Podcasts about I Want Your Sex

Découvrez l'histoire fascinante derrière l'un des plus beaux morceaux de George Michael, "One More Try". Cet épisode vous plonge dans les coulisses de la création de ce titre emblématique, dévoilant des détails surprenants sur la vie amoureuse du regretté chanteur.Vous apprendrez notamment que la chanson fait référence à Cathy Young, une maquilleuse avec qui George Michael entretenait une relation à l'époque. Le clip de "I Want Your Sex", tiré du même album, la met d'ailleurs à l'honneur. Mais le plus beau compliment rendu à "One More Try" vient d'un autre monument de la musique : Elton John. Ce dernier a en effet confié qu'il aurait rêvé d'écrire cette chanson, tant elle le fascinait. Un hommage de taille de la part d'un artiste également adulé.Vous découvrirez aussi que le célèbre refrain "One More Try" n'est énoncé qu'une seule fois, à la toute fin du morceau, pour un effet saisissant. Un détail qui montre tout le soin apporté à la composition de ce titre.Alors préparez-vous à revivre les plus belles heures de la carrière de George Michael à travers cette "Music Story" captivante. Vous en ressortirez avec une vision renouvelée de ce classique de la pop, et peut-être même l'envie de l'écouter en boucle !

FK379! Viimane suvine ajarännak viib aastasse 2019. Vaatame, millised filmid tähistavad 5. sünnipäeva. Uudistes räägime Iñárritu uuest filmist, milles Tom Cruise hakkab mängima maailma kõige võimsamat meest., Olivia Wilde võtab oma seksmuusaks Cooper Hoffmanni filmis “I Want Your Sex” ja Rebecca Fergusson sukeldub maagiamaailma. Uutest filmidest saabuvad kinolevisse "Legend fantastilstest olenditest", "Reagan", "Viirastused" ja "Päike ja betoon". Saatejuhid Lauri Kaare ja Kristjan Gold.

Three adventures of rediscovering my hot Milf empty-nesterBy Fugman. Listen to the Podcast at Steamy Stories.The Side of the RoadBlame it on the classic car and the mix tape.By Fugman.Sometimes you just need a drive through the countryside to calm your nerves. Things have become hectic at work lately, and I told Cherish that we should go for a long drive this Labor Day weekend, just to get away from everything for a day. Cherish agreed with me and we made plans to be gone for the weekend. Our daughter went off to college last weekend and we were finally back to just the two of us. All those memories of our early married years, before a baby surprised us; they were days of enjoying our nude sanctuary. We pledged we would return to that life. But life gets complicated and pressures mount, even when we aren't parenting. The upside was that a pregnant bride at nineteen, can still be a hot-looking empty-nester at age 37. And Cher is one hot milf.We agreed we would go to the bed and breakfast a couple of towns over, the route we took brought us through the very sparsely populated countryside, exactly what I needed.I could not wait until our trip, it seemed like the rest of the week dragged on and on; working late. Once Friday afternoon hit, I was anxious to get home, pack the car and grab Cherish for our weekend away. When quitting time came around, I was already in the car and on the way to load the classic car and go.When I reached the driveway, Cherish was waiting on the porch wearing a little tank top, white shorts and a light denim jacket. She was holding a small overnight bag.She smiled when she saw me arrive, “Ready to go?” she asked. I shook my head yes, went inside and grabbed my bag, and loaded the old 1969 Charger I kept just for weekends like this. I opened the car door and she jumped inside. I think she was as excited as i was to get out of the area for a couple of days. We went on our merry way.  It was a beautiful early September evening.“I made a playlist for our ride,” she smiled and started the first song. “I Wanna Sex You Up” by Color Me Badd; came through the aftermarket stereo sound system.I wanna sex you up(A tick tock, ya don't stop-stop, to the)All night, girl, you make me feel goodI want to (let me rub you down)I wanna sex you upI glanced at her and smiled. “Let's Get It On,” by Marvin Gaye, came on. We slowly worked our way out of the neighborhood, then out to the highway.I've been really tryin', babyTryin' to hold back this feeling for so longAnd if you feel like I feel, babyThen, c'mon, oh, c'mon, whoaLet's get it onAh, baby, let's get it on. We stopped just outside of town, at my favorite country Barbeque restaurant for a meal. Not in any hurry, we had a couple beers after the meal, then came out to the car as a gorgeous sunset was in its early stages.Then “I Want Your Sex” by George Michael.I've waited so long babyOut in the coldBut I can't take much more girlI'm losing controlI want your sexI want your loveI want your sexI want your, sex, sexCher bounced to the beat and held an imaginary microphone to her mouth as she pointed her sultry finger at me, while mouthing the repetitive lyrics.It's naturalIt's chemical (let's do it)It's logicalHabitual (can we do it?)It's sensualBut most of allSex is something that we should doSex is something for me and youSex is natural, sex is goodNot everybody does itBut everybody shouldSex is natural, sex is funSex is best when it's, one on oneOne on one I was starting to see a pattern, “Lay Your Hands on Me” by Bon Jovi started to play and I pulled over into the entry to a field, next to the pavement.Now, now, now babyDon't you know I only aim to please?If you want me to lay my hands on youWhat you gotta do is(Lay your hands on me), lay 'em on me(Lay your hands on me), come on, come on, come on(Lay your hands on me), everybody's gonna help me nowI opened her door and brought her to the front of the car and pushed her back and kissed her deep.The next track started to play, “I'm on Fire” from Bruce Springsteen.At night I wake up with the sheets soaking wetAnd a freight train running through the middle of my headOnly you can cool my desireOh, oh, oh, I'm on fireOh, oh, oh, I'm on fireI broke from our kiss and smiled at her, then I asked; “How long were you planning to let me drive before you wouldn't wait anymore?”“Not much further, you got the hint pretty quick!” she said with a sultry grin.Her heel found a solid ledge of the front bumper, and she hiked herself up onto the corner of the warm hood, I stroked her legs as she reached for my belt. I looked around at our surroundings, and other than an old barn located about 300 feet from where I pulled over, the sun set on the tall grass around us. We were completely alone, no one would know or care what we were about to do.Kim leaned back a little and unhooked my pants and licked her lips, “That's What I Like,” by Bruno Mars came on and we both giggled.Jump in the Cadillac(Girl, let's put some miles on it)Anything you want(Just to put a smile on you)You deserve it baby, you deserve it allAnd I'm gonna give it to youCool jewelry shining so brightStrawberry champagne on iceLucky for you, that's what I like, that's what I likeLucky for you, that's what I like, that's what I likeSex by the fire at nightSilk sheets and diamonds all whiteLucky for you, that's what I like, that's what I likeLucky for you, that's what I like, that's what I likeIt was perfectly timed. Her hand moved over the front of my pants and she moved it slowly up and down.I went to work on getting her white shorts off, she lifted her ass so that I could remove them without hesitation. She laid down on the hood as I dropped my mouth to her opening.“I just want you inside of me now, we can do all of that tonight at the room!” she said insistently, “Just do me now!”I pulled her down off of the hood, “Turn around, hands on the car ma'am!” I commanded as if I was pulling her over.She obeyed and got into character, “Okay officer, I'll do whatever you want, just don't give me a ticket!”I pushed my pants and underwear down, my turgid cock escaped and lurched outward, as if it caught the scent of a wet cunt, nearby.“Spread em, I need to check you for weapons” I said as she followed every instruction I gave her.My hands slid up her bare legs and grazed over her privates.“Do Me Baby!” she begged as “Just What I Needed” by the Cars came over the speakers. I don't mind you comin' hereAnd wastin' all my timeI guess you're just what I needed (just what I needed)I needed someone to feedI guess you're just what I needed (just what I needed)I needed someone to bleedI stood straight up and pushed her further onto the car. I held my erection and moved forward to slide into her. “I need to do a cavity search, miss. Your compliance will make this more pleasant for both of us.”“Oh Yeah, that is what I need!” she said as I slid into her moist opening. I slid in and out of her slow and shallow at first, but with each thrust, I went further inside of her. Her hands firmly planted on the hood, accepting my thrusts while pushing into me to gain more depth. She started to breathe heavier as I started to pick up speed.I held her hips firmly as I took control and plowed back and forth into her hungry body. She moaned every time i buried my hardness deep within her. Her hands gripped the edge of the hood as I forcibly took her and did not stop. I was pumping in and out of her as she was begging me to make her come.“Oh please baby, I need to come, make me come,” she said softly.I took it upon myself to push her over the edge as quickly as I could. I slipped a hand around and touched her clitoris.“Oh yes, just like that!” she was begging me to finish her off again.I pinched her clit and she pleaded for me to shoot inside of her. “Please baby, I need you to fill me with it!”She was talking dirty and I was loving it, my erection was rock hard and plowing deep inside of her as I felt the tickle way back inside.I said to her softly as I am plunging in her “I hope you are ready baby, because here I...”She screamed out her orgasm, “Come!”I pushed into her for all I was worth and grabbed her hips tight as I exploded deep inside of her. I held myself inside deep as every last drop of semen flew inside of her wanting hole.“Oh Baby, I needed that!” She said. Once I started to get feeling back in my legs, I started to slide back, removing my softening member. “No, not yet, I'm still enjoying you being inside of me.” I couldn't argue and I remained inside of her until she released my softened manhood with a slurp sound.“Pour Some Sugar On Me” by Def Leppard came on and she laughed.  Sometime, anytime, sugar me sweetLittle miss innocent sugar me, yeah, yeahNow c'mon, take a bottle, shake it upBreak the bubble, break it upPour some sugar on meOoh, in the name of lovePour some sugar on meC'mon, fire me upPour your sugar on meI can't get enoughI'm hot, sticky sweetFrom my head to my feet, yeahWe started to get dressed and we noticed that we weren't alone anymore. I never heard the police car pull up behind me, and we were too into it to notice anything anyway.The officer told us “Sorry, I didn't want to interrupt, you two looked so happy, but can you take it somewhere else.“Sorry officer,” Cherish said as she pulled her clothes back on and jumped in the car.“Sorry about that, the moment struck sir!” I said “Thanks for not interrupting us, we were close to finishing anyway.”He said “I know, I heard!” smiled and walked away singing ‘Pour Some Sugar on Me!'I hooked my belt and opened the door, just as I was about to get in, the police car went by slowly as he told us to have a good night. I'm sure that won't be a problem.“You Make Loving Fun” by Fleetwood Mac came on as I pulled out onto the road and we headed out of town.It would be different and you know it willYou, you make loving funAnd I don't have to tell you but you're the only oneYou, you make loving funIt's all I want to doYou, you make loving funIt's all I want to do We spoke about the experience and re-lived it all weekend long.By Fugman for Fugman's Sexy Stories.The Surprise!Road Trip surprises, and then even more surprises.By Fugman.My wife Cherish and I found ourselves driving across the state on a beautiful autumn day, for a friend's wedding. On the way there we stopped at a big truck stop for gas and a bite to eat. Cher was seated at a table in the sandwich shop when I finished fueling. I opened my phone's lodging app as we ate. A few minutes later, Cherish went to the travel plaza's restroom as I booked the room just 20 minutes down the road. I asked for a nice room and some champagne to be waiting in the room. I had already picked up massage oil to surprise her.When she came out of the bathroom, I told her; “Our room is booked, it's just 20 minutes down the road. “We left the travel plaza and made the short trek down the highway, then pulled in and parked in a big modern hotel-motel complex. It seemed like one of the newer & nicer motels and the ambiance of the lobby was nice. It had 2 stories, with both interior halls, leading to a massive indoor solarium & pool. About 20 rooms lined the walls of the solarium. Another 20 penthouse suites were on the 2nd floor balcony. About 40 exterior-facing rooms were accessible from the parking lot which wrapped around the complex. I checked in at the desk and got our key cards. I'd gotten the last available room, which was on the backside of the building. I went over to the lobby sofa where Cher was relaxing. I told her, “Go ahead down the hall, past the solarium, then out the far door, and go to room 128, there is a surprise waiting for you!"She kissed me and said "don't take too long, sweetie.""I'm just gonna park the car around back & grab the bags. Don't start without me," I said, as I headed the other direction, out the lobby front entrance.I parked just beyond the room. The lot was full and the sun was setting. The car next to mine had white letters on the back window, announcing; “Kyle & Betty' and ‘Just Married' written in shoe polish. I slung my duffle strap over my shoulder as two obviously tipsy bridesmaids giggled while walking toward the solarium entrance. Grabbing my wife's 2 bags, I muttered to myself; "How can one person need all of this for only two days?" I finally got all of her things ready and I headed down to the end of the sidewalk, towards room 128. I used my key and was shocked to see Cherish naked on the bed kissing and fondling a mysterious curvaceous naked woman. This woman was incredibly sexy and both of them woman seem to be enjoying themselves."Um, honey; what's going on?" I asked sheepishly. I was shocked and excited at the same time. My wife has told me in the past that she never had a chance to experience the love of another woman, and she was always curious and excited by the thought. But come on, I only left her alone to grab the bags for 5 minutes."Hi, honey;" she said with a smile, "thank you for Leah, she is sexy as hell."

Three adventures of rediscovering my hot Milf empty-nesterBy Fugman. Listen to the Podcast at Steamy Stories.The Side of the RoadBlame it on the classic car and the mix tape.By Fugman.Sometimes you just need a drive through the countryside to calm your nerves. Things have become hectic at work lately, and I told Cherish that we should go for a long drive this Labor Day weekend, just to get away from everything for a day. Cherish agreed with me and we made plans to be gone for the weekend. Our daughter went off to college last weekend and we were finally back to just the two of us. All those memories of our early married years, before a baby surprised us; they were days of enjoying our nude sanctuary. We pledged we would return to that life. But life gets complicated and pressures mount, even when we aren't parenting. The upside was that a pregnant bride at nineteen, can still be a hot-looking empty-nester at age 37. And Cher is one hot milf.We agreed we would go to the bed and breakfast a couple of towns over, the route we took brought us through the very sparsely populated countryside, exactly what I needed.I could not wait until our trip, it seemed like the rest of the week dragged on and on; working late. Once Friday afternoon hit, I was anxious to get home, pack the car and grab Cherish for our weekend away. When quitting time came around, I was already in the car and on the way to load the classic car and go.When I reached the driveway, Cherish was waiting on the porch wearing a little tank top, white shorts and a light denim jacket. She was holding a small overnight bag.She smiled when she saw me arrive, “Ready to go?” she asked. I shook my head yes, went inside and grabbed my bag, and loaded the old 1969 Charger I kept just for weekends like this. I opened the car door and she jumped inside. I think she was as excited as i was to get out of the area for a couple of days. We went on our merry way.  It was a beautiful early September evening.“I made a playlist for our ride,” she smiled and started the first song. “I Wanna Sex You Up” by Color Me Badd; came through the aftermarket stereo sound system.I wanna sex you up(A tick tock, ya don't stop-stop, to the)All night, girl, you make me feel goodI want to (let me rub you down)I wanna sex you upI glanced at her and smiled. “Let's Get It On,” by Marvin Gaye, came on. We slowly worked our way out of the neighborhood, then out to the highway.I've been really tryin', babyTryin' to hold back this feeling for so longAnd if you feel like I feel, babyThen, c'mon, oh, c'mon, whoaLet's get it onAh, baby, let's get it on. We stopped just outside of town, at my favorite country Barbeque restaurant for a meal. Not in any hurry, we had a couple beers after the meal, then came out to the car as a gorgeous sunset was in its early stages.Then “I Want Your Sex” by George Michael.I've waited so long babyOut in the coldBut I can't take much more girlI'm losing controlI want your sexI want your loveI want your sexI want your, sex, sexCher bounced to the beat and held an imaginary microphone to her mouth as she pointed her sultry finger at me, while mouthing the repetitive lyrics.It's naturalIt's chemical (let's do it)It's logicalHabitual (can we do it?)It's sensualBut most of allSex is something that we should doSex is something for me and youSex is natural, sex is goodNot everybody does itBut everybody shouldSex is natural, sex is funSex is best when it's, one on oneOne on one I was starting to see a pattern, “Lay Your Hands on Me” by Bon Jovi started to play and I pulled over into the entry to a field, next to the pavement.Now, now, now babyDon't you know I only aim to please?If you want me to lay my hands on youWhat you gotta do is(Lay your hands on me), lay 'em on me(Lay your hands on me), come on, come on, come on(Lay your hands on me), everybody's gonna help me nowI opened her door and brought her to the front of the car and pushed her back and kissed her deep.The next track started to play, “I'm on Fire” from Bruce Springsteen.At night I wake up with the sheets soaking wetAnd a freight train running through the middle of my headOnly you can cool my desireOh, oh, oh, I'm on fireOh, oh, oh, I'm on fireI broke from our kiss and smiled at her, then I asked; “How long were you planning to let me drive before you wouldn't wait anymore?”“Not much further, you got the hint pretty quick!” she said with a sultry grin.Her heel found a solid ledge of the front bumper, and she hiked herself up onto the corner of the warm hood, I stroked her legs as she reached for my belt. I looked around at our surroundings, and other than an old barn located about 300 feet from where I pulled over, the sun set on the tall grass around us. We were completely alone, no one would know or care what we were about to do.Kim leaned back a little and unhooked my pants and licked her lips, “That's What I Like,” by Bruno Mars came on and we both giggled.Jump in the Cadillac(Girl, let's put some miles on it)Anything you want(Just to put a smile on you)You deserve it baby, you deserve it allAnd I'm gonna give it to youCool jewelry shining so brightStrawberry champagne on iceLucky for you, that's what I like, that's what I likeLucky for you, that's what I like, that's what I likeSex by the fire at nightSilk sheets and diamonds all whiteLucky for you, that's what I like, that's what I likeLucky for you, that's what I like, that's what I likeIt was perfectly timed. Her hand moved over the front of my pants and she moved it slowly up and down.I went to work on getting her white shorts off, she lifted her ass so that I could remove them without hesitation. She laid down on the hood as I dropped my mouth to her opening.“I just want you inside of me now, we can do all of that tonight at the room!” she said insistently, “Just do me now!”I pulled her down off of the hood, “Turn around, hands on the car ma'am!” I commanded as if I was pulling her over.She obeyed and got into character, “Okay officer, I'll do whatever you want, just don't give me a ticket!”I pushed my pants and underwear down, my turgid cock escaped and lurched outward, as if it caught the scent of a wet cunt, nearby.“Spread em, I need to check you for weapons” I said as she followed every instruction I gave her.My hands slid up her bare legs and grazed over her privates.“Do Me Baby!” she begged as “Just What I Needed” by the Cars came over the speakers. I don't mind you comin' hereAnd wastin' all my timeI guess you're just what I needed (just what I needed)I needed someone to feedI guess you're just what I needed (just what I needed)I needed someone to bleedI stood straight up and pushed her further onto the car. I held my erection and moved forward to slide into her. “I need to do a cavity search, miss. Your compliance will make this more pleasant for both of us.”“Oh Yeah, that is what I need!” she said as I slid into her moist opening. I slid in and out of her slow and shallow at first, but with each thrust, I went further inside of her. Her hands firmly planted on the hood, accepting my thrusts while pushing into me to gain more depth. She started to breathe heavier as I started to pick up speed.I held her hips firmly as I took control and plowed back and forth into her hungry body. She moaned every time i buried my hardness deep within her. Her hands gripped the edge of the hood as I forcibly took her and did not stop. I was pumping in and out of her as she was begging me to make her come.“Oh please baby, I need to come, make me come,” she said softly.I took it upon myself to push her over the edge as quickly as I could. I slipped a hand around and touched her clitoris.“Oh yes, just like that!” she was begging me to finish her off again.I pinched her clit and she pleaded for me to shoot inside of her. “Please baby, I need you to fill me with it!”She was talking dirty and I was loving it, my erection was rock hard and plowing deep inside of her as I felt the tickle way back inside.I said to her softly as I am plunging in her “I hope you are ready baby, because here I...”She screamed out her orgasm, “Come!”I pushed into her for all I was worth and grabbed her hips tight as I exploded deep inside of her. I held myself inside deep as every last drop of semen flew inside of her wanting hole.“Oh Baby, I needed that!” She said. Once I started to get feeling back in my legs, I started to slide back, removing my softening member. “No, not yet, I'm still enjoying you being inside of me.” I couldn't argue and I remained inside of her until she released my softened manhood with a slurp sound.“Pour Some Sugar On Me” by Def Leppard came on and she laughed.  Sometime, anytime, sugar me sweetLittle miss innocent sugar me, yeah, yeahNow c'mon, take a bottle, shake it upBreak the bubble, break it upPour some sugar on meOoh, in the name of lovePour some sugar on meC'mon, fire me upPour your sugar on meI can't get enoughI'm hot, sticky sweetFrom my head to my feet, yeahWe started to get dressed and we noticed that we weren't alone anymore. I never heard the police car pull up behind me, and we were too into it to notice anything anyway.The officer told us “Sorry, I didn't want to interrupt, you two looked so happy, but can you take it somewhere else.“Sorry officer,” Cherish said as she pulled her clothes back on and jumped in the car.“Sorry about that, the moment struck sir!” I said “Thanks for not interrupting us, we were close to finishing anyway.”He said “I know, I heard!” smiled and walked away singing ‘Pour Some Sugar on Me!'I hooked my belt and opened the door, just as I was about to get in, the police car went by slowly as he told us to have a good night. I'm sure that won't be a problem.“You Make Loving Fun” by Fleetwood Mac came on as I pulled out onto the road and we headed out of town.It would be different and you know it willYou, you make loving funAnd I don't have to tell you but you're the only oneYou, you make loving funIt's all I want to doYou, you make loving funIt's all I want to do We spoke about the experience and re-lived it all weekend long.By Fugman for Fugman's Sexy Stories.The Surprise!Road Trip surprises, and then even more surprises.By Fugman.My wife Cherish and I found ourselves driving across the state on a beautiful autumn day, for a friend's wedding. On the way there we stopped at a big truck stop for gas and a bite to eat. Cher was seated at a table in the sandwich shop when I finished fueling. I opened my phone's lodging app as we ate. A few minutes later, Cherish went to the travel plaza's restroom as I booked the room just 20 minutes down the road. I asked for a nice room and some champagne to be waiting in the room. I had already picked up massage oil to surprise her.When she came out of the bathroom, I told her; “Our room is booked, it's just 20 minutes down the road. “We left the travel plaza and made the short trek down the highway, then pulled in and parked in a big modern hotel-motel complex. It seemed like one of the newer & nicer motels and the ambiance of the lobby was nice. It had 2 stories, with both interior halls, leading to a massive indoor solarium & pool. About 20 rooms lined the walls of the solarium. Another 20 penthouse suites were on the 2nd floor balcony. About 40 exterior-facing rooms were accessible from the parking lot which wrapped around the complex. I checked in at the desk and got our key cards. I'd gotten the last available room, which was on the backside of the building. I went over to the lobby sofa where Cher was relaxing. I told her, “Go ahead down the hall, past the solarium, then out the far door, and go to room 128, there is a surprise waiting for you!"She kissed me and said "don't take too long, sweetie.""I'm just gonna park the car around back & grab the bags. Don't start without me," I said, as I headed the other direction, out the lobby front entrance.I parked just beyond the room. The lot was full and the sun was setting. The car next to mine had white letters on the back window, announcing; “Kyle & Betty' and ‘Just Married' written in shoe polish. I slung my duffle strap over my shoulder as two obviously tipsy bridesmaids giggled while walking toward the solarium entrance. Grabbing my wife's 2 bags, I muttered to myself; "How can one person need all of this for only two days?" I finally got all of her things ready and I headed down to the end of the sidewalk, towards room 128. I used my key and was shocked to see Cherish naked on the bed kissing and fondling a mysterious curvaceous naked woman. This woman was incredibly sexy and both of them woman seem to be enjoying themselves."Um, honey; what's going on?" I asked sheepishly. I was shocked and excited at the same time. My wife has told me in the past that she never had a chance to experience the love of another woman, and she was always curious and excited by the thought. But come on, I only left her alone to grab the bags for 5 minutes."Hi, honey;" she said with a smile, "thank you for Leah, she is sexy as hell."

Three adventures of rediscovering my hot Milf empty-nesterBy Fugman. Listen to the Podcast at Steamy Stories.The Side of the RoadBlame it on the classic car and the mix tape.By Fugman.Sometimes you just need a drive through the countryside to calm your nerves. Things have become hectic at work lately, and I told Cherish that we should go for a long drive this Labor Day weekend, just to get away from everything for a day. Cherish agreed with me and we made plans to be gone for the weekend. Our daughter went off to college last weekend and we were finally back to just the two of us. All those memories of our early married years, before a baby surprised us; they were days of enjoying our nude sanctuary. We pledged we would return to that life. But life gets complicated and pressures mount, even when we aren't parenting. The upside was that a pregnant bride at nineteen, can still be a hot-looking empty-nester at age 37. And Cher is one hot milf.We agreed we would go to the bed and breakfast a couple of towns over, the route we took brought us through the very sparsely populated countryside, exactly what I needed.I could not wait until our trip, it seemed like the rest of the week dragged on and on; working late. Once Friday afternoon hit, I was anxious to get home, pack the car and grab Cherish for our weekend away. When quitting time came around, I was already in the car and on the way to load the classic car and go.When I reached the driveway, Cherish was waiting on the porch wearing a little tank top, white shorts and a light denim jacket. She was holding a small overnight bag.She smiled when she saw me arrive, “Ready to go?” she asked. I shook my head yes, went inside and grabbed my bag, and loaded the old 1969 Charger I kept just for weekends like this. I opened the car door and she jumped inside. I think she was as excited as i was to get out of the area for a couple of days. We went on our merry way.  It was a beautiful early September evening.“I made a playlist for our ride,” she smiled and started the first song. “I Wanna Sex You Up” by Color Me Badd; came through the aftermarket stereo sound system.I wanna sex you up(A tick tock, ya don't stop-stop, to the)All night, girl, you make me feel goodI want to (let me rub you down)I wanna sex you upI glanced at her and smiled. “Let's Get It On,” by Marvin Gaye, came on. We slowly worked our way out of the neighborhood, then out to the highway.I've been really tryin', babyTryin' to hold back this feeling for so longAnd if you feel like I feel, babyThen, c'mon, oh, c'mon, whoaLet's get it onAh, baby, let's get it on. We stopped just outside of town, at my favorite country Barbeque restaurant for a meal. Not in any hurry, we had a couple beers after the meal, then came out to the car as a gorgeous sunset was in its early stages.Then “I Want Your Sex” by George Michael.I've waited so long babyOut in the coldBut I can't take much more girlI'm losing controlI want your sexI want your loveI want your sexI want your, sex, sexCher bounced to the beat and held an imaginary microphone to her mouth as she pointed her sultry finger at me, while mouthing the repetitive lyrics.It's naturalIt's chemical (let's do it)It's logicalHabitual (can we do it?)It's sensualBut most of allSex is something that we should doSex is something for me and youSex is natural, sex is goodNot everybody does itBut everybody shouldSex is natural, sex is funSex is best when it's, one on oneOne on one I was starting to see a pattern, “Lay Your Hands on Me” by Bon Jovi started to play and I pulled over into the entry to a field, next to the pavement.Now, now, now babyDon't you know I only aim to please?If you want me to lay my hands on youWhat you gotta do is(Lay your hands on me), lay 'em on me(Lay your hands on me), come on, come on, come on(Lay your hands on me), everybody's gonna help me nowI opened her door and brought her to the front of the car and pushed her back and kissed her deep.The next track started to play, “I'm on Fire” from Bruce Springsteen.At night I wake up with the sheets soaking wetAnd a freight train running through the middle of my headOnly you can cool my desireOh, oh, oh, I'm on fireOh, oh, oh, I'm on fireI broke from our kiss and smiled at her, then I asked; “How long were you planning to let me drive before you wouldn't wait anymore?”“Not much further, you got the hint pretty quick!” she said with a sultry grin.Her heel found a solid ledge of the front bumper, and she hiked herself up onto the corner of the warm hood, I stroked her legs as she reached for my belt. I looked around at our surroundings, and other than an old barn located about 300 feet from where I pulled over, the sun set on the tall grass around us. We were completely alone, no one would know or care what we were about to do.Kim leaned back a little and unhooked my pants and licked her lips, “That's What I Like,” by Bruno Mars came on and we both giggled.Jump in the Cadillac(Girl, let's put some miles on it)Anything you want(Just to put a smile on you)You deserve it baby, you deserve it allAnd I'm gonna give it to youCool jewelry shining so brightStrawberry champagne on iceLucky for you, that's what I like, that's what I likeLucky for you, that's what I like, that's what I likeSex by the fire at nightSilk sheets and diamonds all whiteLucky for you, that's what I like, that's what I likeLucky for you, that's what I like, that's what I likeIt was perfectly timed. Her hand moved over the front of my pants and she moved it slowly up and down.I went to work on getting her white shorts off, she lifted her ass so that I could remove them without hesitation. She laid down on the hood as I dropped my mouth to her opening.“I just want you inside of me now, we can do all of that tonight at the room!” she said insistently, “Just do me now!”I pulled her down off of the hood, “Turn around, hands on the car ma'am!” I commanded as if I was pulling her over.She obeyed and got into character, “Okay officer, I'll do whatever you want, just don't give me a ticket!”I pushed my pants and underwear down, my turgid cock escaped and lurched outward, as if it caught the scent of a wet cunt, nearby.“Spread em, I need to check you for weapons” I said as she followed every instruction I gave her.My hands slid up her bare legs and grazed over her privates.“Do Me Baby!” she begged as “Just What I Needed” by the Cars came over the speakers. I don't mind you comin' hereAnd wastin' all my timeI guess you're just what I needed (just what I needed)I needed someone to feedI guess you're just what I needed (just what I needed)I needed someone to bleedI stood straight up and pushed her further onto the car. I held my erection and moved forward to slide into her. “I need to do a cavity search, miss. Your compliance will make this more pleasant for both of us.”“Oh Yeah, that is what I need!” she said as I slid into her moist opening. I slid in and out of her slow and shallow at first, but with each thrust, I went further inside of her. Her hands firmly planted on the hood, accepting my thrusts while pushing into me to gain more depth. She started to breathe heavier as I started to pick up speed.I held her hips firmly as I took control and plowed back and forth into her hungry body. She moaned every time i buried my hardness deep within her. Her hands gripped the edge of the hood as I forcibly took her and did not stop. I was pumping in and out of her as she was begging me to make her come.“Oh please baby, I need to come, make me come,” she said softly.I took it upon myself to push her over the edge as quickly as I could. I slipped a hand around and touched her clitoris.“Oh yes, just like that!” she was begging me to finish her off again.I pinched her clit and she pleaded for me to shoot inside of her. “Please baby, I need you to fill me with it!”She was talking dirty and I was loving it, my erection was rock hard and plowing deep inside of her as I felt the tickle way back inside.I said to her softly as I am plunging in her “I hope you are ready baby, because here I...”She screamed out her orgasm, “Come!”I pushed into her for all I was worth and grabbed her hips tight as I exploded deep inside of her. I held myself inside deep as every last drop of semen flew inside of her wanting hole.“Oh Baby, I needed that!” She said. Once I started to get feeling back in my legs, I started to slide back, removing my softening member. “No, not yet, I'm still enjoying you being inside of me.” I couldn't argue and I remained inside of her until she released my softened manhood with a slurp sound.“Pour Some Sugar On Me” by Def Leppard came on and she laughed.  Sometime, anytime, sugar me sweetLittle miss innocent sugar me, yeah, yeahNow c'mon, take a bottle, shake it upBreak the bubble, break it upPour some sugar on meOoh, in the name of lovePour some sugar on meC'mon, fire me upPour your sugar on meI can't get enoughI'm hot, sticky sweetFrom my head to my feet, yeahWe started to get dressed and we noticed that we weren't alone anymore. I never heard the police car pull up behind me, and we were too into it to notice anything anyway.The officer told us “Sorry, I didn't want to interrupt, you two looked so happy, but can you take it somewhere else.“Sorry officer,” Cherish said as she pulled her clothes back on and jumped in the car.“Sorry about that, the moment struck sir!” I said “Thanks for not interrupting us, we were close to finishing anyway.”He said “I know, I heard!” smiled and walked away singing ‘Pour Some Sugar on Me!'I hooked my belt and opened the door, just as I was about to get in, the police car went by slowly as he told us to have a good night. I'm sure that won't be a problem.“You Make Loving Fun” by Fleetwood Mac came on as I pulled out onto the road and we headed out of town.It would be different and you know it willYou, you make loving funAnd I don't have to tell you but you're the only oneYou, you make loving funIt's all I want to doYou, you make loving funIt's all I want to do We spoke about the experience and re-lived it all weekend long.By Fugman for Fugman's Sexy Stories.The Surprise!Road Trip surprises, and then even more surprises.By Fugman.My wife Cherish and I found ourselves driving across the state on a beautiful autumn day, for a friend's wedding. On the way there we stopped at a big truck stop for gas and a bite to eat. Cher was seated at a table in the sandwich shop when I finished fueling. I opened my phone's lodging app as we ate. A few minutes later, Cherish went to the travel plaza's restroom as I booked the room just 20 minutes down the road. I asked for a nice room and some champagne to be waiting in the room. I had already picked up massage oil to surprise her.When she came out of the bathroom, I told her; “Our room is booked, it's just 20 minutes down the road. “We left the travel plaza and made the short trek down the highway, then pulled in and parked in a big modern hotel-motel complex. It seemed like one of the newer & nicer motels and the ambiance of the lobby was nice. It had 2 stories, with both interior halls, leading to a massive indoor solarium & pool. About 20 rooms lined the walls of the solarium. Another 20 penthouse suites were on the 2nd floor balcony. About 40 exterior-facing rooms were accessible from the parking lot which wrapped around the complex. I checked in at the desk and got our key cards. I'd gotten the last available room, which was on the backside of the building. I went over to the lobby sofa where Cher was relaxing. I told her, “Go ahead down the hall, past the solarium, then out the far door, and go to room 128, there is a surprise waiting for you!"She kissed me and said "don't take too long, sweetie.""I'm just gonna park the car around back & grab the bags. Don't start without me," I said, as I headed the other direction, out the lobby front entrance.I parked just beyond the room. The lot was full and the sun was setting. The car next to mine had white letters on the back window, announcing; “Kyle & Betty' and ‘Just Married' written in shoe polish. I slung my duffle strap over my shoulder as two obviously tipsy bridesmaids giggled while walking toward the solarium entrance. Grabbing my wife's 2 bags, I muttered to myself; "How can one person need all of this for only two days?" I finally got all of her things ready and I headed down to the end of the sidewalk, towards room 128. I used my key and was shocked to see Cherish naked on the bed kissing and fondling a mysterious curvaceous naked woman. This woman was incredibly sexy and both of them woman seem to be enjoying themselves."Um, honey; what's going on?" I asked sheepishly. I was shocked and excited at the same time. My wife has told me in the past that she never had a chance to experience the love of another woman, and she was always curious and excited by the thought. But come on, I only left her alone to grab the bags for 5 minutes."Hi, honey;" she said with a smile, "thank you for Leah, she is sexy as hell."

The Side Of The Roadbased on a post by Fugman; narrated by Andrew;Welcome To Connected Podcast By Fugman. Listen to the ► Podcast at Connected. Sometimes you just need a drive through the countryside to calm your nerves. Things have become hectic at work lately, and I told Kim that we should go for a long drive this weekend, just to get away from everything for a day. Kim agreed with me and we made plans to be gone for the weekend. We agreed we would go to the bed and breakfast a couple of towns over, the route we took brought us through the very densely populated countryside, exactly what I needed. [[MORE]] I could not wait until our trip, it seemed like the rest of the week dragged on and on. Once Friday afternoon hit, I was anxious to get home, pack the car and grab Kim for our weekend away. When quitting time came around, I was already in the car and on the way to pack our things and go. When I reached the driveway, Kim was waiting on the porch wearing a little tank top, cutoff shorts and a flannel light jacket. She was holding a small overnight bag. She smiled when she saw me arrive, “Ready to go?” she asked. I shook my head yes, grabbed my bag and loaded the car. I opened the car door and she jumped inside. I think she was as excited as I was to get out of the area for a couple of days. We buckled up and went on a merry way.   “I made a playlist for our ride,” she smiled and started the first song. “I Wanna Sex You Up” by Color Me Bad came through the sound system, I glanced at her and smiled. “Let's Get It On,” by Otis Redding, came on then “I Want Your Sex” by George Michael. I was starting to see a pattern, “Lay Your Hands on Me” by Bon Jovi started to play and I pulled over into the field next to the pavement. I opened her door and brought her to the front of the car and pushed her back and kissed her deep. The next track started to play, “I'm on Fire” from Bruce Springsteen. I broke from our kiss and smiled at her, “How long were you planning to let me drive before you wouldn't wait anymore?” “Not much further, you got the hint pretty quick!” she said with a sultry grin. Her legs lifted her up a little to the edge of the hood, I stroked her legs as she reached for my belt. I looked around at our surroundings and other than a barn located about 100 feet from where I pulled over, the sun shone on the tall grass around us. We were completely alone, no one would know or care what we were about to do. Kim leaned back a little and unhooked my pants and licked her lips, “That's What I Like,” by Bruno Mars came on and we both giggled. It was perfectly timed. Her hand moved over the front of my pants and she moved it slowly up and down. I went to work on getting her cutoff jeans off, she lifted her ass so that I could remove them without hesitation. She laid down on the hood as I dropped my mouth to her opening. “I just want you inside of me now, we can do all of that tonight at the room!” she said insistently, “Just do me now!” I pulled her down off of the hood, “Turn around, hands on the car ma'am!” I commanded as if I was pulling her over. She obeyed and got into character, “Okay officer, I'll do whatever you want, just don't give me a ticket!” I pushed my pants and underwear down revealing my erection. “Spread em, I need to check you for weapons” I said as she followed every instruction I gave her. My hands slid up her bare legs and grazed over her privates. “Do Me Baby!” she begged as “Just What I Needed” by the Cars came over the speakers. I stood straight up and pushed her further onto the car, I held my erection and moved forward to slide into her. “Oh Yeah, that is what I need!” she said as I slid into her moist opening. I slid in and out of her slow and shallow at first, but with each thrust, I went further inside of her. Her hands firmly planted on the hood, accepting my thrusts while pushing into me to gain more depth. She started to breathe heavier as I started to pick up speed. I held her hips firmly as I took control and plowed back and forth into her hungry body. She moaned every time I buried my hardness deep within her. Her hands gripped the edge of the hood as I forcibly took her and did not stop. I was pumping in and out of her as she was begging me to make her come. “Oh please baby, I need to come, make me come,” she said softly. I took it upon myself to push her over the edge as quickly as I could, I slipped a hand around and touched her clitoris. “Oh yes, just like that!” she was begging me to finish her off again. I pinched her clit and she pleaded for me to shoot inside of her. “Please baby, I need you to fill me with it!” She was talking dirty and I was loving it, my erection was rock hard and plowing deep inside of her as I felt the tickle way back inside. I said to her softly as I am plunging in her “I hope you are ready baby, because here I; ” She screamed out her orgasm, “Cum!” I pushed into her for all I was worth and grabbed her hips tight as I exploded deep inside of her. I held myself inside deep as every last drop of semen flew inside of her wanting hole. “Oh Baby, I needed that!” She said. Once I started to get feeling back in my legs, I started to slide back, removing my softening member. “No, not yet, I'm still enjoying you being inside of me.” I couldn't argue and I remained inside of her until she released my softened manhood with a slurp sound. “Pour Some Sugar On Me” by Def Leppard came on and she laughed.  We started to get dressed and we noticed that we weren't alone anymore. I never heard the police car pull up behind me, and we were too into it to notice anything anyway. The officer told us “Sorry, I didn't want to interrupt, you two looked so happy, but can you take it somewhere else. “Sorry officer,” Kim said as she pulled her clothes back on and jumped in the car. “Sorry about that, the moment struck sir!” I said “Thanks for not interrupting us, we were close to finishing anyway.” He said “I know, I heard!” smiled and walked away singing  “Pour Some Sugar on Me!” I hooked my belt and opened the door, just as I was about to get in, the police car went by slowly as he told us to have a good night. I'm sure that won't be a problem. “You Make Loving Fun” by Fleetwood Mac came on as I pulled out onto the road and we headed out of town. We spoke about the experience and re-lived it all weekend long. By Fugman for Tumblr.

The Side Of The Roadbased on a post by Fugman; narrated by Andrew;Welcome To Connected Podcast By Fugman. Listen to the ► Podcast at Connected. Sometimes you just need a drive through the countryside to calm your nerves. Things have become hectic at work lately, and I told Kim that we should go for a long drive this weekend, just to get away from everything for a day. Kim agreed with me and we made plans to be gone for the weekend. We agreed we would go to the bed and breakfast a couple of towns over, the route we took brought us through the very densely populated countryside, exactly what I needed. [[MORE]] I could not wait until our trip, it seemed like the rest of the week dragged on and on. Once Friday afternoon hit, I was anxious to get home, pack the car and grab Kim for our weekend away. When quitting time came around, I was already in the car and on the way to pack our things and go. When I reached the driveway, Kim was waiting on the porch wearing a little tank top, cutoff shorts and a flannel light jacket. She was holding a small overnight bag. She smiled when she saw me arrive, “Ready to go?” she asked. I shook my head yes, grabbed my bag and loaded the car. I opened the car door and she jumped inside. I think she was as excited as I was to get out of the area for a couple of days. We buckled up and went on a merry way.   “I made a playlist for our ride,” she smiled and started the first song. “I Wanna Sex You Up” by Color Me Bad came through the sound system, I glanced at her and smiled. “Let's Get It On,” by Otis Redding, came on then “I Want Your Sex” by George Michael. I was starting to see a pattern, “Lay Your Hands on Me” by Bon Jovi started to play and I pulled over into the field next to the pavement. I opened her door and brought her to the front of the car and pushed her back and kissed her deep. The next track started to play, “I'm on Fire” from Bruce Springsteen. I broke from our kiss and smiled at her, “How long were you planning to let me drive before you wouldn't wait anymore?” “Not much further, you got the hint pretty quick!” she said with a sultry grin. Her legs lifted her up a little to the edge of the hood, I stroked her legs as she reached for my belt. I looked around at our surroundings and other than a barn located about 100 feet from where I pulled over, the sun shone on the tall grass around us. We were completely alone, no one would know or care what we were about to do. Kim leaned back a little and unhooked my pants and licked her lips, “That's What I Like,” by Bruno Mars came on and we both giggled. It was perfectly timed. Her hand moved over the front of my pants and she moved it slowly up and down. I went to work on getting her cutoff jeans off, she lifted her ass so that I could remove them without hesitation. She laid down on the hood as I dropped my mouth to her opening. “I just want you inside of me now, we can do all of that tonight at the room!” she said insistently, “Just do me now!” I pulled her down off of the hood, “Turn around, hands on the car ma'am!” I commanded as if I was pulling her over. She obeyed and got into character, “Okay officer, I'll do whatever you want, just don't give me a ticket!” I pushed my pants and underwear down revealing my erection. “Spread em, I need to check you for weapons” I said as she followed every instruction I gave her. My hands slid up her bare legs and grazed over her privates. “Do Me Baby!” she begged as “Just What I Needed” by the Cars came over the speakers. I stood straight up and pushed her further onto the car, I held my erection and moved forward to slide into her. “Oh Yeah, that is what I need!” she said as I slid into her moist opening. I slid in and out of her slow and shallow at first, but with each thrust, I went further inside of her. Her hands firmly planted on the hood, accepting my thrusts while pushing into me to gain more depth. She started to breathe heavier as I started to pick up speed. I held her hips firmly as I took control and plowed back and forth into her hungry body. She moaned every time I buried my hardness deep within her. Her hands gripped the edge of the hood as I forcibly took her and did not stop. I was pumping in and out of her as she was begging me to make her come. “Oh please baby, I need to come, make me come,” she said softly. I took it upon myself to push her over the edge as quickly as I could, I slipped a hand around and touched her clitoris. “Oh yes, just like that!” she was begging me to finish her off again. I pinched her clit and she pleaded for me to shoot inside of her. “Please baby, I need you to fill me with it!” She was talking dirty and I was loving it, my erection was rock hard and plowing deep inside of her as I felt the tickle way back inside. I said to her softly as I am plunging in her “I hope you are ready baby, because here I; ” She screamed out her orgasm, “Cum!” I pushed into her for all I was worth and grabbed her hips tight as I exploded deep inside of her. I held myself inside deep as every last drop of semen flew inside of her wanting hole. “Oh Baby, I needed that!” She said. Once I started to get feeling back in my legs, I started to slide back, removing my softening member. “No, not yet, I'm still enjoying you being inside of me.” I couldn't argue and I remained inside of her until she released my softened manhood with a slurp sound. “Pour Some Sugar On Me” by Def Leppard came on and she laughed.  We started to get dressed and we noticed that we weren't alone anymore. I never heard the police car pull up behind me, and we were too into it to notice anything anyway. The officer told us “Sorry, I didn't want to interrupt, you two looked so happy, but can you take it somewhere else. “Sorry officer,” Kim said as she pulled her clothes back on and jumped in the car. “Sorry about that, the moment struck sir!” I said “Thanks for not interrupting us, we were close to finishing anyway.” He said “I know, I heard!” smiled and walked away singing  “Pour Some Sugar on Me!” I hooked my belt and opened the door, just as I was about to get in, the police car went by slowly as he told us to have a good night. I'm sure that won't be a problem. “You Make Loving Fun” by Fleetwood Mac came on as I pulled out onto the road and we headed out of town. We spoke about the experience and re-lived it all weekend long. By Fugman for Tumblr.

The Side Of The Roadbased on a post by Fugman; narrated by Andrew;Welcome To Connected Podcast By Fugman. Listen to the ► Podcast at Connected. Sometimes you just need a drive through the countryside to calm your nerves. Things have become hectic at work lately, and I told Kim that we should go for a long drive this weekend, just to get away from everything for a day. Kim agreed with me and we made plans to be gone for the weekend. We agreed we would go to the bed and breakfast a couple of towns over, the route we took brought us through the very densely populated countryside, exactly what I needed. [[MORE]] I could not wait until our trip, it seemed like the rest of the week dragged on and on. Once Friday afternoon hit, I was anxious to get home, pack the car and grab Kim for our weekend away. When quitting time came around, I was already in the car and on the way to pack our things and go. When I reached the driveway, Kim was waiting on the porch wearing a little tank top, cutoff shorts and a flannel light jacket. She was holding a small overnight bag. She smiled when she saw me arrive, “Ready to go?” she asked. I shook my head yes, grabbed my bag and loaded the car. I opened the car door and she jumped inside. I think she was as excited as I was to get out of the area for a couple of days. We buckled up and went on a merry way.   “I made a playlist for our ride,” she smiled and started the first song. “I Wanna Sex You Up” by Color Me Bad came through the sound system, I glanced at her and smiled. “Let's Get It On,” by Otis Redding, came on then “I Want Your Sex” by George Michael. I was starting to see a pattern, “Lay Your Hands on Me” by Bon Jovi started to play and I pulled over into the field next to the pavement. I opened her door and brought her to the front of the car and pushed her back and kissed her deep. The next track started to play, “I'm on Fire” from Bruce Springsteen. I broke from our kiss and smiled at her, “How long were you planning to let me drive before you wouldn't wait anymore?” “Not much further, you got the hint pretty quick!” she said with a sultry grin. Her legs lifted her up a little to the edge of the hood, I stroked her legs as she reached for my belt. I looked around at our surroundings and other than a barn located about 100 feet from where I pulled over, the sun shone on the tall grass around us. We were completely alone, no one would know or care what we were about to do. Kim leaned back a little and unhooked my pants and licked her lips, “That's What I Like,” by Bruno Mars came on and we both giggled. It was perfectly timed. Her hand moved over the front of my pants and she moved it slowly up and down. I went to work on getting her cutoff jeans off, she lifted her ass so that I could remove them without hesitation. She laid down on the hood as I dropped my mouth to her opening. “I just want you inside of me now, we can do all of that tonight at the room!” she said insistently, “Just do me now!” I pulled her down off of the hood, “Turn around, hands on the car ma'am!” I commanded as if I was pulling her over. She obeyed and got into character, “Okay officer, I'll do whatever you want, just don't give me a ticket!” I pushed my pants and underwear down revealing my erection. “Spread em, I need to check you for weapons” I said as she followed every instruction I gave her. My hands slid up her bare legs and grazed over her privates. “Do Me Baby!” she begged as “Just What I Needed” by the Cars came over the speakers. I stood straight up and pushed her further onto the car, I held my erection and moved forward to slide into her. “Oh Yeah, that is what I need!” she said as I slid into her moist opening. I slid in and out of her slow and shallow at first, but with each thrust, I went further inside of her. Her hands firmly planted on the hood, accepting my thrusts while pushing into me to gain more depth. She started to breathe heavier as I started to pick up speed. I held her hips firmly as I took control and plowed back and forth into her hungry body. She moaned every time I buried my hardness deep within her. Her hands gripped the edge of the hood as I forcibly took her and did not stop. I was pumping in and out of her as she was begging me to make her come. “Oh please baby, I need to come, make me come,” she said softly. I took it upon myself to push her over the edge as quickly as I could, I slipped a hand around and touched her clitoris. “Oh yes, just like that!” she was begging me to finish her off again. I pinched her clit and she pleaded for me to shoot inside of her. “Please baby, I need you to fill me with it!” She was talking dirty and I was loving it, my erection was rock hard and plowing deep inside of her as I felt the tickle way back inside. I said to her softly as I am plunging in her “I hope you are ready baby, because here I; ” She screamed out her orgasm, “Cum!” I pushed into her for all I was worth and grabbed her hips tight as I exploded deep inside of her. I held myself inside deep as every last drop of semen flew inside of her wanting hole. “Oh Baby, I needed that!” She said. Once I started to get feeling back in my legs, I started to slide back, removing my softening member. “No, not yet, I'm still enjoying you being inside of me.” I couldn't argue and I remained inside of her until she released my softened manhood with a slurp sound. “Pour Some Sugar On Me” by Def Leppard came on and she laughed.  We started to get dressed and we noticed that we weren't alone anymore. I never heard the police car pull up behind me, and we were too into it to notice anything anyway. The officer told us “Sorry, I didn't want to interrupt, you two looked so happy, but can you take it somewhere else. “Sorry officer,” Kim said as she pulled her clothes back on and jumped in the car. “Sorry about that, the moment struck sir!” I said “Thanks for not interrupting us, we were close to finishing anyway.” He said “I know, I heard!” smiled and walked away singing  “Pour Some Sugar on Me!” I hooked my belt and opened the door, just as I was about to get in, the police car went by slowly as he told us to have a good night. I'm sure that won't be a problem. “You Make Loving Fun” by Fleetwood Mac came on as I pulled out onto the road and we headed out of town. We spoke about the experience and re-lived it all weekend long. By Fugman for Tumblr.

Nine years ago this month, Misty Copeland became the first ever Black American woman to be promoted to principal at American Ballet Theatre. One of ballet's most inspirational figures, she opens this new season of Why Dance Matters. Was she prepared for the attention around her promotion? What can ballet give young people? How does George Michael's I Want Your Sex figure in her dance career, and will she return to the stage after ‘one of the longest maternity leaves in ballet history'? Misty reflects on her extraordinary journey – and why dance matters to her. Misty Copeland is acclaimed as a champion of change. Born in Kansas City and raised in California, she began her ballet studies at the late age of 13. A member of American Ballet Theatre since 2001, in 2015 she was the first African American woman in the company's history to be promoted to principal dancer, having made history as the first Black woman to perform the lead role in its Swan Lake. In 2022, Misty launched The Misty Copeland Foundation, with its signature program BEBOLD, which aims to bring greater diversity, equity and inclusion to dance, especially ballet. Misty Copeland Foundation https://www.mistycopelandfoundation.org/ Misty's websiteMisty on Instagram @mistyonpointe Hosted on Acast. See acast.com/privacy for more information.

„I Want Your Sex“ war George Michaels erste Solo-Single nach dem Ende vom Wham! Der Songtext und vor allem das Video waren sehr freizügig. Doch dass der Aufschrei so groß werden würde, dass niemand das Original-Video zeigen wollte, war dann doch nicht geplant. Die ganze Geschichte hört ihr in dieser Folge.

Turntables and Tea celebrates George Michael's recent induction into the Rock & Roll Hall of Fame by diving into his hugely successful solo debut "Faith". Hear the stories and tea behind classic tunes like "I Want Your Sex" and "Father Figure" in this must-hear episode! --- Support this podcast: https://podcasters.spotify.com/pod/show/turntablesandtea/support

Over the years I've made many Wham mechamixes and many George Michael mechamixes and now for the first time ever, here is the best of both worlds – it's the WHAM! & GEORGE MICHAEL ULTIMATE MECHAMIX featuring the hits, the remixes and pure pop gold! BPM = 91 – 163 TRACKS:FREEDOM '90 (ultimix by dj richie rich)HARD DAY (shep pettibone mix)MONKEY (jam & lewis remix)I WANT YOUR SEX (monogamy mix)FATHER FIGURE (the msk band 2017 remix)LAST CHRISTMAS (the mask band 2016/17 remix)EVERYTHING SHE WANTS (jet boot jack remix)YOUNG GUNS (go for it) (dj beats)YOUNG GUNS (go for it) (original 12 inch mix)CLUB TROPICANABAD BOYS (long version)WHAM RAP! (enjoy what you do)OUTSIDE (the msk band 2017 remix)CARELESS WHISPER (dmc remix 2017)BATTLESTATIONSI'M YOUR MAN (steve franklin dmc remix 2017)I'M YOUR MAN (extended stimulation mix)I'M YOUR MAN (dj beats)FREEDOM (extended mix)WAKE ME UP BEFORE YOU GO GO (edge remix) For all your mechamix needs check out:THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL PATREON PAGE:patreon.com/THEOFFICIALMECHANISMPODCAST THE OFFICIAL FACEBOOK PAGE:https://www.facebook.com/theofficialmechanismpodcast  THE OFFICIAL TWITTER PAGE:https://twitter.com/MechPod THE OFFICIAL MIXCLOUD PAGE:www.mixcloud.com/Mechanism_Podcast THE OFFICIAL INSTAGRAM PAGE:https://www.instagram.com/mechanism_podcast/ GOOGLE PODCASTS:http://bit.ly/GoogleMechamix TUNE IN:http://bit.ly/TuneInMechamix APPLE PODCASTS:http://bit.ly/AppleMechamix IHEART RADIO PODCAST:http://bit.ly/IheartMechamix YOUTUBE:https://www.youtube.com/c/THEOFFICIALMECHANISMPODCAST #mechamix 

George Michael would've turned 60 this year: 6/25/23. Netflix will be airing a new documentary of his life, and over a millon fans voted him into 2023's Rock 'N Roll Hall of Fame! Storytelling his bio, I countdown 20 songs I recommend from his career. Theme Song: "Dance Track", composed by Jessica Ann CatenaTop 20 playlist: https://open.spotify.com/playlist/3JQgJpk8J8tpj9mdzWQ57L?si=215ab3ea102c41f2&pt=5659b045c4d23b4d5ff5893f1b05cb8720. “Flawless (Go to the City)” (2004) 19. “As” - feat. Mary J. Blige (1999) 18. “An Easier Affair” (2006)17. “Fastlove” (1996) 16. “Outside” (1998) 15. “Older” (1996) 14. “Waiting for That Day” / “Waiting (Reprise)” (1990) 13. “Too Funky” (1992) 12. “Kissing a Fool” (1987, 1988) 11. “Praying for Time” (1990) 10. “Last Christmas” - Wham! (1984, 1986)9. “I Want Your Sex” (1987) 8. “Everything She Wants” - Wham! (1984-1985) 7. “Jesus to a Child” (1996) 6. “One More Try” (1987, 1988) 5. “A Different Corner” (1986) 4. “Careless Whisper” (1984) 3. “Faith” (1987) 2. “Father Figure” (1987-1988) 1. “Freedom! '90” (1990-1991) George Michael's website: https://www.georgemichael.com/Tributes:ADELE's "Fastlove" @ 2017 Grammys: https://www.youtube.com/watch?v=eLQkXku-0fACarrie Underwood's "Praying for Time" @ Idol Gives Back (2008): https://www.youtube.com/watch?v=A1JcVzNrqhE&pp=ygUhcHJheWluZyBmb3IgdGltZSBjYXJyaWUgdW5kZXJ3b29kGeorge Michael Medley at American Idol 7's Finale (2008): https://www.youtube.com/watch?v=WLEQdFLQsBY"Freedom! '90!" @ MTV's 10th anniversary (1990): https://www.youtube.com/watch?v=wug3TYoqcXIGeorge Michael @ 2012's London Olympics: https://www.youtube.com/watch?v=aXqX_8gViBsChris Martin's "A Different Corner" @ BRIT Awards (2017): https://www.youtube.com/watch?v=Ffc6mS2P9VM&pp=ygUeZ3JhbW15cyB0cmlidXRlIGdlb3JnZSBtaWNoYWVsEli Stone: https://www.imdb.com/title/tt0892535/"Think" - Aretha Franklin (1968) in The Blues Brothers 1980 film: https://www.youtube.com/watch?v=AZ3HOXoMpwk"Done for Me" - Charlie Puth feat. Kehlani (2018): https://www.youtube.com/watch?v=TdyllLZeviY&pp=ygUYZG9uZSBmb3IgbWUgY2hhcmxpZSBwdXRoEpisode 115- Christmas Hot 100 Hits: https://www.spreaker.com/episode/48055284

Madonna's "Justify My Love" and George Michael's "I Want Your Sex" were two totally taboo music videos that were either banned from MTV or shown after 10pm back in the 80s and 90s. During their heyday, they were both the things everyone was talking about and the things no one could easily watch. But now, decades later, was all the fuss deserved? When is a kiss not just a kiss? And, isn't "monogamy" a good thing, whether you write in lipstick or not? The Old Roommates slip into something more comfortable and rewatch these two groundbreaking music videos, all through their middle-aged lenses. Listen to this.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on Instagram and YouTube @OldRoommates for bonus content and please give us a rating or review! Thanks for listening!#Madonna #GeorgeMichael

Three words; Shirley's Sex Tape.    Join us this week as we go back to 1987 and listen to the hit "I Want Your Sex" from the Faith album.    Listen as Shirley talks about the song, answers your questions and nearly breaks the internet!   Is it a tape or just a mix?     Don't forget to vote daily for George Michael for the Rock n' Roll Hall of Fame!   vote.rockhall.com

It's time for the men to take centre stage on the dance floor and in this special edition of Men for World Pride in Sydney, that's exactly what they do. Keeping with the Pride Men theme, I've selected tracks from male artists who identify as gay, bisexual or non binary. The set kicks of with the incomparable George Michael and his mega hit song "I Want Your Sex" given a modern spin by Huffnpoof. Division 4 creates a fantastic cover of "You Don't Treat Me No Good" and Sam Smith's new track "I'm Not Here To Make Friends" is a club anthem. Darren Hayes features twice in this set, first up with his Savage Garden collaboration "I Want You" and later with "Step Into The Light". Dirty Disco features two excellent mixes for Erasure and Years & Years respectively. Magnus Carlsson released a song for Stockholm Pride with a great remix by SoundFactory and Ross Alexander covers "I Love My Radio" released in the 80's. One of my favourite male artists is Matt Zarley and his uplifting song "Somebody 4 Everybody" is brilliantly remixed by Moto Blanco. Chris Willis' hit "One Life" features here (I do love me some Chris Willis) and Tommer Mizrahi delivers two top mixes for Jason Walker and Kevin Aviance. The set closes out with the exquisite 7th Heaven remix of "Feel The Music" by Sean Ensign and an updated version of Sylvester's classic disco track "Mighty Real" mixed by Jet Boot Jack. Feel the music and feel the Men in this special World pride edition of Pride Men. EnjoyAnthony1/ "I WANT YOUR SEX" (Huffnpoof Remix) - GEORGE MICHAEL2/ "YOU DON'T TREAT ME NO GOOD" (Original Club Mix) - DIVISION 4 ft. CHEYENNE3/ "I'M NOT HERE TO MAKE FRIENDS" (Gaurele Love Yourself Club Mix) - SAM SMITH4/ "I WANT YOU" (Division 4 Remix) - SAVAGE GARDEN5/ "WHERE ARE YOU NOW" (Deluxe Club Mix) - LOST FREQUENCIES ft. CALUM SCOTT6/ "CHILDREN" (Ray Isaac Club Mix) - BILLY PORTER7/ "O'LAMOUR" (Dirty Disco Classic Club Rework) - ERASURE8/ "MY FREEDOM" (SoundFactory Paradise Anthem Club Mix) - MAGNUS CARLSSON9/ "SOMEBODY 4 EVERYBODY" (Moto Blanco Club Mix) - MATT ZARLEY10/ "I LOVE MY RADIO" (Matt Pop Club Mix) - ROSS ALEXANDER11/ "HUMAN" (Gomi's Human Rights Anthem Club Mix) - ARI GOLD12/ "HALLUCINATION" (Dirty Disco Pillow Biters Remix) - REGARD ft. YEARS & YEARS13/ "ONE LIFE" (Dave Aude` Club Remix) - JOACHIM GARRAUD ft. CHRIS WILLIS14/ "PERFECT BITCH" (Tommer Mizrahi Club Remix) - TONY MORAN ft. JASON WALKER15/ "GIVE IT UP" (Tommer Mizrahi Remix) - KEVIN AVIANCE16/ "RAININ' FELLAS" (Dario Xavier Remix) - TODRICK HALL17/ "STEP INTO THE LIGHT" (Tony Moran Club Mix) - DARREN HAYES18/ "FEEL THE MUSIC" (7th Heaven Club Mix) - SEAN ENSIGN ft. TAMARA WALLACE & SLYCE19/ "YOU MAKE ME FEEL" (MIGHTY REAL) (Jet Boot Jack Remix) - SYLVESTER

In this episode, Eric and Gena continue their discussion from podcast #12, “I Want Your Sex”. God did create sex, us as sexual beings, and the act of sex as a part of married life. Scripture is shared on the importance of intimacy in this episode. The Boggs also encourage married couples to schedule, plan and enjoy this gift and their intimate relationship as God has instructed!

Georgios Kyriacos Panayiotou aka George Michael (June 25th 1963 – December 25th 2016) was an English singer/songwriter, who rose to fame as a member of the music duo Wham! and later embarked on an 'Amazing' successful solo career. Outside music, Michael was an active LGBTIQ+ rights campaigner and HIV/AIDS charity fundraiser. He came out publicly in 1998, has been hailed as a leading creative force in music production, songwriting, vocal performance and visual presentation, and is regarded as one of the most significant cultural figures of the MTV generation.Hear THIS! My George Michael: Remixed tribute mix: a 2-hour / 20-track journey of his back catalogue, in anticipation of his upcoming 'Freedom Uncut' documentary, due in cinemas worldwide on June 25th, so enjoy! Fastlove, Magnus. 1 A Different Corner 2 Praying For Time3 Too Funky 4 Freedom 905 Careless Whisper 6 Fastlove 7 Fantasy 8 Killer Papa Was A Rolling Stone 9 Freeek! 10 White Light 11 Father Figure 12 Precious Box 13 Flawless (Go to the City)14 Amazing 15 Outside 16 This Is Not Real Love 17 Spinning The Wheel18 Star People 19 I Want Your Sex 20 This Is How (We Want You To Get High)

2022 marks the 35th anniversary of George Michael's iconic multi-million selling debut album FAITH. Utilising album tracks, 7 inch mixes and classic 12 inch mixes, this very special mechamix is here to celebrate 35 glorious years of FAITH. BPM = 95 – 102 TRACKS:HARD DAY (shep pettibone mix)HARD DAY (album version)FAITHMONKEY (7 inch edit)MONKEY (jam and lewis remix)MONKEY (album version)I WANT YOUR SEX (parts 1 & 2 )FATHER FIGURE For all your mechamix needs go to: THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL FACEBOOK PAGE:https://www.facebook.com/theofficialmechanismpodcast THE OFFICIAL TWITTER PAGE:https://twitter.com/MechPod THE OFFICIAL MIXCLOUD PAGE:www.mixcloud.com/Mechanism_Podcast THE OFFICIAL INSTAGRAM PAGE:https://www.instagram.com/mechanism_podcast/ REDBUBBLE MERCH STORE:http://Mechanism.redbubble.com GOOGLE PODCASTS:http://bit.ly/GoogleMechamix TUNE IN:http://bit.ly/TuneInMechamix APPLE PODCASTS:http://bit.ly/AppleMechamix IHEART RADIO PODCAST:http://bit.ly/IheartMechamix YOUTUBE:https://www.youtube.com/c/THEOFFICIALMECHANISMPODCAST #mechamix  

Marni and Chris Gillis dissect the dating games on this week's physical-chemistry-laden episode of the Bachelor. The man-mountain who is Clayton, seems unable to lean into his feelings. Is he Matt James #2? Cassidy teaches us that sexual aggression is unattractive and that a friends with benefits scenario offers little space to date with dignity. And, Elizabeth can't wait to spit her ADHD on people.    Key takeaways from this episode:  How to be vulnerable when sharing a medical condition Forcing yourself on someone physically will only get a physical reaction First dates are not job interviews Friends with benefits has no place in dating   I Want Your Sex [2:58]  There is one contestant who makes Marni cringe. It's Cassidy. Cassidy is over-aggressive and actively tries to make out with Clayton every second they are together. She is obviously going for the sexual connection but her vulnerability feels fake. She says I like you and she attempts to mount him. She crosses a line that is not attractive.  Clayton's technique needs a little work. Is he a quality guy? Marni says he might have Matt James syndrome. When a contestant opens up to him and shares about her family. He speaks from his head and not his heart. He doesn't share and wasn't vulnerable. Chris says his response felt like a job interview.  When dating someone new, listen to them with an open heart. It's not a job interview.   Victimy or Vulnerability [10:38] Shenae calls Elizabeth out and asks her why she didn't respond to a question or comment she made. Instead of calmly explaining that she has ADHD, Elizabeth snaps back that she processes information differently.  She uses it as an excuse for her behavior instead of vulnerable sharing.  Don't overshare your medical history, especially on a first date. It's not being vulnerable. It's a canned story you are using to elicit a common response. Be discerning about what you share and when you share it. You don't need to put everything out there on the first date.  Taking ownership and responsibility for a miscommunication is sexy.   Friends with Benefits [25:21] In the episode, Cassidy offers up the unsolicited information that she has a guy she hooks up with at home. It begs the question, can you bang your friend with benefits and also date with dignity?  Marni says for women it may be a little harder. She tries to discourage clients from having an FWB on the side because it causes women to compartmentalize their feelings. It requires rigorous honesty. and it's difficult. Chris says it is easier for men to compartmentalize it and not let it bleed over into their dating life.  Cassidy just needs too much attention and she asks for it in an unattractive way.    Make a Connection: Visit Our Website Join Our Dating Den Facebook Community Here! Learn how to attract your perfect equal...watch our latest training here! Interested in working with us? Book a Breakthrough session at DWDVIP Get a Free Coaching Session with Marni on Our Podcast - Sign up Here to Be a Guest On Our Show Download a Complimentary Copy of our Book - How to Find a Quality Guy Without Going on 200 Dates Register for the upcoming Ignite Your Life 3-Day Seminar! 

The Jungs open bust it open with George Michael's "I Want Your Sex", chat abstinence, Kye's first mushroom experience? pain and pleasure, the art of self control and so many sexual innuendos...

James Brown tat es mit «Sex Machine», Marvin Gaye mit «Sexual Healing» aber keiner der beiden hatte mit «Sex» im Titel einen so grossen Hit wie George Michael mit «I Want Your Sex». Nie zuvor wurde in den Charts so direkt vom Koitus gesungen wie 1987 – nicht ohne Probleme.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 83: WHAM! - Top 10 George Michael Hits!. It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band : www.rewind80sband.com Facebook : the80smontagepodcast twitter: 80_montage instagram : the80smontage Links from Episode 83: WHAM! - Top 10 George Michael Hits!.Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: Everything she wants - Wham https://youtu.be/Yf_Lwe6p-Cg10, Praying For Time - George Michaelhttps://youtu.be/goroyZbVdlo9, “I Want Your Sex,” George Michael, No. 2, Aug. 8, 1987https://youtu.be/vldh7oQD-a48, “Monkey,” George Michael, No. 1 (2 weeks), Aug. 27, 1988https://youtu.be/CHb2XYeXcJI7, “I Knew You Were Waiting (For Me),” Aretha Franklin & George Michael, No. 1 (2 weeks), April 18, 1987https://youtu.be/fDxzQJaA2286, “Father Figure,” George Michael, No. 1 (2 weeks), Feb. 27, 1988https://youtu.be/m_9hfHvQSNoSee The Day - DC Lee : One Dick Wonderhttps://youtu.be/aqfsiSpfv-g4, “Wake Me Up Before You Go-Go,” Wham!, No. 1 (3 weeks), Nov. 17, 1984https://youtu.be/pIgZ7gMze7A3, “One More Try,” George Michael, No. 1 (3 weeks), May 28, 1988https://youtu.be/bG5N3GC-m202, “Careless Whisper,” Wham! featuring George Michael, No. 1 (3 weeks), Feb. 16, 1985https://youtu.be/izGwDsrQ1eQ1, “Faith,” George Michael, No. 1 (4 weeks), Dec. 12, 1987https://youtu.be/6Cs3Pvmmv0EThanks for listening!

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE I found it! My CD collection has been moved twice in the last 18 months, and I have not done ANY reorganizing. Hunting through 600+ CDs to find the only one I want was not something I had any desire to do. So it was a huge relief that this one was sitting right out front on one of the shelves. And why? Because I should have started my trip down CD lane with THIS ONE. It was the first CD I ever bought with my own money. My parents spent a ton of THEIR money to get a CD player, and as I was still living with them off & on, I had access. And of all the CDs I could have bought – and did eventually buy, let's be honest – George Michael's Faithwas the one that moved me the most. Not enough can be said about George Michael or about this album. So much has already been said that I don't feel the need to go into detail. I'll just say that I can still remember the crisp, funky, pristine sound of these songs – and that VOICE. I can still remember what a revelation it was to hear his version of what a singer/songwriter/producer could be. And let's not forget the HUGE HITS and the controversy that some of his lyrics and his not-yet-out personal life stirred up. We could say that “these days” the scandal of someone singing about sex, let alone gay sex, is laughable. And for many of us it is. But it isn't. Not really. Because for a huge portion of the population these things are still upsetting, scandalous, sinful, and just plain wrong. So what an incredible triumph for George Michael to not just sing about this stuff, not just do videos & visuals about it, but to do it in an extremely personal way. To be both a master of pop/r&b/dance music and to do it confessionally is an incredible feat, and is what makes this album a major classic. I subsequently wrote a TON of songs inspired by this album, whether like the smash hits "Faith", "Father Figure", "One More Try", “I Want Your Sex”, and my favorite "Monkey", or like the lesser known single and jazz-pop genre exercise, “Kissing A Fool”. You can probably hear more of what he did in my music today than you even could back then. Here's a great example – my version of singing about sex in a personal way: REC – “Make Me Break Like Everyday” (from the album Syncopy for the Weird) Do you remember this album? Can you still sing some of the songs even though you haven't heard them in years? Do you remember how huge he and this album were? Does it make you sad to think of how his life ended? What was YOUR FIRST CD? Discuss dammit! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-dematteo/support

Dave Waite and Shane Mauss join The Bee Man to play High/Low where we call Domino's Pizzas and bet on whether the person who answers the phone will have a high voice or a low voice. Join the Patreon for the FULL 2 hour EPISODE! www.patreon.com/worldrecordpodcast FREE VIDEO HERE: https://youtu.be/o756NT6uYDI Check out Shane's podcast here: https://www.herewearepodcast.com See Dave and Shane do stand up on Epix here: https://www.epix.com/series/unprotected-sets George Michael's "I Want Your Sex" cover by Chuck Watkins See omnystudio.com/listener for privacy information.

Dave Waite and Shane Mauss join The Bee Man to play High/Low where we call Domino's Pizzas and bet on whether the person who answers the phone will have a high voice or a low voice. Join the Patreon for the FULL 2 hour EPISODE! www.patreon.com/worldrecordpodcast FREE VIDEO HERE: https://youtu.be/o756NT6uYDI Check out Shane's podcast here: https://www.herewearepodcast.com See Dave and Shane do stand up on Epix here: https://www.epix.com/series/unprotected-sets George Michael's "I Want Your Sex" cover by Chuck Watkins See omnystudio.com/listener for privacy information.

Train and Brendon try to get some perfume that smells like a stanky ass, then Jared from Subway calls us from prison to tell us about the sandwiches he’s creating while incarcerated. Join the Patreon for $5/month and get a bonus 45 minutes of this episode: patreon.com/worldrecordpodcastfeaturing a cover of George Michael’s “I Want Your Sex” by Chuck WatkinsFollow Johnny Ryan on Instagram @outlawscumfudge and buy his new Prison Pit book here: Prison Pit: The Complete Collection – Fantagraphics

In 1987 George Michael destroyed the bubble gum pop image he had created by releasing the first single from Faith, "I Want Your Sex!" The album would go on to have four #1 hits and become the biggest selling album of 1988. But, does it hold up after 33 years?! Is it better than KICK released by INXS in the same month of 1987. Join us as we look at the stories behind the album and each track and ultimately reach our final decision on which is the better album.

Support Topic Lords on Patreon and get episodes a week early! (https://www.patreon.com/topiclords) Lords: * Erica is @yerrikTRB on Twitter, and is thinking about birds * Dan is @danlwarren on Twitter, and is at the Okinawa Institute of Science and Technology (https://www.oist.jp/). His soundcloud is https://soundcloud.com/danwarren. He is writing music for Hypnospace Outlaw https://store.steampowered.com/app/844590/Hypnospace_Outlaw/ Topics: * 1:58 The unreliable narrator in songwriting and/or songs where the POV character is a jerk * We all hope Ben Folds is an unreliable narrator in his song “Brick.” https://www.youtube.com/watch?v=Wt5EHAqhR1c * Nick Cave & The Bad Seeds, Murder Ballads https://www.youtube.com/playlist?list=PLmzP977za2bJ8gj8pVmOxSCBNcVZjGy6D * Moby Dick is bad https://medium.com/@jayshams/moby-dick-is-not-a-novel-e19e41fec946 * George Michael was maybe not that into monogamy https://www.songfacts.com/facts/george-michael/i-want-your-sex * 15:20 No one should live in this city (whatever city you're in edition) * Chitras flies and things that sting you https://indacampo.wordpress.com/2012/10/13/why-you-should-never-fall-asleep-in-your-hammock-at-twilight-in-panama/ * Too much water all at once, monsoon edition https://www.kold.com/video/2019/07/31/watch-people-rescued-stranded-vehicle-tucson/ * https://www.kgun9.com/weather/monsoon * The cheese guy in Okinawa fills in for a clear lack of cheese http://thecheeseguyinokinawa.com/about-us/ * Richard Lenski breeds 69,000 generations of E. coli (not yeast) https://twitter.com/relenski/status/993671677748838400 * http://myxo.css.msu.edu/ * 38:51 Toddlers have incredible memories and if you put something somewhere once because you were lazy they'll remember it goes there forever * https://slate.com/human-interest/2012/04/childrens-memories-toddlers-remember-better-than-you-think.html * Here’s the AI spreadsheet: https://docs.google.com/spreadsheets/u/1/d/e/2PACX-1vRPiprOaC3HsCf5Tuum8bRfzYUiKLRqJmbOoC-32JorNdfyTiRRsR7Ea5eWtvsWzuxo8bjOxCG84dAg/pubhtml * AI evolves an organism that is tall. https://www.youtube.com/watch?v=K-wIZuAA3EY * 43:20 Kaz asks: You guys talked about simulating people's voices, and I'd like to point out that there's been a lot of progress in this area. Take a look here for some examples: https://google.github.io/tacotron/publications/speakeradaptation * That Obama thing is called Son of Strelka, Son of God. There’s a Youtube playlist here where four of the nine chapters are illustrated/animated: https://www.youtube.com/watch?v=Any38uNUelM&list=PLw-jIvFxpgIDIlxOnvHr9rN2TUv87Ju_ * The album can be downloaded here: https://freemusicarchive.org/music/DanWarren/SonofStrelkaSonofGod * The Trump thing is here: https://www.youtube.com/watch?v=RGYeTmHHZQM * Evolution Control Committee: https://www.youtube.com/watch?v=4DX4nsobHW8 * Negativland: https://www.youtube.com/watch?v=Z6gPSSYxex0 * Cassetteboy is one of the most active and well-known people doing this stuff nowadays: https://www.youtube.com/watch?v=LI87PRgIKks * 55:48 ANTS * Acromyrmex versicolor on the AntWiki https://www.antwiki.org/wiki/Acromyrmexversicolor * Walter Tschinkel’s aluminum ant colony casts https://www.core77.com/posts/23607/walter-tschinkels-aluminum-casts-of-ant-colonies-reveals-insect-architecture-23607 * Strangely named ant reproductive strategies https://en.wikipedia.org/wiki/Gamergate * https://www.sciencedaily.com/releases/2017/02/170217095939.htm * 1:03:39 Pokemon Stay (the opposite of Pokemon Go): what's happening to outdoorsy AR games these days. * https://pokemongolive.com/en/post/ * https://nianticlabs.com/blog/stay-safe/ * https://www.pinterest.com/pin/35114072073932236/ * http://www.birderslibrary.com/images/excerpts/kaufmanadvancedbirding/empidplate.jpg * https://ebird.org/news/confusing-flycatchers * https://www.thespruce.com/flycatcher-identification-tips-3859843 Microtopics: * Staying inside and definitely being totally sane. * Being on the Hypnospace Outlaw soundtrack but not being Seepage. * Driving people away from you and writing songs about how they're gone. * Betraying the concept of music by putting it in advertising. * Singing about the fish you're going to eat. * Listening to music for a decade before realizing it's horrifying. * Being deeply obsessed with an art form others explicitly disregard. * An eight year old singing a pop song about sex. * Assuming that a song written in the first person is autobiographical. * Writing a song about cheating on your wife and everybody assuming you're endorsing it so you write a last verse that's like "/s" * The last verse of "I Want Your Sex" being about how George Michael doesn't really want your sex. * Putting together a choreographed dance routine to "I Want Your Sex" at summer camp. * Whether Dad Jr. has anything to say about it. * An angry crowd proclaiming that Jesus is a slut. * The Robert Browning poem where he evidently thought "twat" is an item of nun's clothing and rhymes with "bat." * Describing the white whale as obsidian and ebony because you don't have the internet and can't look up what obsidian means. * A beautiful desert with amazing food where you have scorpions in your house. * A microwasp stinging your hand leaving a patch of cell death that lasts for almost a year. * The dirt being impossible to dig in so there are no storm drains and when the monsoon comes the water rises up to your windshield. * The front door's doorknob being too hot to touch in the summer. * The process of getting into a car when it's 118 degrees outside. * Sedona being much more livable than most of Arizona because it's in the mountains. * Growing up in Oklahoma where it's incredibly hot during the day and cools down two degrees at night. * Going tide pooling where there are dozens of species of snail that * A subtropical jungle with stunningly beautiful coral reefs where all the wildlife is lethal. * Going tide pooling where dozens of species of cone snails are extremely interested in your death. * A fish that looks like a rock in a stream that will kill you if you step on it. * Encountering a dozen lethally venomous animals every time you go to the beach. * Living in the Bay Area where we have programmers. * Resenting programmers but getting along with them really well. * Getting a tech job and having to practice your self-compassion. * Repping the city in the world with the biggest economic disparity. * The power company shutting your power off because they can't be bothered to keep the lines clear of trees. * Discerning the different kinds of plants that are burning in a brushfire by smell. * Being performatively off-put by brushfire smoke that smells different from brushfire smoke in your hometown. * Cheese scarcity in Okinawa. * Whether or not you're allowed to bring suitcases full of cheese into Japan. * If Gandalf really liked cheese. * The Scottish guy who sells cheese in Okinawa for $100 per kilogram. * Long grain rice connoisseurs in Japan importing basmati from California. * Being unable to export farming and food preparation processes because your are getting assistance from local microbiomes. * Japanese laws restricting rice imports so they don't corrupt the local rice microbes, but they don't give a shit about the cheese. * RNA sequencing the brine from a batch of pickles that turned out really well. * Celebrating the 69,000th generation of your yeast culture by posting "nice" on Twitter. * Toddlers learning a lesson far too well. * Telling each other stories from the spreadsheet of all the ways machine learning has failed. * Breaking land speed records by falling over really fast. * Reassembling Barack Obama's audiobook into a story about a demigod with the head of a dog who recreates the world after the apocalypse. * Reality now being more ridiculous than your satire from four years ago. * Spending a lot of time trying to identify birds. * The basis for discussion of whether something is something or isn't something else. * Convincing the people with the money that your field of study will eventually help somebody some day. * The growing sense in the world that maybe not all progress is good and maybe we should skip out on some knowledge. * The number of lines of code it takes to destroy society. * Doing science because there is a trust that some day someone will want to know your results. * Wanting a place to have a conversation about anything other than Elon Musk's kids name. * Starting a podcast and never talking about anything depressing. * Trying to transplant your neighbor's leafcutter ants into your own yard because you are a field biologist who can't go outside. * Being waylaid by ant stings because you are allergic to wasps. * Ants biting you with their mandibles, but only to hang on so they can sting you like wasps because they're technically in the wasp family. * Ants being around long after humans are gone. * Filling an ant colony with lead because humans will get more value out of a model of an ant colony than the ants get out of being alive. * Filling an ant colony with jello and having a tasty dessert. * Ending up in an ant lab and doing ant things. * Studying the effects of climate change on Pokemon. * The exchange rate between Pokecoins and Bitcoins. * Coordinating Pokemon Go raids on Nextdoor. * Asking Pokemon Go players if they're registered to vote and they answer that they're doing a raid when that doesn't tell you whether or not they're registered to vote at all. * Trying to avoid the Audubon society losers at the ornithology conference. * Birds permitting you to identify them even though they could easily fly away.

The label Republic Records -- home to top artists including Ariana Grande and Taylor Swift -- on Friday vowed to ban the word "urban" as a generalization for hip-hop and R&B. Many see it as an antiquated umbrella term -- it is still used to describe many awards at the Grammys -- that ignorantly lumps all music by black artists into the same grab-bag. The label, a division of Universal, said it would remove "urban" from department names, employee titles and music genres. Use of "urban" in music jargon dates back to the mid-1970s, according to Billboard, which says the black WBLS New York radio DJ Frankie Crocker used the phrase "urban contemporary." 1991: The Most Important Year in Pop-Music History https://www.theatlantic.com/culture/archive/2015/05/1991-the-most-important-year-in-music/392642/ The very white ways of the top 40 https://theoutline.com/post/1148/the-very-white-ways-of-the-american-top-40?zd=1&zi=2ywdcne4 The change in charts used to calculate the top 40 also had a convenient side effect for station managers. Many of the songs that charted highly in the late ’80s and early ’90s were more erotic and too sexually explicit in nature to play on the radio because of broadcasting laws. Most of these songs, by happenstance, were also performed by black artists. Think: “Me So Horny” by 2 Live Crew, which hit No. 26 in 1989, “Cop Killer’ by Ice-T’s group Body Count, which hit No. 26 in 1992, and “The Humpty Dance” by Digital Underground, which hit No. 11 in 1990. All of these songs apparently caused such moral dilemmas for American Top 40 hosts that they refused to say some of their titles on-air, and gave them all radio edits. (In all fairness, this also happened with George Michael’s “I Want Your Sex” in 1987.) Just two years later, though, in 1993 American Top 40 switched the chart it culled its list from to the Billboard Top 40 Mainstream chart (or the Pop chart). The Pop charts measured only the songs being played on top 40 radio stations, meaning that those stations were no longer subject to any list that they didn’t maintain themselves. The circle was complete. This allowed radio stations to control the chart they were presumably playing to show the tastes of America. Outside of countdown time slots (when the station literally counted down to the No. 1 song), the station could feature other music, which was then almost guaranteed to be a top 40 hit the next week because of the chart’s self-referentiality. But unlike in previous decades where top 40 stations might have syndicated American Top 40 and then adjusted the rest of their airtime for their listeners, today, the majority of top 40 stations now are syndicated iHeart stations. iHeartRadio did not respond to requests for data. Fewer and fewer cities have their own top 40 anymore, much less their own DJs. On a Saturday, you can drive through several states without ever losing the signal for iHeartRadio’s top 40. Support KOP by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Visiting KOP’s special Amazon page at http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com Follow KOP on Twitter or Facebook @kingofpodcasts Subscribe to KOP’s other programs: Wrestling is Real Podcast http://www.wrestlingisreal.com and the Broadcasters Podcast http://www.broadcasterspodcast.com --- Send in a voice message: https://anchor.fm/king-of-podcasts/message Support this podcast: https://anchor.fm/king-of-podcasts/support

#TWIT80s - Episode 15/December Week 2. My apology to Billy Joel PLUS the song that George Michael ripped-off for "I Want Your Sex", my all time favorite Police song, the Motley Crue stiff inspired by... Jack Wagner??? And... an unfortunate Queen tidbit they left out of that revisionist "Bohemian Rhapsody" movie! Drink everytime I use the word "iconic". You'll be hammered by the time we get to '83! It's "This Week In The 80s" and I thank YOU for listening! #TWIT80s

In the thirteenth episode of MashUpheaval - your all-request, live performance mashup podcast - Amelia Ray performs two mashups: one of “On the Street Where You Live” (written by Frederick Loewe and Alan Jay Lerner) from “My Fair Lady” and Carlos Gardel’s “El día que me quieras,” (written by Carlos Gardel and Alfredo la Pera) and another of George Michael’s “I Want Your Sex” (written by George Michael) and Marvin Gaye’s “Sexual Healing” (written by Marvin Gaye, Odell Brown and David Ritz).Episode video: https://youtu.be/qqZcWbXnmfUSong List:(1) “On the Day When You Love” - a mashup of “On the Street Where You Live” (written by Frederick Loewe and Alan Jay Lerner) and “El día que me quieras,” (written by Carlos Gardel and Alfredo la Pera)(2) “Healing Sex” - a mashup of “I Want Your Sex” (written by George Michael) and “Sexual Healing” (written by Marvin Gaye, Odell Brown and David Ritz)If you would like to request a mashup, send an email to: mashupheaval@ameliaray.netSupport this podcast: www.patreon.com/ameliaraywww.ameliaray.net

Topics: Crack Epidemic, Michael Jackson - Bad, Hollywood Shuffle, Eyes on the Prize (Bonus Artist: Luck Pacheco)   Snapshots   1.    Ronald Reagan President – (Should have been impeached)   2.    January   3.    The Queen of Soul, Aretha Franklin, became the very first woman inducted into the Rock & Roll Hall of Fame.   4.    March   5.    U.S. President Ronald Reagan addresses the American people on the Iran-Contra Affair, acknowledging that his overtures to Iran had 'deteriorated' into an arms-for-hostages deal.   6.    Jim Bakker, head of PTL Ministries, resigns after admitting an affair with church secretary Jessica Hahn.   7.    April   8.    Freddie Mercury, the lead singer of English rock band Queen, is diagnosed with AIDS. He dies four years later after making his diagnosis public.   9.    Matt Groening's The Simpsons debuts as a series of short animated segments as part of The Tracey Ullman Show on Fox.   10.    May   11.    U.S. Senator Gary Hart drops out of the running for the 1988 Democratic presidential nomination, amid allegations of an extramarital affair with Donna Rice.   12.    June   13.    During a visit to Berlin, Germany, U.S. President Ronald Reagan challenges Soviet Premier Mikhail Gorbachev to tear down the Berlin Wall.   14.    Teddy Seymour is officially designated the first black man to sail around the world, when he completes his solo sailing circumnavigation in Frederiksted, St. Croix, of the United States Virgin Islands.   15.    Edwards v. Aguillard: The Supreme Court of the United States rules that a Louisiana law requiring that creation science be taught in public schools whenever evolution is taught is unconstitutional.   16.    July   17.    Ronald Reagan nominates former Solicitor General Robert Bork to the Supreme Court. The nomination is later rejected by the Senate, the first and only nominee rejection to date.   18.    October   19.    Jesse Jackson launches his second campaign for U.S. President.   20.    The United States is caught up in a drama that unfolds on television as a young child, Jessica McClure, falls down a well in Midland, Texas, and is later rescued.   21.    December   22.    Prozac makes its debut in the United States.   23.    Open Comments   24.    Black Snapshots   25.    Mar - The first ever Soul Train Music Awards   26.    Apr - Los Angeles Dodgers general manager Al Campanis makes racially insensitive comments when 27.    asked about the scarcity of black field or general managers in MLB. Campanis, who had played alongside Robinson and was known for being close to him, was being interviewed about the subject on Nightline. Anchorman Ted Koppel asked him why, at the time, there had been few black managers and no black general managers in Major League Baseball. Campanis' reply was that blacks "may not have some of the necessities to be, let's say, a field manager, or, perhaps, a general manager" for these positions. Elsewhere in the interview, he said that blacks are often poor swimmers "because they don't have the buoyancy." Koppel says he gave Campanis several opportunities to clarify, ("Do you really believe that?") or back down from his remarks, but Campanis confirmed his views with his replies. Campanis was fired less than 48 hours later.   28.    Literature – Rita Dove wins a Pulitzer for Thomas and Beulah and Toni Morrison publishes Beloved; it will win a Pulitzer and become a movie. Terri McMillan's first book, Mama, was published in 1987, later works include Disappearing Acts, Waiting To Exhale, and How Stella got Her Groove Back. James Baldwin, author of If Beale Street Could Talk, passed away.   29.    John H. Johnson is named the first BE Entrepreneur of the Decade, having built Johnson Publishing Co. Inc., producers of Ebony, Jet, and Fashion Fair cosmetics into an international powerhouse. Born and raised in Arkansas, Johnson’s family moved to Chicago when he was a teen. He excelled in school, received a scholarship to the University of Chicago, and began working at an insurance company. He got his start when his mother used her furniture as collateral for a $500 loan to start his first publication, Negro Digest, in 1942, which served as the launching pad for him to create the largest African American publishing company in the world. Seemingly, there wasn’t a single African American household in late 20th century America in which you could not find a copy of Ebony or Jet on the coffee table. In September 1955, Johnson made a decision that forever shook the world. Not one to vacillate on any issue, he revealed to millions the mutilated corpse of Emmett Till, a Chicago youngster who had been bludgeoned and shot in Mississippi for reportedly whistling at a white woman. Shortly thereafter, other black publications followed Jet’s lead in publishing the photos. It galvanized clusters of African Americans nationwide to protest such senseless acts of violence. In one bold move, the determined 37-year-old publisher helped launch the civil rights movement.   30.    Open Comments   31.    Top 3 Pop Songs   32.    #1 - "Walk Like an Egyptian", The Bangles   33.    #2 - "Alone", Heart   34.    #3 - "Shake You Down", Gregory Abbott   35.    Grammy Awards   36.    Record of the Year - Paul Simon for "Graceland"   37.    Album of the Year -U2 for The Joshua Tree   38.    Song of the Year - "Somewhere Out There" performed by Linda Ronstadt & James Ingram   39.    Best New Artist - Jody Watley   40.    Best R&B Vocal Performance, Female - Aretha Franklin for Aretha   41.    Best R&B Vocal Performance, Male - Smokey Robinson for "Just to See Her"   42.    Best R&B Performance by a Duo or Group with Vocal - Aretha Franklin & George Michael for "I Knew You Were Waiting (For Me)"   43.    Best R&B Instrumental Performance (Orchestra, Group or Soloist) - David Sanborn for "Chicago Song"   44.    Best Rhythm & Blues Song - Bill Withers (songwriter) for "Lean on Me" performed by Club Nouveau   45.    Open Comments   46.    Top 3 Movies   47.    #1 - Beverly Hills Cop II   48.    #2 – Platoon   49.    #3 - Fatal Attraction   50.    Other Notables: Lethal Weapon, Predator, Spaceballs, Full Metal Jacket, RoboCop, La Bamba, The Lost Boys, Who's That Girl, Disorderlies, Dirty Dancing, The Big Easy, Hellraiser, The Princess Bride, Three Men and a Baby, Wall Street, Good Morning, Vietnam, and Eddie Murphy Raw   51.    Open Comments   52.    Top 3 TV Shows   53.    #1 - The Cosby Show   54.    #2 - A Different World   55.    #3 - Cheers   56.    Debuts: 21 Jump Street, Star Trek: The Next Generation, and A Different World   57.    Open Comments   58.    Economic Snapshots   59.    New Home: 92,024   60.    Avg Rent: 395   61.    Avg. Income: 24,375   62.    New Car: 10,370   63.    Harvard: 11,390   64.    Movie Ticket: 3.00   65.    Gas: .89   66.    Stamp: .22   67.    Social Scene: The Crack Epidemic   68.    Crack cocaine   69.    What is it - Crack cocaine, is a free base form of cocaine that can be smoked. Cocaine had a reputation as a “party” drug for rich white people. Heroine was a “street” drug for poor black people. Crack became popular on the “streets” with dealers because it turns powder cocaine into an extremely profitable and addictive drug you can now sell to anybody, rich, poor, black, and white. Users liked it because it is a cheap and very potent.   70.    Epidemic background – In 1981, crack started showing up in southern states, like Miami and Houston, and on the west coast, Los Angeles and Oakland. (Coastal/Port cities) Crack was basically an unheard-of drug until 1985. That year was the first time the term "crack" was used by the press, November, 29 New York Times article - A NEW, PURIFIED FORM OF COCAINE CAUSES ALARM AS ABUSE INCREASES, By Jane Gross. Within a year, over one thousand stories showed up in the press. By 1987, The DOJ said crack was in 46 out of 50 states.   71.    How did it Happen? The main conspiracy theory out there is that Reagan had the CIA do it.   72.    Audio Clip   73.    Question: Did crack impact your life at all? Why/Why not?   74.    Music Scene: Black Songs from the top 40   75.    #3 - "Shake You Down", Gregory Abbott   76.    #4 - "I Wanna Dance with Somebody (Who Loves Me)", Whitney Houston   77.    #7 - "Here I Go Again", Whitesnake   78.    #14 - "Always", Atlantic Starr   79.    #16 - "Looking for a New Love", Jody Watley   80.    #17 - "Head to Toe", Lisa Lisa and Cult Jam   81.    #22 - "Didn't We Almost Have It All", Whitney Houston   82.    #24 - "I Want Your Sex", George Michael   83.    #29 - "Lean on Me", Club Nouveau   84.    #31 - "Lost in Emotion", Lisa Lisa and Cult Jam   85.    #36 - "I Knew You Were Waiting (For Me)", Aretha Franklin and George Michael   86.    #37 - "Control", Janet Jackson   87.    #38 - "U Got the Look", Prince   88.    #39 - "Somewhere Out There", Linda Ronstadt and James Ingram   89.    Vote:   90.    Top RnB Albums   91.    Jan - Just Like the First Time, Freddie Jackson   92.    May - Give Me the Reason, Luther Vandross   93.    Jun - Jody Watley, Jody Watley   94.    Jul - One Heartbeat, Smokey Robinson   95.    Jul - Bigger and Deffer, LL Cool J   96.    Sep - If I Were Your Woman, Stephanie Mills   97.    Dec – Characters, Stevie Wonder   98.    Vote   99.    Featured Artist: Michael Jackson, BAD   100.    Open Floor   101.    Question 1: Best Song on the Album   102.    Question 2: Best MJ song ever?   103.    Movie Scene: Hollywood Shuffle, by Robert Townsend and Keenan Ivory Wayans   104.    Robert Townsend, writer, producer, director, and actor was born in Chicago, Illinois on February 6, 1957, the second oldest of four children to Shirley and Robert Townsend.  Growing up on the Westside of Chicago, Townsend was raised by his mother in a single parent home.  As a child Townsend watched TV where he learned to do impersonations of his favorite actors. In 1974, at age 17, he joined Chicago’s Experimental Black Actors Guild X-Bag Theatre and studied at the Second City comedy workshop for improvisation. In 1975, he had a brief uncredited role in the 1975 movie, Cooley High. After high school, Townsend enrolled at Illinois State University, studied for a year, dropped out and moved to New York to pursue comedy.   105.    Townsend met Keenan Ivory Wayans while they were both auditioning at the Improvisation Comedy club and the two formed a lifelong friendship. Keenan left for Hollywood, Robert stayed in NYC, and in 1980, at age 23, he almost landed Eddie Murphy’s spot on SNL. Keenan soon talked him into moving to Hollywood and pursuing an acting career.   106.    He performed on comedy specials such as Rodney Dangerfield: It’s Not Easy Being Me and landed minor roles in films such as A Soldier’s Story (1984) with Denzel Washington, Streets of Fire (1984) with Diane Lane, and American Flyers, a 1985 movie starring Kevin Costner.    107.    The auditioning process in Hollywood, along with other industry processes, were making Robert and Keenan very frustrated. Tired of the run-around and shuffling back and forth for opportunities that were patronizing and demeaning, they decided to make their own movie. At age 30, without any funding beyond the money saved from his earlier work, he co-wrote, directed, and starred in the critically acclaimed 1987 film, Hollywood Shuffle. Later that same year he directed his old friend Eddie Murphy’s stand-up special Raw. In 1991 he directed and starred in The Five Heartbeats, a biographical drama based loosely on the lives of the rhythm and blues group, the Dells and Temptations. He also directed and starred in The Meteor Man (1993) with James Earl Jones and Bill Cosby and went on to co-create the television series The Parent 'Hood (1995-99)   108.    Open Floor   109.    Audio Clip   110.    Question 1: Is Tyler Perry a Tom?   111.    Question 2: What are today’s stereotypes?   112.    Television scene: Eyes on the Prize- An American television series and 14-part documentary about the Civil Rights Movement in the United States that originally aired on PBS in 1987.   113.    Produced by Blackside, Eyes on the Prize tells the definitive story of the civil rights era from the point of view of the ordinary men and women whose extraordinary actions launched a movement that changed the fabric of American life, and embodied a struggle whose reverberations continue to be felt today. Winner of numerous Emmy Awards, a George Foster Peabody Award, an International Documentary Award, and a Television Critics Association Award, Eyes on the Prize is the most critically acclaimed documentary on civil rights in America.   114.    The 1987 original airing: America's Civil Rights Years 1954–1965 (6 parts) Pt. 1 - Awakenings (1954–1956)": Chronicles the murder of Emmett Till in Mississippi and the Montgomery bus boycott in Alabama. Pt. 2 - "Fighting Back (1957–1962)”: Chronicles the school desegregation crises at Central High School by the Little Rock Nine in Arkansas and by James Meredith at the University of Mississippi during the Ole Miss riot of 1962. Pt. 3 - "Ain't Scared of Your Jails (1960–1961)": Covers the Nashville sit-ins and boycotts that sought to end racial segregation at lunch counters in Tennessee and the Freedom Riders efforts to end segregation on interstate transportation and terminals throughout the southern United States. Pt. 4 - "No Easy Walk (1961–1963)": Examines the failed attempt by the Southern Christian Leadership Conference (SCLC) in Albany, Georgia to end segregation and the subsequent lessons learned to win a major victory in Birmingham, Alabama during the Birmingham campaign. The film also covers the March on Washington, one of the largest political rallies for civil rights in United States. Pt. 5 - "Mississippi: Is This America? (1962–1964)" Chronicles the murder of Medgar Evers in 1963 and the murders of Chaney, Goodman, and Schwerner in 1964 in Mississippi. The film also covers the Mississippi Freedom Democratic Party (MFDP) attendance at the Democratic National Convention in Atlantic City during the United States presidential election of 1964. Pt. 6 - "Bridge to Freedom (1965)": Examines the effort to restore voting rights in Selma, Alabama during the Selma to Montgomery marches.   115.    Review from Common Sense Media: - IS IT ANY GOOD? - This documentary series is wonderfully narrated by Julian Bond and peppered with feisty first-person accounts from the people who lived it. Watching early film of Martin Luther King, Jr. as a 26-year-old clergyman at the beginning of his historic odyssey and seeing the young, future Supreme Court justice Thurgood Marshall just after his victory in Brown vs. the Board of Education are highlights in a film that consistently strives for excellence, integrity, and clarity. It's a fascinating, emotional journey marked by moments of sadness, disgust, pride, and ultimately joy. Eyes on the Prize brings a crucial part of America's recent past to life.   116.    About Henry Hampton: Hampton was born in St. Louis and as a child suffered from polio. He obtained a B. A. degree from Washington University in his hometown. He was a renowned producer whose television documentary Eyes on the Prize set the pattern for nonfiction accounts of the civil rights movement. His films include The Great Depression and America's War on Poverty, both of which were critically acclaimed. Hampton founded and ran Blackside Productions; the United States' largest African American owned documentary film Production Company. His work focused on the lives of the poor and disenfranchised and chronicled the 20th century's great political and social movements.   117.    Open Floor:   118.    Question: None   119.    Vote: Favorite/Best/Most Important Pop Culture Item of 1987

In this episode, we bring our favorite bad lyrics from 1990 - 1999. One song from a group who don’t quite understand the meaning of bizarre.  And another from an artist who likes to rattle off a lot of ladies names in no particular order.   Episode2 What the Lyric – the 90s   [Start 00:00:00]   Becky Morrette and Matthew Seymour   [Music]   [Becky Morrette]: Welcome to what the lyric, the podcast that confirms, yeah, that actually made it to radio.   [Music]   [Becky Morrette]: Welcome to episode two of what the lyric where we dub into the really bad lyrics of the 90s. The 90s for me, that's when I graduated high school and went to college in San Francisco. So, let's see how much of the 90s I remember. How about you Matt?   [Matthew Seymour]: You know, I also don't remember much of the 90s, admittedly, for different reasons.   [Becky Morrette]: Yeah   [Matthew Seymour]: Particularly since I was born in 1990.   [Becky Morrette]: Oh, Jesus.   [Matthew Seymour]: [Laugh] So I remember from about 95 on, and music was definitely not on my radar.   [Becky Morrette]: That's about when I remember it because I had stopped with the weed and the alcohol by then.   [Matthew Seymour]: You stopped? Once I found it. I never stopped.   [Becky Morrette]: Oh my God. That's another story. Off mic in case my parents are listening. Yeah. My mother, side note, my mother, by the way, one time we were, she's going to love that I'm telling this. We were leaving a mall when I'd come home from school. And I looked over and I swear to God, the people in the car next to me were smoking a bowl. And my mom goes, I said, Dad, “are they smoking a bowl?” My father, being a high school teacher, knew the slang and my mom was like ´´smoking a bowl? How do you smoke out of a bowl? It's a bowl, I don't understand how you smoke out of this´´. And my father, very quietly said ´´You brought it up, you explain it´´. [Matthew Seymour]: [Laughs]    [Becky Morrette]: I didn't. I didn't at all.   [Matthew Seymour]: God bless your parents.    [Becky Morrette]: A bowl? What? I don't understand how you smoke out of a bowl.   [Matthew Seymour]: How do you do something like that.   [Becky Morrette]: That is Ridiculous. What do mean? you can't. there is now to smoke it get something in a bowl. So, yeah, so that's enough about my mom.   [Matthew Seymore]: [laughs]   [Becky Morrette]: she's going to kill me. Yeah.   [00:02:12] inaudible   [Matthew Seymore]: What do you remember of the 90s music scene?   [Becky Morrette]: So at that point we, I, we I remember, Oh, this is a good one. I remember seeing I think it was house of pain and biohazard and somebody else on the same bill and that that was a big I don't know. That was early on in the night in the in the 90s. I remember like Smashing Pumpkins. I remember Nirvana, all that all that stuff. Plus, I also remember In synch, the Backstreet Boys, the Brittany's. Oh, my God.   [00:02:53] inaudible   [Matthew Seymore]: Now you are talking my language.   [Becky Morrette]: Oh yeah. Oh, it's bad. It's just bad.   [Matthew Seymore]: Who loves the 90s? We love.   [Becky Morrette]: I totally love the 90s and the 80s. There were a few in there that I was like, wow. I when doing the research for this, I was like, whoa, I forgot ice ice baby with ninety-one.   [Matthew Seymore]: Wow.   [Becky Morrette]: Yeah.   [Matthew Seymore]: I did not realize this.   [Becky Morrette]: Yeah. I mean. Hello. Talk about awful.   [Matthew Seymore]: [laughs]   [Becky Morrette]: But yet everybody knows it. And when that shit comes on everybody's up there dancing along.   [Matthew Seymore]: I’m already dancing.   [Becky Morrette]: Yeah. You can’t not. You see you see the hair also M.C. Hammer.     [Matthew Seymore]: What? What?    [Becky Morrette]: Yes. Can't touch this.   [Matthew Seymore]: As in Yeah. Which was why in I’m.   [Becky Morrette]: 90? I think. Right on there.     [Matthew Seymore]: Wow!   [Becky Morrette]: Yeah. Yep. 90. I also saw him in San Francisco because he's an Oakland guy. It was right when he was kind of switching over to try and become hardcore. And then people were yelling. I felt so bad for the man. People were yelling stuff like You ain't shit. Ice-T is better. Like, whoever it was at the time, I can remember. And I was like, come on, man.     [Matthew Seymore]: It's M.C. Hammer, give him give him a break.   [Becky Morrette]: You had those hammer pants? We all had hammer pants.   [Matthew Seymore]: We all had photos of it.   [Becky Morrette]: Oh, my God. I still remember mine purple. Love those freaking pants.   [Matthew Seymore]: They looked comfortable.    [Becky Morrette]: They were. I totally want some more now.I'm not going to lie because those things are great for Lounging. The Hammer, I'm trying to think who else was there? There was a bunch, but yeah those I was like, for real?   [Matthew Seymore]: Oh yeah. The number one song when I was born was Sinead O'Connor’s,  Nothing compares to you.   [Becky Morrette]: Let me just say, but that's Prince.   [Matthew Seymore]:Yeah but this was Sinead O'Connor's cover.   [Becky Morrette]: I now I know. It's Prince though. I love Prince. I can't help it.   [Matthew Seymore]: You are not feeling the Sinead O'Connor?   [Becky Morrette]: I do. You know, I have that album. She had a couple other good songs on that.   [Matthew Seymore]: Didn’t realize it.   [Becky Morrette]: But I cannot remember. Yeah, I said album I actually have a CD. Album/Cd it's all the same to me.   [Matthew Seymore]: [Laughs]   [Becky Morrette]: So which way did you skip? Did you go like metalish, like nirvanai? Or did you go pop?   [Matthew Seymore]: So here is how things shake out for me. I basically grew up Amish, not actually, but very little musical knowledge.   [Becky Morrette]: Oh, my God. Please tell me you did some like sort of. Biblical church song.   [Matthew Seymore]: I knew a lot of, oh my gosh, I could tell you so many Christian single, like Pop singles.   [Becky Morrette]: Strippers.   [Matthew Seymore]: Savage Gardens.   [Becky Morrette]: Which I believe I saw in concert. I'm not sure, though, that's been a while.   [Matthew Seymore]: Oh, I'm going to have to think it's Stacy. Oh, I need to think of. There were there are a lot of people who crossed over.   [Becky Morrette]: Yeah, they were.   [Matthew Seymore]: from Christian Pop to   [Becky Morrette]: Oh yeah.   [Matthew Seymore]: just General pop.   [Becky Morrette]: Creed.   [Matthew Seymore]: Yes! There we go.   [Becky Morrette]: I don’t think there was a crossover at all.   [Matthew Seymore]: It was just.    [Becky Morrette]: I think that guy was a horn dog working every angle to become a pop guy.   [Matthew Seymore]: I mean, Katy Perry did the same.   [Becky Morrette]: Oh, my God. I didn't know that.   [Matthew Seymore]: But that was not in the 90s.   [Becky Morrette]: Oh my god.   [Matthew Seymore]: So my musical knowledge basically spanned from the Beatles to   [Becky Morrette]: Yeah.   [00:06:16] inaudible   [Matthew Seymore]: Clearwater Revival. Those were my parents   [Becky Morrette]: classic years.   [Matthew Seymore]: the entire Gap of 80s and 90s up until my sister started driving, and that was when I got the taste of  In Synch, Backstreet Boys, Britney Spears, Savage Garden, 98 degrees.   [Becky Morrette]: Oh! yeah.   [Matthew Seymore]: That grouping. She left.   [Becky Morrette]:Yeah.   [Matthew Seymore]:Like graduated left town. Another gap, I started driving, and that was 2007 onwards, so.     [laughing]   [Becky Morrette]: Oh my God that's awesome.     [Matthew Seymore]: I had to do some research for this and I did choose one that like, was something I definitely encountered on the radio quite a bit,   [Becky Morrette]: Oh my god.     [Matthew Seymore]: Everyone encountered on the radio.   [Becky Morrette]: I can't wait because I wonder if I'll get it because there's you know, some blacked out moments in that decade for me.   [Matthew Seymore]: I Fully expect that within the first three lines you will know exactly what song this is.   [Becky Morrette]: Oh. Okay. You may get mine.   [Matthew Seymore]: Oh, I hope so.   [Becky Morrette]: You may. I have two but, the one is really easy. And that was ninety-one. And I had to look back at my yearbook and I thought I think this was our song, like the song that we chose, which would have been frightening if it was, but it wasn't. It was just as bad, but it was not.   [Matthew Seymore]: Wait, the song you chose for graduation?   [Becky Morrette]: No. For like you have like for our yearbook. And oddly enough, there is a yearbook back there. It's not my graduation year, but it's one. It's  hilarious, I think it's eighty nine, So it doesn't play well into the 90s. But you the senior class got to pick like favourite car, favourite colour, best song, their favourite song. And the one that I think we chose was I want your sex.   [Matthew Seymore]: Amazing.   [Becky Morrette]: Why not? Why not? Why wouldn't a bunch of horny 17 & 18 year olds pick I Want Your Sex by George Michael, who at that point no one thought was gay, which is another, I don't know how we missed that one as well.   [00:08:24] inaudible   [Becky Morrette]: White kids in upstate New York. No one gay. What?   [Matthew Seymore]: This was a New York City for crisis sake.   [Becky Morrette]: No. No. We all thought RuPaul was a woman.   [laughter]   Some people did.   [Matthew Seymore]: [laughs]   [Becky Morrette]: So, Yeah. So, I don’t think I’m going to do that one. I think I'm going to do the other one.   [Matthew Seymore]: What’s the year?   [Becky Morrette]:This one's ninety five.   [Matthew Seymore]: Ok.   [Becky Morrette]: Maybe. Maybe.   [Matthew Seymore]: ok I was aware.   [Becky Morrette]: You might. Ok.   [Matthew Seymore]: I think I'm ready whenever you are.   [Becky Morrette]: There is a video. This might give it away, but I’m going to say it anyways. The singer looked a lot like The Rock with more hair. All right brother Palaye in the back. Sweet Xena in the front. Cruising down the freeway in the hot, hot sun. Suddenly red, blue lights, flash us from behind, loud voice booming. Please step out onto the line. Palaye preaches words of comfort. Xena just hides her eyes. Policeman taps his shades. Is that the Chevy 69? How bizarre? how bizarre? how bizarre? Which is the name of the song? By the way.   [Matthew Seymore]: Wait, I have not heard this song,   [Becky Morrette]: OK,   [Matthew Seymore]: Ever.   [Becky Morrette]: Just go ahead and look up the, Just look up, it's OMC, is the name of the band. How bizarre, is the name of the song? And you will know when I say he looks like The Rock, like he's related to The Rock, and he might be, Same eyebrows,   [Becky Morrette]: [Laughs]   [Becky Morrette]: Same build almost like, like The Rock with more hair. There is no way.   [Matthew Seymore]: This is unbelievable.   [Becky Morrette]: [Laughs]   [Becky Morrette]: Yeah.   [Matthew Seymore]: I, Yeah. Look it up.   [Becky Morrette]: It's The Rock.   [Matthew Seymore]: This is exactly The rock with more hair.   [Becky Morrette]: Yeah.   [Matthew Seymore]: New Zealand musical group.   [Becky Morrette]: Yeah. Yeah. I think they, I thought it said they got to like number 20 or number 11 on the Billboard chart, I can't remember.   [Matthew Seymore]: WOW!   [Becky Morrette]: Just for the record, the other song I picked was from ninety-one, I want to sex you up, colour me bad, with two Ds because they were that bad.   [Matthew Seymore]: [Laughs]   [Becky Morrette]: That one is a is a dateline episode waiting to happen.   [Matthew Seymore]: I'm beginning to sense the theme of   [00:10:55] inaudible   [Matthew Seymore]: movements in your songs.   [Becky Morrette]: I haven't even, I didn't even realize it. This one not so much. This is just bizarre. Like in the title. OK, so we've got a brother Palaye in the back. Sweet Xena, Zena, I can't remember.   [Matthew Seymore]: It's New Zealand     [Becky Morrette]: It’s in the front. Yeah. Cruising down the freeway in the hot, hot sun. Now we're starting off pretty good. It was a summer song. I think it was released in the summer.   [Matthew Seymore]: Although I will happily say that I thought he was describing his haircut when he said that it’s like, what was it, Zena in the front,   [Becky Morrette]: [Laughs]   [Matthew Seymore]: [Becky Morrette]: Brother Palaye in the back.   [Becky Morrette]: So, I'm still curious. Is brother like a biological brother? or are we talking like a Christian brother?   [00:11:34] inaudible   [Becky Morrette]: Like a priest kind of, you know,   [Matthew Seymore]: Very buttoned up.   [Becky Morrette]: Franciscan monk kind of situation.   [Matthew Seymore]: I’m still going with haircut.   [Becky Morrette]: It could be. Then suddenly red, blue lights, flash us from behind, so now they're getting pulled over.   [00:11:49] inaudible   [Becky Morrette]: Not so much a great summer song. And then they told them to step out of the car. Palaye preaches words of comfort, so he might be a priest or some sort of religious man. This is the one that gets me, Policeman taps his shades. How many police officers pull you over and go Tick, tick, tick, tick, tick? Right on their aviators. I don't know a whole lot.   [Matthew Seymore]: I just bought them today. Please compliment.   [Becky Morrette]: These babies cost a lot. And that's why I'm pulling you over, because I still need to get paid. How many then? Then the policeman ask us “Is that a Chevy 69’’?  And then the, the whole chorus is how bizarre? How bizarre? It's not really bizarre at all. If you were driving, doing something illegal or quite honestly in this day and age driving while black.   [Matthew Seymore]: I feel like, [laughs] I feel like this is their use of how bizarre is really akin to   [00:12:50] inaudible   [Becky Morrette]:Oh,   [Matthew Seymore]: [Becky Morrette]: isn't that ironic?   [Becky Morrette]: Yeah.   [Matthew Seymore]: But you are like No, this really isn't it bizarre.   [Becky Morrette]: It’s not Ironic at all or bizarre.   [Matthew Seymore]: Once again or coincidental?   [Becky Morrette]:Oh, it gets bizarre, though. I will say. So, yes. So how bizarre they've gotten pulled over. Now the cop asked him. “That's a 69 Chevy’’?   [Matthew Seymore]: All right.   [Becky Morrette]: Seems like a reasonable   [Matthew Seymore]: Question   [Becky Morrette]: Question while being pulled over, followed by “Can I see your license and registration”? And also maybe is using the word bizarre wrong. But they're from New Zealand, they still speak English, so that's the same word in either.   [Matthew Seymore]: They should know by now.   [Becky Morrette]: Their country. Yeah. The next part is destination unknown as we pull in for some gas. Hey, back on track for a good summer song. Freshly pasted poster reveals a smile from the past. Ok.   [Matthew Seymore]: Wait. What?   [Becky Morrette]: Still kind of nice.   [Matthew Seymore]: Where is the poster?   [Becky Morrette]: I don't know. Gas station. Which seems a little weird because that could be a wanted poster.   [Matthew Seymore]: So we left the cop behind.   [Becky Morrette]: We've already dealt with the ticket or whatever it was.   [Matthew Seymore]: I see.   [Becky Morrette]: The pat down, I don’t know. We’re past that. We're moving on. We're getting some gas at this point. Maybe that's why he was pulled over the cop thought you guys are getting low on gas pull on over there. So now we get a freshly pasted poster, reveals a smile from the past. Okay. Here's where it gets bizarre. Elephants and acrobats, Lions, snakes, monkeys. What?   [Matthew Seymore]: Wait.   [Becky Morrette]: That's , the bizarre part for me. You have just now all of a sudden that, that's what's making you smile. Now, are we nostalgic because we went to the circus when we were a kid with our parents and oh, isn't that lovely? Or were we a circus performer?   [Matthew Seymore]: I'm inclined to believe circus performer.   [Becky Morrette]: So am I. Paylaye speaks righteous, sister Zena says funky. What?   [Matthew Seymore]: Righteous? Oh, my gosh. So he is, he's probably a priest.   [Becky Morrette]: Yeah. Funky. I don't know if I'd say funky.   [Matthew Seymore]: Funky.   [Becky Morrette]: Funky. When thinking about elephants, acrobats, lions, snakes. And it's not even plural monkeys. It's just monkey. Yeah. Now we're back to the. How bizarre. Which is just starting to worry me a bit and I'm slightly starting to get a little creeped out.   [Matthew Seymore]: Someone's on a trip.   [Becky Morrette]: I'm starting to think this is like American Horror Story the circus version. Yeah.   [Matthew Seymore]: We could do another podcast series on.   [Becky Morrette]: We could on that creepiness. And then it goes, oh, baby, oh, baby. It's making me crazy. It's making me crazy. It's not just you. It's making , i'm crazy with this. What the hell is this song about? And then he goes there every time I look around. Every time I look around. Every time I look around, it's in my face. What is in your face? What I don't understand. What's in your face? Is it a bug? Is it? [Laughs]   [Becky Morrette]: Sunburn?   [Matthew Seymour]: I'm sensing an acid trip.   [Becky Morrette]: Yeah.   [Matthew Seymour]: Like the cop saw some drugs, pulled him over. It was too late. They ingested all of the drugs on the car, pulled them over, and they were like “we should probably pull over, take care of some things”. And now he's like, “oh, my God, I'm going to die because im so fucking high”.   [Becky Morrette]:  Wasn’t that super Troopers? [laughs]   [Matthew Seymour]: “Because I’m so fucking high”.   [Becky Morrette]: Didn’t he do that in super Troopers? [Laughs]   [Becky Morrette]: With a funnier outcome. This? Not so much. Nobody's down. And things of maple syrup and this. There's just elephants and shit.   [Matthew Seymour]: Just a shit ton of LSD.   [Becky Morrette]: Yeah. And then it goes to so, ok It's in his face. My face says confusion. Ringmaster steps out and says the elephants left town, people jump and jive, but the clowns have stuck around TV news and cameras. There is choppers in the sky. Marines, police, reporters ask where, for and why. Palaye yells, We're out of here. Zena yells, Right on. We're making moves in start and grooves. Before they knew we were gone. Jumping into this Chevy headed for big lights. Okay. Now, where are the elephants? Is that the Ringmasters way? Polite, kind of calm way of saying the elephants are loose and they're stampeding through your village and town. What? What the fuck happened in here?   [Matthew Seymour]: See here again. I am going back to my drug theory and say that the Ringmaster is actually the poor gas station attendant who's like, “Sir, your card has been declined”. And the guys are Like, “Who are you”? Why are the elephants not here”?   [Becky Morrette]: Why is that pink elephant running around in a tutu? And what are those camera people doing? Okay, that's probably the best thing. Here is the last line before it goes back into how bizarre, how bizarre. It's making me crazy. Every time I look around, it's in my face. I'm crazy. The last line. Want to know the rest? Hey, buy the rights. Why? Why would I buy the rights to this pile of shit? This isn't even a good like treatment for a movie. I don't even know what. This isn't even a good poem. [Laughs]   [Matthew Seymour]: It barely qualifies as a song.   [Becky Morrette]: Yeah. Yeah. And you didn't get a second hit. So clearly, really no one wanted the first one, although we all listened to in numbers and be like “how bizarre”?   [Matthew Seymore]: How bizarre?     [Becky Morrette]: How bizarre? Doo doo doo doo doo, I think is how the bizarre? How bizarre? All right. Yeah, I know. And it's like I need to look it up. It might be The Rock.   [Matthew Seymore]: I feel like I have to love the shameless plug there at the end, because I mean, you know, like it takes it takes true artists. No. No amendment.   [Becky Morrette]: [laughs]   [Matthew Seymore]: It takes an artist to write good lyrics and put it to good music.   [Becky Morrette]: Yeah.   [Matthew Seymore]: It takes a true artist to just make any music and then say “Buy the rights”.   [Becky Morrette]: Here's the thing now. “By the rights”, I've had to listen to this song for free for years. It's just on the radio. Why would I buy the rights?   [Matthew Seymore]: So what I'm hearing is it hasn't worked yet.   [Becky Morrette]: No.   [Matthew Seymore]: Well, tell them to replay it.   [Becky Morrette]: And then one of my favorite lines that kind of relates to this is Dennis Miller. He used to say when he's talking about things or buy one, get one free and he said  “two of  shit is still shit. If they really want to screw you, they give you a three”. That's what I feel like this song is right there. They've just given us three for free and it's still shit.   [Matthew Seymore]: That is the highest level of praise   [Becky Morrette]: [Laughs]   [Matthew Seymore]:that we can give to OMC’s is how bizarre.   [Becky Morrette]: Yeah. Yeah, so that's my that's my 90s.Awful lyrics.   [Matthew Seymore]:I love it.   [Becky Morrette]: Yeah.   [Matthew Seymore]: I mean I will say this is one of those cases where it's like I can project things upon it. So like on the yikes scale, I am giving it like a two.   [Becky Morrette]: It's like a choose your own adventure song.   [Matthew Seymore]: Exactly.   [Becky Morrette]: Yeah   [Matthew Seymore]: I now, if there really are elephants am a little more disappointed, I just desperately want to see the music video in which he just high as fuck, walking in a gas station and then everyone else around him is like   [Becky Morrette]: I got to, oh man, I feel like the music videos I'm just driving around in a convertible. Well, that's boring. Yeah. Well, 90s videos. I yeah. I can't remember. I do, I do have a flash of The rock. It's The Rock's cousin. I don't know who he is, but I'm just going to continue to call him The Rock’s cousin.   [Matthew Seymore]: I cannot reiterate to look at that it   [Becky Morrette]: [laughs] it really does.   [Matthew Seymore]: because there's no other description for it.   [Becky Morrette]: I will put it up on the blog, but like a picture of The Rock and the lead singer on these side by side. Back in the heyday. And you will see that they are either separated at birth or really closely related. [Matthew Seymore]: Also this would be a great time to plug the blog.   [Becky Morrette]: Oh the blog? Yes, that would be at whatthelyric.com all spelled out and not. We'll go ahead and say that again at the end of the episode.   [Matthew Seymore]: That sounds lovely.   [Becky Morrette]: I'm so good at that. I forget to plug things. Yeah. So OMD, how bizarre. I've lived with it for well over 20 years now and it's still I still sing it in the car when it comes on.   [Matthew Seymore]: You still hear it?   [Becky Morrette]: Oh, yeah, yeah.   [Matthew Seymore]: OMC, I sit OMD. I keep doing that.   [Matthew Seymore]: I don't.   [Becky Morrette]: OMD is another band, Orchestral Manoeuvres in the Dark is what that one stood for. Also, like 80s band, I think late 80s or early 90s.   [Matthew Seymore]: Come on.   [Becky Morrette]: But, Yeah. OMC, as in crap.   [Matthew Seymore]:  OMG for OMC. Oh my crap.   [Becky Morrette]: Oh my crap I think is what it stood for. I don't know. 1995 yeah. Over 20 years I listen to this song and now I hear it come on I go “how bizarre”?    [Matthew Seymore]: how bizarre?   [Becky Morrette]: How bizarre? And then that’s it.    [Matthew Seymore]: So low on the yikes, but high on the bizarre.   [Becky Morrette]: Yeah.   [Matthew Seymore]: That is where I am feeling it.   [Becky Morrette]: I think you're right on that one. It's just weird. [laughs]   [Matthew Seymore]: It is. It is weird. I need to listen to this.   [Becky Morrette]: Oh yeah.   [Matthew Seymore]: And watch it.   [Becky Morrette]: You're going to go home and then you're going to be like is that How bizarre part gets stuck in your head with the little like hook that they have the doo doo doo doo doo doo, whatever it is. I can't I can't remember. But that will get in your head and it will burrow deep and will hop out at many different times. Yeah.   [Matthew Seymore]: I’ll be calling you tomorrow to be like fuck you introducing this song   [Becky Morrette]: [Laughs] how dare you and I never want to speak to you again. Yeah. Yeah, I agree.   [Matthew Seymore]: Amazing. Well, this is actually an excellent Segway.   [Becky Morrette]: Yes   [Matthew Seymore]: Into my pick, because it's also an Earworm.   [Becky Morrette]: OK, I'm ready.   [Matthew Seymore]: And just a wild hit across the board. So in the US, the song reached number 3 on the Billboard Hot 100.   [Becky Morrette]: Ok   [Matthew Seymore]: It’s from 1999, specifically April 1999.   [Becky Morrette]: Oh   [Matthew Seymore]: Not that that I'll give you much context, but what I found most interesting was that it topped almost every chart in continental Europe, and set a record by staying at number 1 in France for 20 weeks, longer than any stay at the top spot ever on the US or UK charts.   [Becky Morrette]: Ok. If the French liked it, I am worried it has got to be cheesy.   [Matthew Seymore]: Well, then I feel like we need to we need to get started to this because I really do think that you're going to get this at a moment’s botice.   [Becky Morrette]: Ok, I’m ready.   [Matthew Seymore]: I'm omitting the first line only because it says the name of the song.   [Becky Morrette]: Yes. No, it's all right. That's fair play.   [Matthew Seymore]:One, two, three, four, five. Everybody in the car. So come on, let's ride.   [Becky Morrette]: Oh, my God. Is this Coolio?     [Matthew Seymore]:No.   [Becky Morrette]: Wait   [Matthew Seymore]: But to the liquor store around the corner, the boys say they want some gin and juice, but I really don't want a beer bus like I had last week. I must stay deep because talk is cheap.   [Becky Morrette]: Is it gin and juice?   [Matthew Seymore]: No. I like Angela, Pamela, Sandra in Reno.   [Becky Morrette]: Oh, Oh, Mambo number five.   [Matthew Seymore]: Yes.   [Becky Morrette]: [Matthew Seymore]: [Laughs]   [Matthew Seymore]: I can't believe I confuse that for Gin and Juice is the only because you said Gin and Juice. Oh, sweet Jesus. I'm so sorry. Oh.   [Matthew Seymore]: [laughs]   [Becky Morrette]: Oh, Oh my God. Well, of course the French would like it.   [Matthew Seymore]: [laughs] Again the highest praise that we can give to Mambo number 5.   [Becky Morrette]: Oh,   [Matthew Seymore]: Of course, is the French liked it.   [Becky Morrette]: what is that guy's name?   [Matthew Seymore]:Oh, do you want me to tell you?   [Becky Morrette]: Yeah    [Matthew Seymore]: It is Lou Bega.   [Becky Morrette]: That's right. Talk about a one hit Wonder.   [Matthew Seymore]: who is German apparently sold himself as   [00:24:39] inaudible   [Becky Morrette]: Yeah    [Matthew Seymore]: But 100% German.   [Becky Morrette]: Yeah, I believe he had like a zoot suit on in that   [Matthew Seymore]: He absolutely did.   [Becky Morrette]: Oh   [Matthew Seymore]: The entire thing.   [Becky Morrette]: Oh, I wonder if he had worn wearing it for the seagulls in San Francisco that's no longer the store fronts.  It’s no longer there. WOW!   [Matthew Seymore]: This is just a hit for everyone. I mean, I've heard it played at weddings. [Laughs]Yeah.   [Becky Morrette]: Yeah. You can't not move to it.   [Matthew Seymore]: Exactly.   [Becky Morrette]: You hate it, but you're still going to swivel. Yeah.   [Matthew Seymore]: Everyone Loves the song. It's terrible. None of the lyrics make sense. Actually, let's look. Let's go back.   [Becky Morrette]: Let's dub into it. Yeah.   [Matthew Seymore]: So first, proving that he is at least able to count to 5.   [Becky Morrette]: Yep. That's good. In English, and he is German.   [Matthew Seymore]: It's not like he is Cuban.   [Becky Morrette]: Yeah   [Matthew Seymore]: Everybody in the car, so come on, let's ride. That sounds fine.   [Becky Morrette]: Still fun summer song.   [Matthew Seymore]: To the liquor store around the corner. I'm like, so you got into your car.   [Becky Morrette]: Listen, in his defense, when I was in high school, we lived not that far from the high school. Like I should have walked. Did I? When I got a car? No, I did not. I would shovel the car out because I grew up in upstate New York. Shovel the shit off my car and drive to school.   [Matthew Seymore]: How many blocks?   [Becky Morrette]: Five. Five or six. Maybe. I mean, they're not like city blocks because it was upstate New York, but still maybe a half a mile at best.   [Matthew Seymore]: Follow up question.   [Becky Morrette]: Yeah?   [Matthew Seymore]: Would it have taken you longer to walk to school?   [Becky Morrette]: No.   [Matthew Seymore]: Versus shovelling?   [Becky Morrette]: Not at all. Side note, I never dry my hair because I have crazy ass curly hair and so my hair would freeze if I walked to school.   [Becky Morrette]: [Matthew Seymore]: [ Laughs]   [Matthew Seymore]: That is a good way to keep it in place.   [Becky Morrette]: And surprising, I never really got sick, but yeah, I don't know why. You know, if you had a car in high school, you were a bad ass. Mine was a 1980 Mustang, which was not a bad ass car. But, you know,   [Matthew Seymore]: you had it.   [Becky Morrette]: and I had it. So I drove. So in his defense, I get it.   [Matthew Seymore]: We’ll allow.   [Becky Morrette]: Yeah   [Matthew Seymore]: This next part just baffles me. The boys say they want some gin and juice. Okay. You're going to a liquor store. That makes sense.   [Becky Morrette]: Yeah.   [Matthew Seymore]: But I really don't want to slash next line beer bust like I had last week.   [Becky Morrette]: Well, you're not, you're going gin and juice.   [Matthew Seymore]: But I'm like, I suppose but am like then are you just saying I'm not really feeling beer guys.   [Becky Morrette]: Maybe he's just the driver. He's the designated driver. He's the D.D. of this situation.   [Matthew Seymore]: But then he even goes on to say, I must stay deep because talk is cheap. Where does that fit in? Also, the hearing, hearing little Lou Bega say “I must stay deep” when he's about to lift a tremendous number of women.   [Becky Morrette]: I was about to question with the stay deep in reference to his buddies or like he's got to stay deep with his homies. He's got to get in.   [Matthew Seymore]: Earn the trust.   [Becky Morrette]: You know, he's gotta be right there with him. Or is he talking about the ladies he's about to rattle off?   [Matthew Seymore]: [laughs]   [Matthew Seymore]: I'm inclined to think the latter. So this is my Hashtag   [Becky Morrette]: [Matthew Seymore]: Me too Moment. [Laughs]   [Matthew Seymore]: He likes apparently, Angela, Pamela, Sandra and Rita, which I will fully say those are not 90s names.   [Becky Morrette]: Angela is. I had a friend whose name is Angela. I have a couple I used to know a couple of Angela's.   [Matthew Seymore]: I feel like there needed to be more Ashley and Britneys .   [Becky Morrette]: Angela. What was the other one? Rita.   [Matthew Seymore]: Rita.   [Becky Morrette]: Rita, I don't know who the hell, Rita. Now he's trying to take a spin on the Hispanic.   [Matthew Seymore]: Yeah.   [Becky Morrette]: I'm Cuban.   [Matthew Seymore]: Trust me yall.    [Becky Morrette]: GermanCuban.   [Matthew Seymore]: Pamela and Sandra?   [Becky Morrette]: No, I didn't, no that was a smith.  No, I don't know the other two. [Matthew Seymore]: Yeah   [Becky Morrette]: I just had an Angela. That didn't sound right. I just knew an Angela.   [Matthew Seymore]: Was she on your soccer team?   [Becky Morrette]: She was not. Not at all. I don't think. Oh, my God. I don't remember everybody on the soccer team that's really bad.   [Matthew Seymore]: And as I continue, you know, they're getting sweeter. In what capacity? gross.   [Becky Morrette]: I'm hoping he means in like personality, but I'm willing to doubt that. I'm willing.   [Matthew Seymore]: He is staying deep.   [Becky Morrette]: Yeah, I'm willing to say the deep is in reference to the ladies. And eweh.   [Matthew Seymore]: so, what can I do? I really beg you, my lord.   [Becky Morrette]: Whoa, whoa.   [Matthew Seymore]: Yeah.   [Becky Morrette]: Whoa.   [Matthew Seymore]: Again, I think that's a call out to the Cuban community. I'm Catholic.   [Becky Morrette]: [laughs]   [Matthew Seymore]: Maybe   [Becky Morrette]: We could bring Brother Palaye back. [laughs]   [Becky Morrette]: Hold on, so now we're bringing in the Lord   [Matthew Seymore]: As the lady.   [Becky Morrette]: The lord as one of our priests used to say.   [Matthew Seymore]: I mean, you have to bring him in because he wants to give the ladies enough time to sleep.   [Becky Morrette]: So, okay. Is he questioning like. Is he not gone for yet? Is he not done all these gone deep with all these ladies and he's like, please, lord, help me to remain the good man that I am and not take advantage of these ladies. [laughs]. I can't remember the rest of these lyrics.   [Matthew Seymore]: Or is the Lord basically being like, I want you to bang as many of these dudes.   [Becky Morrette]: I’m out.   [Matthew Seymore]:  Well I guess they are not dudes they are ladies   [Becky Morrette]: Yeah.   [Matthew Seymore]: because I don’t think Lou bega is swining that way.   [Becky Morrette]: I don't think, I mean, his 90s. That was on the cusp of when you were kind of like do we come out? I can't even. so, ok So he's not really into the beer   [Matthew Seymore]: Busts   [Becky Morrette]: Yeah   [Matthew Seymore]: No beer butst, No.   [Becky Morrette]: No.   [Matthew Seymore]: But apparently other busts   [Becky Morrette]: yeah    [Matthew Seymore]: He’s very interested in.   [Becky Morrette]: And then he maybe that's his transition. And we just didn't get it quick enough.   [Matthew Seymore]: Yeah, I still don’t get it.   [Becky Morrette]: Yeah. Yeah, I don't. Okay.   [Matthew Seymore]: It's been 20. No. Oh my God, it has been. Yeah, It's been 20 years. It has been 20 years since the song came out.   [Becky Morrette]: [laughs] And it's still on the radio from time to time.   [Matthew Seymore]: Yeah   [Becky Morrette]: Okay. So we're not into the beer busts. we   [Matthew Seymore]: We are very into the ladies and staying deep in some capacity.   [Becky Morrette]: staying deep with the friends possibly, or the ladies maybe the friends are the ladies. That's why he's going.   [Matthew Seymore]: Ohh   [Becky Morrette]: This could be all about the ladies.   [Matthew Seymore]: But he does say that the boys say they want some Gin and Juice.   [Becky Morrette]: Oh, well. So I had friends in college that I, it was a bunch of guys and my one friend would always call me bro because I had just become    [Matthew Seymore]: A bro.   [Becky Morrette]: A bro to them at that point because I didn’t have boobs or anything they did, they looked at me as like one of them.   [Matthew Seymore]: One of them.   [Becky Morrette]: Yeah. I don't know.   [Matthew Seymore]: I mean, it's totally fair. So he's brought in the Lord.   [Becky Morrette]: Yeah   [Matthew Seymore]: Either to remain celibate or to gain graces so that he can bang as many of these ladies as possible.   [Becky Morrette]: Does the lord work that way? I mean, would you pray and go, “you know what? God, I need your help getting some”.   [Matthew Seymore]:  And then the priest says, do 10 nail marys.   [Becky Morrette]: [laughs] I'm not going to lie. There is a priest we go up to camp, there was this cabin that my grandfather built. He had a really thick accent and he would he would say male Mary, full of grace or the Lord be with you. And of course, as kids, we'd all get laughing.  So, yeah.   [Matthew Seymore]: I mean, that's hilarious. So I think he’s also,   [Becky Morrette]: You know, I think he's I don't think he meant it this way, though.   [Matthew Seymore]: I think he's intending 10 Hail Marys in this. To me, so back to the lyrics.   [Becky Morrette]: yeah   [Matthew Seymore]: To me, it’s flirting, to me it’s flirting.   [Becky Morrette]: Ok   [Matthew Seymore]: So there is an adverb there   [Becky Morrette]: That’s where the English goes.   [Matthew Seymore]: It is just like sport, anything fly.   [Becky Morrette]: No. There is rules in sports.   [Matthew Seymore]: Not when he's about to nail a bunch of ladies.   [Becky Morrette]: there's rules in sports. I mean, there is like red flags and yellow flags in all almost like football, in soccer.   [Matthew Seymore]: I mean, this is a giant red flag.   [Becky Morrette]: Yeah. Yeah.   [Matthew Seymore]: To me it’s flirting.   [Becky Morrette]: Well, again, English isn't his first language. Probably also why the French liked it so much. [laughs]   [Matthew Seymore]:  I apologize to like any other French people who listen to this song to learn English.   [Becky Morrette]: Oh my God, that is not. Yeah,   [Matthew Seymore]: It's all , It's all good. Let me dump it, please set in the trumpet, not send in the trumpet. Set. Please set in the trumpet.   [Becky Morrette]: So they left him a like a note for the mixers of this this song like hey, when you guys are mixing this down, set a trumpet in here.   [Matthew Seymore]:  Set it in the trumpet. Which for me I was like, let me dump it. Which I'm like, oh. Curious choice of words don't like that. Please set it on the trumpet. It sounds like he's also fucking the trumpet.   [Becky Morrette]: Actually, what I get from that, if you go back to the beer bust [laughs]is that  it's all in his stomach now.[laughs]  so he's literally, dumping it. And then the slang term for like the CubanGermans slang for toilet is trumpet. Maybe that's what I'm thinking.   [Matthew Seymore]: He as had too much gin and juice. He didn’t want a repeat on the beer busts.   [Becky Morrette]: Yes.   [Matthew Seymore]: But now he is just puking away.   [Becky Morrette]: The beer bust has hit and he's got to find a bathroom Toot suite.   [Matthew Seymore]: Oh, for a French   [Becky Morrette]: French.   [Matthew Seymore]: So maybe all the women are just the nurses [laughs]   [Becky Morrette]: could be   [Matthew Seymore]: who are caring for him.   [Becky Morrette]: Yeah.   [Matthew Seymore]: So I'll do the quiz.   [Becky Morrette]: Ok   [Matthew Seymore]: Do you do you remember who comes first?   [Becky Morrette]: It was Angela, Pamela. I can't remember the other Angela, Pamela. There was an S in there   [Matthew Seymore]: Think,   [Becky Morrette]: And then Rita.   [Matthew Seymore]: Speed and Miss Congeniality.   [Becky Morrette]: Oh, Sandra.   [Matthew Seymore]: Yes.   [Becky Morrette]: Yeah. Okay.   [Matthew Seymore]: Now, funnily enough, in the actual chorus, only two of those ladies make it to the list of things he likes a little bit of.   [Becky Morrette]: Here's a thought. Could he be a pimp? [laughs]   [Matthew Seymore]: [gasps] That would make sense. He's driving the boys around being like, please survey the good.   [Becky Morrette]: Here's my ladies. [laughs]   [Matthew Seymore]: You know, that does kind of fit. And then it's like if they don't, you know, it's all good. He let me dump it and then he's like bye.   [Becky Morrette]: and then kick him out, they go with the lady.   [Matthew Seymore]: That's Angela. Angela did not make the cut.   [Becky Morrette]: She might have been off with one of his boys.   [Matthew Seymore]: And that showed, well, neither did Pamela. So apparently, Angela and Pamela are very popular.   [Becky Morrette]: They're either big winners or,   [Matthew Seymore]: or just they're off the payroll.   [Becky Morrette]: Yeah.   [Matthew Seymore]: So if the first one is a little bit of Monica.   [Becky Morrette]: Oh, that's right. He switches them again.   [Matthew Seymore]: A little bit of Erica. Where? By my side, a little bit of Rita is all he needs a little bit of Tina is what I see, which I find very interesting because he's seen so many women up to this point.   [Becky Morrette]: Yeah    [Matthew Seymore]: So Rita must be the big breadwinner.   [Matthew Seymore]: Oh, yeah. She's raking it in.   [Becky Morrette]: Yeah. Monica, maybe they just changed their names to Monica and whatever the other one was because the other two names weren't really all that great.   [Matthew Seymore]: Angela and Pamela.   [Becky Morrette]: Yeah.   [Matthew Seymore]: No offense to any Angela and Pamela.   [Becky Morrette]: But at that, you know, they're not like big moneymaking names probably.   [Matthew Seymore]: Oh no.   [Becky Morrette]: Yeah, No.   [Matthew Seymore]: Now I'm thinking, you know who I really want to get with tonight?   [Becky Morrette]: Although,   [Matthew Seymore]: Pamela.   [Becky Morrette]: Pamela Anderson.   [Matthew Seymore]: Oh shit, okay, fine.   [Becky Morrette]: Sorry. Pam.   [Matthew Seymore]: We will allow it. A little bit of Sandra in the sign. So she is only she is out of commission for the rest of the year.   [Becky Morrette]: Either that or she's just the billboard to bring them in.   [Matthew Seymore]: Yeah. She is the pen out. [Becky Morrette]: Yep.   [Matthew Seymore]: A little bit of Mary all night long. So has gotten the nail marries.   [Becky Morrette]: Here is where I am offended. That is my mom's name. How dare you?   [Matthew Seymore]: Little a little bit of Mary all night long.   [Becky Morrette]: How dare you?   [Matthew Seymore]: Even grosser. Because, like, why are you having all of Mary all night long?   [Becky Morrette]: Yeah, well, I have known men that cannot really handle all night long. You know, I am just saying.   [Matthew Seymore]: So maybe they should just go to be just in the sun.   [Becky Morrette]: Yeah.   [Matthew Seymore]: Small, small time period.   [Becky Morrette]: Yeah.   [Matthew Seymore]: Let it be a little bit of Jessica. Here I am. Which is weirder because that definitely feels like a sex.   [Becky Morrette]:  He just shows up. Hey Jessica. Here I am. That stalker.   [Matthew Seymore]: Stalker Lubanga.   [Becky Morrette]:  Yeah, right.   [Matthew Seymore]: A little bit of you makes me your man.   [Becky Morrette]:  Now, this is problematic because you don't know who's listening to this on yet. Male. Female. I could have my cat listening.   [Matthew Seymore]: And he is bestiality. What we are learning from this song is that Lubanga will fucking anything with a pulse.   [Becky Morrette]:  It is what it sounds like, yeah.   [Matthew Seymore]: And then and then it says mambo number five. And I think there is that. Yeah. With all the bap bap   [Becky Morrette]:  But he missed it with the trumpets because that is where the trumpets go.   [Matthew Seymore]: Yeah, I now. But then he was like I'm going to plug momma number five. Very interesting fact. The sampling from the actual mambo number five gets played in the song and the person who actually wrote the original Motown number five was a co-writer of the song. Co-author. Yes. Songwriters, it was Damaso Perez Prado.   [Becky Morrette]:  That is probably Lou.   [Matthew Seymore]: I know, and then Lou Bega, they are two separate entities.   [Becky Morrette]: Are they?   [Matthew Seymore]: I mean, we can't prove it.   [Becky Morrette]: Are they now?   [Matthew Seymore]:  And then we go, back to you, John. Well, no, rather jump up and down and move it all around. So we're trying to dance. Shake your head to the sound. Put your hand on the ground. Take one step left and one step right. We are playing Twister.   [Becky Morrette]: Yeah, I know.   [Matthew Seymore]: One to the front and one to the side. Clap your hand once and clap your hands twice, wow! I remind you, one hand out on the ground.   [Becky Morrette]: One hand out on the ground, and we have now answered the question. What's the sound of one hand clapping?   [Both Speakers]: It is mambo number 5.   [Matthew Seymore]: And I desperately wanna watch the video, because then the lyric says, and if it looks like this, then you're doing it right. Which means at some point in the video…   [Becky Morrette]: I don’t think he is doing anything. If I remember correctly, it is him. It's a white background and a whole bunch of ladies dancing around. I don't think there's a specific dance that they're doing, but I could be wrong.   [Matthew Seymore]: Then Lou Bega has really fucked it up.   [Becky Morrette]: Well, I mean, clearly.   [Matthew Seymore]: So then. And speaking of fucking things, he goes back to going through. Monica. Erica. Rita, Tina, Sandra's, Mary, Jessica and a little bit of you makes me your man. Trumpet the trumpet, Mambo number five. Again, another instrumental break. And then he's like a little bit of Monica, Erica, Rita, Tina, Santa, Mary, Jessica, a little bit of you makes me your man. And lastly, but certainly not least, I do all to fall in love with a girl like you because you can't run and you can't hide. You and me going to touch the sky, Mambo number 5.   [Becky Morrette]: Okay, here is what I am sensing. We've only done two episodes. Very clearly. There is a me too movement situation that is happening in almost every shitty song that is popular.   [Matthew Seymore]:  Yeah. And I'll be honest. Like I knew this was skeezy going into it.   [Becky Morrette]: Yeah.   [Matthew Seymore]:  But I have never once heard the lyrics cause you can't run and you can't hide. You and me are gonna touch the sky. Sounds like a murder suicide… No, it sounds like a stalker then a murder suicide.   [Becky Morrette]: Dateline. All of these songs like Colour Me Balance is a Dateline episode waiting to happen. How bazaar is just bizarre. These are all.   [Matthew Seymore]: So far you have had the only one that was not a hashtag me too moment.   [Becky Morrette]: Wait until next episode.   [Both Speakers]: Oh, that will be good one.   [Becky Morrette]: Yeah. No, I can't even… Like they are all me too movement. I have not heard like the songs that I have found that I really like. These lyrics are shitty are typically because they're like borderline dateline.   [Matthew Seymore]: Oh yeah. I'd like to catch a private.   [Becky Morrette]: Oh God. Yes. Yes.   [Matthew Seymore]: Across the board.   [Becky Morrette]: Now we are on the on the yuck scale of things in the yikes scale.   [Matthew Seymore]: Yuck would also work.   [Becky Morrette]: Yuck / yikes on this one.   [Matthew Seymore]: The problem is like it is an earworm.   [Becky Morrette]: It is, and everybody will at a wedding be like one,   [Both Speakers]: two, three, four, five. [Becky Morrette]:  Mom’s up there dancing. Grandma is up there, shimmy and shaken. And no one is really paying attention to how awful   [Matthew Seymore]: These lyrics are   [Becky Morrette]:  Yeah.   [Matthew Seymore]: Which is very interesting because it is a crowd favourite yet no one is paying attention to this dude is literally just naming any women he wants to have sex with   [Becky Morrette]: Now that makes me think that I would like to write a pop song and just start rattling off men's names.   [Matthew Seymore]: Done.   [Becky Morrette]: I am going to work on that. That will be my next, you know,   [Matthew Seymore]: Next project.   [Becky Morrette]: Next project   [Matthew Seymore]:] join us for the next series.   [Becky Morrette]: Next podcast   [Matthew Seymore]: In which we collectively list the names of men you would like to have sex with.   [Becky Morrette]: Where we just start writing our own shitty lyrics.   [Matthew Seymore]: It cant be that hard.   [Becky Morrette]: Clearly not. Lee Croix I am looking at you post Malone. Sue, I'm going to say this is probably like a 3 for me.   [Matthew Seymore]: I will say the only thing that tone that down from being a 4 is dance ability. Like not giving a pass on the grossness of it, but I will say have a dance to this. Yes, will continue to dance to it? Yeah. But the lyrics are just bad.   [Becky Morrette]: Well yeah. It's like the Robin Thicke one. The Blurred Lines. It's the same feel. Not as rapey but the same feeling.   [Matthew Seymore]: So again tagline for momma number five, Blurred Lines but less rapey.   [Becky Morrette]: The 90s version of Blurred Lines, which is a little less, rapey.   [Matthew Seymore]: Have you wanted to listen to Blurred Lines but wanted to be less rapey? Have you tried Lou Bega.   [Becky Morrette]: But you did not want the over rapeyness of it.   [Matthew Seymore]: Check out Lou Bega mambo number 5.   [Becky Morrette]: He is into Blurred Lines with mambo number 5, and then work your way up to, yeah.   [Matthew Seymore]:  I am inclined to agree. This is a middle of the road. Yikes.   [Becky Morrette]: Yeah, this was absolutely a total. Oh yeah. 3. Oh yeah. Oh, it is making my stomach a little queasy now, I am going to have to use trumpet for toilet, from now on. It is just gonna happen.   [Matthew Seymore]:  I have gotta go to the trumpet.   [Becky Morrette]: Kids going to the trumpet. I'll be right back. I am going to play a little solo. This is just going downward from here.   [Matthew Seymore]: Quality material.   [Becky Morrette]: And on that note, thank you for listening to Episode 2. Please stay tuned. We will have Episode 3, which will be musicals. We're going to go deep into musicals. That was the wrong word to use there. After mambo number five.   [Matthew Seymore]: I mean how do we solve that problem like Maria.   [Becky Morrette]:  Although Oh, God, never see Matt and I am not going to, But I still know all the words. Yes, we are going to look at musicals and it is going to be epic. So thanks for joining us and we will see you soon.   [End 00:44:37]

Bursting through the English pop scene with WHAM!, 24 year-old George Michael went solo in 1987 with the release of the Grammy award-winning album Faith producing seven singles including I Want Your Sex, Father Figure, and the title track finding its inspiration from Elvis and porn, it is decided. When actor Nia Renee Hill first heard Faith in the late '80's she couldn't help but be inspired by the rebellious truth inherent in breaking free from conventional norms. Hearing the call to pursue a full-time career in film, she moved to New York working in casting for MTV and on TV shows including Tough Crowd with Colin Quinn where she met her husband Bill Burr. With a ton of hard work and a renewed self-belief, she rediscovered her love of acting recently making appearances on Santa Clarita Diet, Crashing on HBO, and F is for Family on Netflix. Hear her regularly on The MM Podcast. The 500 is a production of Native Creative Podcasts. For show notes, guest playlists, complimentary documentaries, and audiobooks about the music go to The500Podcast.com. New Artist/Song influenced by George Michael:  January Jane "Take The Lions On" (Spotify) (YouTube) Join. The. Movement.

In this April episode of #JCsMusicology, we explore the beginnings of George Michael. Begining with a couple of early credits, shared with the pop group, Wham! George Michael sets out to establish himself as his own artist. "Faith" would be released in 1987 and make him the biggest pop star in the world... For a while. We explore the songs of "Faith", tracking from their inception to success. Interview credits: Rock's Backpages, TF1, Younger Faith, Countdown, MTV, Parkinson Soecial thanks: Paul Simper (http://www.paulsimper.com/), Lucas Cava (https://medium.com/@lucascava), GM Forever (https://gmforever.com/category/the-man/interviews/) https://www.facebook.com/JohnCameronProductions https://twitter.com/Cameron_John

The Album: George Michael: Faith (1987) In the fall of 1987, it wasn't a foregone conclusion that George Michael's solo debut, Faith, would be a hit. As successful as Michael had been as half of the Wham! duo, going solo was always going to be a risk but as it turns out, it was one worth taking. Faith turned out to be a runaway hit, not simply a #1 album but spawning four different #1 singles, including the lively title song which became the best-selling song of 1988 in the U.S. It wasn't without controversy however, especially with conservative outcries against the song, "I Want Your Sex," and its video for being too racy or explicit, all the while Michael, as we learned later, was insinuating hints about his own changing sexual identity into different verses. These were all topics of discussion that came up with our guest, Chris Molanphy, creator and host of the Hit Parade podcast which analyzes chart histories to provide incredibly in-depth discussions about pop music. Chris takes on the sometimes arcane peculiarities of music charts and uses them as a way to jump into far broader discussions about pop trends, figures and transformations. Chris had previous taped an episode of Hit Parade devoted to the parallel careers of Michael and Elton John and he brought that wealth of knowledge to our conversation. More on Chris Molanphy "Commerce Vs. Consumption: A Revolutionary Rethink Of Billboard's Album Chart" (NPR's The Record) Pitchfork portfolio Website | Twitter More on Faith "'Keeping the 'Faith': Six Writers Remember the Six Classic Hit Singles From George Michael's 30-Year-Old Debut" (Billboard) "30 Years Ago: George Michael Goes Solo on 'Faith'" (Diffuser) Molanphy's article "Keanu and the Remarkable Chart History of George Michael, “Black” Music Star" (Slate) Show Tracklisting (all songs from Faith unless indicated otherwise): I Want Your Sex (Parts I & II) Wham!: Wake Me Up Before You Go-Go George Michael: Careless Whisper Hard Day Father Figure I Want You Sex (Parts I & II) Sinead O'Connor: Nothing Compares 2 U One More Try Hard Day (Shep Pettibone Remix) Hard Day Kissing A Fool Father Figure Hand to Mouth Limp Bizkit: Faith Faith Estelle: No Substitute Love Kissing a Fool Here is the Spotify playlist of as many songs as we can find on there. If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!

Cameron Paul 5/31/1957-3/26/2018 Cameron Paul, born and raised in San Francisco, CA passed away in peace with Christ on March 26, 2018 in Tulsa, Oklahoma. Cameron was a music producer and legendary DJ who, under the stage name Cameron Paul, revolutionized club music and introduced the world to a new form of entertainment, "Mixx-It". Cameron's music could be heard on the legendary Bay Area radio stations KSOL and KMEL-FM, and he earned gold records for his remixes of iconic songs like Salt n Pepa's "Push It" and George Michaels' "I Want Your Sex". From Cameron Paul Facebook page https://www.facebook.com/cameron.paul.986/

Play Pause Support the PodcastDownloadShare var srp_player_params_677258c0b7404 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258c0b7404 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258c0b7404"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258c0b7404"); } In the wake of George Michael's sudden passing, it became clear that a mere update of his 2010 induction into the Diva Hall of Fame wouldn't suffice. So, with a heavy heart but determined focus, we set out to remaster and reimagine a dance tribute mix that would do justice to his extensive repertoire and undeniable influence on music and pop culture. Starting from scratch, we meticulously remastered each song, whether it was slated for inclusion or not, dedicating two full days to this labor of love. The end result? A tribute that can only be described as 'Flawless.' Back in 2010, the original tribute had an extra dose of compression, primarily due to the track 'As,' George Michael's duet with Mary J. Blige. Thanks to Jonathan Peters' mastering techniques, the song could practically blow a hole in the ceiling. It set the tone for the whole mix back then, especially when earbuds were not as advanced as they are today. But times have changed, and so have audio capabilities. That gave us the freedom to achieve a balanced and more nuanced sound. Let's talk about some gems in the tribute. Take "I Want Your Sex 2010 (Freemasons Club Mix)," for instance. The Freemasons bring a modern electro flair to this '80s classic, delivering a robust bassline that's impossible to ignore. And then there's the "Fast Love (2002 Illicit Remix)." With this version, the Illicit team reinvents George Michael's hit by infusing fresh beats and rhythms, making it perfect for today's dance floors. Don't overlook the "Outside (Hex Hector 12'' Vox Up Mix)," a song with a history. After his public outing following an arrest, George Michael embraced his identity and turned the incident into this empowering track. Hex Hector's remix elevates it to new heights, making it a dance floor anthem for the ages. Wham! classics like "I'm Your Man (Division 4 Club Mix)" and "Everything She Wants (Todd Terry Mix)" also find their rightful place in the mix. They're not just nostalgic trips; these remixes celebrate George Michael's beginnings while anchoring them firmly in contemporary dance music. In closing, we hope this tribute captures not just the breadth of George Michael's musical prowess, but also the depth of his influence and the complexity of his legacy. RIP George. You will be sorely missed. [1963 - 2016]. Until the next time...ENJOY! Album  George Michael Tribute pt. 2   Genre: House Year: 2016  Total Time: 1:57:53.00 1. Star People '97 (Forthright Club Mix) 2. Killer - Papa Was A Rolling Stone (Dance Mix) 3. I Want Your Sex 2010 (Freemasons Club Mix) 4. Father Figure (Final DJ's Remix) 5. Amazing (DJ Garry M Reworks Nikko's Mix) 6.

RIP George Michael, who shockingly passed away today at 53. Reposting this episode from January 2015 in his memory, about his classic solo album 'Faith'. ------ We kick off our second year of podcasting with a visit to the podbooth from our returning champion Rob Draper. Rob, who appeared on the very first My Favorite Album a year ago talking Dylan's Highway 61 Revisited, stops by to chat with host Jeremy Dylan about George Michael's 1987 raunchy smash album Faith. Along the way, they break down classic tracks Faith, Father Figure, I Want Your Sex and Kissing A Fool, debate sexually explicit lyrics in pop music, learning to tolerate 80s production techniques and outline the story for a Broadway adaptation of the album. The episode closes with Rob performing a rockin' rockabilly rendition of the classic title track. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

Play Pause Support the PodcastDownloadShare var srp_player_params_677258c0b8001 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258c0b8001 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258c0b8001"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258c0b8001"); } From teen idol to international superstar to a figure of resilience, George Michael's multifaceted journey has left an indelible impact on the music world. Not just a pop icon, he became an influential voice in the LGBTQ+ community following his arrest for solicitation, which effectively outed him as a gay man. Far from shying away, George Michael embraced this chapter of his life, using his platform to advocate for acceptance and equality. While his personal life may have seen its share of controversies and struggles, his musical prowess remains unquestionable. Whether it's the Wham! classic "Everything She Wants," remixed brilliantly here by Todd Terry, or his solo work in albums like the groundbreaking "Faith," George Michael's artistry transcends genre and era. Take a moment to revisit his album "Listen Without Prejudice," often cited as one of the most underrated gems of the '90s according to music critics. The lyrical depth and vocal execution in this album are proof of Michael's unparallelled talent. His words reveal a vulnerability that resonated deeply with his audience. The rich declare themselves poorAnd most of us are not sureIf we have too much but we'll take our chances'Cause God's stopped keeping scoreI guess somewhere along the wayHe must have let us all out to playTurned His back and all God's childrenCrept out the back door And it's hard to loveThere's so much to hateHanging on to hopeWhen there is no hope to speak ofAnd the wounded skies aboveSay it's much, too much, too lateWell, maybe we should all be praying for time Now, let's delve into the dance tribute mix honoring George Michael's dance floor repertoire. "Star People '97 (Forthright Club Mix)" serves as a potent opener, setting the mood with its vibrant beats and rhythmic complexity. Then there's the Sharp Boys remix of "Flawless" which was also a #1 club hit by The Ones and samples the disco classic "Keep On Dancing" by Gary's Gang and another disco classic "Romero and Juliet" by Alec R. Costandinos adds a layer of effervescence to the already buoyant original. "I Want Your Sex 2010" follows suit, revamping a classic George Michael tune with a contemporary touch from the Freemasons, widely praised for their mixing skills. The addition of "Amazing" adds a groovy, upbeat House vibe to the tribute mix, thanks to Full Intention's masterful remixing. One cannot talk about George Michael's dance music without mentioning "Outside." Not just a club hit, this song became a statement piece after his arrest, turned into a celebration of freedom and self-acceptance. Hex Hector's remix elevates it even further, adding a sense of liberation to a classic Disco House...

We kick off our second year of podcasting with a visit to the podbooth from our returning champion Rob Draper. Rob, who appeared on the very first My Favorite Album a year ago talking Dylan's Highway 61 Revisited, stops by to chat with host Jeremy Dylan about George Michael's 1987 raunchy smash album Faith. Along the way, they break down classic tracks Faith, Father Figure, I Want Your Sex and Kissing A Fool, debate sexually explicit lyrics in pop music, learning to tolerate 80s production techniques and outline the story for a Broadway adaptation of the album. The episode closes with Rob performing a rockin' rockabilly rendition of the classic title track. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music.Jeremy Dylan is a filmmaker from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com

For a complete track listing, please visit: Facebook: https://www.facebook.com/mista.zeek.dj Twitter: @djmistazeek Website: http://mrzeek.podomatic.com This is an extract of a live recording from last month. Podcast Track Listing: 1. Dilemma 2. I Need A Girl 3. Hit Em Up Style 4. Right Here 5. That's The Way Love Goes 6. Everything I Do 7. U Remind Me 8. It Wasn't Me 9. Always On Time 10. Boom Shake The Room 11. Be Faithful 12. Crooked Letter 13. Too Close 14. Roll With Me 15. Let's Get Married 16. Dance With Me 17. Return Of The Mac 18. Livin It Up 19. What's Love 20. Holiday 21. Hey Mr DJ 22. She's Got That Vibe 23. Vouge 24. La Isla Bonita 25. I Want Your Sex

Gray interviews Mia Martina, author of the I Want Your Sex podcast and the new book A Year of Sex. This marks Mia's return to the Ropecast after a couple of years, and she shares her many amazing sexual exploits - as well as a lot she's learned about life, love, and why you shouldn't play ABBA at play parties. This podcast brought to you courtesy of some very generous donors including Mataleao and MauiKink. Feel free to help keep the Ropecast going by contributing at the Donation Page!

Happy Halloween!! Song listing: Wolfgang Gartner - Illmerica (Extended Mix) Greg Cerrone feat. Shawnee Taylor - It'll Be Alright (Tom Novy & Jerry Ropero Remix) Maroon 5 - Give A Little More (Roger Sanchez Extended Mix) Izzy Stardust & Dumb Dan - Looking Out for A Bigger Love (Main Mix) Steven Lee & Granite Feat. Zander Bleck - Everybody Wants To Rule The World (Peter Rauhofer & Etienne Ozborne Remix) Suzanne Palmer - Big Love (D-Unity Remix) Rihanna - Only Girl (In The World) (Rosabel Only Club in the World Mix) Max Freegrant Feat. Ange - About You (Original Mix) Ex-Presidents - Africa (Club Mix) Paradiso Girls - Who's My Bitch (Ralphi Rosario Club Mix) Michael Jackson - Billie Jean (Bryan Reyes 2010 Private Mix) Athene Noelle - Innamorata (Johnny Vicious Dub) Zoo Brazil feat. Rasmus Kellerman - There Is Hope (Filthy Rich Remix) Francesco Diaz - Ibiza 2010 (Daniel Ortega, John Moss & Mike Mooris Remix) Epiphony - Boxing Ring (Offer Nissim Remix) George Michael - I Want Your Sex 2010 (Freemasons Club Mix) Edson Pride feat. Cyon Flare - Free Your Body (Tony Moran & Mike Lorello Remix) Deadmau5 & Wolfgang Gartner - Animal Rights Madonna - Broken (Unreleased) Junior Vasquez feat. Fisher and Fiebak - If Madonna Calls 2010 (Original Mix) The Ting Tings - Hands (Ralphi Rosario Club Mix) BT & Andrew Bayer - The Emergency (Dragon, Jontron, Manufactured Superstars vs. Today Is The Day Mix) BT feat. Jes - Every Other Way (Whelan & Di Scala Remix) Happy Listening,

Mia, from the I Want Your Sex podcast, talks about her good and bad experiences in going to sex parties, the things she’s into that she doesn’t podcast about, homophobia and advice to those who are curious in going to […]

Here at Party Favorz, I don't take a break.okay, once in a while, but when it comes to serving up some of the freshest beats on the circuit, there's no time for disco naps, nor egg hunting.  This is the final edition of spring and boy oh boy is it a scorcher!  Starting off with Yinon's take on Deborah Cox's "Beautiful U R" which is an amazing prog mix that has a beautiful drop about 2/3 of the way in.  Deep, dark and haunting, this is truly an amazing song that is supposed to have a second set of mixes coming out soon.  In the meantime, Deborah also collaborated with Axwell, Steve Angello, Sebastian Ingrosso and Laidback Luke for the star-studded "Leave the World Behind" which will be featured in my upcoming System Edition; so be on the watch for that.  You may be scratching your head and wondering what the hell Acorn, I mean Akon is doing on this mix; especially since he's not a particular favorite of mine.  Because Tracy Young worked this song every which way but loose!  If you can get past the vocals, Tracy's "Monster Mix" is worth the price of admission.  I already mentioned Razor 'n' Guido in my last post, so just know their re-work of the classic "Drop a House" is HOT!  The Chriss Ortega mix of "My Life Would Suck Without You" had already appeared on my last BPM Edition, but is the only entry for this song that's worth the play.  I really expected more from Tommy Sunshine and Friscia and Lamboy, but they basically turned in a mix that Jason Nevins could have worked out had he been asked to mix the song.eh!  Then we've got the return of Depeche Mode and the elusive Peter Rauhofer mix currently only available as a promo.  Why they left it off the commercial release is beyond me, because Peter's mix is not only the best but smoldering.  I am a little concerned that David's vocals are not up to par, leaving one to wonder. We finally get some new mixes for Rihanna's "Breaking Dishes" and Ralphi, true to form, did not disappoint.  I liked the 'Soul Seekerz' mix well enough from the original remix album that was released in conjunction with "Good Girl Gone Bad", but this version brings it to life.  I just hope those are Chris' dishes she's breaking; in fact go ahead and bust his balls while you're at it.  Probably my biggest disappointment here is the Junior Vasquez take on "Please Don't Leave".  An absolutely beautiful song in its own right, I do believe he could have done better.  This mix isn't bad but would have been better served with the full vocals.  Sadly, P!nk's label didn't commission many mixes for this, though the Digital Dog mix (which appeared on my last BPM Edition) is still the best version and retains all the elements that make this song so moving.  One of the weirdest treats in this mix comes from Jipsta's "I Want Your Sex".  If you were thinking 'George Michael"', you thought right.  I always thought this song was ripe for a remake, but never in a million years did I think a hip-hop/rapper would re-do it.  All I can say is HELL YEAH!  This song rocks and is accompanied by a ton of excellent mixes.  I don't usually use Mike Rizzo except in the BPM mixes, but his slamming take warranted inclusion.  The Perry Twins in collaboration with Niki Haris turn in a really fun song and is considerably beefed-up mix by the Escape & Capello team, who are currently riding high with one club hit after another.  Another welcome surprise comes from Cevin Fisher.  After last year's remake of his classic "You Got Me (Burnin' Up)", Cevin dove right back in his bag of goodies and brought out another classic "The Freaks Come Out".   As with the last release, the mixes for this song are all stellar.  I went with the Prok & Fitch remix because they are one of the underground darlings in the house scene at the moment and deliver a very memorable grind for this song.  This is going to be HUGE! Capping off the mix, Nick Harvey delivers a tribal lover's dream with "Beat on the Drum" and the amazing Allan Natal take on  Luis Erre's "...

Here at Party Favorz, I don't take a break.okay, once in a while, but when it comes to serving up some of the freshest beats on the circuit, there's no time for disco naps, nor egg hunting.  This is the final edition of spring and boy oh boy is it a scorcher!  Starting off with Yinon's take on Deborah Cox's "Beautiful U R" which is an amazing prog mix that has a beautiful drop about 2/3 of the way in.  Deep, dark and haunting, this is truly an amazing song that is supposed to have a second set of mixes coming out soon.  In the meantime, Deborah also collaborated with Axwell, Steve Angello, Sebastian Ingrosso and Laidback Luke for the star-studded "Leave the World Behind" which will be featured in my upcoming System Edition; so be on the watch for that.  You may be scratching your head and wondering what the hell Acorn, I mean Akon is doing on this mix; especially since he's not a particular favorite of mine.  Because Tracy Young worked this song every which way but loose!  If you can get past the vocals, Tracy's "Monster Mix" is worth the price of admission.  I already mentioned Razor 'n' Guido in my last post, so just know their re-work of the classic "Drop a House" is HOT!  The Chriss Ortega mix of "My Life Would Suck Without You" had already appeared on my last BPM Edition, but is the only entry for this song that's worth the play.  I really expected more from Tommy Sunshine and Friscia and Lamboy, but they basically turned in a mix that Jason Nevins could have worked out had he been asked to mix the song.eh!  Then we've got the return of Depeche Mode and the elusive Peter Rauhofer mix currently only available as a promo.  Why they left it off the commercial release is beyond me, because Peter's mix is not only the best but smoldering.  I am a little concerned that David's vocals are not up to par, leaving one to wonder. We finally get some new mixes for Rihanna's "Breaking Dishes" and Ralphi, true to form, did not disappoint.  I liked the 'Soul Seekerz' mix well enough from the original remix album that was released in conjunction with "Good Girl Gone Bad", but this version brings it to life.  I just hope those are Chris' dishes she's breaking; in fact go ahead and bust his balls while you're at it.  Probably my biggest disappointment here is the Junior Vasquez take on "Please Don't Leave".  An absolutely beautiful song in its own right, I do believe he could have done better.  This mix isn't bad but would have been better served with the full vocals.  Sadly, P!nk's label didn't commission many mixes for this, though the Digital Dog mix (which appeared on my last BPM Edition) is still the best version and retains all the elements that make this song so moving.  One of the weirdest treats in this mix comes from Jipsta's "I Want Your Sex".  If you were thinking 'George Michael"', you thought right.  I always thought this song was ripe for a remake, but never in a million years did I think a hip-hop/rapper would re-do it.  All I can say is HELL YEAH!  This song rocks and is accompanied by a ton of excellent mixes.  I don't usually use Mike Rizzo except in the BPM mixes, but his slamming take warranted inclusion.  The Perry Twins in collaboration with Niki Haris turn in a really fun song and is considerably beefed-up mix by the Escape & Capello team, who are currently riding high with one club hit after another.  Another welcome surprise comes from Cevin Fisher.  After last year's remake of his classic "You Got Me (Burnin' Up)", Cevin dove right back in his bag of goodies and brought out another classic "The Freaks Come Out".   As with the last release, the mixes for this song are all stellar.  I went with the Prok & Fitch remix because they are one of the underground darlings in the house scene at the moment and deliver a very memorable grind for this song.  This is going to be HUGE! Capping off the mix, Nick Harvey delivers a tribal lover's dream with "Beat on the Drum" and the amazing Allan Natal take on  Luis Erre's "...

Graydancer talks about events like Asylum4 and SpankFest, muses on giggling, shares an interview with Mia of "I Want Your Sex" podcast, and rants just a bit.Other links:Best Sex BloggersThe Studio ChicagoSponsored by Twisted Monk, maker of the finest hand-conditioned organic hemp rope in the galaxy. Happy Birthday, Brother!