Podcasts about turn right

How do you capture something as enormous and personal as the feeling of “home” in a book? How can you navigate the chaotic discovery period in writing something new? With Roz Morris. In the intro, KU vs Wide [Written Word Media]; Podcasts Overtake Radio, book marketing implications [The New Publishing Standard]; Tips for podcast guests; The Vatican embraces AI for translation, but not for sermons [National Catholic Reporter]; NotebookLM; Self-Publishing in German; Bones of the Deep. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How being an indie author has evolved over 15 years, from ebooks-only to special editions, multi-voice audiobooks and tools to help with everything Why “home” is such a powerful emotional theme and how to turn personal experiences into universal memoir Practical craft tips on show-don't-tell, writing about real people, and finding the right book title The chaotic discovery writing phase — why some books take seven years and why that's okay Building a newsletter sustainably by finding your authentic voice (and the power of a good pet story) Low-key book marketing strategies for memoir, including Roz's community-driven “home” collage campaign You can find Roz at RozMorris.org. Transcript of the interview with Roz Morris JOANNA: Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. Welcome back to the show, Roz. ROZ: Hi, Jo. It's so lovely to be back. I love that we managed to catch up every now and again on what we're doing. We've been doing this for so long. JOANNA: In fact, if people don't know, the first time you came on this show was 2011, which is 15 years. ROZ: I know! JOANNA: It is so crazy. I guess we should say, we do know each other in person, in real life, but realistically we mainly catch up when you come on the podcast. ROZ: Yes, we do, and by following what we're doing around the web. So I read your newsletters, you read mine. JOANNA: Exactly. So good to return. You write all kinds of different things, but let's first take a look back. The first time you were on was 2011, 15 years ago. You've spanned traditional and indie, you've seen a lot. You know a lot of people in publishing as well. What are the key things you think have shifted over the years, and why do you still choose indie for your work? ROZ: Well, lots of things have shifted. Some things are more difficult now, some things are a lot easier. We were lucky to be in right at the start and we learned the ropes and managed to make a lot of contacts with people. Now it's much more difficult to get your work out there and noticed by readers. You have to be more knowledgeable about things like marketing and promotions. But that said, there are now much better tools for doing all this. Some really smart people have put their brains to work about how authors can get their work to the right readers, and there's also a lot more understanding of how that can be done in the modern world. Everything is now much more niche-driven, isn't it? People know exactly what kind of thriller they like or what kind of memoir they like. In the old days it was probably just, “Well, you like thrillers,” and that could be absolutely loads of things. Now we can find far better who might like our work. The tools we have are astonishing. To start with, in about 2011, we could only really produce ebooks and paperbacks. That was it. Anything else, you'd have to get a print run that would be quite expensive. Now we can get amazing, beautiful special editions made. We can do audiobooks, multi-voice audiobooks. We can do ebooks with all sorts of enhancements. We can even make apps if we want to. There's absolutely loads that creators can do now that they couldn't before, so it's still a very exciting world. JOANNA: When we first met, there was still a lot of negativity here in the UK around indie authors or self-publishing. That does feel like it's shifted. Do you think that stigma around self-publishing has changed? ROZ: I think it has really changed, yes. To start with, we were regarded as a bit of the Wild West. We were just tramping in and making our mark in places that we hadn't been invited into. Now it's changed entirely. I think we've managed to convince people that we have the same quality standards. Readers don't mind—I don't think the readers ever minded, actually, so long as the book looked right, felt right, read right. It's much easier now. It's much more of a level playing field. We can prove ourselves. In fact, we don't necessarily have to prove ourselves anymore. We just go and find readers. JOANNA: Yes, I feel like that. I have nothing to prove. I just get on with my work and writing our books and putting them out there. We've got our own audiences now. I guess I always think of it as perhaps not a shadow industry, but almost a parallel industry. You have spanned a lot of traditional publishing and you still do editing work. You know a lot of trad pub authors too. Do you still actively choose indie for a particular reason? ROZ: I do. I really like building my own body of work, and I'm now experienced enough to know what I do well, what I need advice with, and help with. I mean, we don't do all this completely by ourselves, do we? We bring in experts who will give us the right feedback if we're doing a new genre or a genre that's new to us. I choose indie because I like the control. Because I began in traditional publishing—I was making books for other people—I just learned all the trades and how to do everything to a professional standard. I love being able to apply that to my own work. I also love the way I can decide what I'm going to write next. If I was traditionally published, I would have to do something that fitted with whatever the publisher would want of me, and that isn't necessarily where my muse is taking me or what I've become interested in. I think creative humans evolve throughout their lives. They become interested in different things, different themes, different ways of expressing themselves. I began by thinking I would just write novels, and now I've found myself writing memoirs as well. That shift would have been difficult if someone else was having to make me fit into their marketing plans or what their imprint was known for. But because I've built my own audience, I can just bring them with me and say, “You might like this. It's still me. I'm just doing something different.” JOANNA: I like that phrase: “creative humans.” That's what we are. As you say, I never thought I would write a memoir, and then I wrote Pilgrimage, and I think there's probably another one on its way. We do these different things over time. Let's get into this new book, Turn Right at the Rainbow. It's about the idea of home. I've talked a lot about home on my Books And Travel Podcast, but not so much here. Why is home such an emotional topic, for both positive and negative reasons? Why did you want to explore it? ROZ: I think home is so emotional because it grows around you and it grows on you very slowly without you really realising it. As you are not looking, you suddenly realise, “Oh, it means such a lot.” I love to play this mind game with myself—if you compare what your street looks like to you now and how it looked the first time you set eyes on it, it's a world of difference. There are so many emotional layers that build up just because of the amount of time we spend in a place. It's like a relationship, a very slow-growing friendship. And as you say, sometimes it can be negative as well. I became really fascinated with this because we decided to move house and we'd lived in the same house for about 30 years, which is a lot of time. It had seen a lot of us—a lot of our lives, a lot of big decisions, a lot of good times, a lot of difficult times. I felt that was all somehow encapsulated in the place. I know that readers of certain horror or even spiritual fiction will have this feeling that a place contains emotions and pasts and all sorts of vibes that just stay in there. When we were going around looking at a house to buy, I was thinking, “How do we even know how we will feel about it?” We're moving out of somewhere that has immense amounts of feelings and associations, and we're trying to judge whether somewhere else will feel right. It just seemed like we were making a decision of cosmic proportions. It comes down so much to chance as well. You're not only just deciding, “Okay, I'd like to buy that one,” and pressing a button like on eBay and you've won it. It doesn't happen like that. There are lots of middle steps. The other person's got to agree to sell to you, not do the dirty on you and sell to someone else. You've got all sorts of machinations going on that you have no idea about. And you only have what's on offer—you only get an opportunity to buy a place because someone else has decided to let it go. All this seemed like immense amounts of chance, of dice rolling. I thought, yet we end up in these places and they mean so much to us. It just blew my mind. I thought, “I've got to write about this.” JOANNA: It's really interesting, isn't it? I really only started using the word “home” after the pandemic and living here in Bath. We had luckily just bought a house before then, and I'd never really considered anywhere to be a home. I've talked about this idea of third culture kids—people who grow up between cultures and don't feel like there's a home anywhere. I was really interested in your book because there's so much about the functional things that have to happen when you move house or look for a house, and often people aren't thinking about it as deeply as you are. So did you start working on the memoir as you went to see places, or was it something you thought about when you were leaving? Was it a “moving towards” kind of memoir or a “sad nostalgia” memoir? ROZ: Well, it could have been very sad and nostalgic because I do like to write really emotional things, and they're not necessarily for sharing with everybody, but I was very interested in the emotions of it. I started keeping diaries. Some of them were just diaries I'd write down, some of them were emails I'd send to friends who were saying, “How's it going?” And then I'd find I was just writing pieces rather than emails, and it built up really. JOANNA: It's interesting, you said you write emotional things. We mentioned nostalgia, and obviously there are memories in the home, but it's very easy to say a word like “nostalgia” and everyone thinks that means different things. One of the important things about writing is to be very specific rather than general. Can you give us some tips about how we can turn big emotions into specific written things that bring it alive for our readers? ROZ: It's really interesting that you mention nostalgia, because what we have to be careful of is not writing just for ourselves. It starts with us—our feelings about something, our responses, our curiosities—but we then have to let other people in. There's nothing more boring than reading something that's just a memoir manuscript that doesn't reach out to anyone in any way. It's like looking through their holiday snaps. What you have to do is somehow find something bigger in there that will allow everyone to connect and think, “Oh, this is about me too,” or “I've thought this too.” As I said, we start with things that feel powerful and important for us, and I think we don't necessarily need to go looking for them. They emerge the more deeply we think about what we're writing. We find they're building. Certainly for me, it's what pulls me back to an idea, thinking, “There's something in this idea that's really talking to me now. What is it?” Often I'll need to go for walks and things to let the logical mind turn off and ideas start coming in. But I'll find that something is building and it seems to become more and more something that will speak to others rather than just to me. That's one way of doing it—by listening to your intuition and delving more and more until you find something that seems worth saying to other people. But you could do it another way. If you decided you wanted to write a book about home, and you'd already got your big theme, you could then think, “Well, how will I make this into something manageable?” So you start with something big and build it into smaller-scale things that can be related to. You might look at ideas of homes—situations of people who have lost their home, like the kind of displacement we see at the moment. Or we might look at another aspect, such as people who sell homes and what they must feel like being these go-betweens between worlds, between people who are doing these immense changes in their lives. Or we might think of an ecological angle—the planet Earth and what we're doing to it, or our place in the cosmos. We might start with a thing we want to write about and then find, “How are we going to treat it?” That usually comes down to what appeals to us. It might be the ecological side. It might be the story of a few estate agents who are trying to sell homes for people. Or it might be like mine—just a personal story of trying to move house. From that, we can create something that will have a wider resonance as well as starting with something that's personally interesting to you. The big emotions will come out of that wider resonance. JOANNA: Trying to go deeper on that— It's the “show, don't tell” idea, isn't it? If you'd said, “I felt very sad about leaving my house” or “I felt very sad about the prospect of leaving my house,” that is not a whole book. ROZ: Yes. It's why you felt sad, how you felt sad, what it made you think of. That's a very good point about “show, don't tell,” which is a fundamental writing technique. It basically tells people exactly how you feel about a particular thing, which is not the same as the way anyone else would feel about it—but still, curiously, it can be universal and something that we can all tap into. Funnily enough, by being very specific, by saying, “I realised when we'd signed the contract to sell the house that it wasn't ours anymore, and it had been, and I felt like I was betraying it,” that starts to get really personal. People might think, “Yes, I felt like that too,” or “I hadn't thought you'd feel like that, but I can understand it.” Those specifics are what really let people into the journey that you're taking them on. JOANNA: And isn't this one of the challenges, that we're not even going to use a word like “sad,” basically. ROZ: Yes. It's like, who was it who said, “Don't tell me if they got wet—tell me how it felt to get wet in that particular situation.” Then the reader will think, “Oh yes, they got wet,” but they'll also have had an experience that took them somewhere interesting. JOANNA: Yes. Show me the raindrops on the umbrella and the splashing through the puddles. I think this is so important with big emotions. Also, when we say nostalgia—we've talked before about Stranger Things and Kate Bush and the way Stranger Things used songs and nostalgia. Oh, I was watching Derry Girls—have you seen Derry Girls? ROZ: No, I haven't yet. JOANNA: Oh, it's brilliant. It's so good. It's pretty old now, but it's a nineties soundtrack and I'm watching going, “Oh, they got this so right.” They just got it right with the songs. You feel nostalgic because you feel an emotion that is linked to that music. It makes you feel a certain way, but everyone feels these things in different ways. I think that is a challenge of fiction, and also memoir. Certainly with memoir and fiction, this is so important. ROZ: Yes, and I was just thinking with self-help books, it's even important there because self-help books have to show they understand how the reader is feeling. JOANNA: Yes, and sometimes you use anecdotes to do that. Another challenge with memoir—in this book, you're going round having a look at places, and they're real places and there are real people. This can be difficult. What are things that people need to be wary of if using real people in real places? Do you need permissions for things? ROZ: That book was particularly tricky because, as you said, I was going around real places and talking about real people. With most of them, they're not identifiable. Even though I was specific about particular aspects of particular houses, it would be very hard for anyone to know where those houses were. I think possibly the only way you would recognise it is if that happened to be your own house. The people, similarly—there's a lot about estate agents and other professionals. They were all real incidents and real things that happened, but no one is identifiable. A very important thing about writing a book like this is you're always going to have antagonists, because you have to have people who you're finding difficult, people who are making life a bit difficult for you. You have to present them in a way that understands what it's like to be them as well. If you're writing a book where your purpose is to expose wrongdoing or injustices, then you might be more forthright about just saying, “This is wrong, the way this person behaved was wrong.” You might identify villains if that's appropriate, although you'd have to be very careful legally. This kind of book is more nuanced. The antagonists were simply people who were trying to do the right thing for them. You have to understand what it's like to be them. Quite a lot of the time, I found that the real story was how ill-equipped I sometimes felt to deal with people who were maybe covering something up, or maybe not, but just not expressing themselves very clearly. Estate agents who had an agenda, and I was thinking, “Who are they acting for? Are they acting for me, or are they acting for someone else that we don't even know about?” There's a fair bit of conflict in the book, but it comes from people being people and doing what they have to do. I just wanted to find a good house in an area that was nice, a house I could trust and rely on, for a price that was right. The people who were selling to me just wanted to sell the house no matter what because that was what they needed to do. You always have to understand what the other person's point of view is. Often in this kind of memoir, even though you might be getting very frustrated, it's best to also see a bit of a ridiculous side to yourself—when you're getting grumpy, for instance. It's all just humans being humans in a situation where ultimately you're going to end up doing a life-changing and important thing. I found there's quite a lot of humour in that. We were shuffling things around and, as I said, we were eventually going to be making a cosmic change that would affect the place we called home. I found that quite amusing in a lot of ways. I think you've got to be very levelheaded about this, particularly about writing about other people. Sometimes you do have to ask for permission. I didn't have to do that very much in this book. There were people I wrote about who are actually friends, who would recognise themselves and their stories. I checked that they didn't mind me quoting particular things, and they were all fine with that. In my previous memoir, Not Quite Lost, I actually wrote about a group of people who were completely identifiable. They would definitely have known who they were, and other people would have known who they were. There was no hiding them. They were the people near Brighton who were cryonicists—preserving dead bodies, freezing them, in the hope that they could be revived at a much later date when science had solved the problem that killed them. I went to visit this group of cryonicists, and I'd written a diary about it at the time. Then I followed up when I was writing the book to find out what happened to them. I thought, I've simply got to contact them and tell them I'm going to write this. “I'll send it to you, you give me your comments,” and I did. They gave me some good comments and said, “Oh, please don't put that,” or “Let me clarify this.” Everything was fine. So there I did actually seek them out and check that what I was going to write was okay. JOANNA: Yes, in that situation, there can't be many cryonicists in that area. ROZ: They really were identifiable. JOANNA: There's probably only one group! But this is really interesting, because obviously memoir is a personal thing. You're curating who you are as well in the book, and your husband. I think it's interesting, because I had the problem of “Am I giving away too much about myself?” Do you feel like with everything you've written, you've already given away everything about yourself by now? Are you just completely relaxed about being personal, for yourself and for your husband? ROZ: I think I have become more relaxed about it. My first memoir wasn't nearly as personal as yours was. You were going to some quite difficult places. With Turn Right at the Rainbow, I was approaching some darker places, actually, and I had to consider how much to reveal and how much not to. But I found once I started writing, the honesty just took over. I thought, “This is fine. I have read plenty of books that have done this, and I've loved them. I've loved getting to know someone on that deeper level.” It was just something I took my example from—other writers I'd enjoyed. JOANNA: Yes. I think that's definitely the way memoir has to happen, because it can be very hard to know how to structure it. Let's come to the title. Turn Right at the Rainbow. Really great title, and obviously a subtitle which is important as well for theme. Talk about where the title came from and also the challenges of titling books of any genre. You've had some other great titles for your novels—at least titles I've thought, “Oh yes, that's perfect.” Titling can be really hard. ROZ: Oh, thank you for that. Yes, it is hard. Ever Rest, which was the title of my last novel, just came to me early on. I was very lucky with that. It fitted the themes and it fitted what was going on, but it was just a bolt from the blue. I found that also with Turn Right at the Rainbow, it was an accident. It slipped out. I was going to call it something else, and then this incident happened. “Turn Right at the Rainbow” is actually one of the stories in the book. I call it the title track, as if it's an album. We were going somewhere in the car and the sat nav said, “Turn right at the rainbow.” And Dave and I just fell about, “What did it just say?!” It also seemed to really sum up the journey we were on. We were looking for rainbows and pots of gold and completely at the mercy of chance. It just stayed with me. It seemed the right thing. I wrote the piece first and then I kept thinking, “Well, this sounds like a good title.” Dave said it sounded like a good title. And then a friend of mine who does a lot of beta reading for me said, “Oh, that is the title, isn't it?” When several people tell you that's the title, you've got to take notice. But how we find these things is more difficult, as you said. You just work and work at it, beating your head against the wall. I find they always come to me when I'm not looking. It really helps to do something like exercise, which will put you in a bit of a different mind state. Do you find this as well? JOANNA: Yes, I often like a title earlier on that then changes as the book goes. I mean, we're both discovery writers really, although you do reverse outlines and other things. You have a chaotic discovery phase. I feel like when I'm in that phase, it might be called something, and then I often find that's not what it ends up being, because the book has actually changed in the process. ROZ: Yes, very much. That's part of how we realise what we should be writing. I do have working titles and then something might come along and say, “This seems actually like what you should call it and what you've been working towards, what you've been discovering about it.” I think a good title has a real sense of emotional frisson as well. With memoir, it's easier because we can add a subtitle to explain what we mean. With fiction, it's more difficult. We've got to really hope that it all comes through those few words, and that's a bit harder. JOANNA: Let's talk about your next book. On your website it says it might be a novel, it might be narrative nonfiction, and you have a working title of Four. I wondered if you'd talk a bit more about this chaotic discovery writing phase when we just don't know what's coming. I feel like you and I have been doing this long enough—you longer than me—so maybe we're okay with it. But newer writers might find this stage really difficult. Where's the fun in it? Why is it so difficult? And how can people deal with it? ROZ: You've summed that up really well. It's fun and it's difficult, and I still find it difficult even after all these years. I have to remind myself, looking back at where Ever Rest started, because that was a particularly difficult one. It took me seven years to work out what to do with it, and I wrote three other books in the meantime. It just comes together in the end. What I find is that something takes root in my mind and it collects things. The title you just picked out there—the book with working title of Four—it's now two books. One possibly another memoir and one possibly fiction. It's evolving all the time. I'm just collecting what seems to go with it for now and thinking, “That belongs with it somehow. I don't yet know how, but my intuition is that the two work well together.” There's a harmony there that I see. In the very early stages, that's what I find something is. Then I might get a more concrete idea, say a piece of story or a character, and I'll have the feeling that they really fit together. Once I've got something concrete like that, I can start doing more active research to pursue the idea. But in the beginning, they're all just little twinkles in the eye and you just have to let them develop. If you want to get started on something because you feel you want to get started and you don't feel happy if you're not working on something, you could do a far more active kind of discovery. Writing lists. Lists are great for this. I find lists of what you don't want it to be are just as helpful as what you do want it to be because that certainly narrows down a lot and helps you make good choices. You've got a lot of choices to make at the beginning of a book. You've got to decide: What's it going to be about? What isn't it going to be about? What kind of characters am I interested in? What kind of situations am I interested in? What doesn't interest me about this situation? Very important—saves you a lot of time. What does interest me? If you can start by doing that kind of thing, you will find that you start gathering stuff that gets attracted to it. It's almost like the world starts giving it to you. This is discovery writing, but it's also chivvying it along a bit and getting going. It does work. Joanna: I like the idea of listing what you don't want it to be. I think that's very useful because often writers, especially in the early stages—or even not, I still struggle with this—it's knowing what genre it might actually be. With Bones of the Deep, which is my next thriller, it was originally going to be horror and I was writing it, and then I realised one of the big differences between horror and thriller is the ending and how character arcs are resolved and the way things are written. I was just like, “Do you know what? I actually feel like this is more thriller than horror,” and that really shaped the direction. Even though so much of it was the same, it shaped a lot about the book. It's always hard talking about this stuff without giving spoilers, but I think deciding, “Okay, this is not a horror,” actually helped me find my way back to thriller. ROZ: Yes, I do know what you mean. That makes perfect sense to me, with no spoilers either. It's so interesting how a very broad-strokes picture like that can still be very helpful. Just trying to make something a bit different from the way you've been envisaging it can lead to massive breakthroughs. “Oh no, it's not a thriller—I don't have to be aiming for that kind of effect.” Or try changing the tone a little bit and see if that just makes you happier with what you're making, more comfortable with it. JOANNA: You mentioned the seven years that Ever Rest took. We should say the title is in two words—”Ever” and “Rest”—but it is also about Everest the mountain in many ways. That's why it's such a perfect title. If that took seven years and you were doing all this other stuff and writing other books along the way, how do you keep your research under control? How do you do that? I still use Scrivener projects as my main research place. How do you do your research and organisation? ROZ: A lot of scraps of paper. My desk is massive. It used to be a dining table with leaves in it. It's spread out to its fullest length, and it's got heaps of little pieces of paper. I know what's on them all, and there are different areas, different zones. I'm very much a paper writer because I like the tangibility of it. I also like the creativity of taking a piece of paper and tearing it into an odd shape and writing a note on that. It seems as sort of profound and lucky as the idea. I really like that. I do make text files and keep notes that way. Once something is starting to get to a phase where it's becoming serious, it will then be a folder with various files that discuss different aspects of it. I do a lot of discussing with myself while writing, and I don't necessarily look at it all again. The writing of it clarifies something or allows me to put something aside and say, “No, that doesn't quite belong.” Gradually I start to look at things, look at what I've gathered, and think, “How does this fit with this?” And it helps to look away as well. As I said with finding titles, sometimes the right thing is in your subconscious and it's waiting to just sail in if you look at it in a different way. There's a lot to be said for working on several ideas, not looking at some of them for a while, then going back and thinking, “Oh, I know what to do with this now.” JOANNA: Yes. My Writing the Shadow, I was talking about that when we met, and that definitely took about a decade. ROZ: Yes. JOANNA: I kept having to come back to that, and sometimes we're just not ready. Even as experienced writers, we're not ready for a particular book. With Bones of the Deep, I did the trip that it's based on in 1999. Since I became a writer, I've thought I have to use that trip in some way, and I never found the right way to use it. I came at it a couple of times and it just never sat right with me. Then something on this master's course I'm doing around human remains and indigenous cultures just suddenly all clicked. You can't really rush that, can you? ROZ: You absolutely can't. It's something you develop a sense for, the more you do—whether something's ready or whether you should just let it think about itself for a while whilst you work on something else. It really helps to have something else to work on because I panic a bit if I don't have something creative to do. I just have to create, I have to make things, particularly in writing. But I also like doing various little arty things as well. I need to always have something to be writing about or exploring in words. Sometimes a book isn't ready for that intense pressure of being properly written. So it helps to have several things that I can play with and then pick one and go, “Okay, now I'm going to really perform this on the page.” JOANNA: Do you find that nonfiction—because you have some craft books as well—do you find the nonfiction side is quite different? Can you almost just go and write a nonfiction book or work on someone else's project? Does that use a different kind of creativity? ROZ: Yes, it does. Creativity where you're trying to explain something to creative people is totally different from creativity where you're trying to involve them in emotions and a journey and nuances of meaning. They're very different, but they're still fun. So, yes, I am an editor as well, and that feeds my creativity in various unexpected ways. I'll see what someone has done and think, “Oh, that's very interesting that they did that.” It can make me think in different ways—different shapes for stories, different kinds of characters to have. It really opens your eyes, working with other creative people. JOANNA: I wanted to return to what you said at the beginning, that it is more difficult these days to get our work noticed. There's certainly a challenge in writing a travel memoir about home. What are you doing to market this book? What have you learned about book marketing for memoir in particular that might help other people? ROZ: Partly I realised it was quite a natural progression for me because in my newsletter I always write a couple of little pieces. I think they're called “life writing.” Just little things that have happened to me. That's sort of like memoir, creative nonfiction, personal essays. I was quite naturally writing that sort of thing to my newsletter readers, and I realised that was already good preparation for the kind of way that I would write in a memoir. As for the actual campaign, I actually came up with an idea which quite surprised me because I didn't think I was good at that. I'm making a collage of the word “home” written in lots of different handwriting, on lots of different things, in lots of different languages. I'm getting people to contribute these and send them to me, and I'm building them into a series of collages that's just got the word “home” everywhere. People have been contributing them by sending them by email or on Facebook Messenger, and I've been putting them up on my social platforms. They look stunning. It's amazing. People are writing the word “home” on a post-it or sticking it to a picture of their radiator. Someone wrote it in snow on her car when we had snow. Someone wrote it on a pottery shard she found in her drive when she bought the house. She thought it was mysterious. There are all these lovely stories that people are telling me as well. I'm making them into little artworks and putting them up every day as the book comes to launch. It's so much fun, and it also has a deeper purpose because it shows how home is different for all of us and how it builds as uniquely as our handwriting. Our handwriting has a story. I should do a book about that! JOANNA: That's a weird one. Handwriting always gets me, although it'd be interesting these days because so many people don't handwrite things anymore. You can probably tell the age of someone by how well-developed their handwriting is. ROZ: Except mine has just withered. I can barely write for more than a few minutes. JOANNA: Oh, I know what you mean. Your hand gets really tired. ROZ: We used to write three-hour exams. How did we do that? JOANNA: I really don't know. JOANNA: Just coming back on that. You mentioned mainly you're doing your newsletter and connecting with your own community. You've done podcasts with me and with other people. But I feel like in the indie community, the whole “you must build your newsletter” thing is described as something quite frantic. How have you built a newsletter in a sustainable manner? ROZ: I've built it by finding what suited me. To start with I thought, “What will I put in it? News, obviously.” But I wasn't doing that much that was newsworthy. Then I began to examine what news could actually be. The turning point really happened when I wrote the first memoir, Not Quite Lost: Travels Without a Sense of Direction. I thought, “I have to explain to people why I'm writing a memoir,” because it seemed like a very audacious thing to do—”Read about me!” I thought I had to explain myself. So I told the story of how I came to think about writing such an audacious book. I just found a natural way to tell stories about what I was doing creatively. I thought, “I like this. I like writing a newsletter like this.” And it's not all me, me, me. It's “I'm discovering this and it makes me think this,” and it just seems to be generally about life, about little questions that we might all face. From then, I found I really enjoyed writing a newsletter because I felt I had something to say. I couldn't put lists of where I was speaking, what I was teaching, what special offers I had, because that wasn't really how my creative life worked. Once I found something I could sustainably write about every month, it really helped. Oh, it also helps to have a pet, by the way. JOANNA: Yes, you have a horse! ROZ: I've got a horse. People absolutely love hearing the stories about my ongoing relationship with this horse. Even if they're not horsey, they write to me and say, “We just love your horse.” It helps to have a human interest thing going on like that. So that works for me. Everyone's got different things that will work for them. But for me, it builds just a sense of connection, human connection. I'm human, making things. JOANNA: In terms of actually getting people signed up—has it literally just been over time? People have read your book, signed up from the link at the back? Have you ever done any specific growth marketing around your newsletter? ROZ: I tried a little bit of growth marketing. I have a freebie version of one of my Nail Your Novel books and I put that on a promotion site. I got lots of newsletter signups, but they sort of dwindled away. When I get unsubscribes, it's usually from that list, because it wasn't really what they came for. They just came for a free book of writing tips. While I do writing tips on my blog—I'm still doing those—it wasn't really what my newsletter was about. What I found was that that wasn't going to get people who were going to be interested long-term in what I was writing about in my newsletter. Whatever you do, I found, has got to be true to what you are actually giving them. JOANNA: Yes, I think that's really key. I make sure I email once every couple of weeks. And you welcome the unsubscribes. You have to welcome them because those people are not right for you and they're not interested in what you're doing. At the end of the day, we're still trying to sell books. As much as you're enjoying the connection with your audience, you are still trying to sell Turn Right at the Rainbow and your other books, right? ROZ: Absolutely, yes. And as you say, someone who decides, “No, not for me anymore,” and that's good. There are still people who you are right for. JOANNA: Mm-hmm. ROZ: I do market my newsletter in a very low-key way. I make a graphic every month for the newsletter, it's like a magazine cover. “What's in it?” And I put that around all my social media. I change my Facebook page header so it's got that on it, my Bluesky header. People can see what it's like, what the vibe is, and they know where to find it if they're interested. I find that kind of low-key approach works quite well for what I'm offering. It's got to be true to what you offer. JOANNA: Yes, and true for a long-term career, I think. When I first met you and your husband Dave, it was like, “Oh, here are some people who are in this writing business, have already been in it for a while.” And both of you are still here. I just feel like— You have to do it in a sustainable way, whether it's writing or marketing or any of this. The only way to do it is to, as you said, live as a creative human and not make it all frantic and “must be now.” ROZ: Yes. I mean, I do have to-do lists that are quite long for every week, but I've learned to pace myself. I've learned how often I can write a good blog post. I could churn out blog posts that were far more frequent, but they wouldn't be as good. They wouldn't be as properly thought through. In the old days with blogs, you had an advantage if you were blogging very frequently, I think you got more noticed by Google because you were constantly putting up fresh content. But if that's not sustainable for you, it's not going to do you any good. Now there's so much content around that it's probably fine to post once a month if that is what you're going to do and how you're going to present the best of yourself. I see a lot on Substack—I've recently started Substack as well—I see people writing every other day. I think they're good, that's interesting, but I don't have time to read it. I would love to have the time, but I don't. So there's actually no sin in only posting once a month—one newsletter a month, one blog post a month, one Substack a month. That's plenty. People will still find that enough if they get you. JOANNA: Fantastic. So where can people find you and your books and everything you do online? ROZ: My website is probably the easiest place, RozMorris.org. JOANNA: Brilliant. Well, thank you so much for your time, Roz. As ever, that was great. ROZ: Thank you, Jo.The post Writing Emotion, Discovery Writing, And Slow Sustainable Book Marketing With Roz Morris first appeared on The Creative Penn.

Today Liz Dolan interviews Phil Pizzo, the founder of Stanford's Distinguished Careers Institute, a deep thinker on transitions and lifelong learning. His career has taken him from pioneering pediatric oncologist to Dean of Stanford Medical School to rabbinical studies and chaplaincy training. He is a man who thinks a LOT about doing things differently. Welcome to our sponsors: Stanford Federal Credit Union. To use their $620 New Member offer, go to sfcu.org/liznessWelleco. To try The Super Elixir, go to welleco.com and use promo code sisters15 at checkoutHOMEWORK:More on Phil Pizzo, his work and his contributions:The Doctor's Art podcast: An episode called Courage and Curiosity Discussion of what drew him to medicine in the first place with more about his work caring for seriously ill children and his pioneering work at the National Cancer Institute.Stanford Daily: Phil Pizzo moves from Stanford Medical School to rabbinical studies https://stanforddaily.com/2022/04/10/from-stanford-to-the-rabbinate-phil-pizzo-moving-on/The Atlantic The New Old Age by David Brooks. What a new life stage can teach us about how to find meaning and purpose. Corrected book title from last episode: Turn Right at Machu Picchu: Rediscovering The Lost City One Step At A Time from 2021. A fascinating and funny account of a journalist's travels through some of the world's most majestic, historic, and remote landscapes.If you are new to Lizness School, we suggest you listen to Season 1 to hear all about Liz's year as a Stanford Fellow. Everything from Neuroscience and Chinese History to Pickleball! Plus a great community experience with her fellow DCI Fellows.Season 2 is about how she puts her lessons to work in the wild with the help of her millennial mentor Leah Sutherland.To listen to Liz +. Leah's recap of Lizness School Season 1, go to our FINALE here.For more on Liz Dolan, go to ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠For more on Liz's work in podcasting, go to ⁠⁠⁠⁠Satellite Sisters⁠⁠⁠⁠Follow Lizness School on all podcasting platforms including ⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠ and ⁠⁠⁠⁠Spotify.⁠⁠⁠⁠On Instagram, follow the show at ⁠⁠⁠⁠https://www.instagram.com/liznessschool/⁠⁠⁠⁠ and follow Liz at ⁠⁠⁠⁠https://www.instagram.com/satellitesisterliz/⁠⁠⁠⁠.Follow Producer and Millennial Mentor Leah Sutherland @leahhsutherlandd on Instagram and Leah Sutherland on LinkedIn. To email Lizness School with your own voice memos/questions/thoughts/suggestions for Liz or Leah, use ⁠⁠⁠⁠liznessschool@gmail.comThe Distinguished Careers Institute is a unique program for late career people. Fellows are graduate students at Stanford University, able to take classes in any area. ⁠⁠⁠⁠Complete information here.⁠⁠⁠⁠Email the podcast ⁠⁠⁠⁠liznessschool@gmail.com ⁠See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wellness. At Lizness School, wellness means health + fun. Liz and Leah both have wellness goals this year that include training for a big event. Today's special release of Lizness School episode S2E12 to Satellite Sisters is our first ever wellness episode. Specific training plans are put in place! First Leah, an ultra runner and certified trainer herself, gives Liz her plan from now until September to be ready for physical activity at altitude in Peru with her Stanford DCI classmates. Then Leah lays out her own goals for the LA Marathon in March, her first race since she moved to Nashville.Welcome to our new sponsors:Stanford Federal Credit Union. To use their $620 New Member offer, go to sfcu.org/lizness .Wellco Super Elixir. Go to Wellco.com. Use promo code sisters15 at checkoutHomework: Read a good book about Macchu Picchu. That's Turn Right at Macchu Picchu: Rediscovering The Lost City One Step At A Time by travel writer Mark Adams. What happens when an adventure travel expert-who's never actually done anything adventurous-tries to re-create the original expedition to Machu Picchu?Suggest a good book about Peru and the Incas. Send liz any suggestions for some good reading before the Peru trip. Email us at liznessschool@gmail.comListen to Dr. Zeke Emanuel talk about his new wellness book where he stresses the importance of social connection and interaction along with all the other usual stuff. Here's a good extended interview about "Eat Your Ice Cream: Six Simple Rules for a Long and Healthy Life," on CBS Sunday https://www.youtube.com/watch?v=RsoVhSks35U.Here's a link to the book.If you are new to Lizness School, we suggest you listen to Season 1 to hear all about Liz's year as a Stanford Fellow. Everything from Neuroscience and Chinese History to Pickleball! Plus a great community experience with her fellow DCI Fellows.Season 2 is about how she puts her lessons to work in the wild with the help of her millennial mentor Leah Sutherland.To listen to Liz +. Leah's recap of Lizness School Season 1, go to our FINALE here.For more on Liz Dolan, go to ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠For more on Liz's work in podcasting, go to ⁠⁠⁠⁠Satellite Sisters⁠⁠⁠⁠Follow Lizness School on all podcasting platforms including ⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠ and ⁠⁠⁠⁠Spotify.⁠⁠⁠⁠On Instagram, follow the show at ⁠⁠⁠⁠https://www.instagram.com/liznessschool/⁠⁠⁠⁠ and follow Liz at ⁠⁠⁠⁠https://www.instagram.com/satellitesisterliz/⁠⁠⁠⁠.Follow Producer and Millennial Mentor Leah Sutherland @leahhsutherlandd on Instagram and Leah Sutherland on LinkedIn. To email Lizness School with your own voice memos/questions/thoughts/suggestions for Liz or Leah, use ⁠⁠⁠⁠liznessschool@gmail.comThe Distinguished Careers Institute is a unique program for late career people. Fellows are graduate students at Stanford University, able to take classes in any area. ⁠⁠⁠⁠Complete information here.⁠⁠⁠⁠Email the podcast ⁠⁠⁠⁠liznessschool@gmail.com ⁠See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

All the girls we've loved before, DAG takes it back, protect Dolly Parton, KROQ interns, The Goat, Bean moving again, sentinels or something, and ROCKTOBER!

All the girls we've loved before, DAG takes it back, protect Dolly Parton, KROQ interns, The Goat, Bean moving again, sentinels or something, and ROCKTOBER!

Canada is going through major changes as Mark Carney is the new Prime Minister and Canadians and Non-Canadians are speaking out about it.

One seemingly small decision can change the course of your life, those around you and your place in eternity. God is looking for someone that won't give up!

A revisionist approach towards history is among the most powerful weapons in the right's arsenal. Righting so-called historical wrongs is among the causes it dedicates itself most passionately to. Using history, the populist right manufactures a sense of victimhood within the majority and rewrites history to manufacture a glorious past that must then be recreated to make the nation great again. In Episode 2 of the All Indians Matter series that puts under the scanner the rise of the right, we look at revisionism as a political strategy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Your Career GPS Podcast, Brad dives into the challenges faced by young job seekers in today's market with guest Alex Florio, co-founder of Swob Inc. They discuss the inspiration behind Swab, a job search platform designed to simplify the job application process, emphasizing quality over quantity in job applications. The conversation explores shifts in the job market dynamics post-COVID, common resume mistakes, the role of AI in job searching, and key ingredients for success in landing jobs. Alex shares insights on effective communication and networking, highlighting the importance of tailoring resumes and utilizing available resources for job seekers. Key takeaways: The job market is challenging for young professionals. Swab was inspired by the inefficiencies in job searching. Quality job applications are more effective than quantity. COVID shifted the job market dynamics significantly. Many job seekers still make basic resume mistakes. AI can be a helpful tool but shouldn't replace human effort. Strong communication is crucial in the job application process. Networking can significantly enhance job search success. Tailoring resumes to specific roles is essential. Swab focuses on entry-level roles in high turnover industries. Guest Info: Alexander Florio is the co-founder of Swob Inc., the Tinder for jobs. In November 2017, Alexander and his sister, Stephanie, launched Swob App, a job search platform designed to simplify job searching and recruitment. Through the use of technology, people looking for a job can now search in the comfort of their own phone! Swob is the first of its kind to target job seekers and high-turnover industries such as retail and food service for part-time, seasonal, and full-time employment. In May of 2018, Sir Richard Branson and Virgin Mobile Canada awarded Swob as the first ever Canadian company to win the "Pitch To Rich" contest. Since then, Alexander has appeared on BNN Bloomberg, E-Talk, The Feed with Amber Mac, Omni TV, The Marilyn Denis Show, etc., and spoke at Elevate Tech Fest in Toronto. Alexander is passionate about entrepreneurship, and has worked with the WE organization as a mentor for the WE Incubation Hub Program, which empowers young social entrepreneurs to develop and launch their own social enterprise. Website: https://www.swobapp.com/about-us LinkedIn: https://www.linkedin.com/in/alexanderflorio This Podcast is brought to you by Mint To Be Career LLC --- Support this podcast: https://podcasters.spotify.com/pod/show/yourcareergps/support

Paul Hawksbee was joined by Charlie Baker for this afternoons podcast. We were joined by Dean Saunders who gave us defensive tactics, and we had a birthday spread. Enjoy! Hosted on Acast. See acast.com/privacy for more information.

Buckle up. In this episode, we'll share 10 predictions about the potential impacts, policy shifts, and global changes that could come with Trump's second term. Chapters: 00:00 - Intro 01:21 - Finance is Crazy 03:03 - Investor Dinner 05:01 - 10 Predictions of Trump Presidency 05:47 - 1) Trump Gets Shot Again 08:37 - 2) US Turn to Isolationism 11:41 - 3) Health In America Is A Winner 15:26 - 4) Tariffs Will Work 20:30 - 5) Bitcoin Hits 200k 23:32 - 6) China Prints & Prints & Prints... 29:04 - 7) Trump Wins Zelensky Loses 31:55 - 8) US Declassifies A Bunch of Historical Things 36:45 - 9) US Refinance's debt 40:11 - 10) Philippines, Indonesia, Brazil On the Upside 46:07 - Bonus: Other Countries will Turn Right 48:17 - Bonus: Fauci Goes to Jail? 49:42 - Outro Watch the episode here: https://www.youtube.com/watch?v=Ux8FgtMZV40   Follow us on X: Austin - https://x.com/a_brawn Cody - https://x.com/CodyShirk

Warning: This podcast provides one million percent of your daily recommended sugar intake. It's a super cute week on TKAD! We start with Ep. 180, “The Grass Route” that isn't very cute, but lots of desserts have sour flavours too, so it works. Ash is cocky and a Skiploom can move really fast. Ep. 181, “The Apple Corp!” has a ton of Pichu almost starving to death. Don't worry, they work it out. Then in Ep.182, “Houndoom's Special Delivery”, we get the classic lone wolf and cub trope. Everyone loves that. I'm actually being serious, but I feel like it sounds sarcastic. No really, it's great! Subscribe to get every new episode of To Kill a Delibird in your subscription feed. Welcome to "To Kill A Delibird", the Pokemon anime rewatch podcast that combines a love of literary puns and analytics with pure Pokemania. Join Graham (Pokemon expat/video game and manga fanatic) and Kellan (hard boiled Pokemon die hard) as they discuss the Pokemon anime and hopefully construct some fun sentences along the way. Check out the official TKAD spreadsheet here: https://docs.google.com/spreadsheets/d/1Y40feTKtoUQp5Thk4p1UJipEVRf_78u_qFViwAsVvCk/edit?usp=sharing Intro/outro music "Synthwave 80's" by AlexiAction Thanks to Bulbapedia and TVTropes for our ongoing research. Follow the podcast on spotify: https://open.spotify.com/episode/1yQ3EQ2P91mE6Bq0i4I3EY on Apple: https://podcasts.apple.com/us/podcast/to-kill-a-delibird/id1667957767 Amazon: https://music.amazon.com/podcasts/b37371a4-331d-4254-999b-e21fc0fdd837/to-kill-a-delibird Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9kOTQ2MmUyMC9wb2RjYXN0L3Jzcw Stitcher: https://www.stitcher.com/show/1054965 for more half baked content: https://www.twitch.tv/hydraleech Tiktok is essential for new creators so: https://www.tiktok.com/@hydraleeches #pokemon #ashketchum #pikachu #misty #brock #anime #indigoleague #teamrocket #existentialism #comedy #pokemonjohto #totodile #cyndaquil #chikorita #quagsire #ledyba #charizard #wobbuffet #shinypokemon #umbreon 10:35 The Grass Route 38:00 The Apple Corp! 1:04:23 Houndoom's Special Delivery

Diarmaid Ferriter talks to Eamon. Diarmaid Ferriter is Professor of Modern Irish History at UCD and author of numerous books, most recently The Border: The Legacy of a Century of Anglo-Irish Politics (2019). He is a regular television and radio broadcaster and a weekly columnist with the Irish Times.Originally released on 2nd April 2024. Become a member at https://plus.acast.com/s/the-stand-with-eamon-dunphy. Hosted on Acast. See acast.com/privacy for more information.

In this episode of As the Drum Turns, Jeff & Lora announce Dayforce updates, offer their best Mike Hollingshead impressions, and discuss the importance of emotional intelligence within the workplace. 

SEND ME A TEXT MESSAGE NOWIs America's democracy under siege? In my latest episode, I unravel the complexities and heated emotions surrounding the Hunter Biden trial, examining the controversial 2018 gun possession charge and its political ramifications. I highlight President Biden's commendable decision not to pardon his son if he is found guilty, while I sharply criticize Congress for its misplaced priorities, focusing on this trial instead of addressing critical issues like gun control and school safety. My discussion serves as a wake-up call for lawmakers to shift their focus from political maneuvering to protecting citizens, and especially our children from pervasive gun violence.Brace yourself as I navigate through a series of  judicial controversies involving high-profile political figures. From Supreme Court Justice Clarence Thomas' questionable delayed trip disclosure, Steve Bannon's revoked bail, and to the halted Georgia election subversion case against Donald Trump.I leave no stone unturned. I also touch on Alex Jones' financial reckoning with Sandy Hook families, and end with a chilling statement from former President Trump about prosecuting political adversaries if re-elected. This episode is a powerful commentary on the urgent need for integrity and accountability within our political system.AWorldGoneMadPodcast@gmail.com

The Old Gray in Monterey, TN was the hometown GNCC race for Team Faith. Really cool to have Brian O'Rourke come out and share some stories - from botching the opening prayer at a jet ski race to winning gold at X-Games! There were some definite low points in between. We turn to Matthew 16 and look at what it means to “give up your life in order to gain it.” God's economy is backwards, inverted and so totally worth it!

Dr. Tom Curran shares insights about abandonment and “forgive and forget.” Tom answers the question: Is it more important to pay attention to the work of angels or demons?

This week Abbey and Pete are coming in live and direct from their holibobs in one of their most ICONIC episodes so far. Fresh off the back of one of Peter's more bruising Airport Ab encounters, Abbey and Pete are making the most of their Therapy Crouch to get some home truths off their chest. After getting stuck right into the weekly whine club, Abbey and Pete decide to discuss their favourite musical icons from the years gone by. The usual suspects get an honourable mention - expect simply rouge and U2 - but their are also some more surprising shouts that you guys may not be expecting so stay tuned!In the Agony Ab section, we hear from a working class lad who is concerned that his ‘bit of posh potty' is on the verge of bankrupting him as well as a single mother who is feeling the strain of keeping up with the Yummy Mummy's on the school run. Enjoy this week's, Therapy Crouch!00:00 Introduction07:05 Weekly Whine Club13:50 Bloodsucking, Fun Crushers19:10 Catfished?!23:46 Hinge: AI25:26 It's Iconic29:11 Michael Jackson35:28 Let's Hear It For The Girls41:45 Turn Right, Turn Left51:13 Agony AbsTo contact us: Email: thetherapycrouch@gmail.com Instagram: https://www.instagram.com/ thetherapycrouchpodcast/ TikTok: https://www.tiktok.com/ @thetherapycrouch Website: https://thetherapycrouch.com/ For more from Peterhttps://twitter.com/petercrouchFor more from Abbeyhttps://www.instagram.com/abbeyclancyOur clips channelhttps://www.youtube.com/channel/UCZntcv96YhN8IvMAKsz4Dbg Hosted on Acast. See acast.com/privacy for more information.

Diarmaid Ferriter talks to Eamon about Ireland's democracy. Diarmaid Ferriter is Professor of Modern Irish History at UCD and is a weekly column in The Irish Times. Become a member at https://plus.acast.com/s/the-stand-with-eamon-dunphy. Hosted on Acast. See acast.com/privacy for more information.

Welcome back race fans, to another episode of The Arm Chair Racers Podcast! Tommy and Alexx break down all the action and news from the past weekends racing at the Circuit Of The Americas!

This week talk about Bristol and tire wear. Finally what the fans have been asking for! What a race! Bets not so much! Next, we jump right into the rapid-fire matchups! Bell -125 vs MTJ -105 Suarez -105 vs Chastain -125 Bowman -120 vs Cindric -110 Elliott -125 vs Byron -105 Suarez vs McDowell -115Continue reading "Bank On NASCAR Podcast Episode 7. Let’s turn right and left!"

Nothing will stop Republicans from lining up behind Trump. But the left? It's in crisis. Fragmented. Perhaps in times of great flux fascists reflexively double-down while progressives slide into a cloud of self-doubt. There, strange bedfellows are sometimes found in the dark. To help us understand this territory—what it is and how to navigate it—we're joined by journalist, professor, and documentarian, Jeff Sharlet. His books, The Undertow: Scenes From a Slow Civil War and The Family: The Secret Fundamentalism at the Heart of American Power are field guides for understanding modern America. Show Notes Losing the Plot: The “Leftists” Who Turn Right The Undertow: Scenes from a Slow Civil War The Family: The Secret Fundamentalism at the Heart of American Power The Family on Netflix Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we delve into the profound journey of scriptural interpretation, emphasizing the importance of approaching it with a heart open to God. We explore two crucial aspects: the need for prayerful consideration and the recognition of the multi-faceted applications of scripture.Support the show

In Spain, an unlikely left-leaning coalition has managed to block the right from taking power; in the Netherlands, the far-right has come out on top. This week we're talking about two very different political situations with the help of Politico reporter Aitor Hernández-Morales and producer Katz Laszlo in Amsterdam.  You can follow Aitor on Twitter here and read his reporting here. Our episode about life as an undocumented person in the Netherlands, ‘Mohamed', is here. Thanks for listening! If you enjoy our podcast and would like to help us keep making it, we'd love it if you'd consider chipping in a few bucks a month at ⁠⁠patreon.com/europeanspodcast⁠⁠ (many currencies are available). You can also help new listeners find the show by ⁠⁠leaving us a review⁠⁠ or giving us five stars on Spotify.  This week's Inspiration Station offerings: ‘Anatomy of a Fall', ‘Ordinary People', and ‘Treasure Islands' by Nicholas Shaxson.  Producers: Katz Laszlo and Katy Lee Mixing and mastering: Wojciech Oleksiak Music: Jim Barne and Mariska Martina ⁠⁠Instagram⁠⁠ | Bluesky | ⁠⁠Twitter⁠⁠ | ⁠⁠hello@europeanspodcast.com⁠

In this week's episode Mat and Dana talk about their personal journeys around mediumship development and how it shaped who they are as readers. They also discuss ideas on helping other people navigate their journeys. Enjoy! Want to watch our cute little faces as we chat or have some dope meditations or watch us read?? Watch and Subscribe to our YouTube! Interested in development? Check out our website at ⁠⁠https://www.matanddana.com⁠⁠ We have Tarot, empath, psychic and mediumship classes and development circles available now! Like the podcast? Join our Patreon! $5 dollars a month will help keep this little podcast going. We know that Logan from I.T. will love you even more if you join our ⁠Patreon!⁠ Want to join our FREE ⁠Facebook⁠ community for mediumship development? We'd love to hear from you! You can email us at hello@matanddana.com You can find Dana Willey at www.danawilley.com and on all social platforms @danawilleywoo You can find Mathew at www.mathewtowmedium.com and on TikTok @mathewtowmedium

Check out Paul's unexpected advice on how to live a happier more fulfilling life.

Join SP3, Miss Krssi Luv and special guest Big Hero Chris for an all-new edition of our flagship podcast Tru Heel Heat 238 discussing the latest wrestling news. Welcome to the Tru Heel Heat Wrestling YouTube channel where we cover  the sport of professional wrestling including all WWE TV shows (Raw,  Smackdown, & NXT), AEW Dynamite/Dark, IMPACT Wrestling, NJPW, ROH,  Dark Side of the Ring and more. Our weekly podcast hosted by SP3, Top  Guy JJ & Miss Krssi Luv breaking down the weekly wrestling news and  present unfiltered, honest thoughts and opinions for wrestling fans by  wrestling fans, drops every Saturday. We also include PPV reviews,  countdowns, and exclusive interviews with wrestlers from all promotions  hosted by a wide range of personalities such as Romeo, Chris G, Ness,  StatKing, Drunk Guy JJ, J-News and more. Subscribe and enable ALL  notifications to stay posted for the latest wrestling WWE news,  highlights, commentary, updates and more. Become a member of Tru Heels Facebook community: www.facebook.com/groups/1336177103130224/ Subscribe to Tru Heel Heat on YouTube: www.youtube.com/channel/UC0AmFQmsRyQYPKyRm5hDwNg Follow Tru Heels on Twitter: twitter.com/truheelheat Follow Tru Heels on Instagram: www.instagram.com/truheelheat/ Music composed by JPM

Under legislation proposed in the Washington state Senate, drivers would face new limits on when it's permissible to make a right turn at red lights. https://bit.ly/3XoQ3gt #TheCenterSquareWashington #WashingtonStateLegislature #RedLight #DontTurnRight #Legislation #SenateBill5514 #SB5514 #ChildCareCenter #PublicPark #Playground #RecreationCenter #Library #PublicTransitCenter #Hospital #SeniorCenter #WashingtonState #ClarkCountyWa #ClarkCountyNews #ClarkCountyToday

The Monologue: People are really fired up about ChatGPT.  The Interview: Jason Shrum (Co-owner Bad Jimmy's Brewery in Ballard) says a homeless man set fire to his business -- while trying to stay warm.The Monologue: Tacoma City Council is supporting a fix to the Blake decision. The Interview: Chris Sullivan explains how Democrats are trying to ban right turns on red.LongForm: Gianno Caldwell (FOX News contributor) was kicked out of a restaurant in Miami for being a conservative. What does it say about the nation?Quick Hit: Democrats go crazy over Omar committee rejections. See omnystudio.com/listener for privacy information.

CTC Steppers at Jazz Fest 2018 [Photo by Ryan Hodgson-Rigsbee] START The Bourbon Square Jazz Bar (1131 Elysian Fields Ave). U-turn on Elysian Fields ave. Then turn LEFT on St. Claude Ave. Proceed down St. Claude Ave. STOP Old & Nu Style Fellas SA&PC (3000 St. Claude Ave). Proceed down St. Claude Ave. STOP Nine Times SA&PC (Stallings Gym/4300 St. Claude Ave). Proceed over the "C.T.C." Bridge (How you goin cross dat water?). Proceed down St. Claude Ave. Turn RIGHT on Forstall St. Proceed down Forstall St. Turn LEFT on Burgundy St. STOP Mercede's Place (5200 Burgundy St (The Gibson Family). Proceed up Burgundy St. Turn LEFT on Andry St. Proceed down Andry St. Turn RIGHT on St. Claude Ave. Turn LEFT on Tupelo Ave. DIRGE House of Dance & Feathers (1317 Tupelo Ave). Proceed down Tupelo Ave. STOP Magnolia Supermarket (Tupelo Ave & N. Claiborne Ave) (Prince of Wales SA&PC). Turn LEFT on N. Claiborne Ave. Proceed down N. Claiborne Ave. Turn LEFT onto Fats Domino Ave. Proceed down Fats Domino Ave. Turn RIGHT onto St. Claude Ave. Proceed down St. Claude Ave. DISBAND Kermit's 9th Ward Juke Joint (5119 St. Claude Ave).   In the player below, hear Indi the Doll's interview with Original C.T.C. Steppers president Walter "Trigga Black" Fair as he discusses being one of the youngest presidents of a social aid & pleasure club in the city; the theme of this year's parade; going to Paris to share New Orleans culture with Big Chief Romeo of the 9th Ward Hunters and the 79rs Gang; the work the club does in the neighborhood all year; and much more!

We are back with week 2 of Brennan's Birthday Bash Podcast Smash 2022 and we are discussing the highs and many many lows of the 2022 F1 season. We ask the questions: WHAT IS FERRARI DOING?!?! And that takes up most of the podcast. Erin praises beekeeper Seb, laments the sacking of Danny Ric, and continues to remind everyone that Lewis Hamilton shares her birthday. Meanwhile, Brennan hates Max and Red Bull (part 2) and laughs at everyone being surprised that Ferrari sucks. We could say something way more eloquent with tales of hubris, but let's stop kidding ourselves, it was messy and often on fire. 

As a growing number of figures on the Right, from mainstream GOP officials to internet "influencers" such as Andrew Tate, align with Islamist activists, American Muslims display unhappiness with their self-appointed leaders' embrace of progressive politics. Why is this re-alignment of Islamists with the Right happening? What does this shift mean for the future of Islam in the West? Sam Westrop, director of MEF's Islamist Watch project, and Benjamin Baird, head of its Islamism in Politics project, will discuss the changing politics and evolving dangers of American Islamism.

Poetry from NonBinary Review Issue #29: In Motion

Freddie Sayers meets Ivar Arpi.Read the Post here Hosted on Acast. See acast.com/privacy for more information.

Author and journalist John Kampfner talks to Eamon about Putin's War and Putin's diminishing support in the world. John and Eamon talk about the Italian general election and the alliance of the right including Giorgia Meloni's Brothers of Italy, Matteo Salvini's Lega Nord and Silvio Berlusconi's Forze Italia who together are hoping to form a coalition government following their anticipated success. They also talk about Germany's remarkable achievement in dealing with the country's energy crisis. John Kampfner is an Executive Director at Chatham House.Recorded 23rd September 2022. Become a member at https://plus.acast.com/s/the-stand-with-eamon-dunphy. Hosted on Acast. See acast.com/privacy for more information.

Dumaine St. Gang at Jazz Fest [Photo by Eli Mergel] START N. Villere & St. Phillip (Trene Center). Proceed up N. Villere St. to Dumaine Street, take a RIGHT. "SALUTING MEMBERS AT REST" Continue up Dumaine Street to N. Claiborne. Turn LEFT to Orleans Ave. Turn RIGHT. Continue to JokersWyld at 1933 Orleans Ave. with Ole & Nu Style Fellas S&P Club. Continue to N. Broad. LEFT on N. Broad, make a U-TURN on Lafitte St into the Broadside Theater with Family Ties S&P Club Continue down N. Broad to Esplanade Ave. with Undefeated Divas S&P Club. Continue up Esplanade Ave. Make a LEFT on Esplanade Ave. to N. Claiborne Ave. Nine Times S&P Club. Continue up N. Claiborne and make a LEFT turn at St. Bernard Ave. Continue up St. Bernard Ave. to N. Galvez with Spirit 2 the Street conjunction with Seal's Class Act. Continue with a U-TURN on St. Bernard Ave. to make a LEFT on N. Claiborne. Continue down N. Claiborne to St. Philip St. LEFT on St. Philip St. to Treme Center. DISBAND N. Villere & St. Philip

Lady Buckjumpers [Photo by Ryan Hodgson-Rigsbee] START Men & Lady Buckjumpers at A.L. Davis Park - Lasalle St. and Washington Ave. Proceed up Washington Ave. to Magnolia St. Brief pause at Washington and Magnolia (pictures and salute to slain rapper Soulja Slim). Turn LEFT on Magnolia St. and proceed down Magnolia to Louisiana Ave. Turn LEFT on Louisiana and proceed down Louisiana to Freret St. Turn RIGHT on Freret. Proceed up Freret to Gen. Taylor, turn RIGHT on Gen. Taylor. Proceed up Gen. Taylor to Magnolia. STOP Silky's Bar. Continue down Gen. Taylor to S. Claiborne Ave. Turn RIGHT on Claiborne Ave and continue down toward Louisiana Pkwy. STOP Chicken & Watermelon. Continue to Louisiana Pkwy and turn RIGHT. Up Louisiana Pkwy and  STOP Big Man's Lounge. Head out Louisiana Pkwy to U-turn at Willow St. Continue up to S. Claiborne Ave. and turn RIGHT on Claiborne Ave. Proceed up S. Claiborne Ave. to Washington Ave. Turn LEFT. Continue down Washington Ave. STOP Tapp's Bar. Continue out Washington Ave. crossing over S. Broad St. Down Washington Ave. STOP Jazz It Up Lounge. Toast and City Acknowledgements to MBJ Queen 2022. Continue out Washington Ave. to Earhart Blvd. Turn LEFT on Earhart Blvd. Proceed down Earhart Blvd crossing over Broadway St. Come to Norwood Thompson Park. DISBAND Lady Buckjumpers. Continue down Earhart Blvd to Leonidas. Turn LEFT and proceed down Leonidas St. to Apple St to E&C Bar (8639 Apple ST.) DISBAND Men Buckjumpers

On this episode of the Global Exchange, Maureen Boyd speaks to the Rt. Hon. Joe Clark, Amb. Bob Rae, and Meredith Preston McGhie about the challenges facing multilateralism. This episode is an extract from our conference "After the War: What Kind of World for Canada?" which happened on May 10th, 2022. This event was made possible thanks to the support of our strategic sponsors Lockheed Martin Canada, General Dynamics, Irving Shipbuilding, and Davie Shipyard, and of our Bronze conference sponsors, Enbridge and TD. Read: The Return by Kamal Al-Solaylee – https://www.harpercollins.ca/9781443456159/return/ Putin's People by Catherine Belton – https://www.pushkinhouse.org/putins-people-by-catherine-belton This Will Not Pass by Jonathan Martin and Alexander Burns – https://www.simonandschuster.com/books/This-Will-Not-Pass/Jonathan-Martin/9781982172480 Nerve by Martha Piper and Indira Samarasekera – https://www.chapters.indigo.ca/en-ca/books/nerve-lessons-on-leadership-from/9781770416017-item.html Turn Right at Machu Picchu by Mark Adams – https://www.penguinrandomhouse.com/books/306890/turn-right-at-machu-picchu-by-mark-adams/ Participants bios The Rt. Hon. Joe Clark is former Prime Minister of Canada Amb. Bob Rae is Canada's Representative to the United Nations Meredith Preston McGhie is the Secretary General of the Global Centre for Pluralism Host Bio; Maureen Boyd is a Fellow at the Canadian Global Affairs Institute Colin Robertson is a former diplomat, and Senior Advisor to the Canadian Global Affairs Institute, www.cgai.ca/colin_robertson Recording Date: 10 May 2022. Give 'The Global Exchange' a review on Apple Podcast! Follow the Canadian Global Affairs Institute on Facebook, Twitter (@CAGlobalAffairs), or on Linkedin. Head over to our website www.cgai.ca for more commentary. Produced by Charlotte Duval-Lantoine. Music credits to Drew Phillips.

Author Mark Adams shares what he learned about Incan history while trekking to Machu Picchu. Then author Sarah Vowell explains how Revolutionary War hero Marquis de Lafayette helped unify Americans after the contentious presidential election of 1824. And Rick checks in with tour guides from Edinburgh to get tips on visiting Scotland's whisky distilleries. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

We're talking about another controversial collision between the two Mercedes drivers as Nico Rosberg and Lewis Hamilton battled it out for victory at the 2016 Austrian Grand Prix 

Welcome to our Podcast #1,271! We appreciate your listening and hope you find the time to go through the 100's of episodes that we have recorded already. They're short, so listen to a few every day! I promise you will learn all you need to know about one of the happiest countries on the planet! Here's some links that will get you started in learning more about Costa Rica! Check out our NEW COSTA RICA LOVE STORIES! There's ONE THING BETTER than falling in love. . falling in love in COSTA RICA! Here's the link: https://www.costaricagoodnewsreport.com/lovestories.html So many GOOD-NEWS stories coming out of Costa Rica. We'd love to share them with all of you! Way over 100 stories ready right now. Learn all about one if the Happiest Countries on the Planet. . Costa Rica! Here's a link: https://vocal.media/authors/skip-licht Become a "COSTA RICA PURA VIDA" Brand Ambassador & Share the LIFESTYLE with EVERYONE! Here's the link: https://www.costaricagoodnewsreport.com/brandambassador.html Here's a link to the US Embassy here in Costa Rica: https://cr.usembassy.gov/ For more information on acquiring your legal status here in Costa Rica, visit our website at: https://www.costaricaimmigrationandmovingexperts.com Apostilling Your Documents is a Very Integral Part of the Residency Process. Click through on this link for more information: https://www.apostillewilliamedwardlicht.com Our email address is costaricagoodnews@gmail.com We'd love to hear from you! Our short stories / blog postings are located at our Costa Rica Good News Report website. Lots of stories about the life here in paradise! We think you'll really enjoy these: https://www.costaricagoodnewsreport.com --- Send in a voice message: https://anchor.fm/costa-rica-pura-vida/message Support this podcast: https://anchor.fm/costa-rica-pura-vida/support

On this weeks email episode Aries and Andy discuss, the new Batman movie, Tropic Thunder, karate movies, Gemma, Ralphie May, Rand Foots is in the goddamn building!, "Mr. Spears, ...", and I'm going back to the hotel. Musical Guest: The Kings Dragon Social Media Instagram: @SpearsBergPod Twitter: @SpearsBergPod Facebook: SpearsBergPod Patreon: SpearsBergPod Youtube: SpearsBergPod  Learn more about your ad choices. Visit podcastchoices.com/adchoices

You can't miss this episode! We have the privilege of interviewing Mark Adams, New York Times bestselling author of Turn Right at Machu Picchu which is the featured non-fiction book in this quarter's journey. According to his official bio, Mark Adams is the author of the acclaimed history Mr. America, which The Washington Post named a Best Book of 2009, and the New York Times bestsellers Turn Right at Machu Picchu, which Men's Journal selected as one of the Fifty Greatest Adventure Books of All Time, and Meet Me in Atlantis. His work appears in many national publications, including GQ, Rolling Stone, Outside and the New York Times. He lives near New York City with his family. You'll appreciate everything Mark shares from his years of writing and traveling.

Photo by Ryan Hodgson-Rigsbee START Big Man Lounge (2916 Louisiana Ave). Continue down Louisiana Ave. to Claiborne Ave. Turn RIGHT on Claiborne to Toledano St. Turn LEFT on Toledano to Washington Ave. to Galvez St. STOP Jazz It Up Bar, pick up The Ladies (4201 Washington Ave). Continue down Washington to Earhart Blvd. Turn LEFT on Earhart to Broadway St. Turn LEFT on Broadway to Fig St. STOP Broadway Bar, to toast our Queen and King (3005 Broadway). Continue down Broadway to Walmsley St. Turn RIGHT on Walmsley to Carrollton Ave. Turn LEFT on Carrollton to Claiborne Ave. Turn RIGHT on Claiborne to Monroe St. Turn RIGHT on Monroe to Apple St. STOP E&C Lounge (8639 Apple St). Continue down Apple St. to Leonidas St. Turn RIGHT on Leonidas to Claiborne Ave. Turn LEFT on Claiborne to Carrollton Ave. Turn RIGHT on Carrollton to Hickory St. Turn LEFT on Hickory to Adams St. STOP Graveyard (remembering the ones we lost). Continue down Adams to Willow St. Turn RIGHT on Willow to Dante St. STOP Pop Up Boys. Continue down Willow St. to Leonidas St. Turn RIGHT on Leonidas to Hickory St. Turn LEFT on Hickory to Eagle St. DISBAND Merry-Go-Round   Below, hear our interview with Pigeon Town Steppers' Rollin' Joe as he discusses how excited the club is to step out for the first time in three years, the benefits and challenges of parading on Easter, how the condition of the streets in their neighborhood is impacting their parade route this year, and more:

Once again, we cover how easy it is to hold your position and defend your rights. It is not that difficult and takes a little know-how, and a well-used legal system. It also requires that one comprehends that this is a nation of laws. To be clear, mandates and policies are not laws. Laws must (more...) The post 379.5- When Rights Go Wrong, Turn Right and Stand Tall – Right Away! (Free) appeared first on Crrow777 Radio.

VIP Ladies & Kids 2018 [Photo by Jamell Tate] START 2126 Magazine St. Continue out Magazine St. to Louisiana Ave. RIGHT turn onto Louisiana Ave. Continue out Louisiana Ave. to St. Charles Ave. Turn LEFT on St. Charles Ave. Proceed to GEn. Taylor. Take a RIGHT out Gen. Taylor to S. Saratoga St. Take a RIGHT continue down S. Saratoga. STOP The Other Place Bar (3601 S. Saratoga). Proceed out S. Saratoga to back to Louisiana Ave. Turn LEFT onto Louisiana Ave. to Loyola. Turn RIGHT on Loyola. STOP 3001 Loyola "Ventress House." Continue out Loyola to Washington Ave. Turn RIGHT on Washington Ave. Out Washington Ave. to Baronne St. STOP Verret's Lounge (1738 Washington Ave; formerly Turning Point). Proceed out Washington Ave. to St. Charles Ave. Take a LEFT on St. Charles. Out St. Charles to Second St. Take a LEFT on Second St. Continue Second St. STOP Sportsman Corner (2433 Dryades St; Sportsman Corner 2nd & D). Proceed out Second St. Take a LEFT on Simon Bolivar Ave. Continue down Simon Bolivar Ave to Third St, make a RIGHT. Out Third to S. Robertson St. STOP Horace Bar (2600 Third St). Proceed out Third St to Magnolia St. Turn LEFT on Magnolia. Out Magnolia St. to Washington Ave. Turn RIGHT onto Washington Ave. Out Washington Ave. to S. Claiborne St. Take a LEFT on S. Claiborne Ave. to Toledano St. Take a RIGHT on Toledano St. Proceed out Toledano St. DISBAND Tapp's II (2800 S. Rocheblave St)   Below, download the route sheet and hear our interview with VIP Ladies & Kids President, Executive Director of Silence is Violence, and New Orleans Social Aid & Pleasure Club Task Force President Tamara Jackson as she discusses getting back to the streets and why some clubs are not parading on their normal Sunday; this year's theme, “Black: By Popular Demand;” what clubs are doing to prepare for the next covid variant; and some surprising recent policy changes from the City of New Orleans impacting social aid and pleasure clubs:

Join the road trippers this week for a new arc on CONFLICT. Learn to fight, learn to compromise, and learn to listen. But most of all, learn to WIN. Just kidding... https://www.facebook.com/groups/therelationshiproadtrip (Join the conversation on Facebook) https://www.patreon.com/relationshiproadtrip (Support the show on Patreon) https://podcasts.apple.com/us/podcast/the-relationship-road-trip/id1497471088 (Rate & review on iTunes) Ask us anything Support this podcast

@nikolaipculp and @slingy1 Break down Chris Bell's first win at DRC as well as previewing week 3 at Homestead-Miami! Enjoy:)

Split Decisions Racing League Hosts: Tyler Rush (Turtle), Thomas Myers, James Seagroves - Decourcey (Cupcake), and Dave Gilbert Guest: Kevin Bernheimer --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app