Podcast appearances and mentions of Jason Lytle

During my recent conversation with Niko Stratis about her new book, The Dad Rock That Made Me a Woman, she described her affection for Jason Lytle's band Grandaddy, and I mentioned I'd interviewed Jason before. Well, this got me looking for that talk and here it is! This phoner between Jason and I took place on Tuesday December 4, 2012 at 11 AM ET and was focused on his solo album Dept. of Disappearance, and we covered other things too, including whether or not Grandaddy might ever make music or play shows again. As it happens, Grandaddy will be on tour soon!To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Related episodes/links:Ep. #974: Niko StratisEp. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #803: The Replacements' ‘Tim: Let it Bleed Edition' with Bob Mehr, Jason Jones & Ed StasiumEp. #717: No AgeEp. #704: Sam Prekop and John McEntireEp. #694: David CrossSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

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For the first of our special LISTMAS LOCK episodes, hosts Reggie Worth and Jason Jefferies are joined by Jason Lytle, frontman of Grandaddy, who discusses his latest album Blu Wav, which is on Dangerbird Records.  Topics of discussion include skateboarding, the intersection of nature and technology, the influence of place on art, office environments, Jazzmasters, the lesser explored parts of Yosemite, making positives out of negatives, Pintos on the moon and much more.  Blu Wav can be purchased from your friendly local record store or ordered here.  Happy listening!

Welcome to the show Jason Lytle from Grandaddy who even though isnt a horror fanatic has chosen a film with one of the most horrific scenes in it ever filmed, to my mind. Ted Kotcheff's Wake In Fright. Australia is huge, you can get lost, both physically and mentally.Grandaddy Jason Lytle

durée : 00:54:08 - C'est Lenoir - par : Bernard LENOIR - Pour cette Black Session qui inaugurait l'été 2003, les anti-héros de l'indie rock américain, Grandaddy, étaient à l'honneur. Entre riffs de guitares accrocheurs, spleen californien et tubes lo-fi, Jason Lytle et ses sbires s'illustrent à travers un concert impeccable. - invités : GRANDADDY - En direct du studio 105, Black Session en compagnie du groupe GRANDADDY - réalisé par : Michelle SOULIER

Seja talks to her guest Jason Lytle (Grandaddy) about growing up Modesto, moving to LA on his own terms, home recording and weird shows in Germany. Jason tells Seja about the last tour he did of Australia, his thoughts on continuing to use the name Grandaddy, and wanting to honour one's own influences without compromise. They chat about imposter syndrome, their love of Jeff Lynne, synths and how to keep songs interesting. Jason's strange show story was illustrated by friend of the podcast Spod. You can see more of Spod's music and videos @spodemonic or or https://www.spod.com.au/ All illustrations can be seen on instagram @hearsejpodcast or on the HearSej facebook page.

Longtime contributor Hobart Rowland takes a deep dive into the influential albums championed by the magazine, plus brand-new releases from marquee MAGNET artists. Each podcast episode features music from the LP and exclusive, in-depth interviews with the artists, producers and other key players. For the debut “Instant” Classics episode, Rowland gets the real story behind the making of Blu Wav, Grandaddy's first album in seven years, from Jason Lytle and Jim Fairchild. --- Support this podcast: https://podcasters.spotify.com/pod/show/magnet-magazine/support

On this week's Talkhouse Podcast we've got a pair of songwriting visionaries who came to prominence in the 1990s with well respected indie bands, and who both have vital new music out now: Jason Lytle and Gruff Rhys. Lytle started making music under the name Grandaddy back in 1992. He was pro skateboarder who found a second passion in home recording, and as you'll hear in this chat, kind of stumbled upon some guys who helped him flesh out the sound into something both humble and grand. The first run of Grandaddy albums—including Under the Western Freeway and 2000's classic The Sophtware Slump—felt a bit like quieter, more heartfelt cousins to the music the Flaming Lips were making at the time. After that initial run, the band eventually split up, only to reform sporadically over the years. Lytle also recorded some really fascinating solo records while also time—as you'll hear—to try and leave the music world behind a little bit. But he's been called back to the Grandaddy world with a brand new album called Blue WAV, and it's everything you'd expect from him brain: a mixture of sweet sadness with fuzzy guitars and synths from another age. Check out “Cabin in my Mind” from Blue WAV right here. The other half of today's conversation is Gruff Rhys, who just released his 25th album overall in a career that has spanned 35 years and taken some fascinating turns. He's still probably best known as the frontman of the colorful, psych-leaning Welsh pop band Super Furry Animals, which was signed to the venerated Creation Records label back in the 1990s, and whose records and visuals always zigged when you thought they might zag—that's a compliment. For his solo work, Rhys has been genre-expansive to say the least, but his brand new record, Sadness Sets Me Free, is refreshingly straightforward pop. As you'll hear in this chat, it was recorded pretty quickly, without a lot of fuss. It doesn't sound miles away from the new Grandaddy album, really. Check out “Bad Friend” right here. As it turns out, these two toured together a million years ago, and each has fond memories of that time—a soccer match, a special parting gift, and more. They also chat about Lytle's preference to stay away from the madness of the big city, even as he lives perilously close to it once again as well as their tendency to make up words in their songs when the ones that exist just won't do. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Gruff Rhys and Jason Lytle for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, the Talkhouse theme was composed and performed by the Range, and we offer special thanks this week to Keenan Kush. See you next time!

Jason Lytle is the driving force behind legendary American indie rock band Grandaddy. The band was formed in 1992, and has released six studio albums to date including the critically acclaimed 'Sumday' in 2003. Grandaddy disbanded in 2006, but reunited in 2017 to release their new album 'Last Place'. Their latest album is 'Blu Wav' (2024) and we spoke with Jason about the album, the misuse of technology, how he creates songs,  pedal steel guitar, making the music sound effortless, and a lot more! (10/01/2024)Interview by: Robin HignellSupport the showThank you for listening! For more interviews with your favorite artists visit the FaceCulture YouTube channel.

Mark Windt, born in Cleveland, later a resident of Holland, and now back in Ohio, performs under the name Kramies.  Have you heard of him?  We hadn't. But Patrick Carney of the Black Keys has. So has Jason Lytle of Grandaddy. Kramies has performed with Spiritualized, Yo La Tengo, and Calexico, and currently is on tour with Tyler Ramsey of Band Of Horses.   In this episode, Bob and Nick visit with Kramies, learn about his interesting career and listen to some of his evocative dream pop.  And we discuss the current weirdness of the music business, how difficult and yet simultaneously easy it is to develop an audience, and get your music heard. Note: Kramies is also a very funny fellow, and this is a particularly interesting episode! Tune in Thursday, February 8, at 10 pm to The Summit FM, 91.3, or listen anytime on Apple, Spotify, Google, Podbean, SoundCloud, or wherever you get your podcasts! (Thanks to Brad Savage)

This week I am extraordinarily excited to have Jason Lytle of Grandaddy on the show. We talk about his process and the upcoming GD album, Blu Wav which comes out February 16th. https://www.grandaddymusic.com/ Fair warning, I ramble and babble A LOT on this one! My new Xmas MIxtape is on Bandcamp: christMIXtape Vol 3: https://timheld.bandcamp.com/album/christmixtape-vol-iii Pod Mod store: https://www.podularmodcast.com/store support pod mod on patreon (https://www.patreon.com/podularmodcast) thank you: 4ms: https://4mscompany.com/ patchwerks: https://patchwerks.com/ qubit electronix: https://www.qubitelectronix.com/ novation: https://novationmusic.com/en/synths/summit waveform magazine: https://waveformmagazine.com/

Grandaddy - "The Town Where I'm Livin Now" from the 2023 album Sunday: Excess Baggage on Dangerbird Records Long-time KEXP faves Grandaddy recently a digital-only collection of rarities and b-sides titled Sumday: Excess Baggage. With a career spanning three decades, there are a lot of gems within, including today's Song of the Day, a dreamy tribute to songwriter Jason Lytle's home in California. “I like making songs like this," he shares in a press release. "Lots of bleak but sweet visuals. Everyday stuff available for everyone to see…but some of us just end up with the twisted work of documenting it.” On the collection, he continues: “After many years of hammering away at writing and recording as Grandaddy, Sumday seems to be the center of it and where it all peaked. To the journalists we were, ‘On the verge of greatness, underrated, overlooked, unsung.' It was a tumultuous and exciting time for us for sure. Also very exhausting." “Revisiting this material and reflecting on those times has been a double edged sword. Bittersweet is an apt word, I suppose. Twenty years after the fact, I'm just grateful to be alive and kicking… celebrating that moment in time by re-releasing the original album, B sides and extras of that era, and even some raw cassette demos of the album itself a sort of sketchbook/rough draft of the LP in cassette form. So be it then. ‘On the verge of greatness, underrated, overlooked, unsung.' This is what all of that sounds like. I'll take it.” Revisit our 2020 interview with Lytle on their last full-length, 2017's Last Place, and the passing of their bassist Kevin Garcia.  Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Episode 31 is back after being banned from all streaming platforms. New (the same) and improved (still mid) with certain sonic elements removed (as to not get sued). It's time to find out which LPs and/or 12” singles filed under the letter “G” from Jay & Deon's collections they love most, then rap about the bands behind the vinyl. GO! -- In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past half century, countless artists and professionals across the globe have benefited from utilizing the oblique strategies technique when attempting to overcome a lull in creative output. In 2024, idiotic, introverted one-time award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential themes of their upcoming thirty-first episode. Together, they decided... to default back to the alphabet. Because they have a reasonably good solid grasp of the alphabet and how it works. They had previously utilized the letters A thru F, so naturally, they went with G. The “G” mixtape: (A1) Game Theory – Erica's World (A2) Grant Green – We've Only Just Begun (A3) Grazia – Soyle Beni (A4) Goodie Mob – Cell Therapy (A5) Glitterhouse – I Lost me a Friend (B1) Gure featuring Roy Ayers – Take a Look (at Yourself) (B2) Grandaddy – Hewlitt's Daughter (B3) Marvin Gaye – Trouble Man (B4) Guadalcanal Diary – 3 AM (B5) The Goon Sax – Sweaty Hands Sonic contributors to the thirty-first episode of Lightnin' Licks Radio, the letter “G” redux, include: Prince Paul, Brothers Johnson, James Todd Smith, Arc of All and The Source of Light and Power, J. Geils Band, Geto Boys, The Goon Sax, The Go-Betweens, Guadalcanal Diaries, Let's Active, Guru, Roy Ayers, Gangstarr, Donald Byrd, DJ Premier, MC Solar, Game Theory, Loud Family, Goodie Mob, Cee-lo Green, Dungeon Family, Gnarls Barkley, Grandaddy, Jason Lytle, Mercury Rev, All Smiles, Grant Green, Rudy VanGelder, The Carpenters, Glitterhouse, Marvin Gaye, Curtis Mayfield, Young-Holt Unlimited, Grazia, Marco Bachir, also Bachir Attar with Elliot Sharp, Cervo, Radio Trip, Jimmy Buffet, and The Clockers.  *2023 Review magazine readers' choice; best live streaming production   --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

A week out from The Crystal Method's December 2022 Australian shows, Scott Kirkland talks about the DJ set he's bringing down under and dives into some very engaging topics to do with the many collaborators he's enjoyed working with. Across many album cuts, he's invited Tom Morello, Scott Weiland, John Garcia, actress Milla Jovovich, Wes Borland, Jason Lytle, Peter Hook, and Justin Chancellor to add their magic. Scott also talks about the Chef Aid album for South Park and the re-working of the song "Vapor Trail", which featured vocals from DMX, Ol' Dirty Bastard, and Ozzy Osbourne.

Jason Lytle of indie rock band Grandaddy joins Brian Huskey and Matt Besser for this week's improv4humans! Jason performs songs that inspire scenes about optimistic airline pilots, Ozzy's overcrowded entourage, faking happiness with an app, and more.

A cura di Fabio Barbieri. Musiche: Real Estate, Low, Standells, Fleet Foxes, Archer Prewitt, Beatles, Sean Carey, Jason Lytle, Neil Young And Crazy Horse, Lana Del Rey, Pullman, Arliss Parker, Bark Psychosis. Lettura: Angelo Miotto.

In episode 5 of Accolades we talk to Jason Lytle (Grandaddy) about Jerzy Kukuczka, an alpine and high-altitude climber from Katowice, Poland. On 18 September 1987, he became the second man (after Reinhold Messner) to climb all fourteen eight-thousanders globally, a feat that took him less than eight years to accomplish. He is the only person in the world who has climbed two eight-thousanders in one winter.

Daryle Bascom is Grandaddy's tour manager, and he shares loads of insights from his time on tour with Grandaddy.  Through a series of connections in which Daryle explains, he ended up on the crew for the legendary Elliott Smith/Grandaddy tour, in support of Figure 8 and The Sophtware Slump respectively.  He shares several stories from that tour, but he also reflects upon other notable moments (good and bad) while on tour with Grandaddy and how Jason's songs have become the soundtrack to his life.  Things to click: Go Progress Chrome by Grandaddy on Spotify Summer...It's Gone by Grandaddy on Spotify He's Simple, He's Dumb, He's the Pilot (live) by Grandaddy (with Elliott Smith) via YouTube (Don't Fear) The Reaper (live) by Elliott Smith (with Grandaddy) on bandcamp Wouldn't Mama Be Proud by Jason Lytle and The Color Bars Experience via grandaddy.live I Better Be Quiet Now by Jason Lytle and The Color Bars Experience via grandaddy.live Everything Means Nothing to Me by Jason Lytle and The Color Bars Experience via grandaddy.live Rear View Mirror by Grandaddy on Spotify O.K. With My Decay by Grandaddy on Spotify Social media @jlytlepodcast simpledumbpodcast.com

Brad Sucks writes indie rock songs while recording things himself. Needless to say, he views Jason Lytle as a huge influence and is prepared to explain why.  He also talks about the bizarre circumstances in which he and Jason came to collaborate on "In It to Win It", a single from his most recent LP, A New Low in Hi-Fi.   Things to click: Go Progress Chrome by Grandaddy on Spotify The Motivation by Brad Sucks on bandcamp Miner At The Dial-A-View by Grandaddy on Spotify In It to Win It by Brad Sucks (featuring Jason Lytle) on bandcamp Now It's On by Grandaddy via Spotify Making Me Nervous by Brad Sucks on bandcamp A New Low in Hi-Fi by Brad Sucks on bandcamp Social media @jlytlepodcast simpledumbpodcast.com

Eric Pulido is a guitarist/vocalist for the band Midlake.  Midlake has shared a close relationship with Jason Lytle over the last decade, and Eric joins us in this episode to share the hard-to-believe story of how that relationship came about as well as what it has grown into.  He also talks about BNQT, the unique collaboration that included Midlake, Jason, and others.   Things to click: Go Progress Chrome by Grandaddy on Spotify Roscoe by Midlake on bandcamp I Need You by Jason Lytle and Midlake via YouTube Volume 1 by BNQT on bandcamp Failing at Feeling by BNQT on bandcamp Kingfish Pies (Midlake cover) by Jason Lytle and Thomas Fairguson via YouTube Heart of Gold (Neil Young cover) by Jason Lytle and Midlake via grandaddy.live Broken Household Appliance National Forest by Grandaddy via Spotify 100 Million Miles by BNQT on bandcamp Social media @jlytlepodcast simpledumbpodcast.com

Johnny Lynch records music as The Pictish Trail.  He also runs Lost Map Records from the Isle of Eigg.  In 2019, Jason Lytle - as part of the Arthur King Collective - visited and recorded music as a joint production of Lost Map's "Visitations" series and Arthur King Production's "Changing Landscapes" series.  Pictish Trail provides his insights on his interactions with Jason during these unique recording circumstances.  Also, as a huge fan of Grandaddy's and Jason's, he's keen to share his views on what makes Jason's songwriting so great.   Things to click: Go Progress Chrome by Grandaddy on Spotify Fear Anchor by Pictish Trail on Spotify via Fire Records An Sgurr by Arthur King Collective on Bandcamp VISIT

In this episode, Jason Lytle reflects on the process of making Grandaddy's second album, THE SOPHTWARE SLUMP. Jason talks about being "a man with a mission" while holing up in a farmhouse outside of their hometown of Modesto, California and tracking and mixing nearly everything himself. During this era when bands were starting to record themselves, Jason describes how he was obsessively buying gear and learning the craft of recording while being inspired to experiment after hearing Radiohead's OK COMPUTER. Since Grandaddy had signed with major label, V2, prior to the making of the record, Jason describes the pressure he felt as the band was gaining popularity and the curse of the sophomore slump lingered. From writing cautionary tales, sci-fi epics and songs about drinking and failed relationships to sending a joke version of the album to the label to sharing a stage with Elliott Smith, we'll hear the stories around how the record came together.

Drew Brown of OneRepublic shares his candid thoughts on the band Grandaddy and Jason Lytle's music.  He offers an honest perspective on Grandaddy's track in the music industry, and we also talk plenty about the "mythology" of Jason's creativity. Drew also has an interesting choice for his favorite song written by Jason - something he refers to as his "mantra".   Things to click: Go Progress Chrome by Grandaddy on Spotify Counting Stars by OneRepublic on Spotify A.M. 180 by Grandaddy on Spotify "Twitter Project" by @LytleSongs on Twitter Birds Encouraged Him by Jason Lytle and Aaron Burtch on YouTube I Am Lost (And The Moment Cannot Last) by Jason Lytle on YouTube Our Dying Brains by Grandaddy on Spotify Lost On Yer Merry Way by Grandaddy on Spotify Say (All I Need) by OneRepublic on Spotify Social media @jlytlepodcast simpledumbpodcast.com

Kyle Field of Little Wings regales us with stories of early Grandaddy with a level of detail that will leave you both impressed and wanting to listen once more to make sure you heard it all.  He talks about his first band Rodriguez (with M Ward and Mike Funk) and the formative interactions with Grandaddy that took place over 20 years ago.  There's so many great anecdotes about early Grandaddy that I don't want to spoil any of them here - I'll leave it to Kyle.  Also, you hear about Little Wings' "connection" to the Grandaddy story!   Things to click: Go Progress Chrome by Grandaddy on Spotify Why Me? by Little Wings on Spotify Sights or Sounds by Rodriguez via Discogs Nebraska by Grandaddy on grandaddy.live (More Like an Ocean than a) Bathtub by Rodriguez via Discogs Our Dying Brains by Grandaddy on Spotify Color of Dirt by Jason Lytle via bandcamp A.M. 180 by Grandaddy on Spotify Fat Chance by Little Wings on Spotify Social media @jlytlepodcast simpledumbpodcast.com

For Father's Day, we are speaking with Jason's own father, Jerome Lytle.  We'll talk about what Jason was like growing up, what it was like to parent someone trying to break into the music industry, and we do our best to pin him down on what his favorite song of Jason's is.   Things to click: Go Progress Chrome by Grandaddy on Spotify MGM Grand by Grandaddy on grandaddy.live Aviatress by Grandaddy on grandaddy.live I'm In Love With No One by Grandaddy on grandaddy.live Jed's Other Poem (Beautiful Ground) by Grandaddy on Spotify Jed's Other Poem (Beautiful Ground) - Piano Version by Grandaddy on Spotify Jed's Other Poem (Beautiful Ground) - Live at The Partisan by Jason Lytle on grandaddy.live Jerome Lytle's channel via YouTube Social media @jlytlepodcast simpledumbpodcast.com

On this episode, we speak with Daniel Ash, who records indie pop songs under the name Teenage Waitress.  Despite never having met Jason Lytle, he has loads to say about Jason's music and its influence on his own work.  He also goes in-depth on his favorite song of Jason's, and it's not one that you'd probably expect.   Things to click: Go Progress Chrome by Grandaddy on Spotify You Ain't Got It Bad by Teenage Waitress on Spotify Love and Chemicals by Teenage Waitress on Spotify He's Simple, He's Dumb, He's the Pilot by Grandaddy on Spotify Why Would I Want to Die? by Grandaddy on Spotify Aisle Seat 37-D by Grandaddy on Spotify I'm Leaving Berlin by Teenage Waitress on Spotify Social media @jlytlepodcast simpledumbpodcast.com

For this episode, we are speaking with Kramies, the folk singer/songwriter who has worked with Jason occasionally over the last 10 years. Kramies shares his perspective on the type of jaw-dropping impact that Jason can have on a song during its production.  Additionally, he'll explain what is perhaps the greatest metaphor anyone could possibly come up with to explain Grandaddy.  To wrap up, Kramies will discuss another iconic song written by Jason Lytle, pointing out details that many may not have previously noticed otherwise.   Things to click: Go Progress Chrome by Grandaddy on Spotify Clocks Were All Broken by Kramies on Spotify Jason Lytle/Kramies video on Youtube Of All The Places Been by Kramies on Spotify 3ingle by Jason Lytle, Little Wings, Kramies on Bandcamp 3ingle Live in SLO by Jason Lytle, Little Wings, Kramies on Bandcamp Color of Dirt by Jason Lytle on Bandcamp Underneath the Weeping Willow by Grandaddy on Spotify Sea Otter Cottage by Kramies on Spotify Social media @jlytlepodcast simpledumbpodcast.com

Mike King talks to Julien Faraut about THE WITCHES OF THE ORIENT. The most unbeatable team you’ve likely never heard of gets a revolutionary treatment in this stylish documentary, which breathes vital new life into the sports film. Our heroes are the Japanese women’s volleyball team, who utterly dominated the sport in the 1960s, winning the Olympic gold medal plus a whopping 258 consecutive matches along the way—a record that still stands to this day. The squad began as a workers’ team at a textile factory, with all-night practice sessions under the ruthless training of their notorious head coach. By the end of their run, they were national icons, credited with inspiring Japan in its post-WWII malaise. Now in their 70s, we meet the surviving teammates at a lunch get-together, the camera orbiting around these casually tough champions with a reverence that recalls the opening of Reservoir Dogs. As demonstrated in his visionary John McEnroe documentary In the Realm of Perfection, director Julien Faraut has a genius for repurposing archival footage in new ways. The Witches of the Orient brilliantly intercuts a wide array of source material: training films, transcontinental broadcasts, and most memorably, clips from vintage anime and manga fictionalizing the team’s journey. Music is the motor that ties together and propels Faurat’s gripping montage, including new original songs by Grandaddy mastermind Jason Lytle. 2021 Rotterdam Film Festival. (MK)

In our second episode, we speak with Stevie Scullion, better known as Malojian. In 2019, Malojian recorded Humm, his fifth studio album, with Jason Lytle producing. Having been a Grandaddy fan for many years, he shares some of his thoughts on Jason's own music as well as what it was like to work and tour with one of his biggest influences. Malojian also talks to us about definitively one of the best songs ever written by Jason.   Things to click: Go Progress Chrome by Grandaddy on Spotify Salt by Malojian on Bandcamp Summer Here Kids by Grandaddy on Spotify Humm by Malojian on Bandcamp The Singularity by Malojian & Jason Lytle on Bandcamp The Singularity by Admiral Radley on Bandcamp He's Simple, He's Dumb, He's the Pilot by Grandaddy on Spotify The Golden Age by Malojian on Bandcamp Social media @jlytlepodcast simpledumbpodcast.com

Our initial guest is none other than Ben Bridwell from Band of Horses.  He's been friends with Jason Lytle for a long time and a fan of Jason's music for even longer.  He offers up some interesting stories about the first time he heard Jason's music (Grandaddy), the first time they met, and other stories about being out on tour or in the studio with Jason.  Of course, Ben also walks us through one of his favorite Jason Lytle songs.   Things to click: Go Progress Chrome by Grandaddy on Spotify Casual Party by Band of Horses on Spotify Now It's On by Grandaddy on Spotify Why Are You OK by Band of Horses on Spotify Don't You Take It Too Bad by Band of Horses & Jason Lytle on Soundcloud Ghost of 1672 by Grandaddy on Spotify Superstar by Sonic Youth on Spotify In A Drawer by Band of Horses on Spotify Social media @jlytlepodcast simpledumbpodcast.com

In this podcast, we'll be talking with friends and fans of Jason Lytle's about his music and their favorite song within his catalog.

Absolute honour chatting to Jason Lytle; singer and songwriter for the band Grandaddy, as well as solo musician and absolute legend, on this episode of the podcast.  It's hard to describe how much it meant to me to chat with Jason, I'm incredibly thankful. 'Sophtware Slump' is an album that really affected me and my music taste in a major way, hearing it recently reworked and stripped back on the wooden piano was absolutely wonderful too. It's not just that album though, Jason's work just hits me where it hurts (in the best way possible) and; in particular, his solo release 'Yours Truly, The Commuter' gained new meaning  when I had to go back to London and commute daily a while back.  I don't think I ever quite cried at 8am on a packed Central Line tube, but I've sure come close (that's a lie, I've cried on the tube plenty of times).Support the show (https://ko-fi.com/miztrujillo)We cover a lot on the episode. I was looking forward to chatting about Jason's relationship with skateboarding and how that affected his trajectory, I obviously wanted to talk about music, but we also touch on mental health, marketing, our relationship with social media, finding balance and everything in between. I really hope you enjoy this one. Thanks Jason.Jason Lytle is playing some really special Grandaddy live stream shows in April and I couldn't be more excited. Check out more info here and see ya there! - https://www.momenthouse.com/grandaddyCheck out Jason Lytle : http://jasonlytle.comCheck out Grandaddy : https://www.grandaddymusic.comFollow Jason on:Instagram: https://www.instagram.com/jasonlytleTwitter: https://twitter.com/jasonlytleFacebook: https://www.facebook.com/jasonlytleFollow Grandaddy on: Instagram: https://www.instagram.com/grandaddymusicTwitter: https://twitter.com/teenbottlerockFacebook: https://www.facebook.com/grandaddymusicCheck out the beautiful covers that Jason released in January: http://dangerbirdrecords.com/releases/2020s-over-coversIf you can spare a minute, leave us a review on Apple Podcasts or recommend us on any network. Looking to set up your own Podcast? Feel free to get in touch with any questions, but I'd recommend using Buzzsprout as it makes everything super smooth and easy, they have great advice, super easy user interface and have been keeping my podcast going easily!! You can use this link and get a $20 Amazon gift card if you sign up for a paid plan,  plus it helps support our show: https://www.buzzsprout.com/?referrer_id=201557Catch you next week!Support the show (https://ko-fi.com/miztrujillo)

The Grandaddy frontman and songwriter saw the anniversary as an opportunity to re-record one his band's most-loved albums from a lifetime away and with a vastly different arrangement.

Ara fa 20 anys que la banda californiana liderada per Jason Lytle publicava "The sophtware slump", un dels seus discos m

La cosa va de aniversarios. Y redondos que son los que más se celebran. Hace unos días La 2 ofreció dos películas de Pedro Almodóvar. Y una de ellas (las aventuras de Pepi, Luci, Bom y otras chicas del montón) fue este debut que cumple 40 años justo hoy día 27 de octubre. Por eso nada mejor rememorar aquellos primeros tiempos del manchego y recuperar uno de los temas menos conocidos de Alaska y los Pegamoides y que formó parte de su banda sonora. Diez años menos tiene el sello discográfico que creó Jeff Barret y que tiene en su escudería hoy (y tuvo ayer) nombres importantes de los sonidos actuales. Recuperamos a Saint Etienne y ese "Foxbase alpha" que fue la primera referencia de la etiqueta en tanto que Beth Orton y su "Trailer park" fue la número 15. Y se celebra con un libro ("Believe in magic") que cuenta la historia de Heavenly. Y por seguir con onomásticas son veinte años de "The sophtware slamp" el segundo trabajo del proyecto de Jason Lytle, Grandaddy. Noticia del día es la reunión a través de zoom celebrando el Tai Chi Day con Laurie Anderson como anfitriona, recordando a su marido Lou Reed en un evento al que se apuntó Iggy Pop. Más noticias nos llevan a la brillante iniciativa de músicos de Glasgow (como Belle & Sebastian) de sacar un disco en donde los seguidores elijan la versión que quieren que hagan sus artistas favoritos. Los beneficios irán a parar a todos aquellos músicos, ayudantes y en definitiva gente de la crew que ha visto mermados o aniquilados sus ingresos durante la pandemia. Además sabemos que Lily Allen anuncia que (y eso valdrá para su próximo disco) no volverá a firmar con una gran compañía. Dos recuerdos para dos músicos. El artista americano Jerry Jeff Walker falleció a los 78 años y Artur Mercé, 58 años, guitarra de la banda leridana Primavera Negra. El retrovisor nos llevó a recordar el disco que sacaron Trembling Blue Stars en 2010 ("Fast trains and telegraph wires"). Novedad foránea es el single flamante de Jody & The Jerms, desde Oxford. En la recta final dos guitarras poderosas. La de B.B. King con dos (una, oficial; la otra, no) películas (o biopics) en marcha o en preproducción. Y la de Eric Clapton dentro de Derek and the Dominoes por la reedición con fetiches de su "Layla and other assorted love songs". Escuchar audio

How do you discover a band that you thought you already knew and had maybe even written off as an uncool oldies band? That’s one of the main questions I ponder in the second part of this marathon episode about the Beach Boys. The episode contains an exclusive performance by Grandaddy’s Jason Lytle.

In our previous episode, we met Grandaddy front-man Jason Lytle, and were introduced to the world of ARTHUR KING - a collective of musicians and film-makers associated with the Dangerbird Records label, in Los Angeles. The ferry from Mallaig had just arrived on the Isle of Eigg, and the ARTHUR KING gang were about to disembark, and begin their week long stay as part of our VISITATIONS artist residency project.Donning all-white laboratory overalls and red-beanie hats, the team immediately set about extracting samples of their surroundings with recording devices, creating an hypnotic collage of wildlife, nature, weather and local gossip. This provided the sonic landscape, over which the members improvised - culminating in a performance in the living room of one of the island’s residents, and a trippy late-night slot at the Ceilidh Hall as part of our Howlin’ Fling! festival.In this second episode of the podcast, we chat to Jason Lytle, Aaron Espinoza and Peter Walker about life on Eigg, their recording process and the creation of the music for the project, as well as the experience of performing at Howlin’ Fling!. It also features an exclusive recording of Jason performing a classic Grandaddy song on piano, live at the festival.If you’d like to support this podcast, and listen to the music that has been created by ARTHUR KING, you can do so by signing up to VISITATIONS. Go to www.lostmap.com/visitations for details on our vinyl and digital subscriptions.This series of VISITATIONS was conducted in St Franny’s Bothan. If you’d like to check out the space, and maybe book a trip to the island yourself, check out www.stfrannys.com.To check out the other projects of ARTHUR KING, go to www.whoisarthurking.com. You can see what Jason Lytle is up to, over at http://jasonlytle.com/.Lost Map Podcast is written, produced and presented by Pictish Trail. Additional production and editing by Joe Cormack.

Our second series of Lost Map’s artist residency project, VISITATIONS, gets underway with a release from ARTHUR KING - a collective of musicians and artists associated with the Dangerbird Records label, in Los Angeles.Their journey was sparked by an online conversation between Jason Lytle (front-man with alt-rock pioneers, Grandaddy) and Pictish Trail, in early-2019; having seen photos of our first series of VISITATIONS, Jason was keen to embrace the opportunity to explore the Isle of Eigg, and collaborate with his musical cohorts, Aaron Espinoza and Peter Walker of Dangerbird. All of this was to be captured on camera, manipulated, and projected back onto the island itself by fellow Arthur King companions, John Schlue and Aaron Farley. In this first episode of the podcast, we chat to Jason about his life in music, and his journey to Eigg … and we hear from Aaron Espinoza and Peter Walker about the Arthur King project itself.If you’d like to support this podcast, and listen to the music that has been created for this project, you can do so by signing up to VISITATIONS. Go to www.lostmap.com/visitations for details on our vinyl and digital subscriptions.Lost Map Podcast is written, produced and presented by Pictish Trail. Additional production and editing by Joe Cormack.

Daft-pop impresario Pictish Trail (aka Johnny Lynch) runs Lost Map Records from the remote Scottish isle of Eigg. In 2018, he conducted an artist residency programme on the island, inviting three different music acts over to write and record new material during the course of a week’s stay. The music they made was pressed on to vinyl, and available as part of a subscription set from the Lost Map website. The project was called VISITATIONS, and it returns in 2020 for a second season.There are three new acts taking part this year - the otherworldly L.A. collective ARTHUR KING (featuring alt-rock hero, Jason Lytle, of Grandaddy), the ecstatic post-punk of Glasgow’s RACHEL AGGS (of Sacred Paws, Shopping and Trash Kit), and the hypnotic sway of Winchester’s finest ROZI PLAIN. For this second podcast series, Pictish Trail will be interviewing the various musicians involved, asking them about their lives in music, and their experience on the island.If you’d like to support this podcast, and listen to the music that has been created for this project, you can do so by signing up to VISITATIONS. Go to www.lostmap.com/visitations for details on our vinyl and digital subscriptions.Lost Map Podcast is written, produced and presented by Pictish Trail. Additional production and editing by Joe Cormack.

This week, a special conversation with the founder and sonic visionary behind one of the America's most beloved and underrated roots-and-noise-rock groups, Grandaddy: Jason Lytle. Starting from humble beginnings as a trio of skateboarding friends in Modesto, CA in the early 1990s, Grandaddy put out a series of daring, deeply weird records all produced and written by Lytle that first caught fire in Europe, and by the turn of the Millennium, the band found themselves headlining rock festivals like Glastonbury in the UK and crashing late night TV in the US with the cool kids. But Jason wasn't cut out for traditional cookie-cutter stardom. Grandaddy broke up for six years, and after disappearing into the Montana wilderness, the soft spoken multi-instrumentalist mountain-crazy songwriter kept his devoted fanbase coming back by creating oddly-titled solo records of cinematically rich soundscapes that encircled whacked anti-heroes and telling poetic, campfire-ready short story songs that still make us worried kids feel heard and seen but also constantly keep us guessing. His latest “NylonAndJuno”, which dropped in August on Dangerbird Records, is an experimental instrumental album made entirely with a nylon string guitar and a vintage Roland Juno synthesizer. Zach was able to catch up with Jason before a rare and recent solo show in LA.

NYLONANDJUNO finds Jason Lytle trying something new. It’s a set of songs constructed around limitations — in this case, all of the music is played on a synthesizer and guitar, with a broken bottom nylon string. It’s also an entirely instrumental album, a far cry from the singer-songwriter’s days fronting indie-rock mainstay, Grandaddy. The record finds Lytle joyfully exploring new territory more than 20 years into his professional recording career. With a number of his fellow Arthur King collective members in town for an art exhibition, the musician joined us to discuss the ups and downs of his long celebrated career, time as a pro skater and reconnecting with the joy of making music.  

The group’s URL evocatively posits the question, Who Is Arthur King? It’s not a particularly easy question to answer. It never is with a collective. For the sake of brevity, we’ll cowardly default its own description. Arthur King is an experimental music and visual art collective seeking to engage the tension between the known and unknown inherent in creative expression. For the sake of this interview, Arthur King is, in part, former Earlimart guitarist Aaron Espinoza and painter, John Schlue. The first of a three part series, the duo will be joined in coming weeks by Grandaddy’s Jason Lytle and No Age’s Randy Randall. All parties sat down to discuss their on-going collaborations while putting on an exhibition in Manhattan. In this first part, Espinoza and Schlue discuss the collective’s multimedia work.

Here's Strange Brew #160 - MayDay - with gugai on 8radio.com. Hugh Cornwell from The Stranglers tells me his favourite song, and there's music from.... PowPig, Junior Brother, All Tvvins, Le Boom, Tame Impala, illuminati hotties, Haley Heynderickx, Jason Lytle, Two Door Cinema Club & Anna Mullarkey. Every Friday at 9pm & Saturday at 7pm on 8radio.com. Strange Brew : Songs Of The Day playlist - https://open.spotify.com/user/gugai www.strangebrew.ie www.facebook.com/strangebrewgalway www.twitter.com/@strangebrewirl gugai@strangebrew.ie

The musician Jim Fairchild joins us for our final episode of series one.  Jim plays guitar in Grandaddy - alongside our former guest Jason Lytle - and Modest Mouse, and he also works as a solo artist too.  It was when he was with Grandaddy that Jim first got to know Elliott Smith properly. The band joined Elliott on tour following the release of Figure 8 and they built up a friendship after that. Jim would even arrange for Elliott to come onstage to sing at the occasional Grandaddy live show and would visit him at New Monkey studio when he was trying to fix old equipment.  In this episode, Jim shares some great Elliott stories, as well as going in-depth on his favourite song pick.  Hope you enjoy this one. We'll be back with a new series in a few months - in the meantime, please do share the podcast with anyone you think might be interested.  **Extra things to look at / listen to:** * Happiness by Elliott Smith on Spotify: [https://open.spotify.com/track/3aU2ui8JQOtmgHYH0g1qFL?si=BG4sNlz6S6yIHcYC9KAfGA](https://open.spotify.com/track/3aU2ui8JQOtmgHYH0g1qFL?si=BG4sNlz6S6yIHcYC9KAfGA) * Figure 8 by Elliott Smith on Spotify: [https://open.spotify.com/album/7DC0pE943VR5tAKIvQXHts?si=k7gT_SU3Q6ioiKzwEqWT0g](https://open.spotify.com/album/7DC0pE943VR5tAKIvQXHts?si=k7gT_SU3Q6ioiKzwEqWT0g) * He's Simple, He's Dumb, He's the Pilot by Grandaddy on Spotify: [https://open.spotify.com/track/6v7xLYNIdtJkyCGsenzQxh?si=eNa3DE0wTE2z5yL8y15wiw](https://open.spotify.com/track/6v7xLYNIdtJkyCGsenzQxh?si=eNa3DE0wTE2z5yL8y15wiw) * Recording of Elliott playing He's Simple... with Grandaddy: [https://www.youtube.com/watch?v=6jZ0_YUXO-I](https://www.youtube.com/watch?v=6jZ0_YUXO-I) My Favourite Elliott Smith Song is produced by Rob Comba and Elizabeth Withstandley.  [www.MyFavouriteElliottSmithSong.com](http://www.myfavouriteelliottsmithsong.com/episodes.html)

The beginning! We're gonna have a new start, a new beginning, we need a change, it can't wait. The time has come - Moonlight Mile radio. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Let's Start by Fela Kuti & Ginger Baker on Fela With Ginger Baker Live! (Knitting Factory) 8′35″ I'm Ready by Muddy Waters on The Chess Box (Chess Records) 11′30″ New Amsterdam by The Love Language on New Amsterdam (Merge Records) 15′40″ Right Now, Right Now by Al Green on Gets Next to You (Hi Records) 18′30″ Wake Up Jacob by Pete Seeger on Frontier Ballads (Folkways) 18′49″ New Morning by Bob Dylan on New Morning (Columbia) 22′55″ Good Morning Little School Girl by Mississippi Fred McDowell on I Don't Play Rock N' Roll (Capitol Records ) 27′19″ Surprise by Lukas Nelson & Promise of the Real on Something Real (Royal Potato Family) 31′46″ I Hope the Crowd Is Great by Nate Bargatze on Yelled At By A Clown (aspecialthing) 33′02″ New Paint by Loudon Wainwright III on Album III (Sony Records) 36′50″ Starting Over by Black Lips on 200 Million Thousand (Vice Records) 40′46″ Wednesday by Carlie Mari on Bitch Like Me - EP (Self Release) 45′38″ The Bright New Year by Bert Jansch on Birthday Blues (Sanctuary Records) 47′12″ Early in the Morning by Harry Nilsson on Nilsson Schmilsson (BMG) 50′08″ Can't Wait No Longer by Otis Rush on Mourning in the Morning (Atlantic Records) 54′11″ Slipping (Into Something) by The Feelies on The Good Earth (Bar/None Records) 60′05″ Morning Light by The Tissues on Veil (Independent) 62′43″ I Think I See The Light by Cat Stevens on Mona Bone Jakon (Island Records) 66′36″ Hello-Goodbye by George Carlin on Playin' With Your Head (Atlantic Records) 70′49″ Nothing Left to Lose by The Spiral Electric on Ask the Sky (Self Release ) 74′27″ New For You by Hinds on I Don't Run (Mom+Pop) 80′45″ Turn! Turn! Turn! by Pete Seeger on Best of (Smithsonian) 83′53″ (Where Do I Begin) Love Story by Shirley Bassey on 70s Soul (Warner) 87′30″ I'm On My Way by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 90′43″ Hey Dude by Justin & The Cosmics on Perf (Independent) 95′30″ Time Has Come Today by The Chambers Brothers on The Time Time Has Come (--) 101′17″ Early In The Mornin' by Alan Lomax on Negro Prison Blues and Songs (Legacy Records) 107′01″ New Coat of Paint by Tom Waits on The Heart of Saturday Night (Island) 110′43″ Brand New Sun by Jason Lytle on Yours Truly, The Commuter (Anti) 115′50″ You'll Never Know by The Redwalls on Universal Blues (Self Release) Check out the full archives on the website.

Our guest for episode 14 is the musician Jason Lytle. Jason made his name as the frontman of Grandaddy, and it was with that band that he met Elliott Smith for the first time. Grandaddy had just released their second album, The Sophtware Slump, while Elliott had recently put out Figure 8, and they had been lined up to tour together. In this interview, Jason discusses the moment he met Elliott for the first time, how their friendship developed and, of course, his favourite song. We loved hearing Jason's stories, so we hope you enjoy this interview too. Things to look listen to: Jason Lytle playing on the Color Bars Experience tour: [https://www.youtube.com/watch?v=Y-uMXdCUni8](https://www.youtube.com/watch?v=Y-uMXdCUni8) Color Bars Experience website: [http://www.the-color-bars-experience.com/elliott-smith/](http://www.the-color-bars-experience.com/elliott-smith/) Jason discussing Elliott in this interview from 2009: [http://larecord.com/interviews/2009/06/09/jason-lytle-interview-i-just-want-to-be-that-six-year-old-kid](http://larecord.com/interviews/2009/06/09/jason-lytle-interview-i-just-want-to-be-that-six-year-old-kid) Waltz #1 on Spotify: [https://open.spotify.com/track/4SD4ri0Msp6DxgoXKcf6ug?si=T0LxiCNvSayIHcqy0_fN-Q](https://open.spotify.com/track/4SD4ri0Msp6DxgoXKcf6ug?si=T0LxiCNvSayIHcqy0_fN-Q) XO on Spotify: [https://open.spotify.com/album/1zOxlHQGGV6EH7n4OIFTyh?si=PLpMoCgaTvqS2_EAaFHoWg](https://open.spotify.com/album/1zOxlHQGGV6EH7n4OIFTyh?si=PLpMoCgaTvqS2_EAaFHoWg) My Favourite Elliott Smith Song is produced by Rob Comba and Elizabeth Withstandley. You can find us on Facebook, Instagram and Twitter @MyFavESmithSong. [www.myfavouriteelliottsmithsong.com](www.myfavouriteelliottsmithsong.com)

Kramies Windt visited our studio earlier this year as a backing member of Joe Sampson's band. But the Denver singer-songwriter makes his own brand of acoustic folk music that has gained an international audience. Under the name Kramies, Windt has worked with producer Jason Lytle of Grandaddy and collaborates regularly with Colorado musicians like Sampson and Anthony Ruptak. Kramies returned to the CPR Performance Studio this month to play four of his own songs. He also spoke with Jeremy Petersen about his hiatus from making music, working with the Australian record label Hidden Shoal and his forthcoming new album.

Ian, Josh and Paul break down Jason Lytle's epic collision of tech and humanity.

Jason Lytle of Grandaddy on A-ha's "Cast In Steel."

We are lucky enough to have Feel Good Lost's Brendan Canty stop by to tell us about one of his favourite songs, plus new music from Rusangano Family, Frightened Rabbit, Whitney, Land Lovers, Toby Kaar, The Thermals, Pleasure Beach, Funeral Suits and The Joy Formidable, as well as Jason Lytle, Giant Sand and Kimya Dawson. Strange Brew - indie beats, alternative rock and good vibrations from the past, the present and the not too distant future with gugai. Every Thursday night at Róisín Dubh, Galway, Ireland and every Friday at 9pm on 8radio.com. www.facebook.com/strangebrewgalway twitter/@gugai gugai@roisindubh.net

Cork's finest purveyors of altfuzzpsychrock, The Altered Hours, tell us about their favourite song, brand new music from Explosions In The Sky, Frightened Rabbit, Frankie Cosmos, Bob Mould, Parquet Courts, The Goon Sax, The Orchid Collective, plus Kormac, Giant Sand, Jason Lytle, Steve Mason and Chad Valley. Strange Brew - indie beats, alternative rock and good vibrations from the past, the present and the not too distant future with gugai. Every Thursday night at Róisín Dubh, Galway, Ireland and every Friday at 9pm on 8radio.com. www.facebook.com/strangebrewgalway twitter/@gugai gugai@roisindubh.net

On this Episode of KNOBS, Matt and Chris briefly discuss the passing of David Bowie and his impact on the music world, plus his connection with this week’s guest, Jason Lytle of Grandaddy. We’re so thrilled to step inside Jason’s Portland home studio as we discuss his past, and future with Modesto’s finest, plus we discuss his production techniques on his own music, and other artists who he’s been working with.  

 I have named the Nursecast in honour of the fact that Mrs. Toad has been unthreateningly but rather inconveniently ill for the last few days and I have been nursing her gently back to health.  And by nursing of course I mean taking the opportunity to lounge around in bed next to her and watch stupid videos while she suffers.  I know, I know, I'm a gem.We have a couple of new and exciting announcements from Tom Waits and Jason Lytle on this podcast, as well as a rather interesting-sounding new band from about as far North in Scotland as it is possible to get before you fall into the sea and have to paddle frantically for Iceland.And, just to cheer us all up, the sun has finally come out, which is at least some consolation for the fact that the Edinburgh International Festival of Overpriced Shit landed on us last week, and will have to now be studiously avoided for the next month01. Texas Tea - Heart Says Yes (Head Says No) (00.26)02. Tom Waits - I Breathe Better Underwater (05.40)03. Jason Lytle - Dept. of Disappearance (06.01)04. Sex Hands - Way, No Way (12.27)05. Onions - Gemsbok (14.57)06. The Maginot Band - Slow Down Sundial (22.34)07. OnlyReal - Cadillac Girl (27.52)08. White Poppy - Mirage Man (35.04)09. Noun Verb Adjective - Darwinian Lust (39.40)10. Lost Left - Thank You For the Lung (43.26)11. Lord Huron - Time to Run (48.34)12. The Von Bondies - Rock 'n' Roll Nurse (56.27)

At the weary end of every night throughout South By Southwest, Bob Boilen, Carrie Brownstein, Robin Hilton and Stephen Thompson have met up on the Austin streets to break down all the events of the day. And then, in the cruel light of morning, we've posted these rambling and often existential recaps here in podcast form. In this third installment, the gang, recap their favorite moments including Japanese band Camisama, a new band from Jason Lytle and Earlimart, party rocker Andrew WK, The xx and so much more.

Three years after the breakup of his widely adored space-pop group Grandaddy, singer Jason Lytle has returned with one of the year's best albums, Yours Truly, The Commuter. Lytle showcased the new songs, along with some old Grandaddy favorites, in this full concert, recorded live at the Bowery Ballroom in New York City July 11.

Features full tracks by The Vaselines, Jason Lytle (of Grandaddy), Meursault and Grizzly Bear. Plus an interview with Matthew Young of songbytoad.com and songbytoadrecords.com Read my blog: http://milomclaughlin.squarespace.com Follow me on Twitter: http://twitter.com/gaseousbrain

On this show, your host Garrison Reid sits down with Aaron Espinoza of Earlimart. Aaron discusses the departure from Palm, working with The Ship Collective, and dealing with struggles and their presence on Treble & Tremble. The collaboration Aaron is referring to in the interview is: An untitled release featuring: 1. Earlimart - Chinga's In The West 2. Grandaddy - I Heart California 3. Grandaddy - Red Curbs 4. Earlimart - The Ending Of Me The record was recorded in 4 days at Espinoza's Los Angeles studio "The Ship." Espinoza described the project, featuring Grandaddy members Jim Fairchild, Aaron Burtch, and Jason Lytle along with Earlimart members Ariana Murray, David Latter, Joel Graves, and Aaron Espinoza, as "the most in-depth project that [Grandaddy's Jason Lytle and Espinoza] have worked on together."

Emission 939 Grandaddy #1 – Ce groupe se forme en 1992 à Modesto (Californie) autour du chanteur, guitariste, clavier et principal compositeur Jason Lytle, ancien skateboarder professionnel obligé d'interrompre sa carrière en raison d'une blessure... La Playlist: Away Birdies W/ Special Sounds – Taster - Kim, You Bore Me To Death – Pre-Merced - Gentle Spike Resort - Egg Hit And Jack Too - AM 180 - Nonphenomenal Lineage - Laughing Stock - (J) - Everything Beautiful Is Far Away - Summer Here Kids - Levitz – (J) - My Small Love - Wretched Songs - For The Dishwasher - Sikh In A Baja VW Bug (J) - Lava Kiss – Fentry - He's Simple, He's Dumb, He's The Pilot - Crystal Lake - (J) – Chartsengrafs - Broken Housefold Appliance Forest - Jed the Humanoid - (J) Jed's Other Poem - Miner At the Dial-A-View - (J) - So You'll Aim Toward the Sky - Hewlett's Daughter – (J) - Underneath The Weeping Willow Bonne Ecoute... Bibliographie : Les Inrockuptibles n°270 décembre 2000 Télérama n°2791 - 09 juillet 2003 Les Inrockuptibles Hors Série : Les 50 meilleurs disques de 2003 Magic Revue Pop Modern n°100 - mai 2006 Les Inrockuptibles n°551 juin 2006 Just Gimme Indie Rock !, Halfbob, Vide cocagne, 2011 Le Nouveau Dictionnaire du Rock, Michka Assayas, Robert Laffont, 2014 Les Inrockuptibles n°1109 mars 2017 New Noise n°38 avr mai 2017 lesinrocks.com – août 2020 section-26.fr – novembre 2020 Les Inrockuptibles Hors Série: les 50 meilleurs albums de 2020 Alternative Nation, La scène indépendante américaine 1979-2001 – Jean-Marie Pottier, Le Mot et le Reste, 2021

Emission 940 Grandaddy #02 – Comme les Byrds une trentaine d'années auparavant Grandaddy mélange boiserie folk-rock et sons de guimbardes électroniques – Jason Lytle propose des sons bricolés en mode rural... La Playlist: The Warning Sun - I'm On Standby – (J) - The Go In The Go-For-It - El Caminos In The West - Saddest Vacant Lot In All The World – (J) Stray Dog And The Chocolate Shake - The Final Push To The Sum - Pull The Curtains - At My Post - A Valley Son (Sparing) – Cinderland - Fuck The Valley Fudge – Florida - Jeez Louise - Rear View Mirror - The Animal World – (J) - Elevate Myself - Skateboarding Saves Me Twice - Way We Won't - This Is The Part - A Lost Machine - Songbird Son - Blu Way - (J) - Cabin In My Mind - Jukebox App - (J) - Ducky, Boris and Art - East Yosemite - (J) - Nothin To Lose Bonne Ecoute... Bibliographie : Les Inrockuptibles n°270 décembre 2000 Télérama n°2791 - 09 juillet 2003 Les Inrockuptibles Hors Série : Les 50 meilleurs disques de 2003 Magic Revue Pop Modern n°100 - mai 2006 Les Inrockuptibles n°551 juin 2006 Just Gimme Indie Rock !, Halfbob, Vide cocagne, 2011 Le Nouveau Dictionnaire du Rock, Michka Assayas, Robert Laffont, 2014 Les Inrockuptibles n°1109 mars 2017 New Noise n°38 avr mai 2017 lesinrocks.com – août 2020 section-26.fr – novembre 2020 Les Inrockuptibles Hors Série: les 50 meilleurs albums de 2020 Alternative Nation, La scène indépendante américaine 1979-2001 – Jean-Marie Pottier, Le Mot et le Reste, 2021