Podcast appearances and mentions of nick cage

In this episode we judge Ghost Rider starring Nick Cage, Eva Mendes, and Dan’s BFF. We stared into it’s eyes and you’ll have to listen to learn if we burnt it or if it burnt us. Dan Moren, John Moltz and Guy English.

In this episode we judge Ghost Rider starring Nick Cage, Eva Mendes, and Dan’s BFF. We stared into it’s eyes and you’ll have to listen to learn if we burnt it or if it burnt us. Dan Moren, John Moltz and Guy English.

Are you telling me that Nick Cage is starring in a teenjus movie? MINDFREAK!

Things are starting to heat up for Simon and Trevor as they find themselves embroiled in some classic misunderstanding hijinx. It’s out of the frying pan and into the audition for our mismatched thespian pals as we cover episodes 5 and 6 of Marvel’s Wonder Man. Then in our Superhero Sweep segment we have a chat about the upcoming Spider-Noir starring none other than Nick Cage himself. Dan Moren, John Moltz and Guy English.

Things are starting to heat up for Simon and Trevor as they find themselves embroiled in some classic misunderstanding hijinx. It’s out of the frying pan and into the audition for our mismatched thespian pals as we cover episodes 5 and 6 of Marvel’s Wonder Man. Then in our Superhero Sweep segment we have a chat about the upcoming Spider-Noir starring none other than Nick Cage himself. Dan Moren, John Moltz and Guy English.

Episode 122 - Welcome back to DePalma month. This week we are joined by one of our old friends OOTim. If you enjoyed OOTim's analytical breakdown of Blade Runner, then you are sure to enjoy his breakdown of a less analyzed film; The Fury (1977). The Fury is DePalma's lesser known psychic supernatural thriller film that came out in the mid-1970's. The more well-known version of this would be Carrie (1976). We do have a supplemental style discussion of Carrie towards the end of this one, but do tune in for our explosive discussion of The Fury.And tune in next week for our discussion of Blow Out (1981) and the supplemental Snake Eyes (1998). You know how much we love Nick Cage here at MRAC so a discussion could pop up.We also may be joined by another special guest!email us at mracfilmclub@gmail.com

Dave and Chuck the Freak talk about a video of an annoying waiter from hell, Liquid Death commercial, National Nothing Day, lady used construction port-a-potty, update on NASA medical evacuation, man's disruptive behavior caused plane to make emergency landing, Verizon customers will receive $20 credit because of outage, teen tried to spend night inside closed Walmart, women secretly recorded by Meta Glasses, Korean chewy cookie, Giants playing big money for John Harbaugh, college basketball gambling ring, Ohtani baseball sells for less than expected at auction, pic of Josh Allen's fiancé in Broncos gear, Super Bowl snacks, Pam Anderson wouldn't go near Seth Rogen because of Pam & Tommy show, Nick Cage sold comic book for $15M, Star Search is back, Dolly Parton turns 80, big couple tried putting hair in food to get free meal, woman threw 25lbs weigh at head of romantic rival, thief found cocaine in stolen car, monkey broke into pawn shop, anchovies on donuts, lady flew across the world for a date, British baron seeking woman to breed with, Florida's James Bond has remote control license plate cover, Dave found hot massage stones in Amazon cart, Ask Dave & Chuck The Freak, partner has bad hygiene, partner is emotionally dead, buddy's wife wants to watch his vasectomy, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this Kolsch Night episode, we learn some things.  We learn that Julia gets cranky when she thinks things are running behind schedule. We learn the proper pronuncification of Hudy.  We learn that we can moderate our moderation. We learn that you should ignore the algorithm.  We learn about Sea Monkeys. We learned that Blake likes reaching into Gnome's sack.  We learn that there will never be an answer to the question - 'what is craft'. We learn about Buffalo Wild Wings. We learn that Bret and Mike have fallen prey to "The Algorithm". We learn about Nick Cage. We learn that Cincy Brew Dads bring their own garage doors.  **The music used in the NFL Deathmatch Challenge is by DonRock the Imposter on YouTube: https://www.youtube.com/watch?v=mqKSIaE_QE8 @donrocktheimposter912 Wildcard Week:  Gnome's Pick : Rams Marco's Pick : Patriots Julia's Pick : Seahawks Current points for the postseason:  Gnome : 1 Marco : 1 Julia : 1 ----- This episode covers the following shows : The Weekly Pint - Ep 296 - Wait...So Is Alcohol Evil, Or Not? Drinking With the Gnome - Ep 31 - Drinking Non-Alcoholic Beer! Cincy Brew Dads - Wandering Monsters: Scary Good Beers - From the Tap Ep 14 Barstool Perspective - 1/6/2026 Blake's Craft Beer Podcast - Ep 102 - Craft Beer Summit 2025 Finale Podcaster Panel ----- What we drank :  High Grain - Clare - American IPA Other Half Brewing - Short, Dark, and Handsome - Maple and Vanilla Stout Maui Brewing - Pineapple Mana - Fruited Wheat Rhinegeist - Ghost Pils - N/A Pilsner ----- Episode recorded on 1/6/2026 at our amazing podcast host, Higher Gravity Summit Park! https://highergravitycrafthaus.com/ Disclaimer: The views and opinions expressed by Truth, Beer, and Podsequences are those of the participants alone and do not necessarily reflect the views or opinions of any entities they may represent. ------  Links to everything at http://truthbeerpod.com/ or https://truthbeerpod.podbean.com/ Find us on all the social medias @ TruthBeerPod Email us at TruthBeerPod@gmail.com Subscribe, like, review, and share! Find all of our episodes on your favorite Podcast platform or https://www.youtube.com/@TruthBeerPod ! Buy us a pint!  If you'd like to support the show, you can do by clicking the "One-Time Donation" link at http://truthbeerpod.com ! If you want exclusive content, check out our Patreon!  https://www.patreon.com/TruthBeerPod If you'd like to be a show sponsor or even just a segment sponsor, let us know via email or hit us up on social media! ----- We want you to continue to be around to listen to all of our episodes.  If you're struggling, please reach out to a friend, family member, co-worker, or mental health professional.  If you don't feel comfortable talking to someone you know, please use one of the below resources to talk to someone who wants you around just as much as we do.   Call or Text 988 to reach the Suicide and Crisis Lifeline Chat with someone at 988lifeline.org http://www.988lifeline.org ----- Our Intro, Outro, and most of the "within the episode" music was provided by Gnome Creative. Check out www.GnomeCreative.com for all your audio, video, and imagery needs! @gnome__creative on Instagram @TheGnarlyGnome on Twitter https://thegnarlygnome.com/support http://gnomecreative.com http://instagram.com/gnome__creative http://www.twitter.com/TheGnarlyGnome

KT takes us on a nostalgic ride through the best rock movies of all time, year by year. From Bohemian Rhapsody and School of Rock to deep cuts like It Might Get Loud and Detroit Rock City, the crew debates which films truly rock—and shares hilarious tangents about Nick Cage, Beatles alternate universes, and why “YP” doesn't mean what you think.

“Who's had a better career—Nicolas Cage or Kenny Loggins?” That's just one of the wild questions fueling this laugh-packed episode of The Ben and Skin Show on 97.1 The Eagle. Join Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray as they take you on a rollercoaster of absurdity, nostalgia, and jaw-dropping headlines.Here's what you'll get in this episode:Nick Cage vs. Kenny Loggins – Who really had the better career? The debate gets heated and nostalgic.Star Search Returns – Netflix is rebooting the iconic talent show with judges Jelly Roll, Chrissy Teigen, and Sarah Michelle Gellar. The crew reacts with disbelief, jokes, and a side of pop culture hot takes.

Send us a textMerry Christmas and welcome to the last episode of 2025! This week on the show!The Sully family are introduced to a new threat in James Cameron's third installment:Avatar: Fire and AshA story about the people you love, and how to survive them, in:Ella McKayInspired by a legend. Bound by a dream and good times never seemed so good. Hugh jackman and Kate Hudson star in: Song Sung Blue and finally Deliver us from evil…Nick Cage stars in:The Carpenter's sonReady for my verdict. Let's get into it!*Support the show by leaving a review on Apple podcast or Spotify! *You can now listen to The Movie Wire on YouTube! Listen and subscribe here!Make sure you check out The Super Familiar with the Wilson's Podcast!Watch Here followed, or subscribed to The Cultworthy Cinema Podcast and The Movie Wire's crossover show Back 2 the Balcony, now is your time, because this week, we wrap up this holiday with the 1994 Christmas film Trapped in Paradise.Listen Here Support the show

The guys play a game and review the Nick Cage movie, Arcadian.

In an alternate reality, Nick Cage is Joseph, earthly father of Jesus, and 5 other films and Chitty...

Modern Disney is in a very precarious situation, their previously successful propeties like Marvel and Star Wars arn't landing and the newer ideas Wish and Elio arn't making any impact. This isn't new for Disney however, they've always had periods like this and massive bombs and to celebrate that over the next few weeks we're going to look at four MASSIVE live action disasters. Starting with 2010's The Sorceror's Apprentice. Nick Cage. Magic. Uh. A big bird. I've already forgotten but in the video I haven't forgotten but that was a different time to when I recorded nowSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

In aflevering 234 van Nerd Culture duiken we diep in de wereld van wraak, frikandellen en muziek?! Nog nooit eerder zag je in een aflevering van Nerd Culture zoveel arthouse. En dat komt omdat dit een special is over Koreaanse films. We bespreken Skate's persoonlijke top 10 films uit Korea, waar verassend veel revenge movies tussen blijken te zitten. Maar, voordat het zover is, tast Jelle Skate's film en serie smaak af en stranden ze eerst vrij lang op een atypisch Nerd Culture onderwerp.De revival van 80's en 90's hip hopWant zoals je weet bespreken we elke aflevering eerst wat we hebben gekeken, gelezen of geluisterd. Naja, tenzij je Koos en Jasper heet, en je enthousiasme je gelijk in schildpadden materie laat duiken. Maar dat ter zijde.Skate is namelijk een muziek nerd. Een hiphop nerd, mochten die überhaupt bestaan. En er is een vette revival gaande van artiesten als Mobb Deep, Raekwon en De La Soul - alle favorieten van Skate - die op Nas' nieuwe Mass Appeal Records albums reeks Legend Has It... kunnen laten zien dat ritme en rijm niets met leeftijd te maken hebben.En gezien ook Jelle niet vies is van een moppie muziek, stranden ze bijna 20 minuten op een onderwerp dat niet vaak langskomt in Nerd Culture: muziek. Maar geloof ons, het gesprek is meer dan nerdy genoeg om een plek in deze aflevering te verantwoorden.Top 10 Koreaanse films met o.a. zombiefilm Train to BusanGezien Koos en Huey op het moment van deze opname letterlijk in de trein naar Busan zaten, was dit natuurlijk hét inkoppertje als onderwerp. Wat hopelijk een feest zal zijn voor alle krulsnor-draaiende kijkers en luisteraars.Verder begint de aflevering overigens met een losse beschouwing op de "rise to power" van de Koreaanse filmindustrie. Althans, zoals beide heren dit zelf hebben ervaren - zoals bijna altijd de insteek is van een Gamekings item :)De afsluiter van deze aflevering is dan ook een waardige Top 10 van Koreaanse films die op je watchlist mogen, mocht je ze nog niet hebben gezien!Timestamps:00:00:00 Nerd Culture #234 Korean Special00:02:20 Wat hebben we gekeken/gelezen/geluisterd? 00:11:07 Skate luistert een oude hip hop revival00:18:17 Jelle is ook alleen maar bezig geweest met muziek 00:28:20 911 Nashville 00:31:17 Nobody Wants This S200:36:30 Down Cemetery Road00:38:18 House of Dynamite00:48:55 Task00:54:04 Michael Trailer00:58:40 Gremlins komen terug! 202701:05:55 Luther keert ook terug! 01:10:09 Kill Bill the Whole Bloody Affair trailer01:12:47 Star Trek nieuwe richting? 01:12:30Toy Story 5 Teaser01:13:32 Stranger Things cast zit in moeilijke periode01:15:16 Godzilla Minus One Sequelkomt er ook aan01:15:45 Nick Cage en John Woo weer samen sinds Face/OFF01:16:15 Running Man Final 01:17:13 Top 10 Koreaanse films allertijden

In this thought-provoking episode, Tony and Jesse delve into Jesus's twin parables of the hidden treasure and the pearl of great price from Matthew 13:44-46. They explore the profound economic metaphor Jesus uses to illustrate the incomparable value of the Kingdom of Heaven. Through careful examination of both parables, they discuss what it means to "count the cost" of following Christ while simultaneously recognizing that no earthly sacrifice can compare to the infinite worth of gaining Christ. The conversation moves between practical application—considering how believers assess value in their spiritual lives—and deeper theological reflections on Christ's perfect sacrifice that makes our entrance into the Kingdom possible in the first place. Key Takeaways The Kingdom of Heaven has such surpassing value that sacrificing everything to obtain it is considered a joyful exchange, not a loss. Both parables show different paths to discovering the Kingdom (unexpected finding vs. intentional seeking), but identical responses: selling everything to obtain the treasure. The parables are not primarily commanding material poverty, but rather illustrating the "sold-outness" required in pursuing the Kingdom of God. Counting the cost of discipleship is not only permissible but necessary to fully appreciate the value of what we gain in Christ. The ultimate treasure we receive in salvation is not merely benefits like eternal life, but God Himself—union with Christ and fellowship with the Trinity. Christ Himself is the one who ultimately fulfills these parables perfectly, giving everything to purchase us as His treasure. The irresistible draw of the Kingdom illustrates how God's grace works in the heart of believers, compelling joyful surrender. Exploring the Incomparable Value of the Kingdom The economic metaphor Jesus employs in these parables is striking—both the hidden treasure and the pearl are deemed so valuable that the discoverers "sell all they have" to obtain them. As Tony and Jesse point out, this transaction reveals something profound about how we should view the Kingdom of Heaven. It's not simply that the Kingdom is valuable; it's that its value so far exceeds anything else we possess that the comparison becomes almost absurd. As Tony notes, "For sure the worth of the kingdom of heaven surpasses anything we could imagine... there's no measure that is satisfying, there's no measure that can actually show us how worthwhile it is." This perspective transforms how we understand sacrifice in the Christian life. When opportunities or comforts are foregone because of our faith, we're not simply losing something—we're experiencing the reality that we've chosen something infinitely more valuable. The parables teach us to view these moments not with regret but with a clearer vision of the treasure we've received in Christ. The Ultimate Prize: God Himself Perhaps the most powerful insight from the discussion is the realization that the ultimate treasure of salvation is not the benefits we receive, but God Himself. As Tony eloquently states: "All of those things are attending gifts. But what we get in salvation ultimately is we get God... we get union with God, we get fellowship with Jesus Christ in the power of the Holy Spirit. We get swept up into the life of the Trinity... We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that." This perspective reshapes how we understand the value proposition of the gospel. It's not merely that we receive eternal life, freedom from suffering, or other benefits—though these are real. The pearl of great price is relationship with God Himself. This helps explain why both men in the parables respond with such dramatic, all-encompassing sacrifice. When we truly grasp what's being offered, nothing seems too great a price to pay. Memorable Quotes "What we get in salvation ultimately is we get God. We get union with God, we get fellowship with Jesus Christ in the power of the Holy Spirit. We get swept up into the life of the Trinity... We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that." — Tony Arsenal "I often say in my own line of work, that cost only matters in the absence of value... it's like at the end of days when we think about the worthiness of our God, that there's no one like him, that he's unequal, that he has no rival, that the gospel is the sweetest message that we're rescued literally from the pit. We'll just say no matter what the cost of us personally, great or small, totally worth it." — Jesse Schwamb Full Transcript [00:00:08] Tony Arsenal: All of those things are attending gifts. But what we get in salvation ultimately is we get God we get union with God, we get fellowship with Jesus Christ in the, the power of the Holy Spirit. We, we get swept up into the life of the, the God of the universe. Like the life of the Trinity indwells us. And we, we become a part of that. We get swept up into that. We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that. [00:00:47] Jesse Schwamb: Welcome to episode 469 of The Reformed Brotherhood. I'm Jesse. [00:00:54] Tony Arsenal: And I'm Tony. And this is the podcast with ears to hear. Hey brother. [00:00:59] Jesse Schwamb: Hey brother. Discussing the Value of the Kingdom of Heaven [00:01:00] Jesse Schwamb: Speaking of ears to hear, we're back at it again with a whole new, or let's say different parable from our Lord and Savior Jesus. And we've been talking about how really these parables give us this view of the face of heaven through these earthly glasses. And I am pretty interested in our conversation about what's coming up because sometimes we don't like to put too fine a points to our, our point of question to our faith. And in this case, we're gonna get to ask the question, what is it all worth, this kingdom of heaven, this rule and reign of Christ? What is it all about? Who are the beneficiaries of it? And what is it all actually worth? There's a little bit of economics in this, so we're gonna get there. And while we talk and do a little affirming or denying, you should just go ahead write to just skip, go. Do not collect $200 or maybe. Pass, go and collect $200. I dunno. But just go to Matthew chapter 13 and hang out there for just a second. Affirmations and Denials [00:01:58] Jesse Schwamb: But first, I'm always curious to know whenever we talk, are you gonna affirm with something or are you gonna die against something? We've been on a string of lots of affirmations, but I'd like to think that's just because we're fun, loving, optimistic people. But there was a day where we had to do both. And now that I only have to choose one, I do find myself gravitating almost naturally toward the affirming width. But I leave it to you, Tony, are you affirming with or denying against? [00:02:22] Tony Arsenal: I, unfortunately am denying tonight. Technical Issues with Apple Podcasts [00:02:25] Tony Arsenal: So you and I already talked about it a little bit, but uh, I'm denying Apple Podcast Connect. Oh yes. So, uh, I. Obviously, like if you're affected by this, you're not hearing the episode 'cause it's not updating for you. But, uh, if you happen to be using Apple to listen to the podcast and for some reason you're listening somewhere else, maybe you realize that the podcast has not been updating for several weeks. And so you went to a different podcast catcher. Um, apple just decided for some reason that none of our feeds were gonna update. No good reason. So I've got a ticket out to Apple and hopefully we'll get it fixed. Uh, if you do know someone who listens to the show and they use Apple, please tell them to subscribe to something else or to, uh, go to the website. You can get all of the, all of the episodes on our website. You could go to Spotify, you could do something like, uh, overcast or PocketCasts. Um, it really is just Apple. It's, it's the actual account that we use to, uh, to access. Apple's Directory is not pulling new episodes and it's not pulling new episodes on another show that I run as well. So, uh, it's not just this show, it's not our RSS feed. These things happen. It'll, you know, you'll get four or five episodes all at one time. When it, when it corrects itself, usually they're pretty quick. I put in a ticket like late on Friday afternoon, so I didn't expect them to get to it on, uh, Saturday or Sunday. So hopefully by the time you're hearing this, uh, it's resolved. I would hope so, because that means it would be about a week from today. Um, so hopefully they'll have a resolve. But yeah, it's just th thorns and thistles. This is our own, our own, uh, manifestation of the curse here in this little labor that we do. It's, it's thorns and thistles right now, but no big deal. Just, uh, catch up when you can. And, uh, yeah, so denying Apple Podcasts now, really, it's, it's a great service and this is a, a little glitch. It's, it's just a little frustrating. [00:04:20] Jesse Schwamb: The sweat of our brow. Yes. Here it is. We're just toiling over getting Apple to please release our episodes. Well, it'll be your happy day if you use Apple Podcasts and then get a bunch of them all at once. That's fantastic. It's like the gift that is over in abundance. Supporting The Reformed Brotherhood [00:04:36] Jesse Schwamb: Yeah, it is a good reminder that you just said, Tony, that everybody should go, just take some time. Head on over to our form brotherhood.com. You can find all the other 400 some odd episodes living over there. And while you're over there and you're perusing or searching by topic to see what we've talked about before, you're probably gonna think to yourself, this is so incredible. How is this compendium, this omnibus of all these episodes just hanging out here free of cost? And I'm so glad you're thinking about that because there are so many lovely brothers and sisters who have decided just to give a little bit to make sure that all that stuff gets hosted for free for you Yeah. And for us, so that anybody can go and explore it and find content that we hope will be edifying. So if that's something you're interested in, maybe you've been listening for a while and thought, you know what? I would like to give a little bit one time or reoccurring, we would love to, for you to join us in that mission. You can go to patreon.com/reform brotherhood, and there's all the information for you to give if that's something that you feel you would like to do, and we would be grateful for you to do it. [00:05:32] Tony Arsenal: Yeah. Yeah. We, we have a group of people who support the show. They make it possible for your, uh, your ear holes to be filled with our voices. And, uh, but again, you know, the costs are going up all around and, and we would, uh, certainly love to have people partner with us. Um, we've committed to making show that the, making sure that the show is free and available. Um, it's never our intention to put anything behind a paywall or to, to barrier and in that way, but we can only do that if there's people who are supporting the show and making, making sure that we've got the funding that we need to, to keep going. So, thank you to everybody who gives, thank you to anyone who's considering it, uh, and thanking anybody who decides to, uh, jump on board with that. [00:06:11] Jesse Schwamb: Right on. We're appreciative who we really are. [00:06:13] Tony Arsenal: Yeah. So Jesse, what are you affirming or denying today? Exploring Open Webcam DB [00:06:16] Jesse Schwamb: Uh, this is what I've kind of done before, but I think I've found a new place for it. I just am continually impressed and fall in love with how great and big and lovely God's world is. So I love these types of sites that give you insight into this great big world, even if it's in unexpected places or maybe in strange places. So I'm affirming with a website called Open webcam db.com. Open webcam db.com. And it's exactly like what it sounds like. It's a database that has something like 2000 live cameras streaming daily from over 50 countries, all searchable by a category. So you can find natural landscapes, airports, construction sites, and one of my recent favorites, honestly, and this is. It's so strange, but kind of awesome is this warehouse, it's called Chinese Robotic Warehouse Buzz, and it's just robots moving pallets around or like stacks of all of these items. It's mesmerizing. But I would encourage you go to open webcam db.com, search for like your stage or your country. You'll find so many amazing things. So I've sat and just watched, you know, between tasks or when you know you just need a break or you're just curious about the world. Like I look, I watched the Krakow Maine Market Square quite a bit because it's. Beautiful and brilliant, and to think about the people moving to and fro and what they're doing, what their lives are like. There's some great scenes from San Francisco Bay. There is a bird feeder in Gettysburg, Pennsylvania that I often watch. So of course, like go out as we've said, and live and breathe and be in your own communities. And as well, if you're looking at scratch that itch of just seeing all these different places, all the different things that are happening in God's created world, I can firmly and unreservedly recommend open webcam db.com for that. [00:07:58] Tony Arsenal: Nice, nice, uh, little known fact at one point, Dartmouth Hitchcock, which is the hospital that I worked for, had to block a penguin cam, uh, because it was causing such a productivity drain combined with an actual measurable decrease in internet bandwidth at the hospital. 'cause so many people were watching this little penguin cam at some zoo in Boston. I think it probably was. Yeah, I, I love this kind of stuff. I think this kind of stuff is great. Uh, I use, uh, Dartmouth College has a, like a live one that I use all the time, especially when we're trying to figure out what the weather's gonna do. You can see it on the camera. Uh, we, we often will, you know, see, especially as we get closer to the season when we're talking about traveling to the beach and whatnot, uh, often look at the ocean grove. Oh, that's right. Uh, pier cam. So yeah, check it out. Uh, sounds like a fun time. Do not share it with too many of your friends at work. Or it may crash the network and Yeah. But [00:08:53] Jesse Schwamb: yeah, for [00:08:54] Tony Arsenal: sure. That was a funny email that they had to send out. I remember that [00:08:57] Jesse Schwamb: for sure. Use, use the penguin cam responsibly. I just did a quick search. There are four different penguin cams. Uh, three of them are in the United States, one is in New Zealand, and you better believe I'm gonna be checking those bad boys out. Yes. I didn't even think about. The penguin feature here and penguins are an amazing animal. Like we could stop right now and just shift our topic to penguins if you want to. [00:09:16] Tony Arsenal: Yeah. ' [00:09:16] Jesse Schwamb: cause there's so much there. And the spiritual truths are so broad and deep, but I just think penguins are kind of undervalued. Birds. Everybody should go check them out. [00:09:26] Tony Arsenal: Yeah. Yeah. They're, they're pretty cool. [00:09:28] Jesse Schwamb: Yeah. Um, I'm like, I will watch any Penguin documentary and just be astounded by Penguin. Like, whether they're Emperor Penguins or South African Penguin, wherever. I just think they're phenomenal and hilarious and seem to be living the dream. And he doesn't want a little bit of that. [00:09:46] Tony Arsenal: You just gotta get Morgan Freeman to do the voiceover in any documentary or, or nature documentary is better with Morgan Freeman doing the voiceover. [00:09:55] Jesse Schwamb: Well, I all, this might be a deep cut real quick, but I just learned this, and I'm guessing some of our listening brothers and sisters probably already know this. Maybe you do too, Tony. So, Benedict Cumberbatch, do you know where I'm going with this? Yep, [00:10:06] Tony Arsenal: yep. Pen wing. [00:10:07] Jesse Schwamb: Yeah. I didn't. I cannot say that word or stumbles over its pronunciation. He did some kind of big documentary in which Penguins played at least some part. Yeah. And they were in an interview. They were giving him such a hard time because they played his reading of it like within the same kind of five minutes. And his, the word just kept degenerating in his mouth every time he said it. So it became like almost undistinguishable from the actual word. And it's like initial pronunciation. It was so hilarious. Apparently it's a big joke on the internet and I just didn't know it. [00:10:38] Tony Arsenal: Especially for someone like Bent Cumberbatch who just is, uh, like he's a world-class voice actor. [00:10:44] Jesse Schwamb: Right. [00:10:45] Tony Arsenal: And like a super smart ude guy and he just can't say the word penguin and penguin. Yeah. [00:10:51] Jesse Schwamb: Yeah. He said, you got everybody go look it up. 'cause it is super hilarious. And now it's kind of gotten stuck in my head. But um, again, this suddenly became like the All Penguin episode all of a sudden. [00:11:01] Tony Arsenal: I mean like, he can pronounce his own last name just fine, but the word penguin escapes him. I like to call 'em blueberry crumble bottom or whatever. Crumble bunch. [00:11:11] Jesse Schwamb: Uh, see that's the good stuff right there. That's what everybody we know. This is what you all tune in for. This is what you're missing when Apple Podcast doesn't send everything out on time. Yeah. You're welcome. [00:11:22] Tony Arsenal: Yeah. The Parable of the Hidden Treasure and the Pearl [00:11:23] Tony Arsenal: Well, Jesse, why don't we, why don't we get into it? Because you know it, it's interesting. Let's [00:11:27] Jesse Schwamb: get into it. [00:11:28] Tony Arsenal: Well, it's interesting because when you, you know, you kind of, we, we sort of do the little lead to the episode and I, I suddenly realized that I think I've been interpreting this parable very differently than maybe you have or other people. Great. Do, uh, because I, I think I, I think I might have a different take on it. Let, let's do it. Yeah. So let's get into it. Uh, do you have the, the text in friend you wanna read? Uh, why don't we just do 44 all the way through 46? We'll do both parables in one reading. We'll come back and talk about it. [00:11:54] Jesse Schwamb: Yeah. Sorry, everybody. So here's a two for one for you. Beginning in where we're in verse 44 of Matthew chapter 13. This is Jesus speaking. The kingdom of heaven is like treasure hidden in a field which a man found and covered up. Then in his joy, he goes and sells all that he has and buys that field again. The kingdom of heaven is like a merchant in search of fine pearls, who on finding one pearl of great value, went and sold all that he had and bought it. Interpreting the Parables [00:12:22] Tony Arsenal: I think maybe this is the, like the beauty of parables, uh, when Christ doesn't give us a interpretation. I, I think we're, we're, we're not free to like make up whatever we want, but these kinds of teaching tools are useful because the fact that there can be multiple interpretations actually is, is probably intentional. [00:12:43] Jesse Schwamb: Right. [00:12:43] Tony Arsenal: So it's funny because I think when you intro the episode here, it sounds like you're going to the kingdom of Heaven being a treasure hidden in a field, being something that we should sell everything we have and go after. And when I read this, I read it as the kingdom of Heaven is like a treasure hidden a field. And the man who is Jesus goes and sells all that. He has. He gives all that he has and buys the field. So, and I, I think this is one of those ones where like. Probably both of those things are in play. Sure. But it's interesting 'cause I've never, I've never really read this and thought about myself as the person who buys the field. [00:13:19] Jesse Schwamb: Yeah. Interesting. [00:13:20] Tony Arsenal: I've probably heard sermons or read devotionals where people have said that and it just never clicked. And it didn't register until just now. And you were, when you were, uh, introing the parable that maybe you are the, maybe your way of introing your, your interpretation. Maybe that's the dominant one. So I, I looked at a couple quick, um, commentaries while you were speaking and I didn't get a chance to do my commentary reading before the episode. It seems like I'm the weird one. So, but it's interesting, um, 'cause again, I think that's the, kind of the beauty of parables is that sometimes the, the, um. Ambiguity of what the possible meaning could be, probably plays into the, the, um, teaching technique itself. [00:13:58] Jesse Schwamb: Yeah, I, I think that's fair. I totally can take and understand what your perspective is on this. What I find interesting is that these, we've got these two abutting each other, like the cheek to cheek parallel approach here, and in doing so, there seems to be like kind of an interesting comparison between the two. Actors in this. And I think we should get into that. Like why in one case Jesus is talking about a person who finds this in a field, which by the way, I think the, the thing that jumps out to me first about that person is this person doesn't actually own the field at first. Right. That the treasure is in. So that is interesting. I'm totally with you. But then the second one, so in the first one there's kinda almost like this sense, and I don't wanna like push this too far, but that this person who finds this treasure does so very unexpectedly, perhaps like he's even the hired hand and of course not the one who owns the field. [00:14:48] Tony Arsenal: Yeah. [00:14:49] Jesse Schwamb: And in the second case, we have somebody who almost is volitionally looking for this thing of great value, but finds the one thing above all the other things that they're used to looking for that clearly has the greatest and most. You know, essential worth and therefore the end is always the same in both of 'em. They give everything they have. They're willing for forsake all other things with great joy, recognizing the great value that's in front of them. I think there is a place to understand that as Christ acting in those ways. I think there's also interesting, again, this comparison between these two people. So I'm seeing this as we've got these varied beneficiaries of the kingdom. They both come to this place of the incomparable value of the kingdom, but then there's also like this expulsive power of the kingdom. All, all of that's, I think in there, and again, these are really, really, really brilliant, I think, because the more that you spend time meditating on these, the layers just kind of come and they fall away and you start to really consider, well, why again is Jesus using these two different characters? Why is he using this kinda different sense of things of, of worth what the people are actually after? I think all of it's in play. You're totally right. [00:15:54] Tony Arsenal: Yeah. Yeah. The Cost and Value of the Kingdom of Heaven [00:15:55] Tony Arsenal: So I think, you know, when we think about the kingdom of heaven, when we think about these perils, we made this point last week, we shouldn't, um, we shouldn't restrict, we have to be careful not to restrict the comparison to just like the first noun that comes up, [00:16:08] Jesse Schwamb: right? [00:16:08] Tony Arsenal: So it's not just that the kingdom of heaven is like a treasure, it, it is like a treasure, but it's like a treasure that's hidden in a field. Yes. And it's not just like a treasure that's hidden in a field, it's a treasure that's hidden in a field which a man found and covered up. Right? So, so like we have to look at that whole sequence. And I think, I think, um, you know, obviously like the, the interpretation that we are the, we're the man who finds the kingdom of heaven and we, you know, we go and buy the field. Um, that, that obviously makes perfect sense now that I'm looking at a few different commentaries. It seems to be the predominant way that this gets interpreted. And we, we look at it and we say, what, well, what does this mean for like our Christian life? Like. What does it mean? Do we have to, do we have to give everything away? Do we have to sell everything we have? Is that the point of the parable? I think some people make that the point of the parable. Um, I'm not convinced that that actually is the point of the parable. Um, because it, you know, it, it, it just, there's lots in the scripture that, that, uh, doesn't seem to require that Christians automatically like, give away everything they have. Um, maybe that's your calling. Maybe it is something that God's calling you to do to sort of, um, divest yourself of your, your belongings, either to sort of fight materialism or greed or, or just because like you're gonna need to have that fluidity and liquidity to your assets 'cause you're gonna need to move around or whatever it is. But I don't think we look at this parable and have like a, like a, a command for a life of poverty or something like that. Right. Um, really this is more about the. Utter sold outness of the Christian to pursue and seek the kingdom of God. [00:17:48] Jesse Schwamb: Right? Right. [00:17:49] Tony Arsenal: And and I think that that's the same in both, even though the way that the person in the parables comes a, comes across the kingdom or they come across this, this thing of great value or thing of great price, that they find their response in both parables is the same. And to me, that that actually tells me that that's more the point of these parables. Um, or, or maybe we shouldn't even think of these as two parables, right? Some of the introductory language that we see in when we transition from one parable to another, we don't really see that here. Uh, and if, if we're gonna follow that, actually we would be going to the next parable would also kind of fall into this. But he says the kingdom of heaven is like a treasure. And then in 45 he says, again, the kingdom of heaven is like a merchant in search of fine pearls. We're gonna run into something like this later on when we get to like the parable of the lost sheep and the parable of lost coins. Where there are these distinct parables, but they're kind of stacked on top of each other in order to make a specific point. All of the parables that are sort of in these parable stacks are making the same point. And so I think it's not so much about like, how do we find the Kingdom of Heaven or how do we come upon the kingdom of heaven? It's more about what do we do once we've come upon it? Once we've thrown it's, that's the point of the parable that we need to unpack. [00:19:03] Jesse Schwamb: That's right. And I would add to that, like who is it that is the beneficiary of this kingdom? We have two different, very different individuals, which I, again, I think, we'll, we'll talk a little bit about, but I'm totally with you. I, I think it's, it's easier, it's almost too narrow and too easy to say. Well, this is really just about like physical ma or about wealth. Like in some way the, what we're being taught here is that you have to get rid of everything of value in exchange for this. In some ways, that almost feels too transactional, doesn't it? As if like what, what we need to do is really buy the kingdom. We express our seriousness about this kingdom or the rule and reign of God by somehow just giving up everything that we own as if to prove that we're really worthy of receiving that kingdom that we prayed enough. Right. That we've done enough, even though that we're contrite enough. Yeah. And all that stands like in direct opposition to the mercy and grace, which God gives to us through his son by the power of the Holy Spirit to bring us into this kingdom. So we know it can't really be about that. And so that leads me back again to just like the lovely details here. And like you've already said in the first case, here's what really strikes me is. For probably most of us in the West, this idea of treasure is novel and maybe romantic. There's a adventure and an energy to it. Because we've all heard stories about this, whether it's like, I don't know, pirates of the Caribbean or the county Mount Cristo. Like there's something about treasure finding some kind of, or national treasure. Sorry, that just came to my mind. Like I couldn't go any further without mentioning Nick Cage. So you know, like there's something there that pulls us in that finding this thing almost unexpectedly in a hidden place of immense worth and value is, has a real draw to it. But I imagine that in Palestine being like a war torn region in Jesus' day, in the way people might store goods of great value in the fields they own. And then of course the owner may never be able to achieve for lots of reasons, including death. And then somebody might stumble upon it. And as I understand the, the laws there, of course, if you were to stumble upon something. I was in somebody else's property and and on earth that thing take it out of the ground. In this case, you would be by law required to bring that back to the person who owned the field. So there's something interesting here that this first person, probably the more meager and humble of the two with they at least respected, like their socioeconomic status is let's, we could presume maybe going about their normal work. They find this unexpectedly in the field and it's immediately recognized to be something of great value that it is to stop and to, again, there's like a measuring that happens behind the scenes. This person at least is measuring of all the things that I own, all things I could possibly own. The better thing for me to do is to consolidate all the rest of my wealth. And this case, again, it's not the message of the story to do this, it's the exemplification of what's happening here. This person is so sold out to ensure that they acquire this great treasure that they stumbled upon, that they will take literally everything else of value that they own to exchange it for this very thing. So I'm totally with you because I think the predominant message here is not like take all your wealth and make sure that you give it to the church or that it goes to ministry or to missions. That may all be well and good and it may all be the kind of calling that you receive. However, I think the principle message here is the kingdom of God is so valuable that losing everything on earth, but getting the kingdom is a happy trade off. Like that's actually a really, really good deal. And so having the omnipotent saving reign of Christ in our lives is so valuable that if, if we lose everything in order to have it, it would be a joyful sacrifice. [00:22:20] Tony Arsenal: Yeah. Yeah. And you know, I think, um, I think there is a level of. Encouragement in Sacrifice and Joy in the Kingdom [00:22:27] Tony Arsenal: Sacrifice that happens for every Christian and. I mean, I, I know there's a lot of people who they, uh, come to faith as young children and we've kind of talked about that as like, that's that testimony that, you know, I think everybody really wants is like they wish they never had a time that they didn't know Jesus and Right. I don't know any parent that I've ever spoken to, and I'm certainly not any different here that doesn't want that testimony for Jesus, but, or for, for their kids in their relationship with Jesus. But. I think most people who come to faith at some point in their life when they're able to remember it, like they, they have a conscious memory of their conversion experience. There is this sort of sense of sacrifice and e even a sort of a sense of loss. Um, I think there, there are times where, and, and you know, I think maybe, um, even people who've always been in the faith, um, they probably can resonate with this. I think there are times when we might look at how our lives could have been different or could be different if we weren't in the faith. Um, and, and sometimes there's a sort of wistfulness to that. Like being a Christian can sometimes be difficult right On, um, you know, maybe you miss a promotion opportunity because you're not willing to work on the Lord's day or because you're not willing to do something unethical. Like you, you miss out on some sort of advancement and you think, well, if I could just, you know, if I could have just gotten past that, like my life would be much different. And what this parable teaches us is. That's an understandable, like that's an understandable emotion or response. Um, and there is this weighing of the cost. And in the parable here, he, like you said, there's this calculation that goes on in the background. He finds this treasure, he makes the calculation that to have this treasure is worth. Everything it's worth everything he has. He sells everything he has, and he buys the field in order to get the treasure right. And, and there's some interesting textual dynamics going on through this chapter. We've talked about how the parables kind of like the imagery across the parables in chapter 13 here of Matthew, they kind of flip certain figures around and almost, it's almost intentional because he is getting the treasure and the treasure. The kingdom of heaven here is like the treasure, but he's also getting the field right. And the kingdom of heaven is, is the field in other parables. Um, but this, this calculation that happens, um. I don't know, maybe my heart is just sensitive to this right now. I, I, I, I feel like a lot of times we look at that sort of wis wistful second glance at what could have been if we were not Christians, and we automatically feel like that's gotta be a sinful impulse. Like, how could I ever even consider what life might have been? Like this parable implies that that's the thing we actually have to do. You have to know and consider what it is you've sacrificed or will be sacrificing in order to make this transaction happen. You can't just blanketly say like, oh, of course. You know, you've gotta, you've gotta count the cost, as it were, and then you have to actually make the purchase. So I think we should look at this as a source of encouragement. Um, like I said, I'm not sure why. I feel like maybe there's, maybe there's just a, a. I dunno, I'm feeling a little weird and charismatic right now. I feel like this is something that I definitely need to be saying, like, I feel like someone needs to hear this. Maybe it's just me that needs to hear this. And that's, I'm tricking myself by thinking of someone else. But we are able, as Christians, I think God permits us and in some sense, maybe even expects and commands us to recognize what we have given to be Christians in order that we might realize how much we have gained with that transaction. It's not just this like remorse or regret, um, for the sake of remorse or regret. It's to be able to see how good and how beautiful and how worth it is the kingdom of God, uh, to, to, to claim that. [00:26:23] Jesse Schwamb: I like that there is a great discipline and a great joy in remembering worth and worthiness. So there's gonna be times, like you said, when it's hard and if you look back, look back at the ministry of Jesus, I've often thought that he's like a poor evangelizer from like modern standards. Yeah. Because often people come to him and say things like. I, I wanna be part of the kingdom of God. Well, what do I need to do to enter the kingdom of God? And here you have like a seemingly a willing convert. And he always says things like this, like, you gotta go count the cost. Yeah. Like is, is this worth it to you? Like you have to deny yourself, you have to hate your own father and your mother, and your wife and children, and brothers and sisters, even your own life. Otherwise you cannot be my disciple. And in this kind of language, it's clear that Jesus is saying you fail often. And maybe this goes back like you're saying, Tony, it's like the parable of the soil that you fail to really take into account what it means to follow with full fidelity, to commit yourself in a fully unencumbered way. Are you willing to do that? Are you willing to consider that? And as human beings, we're just not good often at counting costs. We're not good at thinking about opportunity costs. And it's interesting here that we're called out to say, even if you've already purchased the field as so to speak, that as if you've been saved by Christ, to continue to remember how good it is to be in the kingdom of God. And that the joy. Of knowing as like the Heidelberg Catechism says in the first question that all things are subservient to our salvation. Yeah. That incredible worth of, that should be a source of encouragement in times of great trial and tribulation, no matter how big or small, so that this joy that this person has when they go and sells everything he has and he buys this field, you know those details, like you're saying, do press us. It really comes to us with this idea that we should be able to see plainly why having Christ is more valuable than all other things. If the omnipotence all wise, God is ruling, ruling over all things for our joy, then everything must be working for our good, no matter how painful and in the end, God is gonna triumph over all evil and all pain. So this kingdom is a real treasure. Like it is a, it is a real. A real quantity in our life and our wellbeing and in our spiritual consistency, that'll ought demand some reflection of how valuable it truly is. And then knowing that in our minds, that like influencing our behavior, our other thought patterns, and then our actual feelings about stuff. So that when, like you said, we're passed over, we're looked over, we're ridiculed for something, we go back and we count it all joy to be worthy of being part of God's kingdom, knowing that it was because of the entrance and acceptability and the identity in that kingdom that we experience. Those things, those hardships begin with. [00:29:05] Tony Arsenal: Yeah. Yeah. And, and I, um, I don't want us to miss out on the fact that even as the parable may be encouraging or forcing us to think about. The cost. It, it really is trying to emphasize the great value of the kingdom. Right? Right. We, like I said, we, we don't just count the cost. In order to count the cost for its own sake. We count the cost in order to understand the great blessing that is ours in Christ. Right. All I, I count all that I have as a loss compared to the greatness of Christ Jesus. And, um, I think we just don't often do that. I, I, I think as Christians, that's probably a thought that is in our head more as young Christians, especially if we come to the faith in, in a time in our life where we're aware of things like that. We think about things like that. Reflecting on the Cost of Faith [00:29:59] Tony Arsenal: You know, I was 15 when I first came to faith and, um, I, I don't think I was in a frame of mind as a 15-year-old boy to think about, like. The cost of what I was doing, right? It's not like I was a particularly popular kid. I didn't have a, you know, I didn't, I wasn't unpopular, but it wasn't like I lost a ton of friends when I became a Christian. I didn't really lose anything that was measurable. Um, but I do think that, as, you know, someone now in my forties, looking back at, you know, 15, 20, 25 years of, of Christian life, it's easy to see that things could have been different on a sort of temporal scale. Like my, my life could probably be more comfortable in terms of wealth or opportunities or other things that might, uh, aren't, aren't even bad things necessarily. There is a sense of sacrifice. But again, God has brought us into this kingdom and he's given us parables like this and given us the ability to recognize. That we do have a cost, that there is a cost to be counted in order that we might now look at it and praise him for how great and glorious and valuable the gift that he's given us is. Understanding the Parable of the Pearl [00:31:08] Tony Arsenal: And so I think, you know, I think that's the same basic meaning of this second, second half of the same parable. I guess the, the pearl of great price or the pearl of great value. But it's not exactly the same, right? It's not like Christ is just repeating the same ver, you know, parable with, with different words for variation. Um, every word is breathed out by God and profitable for teaching correction, reproof, and training and righteousness. And I had a, I had a prophet in, uh, in Bible college who would say like, difference means difference. And he was often talking about like minute things, like the difference, um, or why, why is this word used instead of that word? This word would've worked. And, and the author chose that one. There's a reason for that. Difference means difference, but. Christ here chooses to, to tell the parable a second time, um, in a slightly different way. Uh, and Matthew chooses to record these in the same sense next to each other in slightly different ways. So what, what do we, what do we wanna pull out of this second parable that's different and what do we think it's telling us that's a little bit different than the first version Y? [00:32:14] Jesse Schwamb: Yeah, that's a great question. Diverse Approaches to the Kingdom of Heaven [00:32:16] Jesse Schwamb: Uh, I love this idea because not until really, I was thinking about it this week when I read through them, was I really, again, drawn to the differences between these two main characters. Interestingly, I think in both, and we can make the case that the, the treasure, the kingdom of heaven here represented in both this pearl or in this literal treasure is in a way hidden. Certainly the first man is not necessarily looking for, it's still revealed to him, but the second in a way. And on the other hand, he knew this guy knows treasure. He's been seeking it with diligence in vigor, or at least like this is what he does for a living in his vocational career. He's out there trading pearls, presumably, and he knows something about them and how to evaluate them effectively. And so it's his business and he's dedicated himself to finding them. And apparently he's seen plenty of them over the years. But then all of a sudden, and this is wild, the beautiful, all of a sudden, clearly the search comes to like an abrupt end because he finds this one of immeasurable value, so much beauty exceeding and value exceeding all the other ones. And he doesn't need to search anymore. He just finds the one pearl that he can retire on a pearl with more than everything else. Or anything else that he's ever possessed and he gets it again. He does. And this brings him into symbol two with the first man. He does the same thing, then liquidate everything else and go after this one. Great pearl. So to me, and I'm curious your perspective on this, I'm not necessarily promulgating that. Well, the first one is not a seeker and the second one is like a seeker of of God things. Right? There is though, like you said, a difference in their approach and what they're after. And so I think what we can take from this, at the very least, is that there is diversity in these beneficiaries of the kingdom of God that's covering everybody. And just by these two kind of bookended or polar examples, that's what Jesus draws us to. But I would turn the question back to you. What do you think about this second guy? What do you think about the fact that his business is searching after these things? What? What do we take away from that? [00:34:07] Tony Arsenal: Yeah. The Ultimate Value of the Kingdom [00:34:07] Tony Arsenal: And you know, the thing that drop that jumps out to me immediately in the first parable, the kingdom of heaven is, is like the treasure hidden in the field, [00:34:16] Jesse Schwamb: right? [00:34:16] Tony Arsenal: In the second one, the kingdom of heaven is the merchant who's searching, [00:34:20] Jesse Schwamb: right? [00:34:20] Tony Arsenal: Right. The kingdom of heaven is like the merchant in search of fine pearls who finds one. That's right. And so I think that they kind of are like, almost like mirror images of each other, right? One of them is about the treasure and what it takes to come upon it and then obtain it. The second is about the person who is coming upon the treasure and, and finding it. And then what it takes again to obtain that treasure. And I think, I think you're right, there is an element here that. Um, in this second parable, the person who is seeking for this treasure is one he's seeking for the treasure, right? Right. You get the image in this, in this first parable that the dude just kind of stumbles upon it. Um, I've heard this Todd as like, it's actually more like a guy who's just walking through a field rather than like a person working the field. And I'm not sure that matters that much, but there is this sense in the first parable that the guy kind of stumbles upon it. He wasn't looking, it wasn't what he was trying to do, but you're right in the second one, the kingdom of heaven, and this is where I, this is where I think I need to think more about it, is what does it mean for the kingdom of heaven to be like a merchant searching for fine pearls right [00:35:23] Jesse Schwamb: on. [00:35:23] Tony Arsenal: Rather than the pearls being the kingdom of heaven, which is what we see in the first bearable. Um, and I don't know the answer to that question. I think I need to, need to think about it and study it a little bit more. But I do like this distinction that in, in the first case, it's sort of a happy accident. And in the second case, this is, this is the life, this man's life work. He finds he's, he's in search of fine pearls. I'm not sure I know exactly what he's trying to do with the fine pearls. It seems like it implies that he's a pearl merchant or a pearl trader, but then he finds this pearl. He doesn't seek to sell it. He buys it. Right. [00:36:00] Jesse Schwamb: Right. [00:36:00] Tony Arsenal: And, and the, the, the fact that the parable stops with him buying it sort of implies that like. He actually is not going to sell it. He's just gonna keep this pearl. Now before the, the pearls, the, the source of the value of the pearls was kind of in the, the financial gain that selling or trading them could bring. But now he suddenly finds this pearl that is so valuable. It's so great, it's so beautiful. Everything he was working to obtain before all of the money he's gathered by finding and selling pearls in the previous like mode of living. He now gets rid of all of that just to purchase this one pearl and presumably to keep it. And I think that again, is kind of a, kind of a, um, statement on our Christian life is that we, we probably have all sorts of things that we've been doing our whole life and we are seeking to, to move forward in our life. And the kingdom of heaven is kind of the ultimate goal of all of that, for those who are in Christ, for those who are called according to his purpose. The purpose is not just to accumulate wealth. It's not even necessarily, uh, in and of itself to like grow in righteousness. It's to be transformed to the, uh, to the image of God's glory son, for the purpose of making him great, making his name renowned. Right. When we look at that passage in Romans that have kind alluded to, he's, he would transform into the image of Christ so that he might be the first born among many brothers. The Incomparable Worth of Salvation [00:37:24] Tony Arsenal: Ultimately, our, our sanctification and glorification is about making Jesus great and glorified, um, to give him glory, to have our glorification reflect his already intrinsic glory and the gift that he gives us, and I think that's kind of, kind of in play here, is that. Uh, we might have all sorts of goals in our life. We might have goals in our Christian life, um, that are good things that we should strive for, but at the end of the day, all of those things only serve to bring us to the kingdom of heaven, which is this pearl of great price that we, we purchase, we buy it and we just kind of hang onto it. It is its own treasure and it's, it's not about what this, this treasure can bring to us, right? Which is what the fine pearls were before they were about what the merchant can find and sell. It's, it's now about just obtaining the pearl and enjoying that pearl. Um, which I think is a little bit different than, than, um, what I would've thought of with the par before. [00:38:19] Jesse Schwamb: Yeah, I totally agree with you. I think, I think you're actually onto something with the distinction because I think of. So much of my career has been spent in financial services among people who are buyers and sellers of things. They're traders. And the way I read this was very similar to what you were saying to me. What resonated was if this gentleman or this person is. Trading, collecting these pearls. Presumably they have appreciation for the beauty of the pearl itself. So there is like something innate that draws them to this particular thing. And with that experience and with that knowledge and with that, that appreciation of that beauty. I think when they see this other pearl, it moves from, well, why would I ever sell that? I've seen everything. This is the most beautiful pearl I've ever laid my eyes on. And now I want to keep it for me. I want to have it in my possession. I want to cherish it and not just keep it in the inventory and then turn around and sell it for markup, presumably, because there is no nothing that would be of greater value to this person. 'cause they just sold everything else that they had. So they, it's appreciation for the pearl itself. It's going after that finding and seeking that great beauty. And then that led me right into Philippians chapter four, where Paul writes the church in Philippi, beginning of verse eight. Finally, brothers, whatever is true, whatever's honorable, whatever's just whatever's pure, whatever's lovely, whatever's commendable. If there's any excellence, if there. Anything worthy of praise, think about these things. What you have learned and received and heard and seen in me. Practice these things and the god of peace will be with you. So this idea, like you and I, Tony, have talked about like the world has great wisdom, it has great knowledge, it has things that can lead us by way of common grace into certain amounts of peace. But the pearl of great price, the seeking after the going after all these great things is to find the gospel, to be given the gospel it revealed to you. And then say everything else I count as a loss. Everything else is worthless compared to this thing. And if you're a person that can appreciate even just by turn of mind or God's influence in your life, you know, knowledge and wisdom, and you're seeking after that, which is the ultimate expression and representation of those things, and then you find you come upon this pearl of great price, the gospel wisdom and the beauty of God represented in his son Jesus Christ. And you say, this is it. I, I know enough to know, again, by the regeneration that comes through the spirit, this is the real deal. Then I think the message still stands. We come through two different directions into the same final culminating point, which is there is a condition for having this kingdom of God, for having the king on your side as your friend, but the condition isn't like wealth or power or negotiating or intelligence or even good trading behavior or going out and finding the right thing. The condition is that we prize the kingdom more than anything else we own. The point of selling everything in these parables is to simply show where our hearts are at. And so I often say in my own line of work, that cost only matters in the absence of value. Actually, it's true for everything that we. We presumably spend our time or our money on cost only matters in the absence of value. And I think like you and I could do a fun little experiment where I don't know, you ever talking to somebody about something and you're paying a cost to have that service delivered to you and you're, and you're just like totally worth it, like I would do totally worth it. Like, yeah, that's kind of the vibe I'm getting here. It's like at the end of days when we think about the worthiness of our God, that there's no one like him, that he's unequal, that he has no rival, that the gospel is the sweetest message that we're rescued literally from the pit. We're just say no matter what the cost of us personally, great or small, totally worth it, that that's what we'll be saying for all of eternity as we worship him. [00:41:45] Tony Arsenal: Yeah, and I think even more than saying, totally worth it. I think when we are given our new eyes to see, and we no longer see through a da a glass dimly, we're gonna recognize saying that it was worth, it is is like it's a pale, like it's a faulty answer to begin with because the, for sure the worth of the kingdom of heaven surpasses anything we could imagine. And in our, you know, locked in little meat brains that we have now, we're kind of com we're just comparing it to. You know, like what, what we could have had or what we, what we've given up. Um, it, it's gonna be an incomparable comparison. Like there's no, there's no measure that is satisfying, there's no measure that can actually show us how, how worthwhile it is. And, you know, we've, we've made a point of it, like the, the blessing of salvation and, and really like what it is that we're getting, uh, in, in the. You know, the Christian understanding of salvation, it's not, it's not an eternal destiny. It's not bigger mansions in heaven. It's not freedom from death. All of those things come with it. All of those things are attending gifts. That's right. But what we get in salvation ultimately is we get God we get union with God, we get fellowship with Jesus Christ in the, the power of the Holy Spirit. We, we get swept up into the life of the, the God of the universe. Like the life of the Trinity indwells us. And we, we become a part of that. Uh, not, not in the, you know, like. Eastern Orthodox deification sense, although I think there's a proper way we can talk about deification. Um, but we get swept up into that. We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that. There's nothing that we could ever point to. Um, it's funny, my, my wife and I, um, this is a little corny, but, um, we'll often say to, to each other instead of saying, I love you more than anything, we'll say, I love you more than everything. Right. And, and it's, it's a way to say like. You could take all that there is in the world, everything that I have that I could possibly consider and sum up the value. And I love my wife more than that. I love my children more than that. So it's not that I love them more than any one thing, it's that I love them more than everything combined. And this is even greater than that, right? We, we will look back at our lives and if, if it's even in our mind, if we even can, can comprehend anymore. The idea of thinking about what it costs us to obtain this pearl of great value, which is the kingdom of heaven, which is just another way to say, is just fellowship with the God of the universe. Um, we'll look at it and say no matter what it was. No matter what it could have been, I would give everything I, I love God more than everything. Right. Right. There's nothing that could ever possibly be considered that even comes close to what we gain in, in Christ Jesus, in union with, with God. And I think that's the point of this, like I think the guy who, um. Christ's Perfect Sacrifice and Our Response [00:44:58] Tony Arsenal: I think about what it would take for me to even like to sell everything, like the concept of selling everything I own. I'm not even sure how I would do that, to be honest with you. Like, I don't even know the mechanism for that kind of thing. But the idea that there's anything that could be valuable enough that I would just sell every piece of human property that I have, there's probably nothing like that in this world. Like, there probably isn't. And to, to take that comparison and then basically say like, that's just what the kingdom of God is like. 'cause that's the other thing I think we miss about parables is you, you only make a comparison when you can't describe something, um, analytically, right? There's the difference between analogically and analytically Ana lot analytically means we're able to actually quantify and explain it kind of in strict terms, right? I can, I can say that, um, uh, a heavy object ways, X number of grams or it, you know, or, um. Pounds or whatever. I can, I can measure that and make an analytical statement, or I can make an analogy, an analogy that is comparative. Uh, but by definition, or almost by by nature of the thing, when you make that comparison, you're kind of saying like, not only is it like this, but it's actually it, like it's more like this than I can even describe. Right? So when we're talking about the kingdom of Heaven here, and we say it's, it's like, it's like a man who goes, he finds a treasure and then he sells everything. He has to get that treasure. It's infinitely more like that than it actually can be described. Does that make sense? I feel like I'm rambling on that a little bit. Maybe trying to describe something that can't be described is, is hard to do. [00:46:35] Jesse Schwamb: It's, that's, yeah. But yeah, that's, that's very difficult to do. I'm actually totally with you on this. I think I understand clearly what you mean, this idea that no matter how hard we actually try to value it, we'll be incapable of doing so. Yes. And at best, it almost seems like this is a strange command in a way because it's, it's asking us to do in some ways a thing that is impossible for us to do. However, I think what you're saying is it doesn't mean that we shouldn't turn our minds toward that. We're a bit like people who, I don't know if this show is still on PBS, but like, do you know that show, remember that show The Antiques Road Show? Yeah. Where people would like come, they'd ran ransack their homes or their garages with these old antique items and they bring them to this road show where there'd be experts who would value them. And inevitably we'll be like those people who come with what we think is like a. A thousand dollars clock that we got at a garage sale thinking, wouldn't it be great? I know this is valuable. It's probably a thousand dollars. It'll be, look at the return, tenfold return, I'll get on this item, and then instead finding that it's worth $10 million when it's appraised. Yeah, I assume it'll be just like that in the Beautific vision that even maybe for all of eternity will be growing in our appreciation for just how valuable this great salvation is. And yet at the same time, I think what this should encourage us to do is to pray things like God make us real in seeing and savoring Christ in his saving work above all the other things. Yeah. So that, as you said in your example, we would cherish him above everything, above all things that you have that right place in our hearts or that we be inclined to undertake that posture, which says, God, though I cannot understand it in full. Would you help me to see that? Encouragement in Our Spiritual Journey [00:48:08] Jesse Schwamb: And I wanna just say like, as a word of encouragement, maybe I'm speaking more to myself here so everybody else can disregard this if you like, but I think sometimes there can be a little bit of intimidation then when you hear these things and say like, ah, I'm just not, I just dunno if I love God enough, like I wanna love him, or I want to want to love him more. And I think even that posture is appropriate. Yeah. Sometimes there, oftentimes in my personal life, I'll pray something like, God, help me to know how much you love me and would you give me the strength to love you back? So that even that awareness, that energy, that volition, that vitality, that, that heat, all of that, that fire itself is kindled by the Holy Spirit. It's not like we need to like try to again manufacture here. Because the point of these, these stories is not again, that we just find the means to do a transactional exchange here, but that instead we really just sit in the full promises of God. And of course to that, I would say we always need to go back to, to something like Romans eight. I mean, I know that we should, like you said, Tony, the. The standard description we give for the Bible is the one that gives itself, which is that all of it, all of it's is carried along by the Holy Spirit. All of it is God breathe. All of it is useful for something. And yet, of course, I say somewhat tongue in cheek that, you know, if I have 10 minutes to live, I'm probably not gonna the s descriptions of reading a genealogy, I'm going straight from Roman and say, Romans say, I think it's just like the pinnacle of the scriptures. And so just a couple of verses at the end there, because I think this is, this is leading us into what is this great treasure? What is the kingdom of God? Why do we value it so much? What is the saving power? And uh, these verses, I mean, always just entirely get me ready to run through a wall. So this is the end of, of Romans eight beginning verse 35. Who shall separate us from the law of Christ? Shall tribulation or distress or persecution or famine or nakedness or danger or sword as it is written for your sake. We are being killed all the day long. We are regarded as sheep to be slaughtered. No. In all these things, we are more than conquerors through him who loved us for I'm sure that neither death nor life, nor angels, nor rulers, nor things present, nor things to come, nor powers, nor height, nor depth, nor anything else in all creation, will be able to separate us from a love of God in Christ Jesus, our Lord. [00:50:22] Tony Arsenal: Yeah. Yeah. That's, that's a good word. And I, I, I like what you're saying too, is, is I think we, we can. There's this paradoxical thing that happens when the scriptures is trying to encourage us to do something, is we often like to get our, in our own way. And, and actually that becomes a source of discouragement for us. The Bible calls us to something and we know we can't live up to it. And that's actually like part and parcel of, of reform theology to recognize that this is law, like the, the, the, the, you know, maybe not in like the strict sense, like when we talk about dividing the scripture into law and gospel, um. It may not be that this particular passage would fall under that rubric of law normally, but this idea that we need to count the cost and that we need to be treasuring Christ more and more, and then when we feel like I'm just not getting it. I'm just not there. Like, I don't, I don't treasure Christ as much as I so should. Um, that Yeah, that's right. Nobody does. Nobody can, like, that's, that's kind of the point of this, and that's why it's law is it's, it shouldn't drive you in Christ. It should not drive you to despair. Right. It should not drive you to discouragement. It should drive you to gratitude that God saved you anyways. That, that this pearl of great value is still yours even though you can't possibly deserve it. Um, you know, we're, we're a little bit different than the, the merchant and the man who finds the treasure in the field in that we can't sell everything we have and obtain it like they have the ability to do that in the, in the parables. Right. Um, we, we don't, and we never will. And so rather than let that drive you to being discouraged that like you're just not getting. I recognize God is of infinite value and we are finite creatures. So we, we could, uh, value God perfectly. Like whatever that means, and I don't even know what that means, but we could value and cherish and love God perfectly as far as our capacities are concerned, and it still would not be enough to sufficiently merit God's favor for us. Like as much as we can, even in, even in eternity. As much as we can value and worship and love and praise Jesus, he is worth infinitely more than we could ever give, even when we do it perfectly. And this is, this is why you know Christ coming to die, to live on our behalf, to die in our place. Why that's necessary is because only this is a, maybe a different take on it. We, I think we talk a lot about how, um. Only God could, could carry, bear the wrath of God and not be destroyed. Right. Right. Only God could, um, could stand up under his own wrath, could stand up under the wrath of God and bear that punishment and not be destroyed. And so therefore, um, Christ had to be not just a man, but had to be God. But on the flip side. And God requires perfect perpetual obedience, which involves loving the Lord your God, perfectly with your whole heart at all times. Right? Only God can do that too. So it's not just that God. It's not just that G

On this episode of The Recommended podcast we are talking about Pig. Brenden is pleasantly surprised by this film and Ryker can't get enough Nick Cage. Hunt down a loved one and check out this episode of The Recommended Podcast.

Get 20% off your first Mood order with promo code "VIEWS." https://mood.com On today's VIEWS POD, David, Jason, Natalie and Alex sit down to talk about David visiting a porn stars house to clear up a rumor about him, why Jason doesn't like Nick Cage movies and the man who lost $350 Million at a casino. Also, David and Jason remember church including the girl David likes, Natalie drops a bombshell mid podcast, getting horny in an RV, and David gets deep about not feeling like a man and the gang offers some wisdom. And Natalie gets sleep paralysis and Jason tries to decipher David's dream about selling his house. Listen to Jason's latest pod here: https://open.spotify.com/episode/7tVJUoRd9VyF6T73VG7a1u?si=CFY2Kwd_Qkab-HEejoJzqQ Learn more about your ad choices. Visit megaphone.fm/adchoices

Another nominee for this year's Chainsaw awards!  What even is this?  Nick Cage is in it though!

An episode full of amazing guest voices! DIPA Josh, Ryan, Gnome, and Blake chimed in here and there as we recorded while waiting for the finale of Oktoberfest Quest to begin. We stayed mostly on track since we had a lot of content to talk about in not a lot of time. Join the loud, rocking MadTree taproom as we discuss things such as: Joe Flacco. Blake shaking down the Cincy Brew Dads to get all the tea on their beer content. Matt and Ryan being offended by our recaps. A Tuesday Weekly Pint full of Big Sipz. The void that's being filled by things like Big Sipz and Buzzballs. Appreciating kangaroos. Matt loses his religion at Streetside. The best Nick Cage movie. Marco is banned from facing TVs while we record. The best town in the world according to Michael "Brings the D" Morgan.  Jack Daniels screwing over local farmers. Actual schnapps for the Schnappening. Talking about the beginning of the end of the 2025 Oktoberfest Quest. Struggling to keep "classic" beers in your drinking rotation.  **The music used in the NFL Deathmatch Challenge is by DonRock the Imposter on YouTube: https://www.youtube.com/watch?v=mqKSIaE_QE8 @donrocktheimposter912 Week 6 :  Gnome's Pick : Rams Marco's Pick : Steelers Julia's Pick : Broncos Current points going into Week 6 :  Gnome : 5 Marco : 4 Julia : 3 ----- This episode covers the following shows : Cincy Brew Dads - From the Tap Ep 8 - Streetside Brewery's 9th Anniversary Barstool Perspective - 10/3/2025 The Weekly Pint - Ep 281 - That's Not Poison...But It IS Gnarly! The Weekly Pint - Ep 282 - Marking the End...Preparing for the Beginning Blake's Craft Beer Podcast - Ep 86 - Cincy Brew Dads ----- What we drank :  MadTree - Identity Crisis - Black IPA MadTree - The Cincy Stripe - French Pilsner MadTree - Psychopathy - IPA ----- Episode recorded on 10/7/2025 at our amazing podcast host, MadTree's Oakley taproom! https://madtree.com/ Disclaimer: The views and opinions expressed by Truth, Beer, and Podsequences are those of the participants alone and do not necessarily reflect the views or opinions of any entities they may represent. ------  Links to everything at http://truthbeerpod.com/ or https://truthbeerpod.podbean.com/ Find us on all the social medias @ TruthBeerPod Email us at TruthBeerPod@gmail.com Subscribe, like, review, and share! Find all of our episodes on your favorite Podcast platform or https://www.youtube.com/@TruthBeerPod ! Buy us a pint!  If you'd like to support the show, you can do by clicking the "One-Time Donation" link at http://truthbeerpod.com ! If you want exclusive content, check out our Patreon!  https://www.patreon.com/TruthBeerPod If you'd like to be a show sponsor or even just a segment sponsor, let us know via email or hit us up on social media! ----- We want you to continue to be around to listen to all of our episodes.  If you're struggling, please reach out to a friend, family member, co-worker, or mental health professional.  If you don't feel comfortable talking to someone you know, please use one of the below resources to talk to someone who wants you around just as much as we do.   Call or Text 988 to reach the Suicide and Crisis Lifeline Chat with someone at 988lifeline.org http://www.988lifeline.org ----- Our Intro, Outro, and most of the "within the episode" music was provided by Gnome Creative. Check out www.GnomeCreative.com for all your audio, video, and imagery needs! @gnome__creative on Instagram @TheGnarlyGnome on Twitter https://thegnarlygnome.com/support http://gnomecreative.com http://instagram.com/gnome__creative http://www.twitter.com/TheGnarlyGnome

This episode of the aBlogtoWatch Weekly Podcast starts with cooking-and-wine banter before serving up a full course of watch talk — from the buzz around Dubai Watch Week (and the city's surprisingly good dining scene) to the eternal tug-of-war between hobbyists and luxury buyers. Celebrity endorsements get side-eyed for hype over substance, while Watches & Wonders is hailed as the big stage for fresh releases. The team celebrates wild designs like Roger Dubuis's Knights of the Round Table, pokes fun at the idea of “test-driving” a table, and dives into the perennial nostalgia factor, comparing defunct camera brands like Minolta to beloved watch marques. The guys explore how “obsolete” complications find new life, tease barely associative future tangents about hot sauces, and wrap it all in their now-trademark irreverence, turning serious industry insights into an entertaining conversation that keeps watch talk as approachable as it is deep-diving.

Welcome to The Rock!!! This week we watch one of the coolest movies of all time...says Ty! We chat about the infamous shower scene, green balls of skin-melting goo, Nick Cage as an absolute crazy man, and what winners do with prom queens. Listen to some Rach smack talk this week. You don't want to miss it!

This Week for your Daily Ratings Movie News: Details have been released on Ben Stiller's WW2 movie after the announcement was made last week. Zack Snyder is going to be making his passion project after almost 20 years in the making. Writer and director Edward Zwick is back at it again, and Nick Cage is in talks for True Detective season 5.   Want to check out all our Movie Scores and so much more? Stop by our Website!  - The Daily Ratings! Would you'd like to support The Daily Ratings and become a Producer? Check out our Donation Page!  - Support Us Here! Want to see the ratings on all the latest movies? Here are all the movies playing in theaters!  - Now Playing Here! Don't forget to stop by our shop for all the T-shirts, Hoodies, and Daily Ratings Gear!  - Shop the Store!

Sarah and Vinnie have the good vibes in their veins today. Erik Menendez was denied parole. His brother, Lyle, is up next. Hulk Hogan's death may have been related to medical malpractice. It's SO HOT in the Bay. Have you ever done something evil? New movies out this weekend! Bob's already seen one of them. True Crime fans have a full plate of content for the weekend: New Amanda Knox, Jussie Smollett, and more! Daniel Day Lewis's new movie will have to compete with Taylor Swift. Lil Nas X is in the news, but it certainly isn't for his music. Football season is just around the corner. Embryo adoption leaves us with more questions than answers. Scientists discovered Uranus has a 29th moon - smaller than the size of San Francisco. A mysterious light is coming towards us from outside the solar system. Probably aliens. Millie Bobbie Brown and Jake Bongiovi are now parents! AppleTV+ is now 30% more expensive, but they are serious about their TV shows - including Ted Lasso, which is returning for Season 4! Netflix will now recommend shows based on your horoscope. Nick Cage is supposedly in talks for True Detective Season 5. Don't miss your chance to adopt Scott Budman (the dog)! Are people still using travel agents? Vinnie's got some anti-shark propaganda, and a deep dive into Godzilla's ancestry. Brent Hinds, who co-founded the heavy metal band Mastodon, died in a car accident at just 51 years old. Taylor Swift dropped another set of special edition vinyls. An 85 year old veteran sold his $15M house to Katy Perry and now refuses to leave. You can learn anything on YouTube: Including how to steal a train!

Millie Bobbie Brown and Jake Bongiovi are now parents! AppleTV+ is now 30% more expensive. They are losing Friday night baseball, but are now seriously in the game with their TV shows - including Ted Lasso, which is returning for Season 4! Netflix will now recommend shows based on your horoscope. Nick Cage is supposedly in talks for True Detective Season 5. Don't miss your chance to adopt Scott Budman (the dog)! Are people still using travel agents? Or mainly YouTube? OR family and friends? Tik Tok? Vinnie's got some anti-shark propaganda, and a deep dive into Godzilla's ancestry.

Nick Cage set to star in Season 5 of True DetectiveSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Weapons Kids are creepy right? We can all agree on that? Well, you know whats even creepier? When there are meant to be kids and they aren’t there. Or even worse… there’s just one. Weapons is the new horror from Zach Cregger starring Julia Garner, Josh Brolin and Alden Ehrenreich, whose first break out hit Barbarian scared the hell out of us… and guess what? It’s got a whole bunch of creepy not-there kids! But is it actually good? Or is this just a bunch of kids “naruto running” towards oblivion? Dion, Jill and Quinny are all in or this review, with Quinny being the only one who hasn’t been traumatised by Barbarian yet. Synopsis When all but one child from the same classroom mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance. https://youtu.be/Mw57elDUcdQ As always, a midnight thank-you to all you crazy kids join in with the conversation on the Twitch stream, live each Tuesday night at 7:30pm AEDT. And an especially huge thanks to any of you naruto running grade schoolers who are kind enough to support us by casting a tip into our jar via Ko-Fi, or subscribing on twitch… every bit helps us to keep the lights on… because we’re scared of the dark. If you feel so inclined drop us a sub we really love them, The more subby mc-sub-faces we get, the more Emotes You get! https://youtu.be/OpThntO9ixc?si=_x20ryvp1bDvS9Mx WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/ Full text transcript Dion  Oh, well, hello and welcome to the periodic table of awesome. I’m unsure of who I am at the moment. I could be a weapon, I’m not sure. But you know who I know is absolutely a weapon. Jill. Jill is absolutely a weapon.  Quinny  Look at those ******* guns. Boom.  Dion  And and Quinny is potentially a weapon.  Quinny  Look, I I had to register my entire body as deadly weapon as, as, as legally one is bound to when one is as hard as ******* as I.  Jill  Make a gun.  Dion  Am I was actually going to say if you. If you commit to it quinny, if you if you, if you you put yourself on a regime, if you go to the gym, you could build yourself into a weapon. And.  Quinny  Buddy, I I am a weapon. It’s just like I’m a 10 LB ******* gun. I’m like, you know, you you you’re thinking of like a a fast kind of swishy weapon. I’m more like a like a a fat man bomb that gets dropped off, you know.  Speaker 6  Yeah.  Quinny  So technically, still the weapon.  Dion  I wasn’t gonna. I wasn’t gonna go there.  Quinny  Yeah, well, I know. And as telling us, there’s better being a weapon than being a tool. What are you?  Dion  Yeah, yeah. Now you’re a ******. Don’t don’t tism me. This is that will go down a rabbit hole. We’re not going to do it. Yes. OK. Weapons. We went and.  Quinny  I know, right?  Dion  Saw weapons. We did, we.  Quinny  Can’t get a water bomb is a weapon too.  Dion  All of that what is a weapon? Yeah.  Quinny  Is that my physique? Is that what? Speaker 7  We’re saying no.  Dion  Philosophically. OK, so story time now. A while back, Jill and I went and saw a.  Jill  Little film we trauma bonded over, but Marion.  Dion  Yeah, we trailer bond, we weren’t. We didn’t know what was going on. We weren’t. It was like, ohh this film. It’s called barbarian. OK, whatever. We’ll go do that. And they were good. They gave us some alcohol. I’m like, oh, yeah. Let’s get on this and started watching a film. And then. Don’t know, maybe. 3045 minutes into it, we started going wait, where the **** is this going? And and it just proceeded to get even ******* more terrifying and crazy all the way to the end. And then we walked out going. That was ******* cool.  Jill  Yes, it was ****** **, but it was cool.  Dion  Yeah, it was.  Speaker  Quinny  You’re not normally a huge horror fan. No, but like you, you will watch it. If it’s in front of.  Dion  I mean, you know, like I’m not the sort of person who’s like, oh, is it gory and horror, sure. Or go and laugh. I’m just more like, I don’t really need to see that. It has to be a good horror, elevated horror. Elevated horror is a discerning horror. Which, you know, like the traditional stuff like nightmare on Elm Street, you know and.  Quinny  13th.  Dion  Friday 13th and I don’t really go into. I don’t need to see Gore for the sake of gore.  Jill  Those are like a sub genre though those are.  Dion  Yeah, yeah. And slasher. Yeah. And but a good.  Speaker 6  Slasher films, yeah.  Quinny  Horror. Torture. ****. Not it’s like, you know, that kind of stuff where it’s just watching people be.  Dion  Nice.  Jill  Like so.  Quinny  Exactly.  Dion  Yeah. Yeah. I mean, like all that kind of stuff can kind of get a bit confused in. But you know, I can’t say I’m a fan of it because, you know, given the choice, I’m not sure that I’d go and see barbarian or weapons again in that kind of sense. But was it a good film? Yeah.  Speaker  But.  Dion  You know, it was just that way that it kind of went through. So sure, I’m not a huge horror fan. Jill. Jill though. Yeah, she yeah loves it. Except for.  Jill  You love it. Clowns. No, no, it I’ll never watch it.  Dion  Yeah. So. It.  Quinny  Ohh, but you’re you’re not looking forward to welcome. To Derry then.  Speaker 6  Yeah.  Quinny  The the prequel to it.  Jill  Good, because I would have thought it was something to do with dairy.  Dion  Yeah.  Speaker 8  Girls and I would have gone and seen it. And I would have been very upset.  Quinny  Why would you would have? It’s a TV series coming out soon and I’m actually really pumped. I’ve.  Speaker 6  Yeah, no.  Quinny  It was one of those books that ******* creeped this **** out of me as a kid and you know, I’m like, yeah.  Dion  Sure.  Jill  I couldn’t stare at a drain for a very long time because my father would say ohh it lives in the trees and it’s little children. So here I am in the shower, not making eye contact.  Dion  Sure.  Speaker 6  Yeah, yeah.  Jill  With the brain.  Dion  With the train.  Jill  Thinking it was any kind of drain that this ******* clown lived in.  Dion  Which which technically it did. So it does live in every drain and it is a clown.  Jill  Yeah. Yeah. And I’m like, don’t look down there cause you’ll see something staring back and. I was *******. He’s terrified.  Quinny  Hi, Georgie.  Dion  Yeah, yeah, yeah. Like if if I go down that rabbit hole, I could still easily terrify the **** out of myself.  Quinny  Yep.  Dion  Yes, so.  Jill  I do kind of tend to watch horror as a form of. Therapy. Because I’m in a constant state of fight or.  Speaker 8  Flight with anxiety and if.  Jill  I were to ah. Film. Then I I know that that is something that I can’t control and it’s I just have to go along for the ride. So I just kind of like purges the fright.  Dion  Sure. I mean it’s.  Quinny  Out and also. Yeah, it gives you that, that, that moment of tension and then release, whereas having a life of anxiety means there’s no release. Yeah, exactly.  Speaker 6  Yes.  Quinny  Just tension. Constant ******* ongoing tension.  Jill  Yeah.  Quinny  Yeah. Yeah, no, I get that totally.  Dion  Quinny, do you consider yourself a fan of horror?  Quinny  As a kid, **** no. Like I was terrified of anything that looked even remotely like horror, you know, like, even seeing a cover of a VHS of something like extra or fright night or something like that was enough to make me, you know. You have nightmares for ages, so it took me a really long time till I ever went anything near horror and I came to horror through so if I.  Dion  Sure.  Quinny  So right, you know, the first horror that I watched was aliens. And yeah, because that wasn’t really a horror. That was, you know, an action film that had horror elements.  Speaker 6  Hmm.  Quinny  Then I went back and rewatched or watched alien and was scared ********. But then I started to kind of get into it. No invasion of the body snatchers and. Like that and now I have a thing that I’m not in a huge rush to go and watch a horror.  Speaker 6  Sure. Yeah.  Quinny  But I will watch a good one.  Dion  And so back to this whole sort of story when weapons came out and it’s by Zach Krieger, who Jill and I have had the Zach Cregger experience with barbarian. And while we were like, this is gonna be like I I remember I was looking at.  Speaker 6  Hmm.  Speaker  We have.  Dion  Oh great. Ohh wait. OK. Like I’ll go see what this is, but I knew what I was going into. The funniest thing was watching it with Quinn, who had not. Had this experience at. All just going. What the **** I’m like, yeah.  Quinny  No. That’s in fact there. There are multiple times in the film where characters exclaim loudly what the ****? Sure, and I agree wholeheartedly with them.  Jill  Yeah.  Dion  Because there is a part of this where I feel like weapons is communicating with the audio. Once in a really interesting way and it doesn’t spoil anything. I just feel like there are parts of the movie and beats of the story and things that are going where it the the film makers are communicating with the audience going. We’ve just shown you a bunch of ****** ** **** and we’ve had a character on screen and saying what the **** and the whole audience is like. Yeah, what the ****?  Quinny  Yeah, yeah.  Dion  And it really it was an interesting as you were saying, the release of tension and I felt like that came through at the end too where it. Diverged a little bit, but allowed the audience to have that tension released, which has been built up for the whole thing, so I consider this one not particularly a horror, but it is. Let’s be honest. Yeah, it is. Yeah.  Jill  Ohh it is.  Dion  But it is.  Quinny  It’s it’s a proper horror, but you know.  Dion  It’s a it’s a really good tension film.  Jill  Yeah, Arena asked. Is it more of a thriller? But I would say no, it’s definitely.  Speaker 6  And.  Dion  No, no.  Jill  Not not thriller.  Dion  No, because and the horror.  Quinny  It. It does good tension building and it is it has that kind of thriller kind of thing, but no, it’s very definitely.  Dion  Yeah.  Speaker 6  Yes.  Dion  Yeah, as you say, like, oh, I’m not going with jump scares. I’m like, well, maybe this is not for you.  Quinny  In fact, this has moments that are not jump scares, but like there are there are some of the most effective moments of like, skin crawling horror that I have seen in a long time, and hearing a whole.  Dion  Horror. Just dread. That contained no.  Quinny  Audience yeah, react to them and ohh wow.  Dion  With like and they have no blood. It’s just really good ******* creepy ****.  Speaker 1  Yeah, and like.  Dion  That you’re waiting for something.  Jill  I I love all of that stuff. And when one of. The big jump scares happened and I screamed.  Dion  He did.  Speaker  It was great.  Quinny  A big way.  Dion  Yeah, and. And look, let’s be honest, we all knew it was coming. Like that’s one of the great things when you still have that result like ohh ****. Even though I knew it was coming.  Speaker 6  Yeah.  Jill  Yes. Yeah. Like, I’m like, oh, my God, I know this is coming. And then it did. And then I screamed. And I’m like, I haven’t screamed and. It jumps Gary and ages. Yeah. So it was it. Was a good pay off do do you wanna know?  Dion  And the.  Quinny  What the film’s actually about? No, no.  Dion  Not yet. One one second, one second. Can I, can I ask you one question because I don’t actually have any music and you’ve caught me off guard.  Quinny  I think. It. Yeah.  Dion  The last movie that I saw that did the same kind of thing that I really actually didn’t enjoy was smile too. Ohh yeah yeah. So watched that. Yeah, and I mean.  Jill  Never.  Quinny  Ohh you should get into that Joe.  Jill  Yeah, it’s on, it’s on telly. I’ll watch it, yeah.  Quinny  Yeah. That for the for the discomforting side of it, Dee or the.  Dion  No, the the way that it like, I mean smile, which I haven’t seen and I saw smile to going in blind which is a bit funny but I understood the craft and I thought they did it really well but they jump scares became a point where it was. Just this is the building to a jump scare. Whereas I liked weapons more because it was like is it a jump scare? Maybe you know? And it was some sort of smarter done and then sometimes was like, hey, it’s not a jump scare. It’s just something absolutely ******* terrifying that doesn’t really do it. Yeah, it’s it’s. And it’s not about some. That is terrifying. It’s the idea of it is built and constructed in such a great way that the audience is filling in their brain about how terrifying and what bad things could happen, and then it doesn’t really happen that way. It just puts the the situation goes, hey, how would you react to this situation? And everyone in the audience is going *******. No, I don’t want to be in that situation. I don’t want. To do this, I want to leave. Anyway.  Quinny  Absolutely. OK.  Dion  Sorry, synopsis time. Do you know what I’ve got? I’ve got on the boards for the music to go behind. It is stuff.  Quinny  I don’t know.  Dion  From Kpop Demon Hunter. So do you want that? Why not? We haven’t had enough.  Speaker 6  No.  Quinny  Why? No, I mean, hey, by the way, the the golden from K pop demon hunters went to number one of the Billboard charts today. Wow.  Dion  Excellent. Hear it again.  Speaker 7  Yeah, well, let’s go with.  Quinny  We’re just increasing its plays.  Dion  Sure.  Quinny  Jill  You’re gonna give us, like a Anna Delphi.  Quinny  Ohh but I can because you’re a poor.  Dion  Yes, do it.  Quinny  OK, when all but one child from the same classroom mysteriously vanish on the same night at exactly the same time because they’re porous.  Speaker 7  Right.  Quinny  A community is left questioning who or what is behind the disappearances. Sorry that just turned into the chick from SBS.  Speaker 8  This is going.  Jill  I was like, it’s like Christoph Waltz and Christopher Walken met Christoph Walton.  Quinny  First off. I apologize. I apologize to everybody that was, that was the absolute peak of **** accent.  Speaker  Yeah.  Jill  Wait, was that the whole boxes?  Quinny  Yeah. When all but one child from the same club, I can.  Speaker  Oh.  Quinny  Do a slightly longer. 1 So it’s a a horror film about a community grappling with the disappearance of 17 children from the same class, all vanishing at the same time on the same. Night and it follows. The aftermath, exploring things of trauma, grief, and the unsettling nature of the events of the townspeople, tried to understand. What happened and who is responsible?  Dion  Double s in officers. OK, one of them was backed by K pop and the other was. Just a flat scare. So. OK, yeah, good.  Quinny  Sorry.  Dion  Good, good, good, good, good, good, good, good so.  Quinny  Right. Yeah. That’s how we should do it. That’s that’s how we work there. Yes. And there was a little gesture.  Dion  Now very.  Quinny  In there I’m.  Dion  Sorry, very, very, very importantly, there was a notice in front of the screening. Which was, hey, don’t spoil it for people where people go in and I thought, OK, it’s a bit naff. Let the thing stand on its own. You know, there’s no need to go through it. But it went on upon reflection.  Speaker 8  Yes.  Dion  Having it’s it’s been out for a while now. I actually kind of go. Yeah, I don’t. Really want to. Do a big spoil because not that I think you’d lose anything from it. I just think it’s a more interesting film to not know. Sort of the last third going into it, I think it has a better effect, not not giving a **** about it. Like, don’t really listen. To. People reviewing it and and spoiling stuff because. You kind of lose.  Jill  It. Yeah, I mean, the trailer was enough and then kind of like discovering what is actually going on is I think lends more to the suspense and and keeps it interesting.  Dion  Yeah.  Speaker  Yeah.  Quinny  Yeah, I do want to talk like a little bit structurally about what happens at the end of the film, but I don’t want to talk about.  Jill  Oh yeah. OK.  Quinny  The the the facts of it like you know. But anyway, let’s not talk about that bit. Let’s talk about the beginning of the film. So a base concept, a bunch of kids run away one night. But it’s not just that they run away.  Speaker 7  Yeah.  Quinny  They Naruto runner.  Jill  Naruto run, they’re going to storm area 51. Yeah, at 2:17 in the morning? Absolutely.  Dion  At 2:17 and it’s all through grainy camera footage. And I love the little child like voice, voice over narration of, like, this is a true story. This is the stuff that happened and blah blah blah and I’m like.  Speaker 7  Which is.  Jill  Yeah, it gives it a little bit of found footage vibe.  Dion  Bit Nash.  Jill  Which is yeah. It’s like a bit creepy.  Quinny  Yeah, yeah, this this does that whole found footage and like, different cameras and stuff like that. So much better than that war of. The world’s ********.  Dion  ****, don’t. Don’t even. It’s it’s an interesting one too, because what I really like about it is it is. It is an easy to understand story. It’s set in suburban Americana. Sort of. There is something creepy going on in a space that generally wouldn’t be considered creepy, and I think you did it also in barbarian like and I and I really enjoy that. It doesn’t necessarily need. Rich people, poor people. It’s not about, you know, X&Y. It’s like, look, this weird thing happened. Hmm, that has probably been going on for a long time. In this and everyone is unsettled by it, but in the end. Life will keep going. And I really, I really like they explained at the start, they’re like ohh this really strange thing and in the end everyone just sort of accepted it. And moved on because it was too upsetting for people and I really like that it gave it a good basis and a good foundation to sort of settle in and go, OK what the?  Quinny  **** did happen but, but also it it does that that very smart thing of going OK how do people in you know, small towns react to bad things happening? They’ll turn.  Dion  You know clue.  Speaker 7  Insect.  Quinny  And and the the most obvious person to turn on is the the the school teacher. So if every kid from the class Bar 1. You know doesn’t show up who’s the first thing you’re gonna look at the school teacher. You’re gonna ask questions there.  Jill  See, I’m the opposite. I’m like, why is this one? Kid left on, yeah.  Quinny  Oh yeah, 100 percent, 100%.  Jill  What’s going on with this kid?  Quinny  And the the the good thing is they actually show you like they they interview the kid, they do a lot of like they go to great lengths to really show you that due diligence has been done. Yeah. You know, and this is just there is no answer. It’s just ******* weird.  Jill  Yeah, it’s it’s puzzling.  Dion  And and like I love that they used quite well in this, like the vignette sort of style, the way they chop it up and they follow, you know, you get introduced to kind of some of the characters and then you get like as you get introduced to more, it starts replaying their stories. And I like the way that they use that quite effectively, which is like here’s. This person, and this is their story. And then we’ll follow someone else and it overlaps and it overlaps and it overlaps until you finally get to the.  Jill  Yeah. And chill, there’s a point where it’s like, hang on a second. Something really *******.  Dion  Yeah.  Jill  Weird’s going on?  Dion  And until it gets to the point where it’s like, OK, we’ve given you enough back story about how all these things are kind of overlapping and then we’re just gonna follow this one. And explain exactly what happened and you were like by that time you’re like ohh ****. Like, how do you resolve this? What the **** did happen?  Quinny  Yeah.  Jill  Yeah, it was a good point to reveal it as well because like, it was a very kind of slow burn intro to the movie. And I was like, ohh, where is this going like?  Dion  Yeah.  Jill  It’s maybe, yeah, becoming a little bit dull until like you do get that pivot point and it’s like, ohh ****. OK now strap in, cause I’m ready for.  Dion  So.  Quinny  Yeah, yeah, yeah. She’s gotten real ****** **. Yeah, it it’s interesting because I was watching it and my immediate thought was the film rush him on, which is the one where they they tell the same story, but from different perspectives. And you see the way that interacts. It’s like that. But it it’s sort of.  Jill  The rest of it.  Speaker  Hmm.  Jill  Yeah.  Quinny  Just showing you different parts, but then continuing the story on. Yeah, which I thought was really smart.  Jill  And thank God you you made the cultural reference and didn’t go with like Pulp Fiction.  Quinny  Sure. Well, you know, because I’ve all filmically ******* knowledgeable.  Dion  I mean, look, you know.  Jill  It was like, where did that reference come from? Russian.  Dion  Barbarian great one much shorter like Barbarians. Only 100 minutes. Yeah, right. This one’s 128 minutes. So we got almost an extra half hour of, you know, additional weirdness, which I think was deserved in this. Like I really like the pacing and the punch of barbarian because it just kind of like starts off real slow and then starts hammering through this one. Get it? Has the same sort of thing. It starts off real slow, but it gives you time to build that tension. And then I think at the end, a little bit more. Time like. When you start explaining things. I thought it would move a little bit quicker, but I have to admit by the end of it I was like, Oh no, I’m fine with how you. Decided you wanted to go with this and by the time you get to that big turn or the big understanding about what is going on, which I say is like 2/3 of the way. Through the film. It does delve into stuff where I’m like, is this funny? Is this not funny? But also, how are you gonna resolve this? And the only way to do it is. Kind of with a little bit of ridiculousness. But I thought it. Was it served it quite well?  Quinny  I think the thing that worked for me about it was the way the characters each sort of had their their very clear part of the story. 3 and when it intersects with one particular place, that’s where **** starts to go badly wrong for everyone you know you’re you’re trying to. Everybody’s trying to work out. Something and they’ve all got their their challenges. So you’ve you’ve got our our Julia Garner. Who’s been Justine, who obviously school teacher Josh Brolin is the dad of one of the. Benedict Wong is one of the the principal principal of the the school. Alden Ehrenreich is one of the cops, and Austin Abrams is is a a junkie for I mean, for lack of any better description.  Jill  He’s.  Dion  Just cop.  Quinny  And each of them.  Speaker 6  They’ve.  Quinny  Their their thing, their story, their interaction, yeah.  Speaker 7  Sure.  Jill  And each of their encounters with what is going on. And so you kind of get their perspective on. Ohh man, how do we trying?  Speaker 8  It’s hard not to spoil it, but.  Dion  Isn’t it you? You get there? It’s, it’s. Yeah, they they put out like, I mean the the, the film posits a strange occurrence, and then all of these different people come into it at different ways, like their their approach that they’re in, they’re affected by it in different ways. And the way that they approach it is. All 100% what everyone knew and I would do like. Yeah, there are no, there is no stupid situation. I have to admit there’s nothing stupid about each of these characters and decisions they’re making along the way. It’s just that there is something else affecting them and we as the audience know that there is something real bad. Happening and we can’t stop them, even though within their characters like, you know, the problem with horror and like that kind of stuff. You’re like, don’t go into there. That’s stupid. You never do that. Stop splitting. Up. I don’t think there’s one character in this that makes a dumb.  Speaker 6  Yeah.  Dion  Every single character is like. This is weird. But I need to find the kids. And I’m just going to do something that’s seemingly innocuous but suddenly ends up in a world. Of hurt. Like and, that’s what I thought was great about it. Isn’t one of those things like watch out for the slash? Are they going to get you? It’s like, no, they don’t know they’re. Going to be gotten. Because they’re doing something really boring, like going to a house. In the middle of the day, yeah. And then, you know, bad **** happens not because they made a dumb decision, because something else is affecting them.  Quinny  Yes. Yeah, it’s, it’s smart and it doesn’t treat its audiences in any way stupid. Yeah, it takes some weird turns. Ohh.  Dion  100%.  Quinny  Like, yeah, there’s, I don’t know whether we talk about it afterwards or what, but there’s stuff to in the last act that I was just like, what the ****? And it really there was in some very strange directions. But up until that point, you’ve also had a bunch of pretty ******* weird moments. And there’s a point where.  Speaker  Yeah.  Quinny  Like you said, Joe, it’s gone fairly slowly for a while. Yeah. And then there’s a point. Where it just suddenly ramps up and it’s no longer creeping dread. Now it’s running ******* screaming, running, screaming, terrifying.  Jill  Naruto running.  Quinny  This is ******** terror.  Dion  And. Look, I I. Liked it because they set everyone up as an unreliable narrator or character, but everyone is in is is unreliable in this you immediately start following Justine, who’s the school teacher, and they go to great lengths to explain why. Maybe she.  Speaker 6  Yeah.  Speaker  It.  Dion  You know, and they do all of that like maybe the father, like is Josh Brolin’s character is maybe he’s got something to do with it because he seems. Overly crazy at certain points of time, but. Ultimately it’s it’s it’s very sane reactions to a very insane situation, and I think that was the success of how it worked.  Speaker 6  For me, does that make sense? Yeah. Here’s one roll. Sorry.  Dion  Hmm, also shot beautifully. Also shot. Beautifully.  Quinny  Shot beautifully and a lot of it in the very, very, very dark.  Dion  But that’s what worked, man.  Quinny  Absolutely. Like there are a lot of sequences moving around through dark houses and at night and stuff like that, which you know is one of those great tropes of all things horror. I do remember watching something recently only in the last couple of years where I was blown away that they did a horror, but in full daylight.  Jill  Oh, OK.  Quinny  And I’m bugged if I remember what it was, but it it it really impressed me that they managed to do. In full light, this one does a bit of it here and then the really.  Speaker 7  The character I.  Quinny  Wanted to call out that I thought was really impressive. Was James the our junkie buddy, really?  Speaker 8  OK, well, I was impressive.  Quinny  His character, like in terms of performance wise. Not likable, not likable at all, but the energy that he came at that with.  Speaker  No.  Quinny  Like the the really nervous ****** ** energy and the like. The complete sort of. Unreliability of the character I was like ****, that’s a really good performance. I don’t like the guy. I don’t like him at all, but that’s cause it’s a really good performance.  Speaker 8  Yeah.  Jill  Yeah, that’s true.  Dion  You know? Yeah. I mean, yeah, that was like, I mean, to be honest, halfway like by the time we got to that character, I didn’t know how they were going to make him scary because he is just a junkie. And they did do some pretty good, scary, scary scenes with that just really boring situation. Technically, when you look back at it after the jump scares and after everything has happened, you’re like ****. That was so tense. For something that was really boring.  Quinny  There is a sequence and I the possibly the sequence that the whole cinema reacted to the most.  Speaker  MHM.  Quinny  And. I don’t. It’s what I love about it and I’m not going to try and describe it because it it would be doing it a disservice to describe the sequence. But what I loved about it was that it was. Fear created almost purely through sound. Like there’s a visual element to it. Something that is this growing danger.  Dion  Yeah.  Quinny  But then the use of sound was the thing that made the whole audience go **** no. Like literally the guy behind me when you heard a particular sound that door open just went oh, no. Oh, no, no.  Speaker  Yeah.  Quinny  No. And I heard.  Jill  The dream sequence.  Speaker 6  No, no, no. OK, it’s.  Dion  It’s this like this, like stalking sequence.  Quinny  In a car.  Speaker 7  Ohh.  Dion  Yeah. Yeah, right.  Speaker 7  Yep, Yep.  Dion  See this is this is what I’m talking about the the the ability to create tension based around very boring, very banal, very normal ****.  Speaker 6  Mm-hmm.  Dion  In this is great. By doing you know great things. I was like, great. It’s gonna be in the middle of night. It’s like 2:00 AM. She’s creepy anyway. Yeah. And now we’re going to make this creepier by, you know, making it sound like there aren’t many sounds like you can hear things, but you don’t need to see it. Like, if you hear, don’t show.  Quinny  Yeah.  Speaker 6  Hmm.  Dion  It can be very creepy and I like that too when there are inside certain other houses and they’re doing the low light stuff that you kind of do.  Jill  Not just sound, but like lack of sound.  Dion  And yeah, lack of sound is a great. A great way to do that.  Jill  I think one of my favorite sequences was the dream sequence of Josh Brolin’s character because it was shot from like first person perspective. So really felt like a dream. And because it was like, you know, semi dark and like the cameras turning as if like. A person is walking through a house and you know doors are opening, but you’re not seeing it because it’s as if you’re doing it. Was absolutely terrifying because there’s like. If anybody has ever had a nightmare where, like you can’t control what’s going on and you’re like, fighting with yourself to even accomplish something within the dream, it felt just like that and that. Was that was. Really incredible bit of movie making, I thought.  Quinny  And and the the every time you round a corner or whatever, you’re expecting something to. Be there to to, you know, wanna hurt you or whatever. Cause you know vaguely where what we’re kind of doing here. We’re in horror territory. Yeah, but.  Dion  Yeah, yeah. And on top of that, I also love the the interesting ability here to allow the audience to really use their imagination while they’re watching this because.  Speaker 6  Mm-hmm.  Dion  Setting up a camera. Like we we had in the end of the trailer there or not at the end of the trailer, but like there’s scenes of like an open doorway, it’s pitch black. You can’t really see anything inside, but can you because your mind starts to fill things in?  Speaker 8  Yeah, I know. Cause it felt. It’s exactly like nightmares that I have where you’re like you’re looking and you’re looking. And it’s like you’re trying to make out something and it’s like is that.  Dion  Exactly.  Speaker 8  Something? Or is it just like?  Dion  Is it a shape? Is it a shape in the room or is it just your? Your chair group has come alive, or those those other ones, so I thought was really good, which is moving around the house and everything is normal and fine. But wait.  Speaker  Yeah, my God.  Dion  What is that like when you when your brain finally kicks in and goes, that’s not actually supposed to be there. That is not what you expect in that sort of thing. And you have to come back to it and you realize ****.  Speaker 6  Mm-hmm.  Dion  That’s terrifying. Like, these are the successful things about it, which is why I really hated watching it. But I enjoyed the. **** out of. The movie, like it was just fun and it was really fun. It, like really, as I said, it was really fun taking quinny along. So I recommend someone take someone who hasn’t seen their **** before.  Jill  Hey.  Dion  Hey, sorry Jill.  Jill  Yay on the titz off scale.  Dion  Yes, titz off none left **** all gone flying everywhere.  Jill  None left. That’s a big fat 0 on. The **** off scale.  Dion  They, they they, they were like, you know, Shinkansen hanging out the window. ****, they’re just gone.  Quinny  Love that we both.  Speaker 7  Had the same age. I love that they’re.  Dion  Connected though. I just thought that they’re like.  Quinny  Well, they connected for a while and then they go. Right. I I don’t know how many tips are off for me because I was scared titless.  Speaker 8  Ah, well, there you go. That’s zero as well.  Quinny  Yeah.  Speaker 7  Yeah, like.  Jill  I don’t know, just like in the last couple of movies that I’ve seen this month, I’ve just have not had. A reaction like I did. With this one MMM.  Quinny  Yeah. Yeah. Well, and and you, you come out of it with a very distinct sense of man. I’ve watched something. Yeah, like. You know, it wasn’t safe. It wasn’t normal. It it. It didn’t feel like just your average ******* horror. Like, oh, God. What was that movie we watched a couple of years back for? None. Like, based on The Conjuring thing.  Speaker 8  Yeah.  Jill  Yeah.  Quinny  And it was just like, yeah, it’s a horror film. Yes. There’s a spooky nun. Cool. Like, in some ways, smile was a little bit like that, though I did find it was creepy as ****. But this, I don’t know, this was doing something different. This was really going into a different level of. Scary.  Dion  I I feel like collectively. Everyone was like in the film that I was sitting there going. And yes and. Everyone just kind of decided not to talk about it anymore, cause too many people died and it was too freaky. And I’m like, yes, kind of like barbarian. Kind of like weapons. We’ve watched it now and ****, you know, a lot of stuff happened and things are good, but like. Just collectively not gonna watch it again. Or not gonna talk about it because you’re still processing stuff about it. Umm. Yeah. Anyway, look. But also, you know, I can see why some people were unhappy with it.  Quinny  What? Where do you think? It didn’t work.  Dion  It’s interesting because, well, I don’t think it it’s. I can see how some people were a bit unhappy with it because they might have wanted to go more into the slasher horror kind of stuff at the end because I feel like there was the turn that happens and it goes into more explanations. You don’t really understand.  Speaker  Oh.  Dion  Exactly what’s going on, but came to me. It became more comedy and I was like ohh, I’m getting this now. You just have to go with it and you know the ending isn’t as satisfying. I think that some people were really after because it has no resolution for the characters. But. You know, I feel like after the tension of the 1st. Aaron, Aaron. A bit. I was like, I’m happy for it to just help me relieve the tension.  Quinny  Yeah.  Dion  Yeah. And also, you know, people could be sitting there going. Ohh, I didn’t. You know, everyone thought it was great, but I didn’t like it. Like, yeah, OK, I did.  Speaker 6  Hmm.  Dion  It was fun.  Quinny  I’d I’d like predicate because thing I went in after hearing a ton of fat, and though I enjoyed it, I’m still firmly bitted.  Dion  Still, yeah, sure.  Quinny  Yeah, yeah. Yeah, like I can see why. So there is a massive tonal turn. Like. Yeah, and there’s a point where, like it goes. We’ve already talked about where it ramps up, the action, kind of the the like, the threat becomes a lot higher. Mm-hmm. But then there’s another point a little bit later on where it takes a fairly sharp left turn. Into what could be seen as comedy.  Dion  Yeah.  Jill  Yeah. I mean, I think it’s a comedic moment, but it kind of like washes all of the drama and the the evil away and kind of leaves you with. OK, this was a really ****** ** situation and you know a number of horrific things happened, but by the end of it, we’re all able. To walk away. Like and put the situation behind us and I think. If it hadn’t have ended, you know very finally like the way it did. Then it kind of leaves you open to explore that situation maybe happening again. So I think like, yeah, I think I feel like the comedic twist of the ending. Was to relieve all of the tension that we built throughout the whole movie.  Quinny  Absolutely now.  Jill  But to do it in a way that wasn’t necessarily with a scare.  Quinny  Yeah, though I I would say that they I felt like we started to get elements of comedy earlier. Ohh, OK. Like essentially when we’re introduced to one of the characters that we haven’t talked about that does. Kind of push the film into a different space. It goes from being kind of. Of. This uncertainty about what? Is happening too. Suddenly there is a. Focus for it. And the focus is. Or could be. Are let down 4 people and I. Yeah. So I had that that moment where I was like that’s that’s a weird ******* choice and I’m still creeped out. But yeah.  Dion  Should.  Jill  I I’ll stand by that choice because I think it was. It’s a good way to catch you unawares.  Quinny  Yeah, yeah, very true. Very, very.  Dion  True. So, Jill while. Try and find your **** to. Reattach them.  Speaker  Shouldn’t.  Quinny  Somewhere in the fields of Japan and all. Through the.  Dion  Quinnie, do you have a rating for for weapons?  Speaker 7  Yeah.  Quinny  Oh yes, that’s a good question. OK, I’m going to go.  Speaker 6  Adding.  Quinny  I was genuinely creeped out by most of the film, and I think it works. Incredibly well as a. Really. Proper, good, scary ******* horror. Your your mileage is going to vary as to whether or not the last bit like the the last. From a certain point onwards, works for you. For me, it did kind of make me go. Huh. But it still kept the tension pretty high. So yeah, that’s where I’m at. It’s 84. If you’ve got a number, drop it. Dion  Jewel. Right.  Quinny  In that chat. I look for them.  Dion  I was going to go 85. Ah, but I’m not. I’m gonna go 86 because I like round math. So, dude, Jill, you could totally frustrate me but.  Jill  Even number.  Dion  Getting an odd number.  Quinny  That prick dangers jumped to 93, so **** you.  Dion  Yeah.  Jill  Well, then I’ll bring it back and. I’ll, I’ll go. For a 91 so that we can.  Speaker 6  Oh ****.  Jill  Even it up.  Dion  All right.  Jill  We’re going to go 90, but because of the odd number, I’ll go 91 even it.  Dion  Yeah. Out again. Yeah, 86. I really. I really enjoyed it. I thought it was just, like, kind of watching barberry and like, what the **** is happening? But it’s really good. Can I recommend it to people? Yes, with, with, with ******* guard rails as in. You know, Peter didn’t come. That’s OK. She’s not going to see this. You know, she’s going to be like, Nope.  Quinny  Not the kind of thing that.  Dion  Beck’s gonna like. No, no, all of those kinds of things like it. It’s not for everyone. But I do think it’s great. So, yeah, that was my 86. And, Jill, you’ve already got not 91.  Speaker  No.  Jill  At 91, I I have a horror friend and I immediately went to her and said hey, I watched weapons and she said Ohh good, I’m going to go and see it on Friday. And then when she came back to me, she.  Speaker 8  Said what the ****? That was so good.  Jill  Like that ending was So what the ****? And I’m like, yeah, but it was great. And like, yeah, we were just, like, dissecting, you know, the way that they built tension and all that kind of stuff and the pay offs were were all really good. I got to say the creative.  Speaker 6  Yeah.  Jill  Format for the storytelling was was great. I thought that was very inventive for like a horror film. Yeah, the.  Speaker 8  Anything that made me ******* scream, I’m like, yes. Big ticks so.  Quinny  Yeah, it takes a bit to actually get you to scream. I I heard you scream and I thought that wouldn’t have.  Jill  There were so many moments throughout the film where I actually had to stop eating and drinking because holding on to the chair and I’m like, crawling back into the chair, like with my arms crossed thinking Oh my God, Oh my God, Oh my God. And yeah, it it made me out loud scream, not just like shock. No, I screamed. And thank God it was like a loud. Tension release in the. Audio of the film as well to kind of cover up. The embarrassment of me screaming in a horror movie, but yeah.  Dion  And. I had the yeah.  Jill  Really thoroughly enjoyed.  Speaker  It.  Dion  I had The thing is like I I like weapons as a journey. Of a film. Like.  Speaker 6  Hmm.  Dion  I don’t think that there’s like there’s no point talking about A twist or a turn or this thing and this other what the **** I’m like. I like the journey of the film. Yeah, I mean.  Jill  I feel like you don’t get to have all of this fun in the end of the movie if you don’t put in the work at the start of getting through the build up.  Dion  Yeah. And by chopping it up and following.  Quinny  Yeah, you’ve gotta get to know the characters.  Dion  Yeah. And chopping up and following people with different experiencing not the same time from a different perspective, but also like different times at different perspectives. Once you understood the establishment of the character.  Jill  Yeah, but you kind of start to get little other pieces in within these people stories so that you can, like, try to build what’s happening before it’s just revealed to you in the movie. So like you as an audience are actually doing work in the film.  Dion  Yeah.  Speaker 6  Hmm.  Quinny  Too. I like that. I really like the feeling that it was showing me things. But I wasn’t. Being spoon fed them exactly and there are certain things that they showed and implied, but never actually said. So you have to make the assumption that that character did that. They may not have, but did fairly heavily implied. I live with that. I love being asked as an audience to put a little bit of thought in.  Speaker 6  Yeah. MHM.  Dion  Crazy concept. Look, Speaking of James, I actually have a James Heavy trailer for this. Just goes on about that. We’ll do that and then come back and try not to spoil, but still talk about.  Speaker 7  Oh, OK.  Dion  It a bit more depth, OK.  Speaker  I’m calling about the $50,000 reward. For information about the missing kids. Because I know. Where they are. Filter. Help me. Help me. Come on. Please help me.  Dion  Oh yes, we. Yeah, that was James. He was the the junkie, and he had tent and a very bad experience in a tent.  Jill  Sure. Just sure, we’ve all had a bad experience in the tent.  Quinny  Yeah, yeah. Mine was really intense.  Dion  Ohh George yes, and thankfully for people who haven’t seen it. And you’re like, no.  Speaker  ah  Jill  You up for that one?  Dion  Thank you. I’m like, yeah, yeah, but. It’s a really it’s. It’s so good how it makes you go. ****. I don’t wanna know about that, but it gives you an understanding back when you like, I feel like. Having watched it and then you look at all of the tents and and spooky scenes that were through earlier in the movie, you’re like, ohh, that’s not that spooky when you really think about it. It was our own imagination making it spookier than we thought. But again, of course no like.  Speaker 7  No, sure.  Quinny  Like it’s scary.  Dion  Yeah.  Quinny  It’s it’s interesting, I think I said to you guys afterwards, I I thought we were going perhaps to go in a different direction with it. So there’s a there’s a Stephen King short story that I love super short, like, only like 5 or 6 pages or something like that called suffer the little children. It’s in one of his short story collections and it’s about a teacher. Who starts seeing out of the corner of their eyes their their primary school kids? As like little demons like you know that they’re they’re wrong. They’re twisted. There’s something ****** ** about them, but only out of the corner of their eyes. So when they turn and look at them.  Jill  Ohh, I see kids like that all the time.  Quinny  Yeah. So that’s just being a teacher. But then, yeah, one day teacher goes and 1 by 1 calls all the kids at her office. Cool. Yeah. And I thought maybe we were going to go into that direction and I was like, because that’s one. Of my favorite stories, but it’s still ****** **.  Dion  Yeah, the welcome to. The thing about the unreliable like characters that we’re we’re following here and like I think yes, Karina, I’m not. I don’t want to talk about the spoiler of the twists, that of why is it like, why is this all happening? Mainly because I don’t think it’s it. It doesn’t do anything to give you. A reason to go see the movie.  Speaker 6  Hmm.  Dion  I’d rather talk around it and let people go and see it and say, hey, did you like that? Cause it’s ****** **, isn’t it? Like I don’t really.  Jill  Yeah, like, don’t be like my mother who told me that. Bruce Willis was dead the whole time, so that I don’t even bother to watch 6th sense. Yeah. And to this day have not watched it.  Dion  You know, Jill, I gotta say I’m. I’m. I’m with you on that because it was spoil. It was spoiled for me in the break room at at a work thing. And I was like, ohh. And they’re like, oh, you haven’t seen I’m like, no, because it came out yesterday.  Jill  What’s the point? There. Yeah. Thanks.  Speaker 6  Thanks.  Quinny  Yeah, yeah, I remember.  Dion  So I’ve never actually watched it.  Quinny  Trying to watch like Battlestar Galactica, the the 2000 series, and then somebody said to me, oh, I can’t believe that such and such and such and such and such for the final styles. And I was like. What the ****? And they’re like, ohh. It’s a joke. And I’m like you weren’t ******* joking.  Dion  Thanks.  Quinny  That’s cool. Well, I got to interview them this ******* weekend. So great.  Dion  Well, look, the the I think the the the non spoilery things I can say about it is that I was disappointed with. Was that the whole mystery is all about the kids. All right.  Speaker 6  Dion  And then you really don’t get a good resolution with the kids.  Jill  Yeah.  Dion  And it’s just a little bit you, you, I understand why they did the things that they did, but there isn’t. There isn’t a great resolution really.  Jill  Yeah, I feel like you don’t always have to have that in a film.  Speaker 7  No, and there is something.  Jill  It’s like we said, like it was. It was really. The journey of the movie that was the reward.  Dion  I got to say by the end of it, like the the kid who plays Alex, Carrie Christopher, he like I didn’t give a **** about.  Jill  Gorgeous little kid.  Dion  I yeah, I I was really disappointed with that kid right up until towards the end. And then I’m like ohh, that that kid did a really ******* good. Like having to do with a lot of adult themes and adult concepts by the end. And you’re like, holy ****, that kid is either gonna be a freaking St. or the devil.  Quinny  And I do like that whilst it’s avoiding tropes all over the place, you know, and it’s doing everything it can to try and not be the obvious or whatever you do still end up in a haunted house in a way. And you know it, it’s becomes.  Speaker 6  Yeah.  Jill  Yeah, with your don’t go in the basement moment.  Quinny  I know you. You’ve got 100%, you’ll do not go in the basement moment. And I was like, yeah, cool. We’re we’re. You know, we’re hitting on those things because I do think there is something like really archetypal about certain ideas and horror concepts. And being chased around your own house. Is terrifying, and people that you know not being themselves is terrifying. Yeah, yeah.  Dion  You know, and now you’ll never look at a kid in a playground running like that with their arms out. Being a plane without going whoop.  Quinny  Have you ever Naruto run? Dion  Didn’t you? You asked that question.  Jill  God, I I. Have dignity.  Quinny  I asked it off microphone.  Jill  I have dignity I.  Quinny  Thank you.  Jill  Run.  Quinny  I have seen so many people Naruto run around conventions.  Jill  I bet you.  Quinny  Have you know I’ve seen so many *******.  Jill  Yes. Yeah, they don’t do it ironically either.  Quinny  You. This. No. And I just wonder, I I I look at this and I was like, was that intentional? Did they know that they were doing that? Oh, isn’t it? No, no.  Jill  This is not a Naruto. Arm is like the arms have to be out back behind you, yeah.  Dion  Out. Yeah, they’re gonna be.  Quinny  Ohh. OK, right. Sorry, right, right. Just like.  Jill  This was like.  Dion  Yeah, this is just.  Jill  Just to the side.  Dion  Yeah, yeah, yeah. Sort of straight down kind of thing, but I mean don’t take anything you see on anime and try and replicate it and realise you’ll just hurt yourself.  Quinny  Yeah. Or someone.  Dion  Else. Yeah, yeah, yeah, all parties.  Quinny  Teapots. Right. OK, yeah.  Dion  Fair enough. Kind of planking. If only they were yelling, skippity rears when they ran around.  Quinny  Yeah, like there are. There are so many really good, very quick jump scares. Like, you know, there are there’s moments in a bed, there’s moments, you know, all over the place where you just like, really good. Momentary jump skis, but it also does that very clever thing of going we’re building up to a a jump scare and then we’re going to give you something that isn’t the jump scare. But. That can be really obvious. Like we all know that if you’re gonna build up to a jump scare, you’re not gonna give us the jump scare. You’re gonna add in a a thing. This one I was like actually that were pretty good. Like they weren’t fake outs or anything. These felt like something that still maintained the tension.  Speaker  See.  Dion  See, I really wish we’d had been able to arrange it earlier for you to have seen, barbarian. I get before this.  Speaker 6  One going on about barbaric.  Jill  We keep talking about it. We keep talking about it, but only.  Dion  Like.  Jill  For a very good.  Speaker 7  Reason. OK so so.  Dion  I warn you, I. Don’t you, Connie? It’s not a fun watch. I’m not recommending this to you because I think you’re gonna have a good time. I’m recommending it for you because all of the tense and scary things that you kind of felt from weapons, you’re going to get in barbarian again.  Quinny  OK so. Can you give me a like give me a vague synopsis of what barbarian is about.  Dion  It’s about the dangers of Airbnb.  Jill  Yeah.  Quinny  Oh, right.  Dion  Sounds boring, huh? Definitely not.  Jill  Yeah, but Justin Long is in it, but. And he’s the red herring.  Speaker 6  Eh.  Quinny  Right, so This is why you were all very excited when. He showed up in this.  Jill  Yeah. We’re Justin long shows up in a horror movie. Yeah, right.  Dion  As the thing like. It’s it’s done it it, it does a little bit of vignette things where it sort of takes the the two things it’s like it’s following Justin Long and it’s following another character. And they’re both standing at the same Airbnb and then it’s following one.  Jill  Yeah, there’s like, a really good fake out in the beginning because you’re like, ohh, this is very much going to be this thing and then it’s not. And then you’re like, but wait, what the **** is actually happening?  Dion  Yeah. Yeah, it’s like. Yeah. And by the time you find out what the **** is actually happening, you’re like. What the **** is happening?  Jill  Yeah. And you’re like, why and why and why?  Dion  No, no. And then it.  Speaker  Speaker 6  Yeah.  Dion  Just turns out it was just really, really ******* creepy.  Speaker  Yeah.  Dion  Yeah. Anyway, but it is more. It is more your traditional horror.  Speaker 6  Yeah.  Dion  You know.  Quinny  Right cause I I looked at that and I thought it sounded a bit more like the torture pointy kind of things like.  Speaker 6  This.  Jill  Body horror elements in it, that’s for sure.  Dion  There’s a little bit of torture **** because I’ve gotta also say there was just that thing of like, I don’t want to be in that situation and it’s a bit too graphic for me. Yeah, but you don’t like, you know, it’s. It’s just a good. It was the start of the way of building tension and and confusing you by going. We’re going to present you with a thing that says you’re going down this road, but it’s just going to kind of keep going. And then it’s actually like, wait. I was on on a road at all. I was actually on a lake. How did I get in this lake? And I’m not in a boat. What is going on?  Quinny  Sorry, I just I wanted to look up torture **** films cause I’m trying to think of it and particular one.  Jill  What kind of results did you?  Quinny  Just get well. Yeah, it was not a. Good time hostel. That was the one that I was trying. To. Find the name of hostel and hostel too.  Speaker 6  Yeah.  Quinny  But I love it.  Jill  Ohh, not not hostile you’re saying hostel?  Quinny  Hostile. Sorry. Yeah. Like that was one of those ones where it’s just like, you know, bad things happen to people. Human centipede, that kind of thing, bad things happened to people. It’s about the the torture.  Speaker  Oh.  Jill  Yeah, yeah.  Quinny  Salo. 120 days of sort. Sort of I was. I’m looking down this list, and I’m like, oh, yeah, I remember that when I run into that one. Yeah. Yeah. OK. And then I get. Justin Bieber never say never like. Well done to whoever ******* wrote that.  Jill  Well done.  Quinny  List because that was. Comic timing, like you wouldn’t believe.  Speaker  Ohh dear look.  Dion  There’s, you know, like, weapons isn’t a perfect film. There are some beats, I think didn’t quite. Planned and some decisions, as you said like it it goes a bit strange in the end. You’re like you’re going to go with it or you’re just going to be like oh.  Speaker 6  Hmm.  Dion  That’s sure that’s. Stupid. It’s like, no, I was. Yeah. No, I was 100% there for it too.  Quinny  I I yeah, I actually thought and I said to a couple of people, I thought it let off the the accelerator a little bit when they introduced the.  Dion  The reason?  Quinny  The reason? Yeah, like the to me when we started to get a few answers as to what was causing this, I felt like the tension ratcheted down a little bit.  Dion  Yep. I feel like they’ve they’ve followed that through with the comedy though, but they did ramp back the they did get back to the tension as they try to resolve everything as you get to the resolution.  Speaker 6  Hmm.  Dion  You’re wrapping. You’re ramping that sort of thing up again. Yeah. I thought they did it quite well. And, you know, the the end of it was. Fun.  Jill  I think it’s just like we’re going to blow off all. Of the steam that. Yeah, you know. Yeah. Of this movie? Yeah. And we’re going to do it in a comedic way, just to kind of like, yeah, that all out, you know.  Dion  Yeah. I mean, I feel like by the end of it, the audience was all kind of like, oh, ****, that was weird and ****, and I don’t know, but it was much more. Or interesting to to see that whole audience who had who had. Spent. You know good hour and a half tense as ****, absolutely sitting there going. What the **** is happening? I don’t want to be in this audience or thankfully, we’re all experiencing this together to then have a bit of a OK, well, OK, ****. OK. What was that all about? And I love confusing a confused audience. Not a confused.  Speaker 6  Hmm.  Dion  Audience like why was Ice cube in an ad for Amazon for 80 minutes? But more like that. Was that good like I had that the thing when at the end of it I was like, is that was that a good movie?  Speaker 6  Yeah.  Quinny  And I think people will take away from it what they what they will, you know, they’ll they’ll either enjoy bits of it or they want or they’ll find that some of it worked for them and some. Of it didn’t. Yeah, but. It’s done very well. That’s something that I do, you know, I’m happy to report that it’s. Done a lot better than most of the other films were released this weekend.  Jill  Quinny  Like based on its budget and everything, it’s kicked the **** out of a couple of much bigger films.  Jill  Good for.  Quinny  Them. Yeah, one of them being freakier Friday.  Dion  Look, I’m. I’m.  Jill  The Disney cash grab.  Dion  I’m happy that Zach Cregger, you know, survived the bidding war for weapons.  Speaker 6  Yes.  Dion  And that Jordan Peele fired a couple of people over not getting it.  Jill  Ohh, Jordan Peele movie coming out soon. Him.  Dion  Oh yeah. Yeah. Yes, but he was. Yeah, he was trying like Jordan Peele was trying to get Zach Craig as, Umm, spec script for his production company and did not get it. And then fired two of his management people for not getting it. OK. And I’m like, OK, but the really interesting thing I think for the next project that has been announced for this director is the Resident Evil reboot. Oh ****. And he’s writing directing. It. Ohh so it was like OK. Interesting. Yeah. Hmm. I mean, you never like a franchise with an established fan base, and many temps is fraught with peril. Yeah, absolutely.  Speaker  Yes.  Jill  But it means we don’t have to see *******. Milla Jovovich wheeled out again.  Dion  You’d leave Miller alone. She’s the supreme being.  Quinny  I mean. I love that they even attempted another reboot a few years ago and just nobody paid any attention to.  Dion  It. Yeah, I love that even one of them was a 3D1, which was like, you know, your franchise is in trouble when you’ve gone through an era of 3D coming and going again. Like jaws, jaws through the return jaws, three Jaws 3D. Like what the ****?  Speaker 6  Hmm.  Dion  Anyway.  Quinny  Trying to remember what that ******* ohh yeah. Resident Evil. Welcome to Raccoon City, you know? Yeah, the one that nobody paid any attention to at. All. But it mean.  Dion  Yeah, you know, look had no Miller in.  Quinny  It.  Dion  It’s.  Quinny  Oh well, look, I’m. I’m keen to see what he does next. Absolutely. And if he can make Resident Evil work? Cause like to me, I think that’s that’s not actually it shouldn’t be that hard. Like resident evil’s.  Jill  Yeah, it’s really not. It’s such a straightforward premise.  Quinny  Yeah, if you do a good solid zombie film and you use the characters that are in the in the games, it’s not that hard. I would ******* love to see this guy have a go at Silent Hill.  Jill  Yeah, that could have been.  Quinny  Like.  Jill  Silent Hill would have been better than Resident Evil. For this guy.  Quinny  Yeah, I think he’s his. Disturbing.  Jill  Because this guy is like, so good at, like, suburban. Dystopia.  Quinny  Yeah.  Jill  So I think like silent. Hill would be perfect for.  Quinny  Him absolutely.  Dion  Is am I the only one who didn’t mind the Silent Hill film that came out with rider? Mitchell, like I thought it was alright.  Quinny  No, I quite liked it. If the.  Dion  Freaky and the and the Borg Queen as the evil witch woman.  Speaker 6  Yeah.  Quinny  That was another one where I was like, OK, it it started really well, did some really good creepy stuff and then ended poorly. But yeah, I quite like that.  Speaker  Sure.  Dion  I mean, I’ve I I’m I I think with in return in in the idea of Zach Gregor. I’m kind of like just let him cook. Don’t give him a franchise. Don’t let him don’t make him do other **** just like no let him do his stories he’s doing quite well at the moment.  Jill  Yeah.  Dion  Of just. That’s true. Going barbarian? Yeah, that’s a good one. Weapons pretty good. You know what’s the next one? And I don’t pitch quinnie. Go for him and say, like, can you make a the same horror film, but everything you shot during the? Hi.  Quinny  I would love to see somebody ever go. On. It I haven’t watched Midsummer so.  Dion  Really.  Quinny  Yeah.  Dion  It answers the question who would you like? Would you prefer a bear or a man?  Speaker 8  Yes.  Dion  In the wheel.  Quinny  I don’t know because I always looked at that and I thought it looked a little bit, Wicker Manish, but now I’m completely confused as. To what that may actually be that.  Dion  Yes, but it’s a woman, so it’s a Wicker woman.  Quinny  Ohh.  Dion  Sorry, there are no. Ease.  Quinny  Good, because they weren’t me in the ******* original.  Dion  Film No, but there was in the Nick Cage one.  Quinny  Don’t don’t say it.  Speaker 7  Not. Why would you mention? ******* ohh. You broke my legs.  Dion  It’s very bad, it’s. Yeah, Speaking of Speaking of bad, what are we doing next week?  Quinny  Oh, oh, well, well.  Speaker  Oh.  Jill  Hopefully it’s not a bad show, yeah.  Dion  Two shows having a bit of. It

Send us a textThis week we talk about Vampires Kiss from 1988! Our creator profile this week is Bela Lugosi! https://www.instagram.com/thebonsaimoviecrew/https://twitter.com/bonsai_crewhttps://www.tiktok.com/@thebonsaimoviecrewhttps://discord.gg/8jCPe8T2kT#moviereview #podcast #moviefan #filmpodcast #moviepodcast #film #nostalgia #classic  #cultclassic #Nickcage #vampire #80s

Marc Coppola joins the pod as our first Overshadowed guest to talk his time on Apocalypse now, and an ongoing effort to erase him and his family from the internet. Have a question for Marc? Email us at overshadowedpod@gmail.com, And please, somebody go onto Wikipedia and add this man back before he disappears .  apologies for the audio quality at points. We had some issues with the levels. 

The Gang is baack and this time you can't scare them, so stop it! We don't like it! Highlights include what to expect when you're expecting, Nick Cage energy, and dry as fuck.

Does anyone feel bad for the Gin Blossoms? How about the Dandy Warhols? Most likely not and that's just fine. Imagine a school for Rock Stars...I wonder if you can. Well we did and we also explore the racket of Pet Toys, the tough life of Squirrels, the never say die attitude of Nick Cage, the exponential difficulty of getting away with stuff, judging a book by its cover and the majesty of the Artist Formally (and I guess always) known as prince among many other super important topics. Take a listen and see what you think, we hope you enjoy the conversation as much as we did!#prince, #ginblossoms, #stevealbini, #dogs, #cats, #faceoff, #nickcage, #johngotti, #cocaine, #olivertree

In this episode of QAV, Cameron and Tony kick off the new financial year with tributes to Lalo Schiffrin and Bill Moyers before diving into end-of-year portfolio roundups. They compare the dummy portfolio's 19.87% gain against the STW's 13.61%, dissect U.S. portfolio returns versus the S&P 500, and unpack Tony's concentrated seven-stock strategy. Listener Trent shares his 21% return confession, there's a debate on ditching the Altman Z-score in favour of the Piotroski F-score. They then explore commodity dynamics and deep-dive into GR Engineering Services (GNG) as their Pulled Pork pick, before wrapping up with culture picks—from Nick Cage flops to Nina Simone grooves. 

We start off today a little out of our lane by talking about actual news, POTUS upholding the Texas law requiring age verification for porn.  Then, Dan is irritated with Trey over the kettlebell workout Trey sent him, we find out there might be a cure for old people smell, we find out why Johnny is now gumming the leg, and we find out why it's the C.  But first, birthdays!The Treehouse is a daily DFW based comedy podcast and radio show. Leave your worries outside and join Dan O'Malley, Trey Trenholm, Raj Sharma, and their guests for laughs about current events, stupid news, and the comedy that is their lives. If it's stupid, it's in here.The Treehouse WebsiteGet a FREE roof inspection from the best company in DFW:Cook DFW Roofing & Restoration Defender OutdoorsUse code TREEHOUSE to unlock special discounts at Defender Outdoors!CLICK HERE TO DONATE:The RMS Treehouse Listeners FoundationLINKS:Supreme Court upholds Texas law requiring age verification for porn sites | FOX 4 Dallas-Fort Worth'Old people smell' can be cured with a simple everyday food according to a longevity expert | Daily Mail Online'Cobra Kai's Martin Kove Apologizes For Biting Co-Star (Excl)Man avoiding angry wife resorted to burglary, FL cops say | Miami Herald

Just June is wrapping up its random cinematic adventures here on @wedrinkandwewatchthings, and for our grand finale, we're getting meta (and maybe a little messy) with "The Unbearable Weight of Massive Talent." This one was a bit of a ride, with Mackenzie having an absolute blast and Lemar... well, Lemar had some thoughts about its meta-ness. Grab your drink and prepare for a discussion that might be as divided as our opinions on the film itself!This week, we're dissecting the movie where Nicolas Cage plays Nick Cage/Nicky, trying to save himself (and his family) from a very enthusiastic fan. We'll be talking about the sheer audacity of the concept, the moments where it truly shines (like when Pedro Pascal appears), and where it perhaps falls a little flat for some. Mackenzie will gush about the humor and the sheer joy of seeing Cage lean into his own legend and Pedro Pascal fully commit to his Nick Cage obsession, while Lemar will offer his perspective on whether it truly lands as a smart meta-commentary or just a fun diversion. Expect laughs, some head-scratching, and plenty of "only Nic Cage" moments.If you're a devoted Cage-head, curious about how Hollywood tackles self-parody, have a crush on Pascal, or just want to hear a good-natured debate between two friends who saw the same movie very differently, then this is your episode. We're blending our wildly divergent experiences with our usual casual banter, making this the perfect, slightly chaotic send-off to Just JuneThis episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Send us a textOn this Episode, Tom and Bert discuss TV Actors that made the jump from TV to the Movies!The small screen (TV) produced numerous actors that made the proverbial leap from TV to the Movies over the years.Our list includes many iconic performers so sit back and listen in as the Guys take you down memory lane!CHAPTER HIGHLIGHTS:(1:23) George Clooney- from a Doc on "ER" to Danny Ocean(8:00) Tom Hanks- from "Bosom Buddies" to Forrest Gump(10:41) Jennifer Lawrence- from the Bill Engvall Show to stardom at "The Hunger Games"(12:22) Will Smith- from the "Fresh Prince" to "I am Legend" and the slap heard 'round the world(16:40) John Travolta- from Vinnie Barbarino to Tony Manero(23:08) Steve Carell- from "The Office" to the "40 year old Virgin"(26:42) Cher- from Sonny and "I got you Babe" to "Moonstruck" and Nick Cage(30:13) Johnny Depp- from "21 Jump Street" to Captain Jack Sparrow(31:47) Clint Eastwood- from Rowdy on "Rawhide" to Dirty Harry Callahan(40:36) Michael J Fox- from Alex Keaton to Marty McFly(45:15) Woody Harrelson- from Woody Boyd to "White Men Can't Jump"(46:54) Melissa McCarthy- from Mike and Molly to "Bridesmaids"(51:19) Meg Ryan- from Soap Opera's to "Harry meeting Sally"(52:36) Denzel Washington- form "St. Elsewhere" to the "Equalizer"Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

This week we take a look at Nick Cage in The Surfer. We also sound funny because we both have a cold.

Quiet on the set, we have special guest actor, teacher and coach Doug Chanselle-Hary on the podcast this week.  Doug shares his stories of being an actor for stage, TV, and film including a great story about being Nick Cage's body double on the blockbuster National Treasure.   Eric knocks his drink over in the middle of the podcast and the interview keeps rolling, no edits here, just being authentic and real Life With Eric.  This is an interview that will leave you with a smile on your face.

What should be the Hurricanes' game plan heading into Game 2?Thoughts on Nick Cage as John Madden and Christian Bale as Al Davis?How well can Bryce Young do this season?Brandon Anderson joined the show to discuss if the TWolves can make it a series vs OKC and the biggest X factor in Pacers/Knicks

C&R have fun talking Nick Cage & Christian Bale! The two portray John Madden & Al Davis in an upcoming movie! Will it be too difficult to get past Cage's famous face? On NFL social media team's day to shine, would Creed send the Chiefs/Cowboys Turkey Day game over the top? They have a great discussion about "becoming a man," sparked by Jayden Daniels' mom. Plus, 'MID WEAK MAJOR,' 'MIKES WEDNESDAY WORDS OF WISDOM' & tonight's NBA bets! See omnystudio.com/listener for privacy information.

NFL drops their schedule and Week 1 looks spicy! Tatum blows his Achilles and then the Celtics blow out the Knicks without him. Derrick Carr starts a new career as a Sephora greeter. Chris takes a deep dive into Nick Cage's body of work......

C&R celebrate NFL schedule release day with you! Pics of Nick Cage & Christian Bale are in the news, as the two portray John Madden & Al Davis in an upcoming movie! Will it be too difficult to get past Cage's famous face? On NFL social media team's day to shine, would Creed send the Chiefs/Cowboys Turkey Day game over the top? Plus, MLB bets & Jayden Daniels' mom strikes again! See omnystudio.com/listener for privacy information.

In this riotously entertaining episode, the RPGBOT.Podcast crew embarks on a wild ride from the expressive chaos of Nicolas Cage's acting to the mythic battlegrounds of Ysgard, the Viking heaven of Norse mythology. Along the way, the hosts take pit stops in Glorium's rowdy streets, wander the dwarven stronghold of Nidavellir, and contemplate the celestial politics of Seluna and Shar. Whether you came for cinematic hot takes, planar travel lore, or tactical GM advice, this episode has something for everyone who enjoys myth-heavy mayhem and tactical improvisation. The crew dives into the layers of Ysgard's lore—from eternal battles and sentient giants to magical gate towns and celestial intrigue—blending serious worldbuilding with their signature humor. They also tackle the practical side of RPG combat, offering advice on reskinning monsters, navigating Challenge Ratings, and surviving those “oh no” moments behind the DM screen. So strap in for an episode that's part mythic deep-dive, part Cage-fueled comedy roast, and 100% tabletop chaos. Key Topics Covered: Character Creation & Acting Tangents The artistry of Nicolas Cage: method actor or chaos incarnate? Mark Wahlberg's variable performance range. Why bad movies sometimes make for great inspiration. RPG character creation as a narrative tool and personal expression. Deep Dive: Ysgard, the Plane of Eternal Battle Ysgard is Viking heaven: eternal war, mighty mead, and storytelling mayhem. The confusing yet compelling structure of Norse myth and its impact on D&D lore. Differences between Ysgard and Akaron: glory vs. order. Portals, planar access points, and the metaphysical bus schedules to Ysgard. The Rumelais: unique native creatures with mysterious motivations. Giants in Ysgard: smart, social, and surprisingly civilized. Gate Town Glorium: culture-rich, fire-giant-threatened, and narrative gold. Nidavellir: a dwarven and gnomish city-state with its own unique governance. Celestials and cosmology: the Lilin, transformed by Seluna, and the tension with Shar. Mythical Bits & Narrative Hooks Rattatosker the squirrel: more than a meme, he's a lore-bearing rodent of mischief. How players can plug their own stories into the mythic framework of Ysgard. Tirza of Glorium: adding drama, danger, or comic relief to planar campaigns. The Gates of the Moon: not just a poetic name, but a powerful location. GM Tools: Combat on the Fly Strategies for improvising combat encounters. Why reskinning monsters keeps players on their toes. Action economy: what it is and how it defines encounter flow. The truth about Challenge Ratings: more suggestion than science. Tools of the trade: stat blocks, encounter tables, and “The Monsters Know What They're Doing.” Practice makes prepared: why experience is the best GM teacher. Key Takeaways: Ysgard is ideal for chaotic good storytelling, player-driven plots, and epic themes. Norse myth is vague, fragmented, and rich with room for creative adaptation. Glorium offers fertile ground for exploration, politics, and conflict. DMs can elevate encounters by preparing loose frameworks and embracing improvisation. Even the most over-the-top topics (Nick Cage included) can lead to real storytelling gold. If you enjoy the show, please rate and review us on Apple Podcasts, Spotify, or your favorite podcast app. It's a quick, free way to support the podcast, and helps us reach new listeners. If you love the show, consider joining us on Patreon, where backers at the $5 and above tiers get ad free access to RPGBOT.net and the RPGBOT.Podcast, can chat directly to members of the RPGBOT team and community on the RPGBOT.Discord, and can join us for live-streamed recordings. Support us on Amazon.com when you purchase products recommended in the show at the following link: https://amzn.to/3NwElxQ How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra Twitter: @RPGBOTDOTNET Facebook: rpgbotbotdotnet Bluesky:rpgbot.bsky.social Ash Ely Professional Game Master on StartPlaying.Games Twitter: @GravenAshes YouTube@ashravenmedia Randall James @JackAmateur Amateurjack.com Producer Dan @Lzr_illuminati

THIS IS A PREVIEW. FOR THE FULL EPISODE GO TO Patreon.com/worstofall Caleb @BirdRespecter (Western Kabuki, 60 Minute Drill) joins Brian and Josh to tell the story of Richard “Beebo” Russell, a man who walked off his job as a baggage handler at Seattle-Tacoma International Airport one day in 2018 to steal an airplane. Russell and his ill-fated flight quickly became a cause célèbre among some of the darkest corners of the internet, continuing to this day. This episode tries to figure out how and why that happened. Note: This episode deals with suicide and racist extremism. Caleb: Bluesky // Twitter // Linktree Western Kabuki: Formerly the preeminent Nick Cage podcast, this show is now a few friends from Twitter, @Birdrespecter, @AGoldmund, and @JUNlPER discussing what's going on online. Patreon // Spotify // Apple Podcasts // Bluesky // YouTube Media referenced this episode: “The Sky Thief: Beebo Russell's Last Flight” by Tim Dickinson. Rolling Stone, June 24, 2021. “I Worked With Richard Russell at Horizon Air, and I Understand Why He Did What He Did” by Todd Bunker. The Stranger, August 17, 2018. “‘Airplane of opportunity'? Richard Russell raised pilot's suspicions a year before Sea-Tac plane heist” by Lewis Kamb. The Seattle Times, September 12, 2018. “Sea-Tac air traffic controller faced ‘one in a million' scenario with stolen plane” by Daniel Beekman and Michelle Baruchman. The Seattle Times, August 11, 2018. “FBI: Richard Russell, who stole plane from Sea-Tac, acted alone, crashed on purpose; motive a mystery” by Lewis Kamb. The Seattle Times, November 9, 2018. “Human remains, flight data recorder found among wreckage of stolen plane on Ketron Island” by Stacia Glenn. The News Tribune, August 13, 2018. “Airline job was way for man who crashed stolen plane to visit Alaska” by Adam Lynn, Alexis Krell, Sue Kidd, Lauren Smith and Craig Sailor. The News Tribune, August 12, 2018. “White nationalists and the ‘Sky King'” by Martin McKenzie-Murray. The Saturday Paper, August 18, 2018. FBI press release on investigation from November 2018 Redacted FBI report from the investigation Music used in this episode: Anticipation by Drill Folly Lookin' For That Orca (Beebo's Song) by Johny Maudlin TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: The first seven pages of “The Hidden Enemy,” written and performed by Josh Boerman

So two weeks ago we attempted to recall the plot of You Only Live Twice from memory, after having last watched the movie in 2021. This week, we all watched the Nick Cage vehicle (get it) Gone in 60 Seconds a matter of days before recording and somehow remembered it even less. Joining us is returning champion, friend of the show, photographer and automotive journalist Victoria Scott!  You can find her at https://bsky.app/profile/victoriascott.bsky.social and support her work at https://www.patreon.com/vantimevictoria ----- FREE PALESTINE Hey, Devon here. As you well know I've been working with a few gazan families to raise money for their daily living costs in the genocide. We're putting all our energy into this one campaign as we have a real chance to get Ahmed and his family out of Gaza. Please, if you can help in any way, be that by donating yourself or sharing the link with friends and family, it will mean the world to me. https://chuffed.org/project/124906-help-ahmed-and-family-evacuate-gaza ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com

During Shakira recent show she gave love to her nanny who told her about her husband cheating. Nick Cage and his new movie called “Gun Slingers” and his voice. The return of Phineas and Furb is coming back, on June 5th on Disney Channel.Make sure to also keep up to date with ALL our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts

Join Max, Doolin, and Kenny as we answer YOUR burning questions! We asked members of our Discord to submit questions from any topic; Board games, movies, or all the space in between. We talk popcorn, Austin Powers, board game mechanics, podcast recommendations, blank checks, and so much more! Want to participate next time? Be sure to join our Discord, link below, to submit your own questions when the time comes! —————

This is a preview of a bonus episode! check it out on our beautiful Patreon. Our wonderful patreon. This week, we're talking about agricultural horror with the wonderful Michael from Worm from Home!  The Wicker Man is a 1973 British folk horror starring Edward Woodward, Britt Ekland, and Christopher Lee. You may be familiar with it from an american remake starring Nick Cage, but we're talking about the real McCoy today babey. Check out Worm from Home Here! And please do donate to Maher's fundraiser here: https://chuffed.org/project/121901-help-mahers-family-with-medical-costs ---- FREE PALESTINE Hey, Devon here. As you well know I've been working with a few gazan families to raise money for their daily living costs in the genocide. As a ceasefire has been announced, we hope soon plenty of Aid can get in and help alleviate the dire famine they're being subjected to. But until then, they still have to afford to eat, so we ask for you to keep helping them out, just a little longer. https://www.gofundme.com/f/a8jzz-help-me-and-my-family-get-out-of-the-gaza-strip https://www.gofundme.com/f/help-me-and-my-family-to-find-a-safe-place https://www.gofundme.com/f/help-us-maher-and-my-family-to-leave-gaza-to-belgium https://www.gofundme.com/f/htdcj-evacuating-my-family-from-gaza https://www.map.org.uk/donate/donate ----- This is an unlocked bonus episode, find the rest here, on our reasonably-priced patreon! https://www.patreon.com/killjamesbond ------ WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com

Seth Grahame-Smith (Beetlejuice Beetlejuice) joins Paul, Jason, and June to discuss the 1997 Nick Cage classic, Con Air. LIVE from Largo in Los Angeles, they cover Nic Cage's southern accent, John Cusack's socks with sandals look, June's love of plane movies, and so much more. Plus, everyone talks about John Malkovich having the greatest villain death of all time during audience Q&As! (Originally Released 04/17/2015) Tix for our Spring 2025 tour in Austin, Denver, Seattle, Boise, San Fran, Portland, & Los Angeles are on sale now at hdtgm.com.Order Paul's book about his childhood: Joyful Recollections of TraumaFor extra content on Matinee Monday movies, visit Paul's YouTube page: youtube.com/paulscheerTalk bad movies on the HDTGM Discord: discord.gg/hdtgmPaul's Discord: discord.gg/paulscheerFollow Paul's movie recs on Letterboxd: letterboxd.com/paulscheer/Check out new HDTGM movie merch over at teepublic.com/stores/hdtgmPaul and Rob Huebel stream live on Twitch every Thursday 8-10pm EST: www.twitch.tv/friendzoneLike good movies too? Subscribe to Unspooled with Paul and Amy Nicholson: listen.earwolf.com/unspooledSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael: www.thedeepdiveacademy.com/podcastWhere to find Paul, June, & Jason:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on social mediaGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm.