POPULARITY
8 episodes with In the Dark
14 episodes with In the Dark
10 episodes with In the Dark
3 episodes with In the Dark
14 episodes with In the Dark
4 episodes with In the Dark
4 episodes with In the Dark
2 episodes with In the Dark
2 episodes with In the Dark
Download/stream: fanlink.tv/GR376 After the success of Hypnotize, New York City based artist Waaablo returns to Gain with the highly anticipated “In The Dark EP”. The release contains three unique peak-time techno tracks that are proven dancefloor heavy hitters. The featuring record “In The Dark” is a highly energetic track with hypnotizing melodies, hard-hitting drums and catchy vocals that build tension throughout the track. With pulsating basslines and meticulously crafted synth layers, Waaablo's signature sound shines throughout the track creating an immersive atmosphere that bound to leave a lasting impression. The EP continues with two additional tracks that maintain the same high-energy intensity. Each track offers a unique take on peak-time techno, always with deep driving bass and intricate sound design that is sure to keep the dancefloor locked in. ©️ 2025 Gain Records | Gain Plus www.gainrecords.com #SuperTechno #WeAreWhatWePlay #Dreamtechno
Download/stream: fanlink.tv/GR376 After the success of Hypnotize, New York City based artist Waaablo returns to Gain with the highly anticipated “In The Dark EP”. The release contains three unique peak-time techno tracks that are proven dancefloor heavy hitters. The featuring record “In The Dark” is a highly energetic track with hypnotizing melodies, hard-hitting drums and catchy vocals that build tension throughout the track. With pulsating basslines and meticulously crafted synth layers, Waaablo's signature sound shines throughout the track creating an immersive atmosphere that bound to leave a lasting impression. The EP continues with two additional tracks that maintain the same high-energy intensity. Each track offers a unique take on peak-time techno, always with deep driving bass and intricate sound design that is sure to keep the dancefloor locked in. ©️ 2025 Gain Records | Gain Plus www.gainrecords.com #SuperTechno #WeAreWhatWePlay #Dreamtechno
Download/stream: fanlink.tv/GR376 After the success of Hypnotize, New York City based artist Waaablo returns to Gain with the highly anticipated “In The Dark EP”. The release contains three unique peak-time techno tracks that are proven dancefloor heavy hitters. The featuring record “In The Dark” is a highly energetic track with hypnotizing melodies, hard-hitting drums and catchy vocals that build tension throughout the track. With pulsating basslines and meticulously crafted synth layers, Waaablo's signature sound shines throughout the track creating an immersive atmosphere that bound to leave a lasting impression. The EP continues with two additional tracks that maintain the same high-energy intensity. Each track offers a unique take on peak-time techno, always with deep driving bass and intricate sound design that is sure to keep the dancefloor locked in. ©️ 2025 Gain Records | Gain Plus www.gainrecords.com #SuperTechno #WeAreWhatWePlay #Dreamtechno
Norman Buckley is a prolific director whose work spans various networks, genres, and styles. Most recently, he executive produced and edited the short film STORAGE FEES. He is currently the co-executive producer/producing director on the Netflix show SWEET MAGNOLIAS. His previous credits include NCIS: HAWAII, PRETTY LITTLE LIARS, CHARMED, IN THE DARK, ZOO, QUANTICO, RIZZOLI AND ISLES, CHUCK, GOSSIP GIRL, AND THE OC. He was co-executive producer/producing director on PRETTY LITTLE LIARS: THE PERFECTIONISTS.After editing the pilot episode of THE OC in 2003, he began his directing career by helming six episodes of that series. He has gone on to direct over 140 episodes of television since then. His television movie THE PREGNANCY PROJECT won Best Primetime Program (Special or Movie of the Week) and Best Actress (Alexa Vega) at the 2012 Imagen Awards. His episode of THE OC “The Metamorphosis” was chosen by Entertainment Weekly magazine as one of the five best episodes of the series. His episode of GOSSIP GIRL “The Handmaiden's Tale” was chosen by Newsweek Magazine as one of the top ten television episodes of 2007.Buckley began working in the industry as an assistant editor on the Oscar-nominated films TENDER MERCIES, SILKWOOD, and PLACES IN THE HEART. He continued editing for a number of years on many films, television series, and TV movies. He worked with many outstanding directors, including Bruce Beresford, Robert Benton, Mike Nichols, Rob Reiner, Michael Lindsay-Hogg, Richard Donner, J.S. Cardone, McG, Doug Liman, and Robert M. Young. He also learned the editing craft from some of the best film editors in the business, including Carol Littleton, Sam O'Steen, William Anderson, and Bob Leighton.He worked as an editor on many independent films at the Sundance, Toronto, and Telluride film festivals, including HAPPY, TEXAS, which he also associate-produced. Beginning in 2000, Buckley edited several television pilots, all of which were picked up to series, which led to his regular work in television.He has been nominated twice for an American Cinema Editors award: in 2003 for JOE AND MAX, for best-edited motion picture for non-commercial television, and he won the award in 2008 for the pilot of CHUCK, for best-edited one-hour series for commercial television.Buckley grew up in Fort Worth, Texas and studied history at the University of Texas at Arlington, before moving to Los Angeles where he would later graduate from the University of Southern California with a degree in Cinema/Television.He was an adjunct professor at the University of California Los Angeles film school, teaching both graduates and undergraduates.Norman Buckley was married to the late artist Davyd Whaley and he established The Davyd Whaley Foundation (davydwhaleyfoundation.org) to carry on Davyd's legacy by supporting emerging artists with annual grants. Most recently the Foundation has funded scholarships at the Art Students League in New York and the film school at UCLA, as well as providing funding for Art Division, Art of Elysium, and the Brentwood Art Center in Los Angeles.
Read along to practice your English and to learn the English phrases IN THE DARK and A SHOT IN THE DARKIn this English lesson, I wanted to help you learn the English phrase in the dark. When you are in the dark, it means you don't know about something. I use this example a lot, but if someone was planning a surprise party for me, they would want to keep me in the dark. They would want to make sure that I don't know about the party. If they were planning like a surprise birthday party, they would all talk amongst themselves, but they would try to keep me in the dark. Sometimes governments do this as well. They do things that they know the citizens won't like, but they try to keep them in the dark. They don't let the press or the newspapers know, and they try to make sure people don't know what's going on. They keep them in the dark. Not a very good thing.WANT FREE ENGLISH LESSONS? GO TO YOUTUBE AND SEARCH, "BOB THE CANADIAN"If you enjoy these lessons please consider supporting me at: http://www.patreon.com/bobthecanadianThe other phrase I wanted to teach you today is a shot in the dark. Now, a shot in the dark is simply a guess. If you were to say to me what's 10 times 11 and I didn't know the answer, I might say, it's shot in the dark. It's probably around 110 or something like that. Anyways, a shot in the dark, that's a bad example. A shot in the dark is a guess. If you were to ask me how many English lessons have I made, I would say, and it's just a shot in the dark. At least over a thousand. Maybe close to 2000 if you combine the two channels. But that's just a shot in the dark. That's just a guess because I don't know the actual answer.So to review, when you are in the dark, it means you don't know about something. It means other people know, but you don't know. And a shot in the dark is simply a guess about something.But hey, let's look at a comment from a previous video. This comment is from Klopcyna. Dear Bob, do your students know you are a successful YouTuber? Do they watch your videos? This question's come up before my response. Most do know, but few watch them. I think when they find out, it's cool and unique. But after a while it's just a normal thing. Yeah, once. Thanks, Klopcyna, for that comment. Once I'm their teacher and I start assigning homework and I start checking their homework and doing all the things that teachers normally do, like telling them to stop running in the hallway. I think they forget that I'm a YouTuber and that I'm doing quite well on YouTube.So yes, most of them know I think most of them think it's pretty cool. But the other thing I would say is this YouTube isn't as big a deal for them as some of the other social media apps they use. I don't consider YouTube necessarily a pure social media app or platform. I mostly use YouTube to learn new things and obviously to teach things. But for my students, I think it's a little more of the like TikTok, Snapchat, BeReal. All of those kinds of things are more important in their lives. So yeah. Do they know? Yes. Do they care? Maybe a little bit. I don't know. It doesn't really matter to me. I just hope that they learn something from me in the classes that I teach.So hey. Yep, it continues. Once again, I was not going to talk about the weather, but yeah, it's a little warmer as you can see, I'm able to be outside without a winter hat or gloves, but it's still definitely winter. I haven't had to clean the driveway again. I think what I miss the most is the sun. Like you can kind of see it up there behind the clouds. But I'm looking forward to not necessarily warmer weather. I don't mind if it stays a little bit cold. I think I'm looking forward to just a little more sunshine. I've been taking my vitamin D pill every day because I'm nSupport the show
Esta semana, en Islas de Robinson... Seguimos reuniendo discos favoritos a tiempo real. Algunos tesoros presentes de esencia clásica, "ADN robinsoniano". Suenan: JACKIE WEST - "SUNROOM" ("CLOSE TO THE MISTERY", 2024) / JULIE BETH NAPOLIN - "IN THE DARK" ("ONLY THE VOID STANDS BETWEEN US", 2024) / HALEY HEYNDERICKX - "GEMINI" ("SEED OF A SEED", 2024) / MAIA FRIEDMAN - "ON PASSING" (2024) / HANNAH FRANCES - "DUSK" ("KEEPER OF THE SHEPHERD", 2024) / ALLEGRA KRIEGER - "INTO ETERNITY" ("ART OF THE UNSEEN INFINITY MACHINE", 2024) / DAISY RICKMAN - "SIGNPOST TO THE STARS" ("HOWL", 2024) / EVA MAY - "IN MY HEART" (2024) / CLARA MANN - "'TIL I COME AROUND" (2024) / NAIMA BOCK - "TAKES ONE" ("BELOW A MASSIVE DARK LAND", 2024) / DOROTHEA PAAS - "NIGHT PICTURE" ("THINK OF MIST", 2024) / JENNIFER CASTLE - "EARTHSONG" ("CAMELOT", 2024) /Escuchar audio
All content (c) 2024 Empowered Sleep Apnea, LLC unless otherwise notedA PDF transcript of this episode (includes cartoon! HUZZAH!) is within your grasp by clicking HERE.~ ~ ~ ~ ~HAPPY HALLOWEEN, Life Fans! For this extra-delibulous palindromic 11th episode of our second season, Dave reads from the Beautiful Blue Book three tales of a SCARY thing we see here on the ISLE of SLEEP APNEA, something called "CPAP Pressure Toxicity".What's CPAP Pressure Toxicity? It's any CPAP setting that's TOO HIGH FOR YOU? What does that look like? Well, listen to our three stories...SCARY STORIES for HALLOWEEN…and find out for yourself! Don't worry, Life Fans! We wouldn't leave you IN THE DARK! All three of our TALES OF TERROR happily resolve into joyful EMPOWERMENT!The cartoon for today's episode is a teaching point that's worth REMEMBERING...the type of mask we use for CPAP really MATTERS...our cartoon character CLAUDIO helps us take a look at the functional differences between nasal masks and oronasal masks.To fully grasp this episode's cartoon, just click HERE!Our Website: https://www.empoweredsleepapnea.comOfficial Blog: "Dave's Notes" : https://www.empoweredsleepapnea.com/daves-notesTo go to the BookBaby bookstore and view the BOOK, click HERE!
How many puns can you fit into one show title? What's Arsenio Hall up to these days? And how do compasses work anyway? Andy Matthews (Two In The Think Tank) joins me in the CombsCave to discuss these queries and more as we look at "In The Dark", S2/E20 of Martial Law (2000), a very 'new millennium' cop show. Also features: yet more Manhandled Jeff, some alarming green-screen action and the least amusing bloopers ever set to celluloid. Don't worry, though- Andy also has a song for us. Follow the podcast: Twitter: @reanimatespod Instagram: @reanimatespod YouTube: @re-animatespodcast Tumblr: /reanimatespodcast
Send us a textWith one of the most iconic lineups in its storied history, the Nitty Gritty Dirt Band continues to shine as one of the most accomplished groups in American roots music. Featuring founding members Jeff Hanna (lead vocals, guitar) and Jimmie Fadden (drums, harmonica, vocals), along with longtime bandmate Bob Carpenter (keys, vocals), who has been with the band since 1980, and rounded out by Jim Photoglo (bass, vocals), Jaime Hanna (guitar, vocals), and Ross Holmes (fiddle, mandolin, vocals), the Dirt Band has captivated audiences for nearly six decades.Their career began in 1966 as a jug band in Southern California, quickly rising to prominence by 1970 with their breakthrough album Uncle Charlie & His Dog Teddy, featuring the hit single "Mr. Bojangles." Over the years, they've made an indelible mark on American music with hits like “Fishin' In The Dark,” “Modern Day Romance,” and “Long Hard Road.” The band is also celebrated for their three Will The Circle Be Unbroken records, which featured collaborations with bluegrass, country, and folk legends such as Earl Scruggs and Doc Watson. These efforts earned the Dirt Band GRAMMY, CMA, and IBMA Awards, while their PBS special Circlin' Back! won an Emmy.In 2022, the band released Dirt Does Dylan to widespread critical acclaim, continuing their legacy of musical excellence. Bob Carpenter, a recent guest on Midwest Mixtape Podcast, discussed the band's journey and the exciting next chapter—ALL THE GOOD TIMES: The Farewell Tour. Launching in 2024, this tour will celebrate the nearly 60 years of music that the Dirt Band has shared with the world, offering fans a final chance to experience the band's legendary live performances.http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn
Fresh back from vacation, the legend Armin van Buuren joined us on America's Dance 30 to celebrate the incredible success of his smash "In The Dark"! Armin shared how the song was born w David Guetta & Aldae, why he was shocked it actually happened, how long ago they started working on it, and how many different Vs there were of it before its release. Armin also talked which artists he'd love to collab with that he still hasn't!He also shared about Ibiza and how best to enjoy the paradise island, what major show he has coming up that he's really excited about, and who he would DJ a set for if it could be anyone dead or alive.We also got to know Armin better w "Armin In The Dark" or "Armin With The Lights On"!!Find out if he'd rather do the following in the dark or w the lights on:watch a scary movietake a napplay a live setproduce his next #1how he proposed to his wifeFollow: @AmericasDance30 on all socials!Count down the biggest dance songs in the country every week with Brian Fink on America's Dance 30; listen on stations around the world!
An Iraqi lawyer reaches out to an American investigative journalist about a massacre that killed family members and others in his hometown. In 2005, after an IED attack on their convoy, US Marines stormed a village and executed 24 men, women, and children. The servicemen claimed they were returning fire from insurgents, but the evidence collected - including secret photographs - suggested a war crime was committed. Despite international condemnation of the Haditha massacre, none of the Marines served time for the killings. Two decades later, Madeleine Baron asks the question “why not?”Season three of the two-time Peabody Award winning podcast “In The Dark” from The New Yorker digs into the arcane world of the military justice system. The nine-part series is the result of four years of investigation, hundreds of interviews, and thousands of unreleased documents. Along the way, they uncover new details about that day in Haditha, the Marine Corps's efforts to minimize it, and why no one involved in the biggest American war crime since Vietnam was ever punished.OUR SPOILER-FREE REVIEW OF EPISODES 1-5 OF "IN THE DARK" BEGIN IN THE FINAL 13 MINUTES OF THIS EPISODE.In Crime of the Week: who can it be now? New episodes of Crime Writers On every Monday this summer!For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.
This program is drawn from a new season of the award-winning investigative podcast In the Dark. On a November day in 2005, in the city of Haditha, Iraq, something terrible happened. “Depending on whose story you believed, the killings were a war crime, a murder,” the lead reporter Madeleine Baran says. “Or they were a legitimate combat action and the victims were collateral damage. Or the killings were a tragic mistake, unintentional—sad, but not criminal. Basically, the only thing that everyone could agree on was that twenty-four people had died, and it was marines who'd killed them.” Season 3 of In the Dark looks at what happened that day in Haditha, and why no one was held accountable for the killings. Baran and her team travelled to twenty-one states and three continents over the course of four years to report on a story that the world had largely forgotten. Episode 1 airs this week on The New Yorker Radio Hour, and you can listen to the rest of the series wherever you get your podcasts.
This week Pastor Tim Schoen continues the teaching series “He's Him” with the second message “In The Dark.”(Recorded June 29th, 2024)To get connected follow us on Instagram @HSRevolution
0:00:00 Intro 0:01:05 Members Of Mayday - Mayday Anthem (Thomas Schumacher Remix) 0:04:54 The Prodigy - Smack My B**** Up (A.D.H.S. Edit) (unreleased) 0:08:50 Thomas Schumacher - When I Rock (A.D.H.S. Remix) 0:13:05 A.D.H.S. - Maxed Out (unreleased) 0:19:15 Cherrymoon Trax - House of House (Thomas Schumacher Remix) 0:26:30 A.D.H.S. - In The Dark (unreleased) 0:30:45 Thomas Schumacher - Stella Remix (unreleased) 0:35:50 Thomas Schumacher & A.D.H.S. - Aksijan 0:40:10 Thomas Schumacher & A.D.H.S. - Mirazh 0:43:30 A.D.H.S. - (unreleased) 0:47:00 Marhu - La Monnaie 0:51:45 A.D.H.S. - Sagaraya 0:56:04 unreleased 1:00:47 A.D.H.S. - Khakuri (unreleased) 1:04:05 Josh Wink - Higher States Of Consciousness | Thomas Schumacher Remix (unreleased) 1:08:33 A.D.H.S. - Paranoize 1:12:24 Thomas Schumacher - Tainted Schall 1:17:00 Thomas Schumacher - Final Fantasy (unreleased) 1:22:00 A.D.H.S. & Thomas Schumacher - Cafe Del Mar Rework (unreleased)
In The Dark of the Night by Leroy Schuring After the death of his father, eighteen-year-old Terry Wheelington travels from Canada to Utah to live with his uncle Ted Wheelington, Aunt Cora, and two ranch hands--Burt Foster and Jed Wolfe--on his uncle's cattle ranch. Receiving a chilly reception from his estranged uncle, Terry wonders if perhaps the move had been a big mistake. Then during a stormy night, Jed is found dead in the garage, and a pistol once belonging to Terry's father is discovered not far from the body. Suddenly, dark secrets long buried slowly rise to the surface with shocking revelations, and Terry is caught up in the middle of a sinister web.Author LeRoy Schuring worked at the University of Utah Hospital in the environmental and linen services departments as a data entry specialist for thirty-eight years and is now living a leisurely life with his little Chihuahua, Tinkerbelle. He enjoys traveling when he gets the opportunity, solving puzzles of all kinds, trying out new experiences, and spending quality time with family and friends. “In the Dark of the Night” is his first novel. He is presently working on a new suspense storyhttps://www.amazon.com/Dark-Night-LeRoy-Schuring-ebook/dp/B0CW2WMKPLhttp://www.WritersBranding.com
In a small New York town, a sense of mystery enveloped the community when 36-year-old Jennifer Ramsaran disappeared without a trace on December 11, 2012. Following months of uncertainty, her remains were discovered along a secluded roadside, revealing the shocking truths of a secret love affair.Credit:Dateline NBC - The Perfect LifeDon't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
In 1989, in St. Joseph, Minnesota, 11-year-old Jacob Wetterling was abducted at night while riding his bike home from a corner store with his friends. His case would puzzle authorities and deeply unsettle the small community for nearly thirty years.Credit: Clips and interviews featured in this episode were sourced from "In The Dark" podcast, Season 1 (Jacob Wetterling) investigated and written by Reporter Madeleine Baran. For a comprehensive exploration of Jacob's narrative, I highly recommend the podcast.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
"Changing Beats: Goose's Drummer Departure and New Musical Ventures"Larry Mishkin dives into a live performance of the Grateful Dead's Mardi Gras Show from 1986. The discussion highlights the additional set by The Nevels, a brief comparison of songs played, and the significance of the venue, Kaiser Convention Center. The conversation transitions to Goose, a contemporary jam band, announcing a change in drummers and their new album release. Larry also touches on the Grateful Dead's record-breaking achievement of having the most Top 40 albums on the Billboard 200. Lastly, it explores the origins and themes of the Grateful Dead's song "Cassidy," drawing connections to individuals associated with the band and the Beat Generation. Throughout, there's a mix of musical analysis, historical context, and personal anecdotes, offering a comprehensive exploration of the music and culture surrounding these iconic bands plus the latest cannabis news. Grateful DeadFebruary 12, 1986 (38 years ago)Henry J. Kaiser Convention CenterOakland, CAGrateful Dead Live at Henry J. Kaiser Convention Center on 1986-02-12 : Free Download, Borrow, and Streaming : Internet Archive Show Title: Dead and the Neville Brothers Rock Oakland Celebrating Mardi Gras A short Dead show by Nevilles played a set after turning it into a marathon evening of great music INTRO: Sugaree Track #3 Start – 1:35 Jerry comes out smoking on this crowd favorite to get things rocking (second song after Hell in a Bucket). Released on the Jerry's first solo album, Garcia, in January, 1972. Played 362 times 1st at on July 31, 1971 at the Yale Bowl in New Haven, CN six months before its release Last played on July 8, 1995 at Soldier Field in Chicago Kaiser Convention Center is a historic, publicly owned multi-purpose building located in Oakland, California. The facility includes a 5,492-seat arena, a large theater, and a large ballroom.[2] The building is #27 on the list of Oakland Historic Landmarks.,[3] and was listed on the National Register of Historic Places in 2021.[4]The building is located at 10 10th Street, in the Civic Center district of the city. It is next to the Oakland Museum, Laney College, Lake Merritt, and near the Lake MerrittBARTstation.he Beaux-Arts style landmark was built in 1914; the architect was John J. Donovan.[3] The structural engineer was Maurice Couchot.[5] Originally known as the Oakland Civic Auditorium, it was renamed in honor of Henry J. Kaiser after a 1984 renovation.The city closed the facility in 2006 and its future was uncertain for a decade.[1] In 2006, Oakland voters defeated a ballot proposition advocating a library space in the building.The facility was owned by the City of Oakland until 2011, when it was sold to the local redevelopment agency for $28 million.[6] However, the redevelopment agency was dissolved by the State of California in 2012,[7] so ownership reverted to the city of Oakland.In 2015 the city chose a local developer, Orton Development, Inc. to renovate the facility. The plans are to turn it into a commercial space, with the Calvin Simmons Theater being renovated as a performing arts venue. The building is also supposed to be registered as a national historic landmark.In the 1950s and 1960s the Roller Derby played there hundreds of times. Elvis Presley performed at the convention center on June 3, 1956, and again on October 27, 1957. On December 28, 1962, Martin Luther King Jr. spoke to an audience of 7,000 at the auditorium to mark the 100th anniversary of the Emancipation Proclamation.[13]Ike & Tina Turner performed at the Oakland Auditorium on January 13, 1967.From 1967 through 1989, the Grateful Dead, an American rock band, performed at the convention center 57 times. Their first 23 concerts at the convention center were billed at "Oakland Auditorium", and later, starting in 1985, the venue changed to "Henry J. Kaiser Convention Center". In the 80's the band started performing "runs" of shows over the course of three to seven days.[ SHOW No. 1: Tons of Steel Track # 4 1:07 – 2:40 A “new” Brent song, released on In The Dark in 1987. Love the harmonizing with Phil – “She wasn't built to travel at the speed a rumor flies, these wheels are bound to jump the tracks, before they burn the ties.” Crowd loves it too – any excuse to hear Phil sing – this is just about a month before the Hampton show where Phil broke out Box of Rain, Deadheads couldn't get enough of him. David Dodd:Brent wrote the words and music for “Tons of Steel.” It was first performed on December 28, 1984, at the Civic Auditorium in San Francisco (now Bill Graham Civic). The other first in the show was "Day Tripper." I was there! It sounded like a hit to me. But then, I was completely disconnected from whatever it was that passed for hit-making in the 1980s.It was performed fairly regularly throughout 1985 through September 1987, making its last appearance on September 23 at The Spectrum in Philadelphia. That seems odd to me, because it was dropped from rotation just a little more than two months after it was released on In the Dark, in July. Any thoughts?So, it's a song about a train. One of the prime motifs in Grateful Dead lyrics. Quick—name five Grateful Dead songs with trains! No peeking!What do trains evoke in Dead lyrics? Everything from danger (“Caution,” “Casey Jones”) to adventure (“Jack Straw”) to love (“They Love Each Other”) to farewell (“He's Gone”) to whatever that thing is that we feel when Garcia sings about wishing he was a headlight... (and take a look at the back cover of Reflections sometime). Played 29 times First played December 28, 1984 S.F. Civic Auditorium (NYE run) Last played September 23, 1987 at the Spectrum, Philly SHOW No. 2: Cassidy Track #6 2:20 – 4:09 "Cassidy" is a song written by John Barlow and Bob Weir[1] and performed by the Grateful Dead, Ratdog, and Phil Lesh & Friends.[2] The song appeared on Bob Weir's Ace, and the Grateful Dead's Reckoning and Without a Net albums.[3]The song was named after Cassidy Law, who was born in 1970 and was the daughter of Grateful Dead crew member Rex Jackson and Weir's former housemate Eileen Law.[1] The lyrics also allude to Neal Cassady, who was associated with the Beats in the 1950s[4] and the Acid Test scene that spawned the Grateful Dead in the 1960s. Some of the lyrics in the song were also inspired by the death of Barlow's father.[5]The song was quoted in the admiring and admirable obituary of Barlow in The Economist.One of my favorite songs, a great sing a long.I really like this version because it gets nice and trippy. Always good for a helping define the mood of the show, usually about mid to late first set. A very fun tune. Played 339 times 1st: March 23, 1974 at the Cow Palace in Daley City, just outside S.F. Last: July 6, 1995 Riverport Amphitheatre, Maryland Heights, MO outside of St. Louis SHOW No. 3: Willie and the Hand Jive Track # 14 1:23 – 3;05 Played with the Neville Bros. but without Phil who left the stage for this one song. Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart.[1][2] The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation,[2]though Otis always denied it.[3] It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead.[4][5] Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the BillboardRock Tracks chart. The lyrics tell of a man named Willie who became famous for doing a hand jive dance.[1][2] In a sense, the story is similar to that of Chuck Berry's "Johnny B. Goode", which tells of someone who became famous for playing the guitar and was released two months before "Willie and the Hand Jive".[1] The origin of the song came when one of Otis' managers, Hal Ziegler, found out that rock'n'roll concert venues in England did not permit the teenagers to stand up and dance in the aisles, so they instead danced with their hands while remaining in their seats.[2][5] At Otis' concerts, performers would demonstrate Willie's "hand jive" dance to the audience, so the audience could dance along.[2] The dance consisted of clapping two fists together one on top of the other, followed by rolling the arms around each other.[2] Otis' label, Capitol Records, also provided diagrams showing how to do the hand jive dance. Eric Clapton recorded "Willie and the Hand Jive" for his 1974 album 461 Ocean Boulevard. Clapton slowed down the tempo for his version.[12] Author Chris Welch believes that the song benefits from this "slow burn".[12]Billboard described it as a "monster powerful cut" that retains elements from Clapton's previous single "I Shot the Sheriff."[13]Record World said that "Clapton slowly boogies [the song] into laid-back magnificence. George Thorogood recorded a version of "Willie and the Hand Jive" for his 1985 album with the Destroyers Maverick.[27] His single version charted on the Hot Mainstream Rock Tracks chart, peaking at #25, and reached #63 on the Billboard Hot 100 chart.[1][28]Allmusic critic James Christopher Monger called the song one of Thorogood's "high points. Other artists who covered the song include: Johnny Rivers, New Riders of the Purple Sage, The Flying Burrito Brothers, Sandy Nelson, The Tremeloes, Amos Garrett, Ducks Deluxe and Levon Helm.[4]Lee Michaels released a version of the song on his 1971 album, 5th To my surprise, played 6 times by the band, all in '86 and once in ‘87 This is the fist time they ever played it Last: April 4, 1987 at the Centrum in Worcester, MA SHOW No. 4: In the Midnight Hour Track # 16 2:20 – 4:01 Played with the Nevilles, Phil back on stage Again, Jerry's playing really stands out. "In the Midnight Hour" is a song originally performed by Wilson Pickett in 1965 and released on his 1965 album of the same name, also appearing on the 1966 album The Exciting Wilson Pickett. The song was composed by Pickett and Steve Cropper at the historic Lorraine Motel in Memphis, later (April 1968) the site of the assassination of Martin Luther King Jr. Pickett's first hit on Atlantic Records,[1] it reached number one on the R&B charts and peaked at number 21 on the pop charts. Wilson Pickett recorded "In the Midnight Hour" at Stax Studios, Memphis, May 12, 1965. The song's co-writer Steve Cropper recalls: "[Atlantic Records president] Jerry Wexler said he was going to bring down this great singer Wilson Pickett" to record at Stax Studio where Cropper was a session guitarist" and I didn't know what groups he'd been in or whatever. But I used to work in [a] record shop, and I found some gospel songs that Wilson Pickett had sung on. On a couple [at] the end, he goes: 'I'll see my Jesus in the midnight hour! Oh, in the midnight hour. I'll see my Jesus in the midnight hour.'" and Cropper got the idea of using the phrase "in the midnight hour" as the basis for an R&B song.[3] More likely, Cropper was remembering The Falcons' 1962 song "I Found a Love," on which Pickett sings lead and says "And sometimes I call in the midnight hour!" The only gospel record Pickett had appeared on before this was the Violinaires' "Sign of the Judgement," which includes no such phrase.[4]Besides Cropper, the band on "In the Midnight Hour" featured Stax session regulars Al Jackson (drums) and Donald "Duck" Dunn (bass). According to Cropper, "Wexler was responsible for the track's innovative delayed backbeat", as Cropper revamped his planned groove for "In the Midnight Hour" based on a dance step called the Jerk, which Wexler demonstrated in the studio. According to Cropper, "this was the way the kids were dancing; they were putting the accent on two. Basically, we'd been one-beat-accenters with an afterbeat; it was like 'boom dah,' but here was a thing that went 'um-chaw,' just the reverse as far as the accent goes."[5]Pickett re-recorded the song for his 1987 album American Soul Man."In the Midnight Hour" t has become an iconic R&B track,[citation needed] placing at number 134 on Rolling Stone's list of the 500 Greatest Songs of All Time,[citation needed] Wilson Pickett's first of two entries on the list (the other being "Mustang Sally" at number 434).[citation needed] It is also one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll,[citation needed] Pickett's only such entry. In 2017, the song was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant."[7] In 1999, "In the Midnight Hour" recorded in 1965 on Atlantic Records by Wilson Pickett was inducted into the Grammy Hall of Fame. Covers:· The Grateful Dead regularly performed the song in concert from 1967 onwards, most notably with extended improv vocals by frontman Ron "Pigpen" McKernan. It was occasionally the Dead's “midnight song” at their NYE shows – I saw them do it in 1985 at midnight on the 31st. Fun way to start the new year although I was always partial to Sugar Mag at NYE midnight. 57 times played 1st: December 10, 1965 at the Fillmore in S. F. Last: October 17, 1994 at MSG, NYC OUTRO: Johnny B. Goode Track #17 Start – 1:40 We just featured this song from a different show, but this version demands recognition. Played with the Nevilles – great mash up of musicians, singers, the whole thing is just great. Interestingly, not the encore, but the last song of the second set (US. Blues was the encore, a ripping version, but no Neville Bros so I went with JBG instead to hear them one more time). Chuck Berry tune Dead played it 283 times First played: September 7, 1969 at The Family Dog at the Great Highway, S.F. Last played: April 5, 1995 at the Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
In the early morning of January 14, 2018, 17-year-old Jordan Turpin discreetly left her home to seek help. This courageous decision would expose disturbing secrets, shocking the entire nation.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
The wives and daughters of Dubai's ruler live in unbelievable luxury. So why do the women in Sheikh Mohammed's family keep trying to run away? The New Yorker staff writer Heidi Blake joins In the Dark's Madeleine Baran to tell the story of the royal women who risked everything to flee the brutality of one of the world's most powerful men. In four episodes, drawing on thousands of pages of secret correspondence and never-before-heard audio recordings, “The Runaway Princesses” takes listeners behind palace walls, revealing a story of astonishing courage and cruelty.“The Runaway Princesses” is a four-part narrative series from In the Dark and The New Yorker. To keep listening, follow In the Dark wherever you get your podcasts.
In 1978, Mary Vincent, a 15-year-old runaway hitchhiking her way to California, made the unfortunate decision to accept a ride from a stranger, ignoring numerous warning signs. This naive decision would result in lasting consequences for the rest of her life. Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
On February 9, 2013, 23-year-old Shandee Blackburn was walking home alone from work in Mackay, Queensland, Australia, when she was brutally ambushed less than a block away from her home. To this day her case remains unsolved.Credits:The clips and interviews featured in this episode were sourced from The Australian and The Australian's podcast, "Shandee's Story," investigated and written by Hedley Thomas. For a comprehensive exploration of Shandee's narrative, I highly recommend the podcast.Listen here: https://www.theaustralian.com.au/podcasts/shandees-story Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
The holidays. Stressful and too over-commercialized to bring the same heartwarming sensations of years past. However, with your loved ones in toe and the gift of giving, it can still be special. For instance, Alicia and I just got drunk the day after Thanksgiving and made this for you. Plus some cameos! If Hollywood has taught me anything, it's that everyone loves excessive cameos! So please give your own personal yule log a squeeze, jingle your bells, and get ready for another holly, and still jolly episode of It's Just 2 Movies!For more, subscribe to our Patreon! Contact the show via email at: itsjust2movies@gmail.comFacebook, TikTok, Twitter, Instagram, Letterboxd and the like @itsjust2moviesDon't forget to subscribe on YouTube!Need to buy some stuff on Amazon? Visit our Amazon affiliate link to do your shopping and it helps the show financially! Wow! Amazing! *As Amazon associates we earn from qualifying purchases* Tropic Thunder, for instance! Want to support the show more directly and chuck in a buck? Buy Me a Coffee Don't use Spotify, Apple Podcasts, or any of those other platforms? The show is always free on our website. :) ***SPECIAL THANKS TO THESE FOLKS WHO CONTRIBUTE TO THIS DUMB SHOW***Russ Tafari. @russ_tafari and check out Russ Tafari Music Lamplighter Productions for our artwork. @lamplighter_productions_il Brad Sexton for our tunes. Check out SUNDS Mad thanks to Dave, @wheep3d our video editor. Check out our YouTube!Support the show
During Christmas 1996, JonBenét Ramsey, a six-year-old American child beauty queen, was discovered deceased in the basement of her family's home in Boulder, Colorado. Since then, this case has evolved into one of our nation's most famous unsolved mysteries.Credits: CNN - The murder mystery of JonBenet Ramsey 2016CNN - John and Patsy Ramsy first interview 1997Good Morning America - Linda Arndt interview 1999Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
the Road life with this band, Allies- backing me up and opening my concerts in the Whistlin' In The Dark days.
On the night of November 13, 2022, tragedy struck as four University of Idaho students—Ethan Chapin, Xana Kernodle, Madison Mogen, and Kaylee Goncalves—were fatally stabbed in a rental home close to the Moscow, Idaho, campus. Presently, Bryan Kohberger stands as the primary and sole suspect in the case.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
“Somebody took Jacob” -- On October 22, 1989, 11 YO Jacob Wetterling bikes home and disappears with a gunman into the night. 9 months earlier, 12 YO Jared Scheierl gets ice cream and vanishes shortly after, but a few hours later, he makes it back home: 27 years later, he would be the key to finally solving Jacob's disappearance, taking down one of the most terrifying men the state of Minnesota has ever seen. External Footage From: "The Hunt with John Walsh" (S1 E8, "Justice Denied", CNN), "Moms Of Missing Kids: We'll Never Give UP" (CNN), "In The Dark" (S1 E3, The One Who Got Away, APM Reports).
During his usual morning walk with his wife Jennifer and their dog, Jamie Faith, a special forces operator based in Tennessee, fell victim to a fatal shooting. What initially seemed like a random act of violence committed by a masked perpetrator unfolds into a chilling tale of meticulous planning carried out by an unforeseen assailant—someone whom no one would have suspected of possessing such capability.Credits:20/20 Happily Never AfterLaw&Crime NetworkDon't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
DICELORE's 4th Halloween One-shot—...IN THE DARK—takes a group of cavers on a guided tour deep beneath the wilderness of British Columbia, to explore newly discovered caverns, and what (or should we say, "WHO") lays in wait there...
Follow Brian on X (Twitter) @BrianGitt Get his book In The Dark at briangitt.com Subscribe to read his articles on energy, investing, and decision making. Brian leads business development for a startup developing next-generation nuclear technologies to deliver reliable low-cost clean energy 24/7. He spent over two decades building companies in the clean energy industry—first as executive director of a green building trade association, then as CEO of a consulting firm specializing in clean energy. More recently he founded UtilityScore, a software startup that estimated utility costs and savings for 100M+ homes, and he led business development at a hard tech company developing wireless power. He now writes and speaks about the need for energy that's clean, reliable, and affordable. Brian's “Confessions of an Environmentalist” video here has 1.7M views: https://www.prageru.com/video/confessions-of-an-environmentalist Slides for this podcast: https://tomn.substack.com/p/fixing-energy-policies-that-hurt ========= AI summaries of all of my podcasts: https://tomn.substack.com/p/podcast-summaries About Tom Nelson: https://linktr.ee/tomanelson1 YouTube: https://www.youtube.com/playlist?list=PL89cj_OtPeenLkWMmdwcT8Dt0DGMb8RGR Twitter: https://twitter.com/tan123 Substack: https://tomn.substack.com/ About Tom: https://tomn.substack.com/about
In 1979, over five months, Lawrence Bittaker and Roy Norris carried out a reign of terror in Los Angeles County. They abducted, raped and subjected five teenage girls to horrifying torture using a collection of disturbing items from their toolbox. On Halloween night that year, they targeted their fifth and last victim, 16-year-old Shirley Lynette Ledford, whose haunting screams are forever preserved on an audio recording made during her final hours. Lucinda Lynn Schaefer, Andrea Joy Hall, Jackie Doris Gilliam and Jacqueline Leah Lamp's murders have also been highlighted in this episode.Credits: NBC NewsDon't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
In 1997, Anu Singh, a 22-year-old law student, and her 24-year-old boyfriend, Joe Cinque, held a dinner party at their townhome in Canberra, Australia. However, this gathering was far from the usual. Shortly before their friends arrived, Anu delivered a disquieting message that suggested a horrifying crime was about to occur.Credits: "Crimes That Shook Australia" Anu Singh (TV Episode 2018) ABC News Australia Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
Grateful Dead's 1982 Show Highlights and Unpopular TunesLarry Mishkin, introduces a Grateful Dead show from August 28th, 1982, featuring an opener where Jerry Garcia stumbles over lyrics. Larry shares insights into the band's performance, suggesting they might have been dosed that day. He discusses the history of the Grateful Dead at Woodstock, why they were omitted from the film, and a song called "Keep Your Day Job," disliked by fans and dropped from their repertoire. Larry contrasts it with the successful breakout of "West LA Fadeaway" that night, highlighting the unique way the Grateful Dead introduced and refined songs in their concerts.Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast INTRO: Bertha Track No. 1 3:16 – 4:46 Great opener, as always. One month after my first show and Jerry still can't remember the words. So instead we focus on the jam. He may fall short in lyrics but his playing is electric. Story is that the band was supposedly dosed that day and the comments reflect that the band was “ON”. SHOW #1: I Used To Love Her But It's All Over Now Track No. 7 1:05 – 2:22 It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack.[1] It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964. The Rolling Stones' version of "It's All Over Now" is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit.[5] It was the band's third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the band's live set in the 1960s. Cash Box described it as a "contagious cover of the Valentinos' click" and "an infectious thumper that should head right for chartsville.” Covered by almost everybody in the music industry from the Stones to Ry Cooder to Nils Lofgren, Wide Spread Panic, Tom Petty & the Heartbreakers and even Molly Hatchet (Flirtin With Disaster) Covered by the Dead 154 times with Bobby singing. Frist on September 6, 1969 - Family Dog at the Great Hightway Last on July 2, 2995 – Deer Creek SHOW #2: Day Job Track No. 10 2:52 – 4:05 First time played in concert. Second set openerEventually played 57 times Last time on April 4, 1986 at Hartford Civic Center Per Robert Hunter in “A Box of Rain” collection of his lyrics, “this song was dropped from the Grateful Dead repertoire at the request of the fans. Seriously” First song ever ‘rejected' by the Deadheads! And the band listened to them and stopped playing it! But WHY was it so universally unpoplular? “a lot of people thought it was the band making fun of/scolding deadheads who spent all their time following around the band. Hunter kind of hinted at that at one point in an interview I think.” “Hippies don't work” “It sucks” There are a few fans who liked the jamming or could relate to the song, but overall, NOPE. SHOW #3: West LA Fadeaway Track No. 12 1:08 – 2:35 Breakout version of this song, along with Day Job. Five years later In The Dark was released with Wet LA on there, but Day Job did not make the cut. Dead would play this song 141 times in concert Last was June 30, 1995 at Three Rivers Stadium in Pittsburgh Always a fan favorite, great music, fun lyrics (only Hunter could work “copasetic” into song lyrics) SHOW #4: Playin' In The Band Track No. 14 1:50 – 3:10 Great version, very upbeat (a dosed band?) and sharp, Bobby right there with his inflection on PPPPLyaing in the BAAAnd, very sharp. I like this clip because it shows the transition from the hard charging opening of the song into a more mellow sound that signifies the jumping off point for the band into a Playin jam that could go anywhere. In this case, almost 20 minutes before segueing into Drums>Space>The Wheel>The Other One>Truckin'>Black Peter>Playin Reprise. What an amazing run of music. Great tunes, great jamming, outside in Oregon, what else could a Head ask for? Some clean Orange Sunshine or whatever the band was on! OUTRO: Dupree's Diamond Blues Track No. 20 1:05 – 2:24 This song was written by Hunter/GarciaIt appeared on the Dead's third album, Aoxomaxoa (released June 20, 1969). First played on January 24, 1969 at the Avalon Ballroom Last played on October 13, 1994 at MSG Played a total of 83 times. "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922. Giggles: The term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. In the late ‘60's and early ‘70's the band played it more frequently. Although more in the Americana style adopted by the Dead at the beginning of the ‘70's than the primal Dead from the ‘60's. But it became linked with primal Dead by being part of so many shows from that period. On the Fillmore West complete recordings for Feb. 27, 28 and March 1,2 on both the first and third night the band opened the second set with this song into Mountains of the Moon before launching in the Dark Star>St. Stephen>The Eleven>Lovelight suite made famous on Live Dead. But after that it just kind of fell off the band's radar except for certain tours where it would show up for three or four shows before again getting pushed to the side. Very enduring.
Back in 2006, the online world looked quite different. Social media was becoming more popular, shifting people's focus from online gaming to social networking platforms. However, Carly Ryan, a 14-year-old who was hoping to find her perfect boyfriend on the internet, didn't realize the potential dangers lurking behind the screen. Credit: TEDx Talkswww.carlyryanfoundation.comDon't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
In 2015, Denise Huskins and Aaron Quinn experienced a real-life nightmare. What had begun as a home invasion took a more sinister turn. While confronting challenging obstacles, the situation grew even more perplexing as the authorities, entrusted with their safety, began to doubt the victims themselves. This eventually led to Denise being referred to as "the real-life gone girl."Credits:ABC News20/20 - TakenThe ViewDon't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
Texas Country Artist William Beckmann is this week's guest. If you're not familiar with his music, you're about to be. It's not going to be too long before he's well-known all over the country. He and I dive into the evolution of Texas Country Music and how different artists have shaped the genre over the years. We talk about the unique appeal of Texas Country Music, and highlight the abundance of talented songwriters and the diverse fanbase that spans the vast geography of the state. In this episode:Songwriting advice and challengesWriting a hundred songsStorytelling in songwritingLonging for childhood dreamsLearning Spanish and PerformingCoping with life on the roadPlaying a concert in MexicoAbout William:Hailing from the small border town of Del Rio, TX, William Beckmann was raised on classic country as well as the mariachi and Norteño sounds of northern Mexico. He delivers a fresh blend of vintage country, Americana and Latin music with a timeless baritone and an old soul maturity that belies his youth. His new album Faded Memories released in 2022, featuring the slow-burn single “Bourbon Whiskey” as well as a mesmerizing cover of Bruce Springsteen's “I'm On Fire” and the haunting “In The Dark.” The album has garnered praise from critics including American Songwriter, Billboard, CMT and more, and his current track “Damn This Heart Of Mine” is Beckmann's fourth consecutive single to hit the Top 20 at Texas Regional Radio Chart. Beckmann has amassed an incredible fanbase, independently garnering more 670,000 followers on TikTok and over 2 million streams of Faded Memories. He has spent the last year touring with artists including Parker McCollum, Koe Wetzel, Randy Rogers Band and Wade Bowen and sold out three shows at legendary Gruene Hall in New Braunfels, TX in 2022.https://williambeckmann.comwww.GaryScottThomas.com
Shanda Renée Sharer, a 12-year-old American girl, tragically lost her life in Madison, Indiana, when she fell victim to a heinous act of torture perpetrated by four teenage girls. This devastating event gained worldwide recognition, not only for the shocking brutality of the murder itself, but also due to the young ages of the perpetrators, ranging from 15 to 17 years old.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
Grateful Dead and Bob Dylan, July 10, 1987, JFK Stadium, Philadelphia, PAhttps://archive.org/details/gd87-07-10.senn.lai.3859.sbeok.shnf/gd87-07-10d1t108.shnDead played first set.Dylan backed by Dead played second setJFK big old concrete stadium in Philly. Opened on April 15, 1926. Hosted the Army Navy football game for many years. Last live performance of any kind was Dead on July 7, 1989 with Bruce Hornsby and the Range opening. Stadium was literally falling apart with dangerous chemicals exposed as well as electrical wiring. Only reason they allowed the show to be played was because by the time the city inspector realized what was going on, stadium was already full of Deadheads. Supposedly, there was a very strict no smoking policy enforced because of the hazards. I'm guessing Deadhead's found a way to catch their buzz during the who. Final tune: Knocking on Heaven's Door. Very appropriate. On September 23, 1992 the stadium was finally demolished.I was only there once, in September 1981 for the opening show of the Rolling Stones Start Me Up tour. Went with good buddies H, Mills and Lieby thanks to Uncle Dave. George Thorogood and the Delaware Destroyers opened (One Bourbon, One Shot and One Beer), then Journey for maybe 45 minutes. Fans got bored and started booing. Finally the Stones – opened with Under My Thumb, they released balloons and well into the show H was convinced he could still see one or two of them. Could have just been the shrooms we (most of us) were trying out for the first time. Still almost a year before my first Dead show. But psychedelics seemed very appropriate for a Stones shows made this one very memorable.INTRO: I Need a Miracle Track No. 13 1:45-2:50 Mostly featuring the stuff with Dylan but wanted to get one Dead song in and this is an exceptionally great version of this song. “Go right through the book and break each and every law” – another great Barlow lyric. Was released as part of Shakedown Street (Nov. 15, 1978). Always a high energy tune and maybe the highlight of the Dead's lone set.Dylan – set II with Dead backingSHOW #1: Tangled Up In Blue Track No. 17 :20 – 1:36 From: Blood on the Tracks Released: January 20, 1975 This may be everyone's favorite Dylan tune. Jerry loved it, a staple of the JGB, usually played as a set closer. I love it here as the opener of the Dead's set with Dylan, a well known tune, Jerry jamming hard, and Dylan feeling the energy, love those excited vocals. Sounds like he's have a great time. Ok, Dylan's voice is not great BUT, it is much better than it is now AND it's the DEAD backing him (it was one thing to hear Jerry play it, but not often that the Dead played the tune! Took a minute or two to adapt to that set up. Start off strong, get everyone comfortable and fire up the crowd. Mixed feelings in the crowd because folks realized Dead were only playing one set, but Dead were backing Dylan, and Dylan's voice may suck, but with the Dead the songs sound fresh and lively in a manner not normally seen at your standard Dylan show (except when he had Larry Campbell playing with him – he rocked too).SHOW #2: I'll Be Your Baby Tonight Track No. 18 0:00 – 1:14 From: John Wesley Harding December 27, 1967 Not necessarily my favorite Dylan tune, but anytime Jerry plays pedal steel it's worth noting and listening to. The crowed realizes it and goes crazy. I never got to see Jerry play that instrument and understand I missed something special. So go back and listen to this tune again and focus on the pedal steel. Well worth it. SHOW #3: Joey Track No. 27 :38 – 1:52 From: Desire Released: January 5, 1976 "Joey" is an epic story-song from Bob Dylan's 1976 album Desire. It was written by Dylan and Jacques Levy, who collaborated with Dylan on most of the songs on the album. Like another long song on the album, "Hurricane", "Joey" is biographical. It tells the story of the life and death of mobster Joey Gallo, who was killed on his birthday at Umberto's Clam House in Little Italy, on April 7, 1972. The song's legacy remains mixed: a USA Today article ranking "all of Bob Dylan's songs" called it "forgettable" and lamented that it had replaced "Abandoned Love" on Desire's final track list[10] but in a readers' poll conducted by Mojo, "Joey" was rated the 74th most popular Bob Dylan song of all time.[11]Jerry Garcia, who was responsible for getting Dylan to start performing it live in 1987, considered it a "great song"[12] and Dylan himself characterized it as "Homeric" when discussing his Nobel Prize in Literature win with Edna Gundersen in 2016.[13] Critic Paul Zollo, writing in American Songwriter magazine, called it a "beautifully detailed and cinematic" song and a "masterpiece" in 2021.[14] I started listening to it when they released the Dylan And The Dead album released February 6, 1989 featuring songs from this July, 1987 tour. :::SHOW #4: Watchtower Track No. 28 1:56 – 3:26 From: John Wesley Harding December 27, 1967 A great tune that the Dead rocked to. We've talked about this song before, but Bobby really took off with it once they started playing it (first performance was a month before this tour, June 10, 1987 at the Greek. Then played up until June 22, 1995 at the Knickerbocker Arena in Albany. Great to hear the Dead rock it hard for Dylan. Interestingly, the show's encore was Touch of Grey which had not yet been officially released but was on In The Dark on July 6, 1987. So four days before this show. The Deadheads already knew it well – Dead started playing it in concert towards the very end of 1982. I first heard it in April 1983 in Morgantown WV. Not yet well known to the general public so no crazy crowd problems but they were just around the corner.All in all, a fun show. Some good Dead. Lots of good Dylan. And a fun collaboration for the Deadheads.OUTRO: U. S. Blues Goose July 4, 2023 Stone Pony Summer Stage Asbury Park, N.J. (The Boss's “home”) Goose - US Blues 7/4/23 Stone Pony - Asbury Park, NJ - YouTube O:00 – 1:10 First time played by Goose. Solid performance, but a little too close to the vest for me But with time, I have no doubt they can make it their own. And credit for covering the Dead. Not many bands will do that, ahem, “calling Phish?” So this is two weeks in a row ending with this tune, but this is the one Goose covered (on the 4th after all) so this is what we get. All in all, not a bad deal. NEWS:On July 10, 1986, Jerry slipped into Diabetic Coma. As a result, the Dead had to cancel two shows scheduled for the Fox Theater in St. Louis later in the month. I was devasted to hear the news about Jerry, we all wondered if this was it. And I was bummed to miss the Fox Theater shows. As we have discussed, in the late ‘60's and early ‘70's it was one of the Dead's favorite theaters to play, but they had not played there since 1972. Folks out of town for the weekend, lots of friends and Deadheads all coming to St. Louis for the shows. I had never seen the Dead in St. Louis and ultimately, did not until July, 1995 at the very end. And I had second row, orchestra, center – best seats I ever received from mail order. Then Jerry got sick and that was that. Ultimately, Jerry survived, relearned the guitar and all the Dead songs and by December 15th he was back. Very amazing. July 3, 2023Dead & Co at Folsom Field. Dave Matthews joins at the end of the second set for Watchtower/Not Fade/Knocking on Heaven's Door/The Weight. Great drones creating cool visuals like the Steal Your Face logo. Got good reports from Alex and Andy – she is EVERYWHERE these days! Dead & Co. down to the Gorge (just played this last weekend) and then July 14, 15 and 16 at Oracle Park in S. F. (Giants' home stadium). Then, ??????????????? July 2, 2023 – my first Les Claypool and Frog Brigade show at the Salt Shed in Chicago. Went with good buddy Rob. Very impressed with the band - when the show opens with a cover of King Crimson's Thela Hun Ginjeet – you know it's going to be a good night. Their songs after that were solid and everyone was very much enjoying the scene and that was before they blew us away with their cover of the Pink Floyd album, Animals (Jan. 21, 1977). Entire album start to finish. Then some more Frog Brigade and a fun night for all. I will be back to see Frog Brigade and Primus (and Oysterhead – we should all be so lucky) MJ news to follow
On December 18th, 1994, 27-year-old Alison Botha was abducted by two men near her South African home. Her endurance through unimaginable torture makes her courage and determination so awe-inspiring that they will truly leave you astonished.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
The Hook Rocks returns with Zach Amster of Abrams on the latest New Music Spotlight. Based in Denver, Zach talks about their 2022 album "In The Dark", the Colorado music scene, and the realities for bands and musicians in 2023. Please enjoy the episode! Part of The Pantheon Podcast Network! http://pantheonpodcasts.com https://twitter.com/pantheonpods https://www.facebook.com/PantheonPodcasts Abrams https://www.abramsrocks.com/ https://www.facebook.com/abramsrock/ https://twitter.com/abramsband?lang=en https://www.instagram.com/abramstheband/ The Hook Rocks https://www.facebook.com/TheHookRocks https://twitter.com/TheHookRocks https://www.instagram.com/thehookrocks/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Balanced Dietitian Podcast! I am so happy you are here with me this week. I recorded this podcast episode IN THE DARK! We lost power for 26h last week which forced me to have many reflections such as : OUR ENVIRONMENT! This week, I want to talk about your environment and identify if it's setting you up fort success or failure! . In this episode, we discuss: How does your environment impact you? What supports YOU in your journey What creates hurdles in your healing journey FREE CLASS ALERT! Ready to heal your relationship with food FOR GOOD? Check out this free class: www.thebalancedpractice.com/signup Connect with Marie-Pier: On Instagram: @The.Balanced.Dietitian The Balanced Practice on Facebook The Balanced Practice Workshop FREE CLASS:How To Eat Guilt-Free Without Losing Control With Food
A prelude into a world where language and magic are one. By Axel Kacoutié (2023) This was created as part of the audio artist Axel Kacoutié's live In The Dark event – an evening of magical audio, conjuring aural visions to transport you through time, and space, returning you back to yourself and the world. It … Continue reading "A Mother Tongue (Magic Prelude)"
Episode 6 finds us sitting down with the better half of our Co-Host Jimmy Gorecki's, wife, Dev. Jarod, Dev, and Jimmy discuss her upbringing in Manteca, California. Discovering her passion for music, establishing her career and sound, while working with some of pop music's biggest and best producers and writers. Also, balancing the success of records such as Like A G6, and In The Dark, while navigating both personal and business side of the music industry. She also spread some light to Jarod on her personal tweaks to her favorite Standard Issue garments.
Hosts Jim DeRogatis and Greg Kot talk with Dr, Ricky Rodriguez about the cultural exchange between Latino fans and British bands in the 1980s. Plus, Jim and Greg review new albums by Kelela and Yo La Tengo. Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs: Siouxsie & The Banshees, "Spellbound," Juju, Polydor, 1981The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Kelela, "Washed Away," Raven, Warp, 2023Kelela, "Raven," Raven, Warp, 2023Kelela, "Enough for Love," Raven, Warp, 2023Kelela, "On the Run," Raven, Warp, 2023Kelela, "Bruises," Raven, Warp, 2023Yo La Tengo, "Sinatra Drive Breakdown," This Stupid World, Matador, 2023Yo La Tengo, "Fallout," This Stupid World, Matador, 2023Yo La Tengo, "Aselestine," This Stupid World, Matador, 2023Yo La Tengo, "This Stupid World," This Stupid World, Matador, 2023Yo La Tengo, "Until It Happens," This Stupid World, Matador, 2023Adam Ant, "Juanito the Bandito," Juanito the Bandito (Single), CBS, 1982Blue Rondo À La Turk, "Me and Mr. Sanchez," Me and Mr. Sanchez (Single), Virgin, 1981Holly Johnson, "Americanos," Blast, MCA, 1989Duran Duran, "The Reflex (The Dance Mix)," The Reflex (The Dance Mix) (Single), EMI, 1984Orchestral Manœuvres In The Dark, "So In Love," So In Love (Single), Virgin, 1985Pat Boone, "Speedy Gonzales," Speedy Gonzales (Single), Dot, 1962John Cale, "Story of Blood feat. Weyes Blood," Mercy, Double Six, 2023Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.
“In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.
We're pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.
We're pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.
Giavanni from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Tuesday, January 17. It's Tuesday – which means it's time for Tune-In Tuesday! Today's kids' song of the day is "In The Dark" by the KIDZ BOP Kids!
On this Zach Amster interview: What it takes to stop writing music you think you should be writing and start writing the music you need to write… how the pandemic changed the band (not what you're thinking), Zach's “secret weapon” on stage, personal struggles offstage, non-music hobbies and interests, most important thing his parents taught him, lots more, a fun hang, why he's so driven, and how this helped himself and the band grow… Cool Guitar, Music & ELG T-Shirts!: http://www.GuitarMerch.com Zach is the singer, lead guitarist, and primary songwriter in the psychedelic rock band Abrams. He grew up in SoCal with his twin brother, who's a professional drummer in the bands Mondo Generator & Nebula. Zach and bass player Taylor Iversen started Abrams when they met each other in Boulder, CO. The band just released their 4th LP, In The Dark and this is a real “breakout” record. I wanted to support it, and was excited to have Zach on the show to talk about it. Subscribe & Website: https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support
© 2020-2025 Ivy Podcast Discovery LLC
