Carey's “We Belong Together,” her thoughts on Mary J. Blige, mental health, healing, and navigating the music industry as a woman whose contributions were often overlooked. Watch more exclusive interviews and content at TPRMediaGroup.com.  Instagram: https://www.instagram.com/therealshatasha/ https://www.instagram.com/lalaashep/ https://www.instagram.com/theprogressreport101/ https://www.instagram.com/tprmediagroup1/ Website: https://TPRMediaGroup.com Listen to us on Apple Podcasts https://podcasts.apple.com/us/podcast/the-progress-report-podcast/id1494070183 Listen to us on Spotify Podcasts https://open.spotify.com/show/5sBgF6wWa7NmHraP2QuBEv?si=a0f5f19b8a494fb5 Learn more about your ad choices. Visit megaphone.fm/adchoices

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

This collective of guests has all significantly contributed to the success of AWHONN’s Emerging Leaders Program. The discussion explores the program’s impact on leadership development and personal growth through its immersive education, strategic networking, and advocacy training. Listen and keep watching for the greatness of these nurse leaders. Meet our guests: Miriam W. Yeung Read More Miriam Yeung is a social justice leader who has successfully fought for and improved the lives of young people, women, LGBT people, immigrants, and people of color in the United States. Currently, Miriam is the lead faculty for the AWHONN Emerging Leaders Program and runs a consulting practice that focuses on helping leaders and organizations spend their resources most meaningfully to improve the world we live in. Miriam led the National Asian Pacific American Women’s Forum (NAPAWF (2008-2016)), the nation’s only national multi-issue organization dedicated to building power and winning reproductive justice, economic justice and immigrant rights for Asian American and Pacific Islander women and girls. She co-founded We Belong Together, a campaign that organizes women for immigrant rights; spent 10 years at NYC LGBT Community Center organizing youth, improving policy and government relations; and built the Causes in Common coalition, a cross movement initiative to more closely align the LGBT liberation movement with the reproductive rights, health and justice movements. Miriam played a key role in developing the NYS and NYC Dignity for All Students Act, supported LGBT inclusion within the foster care system, and successfully advocated for the inclusion of LGB youth in statewide data collection efforts. In 2016, Miriam received the Ms. Foundation's Gloria Steinem Woman of Vision award. She serves on the board of the National Asian Pacific American Women's Forum, MomsRising and GalvanizeUSA. Raised in the projects of Brooklyn, Miriam is a proud, queer, immigrant, woman, activist parent to two amazing young daughters. Jacquiline Blanco, BSN, RNC Read More Jackie Blanco is an obstetrical nurse and now a Clinical Nurse Leader with a background in economic development and policy reform. She's driven by a commitment to advancing equitable, evidence-based care in reproductive health and passionate about empowering all individuals through their reproductive journeys with informed, holistic, and compassionate care that prioritizes autonomy and consent. Jackie is always pursuing leadership opportunities that integrate evidence-based practice, activism, and a nursing framework that addresses disparities in obstetric outcomes. Her career is deeply rooted in activism and legislative work, with a focus on shaping policies that directly impact BIPOC and Queer communities. Additionally, Jackie is deeply invested in the standardization of policies, procedures, and best practices to ensure consistency, safety, and excellence in obstetric care. Jackie is a native Seattleite, vegetarian, dog mom, and roller skater who lives with her wife in west Seattle. Elena Jenkins BSN, RN Read More Elena Jenkins is a Program Manager for Missouri Collaboration for Clinical Community Integration, a HRSA-funded Maternal Health Innovation Grant. She's also Executive Director and Co-Founder of Nurture Birth & Health, an upcoming Birth & Wellness Center in St. Louis, MO. Elena has had a career-long passion for improving the health of moms and babies and has led both birth equity and perinatal mental health initiatives at her institution, striving to implement strategies to address implicit bias, maternal health disparities, and promote conditions of optimal births for all people. She served as an AIM Clinical Champion in the 2022-2023 cohort and has been integrally involved in the implementation of several AIM Patient Safety Bundles with multidisciplinary team members at the hospital level. Elena is also a member of the 2022-2023 AWHONN Emerging Leaders Cohort and is an Entrepreneurial MBA student at William Jewell College in the OneDay program. Elena and her partner have 3 daughters, and in their free time enjoy creating art and spending time with their 4 grandchildren. MioNeshia McDonald, MSN, RNC-OB, CLC, C-EFM Read More MioNeshia McDonald is a nurse leader and educator with extensive experience in women's health, ambulatory operations, and quality improvement. She currently serves as a Regional Nurse Manager, overseeing multiple OB/GYN clinics and leading initiatives focused on patient safety, operational efficiency, and evidence-based practice. As an adjunct nursing faculty member, she's passionate about mentoring future nurses through reflective learning and professional development. Her scholarly and professional interests include patient safety, process improvement, leadership development, and advancing high quality, equitable care through data driven decision-making. Episode Resources AWHONN Emerging Leaders  The post Inside AWHONN's Emerging Leaders Program appeared first on AWHONN.

Send us a text

Mix Name: DJ Roniflee – R&B Mix – Lovers and Friends Website: https://www.iamlmp.com/ Join Our Discord: https://discord.com/invite/iamlmp Join Us DJs New Remixes & Blends: https://www.iamlmp.com/recordpool Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/deejayroniflee/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp —— 01. Intro (Confessions, Pt. 2) – Usher 02. Unthinkable – Alicia Keys 03. Miss Independent – Ne-Yo 04. Suga Suga – Baby Bash 05. Yo (Excuse Me Miss) – Chris Brown 06. Put it On Me – Ja Rule 07. Best Of Me – Jay Z Ft. Mya 08. Can't Help But Wait – Trey Songz 09. Let Me Love You – Mario 10. Can't Let You Go – Fabolous 11. U Don't Have To Call – Usher 12. You – Lloyd Ft. Lil Wayne 13. Say Goodbye – Chris Brown 14. Burn – Usher 15. Differences – Ginuwine 16. Love Don't Change – Jeremih 17. You Got it Bad – Usher 18. All My Life – K-Ci & JoJo 19. Mad – Ne-Yo 20. We Belong Together – Mariah Carey #rnb #iamlmp #chrisbrown

It's been 20 years since Mariah Carey released "The Emancipation of Mimi" - the chart-dominating, career-redefining album that marked one of the most iconic comebacks in pop and R&B history. In this episode, Chris and Chantel Nicole go track by track through the 2005 classic, breaking down the vocals, production, lyrics, and legacy of each song. From "We Belong Together" to underrated deep cuts, we're giving our brutally honest takes and asking: is this really her best album ever?Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpops0:00 - Intro0:52 - "The Emancipation of Mimi" Album Info2:07 - Album Cover3:55 - "It's Like That" 10:30 - "We Belong Together"18:46 - "Shake It Off"23:53 - "Mine Again"28:26 - "Say Somethin'" feat. Snoop Dogg33:30 - "Stay The Night"36:40 - "Get Your Number" feat. Jermaine Dupri43:02 - "One and Only" feat. Twista47:50 - "Circles"52:16 - "Your Girl"46:10 - "I Wish You Knew"1:00:40 - "To The Floor" feat. Nelly1:03:43 - "Joy Ride"1:07:44 - "Fly Like A Bird"1:11:55 - Cut or Keep1:14:10 - Overall Thoughts & Final RatingReferences:“It's Like That” MV https://www.youtube.com/watch?v=uI2cwfluyNo&pp=ygUYbWFyaWFoIGl0J3MgbGlrZSB0aGF0IG12 “We Belong Together” MV https://www.youtube.com/watch?v=0habxsuXW4g&pp=ygUcbWFyaWFoIHdlIGJlbG9uZyB0b2dldGhlciBtdg%3D%3D “Shake It Off” MV https://www.youtube.com/watch?v=jZVdDl_asYY&pp=ygUWbWFyaWFoIHNoYWtlIGl0IG9mZiBtdg%3D%3D Calgon commercial https://youtu.be/WJsFvLBdOi0?si=FHAk30mlmbenq123 Intel commercial https://youtu.be/gENKrali-6s?si=kMoeHNBgm5SuqpxZ “Say Somethin'” MV https://www.youtube.com/watch?v=-yxHnAXZqhA&pp=ygUWbWFyaWFoIHNheSBzb21ldGhpbiBtdg%3D%3D “Get Your Number” MV https://www.youtube.com/watch?v=yvoWWtynalI&pp=ygUZbWFyaWFoIGdldCB5b3VyIG51Ym1lciBtdtIHCQnYCQGHKiGM7w%3D%3D “We Belong Together” and “Fly Like A Bird” Live at Grammys https://www.youtube.com/watch?v=5aU3G8vTglw&pp=ygUZbWFyaWFoIGZseSBsaWtlIGEgYmlyZCBtdg%3D%3D

This week on The She Said It First Podcast, Jerrilyn Lake aka Indeskribeabull and Lynee’ Monae discusses various topics, but before they get into that, they tell the fans What Irritated Them this week. Lynee talks about how she does not like non-funny people at all. Like why you cannot laugh at all. This week, Jerrilyn and Lynee have a special guest, sex therapist and intimacy coordinator Zuri Pryor-Graves joins She Said It First this week. Before Zuri talked about what it means to be an intimacy coordinator, they talked about What Happened. They spoke about to the controversy surrounding Nelly and Ashanti and people calling Ashanti a single married mother. Nelly told Ashanti on their new reality show “We Belong Together,” that he was not going to take care of their baby until he can walk and talk but he would provide as many resources as possible for her. They talk about if they would be willing to do that for a man who is rich. They also spoke about what they would do if they had a rich partner that wanted to take care of them and treated them right. Would they be okay with that. During Girl Talk, Jerrilyn and Lynee got some advice from Zuri about the bedroom. They spoke about being able to tell your partner what you like in the bedroom. What is the best way to handle a situation like that. Jerrilyn then spoke to Zuri Pryor-Graves about her jobs as a sex therapist and intimacy coordinator. Zuri speaks about how she got into the business and what is the importance on having an intimacy coordinator on a television and film set. They also spoke about the obsession with “Love Island” and them kissing all of the damn time. YouTube: https://www.youtube.com/@u1pn Follow: @urban1podcast @indeskribeabull @lynee_monae Executive Producer: Jahi Whitehead/ @Jahi_TRG Video/Social Media Producer: Walter Gainer II Guest: Zuri Pryor-Graves @intimacywithz See omnystudio.com/listener for privacy information.

Not everything was "golden" on the Golden Girls when it came to Bea Arthur and Betty White and we'll tell you why. Kelly & Sharon also discuss how Mariah Carey has managed to marry the 90's with the NOW on her fantastic new song "Type Dangerous." Nelly & Ashanti have a new docuseries called "We Belong Together" that gives an in-depth look into their lives and you'll find out when and where you can watch. Don't miss Kelly's public apology to Sharon about something specific from last week's episode and Sharon takes you back to 1994 with your 90's Rewind. Thank you for listening to 90's NOW!

Vamos con la obra cumbre del pop barroco y el rock psicodélico: el álbum de 1967 Forever Changes de la banda liderada por Arthur Lee, Love. Ricardo Portman nos cuenta su historia. Escucharemos Alone Again Or, A House Is Not a Motel, Andmoreagain, The Daily Planet, Old Man, The Red Telephone, Maybe the People Would Be the Times or Between Clark and Hilldale, Live and Let Live, The Good Humor Man He Sees Everything Like This, Bummer in the Summer y You Set the Scene + Bonus tracks (Your Mind and We Belong Together, Laughing Stock, Wonder People (I Do Wonder). Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

fWotD Episode 2960: Mariah Carey Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Thursday, 12 June 2025, is Mariah Carey.Mariah Carey ( mə-RY-ə;: 0:01  born March 27, 1969) is an American singer-songwriter, record producer, and actress. Dubbed the "Songbird Supreme" by Guinness World Records, Carey is known for her five-octave vocal range, melismatic singing style, signature use of the whistle register, and diva persona. An influential figure in music, she was ranked as the fifth greatest singer of all time by Rolling Stone in 2023.Carey rose to fame in 1990 with her self-titled debut album and became the only artist to have their first five singles reach number one on the US Billboard Hot 100 chart, from "Vision of Love" to "Emotions". She achieved international success with the best-selling albums Music Box (1993) and Daydream (1995), before adopting a new image with hip hop-inflected sounds, following a remix to "Fantasy" with Ol' Dirty Bastard, and more extensively on Butterfly (1997). With eleven consecutive years of US number-one singles, Billboard named Carey the Artist of the Decade. Following the failure of her film Glitter (2001) and a relative career decline, she made a comeback with one of the best-selling albums of the 21st century, The Emancipation of Mimi (2005).Carey's life and career have received widespread media coverage. She has been dubbed the "Queen of Christmas" due to the enduring popularity of her holiday music, particularly Merry Christmas (1994), one of the best-selling holiday albums, and its single "All I Want for Christmas Is You", which is one of the best selling singles of all time. Outside of music, she co-founded Camp Mariah with the Fresh Air Fund in 1994; starred in films such as Precious (2009), The Butler (2013), and The Lego Batman Movie (2017); and served as a judge on American Idol (2013). Her 2020 memoir, The Meaning of Mariah Carey, reached number one on The New York Times Best Seller list.Carey is one of the best-selling music artists, with over 220 million records sold worldwide. She was inducted into the Songwriters Hall of Fame. Her accolades include 5 Grammy Awards, a Grammy Global Impact Award, 10 American Music Awards, 19 World Music Awards and 14 Billboard Music Awards. She holds the record for the most Billboard Hot 100 number-one singles by a solo artist (19), a female songwriter (18), and a female producer (15), spending a record 97 weeks atop the chart. "One Sweet Day" and "We Belong Together" were ranked by Billboard as the most successful songs of the 1990s and 2000s, respectively. Carey is the highest-certified female artist in the US, with 75 million certified album-equivalent units, and the best-selling Western artist in Japan.This recording reflects the Wikipedia text as of 00:10 UTC on Thursday, 12 June 2025.For the full current version of the article, see Mariah Carey on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Olivia.

Send us a textRewind to 15 May to 21 May 2005.From a Eurovision fever dream to a rollercoaster that needed its own weather forecast, this week brought chaos, confessions and comeback queens. Kylie faced a life-changing diagnosis with absolute grace, Britney overshared via camcorder and Mariah said we belong together and we absolutely did.

It's the Best of Encore Seasons 1-6 with a jam-packed Vocal Powerhouses BOXSET. Listen to 4 episodes of Encore featuring the stories behind Mariah Carey's We Belong Together, Amy Winehouse's Rehab, Adele's Rolling in the Deep, and Lady Gaga's Bad Romance. Listen to NEW Episodes of Encore: The Stories Behind The Songs You Love every Thursday on iHeartRadio or wherever you get your Podcasts coming soon!

O maior comeback de todos os tempos!

Send us a textRewind to 10 to 16 April 2005, when science cloned your dog, Mariah staged a mega comeback, and Pamela Anderson worked in a bookstore (yes, really).

It is Friday on The Rickey Smiley Morning Show Podcast. Muni Long is shooting back at haters who have something to say about her performance at the iHeart Awards for her tribute to Mariah Carey. Muni Long is saying that Mariah Carey asked her to do ‘We Belong Together” and she said that she did the best she could for that song. The hit reality show, Basketball Wives have come under scrutiny for the cast members on the show. The show is Basketball Wives and there are no wives on the show. The show wants to add widow of the late great Kobe Bryant, Vanessa Bryant, but she has turned the offer down. Will Smith has an album coming out next and while promoting the album in an interview, they asked him who is his Mt. Rushmore actors. Smith said himself, Denzel Washington, Marlon Brando, and Daniel Day Lewis. All of this and more on The Rickey Smiley Morning Show Podcast. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Muni Long is shooting back at haters who have something to say about her performance at the iHeart Awards for her tribute to Mariah Carey. Muni Long is saying that Mariah Carey asked her to do ‘We Belong Together” and she said that she did the best she could for that song. See omnystudio.com/listener for privacy information.

We Belong Together 1 Peter 3:7

Valentine's Day is almost here, and we're celebrating! Uh, sort of? Most importantly, the songs are good. They're decent. Give them a chance. In fact, "Christmas Baby" by Infinity Song is practically begging to be given a chance, for better or worse. If second chances (or lack thereof) are more your thing, try our next selection, "We Should Be Together" by Rosie Thomas and Sufjan Stevens. This is a simple theme! It's romance songs!! Simple!!! The ranking music in this episode is "We Belong Together" by Mariah Carey.

In We Belong Together, Pastor Tyler Lynde explores how each of us can embrace meaningful community within the family of God. Drawing on Hebrews 10:19-25, Tyler paints a vivid picture of believers who choose to journey side by side, encouraging each other to grow deeper in faith so we can reach farther in love. At the core is the idea that we were created for relationship—first with God, then with one another—and that sin may have fractured those bonds, but Jesus' sacrifice restores them.Tyler begins by reminding us of God's design for humanity. From the earliest moments in Genesis, community was part of God's plan; we're not meant to navigate life alone. When sin entered the world, it severed our ties with God and introduced division into our relationships. But Jesus stepped in to heal what was broken. As His body was broken on the cross, the temple veil tore, signifying direct access to God and a fresh unity among believers. Tyler highlights how this reconnection is not just vertical between us and the Father, but horizontal between fellow Christians.Throughout this message, three practical exhortations stand out: draw near in faith, draw near in hope, and draw near in love. Drawing near in faith means living with confidence in Christ's work on our behalf. Drawing near in hope focuses on trusting that God, who began a good work in us, will bring it to completion. Drawing near in love calls us to reflect God's heart to one another, letting genuine care and compassion guide every interaction. These steps are more than ideals; they're vital practices that help us resist loneliness and complacency in our spiritual walk.Tyler also addresses the importance of commitment to regular fellowship—“not giving up meeting together.” Whether it's participating in small groups, sharing testimonies, or joining in prayer, these gatherings become lifelines of faith and hope. We learn to celebrate the good, grieve the hard, and endure trials as a community strengthened by Christ's presence. By investing in others' lives and letting them invest in ours, we discover that our faith deepens and our reach expands.Ultimately, We Belong Together challenges us to reimagine what it looks like to be part of a church. It's an invitation to belong, grow, and serve in unity with brothers and sisters in Christ. When we stand together, leaning on God's love, we embody His vision for a people who shine brightest in a world hungry for genuine connection and grace.We are Trinity Community Church in Knoxville, Tennessee.Subscribe to our Podcast & YouTube channel to find past sermons, classes, interviews, and more!Find us on Facebook & Instagram

I rarely get a chance to stretch my after-hours musical muscles. I've probably played about 10 GUAPO PV events in Puerto Vallarta over the past 5 years but haven't yet posted one of my sets from here in Mexico. This one, however, felt special. (full disclosure: last year's NYE set didn't record due to a technical glitch)… but this set is me at my best… I am very proud of it. I put a lot of thought into all of my sets, especially for the JUICY and DEEP parties I've played in PV the last two years and I'm so excited to share this 3 hr+ one with the world. It's mostly a tech house set and the energy I got from the crowd all night was unparalleled. I saw so many wonderful friends out there all night as I looked around. If there was a main theme for the night's journey, it was my trademark sound of going “a little bit old school”... l always love sharing classics with the younger generation. You'll hear tracks (some, the originals… others, updates) like David Bowie's “Let's Dance” and Danny Tenaglia's “Elements” (both in my Intro), Honey Dijon's update of Kevin Aviance's “Cunty,” Technotronic's “Pump Up The Jam,” Alesso's new update on “Owner Of A Lonely Heart” by Yes, Size 9's “I Am Ready,” my PV update that I've played the past few years of Sweet Pussy Pauline's “Work This Pussy,” Butch's “No Worries,” Submission's “Women Beat Their Men,” Basement Jaxx's “Fly Life,” two versions mixed together of Shakedown's “At Night,” Peter Rauhofer's classic “Miracle” Mix” of Mariah's “We Belong Together,” (a remix I only save for very special occasions) - samples of Aretha, Lauryn Hill, Missy Elliott, Alanis Morissette, Natasha Bedingfield, Vicki Sue Robinson, Kiss - and two songs from The Beatles (I'll let “which two” be a surprise as you listen). There are more classics sprinkled throughout, as well as 5 or 6 of my own remixes or private edits.Another theme on this journey was “loneliness” - a feeling I battled hard in 2024, as so many of us have - and that many DJ friends of mine struggle with. This set is a reminder that music can always be there to carry us through and that none of us is truly ever alone.As the sun was rising from 7:30-8am, I switched gears to deliver a little magic for everyone who stayed ‘til the end. I ended my set (well, the 2nd to last song) with a new little edit I whipped up over the past two weeks of “Defying Gravity.” (which I'm still tinkering around with)... and the crowd reaction truly was everything I'd hoped for in that morning moment. Thank you to the entire GUAPO PV team for having me back again. Thank you to DJ Autogyro for starting the night with an amazing opening set. I hope everyone has a chance to enjoy this set for years to come. Please share it on social or leave a Comment if you do. I took the second half of 2024 off from DJing, (due to other life commitments) But I'm coming back strong in 2025. I'm now working with Javier Simons at Koq Agency for bookings. https://koqagency.com/ … and here's where you can hear me in the coming months!Jan 17th/18th - Aspen Gay Ski Week (Limelight apres skis)Jan 19th - The Chapel at the Abbey, West HollywoodFeb 1st - The Cuff Complex, SeattleFeb 15th - Afterglow, X Bar, Denver March 13th - Elevation gay ski week, Mammoth

Poucos trabalhos sintetizam de maneira tão efetiva o que foi o R&B dos anos 2000 quanto "The Emancipation of Mimi"(2005). Triunfante retorno de Mariah Carey após uma série de fracassos comerciais e conflitos pessoais vividos pela cantora, o álbum que revelou preciosidades como "We Belong Together", "It's Like That" e "Shake It Off" é o tema da conversa entre Cleber Facchi (@cleberfacchi) e Isadora Almeida (@almeidadora). Gostou do podcast? Então apoie a gente em ⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/podcastvfsm

RATE! REVIEW! SUBSCRIBE! Email me your thoughts, comments, and questions at caniberealpodcast@gmail.com Show Notes: ○ Romans 12 ○ Lesson 9: "We Belong Together" ○ Read "Reflection" from book ○ Read Romans 12 § Verses 1-2: □ This is a convicting scripture! □ A question from the book for your own consideration: "The problem with a living sacrifice is that it keeps crawling off the altar." What does that say about our tendency to hesitate in surrendering ourselves to God? □ Makes me think of 1 Corinthians 6:19-20: (context deals with sexual immorality, but applies to sin in general) ® "Don't you realize that your body is the temple of the Holy Spirit, who lives in you and was given to you by God? You do not belong to yourself, for God bought you with a high price. So you must honor God with your body." □ But it is also encouraging because there is a promise attached to it (verse 2) § We are many parts of one body, and we all belong to each other (the Church, both local congregation and the Body of Believers worldwide) □ Read part of "Inspiration" from book □ We each have a role to play in advancing the Kingdom of God and to do the good that God had planned for us long ago (Ephesians 2:10) □ Read 1 Corinthians 12: 12-27 □ Read Ephesians 4:1-16 § From the book: "We lack obedience more than guidance" □ God has told us what to do. So now what? We need to walk in obedience…love God, love our neighbors, pray for our enemies and bless those who persecute us… Read Philippians 2:13 ◊ "For God is working in you, giving you the desire and the power to do what pleases him." ○ Read Romans 12:21 --- Send in a voice message: https://podcasters.spotify.com/pod/show/rachel398/message

Mariah Carey just turned 55, will have a Vegas residency soon, and nominated to be in the Rock and Roll Hall of Fame! Honoring her incredible career, I made a top 10 of popular hits fans recognize, and shared my personal favorites in a separate playlist. Theme Song: "Dance Track", composed by Jessica Ann CatenaMy Top 10 Mariah Carey favorites playlistTop 10 Playlist:10. "Touch My Body" (2008) 9. "Vision of Love" (1990) 8. "Emotions" (1991) 7. "One Sweet Day" feat. Boyz II Men (1995-1996) 6. "I'll Be There" feat. Trey Lorenz (1992) - MTV Unplugged5. "We Belong Together" (2005) 4. "Hero" (1993) 3. "Always Be My Baby (1995)" 2. "All I Want for Christmas Is You" (1994, 2019-2023) 1. "Fantasy" (1995) Mentioned Media:"Bye Bye" - Mariah Carey (2008)"Best of My Love" - The Emotions (1977)"Lil Boo Thing" - Paul Russell (2023)"I'll Be There" - The Jackson 5 (1970)"I'll Be There" at Michael Jackson's funeral (2009)"When You Believe" - feat. Whitney Houston (1998)"Where Are You Christmas?" - Faith Hill (2000)"Always Be My Baby (Mr. Dupri Remix)" feat. Xscape & Da Brat"All I Want for Christmas Is You" - Vince Vance & The Vailiants (1989)"Genius of Love" - Tom Tom Club"Big Energy (Remix)" - Latto (2021-2022)"Fantasy (Remix)" The Meaning of Mariah CareyRye PlaylandSeeing Them Live (guest interview)Related Episodes:Ep. 11 - Mariah Carey's #1, 25 Years LaterEp. 63 - "Where Are You Christmas?" HistoryEp. 115 - Christmas Hot 100 HitsEp. 167 - 2 "All I Want For Christmas Is You"'s 

There was no artist bigger than Mariah Carey in the 1990s. She was the Artist of the Decade, according to Billboard, the ​​World Music Awards' Female Artist of the Millennium, and the owner of 15 number one singles in the ‘90s alone. And that doesn't even include “All I Want For Christmas Is You,” arguably her biggest song ever. That song didn't become a #1 hit until 25 years after its release. And it has continued to top the Billboard Hot 100 every year since. On the surface, Mariah was on top of the world, but as the new millennium struck, Mariah was going through some changes, both privately and professionally. After years of trying she was finally exiting her tumultuous marriage to record executive Tommy Mottola. Despite filing for a separation in 1997, it wasn't until the end of 2000 that Mariah was granted her divorce. At the same time she was leaving a bad situation with her label Columbia, where her husband was the Chairman and CEO. As she was gearing up for the release of Glitter, her feature film debut, Mariah reportedly suffered a physical and emotional breakdown.  Glitter's theatrical release was delayed three weeks as a result, but it didn't really matter - nothing could have saved the film from the savage critics, who called it “heroically bad” and “infinitely mockable.”  Glitter became one of the decade's biggest box office flops, winning Mariah Worst Actress at the Golden Raspberry Awards, aka the Razzies. The film's failure didn't help Glitter's soundtrack either. Her first release for new label Virgin, Glitter was neither a hit with fans or critics. One writer called it an "utter meltdown -- the pop equivalent of Chernobyl."  Mariah's official follow up to Glitter came out in December 2002. Charmbracelet was her opportunity to make a fresh start, a “new lease on life,” she called it. Unfortunately, Charmbracelet didn't exactly get things back on track for Mariah. While the album was one of her highest debuts on the Billboard Albums chart, sales dropped off quickly. Then at the beginning of 2004, famed music executive L.A. Reid left his job at Arista to become the new chairman and CEO of The Island Def Jam Music Group. This would prove to be a pivotal moment for both Reid, who was forced out of Arista following the merger of Sony and BMG, and Mariah, who was in need of some career rehabilitation.  Reid had just orchestrated a career makeover for Usher, who was riding atop the Billboard Hot 100 with his hit “Yeah!” - With that song, Usher had become the biggest artist on the planet, and Reid was looking to do the same for Mariah.  The first step was to set her up with the right producer. Enter Jermaine Dupri, Usher's longtime mentor who co-wrote and produced Mariah's 1996 #1 hit “Always Be My Baby.” More collaborations followed and Mariah was hooking up with the Neptunes, Kanye West, Snoop Dogg, and more. In November 2004, Mariah presented an album's worth of songs to L.A. Reid, but Reid felt she needed a few more bangers. Mariah went back to Atlanta to work with Jermaine Dupri again and guess what? They created some magic. In just two days they came up with two songs that would end up being her album's first two singles: “It's Like That” and “We Belong Together.” This is the True story of Mariah Carey's "We Belong Together" with newly unearthed audio from Mariah Carey. Also contains audio from Genius' Interview with Mariah, Released November 16, 2018.

On today's program, I discuss how much I despise Patrick Mahomes and the Kansas City Chiefs and how my family will be cheering for my most hated rival in the Super Bowl. I also give lots of thoughts on my recent first completion of Spider-Man 2."How does one forget about We Belong Together?"

We Belong Together - 7th of January 2024 by KSBC

We're back! Hall of Songs returns after another considerable break with our newest election results show. Several songs from the mid-2000s vied for the opportunity to reach our pantheon of songs, now at 119. Did we get to 120?Up for induction are songs like "Crazy" by Gnarls Barkley, "Rehab" by Amy Winehouse," "We Belong Together" by Mariah Carey, and "Hung Up" by Madonna. Each has made their case, you voted for your choices, and now we have numbers to report.Listen now to find out the results!Website: http://www.hallofsongs.comSocial: http://www.twitter.com/hallofsongsPlease rate and review us on Apple Podcasts!https://podcasts.apple.com/us/podcast/hall-of-songs/id1550546067

This week on The R&B Money Podcast, Tank and J Valentine welcome the iconic songwriter Johntá Austin to wax introspective. Taking it back to the beginning, Johntá reminisces about his first brushes with fame, from singing in church to starring in TV shows as a child. He recalls the fateful night as a teen where his life changed forever after an appearance on a legendary late night show. Detailing his journey through the music industry, Johntá outlines his early collaborations with some of R&B's greatest visionaries and the process of transitioning into a full-time hitmaking songwriter. He and Tank connect over the struggle all artists face, even at the height of success. Johntá pulls back the curtain on creating timeless love songs like “Be Without You” and “We Belong Together,” analyzing what made 2005 his career-defining year. He explains how he helped discover and develop a future superstar's iconic debut album. At its heart, this episode is a vulnerable and real discussion about the ups and downs of the creative journey between two icons and a trailblazer who helped shape 21st century R&B music as we know it. There's no better authority than these three legends together in one room.   Extended Episodes on YouTube: https://www.youtube.com/RnBMoneyPodcast Follow The Podcast: Tank: @therealtank   J Valentine: @JValentine Podcast: @RnbMoneyPodcast  See omnystudio.com/listener for privacy information.

Flavor Profile: Rize Up Gives Visibility to Black Bakers Like many others, Azikiwee Anderson took up making sourdough during the pandemic. Once he mastered the basics, he started experimenting with ingredients no one had ever put into sourdough: gojuchang, paella and ube. Those flavors transformed his hobby into a successful business that wholesales to bakeries and restaurants across the Bay Area. All this success has made Azikiwee rethink how the food industry brings equity into the workplace, and how to elevate cultural appreciation, not appropriation, through ingredients. He wants to give a chance to more Black and Brown bakers, because of his own experience feeling like an outsider as a Black man interested in commercial baking. Adhiti Bandlamudi brings us this story as part of our ongoing series Flavor Profile, which features folks who started successful food businesses during the pandemic. 'We Belong Together': How Ritchie Valens' Music Inspired a New Book of Poetry Growing up, poet J. Michael Martinez loved the “La Bamba,” a movie about the life and music of Ritchie Valens. Valens was a rising rock n' roll star who died, tragically, in a 1959 plane crash at the age of 17. He was from the San Fernando Valley and had begun his recording career less than a year before his death. Yet, his legacy was already cemented through his timeless hits including, “We Belong Together,” “Donna” and his widely beloved interpretation of the Mexican folk song, “La Bamba.” Sasha Khokha talks to San José State professor J. Michael Martinez, who has created a new, poetic ode to Valens. Tarta Americana (Spanish for ‘American Pie') uses the life and music of Valens to better understand issues around race, culture and politics as they show up in Martinez's own life. 

This week on The Obsessed Podcast, we asked what lambs would like to hear us discuss and you delivered. So to finish off Pride month, we delve into why Mariah Carey is considered an LGBTQ icon. Mariah's music has resonated deeply with the LGBTQ community, with her songs often becoming anthems for personal empowerment, self-acceptance, and love. Many of her hits, like "Hero" and "We Belong Together," have been embraced by LGBTQ individuals as they remain relatable anthems. Mariah Carey has consistently included LGBTQ representation in her music videos and performances. She has helped to normalize and celebrate LGBTQ identities. Whilst embracing her own identity, Mariah has been open about her own experiences and struggles with identity, including her biracial background and her own journey of self-acceptance. Her authenticity and vulnerability have resonated with LGBTQ individuals, who often face similar challenges in navigating their own identities. Mariah's recognition from organisations such as GLAAD (Gay & Lesbian Alliance Against Defamation) Her activism and support of LGBTQ, her own upbringing and lifestyle have all contributed to solidifying her status as an LGBTQ icon. Overall, Mariah Carey's support, representation, and connection to the LGBTQ community have made her an icon of acceptance, empowerment, and love for many LGBTQ individuals. Hope all our listeners had a great Pride month! --- Send in a voice message: https://podcasters.spotify.com/pod/show/theobsessedpodcast/message

Alpine Valley has been a staple of the Pearl Jam touring route going all the way back to Lollapalooza in 1992. In the seven instances in which they've played there, there's no lack of unforgettable shows and unforgettable moments. A few of the shows even have monikers that they go by such as PJ20, when they played there for their 20th anniversary, and the Ice Bowl in 2000 where they played a full show in freezing cold weather. In this episode, we're gonna go back to 25 years ago where they played their first headlining gig in East Troy. To help us tell the story, we've enlisted our Patron Aaron Redmon who requested this show. This was very early in Matt Cameron's tenure with the band, and there are some things that we'll hear out of Matt that show that he was still getting adjusted to being on tour with them. Songs like Do The Evolution and Brain Of J feature a harder edge than we're accustomed to today. This show will feature technical difficulties, botched lyrics and early indications that certain songs were ready to become massive crowd friendly moments. The two big moments to look out for are Black with a highly intense We Belong Together tag and Alive with an improv within the solo. With Alpine Valley being such a historic venue, we asked you to share your favorite moments from seeing shows there, which we'll share during our question of the week segment. And our Gear Guru segments this week will feature Mike's clean guitar sound on Even Flow, well deserved love for Jeff Ament and a tag of Jimi Hendrix's Machine Gun at the end of Yellow Ledbetter. Visit the Concertpedia - http://liveon4legs.com Purchase the Tour Shirt! - http://liveon4legs.com/2023tour Donate to the Show - http://patreon.com/liveon4legs

Our friends at Bat Conservation International have teamed with a number of other organizations to launch “We Belong Together,” a campaign in support of their Agave Restoration Initiative. The goal is to redevelop the foodways that allow bats to migrate from the southern USA to southern Mexico. So they connected us with Valeria Cañedo from Colectivo Sonora Silvestre and Centro de Colaboración para la Ciencia y Cultura S.C. to wing another episode of Agave Road Trip about bats and agave!Find extra photos and related links at agaveroadtrip.comAgave Road Trip is Powered by Simplecast.

In this episode, Kirk and Paul talk about Mariah Carey and just exactly how galactic a hit "We Belong Together" was. Then there's a music trivia quiz.

#50-46Intro/Outro: Love by Keyshia Cole50. Ignition (Remix) by R. Kelly49. We Belong Together by Mariah Carey48. Try Again by Aaliyah47. Idioteque by Radiohead46. Hips Don't Lie by ShakiraVote on your favorite song from today's episodeVote on your favorite song from Week 2Vote on how to correctly pronounce this decade

"We Belong Together" Rev. KC Slack

Vamos con la obra cumbre del pop rock psicodélico: el álbum de 1967 Forever Changes de la banda liderada por Arthur Lee, Love. Ricardo Portman nos cuenta su historia. Escucharemos Alone Again Or, A House Is Not a Motel, Andmoreagain, The Daily Planet, Old Man, The Red Telephone, Maybe the People Would Be the Times or Between Clark and Hilldale, Live and Let Live, The Good Humor Man He Sees Everything Like This, Bummer in the Summer y You Set the Scene + Bonus tracks (Your Mind and We Belong Together, Laughing Stock, Wonder People (I Do Wonder). Espacio patrocinado por varios oyentes anónimos... ¡GRACIAS! Si os gusta el programa podéis apoyar Ecos del Vinilo Radio siendo patrocinadores ¡por lo que vale un café al mes! desde el botón azul de iVoox. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Radio Free Rock (Cartagena) viernes 18:00. Generación Radio (Medellín, Colombia) jueves y domingos 19:00 (hora Col.) Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

“062622am”. Released: 0. Track 1. The post We Belong Together appeared first on Bible Baptist Church.

We Belong Together is a new pop-hits music podcast by Ken Steele. Since we're in the dog days of summer, I feel more into the party music mood. Please check out this session. Artist names and song titles are in order of play. **Note: explicit language in some of these songs**... LADY GAGA-HOLD MY HAND (original mix), GREEN VELVET-BIGGER THAN PRINCE (Hot Since 82 Remix), CHILDISH GAMBINO-FEELS LIKE SUMMER (original mix), KATE BUSH-RUNNING UP THE HILL (Kream Remix), THE WEEKND-SAVE YOUR TEARS (original mix), POST MALONE-CIRCLES (original mix), THE WEEKND-I FEEL IT COMING (feat. Daft Punk)(original mix), GLASS ANIMALS-HEAT WAVES (original mix), OLIVIA RODRIGO-GOOD 4 U (original mix), IMAGINE DRAGONS-SHARKS (original mix), PEGGY GOU-NAMI (original mix), ED SHEERAN-BAD HABITS (original mix), KATY PERRY-ROAR (original mix), SHAKIRA-TE FELICITO (Trave DJ & Adri Naranjo Remix), DRAKE-GOD'S PLAN (original mix), THE KID LAROI-STAY (feat. Justin Bieber)(original mix), BECKY G and KAROL G-MAMIII (original mix), JACK HARLOW-FIRST CLASS (original mix), Rain and thunder as the ending. Thanks for listening from Ken Steele.

Today's podcast comes from this blog review of We Belong Together. 

SO LONG, PARTNER... Happy birthday to us! We are 2 years old and we are celebrating the only way we know how, by covering a Toy Story movie. So this week the critically acclaimed Toy Story 3 is our movie of choice and Randy Newman's stalker anthem "We Belong Together" is the song. Dietrich becomes an official wedding certificating guy, Alex's microphone is really not feeling well and Ben just can't wait for the sequel. Follow us on Twitter: @TSFTMpod There's a like, share and subscribe in my boots. Please consider leaving us a 5 star review on Apple Podcasts/iTunes or Spotify. It means a great deal to us and makes it easier for other potential listeners to find us: Apple Podcasts Want to support us further? You can do this on Patreon from £1 ($1.50) a month: https://Patreon.com/TSFTM or via our merch store: https://TeePublic.com/user/TSFTM Thank you! Timestamps: 00:02:24 - What Have We Been Watching 00:06:37 - History 00:11:15 - Movie Discussion 00:19:08 - Production Issues 00:22:40 - Critical Reception and Box Office 00:25:17 - Awards Season 00:26:41 - "We Belong Together" Discussion 00:33:06 - Randy Newman's Opinion of the Song 00:38:30 - Top 5 00:41:51 - Movie or Song

It's one of the most important Pearl Jam shows in their history with iconic moments that are likely engrained in your memory from as far back as 1992. In this episode, we're celebrating the 30th anniversary of the MTV Unplugged performance. We'll touch up on everything that led up to this very moment happening. How they were called to do the show when they were in Europe and had less than three days to prepare before performing. It kind of came off the heels of that legendary Zurich show where they played on such a small stage that they were basically forced to switch over to acoustic, and like to PJ20 movies tells it, that moment led directly to this event happening. We're going to tell some stories from this show that maybe you're a bit unfamiliar with, including an incident where the band was forced to rent equipment due to their own not arriving from Europe in time. You'll get to hear some quotes from Jeff, Mike and Stone discussing about how this and other facets of the event happened. At the time they returned, the band saw their popularity in the states rise as Ten was sneaking onto Billboard's Top 20.  The songs! Of course the songs are important. Some of the most impactful performances of all-time. From a stand out State Of Love And Trust proving that most of their catalog was going to transition well, to Black being one of the greatest Eddie vocal performances of all-time including the absolutely iconic We Belong Together tag, and then of course, Porch. We'll go through and break down the entire moment where Eddie wrote PRO CHOICE!!! on his arm. Again, just legendary moments. And we'll share maybe a story you haven't heard, do you know what Vs. song was being played in a commercial break during this? We'll have your answer in the episode! Also joining us for this one is our friends at Hallucinogenic Recipe, Patrick and Brian, who will talk about the aspects of finding this on bootleg and some of the strange titles that were given to State Of Love And Trust. Visit The Pearl Jam Concertpedia - http://liveon4legs.com Donate to the Show - http://patreon.com/liveon4legs

Episode DetailsEamon O'Flynn, Nathan Smith and Sonya Walton discuss The Emancipation of Mimi, the tenth studio album from American pop diva Mariah Carey. This album ranked #389 on the 2020 Rolling Stone 500 Greatest Albums of All Time list.Leave comments on Twitter, Instagram or Facebook at @rrmusicpod or visit our website at recordroulettepodcast.com.Runtime: 43 minutesWho is Mariah Carey?Mariah Carey is an American singer, songwriter, actress and record producer. Known for her five-octave vocal range, melismatic singing style and signature use of the whistle register, Carey is one of the best-selling musicians of all time. Carey was ranked second on VH1's list of the 100 Greatest Women in Music, and in 2019, Billboard named her the all-time top female artist in the United States, based on both album and song chart performances. She has won five Grammy Awards, nineteen World Music Awards, ten American Music Awards and fifteen Billboard Music Awards. Carey has just one entry on the Rolling Stone 500 Greatest Albums list - The Emancipation of Mimi at #389.What is The Emancipation of Mimi?The Emancipation of Mimi is Mariah Carey's tenth studio album. Released in 2005, the album is considered a “comeback” or “redemption” album after the critical and commercial disappointment of Glitter. The album reached #1 on the Billboard 200 and two singles hit #1 on the Billboard Hot 100 (“We Belong Together” and “Don't Forget About Us”), with another four singles hitting the charts. The Emancipation of Mimi was ranked #389 on the Rolling Stone 500 Greatest Albums list in 2020, and is Carey's only entry on the list.

Today I am joined by high school besties Carling and Michelle (I Did Not Sign Up For This Podcast)to discuss this amazing episode of Teen Mom 2. On this episode, Leah can’t BELIEVE Jeremy would have the GALL to accept a 5 week job for 40 grand, Chelsea graduated from school, never to do anything … Continue reading Teen Mom 2 Season 5: Episode 10 “We Belong Together” with Carling & Michelle →

We're switching gears in today's episode and focusing on one of the world's true pop divas. We're talking about the Queen of Christmas, Mariah Carey! Get excited everyone! Born on March 27, 1970 in Huntington, New York, Carey overcame adversity in her family life and struggled with racism to break onto the music scene with force. Starting out singing jingles for local radio advertisers, she signed a record deal at the age of just 19 when she released her first single, “Vision of Love”, and self-titled album. It went on to earn her 5 Grammy nominations and 2 wins for Best Pop Vocal Performance by a Female Artist and Best New Artist in 1990. Mariah Carey swiftly became a household name and one of the world's top-selling recording artists. She has been known in the music industry as a multi-faceted talent, writing and co-writing most of her songs, producing, and also arranging. These talents have garnered 35 Grammy nominations with a total of 5 wins to her name. Her countless accolades are too many to name for our short time here, but range from numerous Billboard and BMI Pop Music Awards, including the Billboard Icon Award in 2011; and the achievement she states she's most proud of, the Congressional Horizon Award in 1999 for her humanitarian work with Fresh Air Fund and Camp Mariah. She'll also be inducted into the Songwriters Hall of Fame in 2022. Mariah Carey has smashed a multitude of records. She's had 19 number-one singles on the Billboard Hot 100, the most for any solo artist. 1995's “Fantasy” was the first single to debut at #1 by a female artist. And, “One Sweet Day” was the longest running #1 single in American history at 16 weeks, a record that was held for 23 years. Carey is also the only artist to have a number-one song in each year of a single decade, the 90's. But, her career has extended far beyond the 90's alone. Having famously paired her pop vocals with rappers like ODB and Puff she was free to expand her sound and move further into hip hop and R&B after she broke from her Columbia record deal in 2001. She went on to release smash hits like “We Belong Together” and ”Shake It Off”. Before I wrap up, let's not forget her worldwide Christmas Hit, All I Want for Christmas Is You. It topped the charts in 2019, 25 years after it's initial release, and stayed there into January of 2020, giving Mariah number one songs in every decade for 4 decades running. Mariah Carey truly is one of the greatest influential singers of all time. Her magic ingredient isn't just her buttery 5-octave vocal range. She says that the magic lays in always believing in herself.

In the first official episode of The Mariah Podcast, we're discussing #MC30, the recent We Belong Together performance and more! Want to share how you're using your new vinyls? Record your response here https://anchor.fm/mariah-podcast/message and we may play it live on our next podcast!  

Basketball legend Shaquille O'Neal's affection for Krispy Kreme doughnuts is well-documented. In 2009, the four-time NBA champion was filmed staring longingly at a glazed variety, as Mariah Carey's “We Belong Together” played in the background. He even once asked Siri to order Charles Barkley two boxes of Krispy Kremes. The basketball Hall-of-Famer is a lifelong Krispy Kreme fan and is often photographed partaking of the glazed treats. Krispy Kreme counts several basketball legends among its legions of fans and, earlier this year, even peddled a limited-edition, doughnut-inspired basketball shoe with Nike. But Shaq loves the gooey treats so much he bought a store full of them, taking ownership of the historic Krispy Kreme shop on Ponce de Leon Avenue in Atlanta, Ga., which opened more than 60 years ago. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/key2thestreet/message

Hey listener. You and The Los Lovely Boys... belong together. This week's episode breaks down "We Belong Together", the record-breaking comeback single by Mariah Carey in 2005. Here's a quick look at what was discussed in this week's episode:  Anthony...

Pastor Kevin Goff delivers his message "We Belong Together" at The Rock Church in Goodyear, Arizona on September 22nd, 2019.

Composer-singer-songwriter Randy Newman has had 20 Oscar nominations and one win. This year he's nominated in the Best Song category for "We Belong Together" from Toy Story 3. But despite his success he says he wishes he was really good. Then, David Friendly, the producer behind the Big Momma's House franchise, talks about being a white guy in the urban comedy business.