Podcast appearances and mentions of anais mitchell

What does it take to write a Tony-winning musical? Lynn Ahrens and Stephen Flaherty are the friends and songwriting team behind big Broadway musicals like Ragtime and Anastasia. They're also voting members for New York City's famous theatre industry prize, the Tony Awards. They join us as Tony Awards season takes off.Back stage... The make up artist. Meet the veteran head of WHAM (that's wardrobe, hair and make-up) Fiona Cooper-Sutherland as she transforms Christine Anu into Hermes, the silver god for the musical Hadestown. Hear Michael's interview with Anais Mitchell the creator of Hadestown.In the classic play The Maids by Jean Genet, two servant sisters act out a sinister game -- playing at murdering their mistress. Then the mistress herself enters the plot. Canberra theatre company The Street is staging this absurdist and chilling drama. We hear from actors Christina Falsone, Sophia Marzano, Natasha Vickery and director Caroline Stacey. The original sound design is by Kimmo Vennonen. 

In this episode, we talk about Learn Local, a new program offered by the Chamber which teaches people about all the things that build and contribute to our community. If your business depends on being a resource for others, consider applying to Learn Local. Also, shoutout to the O'Fallon Woman's Club who raised $15,000 during their recent Empty Bowl Lunch! We also celebrated Thrivent Financial who donated $4,000 to the OFallon Food Pantry right after the 3/14 storm to help neighbors who lost their refrigerated food due to power outages during the tornado event. On the calendar: Friday, Saturday, Sunday: April 4-6 HADESTOWN: TEEN EDITION by Anais Mitchell is being performed at OTHS. Break a leg! Thurs, April 10 @ 6pm Pub Table Historian @ Gears inside The Bike Surgeon Sat April 12: 9am-noon Vine Street Market Sat April 12: 9am-noon Electronics and Recycling Drive. Sat April 12: 10am-2pm Spring Artisan Festival at Restoration Ranch Wed, April 16 @ noon: deadline to order catered Easter meals from The Regency Head's up: May 8th 7-10pm Hotrods for Hope sponsored by Newbold Toyota in the Downtown District - register your car! 

Courtney Hartman is a singer-songwriter and guitarist, formerly of the Grammy nominated bluegrass band Della Mae who now performs and releases solo records featuring collaborations with Bill Frisell, Anais Mitchell, Sam Amidon and an entire record of duets with a past guest of ours, Robert Ellis. We talk with Courtney about her very intentional regrounding and reaffirmation of her commitment to make music her career, learning to love the little things in life and creativity, showing up in love no matter the season, inspiration in routine, releasing the ego from craving overly-complex music, constantly changing perspectives, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Courtney HartmanDella MaeEp 42 - Robert EllisBryan Sutton's guitar campEp 6 - Andrew CombsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

In today's episode, Jonathan joins Jessica to talk about how the enhancements to the community park are wrapping up and should be available for public use this summer! That also lead us to interviewing E'Miyah and Jalan, two incredibly talented student musicians who are performing in the upcoming production of HADESTOWN: TEEN EDITION (by Anais Mitchell). Performances are April 4-6; tickets can be purchased here.

This episode of The Stage Show is about love that doesn't end well!The myth of Orpheus and Eurydice is retold in a hit folk musical called Hadestown. It's won Tonys, Grammys and is now in Australia. We speak to the singer-songwriter Anais Mitchell, who wrote Hadestown as a concept album, before touring it around in an old bus and then turning it into a remarkable stage show with the Broadway director Rachael Chavkin.Soprano Anna Dowsley sings the gorgeous aria Ah Belinda! In  Dido and Aeneas,  the opera by Henry Purcell about another ill-fated couple from classical times. Anna reflects on her character's fate and on working with acrobats in this production between Opera Australia and Circa, the Queensland based circus company.Anton Chekhov's play Three Sisters  follows the lives of  a 19th C. family who feel trapped and are hankering for something more. It continues our theme for the day of tragic love-stories. We hear from Theatre Works' new production with director Greg Carroll,  and actors Stella Carroll and Chris Connely. And globe trotting theatre critic from UK's The Stage newspaper, Richard Jordan, joins us for his highlights of the Adelaide Fringe .

JB spins some Anais Mitchell, Ukrainian folk, Chris Drever and Chris Stout and remembers flautist Pat Knight . . .

Adam Levy is a featured guitarist and songwriter. He played on Norah Jones' big hit “Come Away With Me” and on Tracy Chapman's big hit “Give Me One Reason.” He's done recordings with Allen Toussaint, Lizz Wright, Vulfpeck, Amos Lee and Anais Mitchell.My featured song is “Sostice”, my recent single, by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Adam at:www.adamlevy.com—---------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

HADESTOWN Book, Music, & Lyrics by Anaïs Mitchell | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :Hadestown (Original Libretto) by Anaïs MitchellWorking on A Song: The Lyrics of Hadestown by Anaïs MitchellMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"All I've Ever Known" from  Hadestown (Original Broadway Cast Recording)  | Music & Lyrics by Anaïs Mitchell | Performed by Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Dans cet épisode du bilan critique, il sera question de :« Notre Comédie Humaine » du Nouveau Théâtre Populaire« Pessoa. Since I've been me » de Robert Wilson« Rituel 5 : la mort » d'Emilie Rousset« The Love behind my eyes » d'Ali Charhour« THISISPAIN » de Hilel Kogan« Dynasties » de Sara Forever« Tchoko » d'Olivia Mabounga et Ludmilla Dabo« Chaos Ballad » de Samir Kennedy« Diaspora » de Soa de Muse et Bia Kaysel« La Vegetariana » de Daria Defloran«Ouvrir les cahiers de doléances » avec Penda Diouf, Christophe Pellet, Claudine Galéa, Constance de Saint-Rémy et Noham Selcer« Cabaret » de Rebecca« Hadestown » d'Anais Mitchell« 33 tours et quelques secondes » de Lina Madjalanie et Rabih Mroué« Inconditionnelles » de Dorothée Munyaneza« Les Misérables » de Ladislas Chollat« Les Forces Vives » d'Animal CollectiveCliquez ici pour les critiques complètes de Rituel 5 : La mort et de Chaos Ballad sur l'Œil d'Olivier. Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us a Text Message.6:18 - Camp One Clap 2024: Day 18For notes and details about the episode, check out the website here:https://www.oneclapspeechanddebate.com/post/camp-one-clap-2-episode-18-jay-m-roccaforte-on-embracing-gratitude-and-hope-through-hadestownJay Roccaforte is back to share his transformative experiences as he dives into the parallels between the struggles faced by characters in Anais Mitchell's musical "Hadestown" and the real-life challenges encountered in the world of speech and debate. Through Jay's personal anecdotes and the powerful themes of "Hadestown," we explore how Greek mythology and modern storytelling can illuminate our own fears and aspirations. Expressing love through art, even in the face of adversity, is a central theme Jay passionately discusses. He reflects on the importance of gratitude and hope, drawing valuable lessons from historical tragedies.  Don't miss it!If you'd like to join the discussion here at One Clap Speech and Debate, shoot me an email at lylewiley@gmail.com or reach out here on the website.You could also contact me on social media:Facebook: @oneclappodcastInstagram: @one_clap_podcastTikTok: @oneclapspeechanddebateYouTube: www.youtube.com/channel/UCyvpV56859lLA-X-EvHVYUgYour voice matters!Get your cool One Clap Speech and Debate merchandise here (now featuring hats!): https://www.bonfire.com/store/one-clap-speech-and-debate/

In Canada and many other parts of the world, we've relied on policymakers and scientists to be the ones communicating around climate, and they failed because they've only appealed to people's heads and haven't appealed to their hearts and souls. I think the big conversation coming out of COP 28 - and that you but I'm sure people at SCALE and others, we've known this for a long time, but it's kind of being recognized now - is that we need culture at the table. We need art and artists. We need to be connecting to all parts of people and not just showing numbers because that hasn't worked, and it's not working. And so I actually feel hopeful that art and culture being at the table will help with that whole overhaul and systems level transformation.Note: I'm using Whisper Transcribe, an artificial intelligence podcasting tool, for the first time with this episode. It helped me generate quotes, create chapters (see below), generate transcriptions (see Transcripts section), produce social media postings (notice the new tone and hashtags) and write up the episode notes (notice more fluid language), however I'm a little skeptical about AI's ability to get it all right (verification required) but it's pretty good and saves me time and delivers a better product. However I will continue to write and record my very human introduction at the top of each episode like this… Sometimes you just have to be in the right place at the right time. I had just completed my conversation with Tanya Kalmanovitch (see e189 tanya kalmanovitch - mobilizing the power of the arts) at No. 9 gardens near Kingston, Ontario (see e68  for more on no. 9 gardens) when I sat down at a picnic table with a group of arts and climate activists at a meeting of the Centre for Sustainable Practices the Art (CSPA) and right in front of me was Kim Fry. The same Kim Fry who co-founded and runs Music Declares Emergency Canada and is a hero of mine. I know Kim by reputation, but we had not yet met in person, so, on the spot, I asked Kim to record a conscient conversation with me about her life's work in music and environmental awareness. Kim now lives by the Atlantic ocean which is in Kjipuktuk, Mi'kma'ki territory, also known as Halifax, Nova Scotia. Before her recent move Eastward, she lived in Tkaronto for 27 years where she was an elementary school teacher, union activist, climate justice activist, environmental campaigner, storyteller and music manager. With the family move to K'jipuktuk, Kim decided to return to the world of environmental activism and music where she organized, among other things, the first ever Canadian Music Climate Summit. You'll hear that Kim talk about the power of music in the climate emergency :We need systems change, and so we need the whole way that the music industry operates to really rethink itself and sometimes some people might say that's greenwashing, because we're still talking about these big, huge multinational corporations when it comes to the music industry but I think there are folks who navigate that space and do it incredibly well. You'll also hear about Kim's efforts to highlight the importance of creating safe spaces for emotional engagement through music and community such as the sustainability committee at the Juno Awards, which is dedicated to reducing the industry's environmental footprint by promoting eco-friendly practices like public transit and plant-based catering.A particularly inspiring anecdote for me was about Kim's daughter Brighid Fry known under her artist name Housewife former Moscow Apartment) Bridghid ensured that a climate clause was included in her record deal. This type of action exemplifies the shift from incremental changes to systemic reform, advocating for the integration of culture and art into climate conversations and the shift from appealing from one's heads to one's hearts and souls.Oh, and when she has free time, Kim is working on a novel about the climate emergency. I look forward to that and I think you'll enjoy our unscheduled but long overdue conversation. Kim recommended the following publications and events:Birchbark House series by Louise ErdrichHadestown by Anais Mitchell : a musical about climate changeNeil Young's Love Earth tourNote: I have inserted 5 seconds of silence here and there during our conversation as interludes.*Episode Chapters (AI generated)IntroductionIn this section, Kim Fry introduces herself and shares her background as a climate activist, highlighting her journey from organizing student walkouts in the early '90s to her current work in music and climate activism.The Role of Music in Climate ActivismKim discusses the significant role that music and the arts play in climate activism, emphasizing how they can unite people and inspire political change through emotional connection.Launching Music Declares EmergencyThe conversation shifts to the founding of the Canadian chapter of Music Declares Emergency, detailing the collaborative efforts that led to its creation and the impact of the climate strikes in 2019.Challenges for Musicians in the Climate CrisisKim addresses the reluctance of musicians to engage in climate discussions due to the carbon-intensive nature of touring, and the need for systemic change within the music industry.Navigating Grief and Hope Through MusicThis chapter explores how music can help individuals process grief and despair related to the climate crisis, while also fostering a sense of hope and community.The Power of Collective SingingKim shares her personal experiences with singing and its transformative power, highlighting how collective music-making can ground individuals and strengthen community bonds.Engaging the Next GenerationThe discussion turns to the political engagement of Gen Z and the need for hopeful narratives that inspire action rather than despair, emphasizing the importance of storytelling in climate discourse.Creating Space for Connection and GratitudeKim emphasizes the importance of cultivating gratitude and deep connections to nature as foundational elements for addressing climate challenges and fostering resilience.Innovative Initiatives at the JunosThe conversation highlights the successful sustainability initiatives implemented at the Junos, showcasing how the music industry can take concrete steps towards climate action.The Need for Systemic ChangeKim discusses the necessity of systemic change in addressing the climate crisis, advocating for a collaborative approach that integrates art and culture into climate solutions.Youth Empowerment and Climate ActionThe chapter concludes with a reflection on the empowerment of youth in climate activism, showcasing how the next generation is driving important conversations around sustainability and systemic change. *END NOTES FOR ALL EPISODESI've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back and be present.In parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays about collapse acceptance, adaptation, response and art'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also, please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 20, 2024

Josh Kaufman is my guest on this episode That's How I Remember It. Josh is a massively talented musician and producer. He plays in the band Bonny Light Horseman and also has produced records for Bob Weir, Cassandra Jenkins, Anais Mitchell, The Hold Steady, and myself. Outside of my bandmates, no other person has made such an impact on my musical life. I'm honored to have Josh here to have this conversation, which was really great. Listen and subscribe!

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. The conclusion to the story, for now. Big Red Machine has been a rejection of the music industry's expectations weighing upon Dessner and Vernon, but also a place of solace for the pair amongst their sometimes painful struggles with mental health. The pair take turns grounding each other through their successes and supporting during their lows, while writing songs like “Brycie” and “Hutch” that pay tribute to close-knit family and friends. The pool of collaborators ripples out ever-further, and new methods of working to complement each others' contributions carry on the experimental spirit of Big Red Machine.   Links:  Secretly Society Podcast Link Secretly Society Podcast Store Link Secretly Society General Information Link   Big Red Machine:  Big Red Machine on Instagram Big Red Machine on Facebook

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. Part Two finds Vernon and Dessner working out just what Big Red Machine was, and should be; exactly what role it should play in their respective musical lives was proving hard to pin down. Making their second record, more voices were added to bring Dessner and Vernon's songs to life, expanding the Big Red Machine identity and sound, and discovering that the defining quality of the group was something intentionally experimental.

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. Part One starts with a pivotal Myspace exchange and a shared raw piano track between Aaron Dessner and Justin Vernon, that would shape the trajectory of their relationship and careers over the upcoming years. Engage with stories about the beginning of the PEOPLE label (37do3d) in a Berlin residency as well as the ultimate cementing of their self-titled album. From long-distance partnerships, onstage improvisations, and the gathering of talented musicians, the story of Big Red Machine is an inspiring account that unveils a new energy and way of working for creatives alike.

Episode 96 - Megan HenwoodThe Swan Song Project Podcast features a range of Songwriters to talk about songwriting and bereavement.Swan Song founder Ben Buddy Slack asks each guest to:A) Share one of their songs and talk a bit about how they wrote itB) Share a songwriting tip that could be useful to new and aspiring songwriters.C) Share a song that is meaningful to them in some way relating to bereavement.Megan's song choice is "Out of Pawn" by Anais Mitchell. Hear it here: https://www.youtube.com/watch?v=ep3mVVTVn1whttps://www.meganhenwood.com/https://www.facebook.com/meganhenwoodmusichttps://www.instagram.com/meganhenwood/https://www.sylvasongs.co.uk/Facebook: TheSwanSongProject | Instagram: @SwansongprojectTwitter: @swansongprouk | LinkedIn: The Swan Song ProjectHope you enjoy it.www.swansongproject.co.uk Hosted on Acast. See acast.com/privacy for more information.

Today we're going to be chatting with the band Bonny Light Horseman. That's right, all three of them! Over two and a soon-to-be-released third record, Bonny Light Horseman have crafted and created an immediately recognizable folk sound all of their own and picked up a Grammy nomination along the way. A bit of a supergroup comprising Eric D. Johnson, who you may know from Fruit Bats; Anais Mitchell, highly-acclaimed musician and writer of the wildly popular musical, Hadestown; and Josh Kaufman, a musician and producer you'll have heard on countless records, including ones by The War on Drugs, The National, His Golden Messenger, and a new artist who's starting to make a bit of a name for herself, Taylor Swift. Join us for the first Secretly Frequencies episode of Season 3, where we test artists and labels on their own catalogs and hear a few stories about the songs and history along the way.

The circle is complete. I've had recent interviews with Anais Mitchell (together with Charlotte Cornfield) and with Eric D. Johnson, but now that we've added Josh Kaufman, this is a full-on Bonny Light Horseman episode. I enjoyed this conversation immensely because we dove into their collective process, not just their individual processes. And listening to them talk for even a few seconds makes one thing immediately clear: the songwriting is great because the chemistry among them is so powerful. Bonny Light Horseman's new double album Keep Me on Your Mind/See You Free is out now on Jagjaguwar Records. 

Season 3 finale!!! We're taking all of your questions about all things Emma, Jane Austen, and ourselves as we gear up to start Persuasion!Glossary of People, Places, and Things: Gilmore Girls, Euphoria, Bottoms, Heartstopper, RWRB, The White Lotus, Percy Jackson (The Lightning Thief), How to Get Away With Murder, Bridgerton, The Cruel Prince, Buffy, Percy Jackson (series), Maisie Peters, Renee Rapp, Caroline Polachek, The Seven Husbands of Evelyn Hugo, Girls5eva, Sara Bareilles, Anais Mitchell, How to Say Babylon, Brit Bennett, Amor Towles, The Broken Earth Series, One of Us is Lying, TJ KluneOur show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216

Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.comI will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Wooly Bully by Sam the Sham & the Pharaohs (1965)Song 1: Give Up the Funk (Tear the Roof Off the Sucker) by Parliament (1975)Song 2: Medley: Aquarius/Let the Sunshine In by The 5th Dimension (1969)Song 3: Snap Out Of It by Arctic Monkeys (2013)Song 4: Sugar, We're Goin Down by Fall Out Boy (2005)Song 5: Underground Sound by Joey Valence & Brae (2021)Song 6: You Make Me Wanna... by Usher (1997)Song 7: Maybe I'm Amazed by Paul McCartney (1970)Song 8: I'm Movin' On by Rascal Flats (2001)Song 9: Willie of Winsbury (Child 100) by Anais Mitchell & Jefferson Hamer (2013)Song 10: Possum Kingdom by Toadies (1994)

We are back with a bang for 2024! I am so honoured to welcome Andrea von Kampen to the podcast this week. Andrea is an American musician who has been likened to Nick Drake by The New York Times. She has worked with some of the finest folk musicians working today, including The Tallest Man on Earth, Punch Brothers, Anais Mitchell's band Bonny Light Horsemen, Lief Vollebekk and many others. After releasing a handful of EP's she released her debut 'Old Country' in 2019, following it up in 2021 with the album 'That Spell'. Her new album 'Sister Moon' will be released in March 2024. She also starred in and scored the film 'A Chance Encounter', available now on Amazon Prime. It was such a pleasure to talk with Andrea and you can find links to her social media and website below: andreavonkampen.com Instagram: @andreavonkampen Twitter/X: @avonkampen Spotify: https://open.spotify.com/artist/6ps9u0MZquDDBReh8XuBeY?si=DIpmTF48TNO7XYeX03QnzA If you enjoy this podcast, please consider supporting us on Patreon. For your membership you will get early access, bonus episodes, ad-free listening and much much more. patreon.com/user?u=30855788 You can also support us with a one time contribution at Buy Me a Coffee https://www.buymeacoffee.com/starvingart For video episodes, follow our shenanigans on YouTube https://www.youtube.com/@StarvingArtistsPodcast

Ani DiFranco began recording and self-releasing her music as a 20 year old in Buffalo, New York in 1990. 34 years later she is widely considered to be a feminist icon. But in many ways she emerged iconic, fully formed and fearless.  A facile lyricist with a biting honesty, she played guitar with a virtuosic, rhythmic style. And she was ahead of her time as an independent artist who owned all her own masters and controlled most of the major aspects of her career. She's sometimes called the mother of the DIY movement. DiFranco has released all of her albums (over twenty) on her Righteous Babe record label.  The label has also put out projects for other distinguished singer songwriters including Andrew Bird, Utah Phillips, Arto Lindsay, and Anaïs Mitchell whose own Hadestown project was first released as an album on Righteous Babe before being transformed into the Broadway hit that it is today. Ani Difranco's most recent studio album Revolutionary Love came out in 2021. In 2022 she published a picture book for children called The Knowing which she described as “an Ani DiFranco-style lullaby, inviting young readers to ponder the distinction between outer forms of identity and the inner light of consciousness.” And she will join the cast of Hadestown on Broadway in February, playing the role of Persephone, a part she sang on Anais Mitchell's original Righteous Babe recording in 2010. So it's both her broadway debut and a fill circle moment.  In recent years Righteous Babe has released anniversary editions of Ani's early recordings. In 2022 she revisited the 1998 album Little Plastic Castle, sharing anecdotes and memories of the making of it on social media, and playing some of the songs live. Her memoir, No Walls and the Recurring Dream, was published in 2019. Here she talks about how she sees her work today (“my job is connecting with people”), her early career (“it was relentless”), avoiding being labeled or boxed in (“I feel like a survivor of labels”), her idea of success (“successful artists are not necessarily the best selling”), raising children in an era of performative identity, practicing revolutionary love and why it's easier to tell the truth than to hide yourself. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios 0:00 Intro 12:00 Interview 

Bassist and composer Todd Sickafoose shows up in a lot of places: on stage with singer-songwriter Ani DiFranco or drummer Allison Miller, behind the scenes as a record producer for artists like Noe Venable and Anais Mitchell, orchestrating the music for the Broadway musical Hadestown (which earned him both a Grammy for record production and a Tony for orchestration), and as a bandleader.  His new record Bear Proof is his first album of original music in nearly 15 years. He describes it as “62 minutes of music for eight musicians.” The sound is evocative, melodically rich, rhythmically intense, and features a unique instrumentation of violin, accordion, electric guitar, acoustic piano, clarinet, cornet, bass and drums.  Here he talks about his multifaceted career, Hadestown and the process of putting together a Broadway show, working with Ani DiFranco, Bear Proof, releasing music in today's world, why bass players make good producers, and how a skin cancer diagnosis influenced his life personally and professionally. www.third-story.com www.wbgo.org/podcast/the-third-story www.patreon.com/thirdstorypodcast

On the railroad line on the road to Hell there was a radio-station, And there were two young women chattering away And everybody heard and everybody saw BYWAP! podcastin' again. It's an old song, it's an old tale. But we sing it anyway. Today Stephanie is joined by BYWAP's very own Lindsey as we take on Broadway and indulgently bring you the BYWAP take on Hadestown: The Musical by Anais Mitchell. Join us as Lindsey and Stephanie bring a new level of unhinged to the podcast, contemplate how Greek myths are retold for modern audiences, lament over how good Broadway shows are, and come together over accepting that "His Kiss, the Riot" is the best villain song in the breadth of this lyrical masterpiece. Things have changed, but we're changing with it. Donate. Sign petitions. Support Black-owned businesses. Challenge racism. Educate yourselves. Listen. Speak. Repatriate. Stay Safe. Don't Touch Your Face. Wash Your Hands. If you like what we do, you can support BYWAP over on our Patreon! Find us online! NEW: We're on Youtube! Go check us out! You can follow BYWAP on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠. You can also find us over on our ⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠! We want to hear from you, to share this time with you. We're in this together, and we're better together. Please leave us a review wherever you listen to podcasts. Every little bit helps as we grow, and we cannot wait to talk to you all again. This is global. Your voice matters. Systemic change is possible. It will not happen overnight—so keep fighting! We stand with you. Our music was written and recorded by Elene Kadagidze. Our cover art was designed by Lindsey Anton-Wood.

Welcome to the award-winning The Hill Country Podcast. The Texas Hill Country is one of the most beautiful places on earth. In this podcast, Hill Country resident Tom Fox visits with the people and organizations that make this the most unique area of Texas. Join Tom as he explores the people, places, and activities of the Texas Hill Country. In this episode, I am joined by Deb Rouse, Executive Director of the Kerrville Folk Festival, on the October 12-15 Welcome Home Festival and Annular Eclipse at the Quiet Valley Ranch. Deb Rouse, the executive director of the Kerrville Folk Festival, has a rich history with the festival, having attended from a young age and later becoming a dedicated volunteer. Her perspective on the festival emphasizes the diversity and inclusivity of its music events, shaped by her experiences traveling to various folk festivals and organizing vibrant events like October's Welcome Home Fest. She highlights the festival's commitment to providing opportunities for aspiring songwriters and musicians of all levels, offering a variety of workshops and classes, and showcasing traditional folk programming. Rouse also underscores the festival's dedication to supporting and promoting artists at various stages of their careers, citing the success of former volunteers like Anais Mitchell. Join Tom Fox and Deb Rouse on this episode of the Hill Country Podcast to delve deeper into the diverse music events and challenges of the Kerrville Folk Festival.  Key Highlights: Kerrville Folk Festival: Connecting Earth and Universe Anais Mitchell's Magical Performances at Kerrville Booking Artists and Securing Bigger Names Discover the Kerrville Folk Festival Experience  Resources: Kerrville Folk Festival Tom Fox Threads Instagram Facebook YouTube Twitter LinkedIn

We've made you wait for us, but we're finally talking about the Tony and Grammy award winning musical, Hadestown! Join Tara and Stefania as they break down both the Broadway and Mirvish production of the Anais Mitchell's retelling of the classic myth. So hop in the car and join us on the way down to Hadestown! . . . "When the Chips are Down" - Hadestown (Original Broadway Cast Recording) "Chant" - Hadestown (Original Broadway Cast Recording) "Wait for Me" - Hadestown (Original Broadway Cast Recording) "Why We Build the Wall" - Hadestown (Original Broadway Cast Recording) "All I've Ever Known" - Hadestown (Original Broadway Cast Recording) "Road to Hell" - Hadestown (Original Broadway Cast Recording) "Doubt Comes In" - Hadestown (Original Broadway Cast Recording) "Nobody's Side" - Wild and Free - Jessica Vosk "In Memoriam Grammy's 2022" - Youtube All music tracks used for educational and entertainment purposes only.

The Sundilla Radio Hour for the week of 06/12/2023 featuring: Dar Williams “When I Was a Boy” The Honesty Room (1994 Dar Williams) 4:46 Rachael Kilgour “Dad Worked Hard” Single (2023 Rachael Kilgour) 4:03 John McCutcheon “Mistaken” Leap! (2022 Appalseed Productions) 3:46 Meredith Moon “I Loved That Town” Constellations (2023 Meredith Moon) 3:44 Ellis Paul “The Gift” 55 (2023 Ellis Paul) 4:37 Allison Russell “Persephone” Outside Child (2021 Birds of Chicago) 4:22 William Prince “Tanqueray” Stand in the Joy (2023 Six Shooter) 4:09 Heather Pierson Acoustic Trio “Ain't Gotten Around” Still She Will Fly (2015 Heather Pierson) 4:00 Anais Mitchell “1984” Hymns for the Exiled (2017 Wilderland) 2:57 Dave Richardson “Love for Love” Palms to Pines (2021 Branch And Thorn) 3:26 Queen Esther “When I See You Again” Rona (2023 Queen Esther) 3:15 Amythyst Kiah “Firewater” Wary + Strange (2021 Rounder) 3:38 The Pine Hearts “Losing You” Lost Love Songs (2022 The Pine Hearts) 3:45

Songs from Richard Thompson, Vance Gilbert, Sarah Jarosz, Parker Millspa, Anais Mitchell, Dar Williams and more! Hosted by Crystal Sarakas. Produced by WSKG Public Media.

Americana, Roots,  Folk , Acoustic and Country music. Featured Artists . New and classic tracks.Episode includes Anais Mitchell, Robert Forster, Burt Bacharach, Margo Price and Don Felder.

The guys are joined by Brian and Nicholas of France Luke Accord to discuss another Anais Mitchell record….this time “Young Man in America.”  Plenty of other discussion including their new album “Safe In Sound,” seeing Bruce and seeing shows “cold turkey,” Bon Iver and Midwest bands, Vibe (show your jazz hands), streaming services shafting musicians, Darlinside, God of Abraham, Take Her To The Hospital!, and stick around to the end to find out the meaning of the band's name. Check out France Luke Accord here:https://www.franceslukeaccord.com/Check out Anais Mitchell here:https://www.anaismitchell.com/Our previous episode about Anais Mitchell with Emily Scott Robinson:https://www.podomatic.com/podcasts/recordsrevisited/episodes/2022-10-24T18_53_06-07_00 Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Happy New Year and welcome back to Roadcase! We are absolutely delighted to talk to Indigo Sparke for this first show of 2023 and the start of a new season of spectacular guests.  Indigo, who hails from Sydney, Australia and now calls upstate NY home, joins us shortly after the release of her latest album, Hysteria -- a stunning and emotionally compelling work filled with glorious soundscapes and brutally honest lyrics. This outstanding new work is produced by Aaron Dessner of The National, whose recent work on Taylor Swift's album, Folklore, earned him a Grammy for Album of the Year. Indigo's development as an artist reveals a deep current of passion and emotional depth, and we talk about the steps she has taken to get to this exciting point in her life: a pivotal moment filled with challenges, opportunities, and the therapeutic exercise of putting it all out there, on stage and off. So hop on the Roadcase bus for this exciting first episode of the New Year.  2023 is gonna be a great ride, so hang on tight!!For more info:https://indigosparke.com/For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene (Instrumental)" by Waltzer

Hooks & Runs closes Season 3 with its annual best of 2022 music review. Artists featured are, in order of appearance, Riot Act, Saxon, Tygers of Pan Tang, Tokyo Blade, Michael Schenker Group, Post Malone, Joji, Frank Turner, The Front Bottoms, Nothing More, Amanda Shires, Just Mustard, Spoon, Wilco, Gregor Barnett, Skid Row, Grim Reaper, Jimi Hendrix Experience, My Chemical Romance, Duster, The Rolling Stones and Anaïs Mitchell.Also this episode - Carlos Correa signs with the Giants (Post Script: not so fast there...) and Cecily Strong leaves Saturday Night Live.-->Join our Discord: https://discord.gg/tT8d3pVUsN -->You can support Hooks & Runs by purchasing books through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns Errata: After we recorded this broadcast, the Giants balked on Correa after receiving results from Correa's physical. The Mets immediately came to terms with Correa and his agent, Scott Boras and as this is being typed on Christmas day, the Mets have similar concerns.  According to Cot's Contracts, the Mets have an opening day 2023 payroll of $365 million (including Correa), which is about $150 million over the luxury tax mark.  This would result in a $111 million tax.Hooks & Runs - www.hooksandruns.comHooks & Runs on TikTok -  https://www.tiktok.com/@hooksandrunsHooks & Runs on Twitter - https://twitter.com/hooksandrunspcCraig Estlinbaum on TwitterLink: https://twitter.com/CraigEstlinbaumAndrew Eckhoff on Tik Tok (it's true!)Link: https://www.tiktok.com/@hofffestRex von Pohl (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Music: "Warrior of Light" by ikolics (Premium Beat)This podcast and this episode are copyright Craig Estlinbaum, 2022, all rights reserved 

The guys count down their most listened to songs of 2022.  Plenty of former guest appearances in the lists including Caroline Spence, Matt Nathanson, liv., Michael McArthur, Drew Kennedy, and Ken Yates (among others).  Ben once again talks about Anais Mitchell and John Fullbright (shocker, I know) and Will Hoge makes another Wayne list?  Will Mr. Hoge ever come on the podcast?  Also discussed: potential albums to discuss in 2023.  Did your favorite albums make the list?Check out the playlists here:Wayne's List: https://open.spotify.com/playlist/0PYYfGsIxQfpuxtIKNFFPx?si=1c769b3ba4294f42Ben's List:https://open.spotify.com/playlist/79VwxlzEfKkpFhmWLZdm6c?si=14d303881335426eCheck out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Music from Anais Mitchell, The Decemberists, Punch Brothers, Ellis Paul, Solas, House of Hamill and more! Hosted by Crystal Sarakas. Produced by WSKG Public Media.

We raise our cups! Emily joins Ally and Nigel to discuss verything to do with Anais Mitchell's musical Hadestown: we discuss how Broadway ruins theatre, versions of songs and changes, workers' rights, and how stories change and are cyclical If you liked the episode, please feel free to tell us about it! You can send your comments and suggestions to our podcast Twitter (@HyperfixationsP), or our Instagram (@Hyperfixationspod), and join our Discord server here: https://discord.gg/NQJFFHgpgf Our guest Emily can be found on Twitter @captainsaph And your hosts can be reached individually here: Ally - Twitter: @alleykat_, Instagram: @ally_k_keegan Nigel - Twitter: @spicynigel If you would like to come onto the show to discuss one of your Hyperfixations, please feel free to reach out at any of the aforementioned social media. Thank you so much for listening, you rock! Intro/Outro Song: Strollin Along by David Renda, find it here - https://www.fesliyanstudios.com/royalty-free-music/download/strollin-along/339

On this episode of the Blind Tiger Record Club Podcast, David W. Williams and Kevin Lee discuss the Blind Tiger Record Club's November Records of the Month. We discuss all four styles of the B.T.R.C. Records of the Month - Singer Songwriter, Rock & Alternative, Jazz Soul & Blues, and Classics.  We talk about new releases and reissues from Bonny Light Horseman, Train, Lee Fields, and ZZ Top.  The albums from these artists are discussed and clips of songs from the albums are played.  We discuss the return of Eric D. Johnson, Anais Mitchell, and Josh Kaufman to the Bonny Light Horseman line up.  We also discuss the major differences between Bonny Light Horseman's  Rolling Golden Honey and their 2020 self-titled, Grammy Award Nominated album, and how this new release really makes the trio an actual "band" versus a side project.  We talk about Train's AM Gold and how strange this release has been from its Billboard numbers to its absence at Triple A radio, even though the band has a long history at the format.  We talk about the fact that Pat Monohan is a really strong frontman, but is also the only original member of the band still in Train.  We dive into traditional soul artist Lee Fields new solo album, Sentimental Fool.  We discuss the fact that this is his first album without the Expressions in twenty years.  We also talk about producer Gabriel Roth, and how he co-owns Dap-tone Records and performed and produced Sharon Jones and the Dap Kings for twenty years.   We cover ZZ Top's1983 release, Eliminator, and how it moved the band from blues based boogie rock to a more mainstream, synth driven, new wave rock.  We also discuss the important branding decisions made with Billy Gibbons and Bill Ham to include Gibbon's 1933 Ford Coupe in all the album's marketing and several music videos.    We also briefly discuss Taylors Swift's new Billboard record shattering new album, Midnights, and how well the album and her lead single, "Anti-hero" has done.     Here are the albums included in this episode of the Blind Tiger Record Club Podcast: Singer Songwriter October Record of the Month:  Bonny Light Horseman | Rolling Golden Honey (Ltd. Ed. Galaxy Blue Vinyl) Rock & Alternative October Record of the Month:  Train | AM Gold (Ltd. Gold Vinyl) Jazz Soul & Blues October Record of the Month:  Lee Fields | Sentimental Fool (Ltd Ed. Orange Vinyl) Classics October Record of the Month:  ZZ Top | Eliminator (Reissue) Whether or not you are a member of Blind Tiger Record Club, the B.T.R.C. Podcast is a great way to get introduced to some new artists and discover some albums that you may not be familiar with.  All the music in our subscription program and that we discuss on this show are on vinyl and have been released or reissued in the last 30 - 60 days.  The show is designed to be a discovery platform for new music "on vinyl", but even if you do not collect or listen to vinyl, it's still a fun way to explore new music. *The Blind Tiger Record Club Podcast is sponsored by 85 Supply.  Go to 85supply.com or email info@85supply.com to get started. For 5% off of your first order, simply mention "Blind Tiger Record Club" via email or over the phone with your rep. It's that simple. Hosts: David W. Williams and Kevin Lee Executive Producer - David W. Williams A Blind Tiger Entertainment, LLC Production This episode was edited and mixed by the team at Sound On Studios Theme song written and produced by Jasen Rauch Headbanger Intro theme by Love & Death For more information on becoming a member of the Blind Tiger Record Club, shopping the thousands of titles in the record store, or listening to previous episodes of the podcast, go to BlindTigerRecordClub.com.

Americana, Roots, Country, Folk and Acoustic music. Featured Artists . New and classic tracks. Episode includes Chuck Brodsky, Joan Shelley, Anais Mitchell and Kelsey Waldon. 

Ben and Wayne welcome Emily Scott Robinson to discuss the self-titled album from Anais Mitchell (2022) along with Emily's album “American Siren” and latest project with Violet Bell and Alisa Amador.  Plenty of other discussion including faith, hotels in Little Rock Arkansas, learning things the hard way, Ben's potential most listened to song of 2022, words like revenant and gloaming, nostalgia, Felix McTeigue, Emily calls an audible, watershed moments in our lives, and the genius of Anais Mitchell. Check out Emily at:https://www.emilyscottrobinson.com/Check out Anais at:https://www.anaismitchell.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Lauren Minear is a Nashville-raised singer-songwriter set to release her debut album, Invisible Woman, out October 14. She is steeped in the vulnerability of Nashville soul, the real deal; tender and passionate, yet raw and brutally honest songwriting in the lineage of Joni Mitchell, Lucinda Williams, and Gillian Welch. Like these women, Lauren wears her heart on her sleeve as she explores the corners of love through a fragile lens of self-awareness, evoking the likes of Anais Mitchell, Taylor Swift, and Natalie Merchant.Born in Manhattan, Lauren's family moved to Nashville, where she grew up, spending her formative years sharing her parents' love of Brooks & Dunn, KD Lang, Garth Brooks, and Patsy Cline. She also immersed herself in the sounds from the country music radio stations they tuned into on their regular drives from the city to New Orleans to visit her grandparents and the southern soul there, radiating out of The Big Easy.Memorizing songs by Faith Hill, Amy Grant, Mariah Carey, and Shania Twain, and with Nashville songwriting seemingly steeped in her blood, Lauren Minear wrote her first song, "Daddy's Little Girl," at 14 years old, and soon found herself interning on Music Row at Major Bob Music, at Sony ATV Publishing and in the studio with Steve Earle as well as performing and recording an EP with guitarist George Marinelli (Bonnie Raitt).Now a Mother of two little boys and again living in New York with Madi Diaz, Brandi Carlile, Allison Russell, and YEBBA on her stereo, Lauren's journey has been far from just musical; her life has given her a rich and varied tapestry of experiences from which to draw as a songwriter. A transformative journey that has given her confidence and power, Lauren's artistry and songwriting skills were rekindled when she became a mother. This process changed her perception of the world and herself and brought her back to music and the spiritual therapy of creativity.

Fair Folk is back in operation after a year's break! This episode shares some of the folkloric themes of October: it's the pagan start of winter, and features spooky post-harvest customs of feeding the dead, love longing, rekindling the community fire, and a cute dose of shoe folklore. Call for key collaborators in the Pagan Monastery Project: https://docs.google.com/forms/d/1tpniOa6lvhPIaU0uPSTs6Y-KsfW09yIOYMLTUJf7ojQ/edit Listen to the Pagan Monastery Podcast on Apple Podcasts: https://podcasts.apple.com/ca/podcast/pagan-monastery-podcast-with-danica-boyce/id1610505250 Listen to the Pagan Monastery Podcast on Spotify: https://open.spotify.com/show/7xFdHUx1nJqge8Oq9Bs1GY?si=53d91206134049e8 Join the Mailing List: https://view.flodesk.com/pages/62d72c01da642d55a9868141 Listen to the October Almanac playlist on Spotify: https://open.spotify.com/playlist/6vxucYP0zGjsH2AxfwlayL?si=d5ae8d42bbbe473f Fair Folk's Patreon: https://www.patreon.com/fairfolkcast Listen to Our Supernatural Landlords: folklorist Terry Gunnell on northern European winter guising traditions: https://podcasts.apple.com/ca/podcast/fair-folk-podcast/id1177770160?i=1000501474652 Songs featured in this episode: Tam Lin by Anais Mitchell and Jefferson Hamer Buy Anais Mitchell and Jefferson Hamer's album: https://anaismitchell.ochre.store/release/250476-anas-mitchell-jefferson-hamer-child-ballads Cheshire Souling Song by Cantorion CynWrig Singers Buy the Cantorion CynWrig Singers' music: https://music.apple.com/ca/artist/cantorion-cynwrig/156043718 Holland Handkerchief by Chris Foster Buy Chris Foster's music: https://chrisfoster1.bandcamp.com/music Who's Gonna Shoe my Pretty Little Foot by Barbara Dane Buy Barbara Dane's music: https://barbaradane.bandcamp.com/ “Old Jacky Frost” by the Wildness Yet Buy the Wilderness Yet's music: https://www.thewildernessyet.com/shop.html The Wilderness Yet on Bandcamp (digital): https://thewildernessyet.bandcamp.com/ Opening theme: Forest March by Sylvia Woods Buy Sylvia Woods' music: https://www.harpcenter.com/category/harp-cds Some sources for this episode: Andreas Nordberg “Ritual Time and Time Reckoning.” The Pre-Christian Religions of the North: History and Structures, Volume ii, 725 On Shoes in walls: https://ztevetevans.wordpress.com/2020/08/12/strange-folklore-the-mystery-of-concealed-footwear/ For more info on boots and shoes and Hedwig: https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781315166940-13/boots-saint-hedwig-jacqueline-jung Recipe for Hedwigsohlen (Hedwig's soles pastries): https://catholiccuisine.blogspot.com/2014/10/soles-of-st-hedwig.html British Calendar Customs: England (1942) Polish Customs, Traditions and Folklore. 1996. Kevin Danaher. The Year in Ireland. 1972.

The Tony award winning songwriter talks with Joe Pug about the radical re-imagining of his acoustic debut album.    

We conclude our series on seduction songs with a trip down to 2019's Hadestown --written by Anaïs Mitchell and developed and directed by Rachel Chavkin -- to discuss "Hey, Little Songbird." All clips are from the 2019 Original Broadway Cast Recording of Hadestown featuring Patrick Page as Hades and Eva Noblezada as Eurydice are used in accordance with the Fair Use Exemption for criticism and commentary. Listen to and buy the album on Amazon! Listen to the SMSTS playlist on Spotify. Follow the show on Twitter: @somuchstuffpod Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

Anaïs Mitchell, who just appeared in our main feed for a track by track (ep. 152), joins us Backstage for an Extended Lightning Round (XLR). Today we'll check out a preview of this fun light hearted Q&A with the genius behind the Tony award wining musical Hadestown, Bonny Light Horseman and her new self-titled album.Hear the entire Extended Lightning Round with Anaïs: http://basicfolk.com/BackstageContribute and gain Backstage access: http://basicfolk.com/donate Advertising Inquiries: https://redcircle.com/brands

Help produce Basic Folk by contributing at basicfolk.com/donateAnaïs Mitchell goes track by track through her new self titled release (out now!) and holy smokes what a volcano of an album! It's been a decade since she last released an album's worth of new material and since then, Mitchell's been keeping very busy with the game-changing Tony Awards winning Broadway sensation, Hadestown. She started working on the folk opera in the early 00's, she's also recently been performing with Bonny Light Horseman (with Eric D. Johnson and Josh Kaufman) and is the mom of two young kids, so very busy!! It took a global pandemic to stop everything and allow her to concentrate on her own inner world. All of the songs on Anaïs Mitchell are truly biographical, which is not the norm for the Vermont songwriter. She was actually 9 months pregnant when the pandemic hit, and thanks to a tip from a Seattle friend, she packed up her family and left the city for her home state. She ended up spending lockdown in her grandparents house on her family's Vermont compound. There, she unearthed some embarrassing teenage journals (which she promptly burned) and had the opportunity to reconnect with her younger self. Those perspectives and more were sown into this incredible new album. Let's get into it!!It was truly a gift to be able to dive deep with Anaïs and producer Josh Kaufman (who briefly joined us for this episode!). Hope you get into this album as deeply as I did. I look forward to many more inspired works of art from Anaïs! She is a treasure and I'm so glad she's in our world. After you get into this episode, you can go way back to Basic Folk Episode 8 and listen to Anaïs' first appearance on the pod. One of my favorite interviews ever!Advertising Inquiries: https://redcircle.com/brands

Artists are always searching for the ideal creative state, that perfect time when the songs effortlessly flow. With both Anaïs Mitchell and Charlotte Cornfield, that involves, well, not really being aware of when they're in that ideal state. For Mitchell, it involves accessing the subconscious in dreams. If she's lucky, a fellow songwriter might appear in those dreams to give her counsel, like David Rawlings once did. And for Cornfield, that brief moment right before sleep, when she's just about to doze off, is an especially fertile time. Mitchell and Cornfield love a good deadline. Their songwriting processes involve structure and discipline, not just sleeping and dreaming. “I'm a big fan of having a routine and showing up for it, even if nothing happens,” Mitchell told me. And they also find artistic inspiration in blank email messages (Mitchell), skateboards (Cornfield), door panels (Mitchell), and black ink (both). In fact, Mitchell is so versed in door panels that she actually told Cornfield and me what kind of door panels we have after noticing them in our interview.In case you were wondering how I picked Mitchell and Cornfield as an interview pair, here's my highly scientific process. I follow two artists on Twitter, then from that  I see if they follow each other. If they do, then it's match. Turns out that Mitchell and Cornfield have known each other for over ten years, so their familiarity made this a very fun conversation. Enjoy!

Welcome to season 4 of Middle Class Rock Star! It was nice having a break, but I'm excited to bring a bunch of new, wonderful guests to the show this season. This first episode of the new season (84th overall) features Crystal and Pete Damore (Duh-more)of Ordinary Elephant. The Louisiana based husband and wife folk duo is a melting pot of their favorite influences(such as Gillian Welch, Guy Clark, and Anais Mitchell)yet have a sound that is completely their own. During our conversation, we discuss touring and life on the road, leaving the stability of a day job, and the folk scene around the US. We also chat about Pete's banjo style and dig in on Crystal's ability to write from unique perspectives. *Named International Folk Music Awards 2017 Artist of the Year. *Mary Gauthier says, “Two become one, in song...hand-in-glove harmonies surprise the listener with focused intensity and musical mastery.” *The Associated Press is calling their latest album, Honest, “one of the best Americana albums of the year.” If you enjoy the podcast, please let others know, subscribe or write a review. 5 star ratings and reviews on Apple Music as well as subscribing to our YouTube Channel help us out the most!! IF YOU'D LIKE TO SUPPORT THE PODCAST IN A MONETARY WAY, I'M NOW ON PATREON! www.patreon.com/andysydow Guest Links: Website: www.ordinaryelephant.net Patreon: https://www.patreon.com/ordinaryelephant Spotify: https://open.spotify.com/artist/4KDRZ2NwxT9UZ0RyG8gHFs Guest Music: "Honest" by: Ordinary Elephant "Before I Go" by: Ordinary Elephant Episode Music: **All original music by Andy Sydow Sponsors: A huge thanks to our sponsors, PQ Mastering and Narrator RF. For any sponsorship inquiries, shoot me an email at middleclassrockstar@gmail.com pqmastering.com narratorrf.com

Replay of interview with Chris Stroh speaking of the effort of Idahoans For A Fair Wage Playlist; Anais Mitchell covering Dylan's Hard Rain; Henry Fonda as Tom Joad Look for me; Elvis Costello & Mumford & Sons medley Springsteen's Ghost of Tom Joad & Guthrie's Do Re Me Drive By Truckers TVA; Ruby Friedman & Nick Paige You'll Never Leave Harlan Alive; Unattributed cover of The L&N Don't Start Here Anymore; Townes Van Zandt Tecumseh Valley; Nancy Griffin covering Ralph McTell's From Clare to Here; Dylan North Country; The Chieftain's School Days Over; The Band King Harvest; Opening as since the start of this show; This Is Why We Fight; this time with a version featuring Colin Meloy, The Decemberists Front Man, and band member Chris Funk, with often collaborator Sarah Watkins Closing, since COVID The New Students covering Zevon's Don't Let Us Get Sick

Replay with Joseph McCartin, PhD, Georgetown University Professor of Labor History, founding Executive Director at the Kalmanovitz Initiative for Labor and the Working Poor and member of the steering committee with the Interreligous Network for Worker Solidarity Doctor McCartin provides his profound insight in the current state of labor, and gets into the effort to support the Protect the Right to Organize Act. Opening as since the start of this show; This Is Why We Fight; this time with a version featuring Colin Meloy, The Decemberists Front Man, and band member Chris Funk, with often collaborator Sarah WatkinsPlaylist: ; Anais Mitchell covering Dylan's Hard Rain; Henry Fonda as Tom Joad Look for me; Elvis Costello & Mumford & Sons medley Springsteen's Ghost of Tom Joad & Guthrie's Do Re Me Drive By Truckers TVA; Ruby Friedman & Nick Paige You'll Never Leave Harlan Alive; Unattributed cover of The L&N Don't Start Here Anymore; Townes Van Zandt Tecumseh Valley; Nancy Griffin covering Ralph McTell's From Clare to Here; Dylan North Country; The Chieftain's School Days Over; The Band King Harvest; Closing, since COVID The New Students covering Zevon's Don't Let Us Get Sick

This episode we're joined by Martin Green who is challenging you to reimagine Lyke Wake Dirge, an ancient funeral chant about the soul's journey through purgatory. Martin is a multi-award winning musician and composer who has collaborated with many artists and musicians including the likes of Eliza Carthy, Joan Baez, Anais Mitchell and Aidan Moffatt. As a member of Lau he has won four BBC Radio 2 Folk Awards for Best Group and in 2015 he was nominated in the Best Musician category. In 2019 he won the Ivor Novello award for his sound walk “Aeons” that was part of The Great Exhibition of the North. We first came across Martin's work in his 2015 show Flit, a multimedia, collaborative song cycle on the theme of migration. As a performer steeped in traditional music but with a process informed by sampling, electronics, and interdisciplinary storytelling, we wanted to get his insight on how he traverses these multiple planes Check out Martin's recent project The Portal here. /// TAKE PART /// Charts: example score, chords & lyrics (.pdf) Playlist: Spotify playlist of existing versions of Lyke Wake Dirge. Find a quick guide on how to submit here. Martin will be back to listen to your takes in the second part of this episode released on Monday 27 September. If you'd like to be included in the podcast then try and get your version to us by Monday 20th September to get your versions included in the podcast. Drop us a message if you have any questions. /// COMMUNITY /// If you're interested in getting deeper into the conversation, come and join our group on Facebook. There's been some amazing chats over the last month with people sharing demos, feedback and ideas. /// MUSIC CREDITS /// 10:54 - Strange Sky - Martin Green (featuring Becky Unthank) [From Flit] 17:10 - Etteridge - Martin Green (featuring Brìghde Chaimbeul) [From The Portal] 19:46 - A Place Of Crisps And Pianos - Martin Green 28:48 - Lyke Wake Dirge - The Young Tradition 34:30 - Lyke Wake Dirge - Martin Green (featuring Becky Unthank) 39:41 - A Lyke Wake Dirge - Alasdair Roberts 42:06 - Dirge from Serenade for Tenor, Horn and Strings - Benjamin Britten (featuring Peter Pears) 43:45 - Lyke Wake Dirge - Trumpets of Death 46:55 - Lyke Wake Dirge - Tom Chapman, Claire Chapman and Dave Allen (members of the Lyke Wake Walking Club) Facebook | Instagram | Twitter Latest news and more at oldtunesfreshtakes.com Hosted by Jack The Robot and Hevelwood

Brendon and Gabriela of Wait in the Wings discuss the history of Hadestown, what was removed from the script of the Wait in the Wings video, who was interviewed for the episode, and what the ultimate legacy of Hadestown will be on Broadway. Join us for an in depth discussion of Anais Mitchell's masterpiece, Rachel Chavkin's Direction, Michael Chorney's musical orchestration, and Ben Matchstick's impact on the early stages of the piece. Brendon discusses his interviews with choreographer David Neumann and chorus members Jessie Shelton, Kimberly Marable, and T. Oliver Reid. Wait in the Wings is an acclaimed YouTube channel that covers the history of Broadway musicals like Starlight Express, The Spongebob Squarepants Musical, and Carrie the Musical. Too Much Exposition is hosted by Wait in the Wings founder Brendon Henderson, and Wait in the Wings Script Supervisor Gabriela Day. The two are long-time theatre lovers and use their educational background in theatre to make entertaining educational content. Wait in the Wings YouTube Channel: youtube.com/waitinthewings Gabriela Day YouTube Channel: youtube.com/channel/UCfl7NiaV8aH3q4N7KLXOZvA Too Much Exposition Twitter: twitter.com/2muchexpo Gabriela Day Twitter: twitter.com/Gabrieladazed Brendon Henderson Twitter: twitter.com/WaitWings Learn more about your ad choices. Visit megaphone.fm/adchoices