Podcasts about Every Little Thing She Does Is Magic

In 1981, Sting brought a demo of a song he'd been working on down to AIR Studios in Montserrat to see what his bandmates thought of it... and they wound up keeping the demo and just recording their parts on top. The result was "Every Little Thing She Does Is Magic," an unusual Police song, but an enduring hit. On this episode, Kirk goes deep on every aspect of Sting's exuberant yet frustrated love song, unearthing the magic that lives in each piece of the music. This episode's subject was chosen by the Patrons of Strong Songs, who vote each season to pick one of the artists Kirk will cover on the upcoming season. If you'd like to vote on an artist for Season Eight, go sign up!Written by: StingFeaturing: Stewart Copeland, drums; Andy Summers, guitar; Jean Roussel, piano & keysAlbum: Ghost in the Machine, 1981Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:MTV: The Making of Ghosts in the Machine w/ Jools Holland, 1982Revolver Magazine interview feature with the band, 2000Stewart Copeland talks about his approach to drumming“Invisible Sun” and “Hungry For You” by The Police from Ghost in the Machine, 1981“Every Breath You Take” by The Police from Synchronicity, 1983“Message In A Bottle” and “Walking On The Moon” by The Police from Reggatta de Blanc, 1979“One Love / People Get Ready” by Bob Marley and the Wailers, 1965"Seven Days" by Sting from Ten Summoner's Tales, 1993“Deep Note” (The THX Sound) by James Morrer, 1982----LINKS-----

En el primer episodio de la séptima temporada de Behind The Songs, Jesús y Gerardo arrancan con todo, desmenuzando el legado de una de las bandas más icónicas de todos los tiempos: The Police. Descubre lo que realmente inspiró a Sting y compañía en temas como el desgarrador amor no correspondido de Roxanne, la obsesión casi escalofriante de Every Breath You Take, el juego de poder en Wrapped Around Your Finger, la magia única de Every Little Thing She Does Is Magic y la intensidad de ⁠King of Pain⁠

A (relatively) in-depth analysis of The Police in just under 20 minutes.Their 1978 debut album, Outlandos d'Amour, reached No. 6 on the UK Albums Chart on the strength of the singles "Roxanne" and "Can't Stand Losing You". Their second album, Reggatta de Blanc (1979), became the first of four consecutive No. 1 albums in the UK; its first two singles, "Message in a Bottle" and "Walking on the Moon", became their first UK number ones. Their next two albums, Zenyatta Mondatta (1980) and Ghost in the Machine (1981), led to further critical and commercial success with two songs, "Don't Stand So Close to Me" and "Every Little Thing She Does Is Magic", becoming UK number-one singles and Top 5 hits in other countries; the former album was their breakthrough into the US reaching number five on the US Billboard chart.Their final studio album, Synchronicity (1983), was No. 1 in the UK, Canada, Australia, Italy and the US, selling over 8 million copies in the US. Its lead single, "Every Breath You Take", became their fifth UK number one, and only US number one. I hope you enjoy the podcast and do leave feedback if you like what you have heard.Mathew Woodall

In December 1982, the Police flew to the Caribbean island of Montserrat to record their fifth album. The executives at A&M Records were excited. A year earlier, the trio had generated hit singles like “Every Little Thing She Does Is Magic” and “Spirits in the Material World.” Suddenly, they were filling arenas.But the atmosphere in the recording studio quickly turned sour. Guitarist Andy Summers sniffed at lead singer Sting's demo of “Every Breath You Take” as cheesy pop. Drummer Stewart Copeland bristled when the singer tried to give him orders. And Sting, who had been contemplating going solo, was tired of pretending this was still a democracy: Why were they arguing about whose songs were best? Wasn't it obvious? This oral history, including interviews with Sting and the other members of the band, takes listeners inside the making of “Synchronicity,” one of the most popular records of the 20th century – and what eventually tore the band apart.

Born in 1952, in Virginia, Stewart Copeland - the son of a CIA agent - spent his formative years in the Middle East but attended college in California before settling in England in 1975. He joined the progressive rock outfit Curved Air, working first as their road manager then as their drummer. In early 77, he founded the Police with singer/bassist Sting and guitarist Henri Padovani (soon replaced by Andy Summers). Their first hit, 79's "Roxanne," set the course for huge success to follow. The trio emerged as one of the most popular and innovative bands of the post-punk era, drawing upon reggae, funk, and world music to create a uniquely infectious yet cerebral brand of pop which generated a series of smash singles including "Every Little Thing She Does Is Magic," "Every Breath You Take," and "King of Pain." While with the Police, Steward also issued a solo record under the alias Klark Kent. This not only earned him wide critical acclaim for his intricate, textured drum work, but also for his songwriting as he contributed many of the group's songs. When the Police officially disbanded in 1986, the band was still at their commercial peak. Disagreements betwenn members had caused the trio's collapse and Stewart took to composing film scores, earning himself a Golden Globe nomination. He increasingly spent more time on film scores. In 2002, Stewart formed a new rock-oriented project, Oysterhead - a power trio supergroup. A year later he produced and directed Everyone Stares, a documentary film about his time in the Police. In 2007, Stewart reunited with his former bandmates to celebrate their 30th anniversary. Stewart also wrote his memoir, Strange Things Happen: A Life with The Police, Polo, and Pygmies at this time. In 2021, Stewart collaborated on the instrumental 'Divine Tides'. The album won the 2022 Grammy Award for Best New Age Album, giving Copeland his first Grammy win outside of the five he earned as a member of the Police.  He also released 'Police Deranged for Orchestra' where he reworked Police hits for an orchestra. In 2023, he published Stewart Copeland's Police Diaries, a book based on his original diary entries from 1976-1979. This week Stewart Copeland joins us to regale us with his many stories. If you'd like to kmow more about him head for https://www.stewartcopeland.net/151/life-and-work If you'd like to request a guest, send me a message through my website https:www.abreathoffreshair.com.au I know you're going to LOVE this episode. He's quite a character!

This week on Sinica, Iza Ding, associate professor of political science at Northwestern University and author of The Performative State: Public Scrutiny and Environmental Governance in China, joins to share her ideas on how American academia has framed and problematized authoritarianism, especially when it comes to China. A deep and subtle thinker, she offers thought-provoking critiques of some of the assumptions that have become nearly axiomatic in political science and other social sciences in their approach to understanding politics in China.3:13 – Iza Ding's concept of “authoritarian teleology”15:31 – The concept of authoritarian resilience 19:58 – The question of regime legitimacy 24:09 – The question of whether authoritarianism is an ideology 26:24 – The China model? 30:58 – Finding a balance between generalizability and the sui generis, and striving toward cognitive empathy and “Verstehen” 42:04 – The state of area studies and avoiding essentialism 49:32 – Iza Ding's advice on how to become a better writer Recommendations:Iza: The Wife of Bath: A Biography by Marion Turner — the story of Alison, the Wife of Bath in Geoffrey Chaucer's The Canterbury Tales Kaiser: the guitarist Kent Nishimura, especially his recordings of “Everybody Wants to Rule the World” by Tears for Fears, “Sir Duke” by Stevie Wonder, “Every Little Thing She Does Is Magic” by The Police, and “Hey Nineteen” by Steely Dan See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week hosts Gar ⁠⁠⁠@TheRealDeFo⁠⁠⁠ the GarFather ⁠⁠⁠@26MikeRedmond⁠⁠⁠ welcome in special guest DenBob and discuss Maryland and Grand Rapids, coaching, GarNation collides, English friends, smoke breaks, a live Founders tour, what we're watching, sports, listener feedback and much, much more!!   IMPORTANT SHOW LINKS Join the GarNation family on ⁠⁠Discord⁠⁠ Find the GarCast on social media via ⁠⁠⁠⁠Linktree⁠⁠⁠⁠ Email ⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠  Find all our closing music in a play list on ⁠⁠⁠Spotify⁠⁠⁠! If you want, you can send us a voice message by following this link  ⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠  MUSIC CREDITS Intro Music Dead To The World by Clyde ⁠⁠⁠YouTube Video Here⁠⁠⁠  Closing Music is Every Little Thing She Does Is Magic⁠ ⁠⁠Performed by Ra CHECK OUT FRIENDS OF THE SHOW The ⁠⁠Lousy At Gaming Podcast⁠⁠ ⁠⁠The Seal Podcast⁠⁠ Be sure to check out Clyde on ⁠⁠⁠Facebook⁠⁠⁠ Check out music from ⁠⁠⁠Men And Whales⁠⁠⁠ -> ⁠⁠⁠https://menandwhales.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/garcast/message

Episode 49 - The Wedding Singer (1998) - Full Review Movie PodcastIs the 80s the greatest decade of all time? We might be about to find out. Join the Born to Watch crew as we revisit the iconic romantic comedy "The Wedding Singer" and discover why it's still one of the most beloved movies of all time."The Wedding Singer" is a delightful romantic comedy that is both a love letter to the 1980s and a timeless story of two people finding each other. With its charming cast, catchy soundtrack, and witty humour, it's no wonder this film has become a pop culture icon.The movie stars Adam Sandler as Robbie Hart, a talented wedding singer who is jilted at the altar and falls into a deep depression. Drew Barrymore plays Julia Sullivan, a sweet-natured waitress who is engaged to a wealthy and self-absorbed businessman. When Robbie and Julia meet, sparks fly, but their timing seems to be perpetually off. The movie takes us on a journey as they navigate their feelings for each other while dealing with the complications of their personal lives.Sandler and Barrymore have excellent chemistry, and their comedic timing is impeccable. Their characters are endearing and relatable, and it's impossible not to root for them to get together. Sandler brings his signature wit and humour to the role of Robbie, and his musical performances are a highlight of the film. Barrymore, meanwhile, is charming and likable as Julia, and she and Sandler play off each other perfectly.The supporting cast is also excellent, with standout performances from Christine Taylor as Julia's snooty cousin Holly, Allen Covert as Robbie's best friend Sammy, and Jon Lovitz as the sleazy wedding singer who competes with Robbie for gigs. The film is filled with memorable and hilarious moments, from the group sing-alongs to the impromptu performance of "Love Stinks" after Robbie is stood up at the altar.One of the most significant aspects of "The Wedding Singer" is its celebration of 1980s culture. The film is set in 1985 and is packed with references to the music, fashion, and pop culture of the era. The soundtrack features iconic songs from the time, including "You Spin Me Round (Like a Record)" by Dead or Alive and "Every Little Thing She Does Is Magic" by The Police. The costumes are appropriately outrageous, with Robbie sporting a mullet and Julia wearing shoulder pads and neon leggings.However, the film doesn't just rely on nostalgia for its appeal. It also has a timeless quality that makes it resonate with audiences today. At its core, "The Wedding Singer" is a story about love and finding your soulmate. It's a film that celebrates the power of music to bring people together, and the importance of following your heart, even when it's not the easiest thing to do.Beyond its entertainment value, "The Wedding Singer" has had a significant impact on pop culture. The film helped solidify Adam Sandler's place as a comedy superstar and launched Drew Barrymore's career comeback. It also paved the way for a wave of romantic comedies that followed in its footsteps, including "Notting Hill" and "Love Actually."The film's popularity has also spawned a successful stage musical adaptation, which premiered on Broadway in 2006. The musical features a score by Matthew Sklar and Chad Beguelin and has been performed in theatres around the world.In addition to its cultural impact, "The Wedding Singer" is also a significant film for Adam Sandler fans. It's widely regarded as one of his best movies, and many fans consider it a classic of the romantic comedy genre. It's a film that showcases Sandler's unique blend of humour and heart, and it's a testament to his talents as both a comedian and an actor.In conclusion, "The Wedding Singer" is a must-watch movie for anyone who loves romantic comedies, 1980s nostalgia, or just a good laugh. It's a film that has stood the test of time and continues to be beloved by audiences today.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

Matt talks about popular classic rock love songs to play on your wedding day - as a first dance, during the ceremony, as a slow dance song, or to accent a moment like cutting the wedding cake. Important Links View the complete list of classic rock love songs. See all Wedding Songs Podcast episodes Podcast Transcript All right let's talk about Classic Rock love songs. These are Classic Rock songs from the 70s, 80s, and 90s. Before that time I would consider being oldies and newer then that would be more modern, and as time progresses you could say that the 2000s could be considered classic but only time will give that presence. On our website, MyWeddingSongs.com I do have a list of 60 top Classic Rock songs that you can check out by searching for Classic Rock songs on the website. While you are there make sure you sign up for our monthly newsletter of all the new wedding songs released in the previous month, plus what is trending. That way you get an idea of what songs are popular that maybe you have forgotten about for a little while. Now, of course, I am not going to be covering all 60 songs because that would really bore you to death, but let's go ahead and get started with the first song by U2 and “All I Want Is You”. U2 is one of the greatest bands of all time from Ireland. This song has the lyrics…But all the promises we make, From the cradle to the grave, When all I want is you. Kind of a lovey-dovey song that you can have. Another legendary Classic Rock band is Led Zepplin with their song “All My Love”. I think that a lot of people forget about this song. Lyrics include…His is the force that lies within, Ours is the fire, all the warmth we can find, He is a feather in the wind, All of my love. There are quite a few Bon Jovi songs that I could have selected, but I preferred the song “Always” released in 1994 on their album Cross Road, with the lyrics…‘Til the heavens burst and the words don't rhyme, And I know when I die, you'll be on my mind, And I'll love you, always. From the Hair Band era we have Styx with “Babe” in 1979, and also “Can't Fight This Feeling” by REO Speedwagon in 1984 was a very popular love song. Lyrics included…I've forgotten what I started fighting for, It's time to bring this ship into the shore, And throw away the oars, forever. A very popular love song that was covered by Brian McKnight, and many other artists, is “Crazy Love” by Van Morrison in 1970, with the lyrics…Take away my trouble, take away my grief, Take away my heartache, in the night like a thief, She gives me love, love, love, love, crazy love. You know, everybody thinks of “Every Breath You Take” by The Police, but that is really like a stalking song so not a very good wedding song. Instead, you may consider “Every Little Thing She Does Is Magic” with the lyrics…I resolved to call her up, A thousand times a day, And ask her if she'll marry me. This song is a mid-tempo song so it is one you can have during the dancing part, even during the cocktail hour or just to keep the mood up. “Every Rose Has It's Thorn” by Poison in 1988 with the lyrics…Just like every night has its dawn, Just like every cowboy sings his sad, sad song, Every rose has its thorn. The next two songs are very popular first dance songs. One of my best friends had it at his wedding. It is “Everything I Do I Do It For You” by Brian Adams, and “Faithfully” by Journey with those famous lyrics…And lovin' a music man, Ain't always what it's supposed to be, Oh girl you stand by me, I'm forever yours, faithfully. Another very popular love song, released in 1989, is “Have I Told You Lately” by Van Morrison. It was covered by Rod Stewart and include the lyrics…Have I told you lately that I love you, Have I told you there's no one else above you, You fill my heart with gladness. Motley Crue's song “Home Sweet Home” released in 1985 is a great love ballad. Lyrics include…Long and winding road, I'm on my way, I'm on my way, Home sweet home.

By 1981, The Police had 3 hit records and the respect of their peers and the music industry.  But meddling from the record company caused Sting, Stewart Copeland and Andy Summers to retreat to Canada and the isle of Montserrat to record their 4th album Ghost in the Machine.Producer Hugh Padgham had them work in separate rooms to get their sounds but it also may have been to keep them from each others throats as the band were known for fighting over their studio parts. Sting had developed into the lead songwriter and wrote the big singles Every Little Thing She Does Is Magic, Invisible Sun and Spirits in the Material World as he had all their previous hits.  But he sought to incorporate synthesizers, piano, horns and some of the reggae influences from their punk/ska peers and their island surroundings.  Of course Stewart and Andy had to push back on some of his ideas but you can't deny the results as it was their biggest selling album to that point and was the predecessor to their biggest record of all time, Synchronicity.Special thanks to Paul Stephenson of Vintage Rock Pod for the inspiration as his recent interview with Stewart Copeland gave us the idea to review this wonderful album.Ugly American Werewolf in London WebsiteYouTubeTwitterInstagramLInkTreewww.pantheonpodcasts.comWant to win front row seats to Nick Mason's Saucerful of Secrets in the US?Enter here to win tickets and a chance to be on a Pantheon Podcast: https://pantheonpodcasts.com/nickmasonGet tickets here: https://www.thesaucerfulofsecrets.com/

By 1981, The Police had 3 hit records and the respect of their peers and the music industry.  But meddling from the record company caused Sting, Stewart Copeland and Andy Summers to retreat to Canada and the isle of Montserrat to record their 4th album Ghost in the Machine.Producer Hugh Padgham had them work in separate rooms to get their sounds but it also may have been to keep them from each others throats as the band were known for fighting over their studio parts. Sting had developed into the lead songwriter and wrote the big singles Every Little Thing She Does Is Magic, Invisible Sun and Spirits in the Material World as he had all their previous hits.  But he sought to incorporate synthesizers, piano, horns and some of the reggae influences from their punk/ska peers and their island surroundings.  Of course Stewart and Andy had to push back on some of his ideas but you can't deny the results as it was their biggest selling album to that point and was the predecessor to their biggest record of all time, Synchronicity.Special thanks to Paul Stephenson of Vintage Rock Pod for the inspiration as his recent interview with Stewart Copeland gave us the idea to review this wonderful album.Ugly American Werewolf in London WebsiteYouTubeTwitterInstagramLInkTreewww.pantheonpodcasts.comWant to win front row seats to Nick Mason's Saucerful of Secrets in the US?Enter here to win tickets and a chance to be on a Pantheon Podcast: https://pantheonpodcasts.com/nickmasonGet tickets here: https://www.thesaucerfulofsecrets.com/

The fourth - and penultimate - studio album by The Police, "Ghost In The Machine", is both the sound of a band ascending to super-stardom and a band tearing apart at the seams. Guitarist extraordinaire Russell Mofsky (Gold Dust Lounge, Quit) joins us as we unpack this at times bleak and at times joyful amalgamation of dazzling hit singles and adventurous musical explorations. Songs featured in this episode: Desperado - Gold Dust Lounge; So Lonely (Live 1980) - The Police; Repeater - Fugazi; River Deep, Mountain High - Eric Burdon & The Animals; Roxanne - The Police; The Magnificent Seven - The Clash; The Classical - The Fall; Spirits In The Material World, Every Little Thing She Does Is Magic ('77 Demo), Every Little Thing She Does Is Magic, Every Little Thing She Does Is Magic ('81 Demo), Invisible Sun, Hungry For You - The Police; Demolition Man - Grace Jones; Demolition Man, Too Much Information, Rehumanize Yourself, One World (Not Three), Omegaman, Secret Journey, Can't Stand Losing You (Live at Fat Cats '79), Darkness - The Police; Riff Raff - Gold Dust Lounge

Esse é o AutoRadio Podcast. AutoHistoria 005 - Danica Patrick Powered by Wisdomtech http://www.wisdomtech.com.br

En el episodio 7 de Behind The Songs, Jesús Martínez y Gerardo Ortega nos traen un enfrentamiento musical épico: The Police vs. U2. Dos bandas que, a su manera, han definido el sonido del rock y dejado una huella profunda en la historia de la música.

O Police estava com a faca e o queijo na mão para ter uma carreira de sucesso. E conseguiu. Um dos símbolos daqueles dias foi a canção "Every Little Thing She Does Is Magic", que completa 40 anos nesse ano. Nesse episódio, conto como um dos principais sucessos do trio também foi responsável pelo início do fim do relacionamento pessoal e profissional de Sting, Andy Summers e Stewart Copeland. E-mail e pix: fagner.morais1@gmail.com Mais em: https://www.musicontherun.net/

Episode 62 covers The Police's fourth studio album, 1981's "Ghost in the Machine." The album was released on 2 October 1981 by A&M Records. The songs were recorded between January and September 1981 during sessions that took place at AIR Studios in Montserrat and Le Studio in Quebec, assisted by record producer Hugh Padgham. Ghost in the Machine topped the UK Albums Chart and peaked at number two on the US Billboard 200. The album produced the highly successful singles "Every Little Thing She Does Is Magic", "Invisible Sun", and "Spirits in the Material World", with a fourth single, "Secret Journey", also being released in the US. Ghost in the Machine was listed at number 322 on Rolling Stone's list of the 500 greatest albums of all time. Mark, Kevin, Alex, and Chris take you on a historical journey surrounding the album as well as share our favorites and not-so favorites from the record. We go on a deep dive track-by-track listen of this album as well as share personal stories of discovering The Police's "Zenyattà Mondatta." Tune in next week for Episode 63 covering the fifth and final Police studio album "Synchronicity."Available at https://lightthesky.net/podcasts/the-police/ghost-in-the-machine/ and on all podcast streaming platforms (just search "Light the Sky Podcast.")Follow "Light the Sky Podcast" on Instagram, Twitter, and Facebook to stay up-to-date with all things LTS.LTS Website: https://lightthesky.net/Instagram: https://www.instagram.com/lighttheskypodcast/Twitter: https://twitter.com/LighttheSkyPod1Facebook: https://www.facebook.com/LightTheSkyPodcast/

Il y a 40 ans, le 2 octobre 1981, Sting publiait avec The Police l'album "Ghost in the Machine". Plage 2 : "Every Little Thing She Does Is Magic", morceau que Sting avait dans ses tiroirs avant la formation de Police. Début 81, Sting présente la démo à ses comparses. Verdict : trop douce à leur goût. Mais, Sting y croit. Police va tout tenter lors de l'enregistrement : rapide, lent, reggae, punk, bossa nova, jusqu'à réécouter la maquette de Sting et jouer par-dessus pour en capter son esprit. Bingo. Cette chanson d'amour a connu une nouvelle vie en 2010. Sting publiait "Symphonicities", album enregistré avec un orchestre philharmonique le titre "Every Little Thing She Does Is Magic". Ecoutez La pépite musicale avec Steven Bellery du 30 septembre 2021

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ----------------------------------------------------------------------------------------------------SET LIST:   1.- "Intro" - 00:00​ 2.- "Message in a Bottle" - 0:57​ 3.- "Synchronicity II" - 5:32​ 4.- "Walking on the Moon" - 11:54 ​ 5.- "Voices Inside My Head / When the World Is Running Down, You Make the Best of What's Still Around" - 18:13 ​ 6.- "Don't Stand So Close to Me" - 25:45​ 7.- "Driven to Tears" - 30:51​ 8.- "Hole in My Life" - 36:48​ 9.- "Every Little Thing She Does Is Magic" - 41:23​ 10.- "Wrapped Around Your Finger" - 46:03​ 11.- "De Do Do Do, De Da Da Da" - 52:12​ 12.- "Invisible Sun / Can't Stand Losing You / Reggatta de Blanc" - 56:53​ 13.- "Roxanne" - 1:08:41 ​ Encore 1: 14.- "King of Pain" - 1:15:02​ 15.- "So Lonely" - 1:20:42​ 16.- "Every Breath You Take" - 1:26:25​   Team UNPLUGGED.  

EVERY LITTLE THING SHE DOES IS MAGIC

What are the best and worst songs on the fourth album by the Police, Ghost In The Machine? Lots of strong, varied opinions in our debut episode about the biggest band of the early 80s. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS: Spirits in the Material World, new wave, Every Little Thing She Does Is Magic, Sting, Invisible Sun, avant-pop, Hungry for You (J'aurais toujours faim de toi), Andy Summers, Demolition Man, ska, Too Much Information, Stewart Copeland, Rehumanize Yourself, reggae, One World (Not Three), Jean Roussel, Omegaman, blondes, Secret Journey, post-punk, Darkness, rock, c*nts, power trio, British, 1981. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.facebook.com/YourOlderBrother http://www.twitter.com/OlderBrotherSam http://www.YerDoinGreat.com (Adam's music page) https://YerDoinGreat.wordpress.com http://www.GetOffOfMyLawn.com (old men Geezer) http://www.CoverMeBadd.com (various coverbands) http://www.RookieCardTheMovie.com (original musix 2001-2006) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: https://www.thepolice.com END CREDITS SONG: Police On My Back by the Equals

Éxitos, también clásicos de las últimas nueve décadas en voces de ilustres o de artistas incipientes… Canciones llevadas a otro lugar, a otro género incluso. Patti Austin en clave gospel (des’ Ree). Sarah Jarosz (U2) o Ward Thomas (Michael Jackson) hacia el country, Tammy Lynn al soul (The Doors), Foo Fighters en plan grunge (Gerry Rafferty) o Petit & Nuna por bossa nova (Gilbert O’ Sullivan) y el soul-jazz blanco de Lee Ritenour y Michael McDonald (The Police). Versiones para alegrar este lunes. DISCO 1 LEE RITENOUR & Michael McDonald Every Little Thing She Does Is Magic (7) The Police DISCO 2 SARAH JAROSZ I Still Haven't Found What I'm Looking For (Ordenador) U2 DISCO 3 PETIT & NUNA Alone Again (Naturally) (11) Gilbert O’Sullivan DISCO 4 PATTI AUSTIN You Gotta Be (1) DISCO 5 BOB WELCH I Got Rhythm (ORDENADOR) George & Ira Geshwin DISCO 6 LAUREN HENDERSON Sabor a mí (3) Álvaro Carrillo/ Los Panchos DISCO 7 FOO FIGHTERS Baker Street (COME AGAIN Cd 1 - 8) Gerry Rafferty DISCO 8 RITA COOLIDGE Seven Bridges Road (Ordenador) Steve Young DISCO 9 WARD THOMAS Man in the Mirror (EL SONIDO DE LOS 80 - 13) M.Jackson DISCO 10 CORA VELASCO Una décima de segundo (Ordenador) Nacha Pop DISCO 11 GABRIELLE APIN That's All (EL SONIDO DE LOS 80 - 8) Genesis DISCO 12 ROBERTA FLACK Will You Love Me Tomorrow (Cara 1 Corte 4) Carole King DISCO 13 TAMMI LYNN Light My Fire (LIVING IN THE STREETS - 2) The Doors DISCO 14 LOS SECRETOS & EL CONSORCIO Eres tú (ORDENADOR) Mocedades Escuchar audio

A Flock of Seagulls - Telecommunication (1981) EP Released before their debut album. Produced by Bill Nelson. A Flock of Seagulls - It's Not Me Talking (1981)  Bill Nelson - Love Without Fears (1982) Be Bop Deluxe - New Precision (1978) Be Bop Deluxe - Ships In The Night (1976) Be Bop Deluxe - Jet Silver And The Dolls Of Venus (1974) Strontium 90 - Electron Romance (1977)  Strontium 90 - New World Blues (1977) Strontium 90 - Every Little Thing She Does Is Magic (1977) Public Zone - Naive (1977) Peter Godwin, Duncan Brown and Sean Lyons were members of Metro. The band briefly changed their name to Public Zone and released this single with Stewart Copeland who played drums on both tracks Curved Air - Desiree (1976) Stuart Copeland on drums. Copeland was romantically involved with Curved Air vocalist Sonja Kristina beginning in 1974, and they were married from 1982 to 1991. Copeland adopted Kristina's son Sven from a prior relationship, and they had two more sons together, Jordan and Scott. I came THIS close to interviewing Stuart Copeland when he was in town last time. I would have asked him about Sonja, Klark Kent, and not much more.  Curved Air - Juno (1976) Last Exit - Savage Beast (1975) Sting on vocals.  Last Exit - Fool In Love (1975)  Last Exit - Carrion Prince (1975)  Tim Rose - Second Avenue (1975) What a nice song. Andy Summers plays guitar. I played this over and over when I found it.  Kevin Lamb - Last Farewell (1973) Andy Summers on guitar.  Joan Armatrading - Stepping Out (1975) Andy Summers on guitar.  Eric Burdon and the Animals - Colored Rain (1968) Andy Summers on guitar.  Dantalian's Chariot - Soma (Parts 1 & 2) (1967) Andy Summers on guitar.  Dantalian's Chariot - World War Three (1967)  Dantalian's Chariot - Madman Running Through The Fields (1967) 

This week I continue with all kinds of special-ness, foregoing the typical format to take a trip down memory lane with two hours of the "essential Nora songs." Brace yourselves because it's a wild ride! STAY HOME AND STAY SAFE. I love you. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Spark by Tori Amos on From The Choirgirl Hotel (Atlantic) 4′09″ Just by Radiohead on The Bends (XL Recordings) 13′17″ Spiderwebs by No Doubt on Tragic Kingdom (Interscope) 17′27″ Every Little Thing She Does Is Magic by The Police on Ghost In the Machine (A&M) 21′42″ O.N.E. by Yeasayer on Odd Blood (Secretly Canadian) 26′48″ Zebra by Beach House on Teen Dream (Sub Pop) 35′37″ Starla by Smashing Pumpkins on Gish (Caroline) 46′16″ Maybe I'm Amazed by Paul McCartney on McCartney (Apple Records) 49′51″ Gypsy by Fleetwood Mac on Mirage (Warner) 54′02″ She Sends Kisses by The Wrens on The Meadowlands (Absolutely Kosher) 64′17″ Stella Was A Diver (And She Was Always Down) by Interpol on Turn On The Bright Lights (Matador) 70′38″ In The Dark by The Changes on Today Is Tonight (Kitchenware) 74′11″ Somewhere Across Forever by stellastarr* on stellastarr* (RCA) 77′51″ The World Has Turned And Left Me Here by Weezer on Weezer (Geffen) 82′22″ House Of Jealous Lovers by The Rapture on Echoes (Mercury/DFA) 91′15″ Keep Yourself Warm by Frightened Rabbit on The Midnight Organ Fight (Fat Cat) 96′38″ Transatlanticism by Death Cab For Cutie on Transatlanticism (Barsuk) 104′16″ Terrible Love by The National on High Violet (4AD) 109′15″ Voyeur by James Blake on Overgrown (Polydor) 116′14″ It's the End of the World as We Know It (And I Feel Fine) by R.E.M. on Document (IRS) Check out the full archives on the website.

Decíamos ayer que The Police estaba en la cresta de la ola por méritos propios y por canciones como esta: Spirits in the Material World Traspasados los años 80 The Police fue abandonando su condición new wave para centrarse en su vertiente más pop. Así sucede en Ghost in the Machine (1981), un disco producido por Hugh Padgham que incluye los sencillos «Spirits in the Material World», que acabamos de escuchar, y «Every Little Thing She Does Is Magic» que escucharemos ahora. El éxito permanecía invariable en Europa y habían alcanzado el número 2 en los Estados Unidos. Al comienzo de la década de los 80 realizaron una gira por América del Sur. El concierto más importante de esta gira lo dieron los días 19 y 20 de febrero de 1982 en el Festival de Viña del Mar, en Chile, y fue todo un acontecimiento. En 1983 publican Synchronicity un álbum que obtuvo excelentes críticas gracias a un conjunto de canciones muy bien valoradas como «Every Breath You Take», que se convertiría en todo un himno de la banda. La gira de Synchronicity les permitió tocar en el Shea Stadium, un lugar mítico donde The Beatles se presentaron en 1965 ante 48.000 personas. Este fue el punto de inflexión de la fama del trío. El último concierto oficial de The Police en su etapa original fue el 4 de marzo de 1984 en Australia en la última fecha de la gira del disco Synchronicity. Las tensiones y egos entre los tres divos provocaron la disolución del trío, aunque nunca emitieron un comunicado sobre su disolución. Sting inició una carrera en solitario en 1985 llena de triunfos comerciales en donde había lugar para el pop con influencias jazz y del soul. Copeland se inclinó, entre otros proyectos, por la composición de bandas sonoras. Cuando todavía militaba en The Police editó varios EP's bajo el seudónimo Klark Kent, y después de la separación del grupo formó parte de diversos grupos, como por ejemplo Animal Logic. Colaboró también tocando la batería en algunas piezas del álbum So de Peter Gabriel. Por su parte Summers colaboró con grupos de rock progresivo y jazz. Andy Summers tocó como invitado en algunos conciertos de la gira de Sting en 1991, perteneciente a su disco solista The Soul Cages. Sting, por su parte, grabó como músico invitado en un disco de jazz de Summers. Durante este periodo The Police también realizó diversos conciertos en vivo como en 3 conciertos benéficos en junio de 1986 organizados por Amnistía Internacional y también tocaron en la boda del propio Sting celebrada en 1992. En 2003 el trío se reunió con motivo de su ingreso en el Salón de la Fama y cuatro años más tarde se reunieron para la entrega de los premios Grammy en febrero del 2007 e interpretaron «Roxanne». De esta época en solitario de Sting es este magnífico Englishman in New York Como muestra de la actividad en solitario de Copeland vamos a escuchar a su grupo Animal Logic en I’m Through With Love Del Sr. Summers no hemos sabido encontrar nada relacionado con esta época así que le vamos a escuchar en una grabación anterior a la formación de The Police con su grupo Strontium 90: New World Blues La separación del grupo fue la crónica de una muerte anunciada. El acento jamaicano de pega de Sting siempre había dado un poco de grima, y la entrevista que dio en 1979 a una revista no le hizo ningún bien. A la pregunta: “¿Sigue The Police un plan maestro?”, Sting contestó: “Si, Intentaremos superar a los Beatles. Me interesa atraer a un público masivo sin bajar el nivel, que sería lo más fácil del mundo: basta con hacer como Gary Glitter”. Bueno, el Sr. Gary Glitter, a pesar de sus numerosos éxitos musicales a lo largo de su carrera, acumula también numerosas condenas. En 1997 fue arrestado y condenado por posesión de cientos archivos de pornografía infantil. Más tarde, Glitter se enfrentó a cargos criminales y deportaciones de muchos países como Vietnam y Camboya, todos relacionados con el abuso sexual infantil. Glitter fue deportado de Vietnam a Reino Unido al final de su sentencia, por la que fue incluido en el registro de delincuentes sexuales. Todas estas condenas convirtieron a Glitter en una de las figuras más despreciadas del Reino Unido. Nuevamente, fue acusado, en junio de 2014, de delitos sexuales contra niños. El 5 de febrero de 2015 fue declarado culpable de intento de violación, cuatro cargos de asalto indecente y uno por tener relaciones sexuales con una niña menor de 13 años, entre 1975 y 1980. Fue sentenciado a 16 años de cárcel. En fin, suponemos que no se refería a esto cuando Sting citó a este despreciable personaje al que, al parecer, quería emular. Y es que Sting siempre ha resultado un poquito pedante, no solo para el público sino también para sus compañeros, con los cuales ha mantenido una relación de superioridad intelectual, intentando, también en sus letras, demostrar al mundo su pasado académico y lo leído que estaba. Pero musicalmente era el más talentoso del trio. Su carrera en solitario ha sido la más prolífica y la de mayor éxito. Un ejemplo: If you love somebody set them free. Para el primer disco que grabó Sting en solitario en 1985, The dream of the blue turtles, reunió a un grupo de músicos reconocidos como estrellas del jazz. El disco incluía el sencillo de mayor éxito «If you love somebody set them free», que acabamos de escuchar, además de otros como «Foretress around your heart», «We work the black seam» o «Consider me gone». En el plazo de un año se convirtió en triple platino. Sin abandonar es trabajo, vamos a escuchar otro corte: We work the black sean. En 1987, publicó Nothing like the sun, disco que supondría su reencuentro musical con Andy Summers. El LP incluía los éxitos «We’ll be together», «Be still my beating heart», «Englishman in New York» y «They dance alone» (canción en referencia a las madres argentinas y chilenas que perdieron a sus hijos en sendas dictaduras), dedicado a su madre, recientemente fallecida, y que pronto se convirtió en doble disco de platino, siendo reconocido como uno de los discos más importantes del rock & roll de los años 80. Vamos también a escuchar un par de temas de este importante trabajo. En primer lugar, The dance alone Y ahora, we’ll be together Ya hemos comentado que Sting es el más exitoso del trío Police. Esto le ha convertido en tipo multimillonario. No hace mucho tiempo, el compositor vendió todas sus obras, pasadas y futuras, a la compañía EMI por 30 millones de dólares. Uno de los contratos más abultados de la historia de la música, después del que firmara en su momento Elton John. Sting ha logrado lo que pocos consiguieron: multiplicar como solista el éxito que lo había llevado a la fama como miembro de un grupo. Pero la cabra tira al monte y, el 11 de febrero de 2007, The Police anuncia su reunión y abren el show de los premios Grammy interpretando «Roxanne». El primer concierto de The Police fue llevado a cabo en Vancouver (Canadá) el 28 de mayo de 2007 frente a más de veinte mil fanáticos. Como otros muchos artistas, Sting se ha sentido subyugado por la cultura india. Ahora practica yoga y meditación, reconociendo que le ayuda a “sobrellevar” la vida de artista. (que conste que esto es literal). A principios de 2005 Sting proclamó su interés por el hinduismo y declaró que quería pasar mucho más tiempo en la India por cuya cultura se siente fascinado. En una entrevista declaró: «En este momento lo que más me gusta es la religión hindú [...] Me he convertido en un adicto a la India. [...] Querría pasar el resto de mi vida descubriendo ese precioso país». Ya, pero bueno, por el momento, el artista vive en la preciosa región de La Toscana, en Italia, un lugar que, a lo mejor es un poco menos espiritual pero que, sin lugar a dudas, es mucho más agradable para vivir. Bueno amigos, se acabó el tiempo por hoy (creo que esta frase la dicen mucho los psiquiatras, no). Bueno, el caso es que, efectivamente, se nos acabó el tiempo. Nos oímos la próxima semana con más historias, más músicos y más música. Hasta entonces, ¡¡¡BUENAS VIBRACIONES!!!

Decíamos ayer que The Police estaba en la cresta de la ola por méritos propios y por canciones como esta: Spirits in the Material World Traspasados los años 80 The Police fue abandonando su condición new wave para centrarse en su vertiente más pop. Así sucede en Ghost in the Machine (1981), un disco producido por Hugh Padgham que incluye los sencillos «Spirits in the Material World», que acabamos de escuchar, y «Every Little Thing She Does Is Magic» que escucharemos ahora. El éxito permanecía invariable en Europa y habían alcanzado el número 2 en los Estados Unidos. Al comienzo de la década de los 80 realizaron una gira por América del Sur. El concierto más importante de esta gira lo dieron los días 19 y 20 de febrero de 1982 en el Festival de Viña del Mar, en Chile, y fue todo un acontecimiento. En 1983 publican Synchronicity un álbum que obtuvo excelentes críticas gracias a un conjunto de canciones muy bien valoradas como «Every Breath You Take», que se convertiría en todo un himno de la banda. La gira de Synchronicity les permitió tocar en el Shea Stadium, un lugar mítico donde The Beatles se presentaron en 1965 ante 48.000 personas. Este fue el punto de inflexión de la fama del trío. El último concierto oficial de The Police en su etapa original fue el 4 de marzo de 1984 en Australia en la última fecha de la gira del disco Synchronicity. Las tensiones y egos entre los tres divos provocaron la disolución del trío, aunque nunca emitieron un comunicado sobre su disolución. Sting inició una carrera en solitario en 1985 llena de triunfos comerciales en donde había lugar para el pop con influencias jazz y del soul. Copeland se inclinó, entre otros proyectos, por la composición de bandas sonoras. Cuando todavía militaba en The Police editó varios EP's bajo el seudónimo Klark Kent, y después de la separación del grupo formó parte de diversos grupos, como por ejemplo Animal Logic. Colaboró también tocando la batería en algunas piezas del álbum So de Peter Gabriel. Por su parte Summers colaboró con grupos de rock progresivo y jazz. Andy Summers tocó como invitado en algunos conciertos de la gira de Sting en 1991, perteneciente a su disco solista The Soul Cages. Sting, por su parte, grabó como músico invitado en un disco de jazz de Summers. Durante este periodo The Police también realizó diversos conciertos en vivo como en 3 conciertos benéficos en junio de 1986 organizados por Amnistía Internacional y también tocaron en la boda del propio Sting celebrada en 1992. En 2003 el trío se reunió con motivo de su ingreso en el Salón de la Fama y cuatro años más tarde se reunieron para la entrega de los premios Grammy en febrero del 2007 e interpretaron «Roxanne». De esta época en solitario de Sting es este magnífico Englishman in New York Como muestra de la actividad en solitario de Copeland vamos a escuchar a su grupo Animal Logic en I’m Through With Love Del Sr. Summers no hemos sabido encontrar nada relacionado con esta época así que le vamos a escuchar en una grabación anterior a la formación de The Police con su grupo Strontium 90: New World Blues La separación del grupo fue la crónica de una muerte anunciada. El acento jamaicano de pega de Sting siempre había dado un poco de grima, y la entrevista que dio en 1979 a una revista no le hizo ningún bien. A la pregunta: “¿Sigue The Police un plan maestro?”, Sting contestó: “Si, Intentaremos superar a los Beatles. Me interesa atraer a un público masivo sin bajar el nivel, que sería lo más fácil del mundo: basta con hacer como Gary Glitter”. Bueno, el Sr. Gary Glitter, a pesar de sus numerosos éxitos musicales a lo largo de su carrera, acumula también numerosas condenas. En 1997 fue arrestado y condenado por posesión de cientos archivos de pornografía infantil. Más tarde, Glitter se enfrentó a cargos criminales y deportaciones de muchos países como Vietnam y Camboya, todos relacionados con el abuso sexual infantil. Glitter fue deportado de Vietnam a Reino Unido al final de su sentencia, por la que fue incluido en el registro de delincuentes sexuales. Todas estas condenas convirtieron a Glitter en una de las figuras más despreciadas del Reino Unido. Nuevamente, fue acusado, en junio de 2014, de delitos sexuales contra niños. El 5 de febrero de 2015 fue declarado culpable de intento de violación, cuatro cargos de asalto indecente y uno por tener relaciones sexuales con una niña menor de 13 años, entre 1975 y 1980. Fue sentenciado a 16 años de cárcel. En fin, suponemos que no se refería a esto cuando Sting citó a este despreciable personaje al que, al parecer, quería emular. Y es que Sting siempre ha resultado un poquito pedante, no solo para el público sino también para sus compañeros, con los cuales ha mantenido una relación de superioridad intelectual, intentando, también en sus letras, demostrar al mundo su pasado académico y lo leído que estaba. Pero musicalmente era el más talentoso del trio. Su carrera en solitario ha sido la más prolífica y la de mayor éxito. Un ejemplo: If you love somebody set them free. Para el primer disco que grabó Sting en solitario en 1985, The dream of the blue turtles, reunió a un grupo de músicos reconocidos como estrellas del jazz. El disco incluía el sencillo de mayor éxito «If you love somebody set them free», que acabamos de escuchar, además de otros como «Foretress around your heart», «We work the black seam» o «Consider me gone». En el plazo de un año se convirtió en triple platino. Sin abandonar es trabajo, vamos a escuchar otro corte: We work the black sean. En 1987, publicó Nothing like the sun, disco que supondría su reencuentro musical con Andy Summers. El LP incluía los éxitos «We’ll be together», «Be still my beating heart», «Englishman in New York» y «They dance alone» (canción en referencia a las madres argentinas y chilenas que perdieron a sus hijos en sendas dictaduras), dedicado a su madre, recientemente fallecida, y que pronto se convirtió en doble disco de platino, siendo reconocido como uno de los discos más importantes del rock & roll de los años 80. Vamos también a escuchar un par de temas de este importante trabajo. En primer lugar, The dance alone Y ahora, we’ll be together Ya hemos comentado que Sting es el más exitoso del trío Police. Esto le ha convertido en tipo multimillonario. No hace mucho tiempo, el compositor vendió todas sus obras, pasadas y futuras, a la compañía EMI por 30 millones de dólares. Uno de los contratos más abultados de la historia de la música, después del que firmara en su momento Elton John. Sting ha logrado lo que pocos consiguieron: multiplicar como solista el éxito que lo había llevado a la fama como miembro de un grupo. Pero la cabra tira al monte y, el 11 de febrero de 2007, The Police anuncia su reunión y abren el show de los premios Grammy interpretando «Roxanne». El primer concierto de The Police fue llevado a cabo en Vancouver (Canadá) el 28 de mayo de 2007 frente a más de veinte mil fanáticos. Como otros muchos artistas, Sting se ha sentido subyugado por la cultura india. Ahora practica yoga y meditación, reconociendo que le ayuda a “sobrellevar” la vida de artista. (que conste que esto es literal). A principios de 2005 Sting proclamó su interés por el hinduismo y declaró que quería pasar mucho más tiempo en la India por cuya cultura se siente fascinado. En una entrevista declaró: «En este momento lo que más me gusta es la religión hindú [...] Me he convertido en un adicto a la India. [...] Querría pasar el resto de mi vida descubriendo ese precioso país». Ya, pero bueno, por el momento, el artista vive en la preciosa región de La Toscana, en Italia, un lugar que, a lo mejor es un poco menos espiritual pero que, sin lugar a dudas, es mucho más agradable para vivir. Bueno amigos, se acabó el tiempo por hoy (creo que esta frase la dicen mucho los psiquiatras, no). Bueno, el caso es que, efectivamente, se nos acabó el tiempo. Nos oímos la próxima semana con más historias, más músicos y más música. Hasta entonces, ¡¡¡BUENAS VIBRACIONES!!!

My guests for this episode are . . . the Zia Chicks! We had a great time drinking coffee, laughing, chatting, and singing! See this episode and all the rest at http://KensThinkTank.comCovers of the following songs:"Every Little Thing She Does is Magic" by The Police"Diamonds in the Rough" by John Prine"Fix You" by Cold PlaySupport the show (http://kensthinktank.com/)

Cover version of "Every Little Thing She Does is Magic" by The Police - covered by the Zia Chicks on Ken's Think Tank. Watch the full episode at: http://kensthinktank.com/s02e02-zia-chicks-perform-3-songs/Support the show (http://kensthinktank.com/)

Om 22:00 uur Hubert van Hoof met Hubert On The Air. De uitzending van vandaag is weer een aflevering van The Originals, waaronder een aantal rond Aretha Franklin. De oorprong van Chain Of Fools is bijvoorbeeld een gospel! En voor wie denkt dat "Every Little Thing She Does Is Magic" van The Police , het original is…mis! Sting nam het vijf jaar eerder al eens op met zijn band Strontium 90. Dit en nog meer leuke weetjes hoor je in Hubert On The Air.

Pat and Kyle welcome Mike Siegel back to the Co-Host chair to discuss the music of The POLICE.

The Police a side: "Every Little Thing She Does Is Magic" b side: "Shambelle" A&M Records 2371-S 1981 All the way up to No. 3 on the Billboard Hot 100. In case you were wondering what Steward Copeland was like back then. (https://youtu.be/OjAi9yQyxpg) Palace a side: "Every Mother’s Son" b side: "No More Rides" Drag City Records/Palace Records DC83/PR9 1996 a side: Deerhoof "Exit Only" b side: Wampire "The Amazing Heart Attack" Polyvinyl Records PRC-9210-7 2014 Smut Peddlers a side: "Exit Plan" b side: "Losta Cooks"/"Blackballed" Ransom Records RR-007 2003 Produced by Mr. Billy Zoom. R.E.M. a side: "Fall On Me" b side: "Rotary Ten" I.R.S. Records IRS-52883 1986 This actually cracked the Billboard Hot 100 at No. 94. Hamilton, Reynolds and Joe Frank a side: "Fallin’ in Love" b side: "So Good at Lovin’ You" Playboy Records P 6024 1975 Here's one for you MST#K folks. (https://youtu.be/dhwOwl1KfSU?t=3s) Jimmy Dean & his Texas Wildcats a side: "False Pride" b side: "Big Blue Diamonds" Mercury Records 70691X45 1955 Willard Whyte. (https://youtu.be/XbwDGtj84YY)

The River Turntable at 5:45am - As voted on by YOU, we played The Police's "Every Little Thing She Does Is Magic" on the turntable.

Andy Summers rose to fame in the early 1980’s as the guitarist with the multi-million record selling rock band The Police. The Police were the number one band of the time and dominated the music scene and the media in the eighties with several number albums and singles including Every Breath You Take, Roxanne, Don’t Stand So Close to Me, Every Little Thing She Does Is Magic, Invisible Sun, and Message in a Bottle. The band was the recipient of several Grammys and awards too numerous to mention.Andy Summers innovative guitar playing created a new paradigm for guitarists in this period and has been widely imitated ever since. Prior to the Police Andy Summers played with various bands in the London scene including the Soft Machine, Kevin Coyne and also Kevin Ayers.Post Police Andy has made thirteen solo records, collaborated with many other musicians and toured the world as a solo artist. In addition he has composed film scores, and along with many photo gallery exhibitions published books of his photography.In 2006 his autobiography One Train Later was released to great success and was voted the number one music book of the year in the UK. The film Can’t Stand Losing You based on the book saw it’s theatrical release in the US by Cinema Libre in March 2015. The DVD of the film will be released on July 14th 2015, along with Andy’s latest CD – Metal Dog.Recent projects include the record Circus Hero from his new band Circa Zero released in April 2014, touring in Brazil with Rodrigo Santos and scoring music for the Turkish film And the Circus Leaves Town.Current photo exhibition have been at the Leica gallery in Los Angeles, Paris/LA Independent Photo Show, Kunst, Licht gallery in Shanghai, CCC Gallery in Beijing and Photokina in Cologne, Germany.Upcoming photography exhibitions are scheduled for August in Sao Paulo Brazil and Rio de Janeiro with Globo newspaper.Andy is in the Rock and Roll Hall of Fame, the Guitar Player Hall of Fame, has the keys to New York City! He has been awarded the Chevalier De L’Ordre Des Arts et Des Lettres by the Ministry of Culture in France.

Get an up-close view of jazz guitar duo playing a fresh take on a few of Lou's original tunes and the trio live with a different interpretation of "Every Little Thing She Does Is Magic". Also in this Episode is a little story of Lou's meeting and playing with George Benson for the first time.

An invitation to musical analysis (as well as rambling nonsense), Song by Song returns to the diner for another longing message to an unattainable woman. Martin, Sam and Lucy Dallas return to discuss how realistic this longing is, how attainable the draw of independence and freedom might be, and whether Sam should practice piano on-air or in his own time. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Invitation To The Blues, Small Change, Tom Waits (1976) Every Little Thing She Does Is Magic, Ghost In The Machine, The Police (1981) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Треклист: 01. A Thousand Years 02. Every Little Thing She Does Is Magic 03. Englishman In New York 04. Roxanne 05. When We Dance 06. Russians 07. I Hung My Head 08. Why Should I Cry For You? 09. Whenever I Say Your Name 10. This Cowboy Song 11. Tomorrow Well See 12. Moon Over Bourbon Street 13. End Of The Game 14. You Will Be My Ain True Love 15. All Would Envy 16. Mad About You 17. King Of Pain 18. Every Breath You Take