Podcasts about video killed

August 1, 1981. MTV begins broadcasting in the United States and airs its first video, "Video Killed the Radio Star" by The Buggles.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are all pivoting to video. Podcasters, journalists, editors are getting out their ring lights and their botox and they are staring intently into the camera to talk to YOU about what's going on. Is the human and tactile being offered as the antidote to the artificial AI slop? Or is this just surrendering to the influencer economy? Jessa and Nico make a solemn pledge, never to show the listeners what we wear or what our hair is doing while we are recording, and discuss the implications of a news media that wants to make stars and influencers out of reporters. Shownotes and references: http://theculturewedeserve.substack.com

This week Francis and Nate lament the rise of video podcasting, Indiana mountain ranges, and rifle through the National Lampoons Filmography If you like this and are craving more, Subscribe to our Patreon and get access to more than eight years of bonus content. Three new episodes a month- https://www.patreon.com/Hellofawaytodie  Check out the store, new updates every week - https://whatahellofawaytodad.com/  

This week on Marketing O'Clock: Final URLs are turning into QR codes on TV screens. Meanwhile, Google Lens is rolling out to YouTube Shorts with real-time visual search. Also, PMax video ads are expanding to Search, Shopping, Image, and Discover tabs.Visit us at - https://marketingoclock.com/

Google's new AI video tool Veo 3 looks freakishly real, but it might take Hollywood to fully harness its power. This episode was produced by Gabrielle Berbey and Peter Balonon-Rosen, edited by Amina Al-Sadi, fact-checked by Avishay Artsy, engineered by Patrick Boyd and Andrea Kristinsdottir, and hosted by Sean Rameswaram. Listen to Today, Explained ad-free by becoming a Vox Member: vox.com/members. Transcript at vox.com/today-explained-podcast. Help us plan for the future of Today, Explained by filling out a brief survey: ⁠voxmedia.com/survey⁠. Thank you! Image of Wall Street Journal columnist Jonna Stern and her robot from an AI-generated video. Credit WSJ. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment on Lil Tecca's rise and his 2025 single “OWA OWA” from Plan A. Explore Tecca's Queens roots, Jamaican heritage, and musical influences like Chief Keef. Dive into “OWA OWA”'s dancehall-trap vibe, interpolating “Video Killed the Radio Star,” with 2.02M global streams on debut. Learn about Plan A's 42,000 units, TikTok-driven success, and Tecca's “no backup plan” mindset. Analytic Dreamz unpacks stats, stories, and the unauthorized National Guard flyer incident.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Todd and Cathy share the upcoming changes to their podcast, Zen Parenting Radio, which will be renamed Zen POP Parenting starting June 1st! They also discuss the normal shifts in kids' friendships, highlighting the importance of loyalty, boundaries, and the reality that friendships evolve. As parents, we can feel more overwhelmed than our kids when these changes happen, but it's important to normalize the ups and downs of friendships and offer support without letting our own fear or discomfort take over.

In this monologue episode, I talk about how I veered away from the audio only experience of this podcast, and how I plan to get back on track and back to the roots of this podcast. This is important to me, as I try to remember why I started all of this, the kind of content I enjoy, and the fun journey this has all been. I reveal who my next podcast guest is in this episode, and it is just as much as a surprise to you as it is to me! Thank you for listening wherever you are listening to this podcast, and while I cannot promise consistency with this podcast, I can I promise you that as I go forth with this podcast medium, that I am going to continue to learn and grow as a hobby podcaster!

Andrew For America presents the 13th installment of his supercut show which is an artfully arranged assortment of clips designed to tell you a story about the current status-quo, the zeitgeist, the spirit of the times that we are living in here in the 21st century world. This bonus episode discusses the media, propaganda, the NWO, technofascism, depopulation, eugenics, central banking, fiat currency, governments, AI, capitalism, mass migration, inflation, psychotherapy, psychiatry, the most powerful people in the world, and the end of empires! Enjoy!!!Visit allegedlyrecords.com and check out all of the amazing punk rock artists!Visit soundcloud.com/andrewforamerica1984 to check out Andrew's music!Like and Follow The Politics & Punk Rock Podcast PLAYLIST on Spotify!!!Check it out here: https://open.spotify.com/playlist/1Y4rumioeqvHfaUgRnRxsy...politicsandpunkrockpodcast.comhttps://linktr.ee/andrewforamerica

This episode features music pioneer Bruce Woolley, best known for co-writing the groundbreaking hit Video Killed the Radio Star. But as this conversation reveals, that's just one highlight in a storied and continually evolving career. From his roots in Leicestershire and his early inspiration from Led Zeppelin to forming The Camera Club with a young Thomas Dolby, Bruce shares his journey through innovation, collaboration, and sonic experimentation.You'll hear the story behind iconic songs, his adventures in synth pop, working with Grace Jones on Slave to the Rhythm, and his passion project, the Radio Science Orchestra, which brings the theremin to the forefront of 21st-century audiovisual performance.Bruce also gives an honest and insightful perspective on how AI and new technologies are reshaping the music industry, and reflects on what it means to be a true artist in the age of digital creation.

Burnt biscuits led to a shooting at a Charlotte Popeye's, Oklahoma schools are going to teach election denial, and a Rhode Island man bought a one-of-a-kind watch. The DHS might be going full Running Man, a MTA cleaner got in trouble for an unapproved work transaction, and we check out the Fun With Feet website! We also review what we've been watching and give you our recommendations!

„[…] Wir glauben daran, dass der neue Standard quasi Audio und Video ist.“ Saruul Krause-Jentsch ist Head of Podcast bei Spotify – und kennt die Herausforderungen der Branche nicht nur von der Plattformseite, sondern auch aus Perspektive der Creator. In dieser Digital Bash Podcast-Folge spricht sie mit OnlineMarketing.de-Redakteurin Larissa Ceccio von über die große Transformation: Wie Spotify das Podcast-Ökosystem neu denkt – mit Video, mehr Monetarisierungsmodellen und ohne Dynamic-Ads-Unterbrechung für einige zahlende User. Sie erklärt:Warum das neue Spotify Partner Program Creator unabhängig von Werbemärkten machen sollWelche Rolle Video-Podcasts spielen – und warum sie neunmal schneller wachsen als reine AudioformateWeshalb 68 Prozent der Hörer:innen Podcasts auch visuell konsumieren – und was das für Plattformstrategien bedeutetWarum Deutschland als zweitgrößter Video-Podcast-Markt Europas im Fokus stehtUnd was Formate brauchen, um 2025 wirklich relevant zu bleibenIm Talk offenbart die Expertin: „Unsere Mission ist es, Creator:innen zu befähigen, von ihrer Kunst und ihrer Kreativität zu leben.“ Reinhören lohnt sich: Erfahre, wie du mit Video-Podcasts sichtbarer wirst und inwiefern eine werbefreie Premiumstrategie das Podcasts-Erlebnis für Hörer:innen noch weiter verbessert.

*The music in this video is copyrighted and all rights reserved to the respective copyright holders* In the premiere episode of The Audio Files, hosts Brad Zerbo and Jaytriot fire up Saturday night with a high-voltage celebration of all things music. From their roots as lifelong metalheads to their guilty pleasures in disco and Motown, the duo delivers deep musical passion with equal parts reverence and riotous fun. They kick off with a tribute to AC/DC and Casey & the Sunshine Band, then trade stories of their earliest musical influences, Brad's Monkees obsession and metal awakening via Sepultura and Megadeth, and Jay's unforgettable childhood brush with David Lee Roth (and the comment that ended a potential stepdad relationship in one sentence). The show includes a heartfelt Mother's Day In Memoriam segment, spotlighting Glenn Miller and Blondie, plus a sobering tribute to Blondie's late drummer Clem Burke. The pair also introduce a recurring segment, Video Killed the Radio Star, launching with Billy Squier's legendary career-killing video for “Rock Me Tonight.” From punk and metal to disco and funk, The Audio Files is a love letter to music across genres, with live commentary, backstories, and raw appreciation for what makes music timeless. As they sign off with Parliament's “Flashlight,” it's clear: this isn't just another music podcast. It's a full-body jam session and a joyride through the soundtrack of your life.

{Enter The Multiverse} [The Festival Project™] THE FESTIVAL PROJECT COPYRIGHT 2015-2025 ALL RIGHTS RESERVED Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. -Ū.

{Enter The Multiverse} [The Festival Project™] THE FESTIVAL PROJECT COPYRIGHT 2015-2025 ALL RIGHTS RESERVED Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. -Ū.

{Enter The Multiverse} [The Festival Project™] THE FESTIVAL PROJECT COPYRIGHT 2015-2025 ALL RIGHTS RESERVED Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. -Ū.

A special week of video features kicks on on The EP Podcast. (For the audio version of this podcast, check your subscription feed.) Dr. Mike Thomas is a Science and Physical Education Department Chair and Instructional Coach at Evergreen Park Community High School. He is also a District 124 School Board member. We have so much to ask him about the end of the school year at EPCHS and his unique educational perspective. We also want to hear about the boat races.   Brought to you by The First National Bank of Evergreen Park!  Find the account that is right for you today! Get the latest news and information concerning everything going on in and around Evergreen Park and stay connected to your neighbors! Evergreen Park residents join Chris Lanuti at his 9-foot homemade basement bar each week. Listen, interact & get all of your free subscription options at theEPpodcast.com​!

A special week of video features kicks on on The EP Podcast. (For the video version of this podcast, check your subscription feed.) Dr. Mike Thomas is a Science and Physical Education Department Chair and Instructional Coach at Evergreen Park Community High School. He is also a District 124 School Board member. We have so much to ask him about the end of the school year at EPCHS and his unique educational perspective. We also want to hear about the boat races.   Brought to you by The First National Bank of Evergreen Park!  Find the account that is right for you today! Get the latest news and information concerning everything going on in and around Evergreen Park and stay connected to your neighbors! Evergreen Park residents join Chris Lanuti at his 9-foot homemade basement bar each week. Listen, interact & get all of your free subscription options at theEPpodcast.com​!

Performed and Produced by Pehr Flühr 2025

In this Album Dive episode, I'm joined by Chris Ballew of The Presidents of The United States of America to celebrate the 30th anniversary of the band's self-titled debut album. We take a deep dive into the history, impact, and unforgettable tracks that made this record a defining moment in ‘90s alternative rock. Tune in as we explore: - Chris Ballew's time performing with Beck's live band - The origins and quirky design of the “basitar” and “guitbass” - How the band became the “alternative to the alternative” - The stories behind hit songs like “Lump”, “Kitty”, “Feather Pluckin'”, and “Peaches” - The tale behind Weird Al Yankovic's “Gump” parody - Why Wayne Kramer of MC5 initially denied their “Kick Out the Jams” cover - Their cover of The Buggles' “Video Killed the Radio Star” - The nu-metal side project Subset with Sir Mix-A-Lot - Chris' solo projects including Casper Babypants and his biannual solo album releases From behind-the-scenes stories to musical innovation, this episode is a must-listen for fans of ‘90s alt-rock, deep cuts, and (of course!) The Presidents. Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode!  Theme music is "Unveiled" by The 4th. You can find the album on Spotify, Apple Music, Amazon Music, Pandora, YouTube, Bandcamp & more! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape  Blusky: https://bsky.app/profile/myweeklymixtape.bsky.social  TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

W/C 14th April 2025I am quietly chuckling to myself, because I never thought I would be able to feed a song title like this one into an episode of TFM. But in the context of the content for this week, and if you flip it around a bit, and imagine it from a certain perspective then it does make a lot of sense.Anyway it's a bit of a funny one this week, with the early week being the closing stages of our holiday to Gran Canaria, before setting back off to what was a slightly unusual end to the working week.I hope you find something in there of interest, and that you have a rewarding easter weekend.Stay safe.Video Killed The Radio Star - BugglesThe Residence - NetflixTherapy For Me (or TFM as I now refer to it) is a bit of an audio curiosity. It started out as a mechanism for me to clear my head, with the hope that by saying stuff out loud it would act as a little bit of self-help. It's remains loose in style, fluid in terms of content and raw - it's a one take, press record and see what happens, affair.If you want to keep in touch with TFM and the other stuff I do then please follow me on Facebook, Insta, Twitter or Patreon. Thanks for getting this far.

In our latest flexidisc we look into the story behind Video Killed The Radio Star. The production, the instrumentation, the arrangement and the glasses. Who were The Camera Club? How did Tina Charles fit into the story? Who exactly was Dr. Bop? We heard this on the wireless back in '79. And we've been loving it ever since.

A classic case of Sam Beard ranting about the constitutional crisis. Andrew Callaway brings on his podcasting mentor, Benjamen Walker from Radiotopia's Theory of Everything to discuss the CIA's infiltration of art, writers and counterculture. Then James Kim from Overtones Media joins to discuss his latest piece of audio fiction and how Andrew helped to adapt it for YouTube, check that out below!! And of course, something something capitalism is ruining our lives. You Feeling This 2, episode 1 - Retreat https://youtu.be/vWBYU0vuy4Y?si=0-97Eim3pQxH3MnC Benjamen Walker's Theory of Everything, Not All Propaganda Is Art https://theoryofeverythingpodcast.com/ *** SIGN UP NOW at https://patreon.com/partygirls to get all of our bonus content, Discord access, and a shout out on the pod! Join our YouTube channel as a member to get access to bonus videos (the same one's you'd find on Patreon!): https://www.youtube.com/channel/UC0T-lzkTsMt1tBSvp958UGQ/join Follow us on ALL the Socials: Instagram: @party.girls.pod YouTube: @partygirlspod TikTok: @party.girls.pod Twitter: @partygirlspod BlueSky: @partygirls.bsky.social Leave us a nice review on Apple Podcasts or Spotify if you feel so inclined: https://podcasts.apple.com/us/podcast/party-girls/id1577239978 https://open.spotify.com/show/71ESqg33NRlEPmDxjbg4rO

Hello, Darlings!We are back in the warm bosom of Denise and her Wild Things!!!My prayers are answered with Dr, I mean, Aaron making an appearance, and A LOT of Patrick Muldoon...or "Schweet Babe."Denise talks about her OF making $2 Million A MONTH...guys...what are we all doing with our lives??Oh, and I tell you a story about MY interaction with Charlie Sheen!Enjoy! Access bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

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A song that perfectly captures a historical moment that's coming around to bite us again, and a cover that gets it all wrong in the rightest possible way. Video Killed The Radio Star, originally by The Buggles, covered by The Presidents Of The United States Of America.  Outro music is Cleveland Rocks, also by The Presidents Of The United States Of America. 

Don't ADHD shame. Get an extra episode every week only at https://www.patreon.com/greatnight!

Don't ADHD shame. Get an extra episode every week only at https://www.patreon.com/greatnight!

Will and Nelson in the morning! The Notes: Early morning weirdness! Nelson's impeccable hair! Fascist oligarchy! Our British friends are nervous! Twitter's lingering uses! Nelson on Mars! The void! Jumping and going wheeeee! Old man reminiscing about Radio Shack! It's all computers these days! Mario and Luigi! Enough of the Luigi slander! Mario and Luigi vs Laurel and Hardy! Hardy in spirit, not in girth! The Victorian rotund! Rotund vs rotunda, another chicken or the egg scenario! Aristotle warming up the philosophy machine! Will's sordid mid-80's quest for VHS boobies! Kids these days don't understand scarcity or pausing! You can pause on a dime these days! Fuzzy bars and waterbeds! The uncuttable gordian knot! That's not how VCRs work, Alexander the Great! Our regular January patreon posts are set to public for a “free trial,” so go check ‘em out and maybe become a patron! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

Tomorrow's episode features singer, songwriter, and record producer Bruce Woolley. He wrote songs with artists such as the Buggles and Grace Jones, including "Video Killed the Radio Star" and "Slave to the Rhythm", and co-founded the Radio Science Orchestra. His original band project was Bruce Woolley and the Camera Club, and the famous album ‘An English Garden' has recently been reissued as a boxed set. Over the years he has worked regularly with Trevor Horn and Thomas Dolby and later formed a band called The Radio Science Orchestra. Amongst many other collaborations, he has spent time with Andy Warhol, Timothy Leary and Keith Haring Ladies and gentlemen, meet Bruce Woolley... If you can, please support the Electronically Yours podcast via my Patron: patreon.com/electronicallyours

Send us a textJoin me, as we wander through the echoes of the 1980s and revisit "Do They Know It's Christmas" by Band-Aid. We reminisce about this iconic charity single that, despite limited US airplay, became a hallmark of Christmas for many. We touch on the powerhouse lineup that included Bono, Sting, and Phil Collins, and explore why this heartfelt anthem still resonates today, alongside timeless holiday films like "National Lampoon's Christmas Vacation."I can't get enough of 'Christmas Vacation', with Clark Griswold, the Christmas tree, Cousin Eddie, Snots the dog, Margo the next-door neighbor and of course Aunt Bethany.As we journey through musical history, we look back at 'Beatles 65' and a salute to The Clash's game-changing album "London Calling" on its 45th anniversary. Discover the backstory of The Buggles' "Video Killed the Radio Star" and unravel the enigma of Yes's "Leave It" music video. Wrapping up from my childhood bedroom in Levittown, New York and with Jimmy in Atlanta, Georgia, we hope you enjoy the memories and insights we've shared."Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.

How the New Feed Is Quietly Stifling Engagement. Also covered in this week's episode; Audio events are being scrapped. How the 'see more' can be a curse. New - enhanced profile cover slideshows. More job losses at LinkedIn. Elon's cringe comment. Post of the week.

Bruce Woolley has had a fascinating career in music, from his early days co-writing “Video Killed the Radio The post Bruce Woolley appeared first on The Strange Brew .

Boris Pistorius hat „Nein“ zur Kanzlerschaft gesagt. Damit ist der Weg frei für Olaf Scholz. Dagmar Rosenfeld und Robin Alexander diskutieren, wie die SPD mit Scholz punkten will. Außerdem geht es um Taktik-Spiele bei Union und Grünen – und um einen möglichen Gewinner der missglückten Rochade. Wir freuen uns über Feedback an machtwechsel@welt.de Noch mehr Politik? „Das bringt der Tag“ – jeden Morgen ab 5 Uhr die aktuellen News und dazu das Thema des Tages. Für alle, die wissen wollen, was heute wichtig ist. WELT-Redakteure, Korrespondenten und Reporter ordnen die aktuellen Schlagzeilen ein, erklären, wie es dazu kam und was die Nachrichten für uns bedeuten. Weil morgens oft wenig Zeit bleibt, bringen wir Sie in etwa 10 Minuten auf Stand. Redaktion: Antonia Beckermann, Wim Orth Produktion: Lilian Hoenen Impressum: https://www.welt.de/services/article7893735/Impressum.html Datenschutz: https://www.welt.de/services/article157550705/Datenschutzerklaerung-WELT-DIGITAL.html

Fernando Neira nos cuenta la sorprendente historia que hay detrás del éxito 'Video Killed the radio satar' (The Buggles) y nos presenta a Blaumut, banda catalana que 'los muy cafeteros' del programa conocen bien porque una de sus canciones pone sintonía a la sección 'Viaje de Ida'.

In this episode of ALPS In Brief, our Risk Manager Mark Bassingthwaighte sits down with University of Montana Professor Jeff Brandt to talk about synthesizers, AI, and his class on the history of rock and roll. — Transcript:  Mark Bassingthwaighte:  Hello, I'm Mark Bassingthwaighte, the Risk Manager here at ALPS, and welcome to ALPS In Brief, the podcast that comes to you from the historic Florence building in beautiful Downtown Missoula, Montana. As many of you know, I have been in Florida now for a number of years, but I'm back at the home office here, and we have a special event every two years where we bring in a lot of our bar associates from various bar associations around the country. Then we have some special speakers that come in and talk about all kinds of things.  I have just finished attending a presentation given by Jeff Brandt, who is a professor here at the university and does a course on the history of music. I got to say, in all honesty, folks, I wish you could all have been here. This was one of the most fun, creative presentations I've seen in a long, long time. Jeff, it's a pleasure to have you here. Before we get started, can I ask you to take just a little bit of time and tell us about who you are?  Jeff Brandt:  Okay, so I was born in Sitka, Alaska, which is a tiny, well, it's a big island actually, but a tiny town on a big island in Southeast Alaska. Average rainfall there is about 96 inches per year, so it's a Pacific Coast rainforest.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  I went to college in Tacoma, Washington at Pacific Lutheran University. Taught private percussion lessons after that for about 20 years. Somewhere in the middle or somewhere in there, I got my graduate teaching degree. Then we ended up in Missoula, Montana as a result. Then by happenstance, the History of Rock & Roll as a course fell into my lap.  Mark Bassingthwaighte:  That was an established course before you got here?  Jeff Brandt:  It was.  Mark Bassingthwaighte:  Okay.  Jeff Brandt:  Yeah. There were a lot of people that have taught it prior to me, but when I was given the opportunity to run with it, it was one of the first online courses developed at the University of Montana, and that's really when I dug in because I knew that teaching it in an online setting, I was going to have to be more aware of the points I was trying to get across and how they were delivered. I dug deeper and deeper into the historical aspect of the course, and then I just started creating these different slide programs. Now I'm on my third set of slides and I think it's my final because they're so good now I don't want to mess with them, but that's my brief history.  Mark Bassingthwaighte:  I didn't realize this is online. Could anybody get online and just take this course?  Jeff Brandt:  Anybody can take it online. I'll give my spiel about online education, to be honest here, is I think online education is good if you have time to do it. I think in-person education, generally speaking, is better.  Mark Bassingthwaighte:  I would agree with you.  Jeff Brandt:  There are so many different resources now for people to learn. Just with YouTube alone, you can go down an endless pit of stuff on one member of one obscure band, it seems.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  Yeah. Mine is one of the many resources out there.  Mark Bassingthwaighte:  You're welcome to share. Folks, I'm telling you, if you have any interest at all in the history of rock and roll and want to have some awesome fun, this is a course I would encourage you to take and see. I didn't realize. How might folks find this?  Jeff Brandt:  Well, you go to the University of Montana. I believe you have to register as a student.  Mark Bassingthwaighte:  Okay.  Jeff Brandt:  You think that I would know all the hoops you have you have to jump through.  Mark Bassingthwaighte:  No, that's fine.  Jeff Brandt:  You have to jump through several hoops and then you can take online classes. I do encourage people who are not working 40 hours a week and who are interested in really digging in, to take it in-person because there's so much more interaction with the way the clips are played and the way the slides are presented. Get on the University of Montana website and search it, and you can join the online course or the face-to-face.  Mark Bassingthwaighte:  You clearly have a passion. It just seems like listening to you, you're having just a ton of fun too, and I love that. Folks, I can also share this course is I think the number one or the number two top.  Jeff Brandt:  It's one or two or three. It depends on the year.  Mark Bassingthwaighte:  Yeah. Why do you do this?  Jeff Brandt:  Well, honestly, the first time it fell in my lap. I was just kind of given the opportunity to sub for somebody and subbing for somebody in a college course is, it's a lot to take on because you jump into it usually with all of their materials because that's usually the unwritten rule is, "I'll let you use my stuff." I mean, back then, I mean, it makes me sound like a dinosaur, but the person that gave me the stuff had overheads, and so I was using overhead.  Mark Bassingthwaighte:  Wow. Yeah.  Jeff Brandt:  Maybe it was a year later that I was using slides, but they gave me their overheads. I jump in, I'm starting to do this, and honestly, I was scared because I guess when you're, I can speak as a male when you're 23, 24, 25, you think you know a lot of stuff. I just cracked open the first of two textbooks that this prof was using, and I was like, "Oh, boy, do I know nothing and I'm teaching it in three weeks."  Then fast-forward, I end up digging in reading resources, listening to a lot of albums. I'll be honest with you, I hadn't really dug into the Beatles that much prior because there were so many other acts that I was interested in. Then I started listening to their catalog and the Rolling Stones, and again, that's a tiny scratch on the surface that doesn't include the other British bands like The Animals and The Who and Led Zeppelin and then John Mayall and the Bluesbreakers and all these other in-depth things you can go in. That's just the British blues scene.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  What I realized was in order to make this work and why I continued to want to do it, is what I would need to do is have what I would call kind of a surfacey understanding of about 300 to 400 acts in the entertainment business. Gradually bit by bit, the department would buy my recordings. I would go and dig in and listen to everything from Blind Lemon Jefferson to the Spice Girls. I would just year-by-year chip away. When you get into a subject like counted cross-stitch or skiing or building doors, you get better at it and you realize ways to enjoy it more.  I got to a point where I created my final, what I call my final set of slides, and I really, really carefully planned out the layout of the slides, how the format of the class was going to move and how I was going to justify only featuring certain artists as opposed to leaving out bands, like the one I always pick on is AC/DC because they're not really a part of the course. That's why I do it and why I like to do it, because it's like anything else where you get into it, then you kind of become addicted once you have a little taste.  Mark Bassingthwaighte:  Yeah, yeah, I get that. Year after year, how do I want to say this? Let me do it this way. What do you hope students get out of your class?  Jeff Brandt:  Well, there are these objectives that we write in the syllabus that you're supposed to abide by, et cetera, et cetera, and I do, but what I really want people to get out of the course is I want them to understand a general approach, or I guess have a general understanding of the social history that rock and roll highlights in America. That's one thing.  Mark Bassingthwaighte:  Okay.  Jeff Brandt:  I want them to understand that rock and roll is not white, it's not Elvis Presley, it's not AC/DC, it's not, even though I love them, it's not Metallica. It is something that came about quite by accident and through a lot of pain. That part is kind of an inconvenient truth that some students don't like. I have to warn people in the beginning, "I'm not going to sugar coat this, I'm going to bring it directly to you. Some of the things are inconvenient truths that you may not have faced prior. Depending on how invested you are in learning as a person, it may buck your understanding of how this thing has worked."  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  Just for example, the inconvenient truth, like I was mentioning today that Elvis Presley is a cover artist. Bill Haley is a cover artist.  Mark Bassingthwaighte:  Mm-hmm.  Jeff Brandt:  They're not original rock and roll artists.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  The original rock and roll artists are people like Chuck Berry and Little Richard and Bo Diddley and all of the artists on Chess Records. Those are the original rock and roll artists, but because of the unfortunate existence of so much racism in our country, a lot of those people were shoved aside because it was easier to market people with light skin.  Mark Bassingthwaighte:  So interesting.  Jeff Brandt:  That's another thing I wanted to go with and maybe if I'm going to highlight a third thing I want them to go away with, is an understanding that you can listen to more than one subgenre within rock and roll. You get people that are "metalheads" and people that are into techno pop or house or people that seventies rock, or here's another category I have, people that love the sixties. They have blinders on. If it's between '64 and '69, it's in, and if it's '70 and on, it's out. The understanding that if you listen to pick your artist, like name a person, let's just pick like Katy Perry. If you listen to Katy Perry and you put hours into it, you will grow to like that artist. If you listen to Destiny's Child, you will grow, if you listen to Frank Zappa, you will grow to like it. I want express in that third point that it takes time to do that, and it's an investment and it's a willing investment.  Mark Bassingthwaighte:  It's very interesting. I appreciate what you're sharing, and again, after hearing what you had to say here just a few moments ago, it has changed how I look at certain things. What I liked about it, it helps understand the culture, understand music in general, where it comes from. I mean, I have a greater sensitivity. Yeah, I just thought it was very good.  Jeff Brandt:  Well, it's almost like one thing along those lines, it's almost like with Louis Armstrong.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  Louis Armstrong was this one of several trumpet or cornet players as they were originally, in the early jazz era that was a soloist and gained a following from the general public, the general population in the United States. Now, Louis was seen as a performer on stage, but at the same time, he couldn't stay in the same hotels, he couldn't eat in the same restaurants.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  He could walk on stage in a club, but not eat at the restaurant in the club.  Mark Bassingthwaighte:  Yeah. Yeah.  Jeff Brandt:  He would've to be fed backstage and those kind of inconvenient truths to uncover that for people in a day when I think it's easy to brush that aside and highlight that he was an ambassador to the world in the 1970s. Yeah, in the seventies he was, but for the majority of his time as a performer, he was only respected as a performer, not as a human being.  Mark Bassingthwaighte:  Wow. I agree with you, that is a great message I think. God bless. These are important things.  Jeff Brandt:  I mean, I think that, and another thing that's along those lines too, it's a little bit of a stretch as a parallel, but it is a parallel, is that performers in rock and roll, many times are actors.  Mark Bassingthwaighte:  Okay.  Jeff Brandt:  If you're in a heavy metal band and you're acting all angry on stage and chugging it away on your guitar up there and singing these lyrics that are full of vitriol, that doesn't necessarily define who you were at breakfast at 10 o'clock that morning or who you are when you're off tour with your wife and kids or with your partner at the winery or whatever. That's a different thing. There are a lot of people that can't get past that. They see name your hard rock artist, "That's an evil person." That person puts on sweatpants, watches reruns of shows that we all like on Netflix, enjoys a donut every now and again, and takes a walk with dog.  Mark Bassingthwaighte:  They're just real people, right?  Jeff Brandt:  They're real people. That part is also misunderstood about rock and roll in the same way that people can't or don't want to unveil the truth about black artists.  Mark Bassingthwaighte:  Right. Right. One of the things, we talked a little bit last night, and again, you were sharing this in your presentation, one of the things that really sort of struck me was your comments about synthesizers. I'm a guy that likes that sound, but I didn't fully appreciate its impact and the evolution and how that impacted the artists of the day. I guess I'd have to honestly say I'm still not sure where you come out on synthesizing. Is that a good thing? Is it a bad thing? I'd be curious, what's your thought about?  Jeff Brandt:  Okay. Well, I mean, I own a synthesizer. Every band I've played in has used a synthesizer.  Mark Bassingthwaighte:  Okay.  Jeff Brandt:  I'm not against synthesizers. I also don't dislike house music. I don't dislike techno pop. I don't dislike the synth revolution that happened in the late, let's call it the late seventies to the early eighties where it exploded, where everybody had to have a Yamaha DX7. I don't dislike that. What I think is problematic, is the idea that this machine is everything.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  I think the other part that's problematic is that, and this is going to make me sound like I'm super old because my instrument, my main instrument is drum set. People will ask me, "Well, why haven't you dug into this or this or this about the history of rock and roll?" I say, "Well, I also practice instruments and I have a passion for playing them." To me, it's not just about reading and regurgitating facts, it's about keeping up my musical skills. What happens when you get into the world of synth is to some degree, you lose the world of any sort of musical technique because the machine can do so much of it for you.  Mark Bassingthwaighte:  Okay. Right.  Jeff Brandt:  I think that the bad side of synth is highlighted like groups like Human League, because if you look at a group like Human League and they're early stuff, it sounds like, da-da-da-da-da-da-da-da-da, it's very robotic and synthesized, as we should say, in the sense that everything is exactly placed on the exact moment of the exact quarter of the beat. That there is no doubt in your mind exactly where the center of the beat is. You can press a button and the synthesizer can do that. Whereas on piano, you have to go to make the same da-da-da-da-da-da, you have to go like fingers, 4, 3, 2, 1, da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da over and over again to make that same key do that. To some degree, whenever electronics jump to the next level, we lose a tiny bit of our ability to perform on those instruments.  Mark Bassingthwaighte:  Okay. Yeah.  Jeff Brandt:  Like with synth, you lose a little bit of ability to perform on a general keyboard. With electric guitar, you lose a little bit of ability to perform on an acoustic guitar. With electric drums, you lose a little bit of ability to play an acoustic drum set. I mean, imagine if there was an electric French horn, for example. French horn is one of the most difficult instruments to play, right?  Mark Bassingthwaighte:  Right, of course.  Jeff Brandt:  Period. I mean, it's like a French horn. Missing notes on a French horn is a Monday, that's normal. You can't avoid it. Imagine if there were a way to synthesize so that it would know that your note was going to be missed by your embouchure, and it would bring the correct note out. We would lose some of the, maybe the desire to practice and get it to where we are. That's where I feel it's the bad side of synth. But in general, I'm with you. I like the sound of the synthesizer. I like the ideas you can get from the synthesizer. I even like the drum ideas that you get from a synthesizer. I think that we were talking about last night, it's like you can go too far with something, where you need to think about reining it back in. It's like alcohol. It's like collecting cars.  Mark Bassingthwaighte:  Yeah. Yeah.  Jeff Brandt:  It's like colors of carpet in your home. At what point in time do you say enough is enough.  Mark Bassingthwaighte:  Yeah. Yeah. Well, my interest in this, it's my understanding again, that when this technology, as it sort of evolved and really became mainstream, there were a lot of responses. One of which was this is going to put people out of work because it was the Moody Blues, you could go and see the orchestra.  Jeff Brandt:  Didn't need the spring place.  Mark Bassingthwaighte:  It changes. I hear you can lose some skill sets because the machine is doing it for you, but it also brings about, I think, some creativity. It seems to me once the revolution happened, the music industry didn't go away, but how it works changed.  Jeff Brandt:  Yes.  Mark Bassingthwaighte:  We're at a point where I think, and even involved where, we're having all kinds of discussions and reactions with the evolution of generative AI.  Jeff Brandt:  Mm-hmm.  Mark Bassingthwaighte:  There are people saying, "This is going to take jobs away from all kinds of people," not just musicians with the synth, but I also can see that this could bring about some incredible creativity opportunities, allowing just the exploration of music to go far further in directions we've made never even think of right now.  Jeff Brandt:  Right. Right.  Mark Bassingthwaighte:  Could you do all sorts of things with tones, vocal tones, and I don't know.  Jeff Brandt:  Yes.  Mark Bassingthwaighte:  What is your thought? Do you see this as a game changer? Is this much ado about nothing?  Jeff Brandt:  Well, first of all, I think that it's inevitable.  Mark Bassingthwaighte:  Okay.  Jeff Brandt:  You could use the Pandora's box example. Once Pandora's box is open, then it's open and you can't shut it again. Well, the synthesizer was going to be developed, I'll tell you why, is because it comes from the pipe organ.  Mark Bassingthwaighte:  Oh, really?  Jeff Brandt:  The pipe organ is the first synthesizer. The pipe organ has stops that create different sounds. If you study the pipe organ going way back, you look at real pipe organs, they have sounds on them where you pull stops out and make it sound like a flute and make it sound like a trumpet.  Mark Bassingthwaighte:  I never thought about it that way, but you're right. Yeah.  Jeff Brandt:  It has a pedal system because pipe organ players have to read three staves. They read treble, they read bass, and then they read sub bass, as I'll call it. I honestly don't know the exact term, but another bass clef for their feet. They're basically playing, no pun intended, a synthesizer with their feet, while they're playing two synths with their hands. That's the original synth. People that think that this came about in like '64, it's been around since Bach, and guess what? It's not going away.  I think the part about the synthesizer and change, is that it is inevitable that AI along with that new technologies will enter where new possibilities will come up. I think that the good side, is some things are a little bit easier for us to do. For example, Pro Tools is a program where you can click into the program and cut right in, and it both takes the ambient sounds from before and the ambient sounds after and blends it together so you can't tell the person was clicked in at that moment. That's amazing. That makes it simpler.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  It saves money for people that own Pro, it saves time, and humans are generally speaking all about that. I mean, if there's a cherry tree here and there's a bigger cherry tree across the river and you're like, "I'm going to stay with this cherry tree right here because I don't want to cross the river." That's what we would literally call the lowest hanging fruit.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  With a synthesizer, if there is an option to make something a little bit simpler, people are going to use it. Again, there's the when is when part, when is enough enough? When is too much, too much, is what I mean. I think with AI, it's going to inevitably bring up other options that we haven't thought of, and it's inevitably going to bring about sounds or feelings or grooves or patterns that will catch people's ears that you cannot create with guitar rhythm guitar standard acoustic bass, or electric acoustic bass and drums, and we like that change.  Mark Bassingthwaighte:  Speaking personally, is your, I guess, conclusion or do you see the rise of AI, generative AI then, as a positive development? Are you optimistic looking forward to see what the music industry does with this? Or is it cautious optimism?  Jeff Brandt:  I'd say it's cautious optimism because it is true, for example, let's just go with trucks, there are trucks now that can be self-driven.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  I don't necessarily think that's a good thing. First of all, I think that we can put things on trains, and I know I sound like a total socialist here, but you can put things on trains and all of those cars are "self-driven" by the one engineer up there, and it's very efficient. Trucks that are self-driven will become a problem at some point because you can hack into that.  Mark Bassingthwaighte:  Yes.  Jeff Brandt:  You can't hack into a human's mind nearly as easy, so there's that.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  I think that it's good to have the humans operating things.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  At the same time with the music business and recording, if you go back to the sixties and then the seventies, you had tons of studios that were busy hour by hour, day by day, week by week. You'd have to book into that studio six months in advance to get a four-hour space.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  Now, there are studios that are completely abandoned because they've moved into people's homes because of the laptop, because of microphones like the one we're using right here, and because of the synthesizer. Is it good or is it worse? It's change.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  That's what it is.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  Is it going to affect having lots and lots of people play a string track versus using a synthesizer to simply overdub things? Yes, it's going to affect that. Is it going to affect it to the point where somebody goes to a symphony orchestra or a jazz concert and they see 18 mannequins on stage holding up instruments, and all of it comes from a synthesizer? I doubt it because we like to watch artists perform.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  Like with hip-hop, almost all of the time in the hip-hop genre or any sub-genre or sub-sub-genre of hip-hop, you have people that are using synthesizers to create the entire track other than the vocals. They're even manipulating the vocals using the synth. When they go on tour, now, increasingly there are people that are using instrumentalists on tour because it's more interesting to look at.  Mark Bassingthwaighte:  That makes sense, yeah.  Jeff Brandt:  You don't want just two turntables and a microphone back there because that's all it is.  Mark Bassingthwaighte:  Yeah. Yeah. Why pay all the money to go?  Jeff Brandt:  When you go on tour, it's convenient for artists like Mariah Carey to just take the synths and go out there, but she knows that when she can afford to hire the string players, it looks cool.  Mark Bassingthwaighte:  Yeah. Yeah.  Jeff Brandt:  I think it's a case of are you going to see the glass as half full or half empty? It's here. It's been here since the pipe organ. It's going to stay. It's a question of when do you say enough is enough, and how do you look at it from your perspective as a musician? I guess I'd add one more thing. If you're afraid of the synthesizer, learn to use one. Right there.  Mark Bassingthwaighte:  Yeah, absolutely. Yeah. I really, really appreciate and love everything that you've shared. Folks, one of the reasons I wanted to do this, as you well are aware, our profession is struggling. There's a lot of people that are very much embracing the AI evolution and a lot of others very, very concerned about will they have a job. A lot of legal staff are concerned, "Will I have a job in a couple more years?" I'm using AI myself to do a lot of writing, and it's saving me tons of time, and it elevates my game. It really does. I still am the one that policy, it's an idea generator for me.  Getting back to this, I'm hoping that it is helpful to you who are listening, as we think about the challenges, the concerns, work through this, it's easier to hear and get some thoughts about how we should be responding or what do we do with all this, when we talk about it in the context of something else. Discussing this as it relates to music, I think is very eye-opening. I love the comment, you are absolutely right this synthesizer.  Jeff Brandt:  It's hard to say.  Mark Bassingthwaighte:  I always get tongue-twisted.  Jeff Brandt:  It's really tough to say.  Mark Bassingthwaighte:  It's been around since Bach.  Jeff Brandt:  It's been around since the organ.  Mark Bassingthwaighte:  I never really understood that. I think some similar things can be said about AI. It's been here a lot longer than we realize. Not in the same way, generative AI is certainly very, very new. I am cautiously optimistic about it. I would encourage you folks to just take a realistic look, take some opportunities, if you're threatened by it, pick up the instrument and learn it, and it can help your practice. I just think it's a positive thing overall. We got to be careful going too far. I can keep rambling on about this stuff for a long time. I have so many planes in my head up right now.  Jeff Brandt:  Well, there's one more thing that's worth adding.  Mark Bassingthwaighte:  Please, please.  Jeff Brandt:  There's a drummer in LA named Greg Bissonette.  Mark Bassingthwaighte:  Yes.  Jeff Brandt:  He's a studio drummer. He went to University of North Texas. He's played with lots of different artists. Greg Bissonette has always made his living playing drums.  Mark Bassingthwaighte:  Okay.  Jeff Brandt:  Now, when he first entered the studio scene in Los Angeles, as far as I know, he was going to studios and recording. You'd get your drums carted over to the studio by a carting service. You'd show up, you'd play the gig, which was a recording gig, and then you would pack your stuff up or the carting service would pack your stuff up. You'd go home and you'd be waiting for your next booked gig. Now, Greg has a microphone set up in his home. People send him a file. He listens to the file. There's maybe a click track on it, or maybe not, maybe he has to create his note. I mean, I don't know him personally, but if you need a reference for Greg Bissonette, he played all of the in-between clips on the Friends show.  Mark Bassingthwaighte:  Oh, seriously?  Jeff Brandt:  He's that guy and he's done a lot more than that. Understand that the convenience of somebody emailing you a file or dropping a file in a box and you download this file and then go ahead and say, "Okay, I'm going to add drums to this track," and you do it from your home studio. There are some good things about this. Number one, he's not driving a car in LA traffic to a studio, which means he gets to spend more time at home and more time with his family. That's better for the environment. Electric car or not, it's better.  Mark Bassingthwaighte:  Agreed.  Jeff Brandt:  Okay. It doesn't have the same in-person work environment that you had say in the sixties when the Fab Four or the Rolling Stones are right there together, hashing it out like, "What does this mean?" That's different. The truth of the matter is, I don't think anybody who's listening to something Greg Bissonette has recorded probably would go, "Oh, well, this obviously is something this guy did at his home studio with the downloaded file." In that way, it doesn't matter. Again, it's a choice of how do you want to do the track? Is it a jazz band? You probably need to come together and play. Is it a digital track and they want live drums on it?  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  Send it, who cares?  Mark Bassingthwaighte:  Right.  Jeff Brandt:  Again, this idea of change is the only constant. I mean, maybe I'll be eating my own words and I'll be replaced by a robot that has all of the personality of a human being and knows every single history of rock and roll fact. Sure. Maybe that'll happen. I doubt it. People like Greg Bissonette are still out there finding a creative way to make a living simply because they went, "Oh, now I need the studio at home. Oh, now I need this technology so that the files can be sent to me. I need my microphones, everything tuned up."  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  You still find a way to do it, and I think that we will. I've never bought that line about AI and knock on wood, that it's going to come together and destroy the human race. I think that's silly.  Mark Bassingthwaighte:  Yeah, I do too.  Jeff Brandt:  I think what it's going to do is it's going to be one of those things where we just have to be careful how we use it.  Mark Bassingthwaighte:  Mm-hmm. Yeah.  Jeff Brandt:  I think you could say we have to be careful. We have to be careful about how we drive Hummers.  Mark Bassingthwaighte:  Yeah.  Jeff Brandt:  We have to be careful about not making buildings too tall.  Mark Bassingthwaighte:  Right.  Jeff Brandt:  We have to be careful about not making wave machines so powerful that kids get knocked over when they're going to a wave machine at a water park to have fun. It's pretty simple stuff.  Mark Bassingthwaighte:  Yeah. I want to thank you for taking the time to sit down and talk. You have said so eloquently, things that I have trouble saying. I can't put it into words in the same way you do. All I can say is, folks, Jeff, the insights here, what I'm trying to get across, I hope it's self-evident now, you're summarizing all this just perfectly. That's it. I appreciate your coming. I'll let all of you get back to work. If you have any thoughts, questions, concerns on risk management, ethics, insurance, etc, remember, I'm not the Risk Manager of Alps, I'm hired by Alps to be your Risk Manager. Feel free to reach out anytime. It's MBass@Alpsinsurance.com. Good talking to you all. Take care. Bye-bye.   

TUESDAY'S WITH THOMAS ARE BACK! VAN MADE A RETURN APPEARANCE TO THE SHOW AFTER A NICE SUMMER OFF. WHATS HE BEEN UP TO, WHO'S THIS BLAKE VANEK KID WE'RE READING ABOUT, THE SABRES CAPTAINS, THEIR LATEST VIDEO SESSION WITH LINDY, INJURY LIST, THE BEST PLAYERS IN THE GAME AND MORE! PANTHERS CUP RINGS Learn more about your ad choices. Visit megaphone.fm/adchoices

MUSICLady Gaga announced yesterday she's releasing a companion album to "Joker: Folie à Deux". It's called "Harlequin" and it comes out THIS Friday. A cause of death has been revealed for Crazy Town frontman Shifty Shellshock.  Skid Row guitarist Scotti Hill says any possible reunion with singer Sebastian Bach would likely end like Jane's Addiction's current mess.Sean "Diddy" Combs' resurfacing video is creating concerns amid legal issues. In the viral video, the music mogul says his crazy parties will get him imprisoned. After two bail denials, he remains in prison. Linkin Park have shared the second track from their comeback album From Zero, which is due out November 15th. "Heavy Is the Crown" was debuted live by the band Sunday night in Hamburg, Germany and serves as the theme for the League of Legends world championship tournament starting on Wednesday. There's also an animated video that puts all the members of Linkin Park in the game. Check it out:Jerry Cantrell of Alice in Chains has announced a record release show for his solo album I Want Blood, which is out October 18th. He'll play at Pappy and Harriet's in Pioneertown, California on October 17th.The Weeknd now has the most songs with a billion streams on Spotify.Former #2 Show In Stall performer and Point darling, Des Rocs has released a new version of his track "In the Night" recorded with Underoath.Sum 41 frontman Deryck Whibley's upcoming memoir, 'Walking Disaster: My Life Through Heaven And Hell', hits shelves on October 8th. TVSeason 19 of "America's Got Talent" crowned a new winner last night. Here's the announcement, along with his finale performance.Our Oceans, an upcoming Netflix docuseries, will help animal lovers explore these "gateways to the unknown" about the mysterious creatures living deep below the water. MOVING ON INTO MOVIE NEWS:Halle Berry Reveals Prince Once Asked Her on a Date via a 'Piece of Paper' at His Concert. People magazine reports, the Oscar winner added that Prince popped that question "sort of" in person.AND FINALLYOne Hit Wonder Day:According to voters on ranker.com, these are the 10 best one-hit wonders. Let the debate begin 10. “Don't You (Forget About Me)” – Simple Minds9. “I'm Gonna Be (500 Miles)” – The Proclaimers8. “Spirit in the Sky” – Norman Greenbaum7. “Play that Funky Music” – Wild Cherry6. “867-5309/Jenny” – Tommy Tutone5. “My Sharona” – The Knack4. “Video Killed the Radio Star” – The Buggles3. “Come on Eileen” – Dexys Midnight Runners2. “Tainted Love” – Soft Cell1. “Take On Me” – A-Ha AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Lady Gaga announced yesterday she's releasing a companion album to "Joker: Folie à Deux". It's called "Harlequin" and it comes out THIS Friday.  A cause of death has been revealed for Crazy Town frontman Shifty Shellshock.   Skid Row guitarist Scotti Hill says any possible reunion with singer Sebastian Bach would likely end like Jane's Addiction's current mess. Sean "Diddy" Combs' resurfacing video is creating concerns amid legal issues. In the viral video, the music mogul says his crazy parties will get him imprisoned. After two bail denials, he remains in prison. Linkin Park have shared the second track from their comeback album From Zero, which is due out November 15th. "Heavy Is the Crown" was debuted live by the band Sunday night in Hamburg, Germany and serves as the theme for the League of Legends world championship tournament starting on Wednesday. There's also an animated video that puts all the members of Linkin Park in the game. Check it out: Jerry Cantrell of Alice in Chains has announced a record release show for his solo album I Want Blood, which is out October 18th. He'll play at Pappy and Harriet's in Pioneertown, California on October 17th. The Weeknd now has the most songs with a billion streams on Spotify. Former #2 Show In Stall performer and Point darling, Des Rocs has released a new version of his track "In the Night" recorded with Underoath. Sum 41 frontman Deryck Whibley's upcoming memoir, 'Walking Disaster: My Life Through Heaven And Hell', hits shelves on October 8th. TV Season 19 of "America's Got Talent" crowned a new winner last night. Here's the announcement, along with his finale performance. Our Oceans, an upcoming Netflix docuseries, will help animal lovers explore these "gateways to the unknown" about the mysterious creatures living deep below the water. MOVING ON INTO MOVIE NEWS: Halle Berry Reveals Prince Once Asked Her on a Date via a 'Piece of Paper' at His Concert. People magazine reports, the Oscar winner added that Prince popped that question "sort of" in person. AND FINALLY One Hit Wonder Day: According to voters on ranker.com, these are the 10 best one-hit wonders. Let the debate begin  10. “Don't You (Forget About Me)” – Simple Minds 9. “I'm Gonna Be (500 Miles)” – The Proclaimers 8. “Spirit in the Sky” – Norman Greenbaum 7. “Play that Funky Music” – Wild Cherry 6. “867-5309/Jenny” – Tommy Tutone 5. “My Sharona” – The Knack 4. “Video Killed the Radio Star” – The Buggles 3. “Come on Eileen” – Dexys Midnight Runners 2. “Tainted Love” – Soft Cell 1. “Take On Me” – A-Ha   AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Back on this day in 1981, MTV was launched for music lovers everywhere. The first music video aired on the new cable TV network was “Video Killed the Radio Star,” by The Buggles. Learn more in today's KTAR timeline brought to you by Beatitudes Campus.   

Wisconsin's Midday News brings you your Now at Noon headlines. Wisconsin State Fair Chief Administrative Officer Kristi Chuckel joins the hosts live from State Fair Park about what's new this year for fairgoers. Greater Milwaukee Committee President Joel Brennan has details about the last year of the Cream Puff Pavilion “as we know it” and how a return to work could impact declining Kohl's sales. And MTV debuted on this day back in 1981!

We hear from Harris, Walz, Trump, the FBI director and more as we break down the latest twists and turns in this election cycle as we play your talkbacks all morning long.

Beetlejuice 2, Dune: Prophecy, Alien: Romulus, Russo Bros, Superman, Predato, Toxic Avenger, Video Killed the Radio Star, Rebecca reviews Twisters, lots more

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Brad Birzer. Brad is the Russell Amos Kirk Chair in American Studies and Professor of History at Hillsdale College. He is also the co-founder of and senior contributor at The Imaginative Conservative, and the author of a number of books, including Neil Peart: Cultural (Re)Percussions. Find him online at bradbirzer.com or @bradleybirzer on Twitter.Brad's Music Pick: YesWell, the buses outside don't add much weight to the story in our heads we began in our last episode of Political Beats, so we're thinking we should go and write a punchline; thus, welcome to part two of our discussion of the great progressive rock band Yes, wherein we discuss their career from 1974's Relayer onward to the present day. (Be forewarned -- we pick and choose after the debacle of Union (1991). Fondly remembered: Talk, Keys To Ascension, Magnification and Fly From Here. Not so fondly remembered: erm, Open Your Eyes.)I could offer more prelude than that, but this is one episode where the music will do vastly more explaining than any written exegesis; Yes bounced back after Tales from Topographic Oceans with an album even more abstruse and outwardly difficult, yet light years more compelling. From that point onward and despite countless personnel changes -- up to and including swapping the "Video Killed the Radio Star" guys straight into their band -- the group maintained its unique sound and creative voice throughout the second half of the Seventies in a series of albums that age like casked scotch. (Check out the vigorous defenses of Tormato and Drama ye shall find herein!) Then the group collapsed after a disastrous 1980 tour and seemed to be over . . . until a South African guitarist/vocalist/songwriter named Trevor Rabin entered the picture.All this and much, much more is covered on an episode of Political Beats that spans from the mid Seventies all the way to the late Eighties without once pausing for breath. Afterwards, we take a breather here and there, but for now? Tempus fugit, my friends, so you should click, because we're off to the races, going for the one. 

Mike opens things up with a recap of the SEC Spring meetings in Destin, and then takes us down memory lane recalling Boise St. and their rise to prominence while facing the reality in order for a program to do this in the current time, it could take more money and resources than the smaller schools have available. They hit a fresh JC/5 from overspending, expansion, the Gainesville volcano, fun fanbases, and eroding traditions. They wrap with some Group of Five talk looking at the smaller schools hosting the P4 in 2024. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Whilst John holidays in Thailand, he and Paul discuss the highs and lows of being partnered up with a Verhoeven. Hosted on Acast. See acast.com/privacy for more information.

A shock jock cut from the same cloth as any number of high-profile sexual predators (be they Hollywood execs, former Presidents, or unassuming television hosts) enters the world of SVU, and everyone loses their minds. Or at least forgets how things like logic, character motivations, or professional storytelling would dictate where the episode should go. With plot holes as gaping as the Grand Canyon, this exasperating journey into the world of the undercover triple-crossing faux private eye crime genre will try one's patience while still approaching being fun.Sources:Project Cold CaseMusic:Divorcio Suave - "Munchy Business"Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Amy Z, Nikki B, Diana R, Tony B, Zak B, Barry W, Sara L, Drew D, Nicky R, Stuart, Jacqi B, Natalie T, Robyn S, Isabel P, Christine L, Amy A, Sean M, Jay S, Briley O, Asteria K, Suzanne B, Tim Y, Douglas P, John P, John W, Elia S, Rebecca B, Kevin, Lily, Lucy, and Sarah L - y'all are the best!Be a Munchie, too! Support us on Patreon: patreon.com/munchmybensonBe sure to check out our second podcast: Unkind Rewind on YouTube, Apple Podcasts, or wherever you listen to podcastsFollow us on: BlueSky, Twitter, Facebook, Instagram, Threads, and Reddit (Adam's Twitter/BlueSky and Josh's Twitter/BlueSky/Letterboxd/Substack)Join our Discord: Munch Casts ServerCheck out Munch Merch: Munch Merch at ZazzleCheck out our guest appearances:Both of us on: FMWL Pod (1st Time & 2nd Time), Storytellers from Ratchet Book Club, Chick-Lit at the Movies talking about The Thin Man, and last but not least on the seminal L&O podcast …These Are There Stories (Adam and Josh).Josh debating the Greatest Detectives in TV History on The Great Pop Culture Debate Podcast and talking SVU/OC on Jacked Up Review Show.Visit Our Website: Munch My BensonEmail the podcast: munchmybenson@gmail.comNext Week's Episode: Season 21, Episode 1 "I'm Going To Make You A Star"Become a supporter of this podcast: https://www.spreaker.com/podcast/munch-my-benson-a-law-order-svu-podcast--5685940/support.

Ben and Ashley are in the Bachelor Nation newsroom with the latest headlines!  Have you seen the music video with Daisy from Joey's season?? We break down every R-rated lyric and cringy moment.  We get into all the reactions of Oprah's Ozempic special delaying The Bachelor. And… a new Bachelor Baby  just arrived!See omnystudio.com/listener for privacy information.

Introducing Famboogie…Red Pilled America's video podcast! It's the place where we help you bypass the entertainment gatekeepers. We talk about pop culture, Woke Hollywood, and great movies, TV shows and podcasts…and guide you towards content that the Hollywood gatekeepers try to bury. Join us on our journey to fix America…one story at a time.Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.