Podcasts about art centre

Whangarei's acclaimed but controversial Hundertwasser Art Centre could run out of money by October 2025 - raising the prospect that ratepayers may have to cough up to keep it open. That's despite promises during its construction that it would pay its own way. So what happened? Peter de Graaf finds out.

In this episode of NeedleXChange we interview Per Fhager.Per Fhager creates large-scale needlepoint works based on video game pixel graphics from the 80s and 90s, focusing on nostalgia and the happiness these games brought him. Per combines his love for video games with his passion for textile art, using uncommon techniques such as Gobelin stitch and long stitch. He aims to capture the details and moments from these games and make them permanent through his needlework.Timestamps: 00:00:00 - Intro00:01:22 Variety of Stitches and Honouring Tradition 00:07:40 Choosing Video Games00:10:46 Escaping into Video Games00:13:34 Reaching Out to Video Game Companies00:17:25 Design Approach in Pixel Art00:21:43 Favourite Band00:23:37 Favourite Book00:25:58 Favourite Film/TV Show00:27:48 Working at LegoLinks:Website: https://perfhager.com/Instagram: https://www.instagram.com/perfhager/Per's exhibition - Soft Pixels 2 - runs until 7th April 2024 at Gävle Art Centre.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.

In this episode of NeedleXChange we interview Per Fhager.Per Fhager creates large-scale needlepoint works based on video game pixel graphics from the 80s and 90s, focusing on nostalgia and the happiness these games brought him. Per combines his love for video games with his passion for textile art, using uncommon techniques such as gobelin stitch and long stitch. He aims to capture the details and moments from these games and make them permanent through his needlework.Timestamps: 00:00:00 - Intro00:01:38 - SoftPixels Exhibition00:06:38 - Per's early Interest in Pixelated Images00:07:47 - Unique Scale of Per Fhager's Work00:12:22 - Early Beginnings and First Exhibition00:16:50 - Backgrounds and Homage00:20:04 - Preserving Video Game Culture00:25:17 - Choosing Video Games and Planning Projects00:27:45 - Managing Time and Physical ComfortLinks:Website: https://perfhager.com/Instagram: https://www.instagram.com/perfhager/Per's exhibition - Soft Pixels 2 - runs until 7th April 2024 at Gävle Art Centre.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.

Curator of Education and Mediation at Javett-UP, Puleng Plesie on what to expect from the Javett Art Centre festive edition of the school's holiday art programme titled BOKAMOSO HOLIDAY ART PROGRAMME, which invites kids from the age 7-15 years. But this time around there is a spin, since the president has graciously granted the 15th as a holiday.See omnystudio.com/listener for privacy information.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join Dr Lisa Slade, Assistant Director, Artistic Programs, as she discusses the history of the Iwantja Art Centre in Indulkana on the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. For more information visit agsa.sa.gov.au Photo: Nat Rogers

Winnipeg has a vibrant Black and African community. However, despite how quickly this community grows, events and festivals celebrating Black and African heritage and culture still need to catch up. Afro Falls is looking to change that. This Sunday, September 24, the South-End community is gathering for music, food, and fun at the St Norbert's Art Centre.

CarneyShow 06.19.23 Roxy Striar, Brendan Wiese, Steve Schlanger, Foundry Art Centre in St. Charles by

Jessica Turtle is back to talk about the recent fire just 74 days after the Grand Opening of the Natural Heritage Art Centre. The Natural Heritage Art Centre website currently states:We are sorry to report our business suffered irreparable damage during the fire at Red Bird Music Store. There's a long and uncertain road ahead. Our incredible community has organized a fundraiser on our behalf. Please consider sharing the fundraiser with your network or contributing if you're able. Updates will be posted as they are made available. We talk about the initial shock of the fire and transition through the many emotions associated with losing something so meaningful so quickly. In addition to the shock, she is left in uncertain territory with the insurance company. Jessica is resilient. She is putting her energy into her creative talents and is excited about her upcoming public art project at Wild River State Park. She talks about how public art is set up, what the piece will be, and how the community can be a part of the art. Fun side-note that we talk about: Her partner, David, specializes in building unique structures through his workshop Standing Cedars Workshop out of Osceola, WI.Special thanks to episode sponsor: Big Guys BBQ Roadhouse Support the showThis podcast is a part of Getoutandtry.com FACEBOOK | INSTAGRAM | TWITTER | LINKEDIN | YOUTUBE | PINTEREST | TIKTOK

Calling all art lovers. Works by Banksy and Charles Frederick Goldie will be up for sale tonight at the International Art Centre. The three Banksy limited edition prints could bring up to $325,000 while the three works by Charles Frederick Goldie could sell for up to $2.2million. International Art Center Director Richard Thomson joined Mike Hosking. LISTEN ABOVE  See omnystudio.com/listener for privacy information.

Jenny Brownrigg the Exhibitions Director at The Glasgow School of Art has curated the new exhibition of early 20th century films and photographs by women of subjects all over Scotland --- Send in a voice message: https://anchor.fm/edinburgh-reporter/message

You can now support me on Patreon https://www.patreon.com/gordonneill Wanna Learn Concept Art? Click the link below! https://medsmap.mykajabi.com/a/2147489175/5dfUCkh4 I first came across Steven while he was chatting with James Douglas (akaModerndayjames) and Ahmed. He seemed so educated and well spoken as well as being a genuinely nice human being. I had to dig deeper and it turns out, he is a great person all around. We talked about his early career and Art Centre years of learning and how eventually he left the West coast to head home to New York city. Also we had a long an in depth conversation about AI and the pitfalls it currently has that people aren't paying attention to. Thanks again to Steven for coming on the podcast and giving up his time. Check out his links below: Steven's Links: YouTube: www.youtube.com/c/stevenzapataArt Instagram: www.instagram.com/stevenzapata_art/ Website: www.stevenzapata.com/ ArtStation: www.artstation.com/steven-zapata WE NOW HAVE A TIP JAR WITH KO-FI BUY US A COFFEE! ko-fi.com/digitalartcast If you guys wanna support the podcast remember to shoot me a like or a comment and check us out on iTunes and Soundcloud also or if you are listening remember we have a YouTube video here also! #DigitalArtcast #StevenZapata #aiart --- Send in a voice message: https://anchor.fm/digitalartcast/message

In this episode, Jessica Turtle talks about the upcoming Grand Opening of the Natural Heritage Art Centre located in Osceola, WI. Jessica describes the different areas of the space, including the solo exhibition space, the Elm Tree Story Booth where you can immerse yourself into the art through your personal stories, the market for local artists and authors to feature their work that you can purchase, and the classroom where you can get hands-on with your art. They'll be offering classes for all levels. If you're looking to try something new in the art world, this is your place. They will have their Grand Opening on November 5, 2022. Tickets are limited, so make sure you get your tickets NOW!From Naturalheritageartcentre.org:Through a wide range of community arts programming, the Natural Heritage Art Centre supports emerging and established artists to build a sense of community, ecological awareness, and civic pride. Programming includes art education, exhibitions, performance, public art, and placemaking activities curated for area residents and visitors to the region. Special thanks to episode sponsor: Big Guys BBQ Roadhouse Support the showThis podcast is a part of Getoutandtry.com FACEBOOK | INSTAGRAM | TWITTER | LINKEDIN | YOUTUBE | PINTEREST | TIKTOK

Balgo's Warlayirti, was the state's first Aboriginal art centre and has featured works from 400 artists from eight language groups.

We discussed: running an Art Centre, cultural politics, artist residencies, contemporary art, coordinating an Art Festival, site specific art work, teleportation, tourism   Lofoten International Art Festival – (LIAF) - https://info.liaf.no North Norwegian Art Centre (NNKS) - https://nnks.no Kunstnerhuset - the Artist House - https://nnks.no/en/l%C3%A6ring-2     People + Places mentioned: Artemisia Gentileschi - https://www.newyorker.com/magazine/2020/10/05/a-fuller-picture-of-artemisia-gentileschi Robert Rauschenberg mud muse - https://www.rauschenbergfoundation.org/art/artwork/mud-muse Moderna Museet - https://www.modernamuseet.se Billy Klüver - https://www.zakros.com/kluver/artengineer.html     Music by Peat Biby     Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org               And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no  

We discussed: running an Art Centre, cultural politics, artist residencies, contemporary art, coordinating an Art Festival, site specific art work, teleportation, tourism   Lofoten International Art Festival – (LIAF) - https://info.liaf.no North Norwegian Art Centre (NNKS) - https://nnks.no Kunstnerhuset - the Artist House - https://nnks.no/en/l%C3%A6ring-2     People + Places mentioned: Artemisia Gentileschi - https://www.newyorker.com/magazine/2020/10/05/a-fuller-picture-of-artemisia-gentileschi Robert Rauschenberg mud muse - https://www.rauschenbergfoundation.org/art/artwork/mud-muse Moderna Museet - https://www.modernamuseet.se Billy Klüver - https://www.zakros.com/kluver/artengineer.html     Music by Peat Biby     Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org               And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no  

Imagine a building that has no two things the same. Not a single window the same, not a balustrade, not even a tile. Hundertwasser Art Centre with Wairau Māori Art Gallery is an amazing journey that took 30 years and what's been achieved by the construction team and the community of Whangārei is truly exceptional. Today Ryan and Darrell Trigg, owner of Trigg Construction, discuss this incredible project and a once-in-a-lifetime opportunity.This art centre has been built to represent Hundertwasser's philosophical standpoint, which is to be in harmony with nature. The building is an artwork dedicated to his teachings and is based on sketches prepared by Hundertwasser himself in 1993. This is arguably New Zealand's biggest community-driven project with an estimated 50,000+ hours put in by volunteers – some volunteering full-time. The art centre got Gold Award and Special Award at New Zealand Commercial Project 2022.Darrell shares this experience of building something this unique. He also says that perhaps one thing he's most proud of is that 95% of 900 people who worked on that site are from Northland. This fantastic project gave a wonderful opportunity for the local craftspeople to acquire some unique skills to last them throughout their careers. LinksCommunity vision https://www.hundertwasserartcentre.co.nz/about/hundertwasser-art-centre/community-vision/ Hundertwasser on Ecology https://www.hundertwasserartcentre.co.nz/about/hundertwasser/hundertwasser-on-ecology/ New Zealand Commercial Project 2022 https://www.commercialprojectawards.co.nz/CPA/Entries%20and%20Results/2022_results/Special_Award/CPA/Results/Results_2022/Special_Award.aspx?hkey=33179b2c-7111-4722-ba22-4e7730957fbd  Where else you can find usWebsite: https://www.masterbuilder.org.nz/Elevate Platform: http://elevate.masterbuilder.org.nzInstagram: https://www.instagram.com/masterbuildernz/Facebook: https://www.facebook.com/registeredmasterbuildersYouTube: https://www.youtube.com/channel/UCmh_9vl0pFf0zSB6N7RrVegTwitter: https://twitter.com/MasterBuilderNZ

On today's episode of the Sauce Have Mercy podcast our host Sauce Babie heads over to the busy streets of Oxford street Osu. We had the pleasure of interviewing a known sculptor at one of his few vendors outside the Art Centre. The pair discuss the tradition of sculpting, wood carving, arts & crafts, entrepreneurship in Ghana and more. Episode 36 is now available on all platforms. Enjoy folks!

This was a wonderful talk with Laila Binbrek about culture, art and storytelling through her very particular lens! Laila Binbrek was the 72nd CreativeMornings in Dubai speaker! Laila Binbrek is the Coordinating Director of the UAE National Pavilion, which presents the United Arab Emirates' annual exhibition at the Venice Biennale. Since joining in 2013, Laila has worked to set the pavilion's ongoing strategy and vision in collaboration with its commissioner, the Salama bint Hamdan Al Nahyan Foundation, and manages its operations and team. For each edition of the Venice Biennale, Laila convenes the curatorial selection committee and collaborates with local and international curators, artists and cultural practitioners to develop exhibitions and research publications that tell untold stories about the UAE's art, architecture and cultural heritage.Laila has significant experience within the region's cultural industry. Before joining the UAE National Pavilion, she spent 6 years at The Third Line, one of Dubai's leading contemporary art galleries, where as gallery director she worked to develop a platform for MENASA artists from across the region. Prior to that, Laila managed the Art Centre at the Dubai Community Theatre & Arts Centre (DUCTAC), with the goal of promoting community engagement within the local community of the UAE.A Canadian of Yemeni descent, Laila is passionate about promoting arts and culture within the Canadian Arab community and has held positions on the boards of the Canadian Arab Federation, Community Arts Ontario, and the Toronto Arts Council. She holds an BFA (Hons.) from the University of Waterloo, Canada, with a special focus on drawing and sculpture. She has participated in solo and group exhibitions across Canada and her work “Mirror, Mirror” is on permanent display at the Canadian History Museum in Ottawa. She has lived in Canada, the UAE, Saudi Arabia, Egypt and England. --- Send in a voice message: https://anchor.fm/thejamescast/message

Laila Binbrek was the 72nd CreativeMornings in Dubai speaker! Laila Binbrek is the Coordinating Director of the UAE National Pavilion, which presents the United Arab Emirates' annual exhibition at the Venice Biennale.Since joining in 2013, Laila has worked to set the pavilion's ongoing strategy and vision in collaboration with its commissioner, the Salama bint Hamdan Al Nahyan Foundation, and manages its operations and team. For each edition of the Venice Biennale, Laila convenes the curatorial selection committee and collaborates with local and international curators, artists and cultural practitioners to develop exhibitions and research publications that tell untold stories about the UAE's art, architecture and cultural heritage.Laila has significant experience within the region's cultural industry. Before joining the UAE National Pavilion, she spent 6 years at The Third Line, one of Dubai's leading contemporary art galleries, where as gallery director she worked to develop a platform for MENASA artists from across the region. Prior to that, Laila managed the Art Centre at the Dubai Community Theatre & Arts Centre (DUCTAC), with the goal of promoting community engagement within the local community of the UAE.A Canadian of Yemeni descent, Laila is passionate about promoting arts and culture within the Canadian Arab community and has held positions on the boards of the Canadian Arab Federation, Community Arts Ontario, and the Toronto Arts Council. She holds an BFA (Hons.) from the University of Waterloo, Canada, with a special focus on drawing and sculpture. She has participated in solo and group exhibitions across Canada and her work “Mirror, Mirror” is on permanent display at the Canadian History Museum in Ottawa. She has lived in Canada, the UAE, Saudi Arabia, Egypt and England. --- Send in a voice message: https://anchor.fm/podaholiks/message

A visit to Wexford Art Centre to see the progression of the €3million Euro Development that will give a much needed boost to the world of Arts in Wexford

The floor undulates beneath your feet and on the roof there's a forest - 30 years after the late Austrian artist Friedensreich Hundertwasser first sketched his original design, Whangarei's Hundertwasser Art Centre has opened its doors. The centre includes a gallery of 80 Hundertwasser artworks as well as the country's first public gallery for contemporary Maori art, the Wairau Maori Art Gallery. Its chief executive Kathleen Drumm describes it as 'magical'. She spoke to Susie Ferguson.

Artists in Coober Pedy are partnering with a collective of established art centres across the Anangu Pitjantjatjara Yankunytjatjara Lands.

Restaurants and pubs must close by 8pm under the latest round of COVID-19 restrictions imposed on the hospitality sector. How is the industry coping? We're joined by Patricia Roberts, owner of boutique hotel, No 1 Pery Square in Limerick and Paul Hayes, Director of An Táin Art Centre in Dundalk .

An exhibition honouring Aborigine art has opened for the first time at Brussels' Art & History Museum. Running until 29 May, Before Time Began was first staged at the Opale Fondation in Lens, Switzerland, and includes some 100 works from this previous show.

This week's text on the White Pube is a review of 3 for 1 at Camden Art Centre: Adam Farah, Phoebe Collings-James & Zeinab Saleh. tl;dr (& SPOILER): I think the decision to put on 3 separate solo shows, in the space that'd normally contain 1 solo show, at the same time is racialised. Read it here: thewhitepube.com/3for1camdenart

Two decades years after the death of one of Europe's most famous 20th century artists, one of his last unbuilt designs is coming to life in Whangarei. The opening of the Hundertwasser Art Centre has been pushed back a fortnight due to the Delta outbreak. Doors will open on 15 December - the late Austrian artist's birthday. Sam Olley reports.

Two decades years after the death of one of Europe's most famous 20th century artists, one of his last unbuilt designs is coming to life in Whangarei. The opening of the Hundertwasser Art Centre has been pushed back a fortnight due to the Delta outbreak. Doors will open on 15 December - the late Austrian artist's birthday. Sam Olley reports.

Andrew Lloyd Webber's The Phantom of the Opera has captivated and delighted audiences around the world for nearly 35 years. Now with Opera Australia this classic theatre production will grace the Sydney Opera House in September before moving to Melbourne's Art Centre. The Australian production will be spearheaded by Josh Piterman and Amy Manford who play The Phantom and Christine Daaé respectively. Josh and Amy join John Stanley to share how preparation for the production is coming along and what it means to them to be a part of such an iconic story. See omnystudio.com/listener for privacy information.

The opportunity to be associated with her lifelong passion emerged while completing her EMBA with SP Jain Dubai. The urge to become an entrepreneur, led her to set up The Palette Art Training and Consultancy with a vision to build an institute to foster arts and design and to help groom others to become artists.

This week's text is a review! of Walter Price's show, Pearl Lines at Camden Art Centre. This is the first show I've seen in person since last Autumn, and honestly i spent the last half of this text trying to figure out why galleries feel weird now. You can read the text here, and peep some pics of it too. enjoy the rest of ur sunday n the long weekend!

In this episode of the NITV Podcast series we hear the latest from the Warlukurlangu Artists of Yuendumu and find out about how this successful remote Aboriginal art centre operates for local Aboriginal artists and consumers.

On the pod today: an original artwork by the secretive British graffiti artist 'Banksy' sold for a phenomenal amount at the international Art Centre in Parnell; our new MP this week is National's North Shore MP Simon Watts and a Pike River widow says that she never signed off on a letter released on her behalf accepting the Government's decision to abandon the drift recovery

On today's show, warmer weather is around the corner… and there is talk of vaccine trials for kids under 12. An expert weighs in on what unvaccinated kids can safely do this summer. We hear about an upcoming webinar on how to search residential school records. Happy Valley-Goose Bay's Heather Igloliorte is the lead curator of the first exhibition at the brand new Inuit Art Centre in Winnipeg... we'll find out why she's so excited today. If you have an interest in taking pictures, and are a youth living in Nunatsiavut, we're going to hear about an upcoming program that will connect you with professional photographers from around the world.

The Assembly at Jameel Art Centre, 2020 [Aliyah Alawadhi & Dina Al Khatib]

The MacLaren Art centre in Barrie is expanding their programs to become more accessible. Karen Magee shares the goals of the program.

Where do artists find their inspiration? Kinderling Kid, Marcel, meets up with contemporary artist, Dale Harding, to find out! Dale is a Brisbane-based artist who draws on his family stories and lineage with the Bidjara, Garingbal and Ghungalu peoples to make his art. Dale makes contemporary paintings inspired by the galleries of rock art, and the natural world of his grandparent’s countries.  In this episode, Dale shares some of his favourite stories about the land, animals and family history that inspire his art. And we learn that art can teach us a lot about our environment, and even bring us closer together as people by showing us what we have in common.  For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mix by Camilla Hannan Executive Producer: Lorna Clarkson See omnystudio.com/listener for privacy information.

How do you make colours? Gemma Smith is one of Australia’s most acclaimed abstract artists working today. Her artworks reveal a fascination, and obsession, with colour and how it can change, trick, and move you. In this episode of Outside the Lines, we head to Gemma’s studio where she shares how colours are made, and how she uses colours in special ways to play tricks on your eyes. Colours are actually more complicated than you had ever imagined! Listen now to Outside The Lines with Gemma Smith. Maybe after listening to this episode you’ll see colour in a whole new way too! Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mix by Camilla Hannan Executive Producer: Lorna Clarkson See omnystudio.com/listener for privacy information.

Emelie Chhangur, the new Director and Curator of the Agnes Etherington Art Centre at Queen’s University joins us for this episode!  Chhangur who joined the Agnes on October 1st, Chhangur is a leading voice for experimental curatorial practice in Canada and is celebrated nationally and internationally for her process-based, participatory approach to curating and will […]

How does un-making a flag become art? Join Kinderling Kid, Holiday when she meets Raquel Ormella to explore this question and more! Raquel Ormella is an Australian artist who uses textile, video and drawing to make art about environmental and social issues. Her artworks often resemble protest materials such as flags, banners and slogans. Raquel is particularly concerned about climate change and its effect on young people. In this episode, Raquel shows Holiday how flags can include AND exclude people; that art is about being creative and making yourself happy; and that you can even make art in bed! Listen now to Outside the Lines with Raquel Ormella. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

How can you use your body like a paintbrush? Join Kinderling Kid, Holiday when she visits Angela Tiatia to ask this question and more! Angela Tiatia explores contemporary culture through her art, drawing attention to its relationship to representation, gender, neo-colonialism and the commodification of the body and place, often through the lenses of history and popular culture. Holiday – like Angela – cares about the environment so they chat about how Angela’s art can help people learn about big, important things in the world - like climate change; and how curiosity is a superpower; and how video art is just like slow moving paintings. Listen now to Outside the Lines with Angela Tiatia. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

How can making art be good for the planet? Join Kinderling Kid, Kip when he visits Isabel & Alfredo Aquilizan to ask this question and more! Isabel & Alfredo Aquilizan are a husband and wife artists who compose elaborate installations and sculptures invested with a sense of Filipino culture and character, often set against experiences of dislocation and change. But what would they like to teach kids? Well, in this episode they share that art doesn’t have to be expensive to make; art can be made from anything you find around you; and we discover how old boxes can tell incredible stories about everything from moving house, to climate change! Listen now to Outside the Lines with Isabel & Alfredo Aquilizan. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

Danielle spends a day at the New Art Centre at Roche Court in Salisbury near Stonehenge, talking to the artists Edmund de Waal and Jacqui Poncelet, and the gallery's founder, Madeleine Bessborough.

What does ‘art’ mean in Aboriginal culture? Kinderling Kid, Marcel, meets up with contemporary artist Tony Albert to find out. Tony is a descendant of the Girramay, Yidinji and Kuku Yalanji peoples and is one of the most exciting contemporary artists in Australia. Through a mix of humour and poignancy, Albert tackles issues of race and representation by recontextualising objects of ‘Aboriginalia’; kitsch items featuring caricatured depictions of Aboriginal people and their culture. In this episode Tony shares why there are no boundaries between art and life in Aboriginal culture; how art can give people a voice in the world; and that no-one is good or bad at art as long as they have a story to tell. Listen now to Outside the Lines with Tony Albert. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

How do you make art you can’t see? Kinderling kids – Pip and Lottie – find out this and more when they meet up with a very special artist called Ross Manning. Ross is a sound artist who turns everyday objects - like cans, rocks and even fans - into instruments that make music like you’ve never heard before. But why? As a way to explore humanity’s ongoing and increasingly complex relationship with technology. In this episode, Ross answers the kids’ big art questions like; “When is having a big imagination better than knowledge”? And “Why is breaking the rules sometimes okay”? Listen now to Outside The Lines with Ross Manning. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

How do you weave a story? In this episode, Kinderling kids – Pip and Lottie – find out the answer to this question and more from Quandamooka woman, and multidisciplinary artist, Elisa Jane (Leecee) Carmichael. As an artist, Leecee honours her salt-water heritage by incorporating materials collected from Country, embracing traditional techniques, and expressing contemporary adaptations through painting, weaving, and textiles. In this episode, Leecee answers the kids’ big art questions like; “How does family and home inspire art”? And “why would you put a hole in your artwork on PURPOSE”? Listen now to Outside The Lines with Elisa Jane (Leecee) Carmichael. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

Does art have secret messages? Our hosts, Pippy & Lottie, find out this and more when they meet contemporary artist, Jemima Wyman! Jemima is known for her work across multiple mediums, including performance, video, painting, installation and photography. Many of Wyman’s works utilize these mediums to focus on visually based resistance strategies – drawing inspiration from visual patterns found in the natural world. In this episode Jemima answers the kids’ big art questions like; “How do slimy snakes inspire art”? And “What do frogs have in common with fashion”? Listen now to Outside The Lines with Jemima Wyman. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

How do you draw a feeling? Our hosts, Pippy & Lottie, find out this and more when they meet one of Australia’s most acclaimed contemporary artists, Ben Quilty! Ben is one of Australia’s most acclaimed contemporary artists and is best known for painting bold and confronting subjects that question identity and reflect on art’s power to make sense of the world. In this episode Ben answers the kids’ big art questions like; “How do you make art without using your eyes”? And “How can mistakes be the best part of art”?   Listen now to Outside The Lines with Ben Quilty. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

Outside the Lines is a new kids' podcast — all about art! We love art! But what is it? And why do people make it? In this podcast we - the kids - find out. In each episode we visit some of Australia's most inspiring artists to scratch the surface, peek behind the canvas, open the sketchbook, and dive into their creative minds. Why? Because there's so much to discover. Art is mind blowing!!! And soooo much more than just paintings on a wall. Subscribe now for Outside the Lines! First three episodes available October 7. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art's Children's Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. See omnystudio.com/listener for privacy information.

Outside the Lines is a new kids' podcast — all about art! We love art! But what is it? And why do people make it? In this podcast we - the kids - find out. In each episode we visit some of Australia’s most inspiring artists to scratch the surface, peek behind the canvas, open the sketchbook, and dive into their creative minds. Why? Because there’s so much to discover. Art is mind blowing!!! And soooo much more than just paintings on a wall. Subscribe now for Outside the Lines! First three episodes available October 7. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. See omnystudio.com/listener for privacy information.

We're back in eastern Asia to talk to Korean artistic mastermind Yena about the Seocho-gu area of Seoul that she calls home. What is "cheap capitalism" and what does it have to do with the way gentrification defines parts of cities? What is the difference between creativity and artistry? What happens when a music video showcasing the area becomes the first video to reach one billion views on YouTube?Find out more about Yena's work by visiting her:- company's Instagram: @nanadashii- project's Facebook: facebook.com/kleinkunstpartyFind out more about Island Life Productions and our work by:-liking our Facebook page at facebook.com/islandlifeproductions/-checking out our website at islandlifeproductions.com

The Christchurch Art Centre is pleading for public cash, although no final decisions have been made on restructuring the organisation.Chief Executive Philip Aldridge told the Christchurch City Council several weeks ago the centre was at risk of closing.“We are in a really difficult situation, what we need is an indication that you’re going to help us.”The centre is run by a non-profit trust.In its 2019 annual report, the senior management team of 7.5 positions was paid a total of $968,771 - an average of $129,169 each.Mr Aldridge defended the pay on Newstalk ZB, saying “we have been running a 290 million dollar restoration project and you need to pay people the going rate, you can’t just get someone off the street.”Mr Aldridge told Chris Lynch, the centre has lost “five positions in the past year.”When asked if those positions were senior management, Mr Aldridge said it was “a bit of everything.”“That’s a restructuring that’s going on at the moment, and I don’t know how that will pan out.”He said they had a leasing manager, which was no longer required, given 85 percent of the centre has been tenanted.40 people are on the pay role, and they’ll probably be losing a few more in current round of restructuring."He says he’s taken a 33 percent pay cut.On the centre’s Givealittle page it says “we need your donations for day to day operations: help us keep the lights on, music playing, children dancing, and artists creating. Our biggest costs include insurance and on-site security.”Listen above.

In the context of shifting definitions surrounding the role that the artist plays in nation building and place-making, Stephen Hobbs (Director of Johannesburg's The Trinity Session) and Laila Binbrek (Coordinating Director of the National Pavilion UAE la Biennale di Venezia) unpack insights that reflect on current trends and possible futures. Moderated by Kevin Jones. **Laila Binbrek** Laila Binbrek is the Coordinating Director of the National Pavilion UAE, which presents the United Arab Emirates' annual exhibition at the Venice Biennale. She has worked to set the pavilion's ongoing strategy and vision in collaboration with its commissioner, the Salama bint Hamdan Al Nahyan Foundation, and manages its operations and team. Additionally, she oversees the development of the Venice Internship, a training program that to date has sent around 200 interns to Venice as ambassadors for the UAE and its rich culture. Laila has significant experience within the region's cultural industry. Before joining the National Pavilion UAE, she spent 6 years at The Third Line, one of Dubai's leading contemporary art galleries, where as gallery director she worked to develop a platform for MENASA artists from across the region. Prior to that, Laila managed the Art Centre at the Dubai Community Theatre & Arts Centre (DUCTAC), with the goal of promoting community engagement within the local community of the UAE. **Stephen Hobbs** Since 1994, Johannesburg has served as a critical reference point for Stephen Hobbs' artistic and curatorial insights into the apartheid city turned African city - with a particular interest in the impact of defensive urban planning and architecture on the behavioural aspects of city and society. The resultant urban decay that develops in such conditions evolved Hobbs' practice into consultative processes on the role of art in public space relative to urban renewal and place making initiatives commissioned by the city. Hobbs' near 10 year relationship with David Krut Projects has broadened his artistic repertoire through print making, book making and publishing. In addition David Krut Projects New York has produced a variety of Hobbs' talks, presentations and workshops in numerous Universities and Institutions through-out the USA. Stephen Hobbs was the curator of the Market Theatre Galleries (Johannesburg) from 1994 to 2000, Co-Director of the purpose-built Gallery Premises (2004-2008) at the Joburg Theatre. Since 2001, he has co-directed the artist collaborative and public art consultancy – The Trinity Session. And since 2004 has co-produced a range of multi-medium urban and network-focused projects with Marcus Neustetter, under the collaborative name Hobbs/Neustetter. In 2017, Hobbs joined the Graduate School of Architecture at the University of Johannesburg, as Unit Leader and resident critic.

In the context of shifting definitions surrounding the role that the artist plays in nation building and place-making, Stephen Hobbs (Director of Johannesburg’s The Trinity Session) and Laila Binbrek (Coordinating Director of the National Pavilion UAE la Biennale di Venezia) unpack insights that reflect on current trends and possible futures. Moderated by Kevin Jones. Laila Binbrek Laila Binbrek is the Coordinating Director of the National Pavilion UAE, which presents the United Arab Emirates’ annual exhibition at the Venice Biennale. She has worked to set the pavilion’s ongoing strategy and vision in collaboration with its commissioner, the Salama bint Hamdan Al Nahyan Foundation, and manages its operations and team. Additionally, she oversees the development of the Venice Internship, a training program that to date has sent around 200 interns to Venice as ambassadors for the UAE and its rich culture. Laila has significant experience within the region’s cultural industry. Before joining the National Pavilion UAE, she spent 6 years at The Third Line, one of Dubai’s leading contemporary art galleries, where as gallery director she worked to develop a platform for MENASA artists from across the region. Prior to that, Laila managed the Art Centre at the Dubai Community Theatre & Arts Centre (DUCTAC), with the goal of promoting community engagement within the local community of the UAE. Stephen Hobbs Since 1994, Johannesburg has served as a critical reference point for Stephen Hobbs’ artistic and curatorial insights into the apartheid city turned African city - with a particular interest in the impact of defensive urban planning and architecture on the behavioural aspects of city and society. The resultant urban decay that develops in such conditions evolved Hobbs' practice into consultative processes on the role of art in public space relative to urban renewal and place making initiatives commissioned by the city. Hobbs’ near 10 year relationship with David Krut Projects has broadened his artistic repertoire through print making, book making and publishing. In addition David Krut Projects New York has produced a variety of Hobbs’ talks, presentations and workshops in numerous Universities and Institutions through-out the USA. Stephen Hobbs was the curator of the Market Theatre Galleries (Johannesburg) from 1994 to 2000, Co-Director of the purpose-built Gallery Premises (2004-2008) at the Joburg Theatre. Since 2001, he has co-directed the artist collaborative and public art consultancy – The Trinity Session. And since 2004 has co-produced a range of multi-medium urban and network-focused projects with Marcus Neustetter, under the collaborative name Hobbs/Neustetter. In 2017, Hobbs joined the Graduate School of Architecture at the University of Johannesburg, as Unit Leader and resident critic.

On this edition of Fort McMurray Matters, we talk with Dr. Trent Keough, Keyano President, about the school's art centre and recent engagement session.

I sit down with Hannah at the Tara Building to chat about her research in LGBT Theatre in Dublin and The Project Arts Centre respectively. We chat her journey through photography, sculpture and writing that led to her research today and what it meant to be part of the LGBT community through the last few decades in Ireland until the Marriage Referendum in 2015. Her upcoming exhibition at The Project Art Centre will feature archived material from Alternative Miss Ireland. Hannah is a Researcher, Historian, Sculpture, Photographer and Writer. Her thesis 'Foul, Filthy, Stinking Muck' looks at the role The Project Art Centre had during the activist movements of the 70s, 80s and 90s. It highlights notable contemporary theatre works that have addressed LGBTQ issues and demonstrates how Project continues to play a role in platforming LGBTQ works.  With Being Earnest, I hope to create a space away from the noise of everyday life and distraction. I hope to offer a place, to listen, to share, to be engaged and hopefully inspired. Each week I'll be joined by sound people doing great things to have honest and genuine chats. I hope you enjoy Being Earnest. Thanks for Listening. Many more thanks go to the following people: Photography: Caitríona Muireann Music: Chef Brian- LATASHÁ/YouTube Audio Library Special Thanks to Jen Butler Go Raibh Míle Maith Agat agus Grá Mór

Today's guest is Sean Adams. He is the Chair of the Graphic Design Program at the Art Centre College of Design. He is also a published author, a two-term President of AIGA National, and Founding Partner of Adams Marioka Inc. where he spent over 20 years. During Part Two of this episode we talk about: -the tough decision he had to make about leaving his agency of over 20 years to go full-time educator.-how he arrived at the decision to go full-time educator. -the ugly poster that came from a really bazaar relationship with a customer. -the Nickelodeon projects he was a part of, what he was able to do with it, and why he is so proud of that work. Sean has so much experience and you can really hear his passion for design and teaching the next generation of great designers. He also isn't afraid of sharing the mistakes he has made and the lessons learned form those. Talented designer, educator and design advocate! @seanaadams @aigadesign

Today's guest is Sean Adams. He is the Chair of the Graphic Design Program at the Art Centre College of Design. He is also a published author, a two-term President of AIGA National, and Founding Partner of Adams Marioka Inc. where he spent over 20 years. During Part Two of this episode we talk about: -the tough decision he had to make about leaving his agency of over 20 years to go full-time educator.-how he arrived at the decision to go full-time educator. -the ugly poster that came from a really bazaar relationship with a customer. -the Nickelodeon projects he was a part of, what he was able to do with it, and why he is so proud of that work.  Sean has so much experience and you can really hear his passion for design and teaching the next generation of great designers. He also isn't afraid of sharing the mistakes he has made and the lessons learned form those. Talented designer, educator and design advocate! @seanaadams @aigadesign

Today's guest is Sean Adams. He is the Chair of the Graphic Design Program at the Art Centre College of Design. He is also a published author, a two-term President of AIGA National, and Founding Partner of Adams Marioka Inc. where he spent over 20 years. During Part One of this episode we talk about: -his transition from teaching from agency life. -his free-spirited creative parents and his grandparents who wanted him to become a Senator and the influence they both played in his life. -the book that really opened his eyes to design. -the designer that was really influential to him and was the first call to their office the morning they opened their agency doors. -his first job at the New York Public Library. -the Mohawk project that turned out to be the most expensive marketing project they had ever done, and what it did for their business. Sean has so much experience and you can really hear his passion for design and teaching the next generation of great designers. @seanaadams @aigadesign

Today's guest is Sean Adams. He is the Chair of the Graphic Design Program at the Art Centre College of Design. He is also a published author, a two-term President of AIGA National, and Founding Partner of Adams Marioka Inc. where he spent over 20 years. During Part One of this episode we talk about: -his transition from teaching from agency life. -his free-spirited creative parents and his grandparents who wanted him to become a Senator and the influence they both played in his life. -the book that really opened his eyes to design. -the designer that was really influential to him and was the first call to their office the morning they opened their agency doors. -his first job at the New York Public Library. -the Mohawk project that turned out to be the most expensive marketing project they had ever done, and what it did for their business. Sean has so much experience and you can really hear his passion for design and teaching the next generation of great designers. @seanaadams @aigadesign

Stories of Starting Episode 10: Nedia El Khouri, Artist, Gallerist. Montreal owner and operator of the Viva Vida Art Gallery and Art Centre talks about building community through Art, pursuing her Masters degree while operating the gallery full-time and developing symbiotic relationships with her artists. Viva Vida Art Gallery website: https://www.vivavidaartgallery.com/ Ve-Shop online store: https://www.vivavidaeshop.com/ Facebook: https://www.facebook.com/vivavidaartgallery/ Twitter: https://twitter.com/vivavidagallery Instagram: https://www.instagram.com/vivavidagallery/ YouTube: https://www.youtube.com/channel/UCk_gw0CUcW-9Bp3-24Y_xzg MORE STORIES OF STARTING ON MY BLOG: https://storiesofstarting.com

This episode, along with the next three are quite special in that I recorded them during and at the Flatpack Film Festival in Birmingham, an annual event that takes place in venues across the city where recurring themes include animation, music, artists’ film, archive discoveries, offbeat shorts for kids and live cinema. The Flatpack folk are firm believers in creating a sense of occasion and exploring the fertile territory where film bumps up against other artforms, and also showing people things they might not otherwise have seen. So thank you very much to the wonderful festival, who helped facilitate these interviews with just a handful of the really smart and thoughtful women who helped create and curate the wickedly eclectic programme. Kicking things off is my interview with Alex Jackson. Alex is a BFI NETWORK Talent Executive for the Midlands, which basically means she discovers and nurtures filmmakers in that region. Before taking up this post Alex managed Phoenix Cinema and Art Centre’s learning and talent programme. She has also lead on other national projects, including Access Cinema, which works to establish comfortable and enjoyable cinema environments for people with disabilities.  She was involved in Flatpack’s talent camp a one-day training event for new and emerging talent looking to make narrative fiction short films. It was a real pleasure to meet Alex and hear how committed she is to make cinema and filmmaking as accessible as possible, and also to chat about the ins and outs of filmmaking outside of London.

Artist and author Julia Glatfelter joins us this week to discuss her upcoming children’s book The Little Glass Treasure House. The Children’s Art Centre was incorporated in 1914 under the direction of FitzRoy Carrington, curator of prints at the Museum of Fine Arts. When the building was completed in 1918 on Rutland Street in Boston’s South End, it became the first art museum for children in the world. In 1959, the organization merged with 4 settlement houses to become United South End Settlements (USES). Julia taught at the Children’s Art Centre as part of the vacation arts program at USES in 2017, and during that time, she researched the history of the building, the evolution of its programs, and the people who brought the space to life. Her new book, The Little Glass Treasure House, narrates this story through the eyes of Charlotte Dempsey, who directed the center from 1930 to 1971. Full show notes: http://HUBhistory.com/125 Support us on Patreon: http://patreon.com/HUBhistory

Introduction Niveditaa Gupta has an architecture photography studio in Delhi. Her interest in photography has been growing since her bachelor's degree when she did her dissertation on architecture photography. As founder, Niveditaa has a bachelor's degree from Sushant School of Art & Architecture, Gurgaon in architecture and has a masters degree in fine art photography from IED Spain. Niveditaa Gupta's work: Instagram - @niveditaagupta Website: https://niveditaagupta.myportfolio.com/ Connect: guptaniveditaa@gmail.com (http://www.suryandang.com/) Time Stamps: Following are some highlights from the conversation 1:08 - (Eesha) How did you go from architecture to photography?  4:15 - (Niveditaa) While reading for my dissertation I came across the work of Helene Binet 4:36 - (link) Vivian Maier http://www.vivianmaier.com Annie Leibovitz https://g.co/kgs/aJDqoJ 4:55 - (Niveditaa) She (Helene) made me like Zaha Hadid's work https://www.designboom.com/architecture/architecture-of-zaha-hadid-by-helene-binet/ 6:18 - (Niveditaa) I remember being up at three in the morning writing a mail to Helene Binet 10:40 - (Niveditaa) He (Prabhu Mohanty) really encouraged me to pick up the camera 11:31 - (Niveditaa) I took pictures for R+D Studio for their project Primera and that stayed in my mind  Link- https://www.archdaily.com/photographer/niveditaa-gupta 12:53 - (Eesha) After sending the mail did Helene call you to Spain?  13:26 - (Niveditaa) After doing a few shoots I felt that I needed to do something in photography that was not commercial 15:45 - (Eesha) How much do you plan before a shoot?  18:57 - (Eesha) What made you stick to architecture photography when people around you were working on intangible and ambiguous concepts?  21:45 - (Niveditaa) I write to some lighting design firms in the US 22:48 - (Niveditaa) I can't have the same work schedule everyday, it frustrates me 23:56 - (Eesha) When you came back from Spain did you have a game plan?  27:30 - (Eesha) Do you think you hit a niche with architecture photography?  28:01 - (Niveditaa) There isn't much knowledge about the styles of architecture photography that exist outside India  29:05 - (Niveditaa) I never took photos of interiors in artificial light 29:48 - (Link)  Art Centre by Mahesh Radha Krishnan, Chennai Link - https://niveditaagupta.myportfolio.com/spaces 31:53 - (Niveditaa) I always approach my projects as a collaboration  36:00 - (Niveditaa) I love the way light falls on a building. When you turn a picture into black and white, you remove one dimension of space that is time 43:00 - (Niveditaa) You can't tell how much photoshop goes into an image anymore 43:22 - (Niveditaa) We are in a world of post photography  59:07 - (link) Muralla Nazari https://niveditaagupta.myportfolio.com/la-muralla-nazari

Deborah Sharn interviews Alan Knoll, actor/director who is currently starring in Upstream Theatre's "Infected" (Feb. 9 - Feb. 25, 2018) and directing Insight Theatre's "The Last Romance" (March 2 - March 18, 2018).  Both shows can be seen at the Kranzberg Art Centre.

Another delay but big things have been in the works. One thing to mention is we now have an awesome and official sponsor to the podcast. We are proud to announce our partnership with Procreate painting app. They are helping us reach further than ever before to produce great content. We are also giving away a free to code for a lucky winner so listen carefully to the episode for details. Our first interview in partnership with Procreate is Mr Matt Gaser, Matt has an impressive CV working at some of the biggest and most impressive studios in the world including the legendary ILM in California. We talk about his humble beginnings in Art Centre and where his career has lead him over many years. We will also be doing some live demos with Matt so keep your eyes peeled to the channel and remember to hit that subscribe and like button. Hope you guys enjoy and remember to subscribe and like our episodes, stay tuned for more, Show notes below: Procreate Website http://procreate.art/ Digital Artcast Facebook: https://www.facebook.com/digitalartcast/ Matt Gaser Links: http://www.mattgaser.com/ https://www.instagram.com/mattgaser/ Gordon Neill External Links: www.gordonneill.com www.facebook.com/gordonneillart Twitter @gordonneillart --- Send in a voice message: https://anchor.fm/digitalartcast/message

"Peggy Guggenheim was an extraordinary character; I would recommend Mary Dearborn's biography Mistress of Modernism; that's a play on words" Philip Rylands Director of the Peggy Guggenheim Collection, Venice subtly reveals how personal her involvement in art collection was. Mr. Rylands was in Brussels for the opening of Guggenheim: Full Abstraction, at the ING Art Center. The show presents an impressive set of works from the Peggy Guggenheim Collection, Venice and the Solomon Guggenheim Collection in New York with pieces by Marcel Duchamp, Max Ernst (Peggy's second husband), Jean DuBuffet, Lucio Fontana, Jackson Pollack, Mark Rothko, Alexander Calder, Willem de Kooning, Sam Francis, Robert Motherell, Cy Twombly and others. As well as the works of art, the show presents a rich timeline documented with archive pictures, documents, film fragments and more, to enable the visitor to fully understand the impact that these two main collectors of XXth Century art had in both the US and Europe. Through February 12 2017 www.ing.be/art

Guest Melissa Whitwam, Executive Director of the Foundry Art Centre discusses upcoming events at the Centre, gives a bit of history about the organization, and shares the similarities between running an arts organization and working on her own art.

Neuroaesthetics | Symposium Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 22.-24. November 2012 In Kooperation und mit Unterstützung der Gemeinnützigen Hertie-Stiftung. Helga Griffiths has been working for over 20 years on the integration of various sensory stimuli into her multi-sense installations. With reference to several practical examples (one of which ‒ the animated video Brainscape ‒ will be shown during the conference), she illustrates some of the advantages, but also some of the difficulties that she has encountered in this approach. A successful experience space as she terms it, enables the percipient to immerse him- or herself in a multi-dimensional sensory space and experience memories, emotions and ideas that originate from, but at the same time are not necessarily identical to, the memories, emotions and ideas of the artist. Typical of Griffiths’ work is her technique of taking sensory information received through one sense (e.g. sight or sound) and transforming it into another, such as odor, in order to communicate with the percipient at a more direct, intuitive level and enable the sensory immersion experience to transcend conventional boundaries of perception. Helga Griffiths is a Multi-Sense-Artist working at the intersection of science and art. She holds a B.F.A. from Mason Gross School of the Arts at Rutgers University, and from 1992–1994 completed her postgraduate studies at the Stuttgart State Academy of Art and Design. In 1994 she continued with further studies in New Media at the Karlsruhe University of Arts and Design. She received several awards such as the first prize at “Kunst auf Zeit” in Graz, an “Honorable Mention” at the International Biennale of Paper Art in Düren, the “Lichtenberg”- Award (all in 1998), and the first prize at “LichtRouten”- festival in Lüdenscheid in 2003. She received grants for artist residencies at Cité Internationale des Arts Paris in 2001 and an NEA grant at the Escuela de Artes Plásticas in Puerto Rico in 2004. Her work is in permanent collections such as the TBA TV Station in Tokyo, Deutsches Hygiene-Museum, Dresden, or the Leopold-Hoesch-Museum in Düren, Germany. She has exhibited her multi-sense-installations at several biennials such as Cairo Biennale, Echigo-Tsumari Art Triennale in Japan, Havanna Biennial, and Seoul International Media Art Biennale. Her work has been shown in international museum exhibitions like the Bundeskunsthalle Bonn; Artificial Light in Art Centre, Eindhoven; Kunsthalle Kiel, Palais de Tokyo, Paris; Henie Onstad Kunstsenter, Oslo; Upper Austrian Culture Quarter, Linz, and at the ZKM | Center for Art and Media Karlsruhe.

This Dhamala is the river mouth where there are different types of shells and fish, then the same area, maybe two creeks. Datam – waterlily roots; Rakay, circle (water chesnut); freshwater but in the saltwater on a mud flat. This is our traditional area and that is why we don’t want any mining or balanda fishing there. The river where we were walking is where our dreamings are. We have grown up with our culture and have kept it. Our sacred sites, our ceremonies, and secret dreamings. My people and ancestors have lived here for a long time. In other areas too people's ancestry goes back a long way – people still retain their laws and their culture and land. Description of painting from upper left corner, Left hand side referes to the Ngurrunyuwa (eastern bank of the river) – Garangala Rock with Lunggu, Glyde River, Raga nuts, Creeks, Beach were Gunmirringu sat, Sea eagle tree, Conch shell. The right hand side of the bark refers to Dhamala (the western side of the bank), from upper right – Milmindjarrk waterhole, Bilma (clapsticks), Dhona (sacred digging stick), mud skipper, catfish. [Art Centre documentation]

This Dhamala is the river mouth where there are different types of shells and fish, then the same area, maybe two creeks. Datam – waterlily roots; Rakay, circle (water chesnut); freshwater but in the saltwater on a mud flat. This is our traditional area and that is why we don’t want any mining or balanda fishing there. The river where we were walking is where our dreamings are. We have grown up with our culture and have kept it. Our sacred sites, our ceremonies, and secret dreamings. My people and ancestors have lived here for a long time. In other areas too people's ancestry goes back a long way – people still retain their laws and their culture and land. Description of painting from upper left corner, Left hand side referes to the Ngurrunyuwa (eastern bank of the river) – Garangala Rock with Lunggu, Glyde River, Raga nuts, Creeks, Beach were Gunmirringu sat, Sea eagle tree, Conch shell. The right hand side of the bark refers to Dhamala (the western side of the bank), from upper right – Milmindjarrk waterhole, Bilma (clapsticks), Dhona (sacred digging stick), mud skipper, catfish. [Art Centre documentation]