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6 episodes with bronx documentary center
2 episodes with bronx documentary center
2 episodes with bronx documentary center
2 episodes with bronx documentary center
Critics have been warning about the death of photography as an art form for years. Smartphones were going to lead to its demise by making everyone a photographer. Then came warnings about AI, which can create photographic images without a human actually being present at a given time and place. But, the FT's US art critic Ariella Budick argues that instead of dying, the medium has evolved. She joins us to discuss how it has changed from its purest form in the 1950s to today.-------We love hearing from you. Lilah is on Instagram @lilahrap, and email at lilahrap@ft.com. Get in touch this week if you have questions for the great wine critic Jancis Robinson, who'll be answering them on our next Monday episode.-------Links (all FT links get you past the paywall): – Lilah's profile of the Bronx Documentary Center is here: https://on.ft.com/3NQeAZe– Ariella's most recent review is of the exhibition We Are Here at the International Center of Photography: https://on.ft.com/48BeUof– She's also recently written about Robert Frank at the MoMA: https://on.ft.com/3ArjnNHRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.
Episode SummaryIn this episode, I'm joined by two special guests, harm reduction activist Julie Stampler and award-winning documentary filmmaker Jamie Boyle. We discuss the opioid epidemic through the frame of the incredible documentary Anonymous Sister, directed by Jamie Boyle, produced by Marilyn Ness, and executive produced by Julie Stampler. This is the story of one American family, but what happened to them could happen to any family. We learn about Julie's brother, Jonathan, who died from a heroin overdose, and how his death led Julie into her life of activism and harm reduction work. We see two different paths to managing addiction and substance abuse disorder. This is a story told by two women who watched their siblings suffer. This show is dedicated to all the siblings out there who are anonymous witnesses.For the visually-minded who prefer to listen and read or for those who need closed captioning, watch the transcript video here: https://youtu.be/oD0vVqw-w6wAbout Anonymous SisterWhen a young woman turns to the camera for refuge, she ends up with a firsthand account of what will become the deadliest man-made epidemic in United States history. From the producers of Dick Johnson Is Dead and Summer of Soul, Anonymous Sister is two-time Emmy Award winner Jamie Boyle's chronicle of her family's collision with the opioid epidemic.Anonymous Sister will be playing at IFC Center in New York June 2nd - 8th and Laemmle Theater in Los Angeles June 16th - 22nd, with more cities to follow. Select screenings will be accompanied by special events and panels. For details and info about upcoming events: anonymoussister.comhttps://www.facebook.com/AnonymousSisterFilmhttps://www.instagram.com/anonymoussisterfilm/https://twitter.com/AnonSisterFilmAbout Jamie BoyleJamie Boyle is a two-time Emmy Award winning documentary filmmaker. Her work has played at Sundance, Tribeca, and SXSW. In 2019, she was part of the inaugural Sundance Talent Forum & Catalyst Lab and on DOC NYC's 40 Under 40 list. She is the writer and editor of BREAKING THE NEWS, premiering Tribeca Film Festival in June 2023. She is the director and editor of ANONYMOUS SISTER, a personal feature documentary coming to theaters in summer 2023 and produced by Big Mouth Productions (DICK JOHNSON IS DEAD, CAMERAPERSON) and Vulcan Productions (SUMMER OF SOUL, THE REASON I JUMP). She was the editor, producer, and cinematographer of JACKSON (Showtime), winner of the 2018 Emmy® Award. She was the editor of TRANS IN AMERICA: TEXAS STRONG, winner of the 2019 Emmy® for Outstanding Short Documentary and two Webby Awards. TEXAS STRONG premiered at SXSW and launched on them. She was the associate editor and production manager of E-TEAM (Netflix), which won the 2014 Sundance Cinematography Award and was nominated for two News & Documentary Emmys®, including Best Documentary. She was the director, cinematographer, and editor of the short documentary TAKE A VOTE, which premiered at DOC NYC in 2020. She was the in-house editor for The American Civil Liberties Union and Human Rights Watch. She taught at the Bronx Documentary Center, as a guest lecturer at Columbia University, and served as a judge for the News & Documentary Emmy Awards.https://www.jamielboyle.com/About Julie StamplerJulie Stampler is a voiceover actress and harm reduction activist who is a National Harm Reduction Coalition Board Member. Julie's harm reduction advocacy work aims to help people who use drugs stay alive rather than pushing for abstinence-only approaches. She advocates for the importance of overdose prevention programs, training people on when and how to use and distribute naloxone/Narcan, and advocating for overdose prevention centers that focus on keeping people alive with access to social service resources. Julie's life-saving work stems from her brother Jonathan's untimely death from a heroin overdose 20 years ago. In a twist of irony, her stepfather Jack Fishman was the scientist credited with inventing naloxone which can reverse an overdose from heroin, fentanyl, and prescription opioid medications—when given in time. https://juliestampler.com/From This EpisodeHow to use Narcan training video: https://www.anonymoussister.com/resourcesFind Naloxone near youJulie's stepfather Jack FishmanThe Drug That Saves Lives Even if It's Never Usedhttps://dancesafe.org/ - site Julie mentions where you can order fentanyl test strips and drug testing kitsMarilyn Ness5 myths about using Suboxone to treat opiate addictionDEA takes aggressive stance toward pharmacies trying to dispense addiction medicineAbout XylazineFind and Follow Carole and Wisdom Shared:https://www.caroleblueweiss.com/Subscribe to my YouTube channel: https://www.youtube.com/@WisdomSharedCaroleBlueweissFollow me and send me a message on Facebook: https://www.facebook.com/caroleblueweissFollow me and send me a message on LinkedIn: https://www.linkedin.com/in/carole-blueweiss-pt-dpt-23970279/Follow me on Instagram: https://www.instagram.com/carole_blueweiss/The Wisdom Shared TeamAudio Engineering by Steve Heatherington of Good Podcasting WorksSocial Media and Marketing Coordinator: Kayla Nelson
For the 15th episode of AW CLASSROOM, Kiara Cristina Ventura interviews multidisciplinary artist and musician, Albany Andaluz. In the interview, Andaluz speaks about her identities and cultural backgrounds and how they result in multidimensional artworks. She also speaks on her nomadic experience moving to Mexico during the pandemic. Now temporarily based Dominican Republic, the artist ends the interview with an exclusive art performance just for us here at AW! *FYI there are roosters in the background of this interview so if you hear some cock-a-doodle-dooing in the background it's our rooster friends haha* ..... Albany Andaluz (b. 1995, Bronx, New York) uses colloquialisms to draw intersections between Caribbean, Latin American, and American experiences. A life-taught artist, her practice reflects a repurposed, multidisciplinary approach with works that resurrect discarded textiles as mixed-media sculptures, paintings, and photographs to allude to the intersections of conflict, migration, and settlement. Andaluz’s practice examines the psychosocial and socioeconomic shifts that happen during the process of acculturation through the intertwining of techniques sourced from craft, fine, folk, low and high-brow cultures. Such work has awarded Andaluz residencies, grants and features with ProjectArt NYC, BronxArtSpace, Joan Mitchell Foundation, Bronx Documentary Center, BronxNet, ArtForum, and Aperture Foundation’s magazine. Follow her work at: @albanyandaluz on IG or www.albanyandaluz.work ___________ *This episode is wonderfully sponsored by Flower Shop Collective. * Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español. For more information please head to flowershopcollective.com or @flowershopcollective on Instagram. ___________ Follow us: @artsywindow artsywindow.com To support our podcast and the work we do, please donate to us at artsywindow.comand click the "donate" tab. Or join us on patreon! Much love --- Support this podcast: https://anchor.fm/artsywindow/support
For the 14th episode of AW CLASSROOM, AW intern Abe Centeno interviews Bronx artist and educator, Sofie Vasquez. In the interview, Sofie talks about her journey being an artist from The Bronx, how she developed her skills, and also her part time practice in photographing the NYC wrestling scene. ..... Sofie Vasquez (b. 1998) is an Ecuadorian documentary photographer born and raised in The Bronx, New York. Her work has been featured in The New York Times and has been exhibited with the Bronx Museum of the Arts, the Bronx Documentary Center, the Ecuadorian-American Cultural Center, The Clemente Soto Vélez Cultural and Educational Center, the Shirley Fiterman Art Center, the DGT Alumni Association Gallery House, Photoville and En Foco Inc. She is an alumni of the International Center of Photography's Community Fellows, and is a part of the first graduating class of the fellowship (2018-2020) She was a student at The City College of New York until the COVID-19 global pandemic forced her to pause her studies. She currently works at the Bronx Documentary Center as well as freelances as a traveling documentary photographer. Follow her work at: @bullsinthebrnx on IG *This episode is wonderfully sponsored by Flower Shop Collective. * Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español. For more information please head to flowershopcollective.com or @flowershopcollective on Instagram. Follow us: @artsywindow artsywindow.com To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon! Much love --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artsywindow/support
Michael Kamber and Cynthia Rivera of the Bronx Documentary Center call in to talk about several events coming up at the BDC for this short series pre-election episode. Here are the events you should support or attend if you can. https://www.bronxdoc.org 6TH ANNUAL PHOTO AUCTION BENEFIT VIRTUAL CELEBRATION THURSDAY OCT 22, 2020 | 7PM The Bronx Documentary Center (BDC) is proud to present our 6th Annual Photo Auction Benefit. To give back to the many Bronx photographers who work with us, we're sharing 50% of proceeds with Bronx photographers in need of financial support due to COVID-19. This means that every print sold will directly benefit our program participants and the Bronx photographers who inspire them the most. This year's 6th Annual Photo Auction will include beautifully printed photographs by artists including Stephanie Foden, Johis Alarcón, Daniella Zalcman, Inbal Abergil, and Mauricio Palos. Each of these photographs depict the vibrant landscapes and narratives of the world, and have been part of projects featured in The New York Times, Washington Post, TIME, and more. Auction prints and photobooks will be available to bid on from 8:00 AM EST October 8th through 8:00 PM EST on October 22nd. ALL IN: THE FIGHT FOR DEMOCRACY WOMEN'S FILM SERIES SATURDAY OCT 24, 2020 | 6:30PM All In: The Fight for Democracy examines the issue of voter suppression in the US. The film interweaves personal experiences with activism and historical insight to expose a problem that has corrupted our country from the beginning. With the expertise of Stacey Abrams, the film offers an insider's look into the barriers to voting. The film can be screened on Amazon Prime with a subscription. Please join us on Saturday, October 24th, at 6PM EST for a short virtual Q&A discussion with co-director Lisa Cortes. VIRTUAL EXHIBITION WEBSITE LAUNCH TRUMP REVOLUTION: THE END OF TRUTH THURSDAY OCT 29, 2020 | 7PM In America today, the very notion of truth is under assault. Citizens vigorously disagree about matters of scientific evidence; about the very existence of widely reported news events; about basic facts. The Bronx Documentary Center's upcoming exhibition, The End of Truth, documents our country's shift toward conspiratorial thinking by examining the rapidly changing roles of traditional and social media over the past 25 years. This is the third and final segment of Trump Revolution, a series of exhibitions examining America's societal and political transformation over the past four years, one whose speed, reach and consequences are unmatched in our country's history. On October 29th, the exhibition will available to view online at www.trumprevolutionbdc.org
It’s hard to believe that another year of the B&H Photography Podcast is on the books and, as has become our way, we close out the year with a casual conversation about our most memorable episodes from 2019. But before we get started, a recent count showed that we have listeners in all but 15 countries. To us, that’s remarkable, and we’d like to offer a very heartfelt thank you and best wishes for a happy holiday season to all our listeners around the world. We look forward to your feedback and suggestions for photography conversations in 2020. Allan Weitz starts off today’s show with a few of his favorite 2019 episodes, including our talk with photographer Stephen Mallon, who documented the recovery of Flight 1549—referred to as the “Miracle on the Hudson”—from the icy waters of the Hudson River after its forced landing in January 2009. On that episode, we welcomed Denise Lockie, a passenger on that flight. Allan also mentions our conversations with Albert Watson and Vince Aletti as favorites and our chats on car photography with Nate Hassler and on D.I.Y. camera makers. For his part, Jason Tables starts his list with our episode on storm chasing and extreme-weather photography as a favorite. He also recalls “The Copyright Infringement Superhighway” with attorney David Deal, our talk with photographer Corinne May Botz on her series “Milk Factory,” and our hilarious and insightful conversation with portraitist Mark Mann. John Harris begins with some of the 2019 episodes that performed best in terms of number of downloads, some of which surprised us. He also discusses a few of his favorites episodes, including “Conflict Photography—Motivation and Consequence.” Other memorable episodes he mentions are “Commitment to Community—Rhynna Santos, Michael Young, and the Bronx Documentary Center,” our talks with rock photographer Mick Rock and photojournalist Shahidul Alam, and, of course, our conversation with actor and photographer Jeff Bridges. Enjoy our casual end-of-the-year chat, subscribe to the B&H Photography Podcast on Apple Podcasts, join our Facebook group, and have yourself a happy new year. Photograph © Jason Tawiah
"That's the pleasure of photography, it's really just kind of daydreaming with these borders around the world and what's in and what's out." Mark Steinmetz was in town to talk about his new book Carnival, published by Stanley/Barker. In-between a talk at The Bronx Documentary Center, another one at The Penumbra Foundation, and a book signing at Dashwood Books, Mark sat down with Anna Roma and I in his tiny hotel room in Manhattan. We talk about everything from Mark's origins to photographing with Garry Winogrand, to creating a workshop with renowned photographer and his wife, Irina Rozovsky. There is a short phone conversation at the end of this episode with Mark about his fashion work and his workshop, The Humid, that he hosts with Irina. https://www.marksteinmetz.net/ https://www.thehumid.com/ https://www.instagram.com/the_humid/ Visit realphotoshow.com @realphotoshow on Twitter/IG/FB
"I wasn't really a big fan of government when I was working as a freelancer, I was very skeptical, but when I stepped in I saw the incredible amount of work…and it was insane, and it was overwhelming…these people are doing so much work and sacrificing everything." Edwin Torres is the Deputy Digital Director for Governor Murphy's Office in New Jersey. Before that he was a staff photographer for New York City Mayor Bill de Blasio, and before that, Edwin was a freelance photojournalist. In 2016, he was the lead photographer and contributed reporting in a Pulitzer Prize winning story with ProPublica and the New York Daily News for public service, honoring their joint investigation on abuses in the New York City Police Department’s enforcement of the nuisance abatement law.He is a member of the Bronx Photo League which is part of The Bronx Documentary Center (BDC) and is published in book titled the Jerome Avenue Worker's Project by the Bronx Documentary Center. We talk about his past and his newfound love of New Jersey and more specifically, Trenton. https://www.edwintorrespf.com/ https://www.instagram.com/edwintorresphoto/ https://www.facebook.com/edwin.torres.79827
"Our job is to keep making work that speaks both to the conflicts as they unfold and also what they are going to mean…our job is to hold our political and military leaders accountable for the decisions they make and the people they affect." Victor Blue is a documentary photographer interested in the aftermath of conflict. He believes it is not enough to just cover the conflict, but that we also need to document the consequences of the decisions and actions of our political leaders. His recent show at the Bronx Documentary Center, Cities in Dust, consisted of a series of panoramic images of the aftermath of the US led airstrikes in Iraq and Syria, which Victor referred to as "broken domesticity" in the show. Victor also understands that the work he produces has to be rewarding to the reader in terms of interest and making people better informed because he is competing for your time with your job, your family and all kinds of distractions. http://www.victorblue.com/ https://www.instagram.com/victorblue/ This episode sponsored by the School of Visual Arts MFA Photography, Video, & Related Media - Charles Traub, Chair. http://www.mfaphoto.sva.edu/ Visit realphotoshow.com @realphotoshow on Twitter/IG/FB
Rafael "RC" Concepcion is an award winning photographer, podcast host, educator, storyteller and the author of 8 best-selling books on Photoshop, Lightroom, HDR, and how to get your images on the web. RC is now known as Professor Concepcion at Syracuse University’s Newhouse School. He is a highly sought after public speaker, lecturing at seminars and workshops around the world, including right here on CreativeLive. In this episode we talk about what it takes to continually reinvent yourself and life’s epiphanies that often arise when unexpected. RC takes us on a journey from growing up in the South Bronx to the lavish life working in tech during the .com boom to the lows of working out of a U-Haul 10x10 storage unit and back up to being a Photoshop guru whose face and voice are known all over the world. RC’s passion for teaching is not just about the tools of Photoshop and Lightroom, but at heart about how to get what’s inside of you out through creativity. We discuss being a Latino industry leader and coming full circle to doing projects with the Bronx Documentary Center. This is We Are Photographers with RC Concepcion and this is his story.
BFAMFAPhD, Making and Being, teaching tools, installation detail, exhibition at the Dekalb Gallery, Pratt Institute, PROJECT THIRD residency, summer 2018. Photograph by João Enxuto. Event 6: Group Agreements What group agreements are necessary in gatherings that occur at residencies, galleries, and cultural institutions today? Friday 4/19 from 6-8pm Sarah Workneh, and Danielle Jackson Sarah Workneh has been Co-Director at Skowhegan for nine years leading the educational program and related programs in NY throughout the year, and oversees facilities on campus. Previously, Sarah worked at Ox-Bow School of Art as Associate Director. She has served as a speaker in a wide variety of conferences and schools. She has played an active role in the programmatic planning and vision of peer organizations, most recently with the African American Museum of Philadelphia. She is a member of the Somerset Cultural Planning Commission's Advisory Council (ME); serves on the board of the Colby College Museum of Art. Danielle Jackson is a critic, researcher, and arts administrator. She is currently a visiting scholar at NYU’s Center for Experimental Humanities. As the co-founder and former co-director of the Bronx Documentary Center, a photography gallery and educational space, she helped conceive, develop and implement the organization’s mission and programs. Her writing and reporting has appeared in artnet and Artsy. She has taught at the Museum of Modern Art, International Center of Photography, Parsons, and Stanford in New York, where she currently leads classes on photography and urban studies. Event 7: Educators https://www.eventbrite.com/e/making-and-being-open-meeting-for-arts-educators-and-teaching-artists-tickets-54315431919?utm_source=eb_email&utm_medium=email&utm_campaign=new_event_email&utm_term=viewmyevent_button BFAMFAPhD Making and Being is a multi-platform pedagogical project that offers practices of contemplation, collaboration, and circulation in the visual arts. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi. Bio BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. BFAMFAPhD received critical acclaim for Artists Report Back (2014), which was presented as the 50th anniversary keynote at the National Endowment for the Arts and was exhibited at the Brooklyn Museum, the Museum of Art and Design, Gallery 400 in Chicago, Cornell University, and the Cleveland Institute of Art. Their work has been reviewed in The Atlantic, the New York Times, the Washington Post, the New Yorker, Andrew Sullivan’s The Dish, WNYC, and Hyperallergic, and they have been supported by residencies and fellowships at the Queens Museum, Triangle Arts Association, NEWINC and PROJECT THIRD at Pratt Institute. BFAMFAPhD members Susan Jahoda and Caroline Woolard are now working on Making and Being, a multi-platform pedagogical project which offers practices of collaboration, contemplation, and social-ecological analysis for visual artists.
On this week’s episode of the B&H Photography Podcast, we welcome two photographers who are part of the diverse and thriving cultural and artistic life of The Bronx. Rhynna Santos and Michael G. Young are also both members of the Bronx Documentary Center and, today, we discuss their individual bodies of work, the role the BDC plays in their lives and community, and we talk a bit about what makes The Bronx so boogie-down. Talk about committed, not only is Rhynna Santos a documentary photographer creating long-form series on subjects close to her heart, she leads workshops at the BDC, coordinates the Bronx Photo League and curates the Everyday Bronx feed on Instagram. Her current project, #papielmaestro, profiles her father, legendary musician Ray Santos. This series, which is on exhibit at the Bronx Music Heritage Center, documents her father’s musical legacy and examines her role as her aging father’s caregiver. Michael Young is primarily a street photographer, but his portrait, event, and street fashion work is so strong, he is hard to pigeon-hole. We talk about his commitment to photography, the ability to take on different styles, and his current project on the people of Claremont Village, a public housing project in The Bronx. With Santos and Young we discuss the challenges faced by artists of color and those in low-income communities, the value of embracing long-term projects, and how shooting “what you know” with the gear you have is a key to engaged photography. We also take a minute to shout-out a shared mentor, Jamel Shabazz and the role he has played in the artistic development of their photography, and we profile the Bronx Documentary Center, a non-profit gallery and community-oriented cultural center that offers workshops, lectures, exhibits, and a home base for children, adults, and seniors to get hands-on training in photojournalism, filmmaking, and documentary photography. Join us for this inspirational episode. Guests: Michael G. Young and Rhynna Santos Photograph © Michael G. Young
Duncan catches up with two of the members of BFAMFAPhD for a chat about the upcoming event series, which for those of you in NYC starts friday with MAKING & BEING. Conversations about Art & Pedagogy co-presented by BFAMFAPhD & Pioneer Works, hosted by Hauser & Wirth, with media partners Bad at Sports and Eyebeam. image credit... BFAMFAPhD, Making and Being Card Game, print version, 2016-2018, photograph by Emilio Martinez Poppe. Full details below... ____________________________ Hauser & Wirth BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. Pioneer Works is a cultural center dedicated to experimentation, education, and production across disciplines. Contemporary art talk without the ego, Bad at Sports is the Midwest's largest independent contemporary art podcast and blog. Eyebeam is a platform for artists to engage society’s relationship with technology. Access info: The event is free and open to the public. RSVP is required through www.hauserwirth.com/events. The entrance to Hauser & Wirth Publishers Bookshop is at the ground floor and accessible by wheelchair. The bathroom is all-gender. This event is low light, meaning there is ample lighting but fluorescent overhead lighting is not in use. A variety of seating options are available including: folding plastic chairs and wooden chairs, some with cushions. This event begins at 6 PM and ends at 8 PM but attendees are welcome to come late, leave early, and intermittently come and go as they please. Water, tea, coffee, beer and wine will be available for purchase. The event will be audio recorded. We ask that if you do have questions or comments after the event for the presenters that you speak into the microphone. If you are unable to attend, audio recordings of the events will be posted on Bad at Sports Podcast after the event. Parking in the vicinity is free after 6 PM. The closest MTA subway station is 23rd and 8th Ave off the C and E. This station is not wheelchair accessible. The closest wheelchair accessible stations are 1/2/3/A/C/E 34th Street-Penn Station and the 14 St A/C/E station with an elevator at northwest corner of 14th Street and Eighth Avenue. ____________________________ "While knowledge and skills are necessary, they are insufficient for skillful practice and for transformation of the self that is integral to achieving such practice.” - Gloria Dall’Alba BFAMFAPhD presents a series of conversations that ask: What ways of making and being do we want to experience in art classes? The series places artists and educators in intimate conversation about forms of critique, cooperatives, artist-run spaces, healing, and the death of projects. If art making is a lifelong practice of seeking knowledge and producing art in relationship to that knowledge, why wouldn’t students learn to identify and intervene in the systems that they see around them? Why wouldn't we teach students about the political economies of art education and art circulation? Why wouldn’t we invite students to actively fight for the (art) infrastructure they want, and to see it implemented? The series will culminate in the launch of Making and Being, a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi. ____________________________ SCHEDULE ____________________________ Modes of Critique What modes of critique might foster racial equity in studio art classes at the college level? Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence Billie Lee is an artist, educator, and writer working at the intersection of art, pedagogy, and social change. She holds a BFA from the Rhode Island School of Design, an MFA from Yale University, and is a doctoral candidate at the University of Hawai‘i at Mānoa in American Studies. She has held positions at the Queens Museum, the Yale University Art Gallery, Doris Duke Foundation for Islamic Art, University of New Haven, University of Hawai‘i at Mānoa, and is currently an Assistant Professor of Art History at Hartford Art School. Anthony Romero is an artist, writer, and organizer committed to documenting and supporting artists and communities of color. Recent projects include the book-length essay The Social Practice That Is Race, written with Dan S. Wang and published by Wooden Leg Press, Buenos Dias, Chicago!, a multi-year performance project commissioned by the Museum of Contemporary Art Chicago and produced in collaboration with Mexico City based performance collective, Teatro Linea de Sombra. He is a co-founder of the Latinx Artists Retreat and is currently a Professor of the Practice at The School of the Museum of Fine Arts at Tufts University. Judith Leemann is an artist, educator, and writer whose practice focuses on translating operations through and across distinct arenas of practice. A long-standing collaboration with the Boston-based Design Studio for Social Intervention grounds much of this thinking. Leemann is Associate Professor of Fine Arts 3D/Fibers at the Massachusetts College of Art and Design and holds an M.F.A. in Fiber and Material Studies from the School of the Art Institute of Chicago. Her writings have been included in the anthologies Beyond Critique (Bloomsbury, 2017), Collaboration Through Craft (Bloomsbury, 2013), and The Object of Labor: Art, Cloth, and Cultural Production (School of the Art Institute of Chicago and MIT Press 2007). Her current pedagogical research is anchored by the Retooling Critique working group she first convened in 2017 to take up the question of studio critique’s relation to educational equity. The Retooling Critique Working Group is organized by Judith Leemann and was initially funded by a Massachusetts College of Art and Design President's Curriculum Development Grant. Eloise Sherrid is a filmmaker and multimedia artist based in NYC. Her short viral documentary, "The Room of Silence," (2016) commissioned by Black Artists and Designers (BAAD), a student community and safe space for marginalized students and their allies at Rhode Island School of Design, exposed racial inequity in the critique practices institutions for arts education, and has screened as a discussion tool at universities around the world. __________________________ Artist-Run Spaces How do artists create contexts for encounters with their projects that are aligned with their goals? Friday 2/1 from 6-8pm Linda Goode-Bryant, Heather Dewey-Hagborg, and Salome Asega Linda Goode-Bryant is the Founder and President of Active Citizen Project and Project EATS. She developed Active Citizen Project while filming the 2004 Presidential Elections and developed Project EATS during the 2008 Global Food Crisis. She is also the Founder and Director of Just Above Midtown, Inc. (JAM), a New York City non-profit artists space. Linda believes art is as organic as food and life, that it is a conversation anyone can enter. She has a Masters of Business Administration from Columbia University and a Bachelor of Arts Degree in painting from Spelman College and is the recipient of a Guggenheim Fellowship and a Peabody Award. Heather Dewey-Hagborg is a transdisciplinary artist who is interested in art as research and critical practice. Heather has shown work internationally at events and venues including the World Economic Forum, the Shenzhen Urbanism and Architecture Biennale and PS1 MOMA. Her work is held in public collections of the Centre Pompidou, the Victoria and Albert Museum, and the New York Historical Society, and has been widely discussed in the media, from the New York Times to Art Forum. Heather is also a co-founder of REFRESH, an inclusive and politically engaged collaborative platform at the intersection of Art, Science, and Technology. Salome Asega is an artist and researcher based in New York. She is the Technology Fellow in the Ford Foundation's Creativity and Free Expression program area, and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at The New School in Design and Technology where she also teaches. ____________________________ Building Cooperatives What if the organization of labor was integral to your project? Friday 2/22 from 6-8pm Members of Meerkat Filmmakers Collective and Friends of Light Meerkat Media Collective is an artistic community that shares resources and skills to incubate individual and shared creative work. We are committed to a collaborative, consensus-based process that values diverse experience and expertise. We support the creation of thoughtful and provocative stories that reflect a complex world. Our work has been broadcast on HBO, PBS, and many other networks, and screened at festivals worldwide, including Sundance, Tribeca, Rotterdam and CPH:Dox. Founded as an informal arts collective in 2005 we have grown to include a cooperatively-owned production company and a collective of artists in residence. Friends of Light develops and produces jackets woven to form for each client. We partner with small-scale fiber producers to source our materials, and with spinners to develop our yarns. We construct our own looms to create pattern pieces that have complete woven edges (selvages) and therefore do not need to be cut. The design emerges from the materials and from methods developed to weave two dimensional cloth into three dimensional form. Each jacket is the expression of the collective knowledge of the people involved in its creation. Our business is structured as a worker cooperative and organized around cooperative principles and values. Friends of light founding members are Mae Colburn, Pascale Gatzen, Jessi Highet and Nadia Yaron. ____________________________ Healing and Care (OFFSITE EVENT) How do artists ensure that their individual and collective needs are met in order to dream, practice, work on, and return to their projects each day? Thursday 2/28 from 6-8pm Adaku Utah and Taraneh Fazeli NOTE this event will be held at 151 West 30th Street # Suite 403, New York, NY 10001 Adaku Utah was raised in Nigeria armed with the legacy of a long line of freedom fighters, farmers, and healers. Adaku harnesses her seasoned powers as a liberation educator,healer, and performance ritual artist as an act of love to her community. Alongside Harriet Tubman, she is the co-founder and co-director of Harriet's Apothecary, an intergenerational healing collective led by Black Cis Women, Queer and Trans healers, artists, health professionals, activists and ancestors. For over 12 years, her work has centered in movements for radical social change, with a focus on gender, reproductive, race, and healing justice. Currently she is the Movement Building Leadership Manager with the National Network for Abortion Funds. She is also a teaching fellow with BOLD (Black Organizing for Leadership and Dignity) and Generative Somatics. Taraneh Fazeli is a curator from New York. Her multi-phased traveling exhibition “Sick Time, Sleepy Time, Crip Time: Against Capitalism’s Temporal Bullying” deals with the politics of health. It showcases the work of artists and groups who examine the temporalities of illness and disability, the effect of life/work balances on wellbeing, and alternative structures of support via radical kinship and forms of care. The impetus to explore illness as a by-product of societal structures while also using cultural production as a potential place to re-imagine care was her own chronic illnesses. She is a member of Canaries, a support group for people with autoimmune diseases and other chronic conditions. ____________________________ When Projects Depart What practices might we develop to honor the departure of a project? For example, where do materials go when they are no longer of use, value, or interest? Thursday 3/14 from 6-8pm Millet Israeli and Lindsay Tunkl Millet Israeli is a psychotherapist who focuses on the varied human experience of loss. She works with individuals and families struggling with grief, illness, end of life issues, anticipatory loss, and ambiguous loss. Her approach integrates family systems theory, cognitive restructuring, mindfulness, and trauma informed care. Millet enjoys creating and exploring photography and poetry, and both inform her work with her clients. Millet holds a BA in psychology from Princeton, a JD from Harvard Law School, an MSW from NYU and is certified in bioethics through Montefiore. She sits on an Institutional Review Board for Human Subjects Research at Weill Cornell. Lindsay Tunkl is a conceptual artist and writer using performance, sculpture, language, and one-on-one encounters to explore subjects such as the apocalypse, heartbreak, space travel, and death. Tunkl received an MFA in Fine art and an MA in Visual + Critical Studies from CCA in San Francisco (2017) and a BFA from CalArts In Los Angeles (2010). Her work has been shown at the Hammer Museum, LA, Southern Exposure, SF, and The Center For Contemporary Art, Santa Fe. She is the creator of Pre Apocalypse Counseling and the author of the book When You Die You Will Not Be Scared To Die. ____________________________ Group Agreements What group agreements are necessary in gatherings that occur at residencies, galleries, and cultural institutions today? Friday 4/19 from 6-8pm Sarah Workneh, Laurel Ptak, and Danielle Jackson Sarah Workneh has been Co-Director at Skowhegan for nine years leading the educational program and related programs in NY throughout the year, and oversees facilities on campus. Previously, Sarah worked at Ox-Bow School of Art as Associate Director. She has served as a speaker in a wide variety of conferences and schools. She has played an active role in the programmatic planning and vision of peer organizations, most recently with the African American Museum of Philadelphia. She is a member of the Somerset Cultural Planning Commission's Advisory Council (ME); serves on the board of the Colby College Museum of Art. Laurel Ptak is a curator of contemporary art based in New York City. She is currently Executive Director & Curator of Art in General. She has previously held diverse roles at non-profit art institutions in the US and internationally, including the Guggenheim Museum (New York), MoMA PS. 1 Contemporary Art Center (New York), Museo Tamayo (Mexico City), Tensta Konsthall (Stockholm) and Triangle (New York). Ptak has organized countless exhibitions, public programs, residencies and publications together with artists, collectives, thinkers and curators. Her projects have garnered numerous awards, fellowships, and press for their engagement with timely issues, tireless originality, and commitment to rigorous artistic dialogue. Danielle Jackson is a critic, researcher, and arts administrator. She is currently a visiting scholar at NYU’s Center for Experimental Humanities. As the co-founder and former co-director of the Bronx Documentary Center, a photography gallery and educational space, she helped conceive, develop and implement the organization’s mission and programs. Her writing and reporting has appeared in artnet and Artsy. She has taught at the Museum of Modern Art, International Center of Photography, Parsons, and Stanford in New York, where she currently leads classes on photography and urban studies. ____________________________ Open Meeting for Arts Educators and Teaching Artists How might arts educators gather together to develop, share, and practice pedagogies that foster collective skills and values? Friday 5/17 from 6-8pm Facilitators: Members of the Pedagogy Group The Pedagogy Group is a group of educators, cultural workers, and political organizers who resist the individualist, market-driven subjectivities produced by mainstream art education. Together, they develop and practice pedagogies that foster collective skills and values. Activities include sharing syllabi, investigating political economies of education, and connecting classrooms to social movements.Their efforts are guided by accountability to specific struggles and by critical reflection on our social subjectivities and political commitments. ____________________________ Book Launch: Making and Being: A Guide to Embodiment, Collaboration and Circulation in the Visual Arts What ways of making and being do we want to experience in art classes? Friday 10/25 from 6-8pm Stacey Salazar in dialog with Caroline Woolard, Susan Jahoda, and Emilio Martinez Poppe of BFAMFAPhD Stacey Salazar is an art education scholar whose research on teaching and learning in studio art and design in secondary and postsecondary settings has appeared in Studies in Art Education, Visual Arts Research, and Art Education Journal. In 2015 her research was honored with the National Art Education Association Manuel Barkan Award. She holds a Doctorate of Education in Art and Art Education from Columbia University Teachers College and currently serves as Associate Dean of Graduate Studies at the Maryland Institute College of Art, where she was a 2013 recipient of the Trustee Fellowship for Excellence in Teaching. BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. Susan Jahoda is a Professor in Studio Arts at the University of Amherst, MA; Emilio Martinez Poppe is the Program Manager at Fourth Arts Block (FABnyc) in New York, NY; Caroline Woolard is an Assistant Professor of Sculpture at The University of Hartford, CT. Supporting this series at Hauser and Wirth for Making and Being are BFAMFAPhD collective members Agnes Szanyi, a Doctoral Student at The New School for Social Research in New York, NY and Vicky Virgin, a Research Associate at The Center for Economic Opportunity in New York, NY. Making and Being is a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi.
"The analogy I always use is that we are on this table as a society, but we don't see that we are getting pushed closer and closer to the edge and we're comfortable because we are still on the table, but now we are looking at the edge and we are freaking out." Bunni Elian is an alum of the Bronx Documentary Center and one of the original members of the Bronx Photo League. Her work on the Afropunk music festival earned her a Pulitzer Center grant and was just featured on the Picture Show, NPR's photo story site. Bunni is a multimedia journalist and her work explores the cultural implications of the African Diaspora which is directly tied to Bunni's own journey of finding herself. We talk about politics, race, and how her pre-med education informs her work. This episode sponsored by the School of Visual Arts MFA Photography, Video, & Related Media - Charles Traub, Chair. http://www.mfaphoto.sva.edu/ Links: https://www.hellobunni.com/ https://www.instagram.com/hellobunni/ https://www.facebook.com/MelissaBunniElian/ https://twitter.com/bunnisays https://www.npr.org/sections/pictureshow/2018/09/02/643074020/afropunk-brings-the-black-lives-matter-ethos-abroad Visit realphotoshow.com @realphotoshow on Twitter/IG/FB
Michael Kamber has worked as a journalist for more than 25 years. Between 2002 and 2012 he worked for The New York Times covering conflicts in Iraq, Afghanistan, Liberia, the Sudan, Somalia, the Congo and other countries. He has also worked as a writer and videographer for the Times. His photos have been published in nearly every major news magazine in the United States and Europe, as well as in many newspapers. In 2011, Kamber founded the Bronx Documentary Center, an educational space dedicated to positive social change through photography and film. Kamber is an adjunct professor at Columbia University. He is the winner of a World Press Photo award, the Mike Berger Award, the Society of Professional Journalists Deadline Club Award, American Photo Images of the Year and is a member of The New York Times team that won the 2003 Overseas Press Club award. The New York Times has twice nominated Kamber’s work for the Pulitzer Prize. Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .
The photographic Everyday Africa project has inspired photojournalists all over the world to follow the Everyday model to fuel conversation and connections between seemingly disparate groups of people. Now Peter DiCampo—co-founder of Everyday Africa and Town Hall’s Inside/Out Resident representing the University District and Ravenna neighborhoods—convened a panel of Everyday project founders to discuss the changing world of journalism and the power of photography to reframe narratives about communities. These photographers presented images from their Everyday projects and shared their inspiration for telling the stories of their community. They took us on a visual journey through the lives and realities in their Everyday, and then came together to examine what it means to create art that is truly collaborative. Join these diverse artists and activists united in the goal of creating social change through a showcase of the Everyday, and explore the power of photography to overcome media stereotypes and bridge social divides. Moderator Zaki Barak Hamid is KUOW Public Radio’s new Director of Community Engagement. He was previously the Program Director for Humanities Washington. He teaches mass media and film courses at Everett Community College where he specializes in multi-ethnic films. Rhynna M. Santos is a Bronx-based freelance photographer, 2018 En Foco Fellow, and an educator at the Bronx Documentary Center. She is the founder of Everyday Bronx, an Instagram-based project which depicts the everyday life, geographies, emotions and realities of people of color in Bronx, New York. Zara Katz is a Brooklyn-based independent photo editor and video producer who has worked for The New York Times, TIME, Newsweek, and Narratively, among many others. She is the co-founder of Everyday Incarceration, a collaborative project looking at 40 years of mass incarceration in the United States. Nicole Craine is a documentary photographer with a body of work ranging from social issues in the American South to international stories in Nepal, Jamaica, and the Middle East. She is the founder of Everyday Rural America. She is based between Brooklyn and Atlanta. Zoshia Minto is an independent photographer based near Baltimore. She is the founder of Everyday American Muslim, a project that aims to show the reality of the American Muslim community and contribute to a more positive understanding of American Muslims through daily-life images. Peter DiCampo is Town Hall Seattle’s 2018 Inside/Out Resident representing the University District and Ravenna. He is an award-winning photojournalist whose goal is to contribute his work to a dialogue on international development and perceptions of Africa. He began his career as a Peace Corps Volunteer and a traditional photojournalist—now, his work seeks to deconstruct that experience. He is a co-founder of Everyday Africa, and he is a regular speaker in classrooms and workshops on media stereotypes. Recorded live at University Prep by Town Hall Seattle on Saturday, May 19, 2018.
"Photography is magic…it has incredible and really unparalleled power to represent and define people, communities, and individuals...kids see that and they want to do that and they want to be part of that." Former conflict photographer Michael Kamber founded the Bronx Documentary Center. The BDC is dedicated to providing free photographic education to Bronx middle and high schoolers, as well as education for adult Bronx photographers. Michael believes in the value of photography to educate and inform and he also believes that anyone willing to put in the work should have a place to learn the craft and share their work with their peers and that money should not be a barrier to learning. Opening the BDC was the fulfillment of an idea that he and his fellow photojournalist and friend, Tim Hetherington, had talked about and they had even picked the site before Hetherington was killed by artillery fire in Libya in 2011. The first show honored Hetherington's work. LINKS https://www.bronxdoc.org/ https://www.facebook.com/bronxdocumentary/ https://twitter.com/followbdc/ https://www.instagram.com/bronxdocumentarycenter/ https://www.facebook.com/mike.kamber Visit www.thephotoshow.org We are realphotoshow on Twitter/IG/FB Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by Giancarlo T. Roma and Kai McBride
Notes on Doing's NODcast Episode 061 where Jenna interviews Danielle Jackson. Danielle is a writer, focusing on culture and social dynamics. She founded the consultancy Culture Culture, and has a background across arts administration, community development, media, social justice, photography, and more, including co-founding the Bronx Documentary Center. Listen to what Danielle had to say about making, thinking, creating, and leading. Notes on Doing is a series of conversations with people who love what they do. notesondoing.com
Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women's anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women's health activism in the 1980s and 1990s. By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women's Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women's anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women's health activism in the 1980s and 1990s. By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women's Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.
Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women’s anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women’s health activism in the 1980s and 1990s. By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women’s Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women’s anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women’s health activism in the 1980s and 1990s. By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women’s Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women’s anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women’s health activism in the 1980s and 1990s. By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women’s Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women’s anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women’s health activism in the 1980s and 1990s. By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women’s Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tamar Carroll is an Assistant Professor of History at Rochester Institute of Technology and the Program Director for Digital Humanities and Social Sciences. Her book, Mobilizing New York: AIDS, Antipoverty and Feminist Activism (University of North Carolina Press, 2015), focuses on three intertwined case studies of grassroots activism in New York from the 1950s through 1990s. She begins by examining low-income women’s anti-poverty activism in the 1950s and 1960s, then turns to neighborhood-based working-class feminist organizing in the 1970s, and concludes by exploring AIDS and women’s health activism in the 1980s and 1990s. By examining organizational records, newspaper articles, oral histories, films and photos, Carroll reconstructs how ordinary people created change through coalitions that crossed lines of gender, race and class. Her work profiles previously understudied organizations including Mobilization for Youth, the National Congress of Neighborhood Women, the AIDS Coalition to Unleash Power (ACT UP) and the Women’s Health Action and Mobilization (WHAM!). Carroll challenges previous historians who “view political movements based on difference–a core value of identity politics — as a hindrance to social movements seeking to expand social justice,” by showing the methods groups used to build coalitions that could address differences of experience and ultimately had more of an impact as a result (x). Carroll recently curated a complimentary exhibit called “Whose Streets? Our Streets!: New York City, 1980-2000” about activism in New York from 1980-2000, currently on display at the Bronx Documentary Center and digitally. Listeners will find her examination of activism during decades of conservative political power particularly relevant to current events. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
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