Podcasts about film art

Join me in conversation with the vibrant Gloria Westcott and Grace Amemiya, directors and producers of the film "Art as Activism," celebrating 50+ years of Self Help Graphics, its vision & groundbreaking contributions to community.   About the Film: Art as Activism chronicles the evolving legacy of Self Help Graphics & Art, an East Los Angeles grassroots arts organization founded in 1972 by Sister Karen Boccalero, a Franciscan nun. Through a collection of first-hand interviews with prominent Chicano/Latino, multi-ethnic, and LGBTQ+ artists and community members, the film examines Sister Karen's powerful vision and contribution, showcases rare archival footage, first-hand histories and highlights the creativity.   email address: production@artasactivism.net   website: artasactivism.net  

Thanks for being patient with us ZaZaLiferz, we have been on Za-Time evidently. We have an extremely entertaining episode for you in this ZaZaLife Hot Box edition! Listen to us talk about movies, art, and music while with our guests Goonie, JohnDon, Broward Sacha, Herbal Alkaline, Chino, & Zoe. This episode is filled with laugher, memories, entertainment, and life. We also did our give away, so tune in to see who won the Smoking Dogg Pounds Glass Bong. So thank you all for continuing to join the sesh with us. Enjoy this episode of ZaZaLife with your Za-Box Crew. Viva La ZaZa!ZaZa Reviewed: The Hot Box!Remember to follow us on all social media platforms, join our discord, and tune into our Twitch every other Sunday for the live stream. http://linktr.ee/zazalifeSupport the show

Mike Stephen talks to Crista Noel of the Women's All Points Bulletin and learns about a new film that brings attention to the issue of law enforcement abuse of women called Poetiq Justiz, chats about making music with local singer-songwriter Pierce Crask and revisits the joys of the Italian beef sandwich.

In this captivating episode of the Horse People Podcast, I'm thrilled to have Lisa Diersen as my guest. Lisa is not only a dedicated horse enthusiast but also a passionate storyteller, entrepreneur, and a wild mustang evangelist. Join me as we delve into the enchanting world of horse films, where Lisa shares her profound insights and experiences.Lisa's journey and expertise in the equine world make this conversation a must-listen for all horse people.  Get ready to dive into the world of equine cinema and hear Lisa's fascinating journey in the horse industry.Tune in to the Horse People Podcast with Lisa Diersen to celebrate the bond between humans and horses, explore the art of horse films, and be inspired by the stories that connect us all.Don't forget to subscribe and share this episode with your fellow horse enthusiasts! For more engaging content related to horse people and their incredible stories, stay tuned to the Horse People Podcast.Links:Equus Film Festival@EquusFilmFest on instagram

Paul Topolos is currently an artist at Pixar and worked on over 18+ Films but before this he worked in the video game industry on various games for Lucas Arts & Factor 5 most notably the Star Wars Rogue Squadron games and Episode 1 Racer #starwars #roguesquadron #lucasfilmTIMESTAMPS00:00 - Intro00:50 - Difference Between Lucas Arts & Lucas Film3:00 - Working On Episode 1 & Episode 25:00 - Making Art Looking Like Star Wars/Artwork On The Prequels07:30 - Working On Episode 1 Racer While Phantom Menace Was Being Developed09:30 - Being Blown Away By The Artistry On Phantom Menace/Story Of Phantom Menace13:10 - Paul Is A Fanatic Of The Original Star Wars Trilogy14:00 - Visual Effects Of The Original Star Wars/2001 Space Odyssey16:00 - Limitations Of N6419:35 - Pushing The Pixels On Rogue Leader23:35 - Visuals Are Very Important25:30 - Factor 5 Was Programmer Heavy/Learning From Rogue Squadron On Rogue Leader28:00 - Crunch/Working 2 Full Time Jobs At Lucas Film & Factor 531:26 - What Paul Loved About Working On Rogue Leader32:30 - Maintaining Energy Well Working 2 Full Time Jobs/Ian McCaig/Deadlines38:00 - Paul Had A Meltdown On His 2nd Day Of Work On Phantom Menace39:28 - Pauls Superpower Is Making Something Look Real In Photoshop40:30 - 9/11 Affecting Rogue Leaders Final Days Of Development42:45 - America's Infatuation With The American Flag/Foreigners Confused By 9/11/Aftermath Of 9/1148:20 - Work On Grim Fandango/ Grim Fandango Got Paul His Job At Pixar55:40 - Working At Pixar56:20 - Unspoken Rules Of Interacting With George Lucas/Geeking Out Over Celebrities1:00:11 - Paul Doesn't Have Social Media

The FEIT Film Festival is organized by the “Faculty of Engineering and Information Technology” (FEIT) at the University of Melbourne. From 15.05. to 21.05, visitors can expect film screenings, panels, Q&A and thematic introductions with experts in the fields of space, mechanical and electronic engineering, computer science, film and media. - Das FEIT Film Festival wird von der “Faculty of Engineering and Information Technology” (FEIT) an der University of Melbourne organisiert. Vom 15.05. bis 21.05 erwarten die Besucher Filmvorführungen, Panels, Q&As und Themeneinführungen mit Experten in den Bereichen Raumfahrt, mechanisches und elektronisches Ingenieurwesen, Computerwissenschaften, Film und Medien.

Nick, Jordan Allen, Griffin and Jonah sit down and talk about their Film/Art school experiences and advice for those considering it for themselves. SUPPORT ► Join Our Website: https://bit.ly/Crew_Membership Instagram: http://bit.ly/_Corridor_Instagram Sub-Reddit: http://bit.ly/_Corridor_Sub-Reddit Buy Merch: http://bit.ly/Corridor_Store OUR GEAR, SOFTWARE & PARTNERS ► Our Go-To Gear: https://bhpho.to/3r0wEnt Puget Systems Computers: http://bit.ly/PC_Puget_Workstations ActionVFX: https://bit.ly/TheBest_ActionVFX Lighting by Aputure: http://bit.ly/CORRIDOR_LIGHTS Cinema4D: http://bit.ly/Try_Cinema4D Insydium: https://bit.ly/Insydium_Plugins Octane Render by OTOY: http://bit.ly/Octane_Wrender Boris FX - Mocha, Sapphire & Continuum: https://bit.ly/2Y0XLUX Motion Captured with Xsens Suit: http://bit.ly/Xsens_MoCap_Suit Reallusion: https://corridor.video/Reallusion_3Dsoftware Unreal MegaGrant: http://bit.ly/Unreal_MegaGrant

Enlisting the incendiary voices of old friends Filthy Armenian, of Filthy Armenian's Adventures and the Back Wall, and Jack Mason, of the Perfume Nationalist, the conversation turns towards the formerly retired pop cultural trope that is the damaged blonde, once again alive and well! Two of the most discussed cultural artifacts right now revive the damaged blonde to Promethean proportions! First, we have Ryan Murphy's new Netflix series, Monster: The Jeffrey Dahmer Story, in which Evan Peters the titular iconic cannibalistic serial killer. A disjointed and weird program, the show often feels like two diametrically opposed shows stacked on top of one another. One, a delightfully and almost comically extreme torture porn, and the other, a comically absurd and ridiculous BLM propaganda piece. Next, we have filmmaker Andrew Dominik's Blonde, a visually sumptuous and undeniably extreme horror film masquerading as a biopic of Marilyn Monroe, played by the most beautiful actress alive Ana de Armas, and inarguably the greatest work of film art of this decade. SOUNDTRACK: Macabre "Jeffrey Dahmer Blues" Clock DVA "The Unseen" Jeffrey Dahmer "Raw or Die" The Kinks "Celluloid Heroes" New Order "1963" Lana del Rey "National Anthem" LINKS: The Perfume Nationalist Adam, Bradford Kessler, and Harry Tafoya on Filthy Armenian's Adventures The Back Wall Emmalea Russo on Blonde

Gigi Flores returns to the show from El Paso, Texas. In preparation, Rich watched Stanley Kubrick's “The Shining” for the first time, starring Jack Nicholson. Gigi helps Rich deconstruct the art forms and storytelling that made it great. They discuss how it's shot, colors, composition, writing, and performances. Gigi explores the minds of writers. She identifies the three elements of effective fiction writing. What makes a good story? Gigi breaks it down. The two wonder whether augmented and virtual reality eventually replace film as the highest form of storytelling. Are we storytelling on social media about us as characters of our life?   Gigi's First Podcast Appearance:   Gigi Flores on Living on the US-Mexico Border, Film, and Creative Writing   Follow Gigi on Instagram  

Find the full show notes at www.jurassicparkpodcast.comWelcome to The Jurassic Park Podcast! In episode 293, we open up the doors to the Visitors Center and welcome in Neemz, who you'll know as The Movie Poster Guy and from his Instagram Jurassic Your World! We chat about his history, the community, the films and of course his work on Jurassic posters! Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Don't forget to give our voicemail line a call at 732-825-7763!Email us: jurassicparkpod@gmail.comBook Club Email: jurassicparkbookclub@gmail.comThanks for listening, stay safe and enjoy!

A rider shares his experience working in the movie art Director business. Comments: Info@taxi-chronicles.com www.africainvestorstories.com --- Send in a voice message: https://anchor.fm/taxi-chronicles/message

Writer, journalist, and film critic John Semely is our guide to the power of being a hater, transcendence through art, how Gnosticism can be cool for atheists, why we need to get better at being critics, the Gnosis of cyberpunk and heavy metal, finding ourselves through movies, pop culture setting us free and then oppressing […]

2019's Joker was a dark, twisted journey into the origins of one of pop culture's greatest villains, brought to life through an Oscar-winning Joaquin Phoenix performance. The film inspired many unique and wonderful pieces of artwork, and it was one such piece which grabbed our attention here at Film Forums. Glen Stone, illustrator and a self-confessed Batman super-fan, produced a fantastic piece which drew such acclaim Warner Bros. used it on the Italian collector's edition Blu-Ray. After coming across Glen's work on social media, Film Forums creator Richard Williams simply had to cheekily ask for an interview. Thankfully Glen, already a huge film fan, met the invitation with a thumbs up and a smile as big as the Joker's.  To learn more about Glen Stone Illustration, Pete Straley accompanied Richard to co-host this fascinating interview with Glen about his work, his love of films and comic books and how his Joker artwork became Warner Bros. approved.

Talked to former college radio cohort Nicole Rosario. Enjoy. https://newschoolwriting.org/five-questions-with-nico-rosario/ https://www.nme.com/news/film/edgar-wright-the-sparks-brothers-documentary-trailer-2869410 https://youtu.be/2I6hjwblA_g https://m.mixcloud.com/sohoradio/reaching-out-07022021/?play=fb https://www.idsnews.com/article/2020/02/column-if-parasite-gets-snubbed-im-never-watching-the-oscars-again --- Support this podcast: https://podcasters.spotify.com/pod/show/jamiel-alkhaja/support

Surekha is a contemporary Indian video artist whose works showcase themes including identity and feminism/ecology. She has been a full-time artist since 1996 and her video works have been shown at galleries outside India since 2001. Her works are known for the mix of video and physical presence, highlighting inherent experiences. Surekha has been exploring the possibilities of the video form, negotiating the public and private, locating the body as a site of contestation and appropriation. She uses photography and video to archive, document and perform. She has shown her works both in India and many international shows. Learn more about the artist's early life and inspiration to her diverse expressions.

To officially commence the Milestone month of August, Will Ashton and Andrew McMahon make their long-awaited returns to help break down a unique and unexpected triple feature, the likes of which the podcast world may have never seen before. We begin with an analysis of Barbara Loden’s Wanda, the first film to be written, directed, and led by a female filmmaker. We follow this up with a look back at Pee-Wee’s Big Adventure, the iconic feature debut of Tim Burton. Finally, we dive into the work of the great Agnès Varda with an observational look at her acclaimed and influential film Vagabond. SHOW NOTES: 00:03:45 – Wanda 00:37:20 – Pee-Wee’s Big Adventure 00:57:00 – Vagabond 01:20:00 – Recommendations of similar films to seek out NEXT WEEK: Jon Negroni returns yet again to examine Akira Kurosawa’s 1950 masterpiece Rashomon! MUSIC IN THIS EPISODE: Score for Pee-Wee’s Big Adventure composed by Danny Elfman, trailers for Wanda and Pee-Wee’s Big Adventure, interview for “Observations on Film Art” with Prof. David Bordwell on Vagabond. CINEMAHOLICS IN THIS EPISODE:Sam Noland,Will Ashton, and Andrew McMahon   Support the show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

To officially commence the Milestone month of August, Will Ashton and Andrew McMahon make their long-awaited returns to help break down a unique and unexpected triple feature, the likes of which the podcast world may have never seen before. We begin with an analysis of Barbara Loden’s Wanda, the first film to be written, directed, and led by a female filmmaker. We follow this up with a look back at Pee-Wee’s Big Adventure, the iconic feature debut of Tim Burton. Finally, we dive into the work of the great Agnès Varda with an observational look at her acclaimed and influential film Vagabond. SHOW NOTES: 00:03:45 – Wanda 00:37:20 – Pee-Wee’s Big Adventure 00:57:00 – Vagabond 01:20:00 – Recommendations of similar films to seek out NEXT WEEK: Jon Negroni returns yet again to examine Akira Kurosawa’s 1950 masterpiece Rashomon! MUSIC IN THIS EPISODE: Score for Pee-Wee’s Big Adventure composed by Danny Elfman, trailers for Wanda and Pee-Wee’s Big Adventure, interview for “Observations on Film Art” with Prof. David Bordwell on Vagabond. CINEMAHOLICS IN THIS EPISODE:Sam Noland,Will Ashton, and Andrew McMahon   Support the show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

Enjoy

Art Department Assistant and Graphic Designer, Jack Collins joins the show to discuss his career within the TV and Film industry and tell us what it's like working on sets of shows and movies for Netflix and other production companies. Also, his Dallas Cowboys power rankings and his thoughts on some new NFL uniforms. Check out our merchandise and use code FIRSTCOME for 15% off your order!https://the-poojie-podcast.myshopify.comSubscribe to more Poojie Podcast videos on YouTube: https://www.youtube.com/channel/UC9Did-GrAjcJNfXS30ElQiwFollow and Subscribe! Instagram: https://www.instagram.com/thepoojiepodcast/Spotify: https://shorturl.at/nqyN8Apple Podcasts: https://podcasts.apple.com/us/podcast/the-poojie-podcast/id1510603012Google Podcasts: https://shorturl.at/tOPT8

The brothers interview Penelope Bartlett, Criterion Channel programmer. Sam congratulates Penelope for the Channel's year anniversary, and Zach for some reason compares Observations on Film Art to Steve Jobs taking LSD for the first time.

David Frangioni is a professional drummer, music technologist, magazine publisher, author of three books, designer of custom recording studios, and philanthropist. David has been the music technologist for Aerosmith for over 30 years and has worked with acts like The Rolling Stones, Ringo Starr, Elton John, Sting, Journey, Styx, Kiss, Ozzie Osborne, Phil Collins, Shakira, and Cher. He is also the publisher of Modern Drummer Magazine. What you will learn: How he found the drums at the age of two. How gigging professionally at the age of 12 shaped him musically. How technology, including MIDI, affected his approach to musical performance and recording.  How and why he began working with Aerosmith. What it was like to be intimately involved in the creative process as Aerosmith wrote and recorded songs on Pump, Get a Grip, Nine Lives, Just Push Play, Honkin' on Bobo, and Music from Another Dimension! How his relationship with Ozzie Osbourne resulted in regular appearances on The Osbournes.   Why Steven Tyler, Brian Adams, Paul Stanley, Kiss, And Ozzi praise his skills in the recording studio.  Business tips for negotiating contracts with professional musicians and how to work with them as a peer as opposed to a fan.   How David’s love for music technology expanded into the design and construction of custom recording studios for musicians like Steven Tyler.   How he juggles multiple careers, including serving as Publisher of Modern Drummer Magazine.  Why he wrote a book on Clint Eastwood’s Film Art and how that turned into a collaboration with Mr. Eastwood.  How Neil Peart of Rush influenced him as a musician and drummer. How David uses music education and technology to improve the lives of disadvantaged youth through his charity work.  Resources: David’s website David’s Instagram @davidfrangioni  David’s Facebook Modern Drummer Magazine  

For Cineversary podcast episode #20, host Erik Martin speaks with guest Kristin Thompson, film scholar, Criterion Channel video essayist, and co-author of the seminal film studies texts Film Art and Film History, to celebrate the 100th anniversary of one of the most influential movies of all time and the first horror feature film that really mattered, "The Cabinet of Dr. Caligari," directed by Robert Wiene. Collectively, Kristin and Erik explore why this masterwork is worth celebrating all these years later, its cultural impact and legacy, what we can learn from the picture today, how it has stood the test of time, and more. Learn more about the Cineversary podcast at tinyurl.com/cineversarypodcast and email show comments or suggestions to cineversegroup@gmail.com.

Anyone can be an advocate for sustainability and clean environment. Joerg Altekruse delivers his messages through the art of filmmaking, he also mentors, educates and equips students around the globe with film skills to address climate change and close the gap between The Creator and The Decider. A great example of working towards Sustainable Development Goals #4 Education, #13 Climate Action, #17 Partnership for the Goals. --- Send in a voice message: https://anchor.fm/sustainabilityexplored/message

Filmmaker and ‘cosmic archaeologist' Jenn Nkiru is one of the UK’s most exciting directors, with a unique and distinctive visual style. Her films are powerful explorations of black identity including commissions for Nowness, Frieze, Gucci and Channel 4. She has also collaborated on projects with Beyonce, Jay-Z and Kamasi Washington, and was a founding curator of Boiler Room’s video platform 4:3, alongside Elijah Wood, Ryuichi Sakamoto and Peaches. In this talk from Sheffield Doc/Fest 2019 Jenn talks to Amar Ediriwira, Boiler Room's Acquisitions Director and Film Curator, and head of its video platform 4:3. They discuss her work as an artist and filmmaker, including new archive-based short BLACK TO TECHNO, which explores the origins and impact of the Detroit techno scene. Produced by Carmen Thompson.

This week on The Spectator Film Podcast… Dial M for Murder (1954) 5.17.19 Featuring: Austin, Maxx Commentary begins at 13:17 — Notes — Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock) edited by Slavoj Žižek — Here’s some of the better Lacanian criticism of Hitchcock, of which you can find a lot. I’d recommend this as a decent entry point for this type of scholarship – at least, as decent as you might find with Lacanian psychoanalysis. We relied upon some of the essays in this volume to better characterize the variety of Hitchcockian objects at play in Dial M for Murder and “Hitchcockian suspense.” The two most helpful essays for our conversation today were ‘Hitchcockian Suspense’ by Pascal Bonitzer and ‘Hitchcock’s Objects’ by Mladen Dolar – although we’ll borrow Žižek’s description of the “exchange objects” from the introduction here in the passages below: On Hitchcockian Suspense “Hitchcock’s films therefore work only if a natural order is presupposed. Everything is proceeding normally, according to routines that are ordinary, even humdrum and unthinking, until someone notices that an element in the whole, because of its inexplicable behavior, is a stain. The entire sequence of events unfolds from that point. The most characteristically Hitchcockian staging effects are always organized around such a stain. However, anything whatsoever may function as the stain inducing the gaze – the blood on the dress in Stage Fright; the glass of milk in Suspicion, ‘intensified’ by placing a small bulb inside of it; the black rectangle of the window in Rear Window and, within, that black rectangle, the red tip of the murderer’s cigarette, or, indeed, the plane in North by Northwest, which is at first no more than a speck in the sky” (20; Bonitzer). “Hitchcock’s films are full of decent, ordinary petty-bourgeois people. These are masks. Thus, in The Lady Vanishes, the good Miss Froy, with her tea and meaningless chatter, is really a spy. All the others have something else to hide, a concealed point of abjection, which the perverse element, the visible but barely perceptible stain of crime, will reveal” (21; Bonitzer). On Hitchcockian Objects “But in a series of Hitchcock’s films, we find another type of object which is decidedly not indifferent, not pure absence: what matters here is precisely its presence, the material presence of a fragment of reality – it is a leftover, remnants which cannot be reduced to a network of formal relations proper to the symbolic structure. We can define this object as an object of exchange circulating among subjects, serving as a kind of guarantee, pawn, on their symbolic relationship. It is the role of the key in Notorious and Dial M for Murder, the role of the wedding ring in Shadow of a Doubt and Rear Window, the role of the lighter in Strangers on a Train, and even the role of the child circulating between the two couples, in The Man Who Knew Too Much. It is unique, non-specular – that is, it has no double, it escapes the dual mirror-relation, which is why it plays a crucial role in those very films that are built on a whole series of dual relations, each element having its mirror-counterpart… it is the one which has no counterpart, and that is why it must circulate between the opposite elements, as if in search of its proper place, lost from the very beginning” (6; Žižek) ‘Dial M for Murder: Hitchcock frets not at his narrow room’ by David Bordwell from Observations on Film Art — Observations on Film Art, run by Kristin Thompson and David Bordwell, is without question one of the best, if not the best, film blog on the internet. It’s been active for years and has an incredible archive of articles and essays discussing all sorts of movies. This post on Dial M for Murder from Bordwell is characteristically insightful. Martin Scorsese on Dial M for Murder — The Academy recorded a brief video introduction from Martin Scorsese on Dial M for Murder and it’s pretty cool! Hitchcock by François Truffaut — Essential reading, despite the fact that all of two pages are dedicated to discussing Dial M for Murder. Hitchcock’s Films Revisited by Robin Wood — Robin Wood barely discusses Dial M for Murder in this book, but it remains one of the best books written about Hitchcock’s movies. Check out our Strangers on a Train episode for more resources on Alfred Hitchcock

Не придумали ничего лучше в предновогодней суете, как опробовать новомодную доктрину: отвечаем на вопросы слушателей. Супер-хаотичный выпуск с личными историями, размышлениями о судьбах кинематографа и глупыми шутками. В общем, все то, за что вы нас и любите (наверное). *** Музыка: интро - Glenn Gould - J.S.Bach Partita №2, финал - Björn Olsson - Tjörn. *** Отдельно - список полезных книг: Мария Кувшинова - Кино как визуальный код (рекомендация Оли) Юрий Лотман и Юрий Цивьян - Диалог с экраном (+ Лотман про семиотику кино) Сергей Эйзенштейн - Неравнодушная природа (both - рекомендации Кирилла) Простыня от Дениса: Я могу посоветовать что-то из академической литературы. К сожалению, многие важнейшие книги про кино не переведены на русский, но если подтянуть английский до уровня нормального чтения, то открывается доступ к по сути мировым знаниям. Базовый учебник по формальному анализу фильма — это книга Film Art Дэвида Бордуэлла и Кристин Томпсон (в самых свежих изданиях в соавторах появился Джефф Смит). В ней простым языком и на ярких примерах показано, как обращать внимание на жанр и нарратив, на особенности исторического и производственного контекста и на монтаж, особенности кадра и звук. Я искренне считаю, что важнейшим дополнением к формальному анализу служат социологические подходы к зрителям, производителям и распространителям кино и к механизмам образования вкуса. Базовой книгой здесь я назову «Различение» Пьера Бурдьё, фрагменты из которого переведены на русский (https://ecsoc.hse.ru/data/2011/12/08/1208204931/ecsoc_t6_n3.pdf ). В дополнение к этому полезно прочитать его же статьи «Поле литературы» (http://bourdieu.name/content/burde-pole-literatury ) и «Исторический генезис чистой эстетики» (http://magazines.russ.ru/nlo/2003/60/burd-pr.html ). Подход Бурдьё применяется, например, в анализе фильмов ужасов и культового кино Джеффри Сконсом (https://pulp-n-trash.blogspot.com/2015/06/trashing-academy.html ), Марком Дженковичем (на русский не переведен, так что см. оригинальные тексты: https://www.tandfonline.com/doi/abs/10.1080/09502380110107607 и https://www.tandfonline.com/doi/abs/10.1080/713657675 ) и Мэтом Хиллсом (http://www.logosjournal.ru/arch/77/101_2.pdf ). Общий пример социологического подхода к жанру ужасов (без углубления в Бурдьё) можно прочитать у Эндрю Тюдора (http://www.russ.ru/pole/Specificheskie-udovol-stviya-ot-populyarnogo-zhanra ). С пониманием одновременно социологических аспектов кино и его формальных деталей становится легче разбираться в новых тенденциях и отдельных примерах, а заодно и в том, как проходят споры между любителями и ненавистниками конкретных фильмов — хоть новой «Суспирии», хоть «Черной Пантеры». Отдельно важным направлением киноведения XXI века стала теория аффекта, выведенная из феноменологической философии. Ее основатель и классик — Стивен Шавиро, так что стоит обратить внимание на его книги The Cinematic Body и Post-Cinematic Affect. Одна из самых ярких представительниц теории аффекта — Лора Маркс, авторка книг The Skin of the Film и Touch. Не самые важные, но все же интересные фрагменты из текстов обоих есть и на русском: https://theoryandpractice.ru/posts/8165-accelerationist-aesthetics и http://cineticle.com/component/content/article/121-issue-24/1650-laura-marks-the-skin-of-the-film.html . Теоретики аффекта подчеркивают, как кино влияет на зрителей на самом базовом уровне, еще до того, как мы начали осмыслять его в категориях эмоций или, тем более, месседжей. Этот подход давно стал неотъемлемой частью англоязычного киноведения (какое-то время он и вовсе однозначно доминировал, но сейчас чаще совмещается с другими идеями) и помогает отвлечься от поиска интерпретаций фильма. Хороший пример для того, чтоб в общем виде понять теорию аффекта, — прошлогодний «Прочь». Если для многих критиков это фильм о либеральном расизме, то с точки зрения теоретика аффекта это фильм о том, каково быть черным в обществе, где распространен либеральный расизм. Почувствуйте разницу.

Film artist Danny Orwin explores why film art is often drawn to urban areas, how cities have been represented, and how urban design can be influenced by this art form. You can see more of Danny's work here http://cargocollective.com/dannyorwin

It's been a minute since we did a craft episode; so Hilliard and Chris, joined by Babywriter Jesani Drew, talk about the craft of writing and the techniques that screenwriters need to master... particularly... The Power of the First Page!   DIRECT LINK: www.bit.ly/SWRR-221   Scripts & shows that we discussed: The Matrix - script and trailer The Blacklist - script and trailer 8 1/2 - trailer Billions - script   Bordwell & Thompson's seminal book FILM ART   Kurt Vonnegut's 8 Tips On Writing a Short Story   ASK A MANAGER podcast    Shout out to the Micheux Mission Podcast (http://www.micheauxmission.com/) for keeping it on point with their discussion of Black films! Fans of the show, your support is always welcome, and as we mentioned on the show, here's the link to this game-giving podcast's Patreon link: http://bit.ly/SWRRPatreon Chris Derrick - https://twitter.com/unauthorizedcbd Lisa Bolekaja - https://twitter.com/lisabolekaja Hilliard Guess - https://twitter.com/HilliardGuess   The Screenwriters Rant Room on Facebook - https://www.facebook.com/screenwritersrr/   The Screenwriters Rant Room on Twitter - https://twitter.com/screenwritersrr  

This Week we talk about the rages of the week. Film festivals, secret passages, and hog-warts. Where is my movie popcorn? Artists vs. Schmoozers. Animation and fancy art people. Creating an App. The Gaia Channel. Follow and watch live at Twitch.tv/curtiscarey #Movies #women #Film #filmmakerss #introverts

Wednesday May 10, 2017 Host/producer for ARTSPEAK RADIO, Maria Vasquez Boyd talks with performer/storyteller Becky Ray, musician/poet Surewood, filmaker Monica Espinoza, and artists Anson The Ornery and Cydney Ross. Ghosts […] The post ARTSPEAK RADIO – Film, Art, Music, & Ghosts appeared first on KKFI.

John Bright, costume designer, Sonja Klaus, production designer and Chris Munro, production sound mixer discuss their route into the film industry, the importance of collaboration and the secrets of their craft. Recorded at the Into Film Festival 2016, in partnership with The Academy of Motion Picture Arts and Sciences. John Bright, costume designer Cosprop http://www.cosprop.com/ Sense and Sensibility https://www.intofilm.org/films/4122 Sonja Klaus, production designer http://www.imdb.com/name/nm0458405/ A Good Year https://www.intofilm.org/films/13027 Chris Munro, production sound mixer http://www.imdb.com/name/nm0613101/?ref_=fn_al_nm_1 Gravity https://www.intofilm.org/resources/303 The Academy of Motion Picture Arts and Sciences  http://www.oscars.org/about

If you've taken a film studies course in the last couple decades, you likely came across Film Art on the required book purchases. Chances are you first learned how to investigate the structure of a film (narrative, editing, mise-en-scene, sound, etc) before learning how to recognize ideology, or apply psychoanalytic theories. Wherever one's interest lie in looking at cinema, the work by film scholar Kristin Thompson over the last four decades has provided intensive groundwork into looking at Hollywood cinema's most intuitive principles and beyond. Kristin sits down to traces her entrance into academic film studies and developing a method for understanding form as adapted from Russian theories, the history of classical structure as developed by Hollywood and its legacy both abroad in the silent era and continuing into even today's so-called "VFX-driven" movies, and her work on The Lord of the Rings franchise and its game-changing success in the new century. Finally, the two sit down to look at John Ford's How Green Was My Valley, which employs unique methods of narrative strategy and compositional staging to create a poetic "three-hankie picture" (and well deserving of its 1941 Oscar). 0:00-3:03 Opening4:21-11:36 Establishing Shots - Manhunter12:21-58:18 Deep Focus - Kristin Thompson59:27-1:02:07 Mubi Sponsorship1:03:49-1:22:27 Double Exposure - How Green Was My Valley (John Ford)1:22:31-1:24:09 Close

Начиная с этого выпуска — всё по-новому. Покупка 4chan; проблемы «Фольксвагена» и будущее автомобилей; «Хранилище Судного дня»; всемирный Uber; дерево жизни. В конце подкаста конкурс от TED Books! Пишите письма на gprorokov@lookatme.ru Список ссылок, упоминаемых в подкасте: Интервью с Бертоном Растом из IDEO: http://www.lookatme.ru/mag/people/experience/217099-ideo-thoughts Подкаст 99% Invisible: http://99percentinvisible.org/ Сайт Observations on Film Art: http://www.davidbordwell.net/blog/ LAM о покупке 4chan: http://www.lookatme.ru/mag/live/interweb/217161-4chan-butthole-of-the-internet New York Times о Жюстин Сакко и глупом твите: http://www.nytimes.com/2015/02/15/magazine/how-one-stupid-tweet-ruined-justine-saccos-life.html Поезд для собак: http://www.stuff.co.nz/life-style/cutestuff/72452985/adopted-too-many-dogs-why-not-build-them-a-train Дерево жизни: https://tree.opentreeoflife.org/ Игра SPL-T: http://www.lookatme.ru/mag/live/direct-speech/217197-spl-t-like-crazy-simogo Мартин Шкрели и лекарства http://gawker.com/pharmaceutical-greed-villain-martin-shkreli-will-fight-1732104723

Podcast Posting Page - http://wp.me/p8YAd-1q8H Major Spoilers Hotline - 785-727-1939 Become a Major Spoilers VIP Today - http://members.majorspoilers.com/membership-options-page/ This week Zach wonders what is up with art installations and are they the next big thing for film makers? Zach on Film subreddit: www.reddit.com/r/zachonfilm Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! Articles Referenced in This Week's Episode Sony Animation is Going to Make an Emoji Movie BBC Ranks the Top 100 American Films Steve McQueen and Kanye team for video installation A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site.

Podcast Posting Page - http://wp.me/p8YAd-1q8H Major Spoilers Hotline - 785-727-1939 Become a Major Spoilers VIP Today - http://members.majorspoilers.com/membership-options-page/ This week Zach wonders what is up with art installations and are they the next big thing for film makers? Zach on Film subreddit: www.reddit.com/r/zachonfilm Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! Articles Referenced in This Week's Episode Sony Animation is Going to Make an Emoji Movie BBC Ranks the Top 100 American Films Steve McQueen and Kanye team for video installation A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site.

Michelle Materre and Alexandra Nichole Salazar Michell is a Professor At The New School, Media Relations. Founder, CEO and Curator Of “Creatively Speaking Film Series” that has brought the most exciting, innovative and creative new film makers and their films for the past nineteen years to the Greater New York City area. She is the first independent Black film distributor in America. Her commitment to presenting and preserving the Black Film genre is unbending and relentless.  Alexandra is a Senior at the New School, Women's Studies and Michelle's assistant 

Dr. Rotella graduated from Harvard University and received his MD from the University of Cincinnati. He is board certified both in internal medicine and hospice and palliative medicine. He is a fellow of the American Academy of Hospice and Palliative Medicine. Learning objectives include: Outline the problem of eroding empathy during medical education; describe the power and challenge of using the arts to drive engagement and foster medical humanism; and show how particular film clips, artworks and poems can open our perspective and unlock empathy.

Dr. Rotella graduated from Harvard University and received his MD from the University of Cincinnati. He is board certified both in internal medicine and hospice and palliative medicine. He is a fellow of the American Academy of Hospice and Palliative Medicine. He serves as Chief Medical Officer of Hosparus in Louisville, KY. Learning objectives include: Outline the problem of eroding empathy during medical education; describe the power and challenge of using the arts to drive engagement and foster medical humanism; and show how particular film clips, artworks and poems can open our perspective and unlock empathy.

Guest will be Carol Leigh from the 6th Annual Sex Workers Film, Art & Music Festival, which takes place May 30 - June 7th in San Francisco.