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8 episodes with In the Dark
14 episodes with In the Dark
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10 episodes with In the Dark
14 episodes with In the Dark
4 episodes with In the Dark
4 episodes with In the Dark
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9 episodes with In the Dark
Sunday February 15th - In The Dark
| Artist | Title | Album Name | Album Copyright | | Elisa Neals | 05 Locked Up | Thunder In The House | | Catfish Keith | John The Revelator | Sugar For Sugar | | | Laurence Jones | I Gave My Life To You | On My Own | | | Emile Ford & The Checkmates | Don't Tell Me Your Troubles | The Best Of British Rock 'n' Roll (Disc 1) | K.C. Douglas | Mercury Boogie | Roots of Rock N' Roll Vol 4 1948 | | Chuck Berry, Robert Baldori (h), Lafayette Leake (p) & Phil Upc | Some People | Back Home (Chess: US title) [I'm A Rocker (UK title)] | Deke McGee | Sunshine Blue Skies | COME ON HOME | | | The Steve Summers Band | Bad Bad Man | Rewired | | | | Senel Karatepe. | Travelin Riverside Blues | Hard Times | | | Screamin' Jay Hawkins | I Put A Spell On You | Total Blues - 100 Essential Songs | Screamin' Jay Hawkins | Constipation Blues | Spellbound | | | Little Walter (Jacobs) | Don't Have To Hurt No More | Mellow Down Easy | | | Lightnin' Hopkins | Kiss Me Blues | Blues Master Works: Lightnin' Hopkins | Three Gospel Tones | I Just Can't Keep It To Myself Alone | Black Vocal Groups Vol. 9 (1929-1942) | Leeann Atherton | The World Needs More Peace And Love | Leeann Atherton | | | Tomislav Goluban | Until The Morning Comes | Blow Junkie | | | Andres Roots | In The Dark | Waiting Around | | | Borrowed Souls | Ruby And Grace Part 1 | Borrowed Souls Epiphany & Revelation WAV
In The Dark (Bigfoot, Dogmen, Aliens, All Things Supernatural)
Something happened out there… and none of it makes sense. In this episode of In The Dark...All Things Supernatural, we dive into three encounters that shouldn't have happened. A late-night drive where a GPS leads down a road that doesn't exist. A quiet campsite where something massive comes out of the woods. A discovery deep underground… that may not have been alone. These aren't just stories. They're moments where something crossed over—and didn't go back. If you've ever experienced something you can't explain…you're not alone.
In The Dark (Bigfoot, Dogmen, Aliens, All Things Supernatural)
Step into this episode of "In The Dark... All Things Supernatural" with the legendary Thunderbird, the elusive Sasquatch, and the mysterious realm of astral projection. In this one we explore eyewitness accounts and the unexplained moments where the physical world and the supernatural overlap. We go deep in to the shadows where truth and myth blur.
In The Dark.. /mixed by DJ SPRY ART/ | 'Darkness' appears courtesy of HungryBeat and the label Smokin'Beat www.beatport.com/release/darkn… Tracklist -> t.me/muzpoint/432 |
In The Dark - 1 Samuel 24:1-22OPPORTUNITY SURROUNDS US AND SOMETIMES PRESENTS ITSELF IN UNEXPECTED MOMENTSNOT EVERY OPPORTUNITY SHOULD BE TAKENINTEGRITY IS FOLLOWING GOD EVEN THOUGH IT MAY COST YOU
#481 The Nerdlings Podcasts : This all the music from Dancin' In The Dark Springsteen see details below. The Nerdlings podcast CLASS IS IN SESSION. This is all the music from the previous podcast where we featured the rare, remixes, cover versions, ect. with no talking. Enjoy. Dancin' In The Dark - Isolated Drums 20 seconds Dancin' In The Dark - Isolated guitars 45 seconds Dancin' In The Dark - Isolated synth / keyboards 2:30 Dancin' In The Dark - album Dancin' In The Dark - 12" vinyl track one Blaster Mix 6:09 Dancin' In The Dark - Isolcated vocals from Radio mix 12" track 2 Dancin' In The Dark - Radio mix Track 2 12" vinyl 4:50 Dancin' In The Dark - Isolated vocals Dub Mix 12" track 2 Dancin' In The Dark - Dub mix 12" vinyl 5:30 Somebody Else Guy - Jocelyn Brown one of the back up singers, 1:00 sample of her hit song 1984 Dancin' In The Dark - Tina Turner live cover version 1985 Live in Tokyo Japan Dancin' In The Dark - Bob Dylan cover live New Haven Conn. June 12 1990 audience recording Pink Cadillac - B side of Dancing in The Dark isolated bass 30 seconds / drums 30 seconds / instrumental 1 minute Pink Cadillac - whole song 3:30 Baby Let's Play House - by Elvis 1955, where Springsteen got the inspiration for Pink Cadillac Baby Let's Play House - 1926 original version by Arthur Gunter Love Is A Dangerous Thing - Springsteen December 1981, precursor that would lead to become Pink Cadillac Pink Cadillac - darker version, slower tempo, from The Nebraska sessions Pink Cadillac - Melliassa Etheridge cover version April 24, 1995 home studio Free Way Of Love - Rock Mix 4:50, sometime this song by Aretha Franklin gets mistaken for Pink Cadillac, Clarence Clemons plays Saxophone Pink Cadillac - Springsteen duet with Jerry Lee Lewis album Duets released Sept 26 2006 Pink Cadillac / Cadillac Walk - Bette Midler live version tour 1983 Pink Cadillac - Natalie Cole cover version single mix Feb 1988 Pink Cadillac / Jump Start - Motor Way Mix M1 with soundbytes of Blues Brothers and Go Grease Lightning 4:49 Dancing In The Dark - comedy skit by Michael Nesmith (Monkees) from 1981 Tv show Elephant Parts. NBC. Dancin' In The Dark - Kermit The Frog w/ Miss Piggy from Muppet Show 1996, you can find the video on youtube email address for contact: nerdlingpodcast@gmail.com Instagram accounts to follow: ShinySquirrelPodcast Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
When Liberty German and Abigail Williams, two young girls from a small Indiana town, tragically lost their lives in February 2017, a nationwide manhunt ensued for the “man on the bridge.” After a five-year investigation, a suspect was finally arrested. Brandi Churchwell, host of 13th Juror, traces the long, difficult path to answers, the arrest of Richard Allen, and how the prosecution assembled its case.Listen to 13th Juror now on Spotify, Apple, or wherever you get your podcasts! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Go inside the investigation of the murder of Liberty German and Abigail Williams—two bright, beloved girls from Delphi, Indiana—on the first episode of the 13th Juror. Hosted by Brandi Churchwell, unpack the long, twisting search for answers, the arrest of Richard Allen, and how the prosecution built its case. Listen to 13th Juror now on Spotify, Apple, or wherever you get your podcasts! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The room was crowded, the mics weren't perfect, and the mission couldn't be clearer: get Australia's hunting voices into one place and push back on rushed, headline‑driven laws with unity, evidence, and heart. Cody's seed turned into a national roundtable featuring hosts from Wild Origins, Get Outdoors With Drew and Cam, Women Who Hunt, Hunting Connections, In The Dark and Bullet Points, Australian Hunting Backcountry, Nature's Perks, Hunting Republic, and the Australian Hunting Podcast. What followed was a frank, sometimes raw, always focused conversation about protecting a lawful lifestyle that feeds families, fuels regional economies, and keeps ferals in check.We unpack what “four guns” really means for humane shots, competition disciplines, family setups, and the ethics that guide calibre choice. We challenge the proposal to strip appeal rights, knowing due process isn't a luxury in a democracy. We talk national registry pros and cons without ignoring data‑leak scars.and we explain why registering barrels and stocks would swamp understaffed branches for no safety gain. The group calls out media myths and belt‑fed fantasies, then gets practical: short, respectful emails to MPs; signing both NSW petitions; and supporting each other without ego or infighting. Industry voices outline the real cost to retailers, importers, guides, and country towns, while long‑timers share lessons from 1996 and why the public mood feels different today.This is not a culture war monologue; it's a plan built on unity and calm persistence. We ask listeners to act locally, communicate clearly, and check on their mates. If you care about hunting, target shooting, conservation, or simply fair process, this conversation gives you the words and the steps to make a difference right now.If this resonated, share it with a mate, sign the petitions, and send your email today. Subscribe for follow‑ups and wins, and leave a review so more Aussies can find this conversation.
The room was crowded, the mics weren't perfect, and the mission couldn't be clearer: get Australia's hunting voices into one place and push back on rushed, headline‑driven laws with unity, evidence, and heart. Cody's seed turned into a national roundtable featuring hosts from Wild Origins, Get Outdoors With Drew and Cam, Women Who Hunt, Hunting Connection, In The Dark and Bullet Points, Australian Hunting Backcountry, Nature's Perks, Hunting Republic, and the Australian Hunting Podcast. What followed was a frank, sometimes raw, always focused conversation about protecting a lawful lifestyle that feeds families, fuels regional economies, and keeps ferals in check. We unpack what “four guns” really means for humane shots, competition disciplines, family setups, and the ethics that guide calibre choice. We challenge the proposal to strip appeal rights, knowing due process isn't a luxury in a democracy. We talk national registry pros and cons without ignoring data‑leak scars, and we explain why registering barrels and stocks would swamp understaffed branches for no safety gain. The group calls out media myths and belt‑fed fantasies, then gets practical: short, respectful emails to MPs; signing both NSW petitions; and supporting each other without ego or infighting. Industry voices outline the real cost to retailers, importers, guides, and country towns, while long‑timers share lessons from 1996 and why the public mood feels different today. This is not a culture war monologue; it's a plan built on unity and calm persistence. We ask listeners to act locally, communicate clearly, and check on their mates. If you care about hunting, target shooting, conservation, or simply fair process, this conversation gives you the words and the steps to make a difference right now. If this resonated, share it with a mate, sign the petitions, and send your email today. Subscribe for follow‑ups and wins, and leave a review so more Aussies can find this conversation.
Send us a textThe room was crowded, the mics weren't perfect, and the mission couldn't be clearer: get Australia's hunting voices into one place and push back on rushed, headline‑driven laws with unity, evidence, and heart. Cody's seed turned into a national roundtable featuring hosts from Wild Origins, Get Outdoors With Drew and Cam, Women Who Hunt, Hunting Connections, In The Dark and Bullet Points, Australian Hunting Backcountry, Nature's Perks, Hunting Republic, and the Australian Hunting Podcast. What followed was a frank, sometimes raw, always focused conversation about protecting a lawful lifestyle that feeds families, fuels regional economies, and keeps ferals in check.We unpack what “four guns” really means for humane shots, competition disciplines, family setups, and the ethics that guide calibre choice. We challenge the proposal to strip appeal rights, knowing due process isn't a luxury in a democracy. We talk national registry pros and cons without ignoring data‑leak scars, and we explain why registering barrels and stocks would swamp understaffed branches for no safety gain. The group calls out media myths and belt‑fed fantasies, then gets practical: short, respectful emails to MPs; signing both NSW petitions; and supporting each other without ego or infighting. Industry voices outline the real cost to retailers, importers, guides, and country towns, while long‑timers share lessons from 1996 and why the public mood feels different today.This is not a culture war monologue; it's a plan built on unity and calm persistence. We ask listeners to act locally, communicate clearly, and check on their mates. If you care about hunting, target shooting, conservation, or simply fair process, this conversation gives you the words and the steps to make a difference right now.If this resonated, share it with a mate, sign the petitions, and send your email today. Subscribe for follow‑ups and wins, and leave a review so more Aussies can find this conversation. United we stand.For the latest information, news, giveaways and anything mentioned on the show head over to our Facebook (https://www.facebook.com/share/g/1EiNYmgJr2/), Instagram (https://www.instagram.com/wildorigins_australia/) Website (https://theoriginsfoundation.org/) If you have a question, comment, topic, gear review suggestion or a guest that you'd like to hear on the show, shoot an email to dodge@thewildorigins.org or via our socials.
This podcast brings together a coalition of independent Australian podcast hosts from Wild Origins, Get Outdoors With Drew and Cam, Women Who Hunt, Hunting Connections, In The Dark and Bullet Points, Australian Hunting Backcountry, Nature's Perks, the Australian Hunting Podcast and we at The Hunting Republic to engage in a measured, evidence-based discussion on the proposed changes to legal firearms ownership laws in New South Wales and other states.We begin by acknowledging the horrific atrocities that have prompted renewed public debate. We extend our sincerest condolences to all victims, families, and communities affected. Their loss is profound, and it deserves both respect and seriousness in how policy responses are considered.Across a large portion of the Australian public, there is clear agreement on one central point: law-abiding firearms owners are not responsible for acts of terrorism or violent extremism. The hosts united in this discussion contend that altering existing firearms laws would not have prevented the actions of determined terrorist extremists, who by definition operate outside legal and regulatory frameworks.Within this podcast, these issues—and many others—are examined in depth. Together, the hosts seek to present a unified message of solidarity, advocating for rational policy, accountability, and integrity in public discourse. This is a refusal to accept scapegoating in place of confronting genuine governmental and procedural failings, and a call for solutions that are grounded in facts rather than fear.
Are you into trivia? Calling all connoisseurs of the cryptic to the only quiz played live, all around Australia. Join the host of Nightlife Philip Clark for The Mighty Challenge!
The New Yorker contributing writer Heidi Blake has been investigating a new story for the Pulitzer Prize-winning podcast In the Dark. This season is about one of the most notorious crimes in modern British history: the Whitehouse Farm murders, in which five members of a family were killed at a rural estate in England in the mid-nineteen-eighties. Jeremy Bamber—brother, uncle, and son to the victims—was convicted of the crimes. Decades later, Blake got a tip that led her to interview key figures in the case and scour hundreds of thousands of evidence files. What she found brings the official story of the case into question, and challenges the very foundations of the U.K.'s legal system. This is Episode 1 of Blood Relatives. You can hear more episodes and subscribe to In the Dark here. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.
Synopsis This film follows Jane, a lonely librarian who finds a note at her desk with her name on it and a $50 bill, instructing her to play the game. She is helped by Brace, a new friend, in solving the puzzles and getting double the money every time she finds a new envelope. Jane and Brace quickly find out that she is playing a very dangerous game. Her strength, fortitude, and sanity are strained as she finds out just how far she'll go for the cash, and the thrill. Review I found this movie because of some tweet that had a few hundred likes saying it was some sort of hidden gem. I looked it up and could not find much about it, save a couple articles and Letterboxd reviews. I found a rip of it on Youtube through a Reddit post and told the guys, hey this is the movie we're gonna do this week. It was shot on video, never had a wide release or any sort of release at all. It was made by writer-director Clifton Holmes, along with his brother Dwayne producing, and co-written by Richard Laymon, the author of the book this film is based on. From an article on steemit.com, user modernzorker states that the film is incomplete, not in editing or shooting but in ADR and sound mixing, apparently all the sound we hear was the live recordings of each scene. With all that said, I loved this film. I love finding horror that is so underground that even though this movie was posted for free on Youtube eight years ago, it only has 12k views. It has 1.6k watches on Letterboxd. It basically doesn't exist. While you're watching it, you feel like it shouldn't exist. I don't say that to mean it is a so-called ‘cursed' film, like the movie Antrum claims to be. I mean that it probably shouldn't exist, and it almost doesn't. The only way to watch it is in 240p on Youtube or buy a DVD rip of it from some dude on eBay claiming he's the only one who sells them (and yes, listener, I did buy it for nine Great British pounds). It basically isn't real. It's hard to watch in 240p, I was begging for at least 480 but you get what you get when you wanna watch something like this. The low quality adds to the uneasiness and uncertainty of the film's vibe, but at some points it just sucks not being able to discern what is happening, mostly when they are shooting at night. All the lore aside, this film is excellent. It reminds me of Blair Witch and Clerks in the way it is shot. With a limited budget, we only see the aftermath of gore instead of the action happening, which I think works in its favor. You feel the dread alongside Jane, but she also is a very unflinching, dedicated protagonist. She is brave, and you know that she is from the start. There's almost no music in this movie, save for a few moments of characters listening to music, and every time we see our antagonist a crescendo of guitars rises to the front. The only other time we hear sound other than voices is when Jane is playing Silent Hill on her PlayStation, we hear the footsteps of Harry Mason running through the endless fog. This film is creepy, wacky, captivating, and so much more fun knowing that you're probably one of the only people in your generation to ever have watched this. It was such a treat and tonally great for spooky season. It's slow at first, but as the tension builds it just goes off the rails in the best possible ways. It's a crazy movie. Look up (aka click here) Richard Laymon's In The Dark on Youtube to watch it, you will not regret it. Score 10/10 Website: http://horrormovietalk.com Linktree: https://linktr.ee/horrormovietalk
In The Dark... with Joose from Chillin with Joose podcast & myself.It's a goodie, good laugh and gems to get you understanding the why.Sparks are temporary.Thank you for supporting the show Follow us on Stereo @dungeon x @chanbepoddin.Follow us on Twitter: @therealrrshow #rrr #thespark.Support the show in Redcircle We appreciate it!!!! Find Joose Here:X: @ichillncrocsIG:@chillinwithjoosepodTT:@imchiilinSupport this podcast at — https://redcircle.com/the-real-relationship-rapport/exclusive-content
Len and Beave truly revisit the music of their youth when they talk the music of Billy Squier and Eddie Money! The two artists go up against each other in Len's latest Facebook bracket, and they go through all their (numerous) hits, career arcs, career-ending videos (OK, just one). Who's better? And where do they rank in the 80s pantheon? And why are Len and Beave going off the rails to also discuss Loverboy and Paul Davis? Tune in for some VERY specific 80s jams!
In In The Dark (S1 E3 of Angel), Spike comes to L.A. in search of a gem that makes vampires unkillable. Along with the recap of In The Dark, this podcast episode focuses on: (1) Angel's mission, promises kept, and vampire philosophy; (2) whether Spike ever learns or Angel is addicted to brooding; (3) revisiting choice in the Buffyverse; and (4) the episode rating from 1 to 10. Download free Story Structure worksheets: https://www.lisalilly.com/worksheets Get more content, including access to the self-study course How To Plot Your Novel: From Idea To First Draft, by becoming a patron: https://www.patreon.com/lisamlilly Read the Buffy and the Art of Story books: https://lisalilly.com/buffy/ Find more Buffy podcasts at https://www.millionpodcasts.com/buffy-the-vampire-slayer-podcasts/ Listen to the Buffy podcast episodes starting from the beginning: https://lisalilly.com/buffy-story-hellmouth/ Get 16% Off Ritual Zero Proof (enter the code BUFFYSTORY at checkout): https://www.ritualzeroproof.com/discount/BUFFYSTORY About Lisa M. Lilly In addition to hosting the Buffy and the Art of Story podcast, Lisa M. Lilly is the author of the bestselling four-book Awakening supernatural thriller series as well as numerous short stories. She is currently writing the latest novel in her Q.C. Davis mysteries. Her non-fiction includes the Writing As A Second Career books on writing craft under L. M. Lilly. Get free books by Lisa M. Lilly: https://lisalilly.com/free/
Jonathan Byrd "Close Enough To Touch" - You Can't Outrun The Radio www.jonathanbyrd.com Matt Harlan & Rachel Jones "The Time Is Now" - In The Dark www.mattharlan.comKaren Jonas "Lucky" - Lucky, Revisited www.karenjonasmusic.comMonica Rizzio "Washashore Cowgirl" - Washashore Cowgirl www.monicarizzio.comGrace Morrison "Saltwater Country" - Saltwater Country www.gracemorrison.comLara Herscovitch "From A Bridge" - Four Wise Monkeys www.laraherscovitch.com ************************Allan James "The Ghosts Have Gone" www.allanjamesmusic.com Fred Gillen Jr. "Spring Turns To Summer" - Birds www.fredgillenjr.comEllis Paul "Cosmos" - 55 www.ellispaul.comThe Accidentals "Kevin At The End Of The World" - Time Out 3 www.theaccidentalsmusic.com Shanna In A Dress "Playin' With Fire" - Robot www.shannainadress.com Kevin Daniel "Heart Like Mine" - The Life & Adventures Of Kevin Daniel www.thekevindaniel.com************** ALBUM FOCUS: Marty Cooper - American Portraits This collection of songs is being released on 8/22 by Howlin' Dog Records. Here, Marty sings previously covered songs, as well as those made famous by others.From this retrospective, I aired "{I'm A) Yo-Yo Man", "The Ball Player", "The Oklahoma Wrangler", "A Little Bit Country, A Little Bit Rock and Roll" (with Wendy Newcomer), & "In Santa Fe" (with Wendy Newcomer)*******************MJ Hibbett "The Where, What, How And Whom Of Doctor Doom www.mjhibbett.comJon Babin "Angel Hair" s/t www.jonbabin.comBob Cummins Jr. "In Tow" - Good American Songbook www.bigecretrecords.com Glow & The Dark "Bright Eyes T-Shirt"Dining Dead "Burn Your Dinner" - Is This A House? www.diningdead.com Dylan Nirvana "KT-88" - Pentagonal Flower www.dylannirvana.com Plastic Rhino "TAKEITALL" www.plasticrhinoband.com
Hello again, my dear.Tonight, I ask you to do something very simple:Turn out the lights.Now listen closely… because in this episode, we descend into the places light forgets—where silence has a voice, and fear finds you by feel alone.These four tales are stitched together by the same creeping thread: darkness. The kind that hides your worst thoughts. Or worse… listens to them.
Norman Buckley is a prolific director whose work spans various networks, genres, and styles. Most recently, he executive produced and edited the short film STORAGE FEES. He is currently the co-executive producer/producing director on the Netflix show SWEET MAGNOLIAS. His previous credits include NCIS: HAWAII, PRETTY LITTLE LIARS, CHARMED, IN THE DARK, ZOO, QUANTICO, RIZZOLI AND ISLES, CHUCK, GOSSIP GIRL, AND THE OC. He was co-executive producer/producing director on PRETTY LITTLE LIARS: THE PERFECTIONISTS.After editing the pilot episode of THE OC in 2003, he began his directing career by helming six episodes of that series. He has gone on to direct over 140 episodes of television since then. His television movie THE PREGNANCY PROJECT won Best Primetime Program (Special or Movie of the Week) and Best Actress (Alexa Vega) at the 2012 Imagen Awards. His episode of THE OC “The Metamorphosis” was chosen by Entertainment Weekly magazine as one of the five best episodes of the series. His episode of GOSSIP GIRL “The Handmaiden's Tale” was chosen by Newsweek Magazine as one of the top ten television episodes of 2007.Buckley began working in the industry as an assistant editor on the Oscar-nominated films TENDER MERCIES, SILKWOOD, and PLACES IN THE HEART. He continued editing for a number of years on many films, television series, and TV movies. He worked with many outstanding directors, including Bruce Beresford, Robert Benton, Mike Nichols, Rob Reiner, Michael Lindsay-Hogg, Richard Donner, J.S. Cardone, McG, Doug Liman, and Robert M. Young. He also learned the editing craft from some of the best film editors in the business, including Carol Littleton, Sam O'Steen, William Anderson, and Bob Leighton.He worked as an editor on many independent films at the Sundance, Toronto, and Telluride film festivals, including HAPPY, TEXAS, which he also associate-produced. Beginning in 2000, Buckley edited several television pilots, all of which were picked up to series, which led to his regular work in television.He has been nominated twice for an American Cinema Editors award: in 2003 for JOE AND MAX, for best-edited motion picture for non-commercial television, and he won the award in 2008 for the pilot of CHUCK, for best-edited one-hour series for commercial television.Buckley grew up in Fort Worth, Texas and studied history at the University of Texas at Arlington, before moving to Los Angeles where he would later graduate from the University of Southern California with a degree in Cinema/Television.He was an adjunct professor at the University of California Los Angeles film school, teaching both graduates and undergraduates.Norman Buckley was married to the late artist Davyd Whaley and he established The Davyd Whaley Foundation (davydwhaleyfoundation.org) to carry on Davyd's legacy by supporting emerging artists with annual grants. Most recently the Foundation has funded scholarships at the Art Students League in New York and the film school at UCLA, as well as providing funding for Art Division, Art of Elysium, and the Brentwood Art Center in Los Angeles.
Read along to practice your English and to learn the English phrases IN THE DARK and A SHOT IN THE DARKIn this English lesson, I wanted to help you learn the English phrase in the dark. When you are in the dark, it means you don't know about something. I use this example a lot, but if someone was planning a surprise party for me, they would want to keep me in the dark. They would want to make sure that I don't know about the party. If they were planning like a surprise birthday party, they would all talk amongst themselves, but they would try to keep me in the dark. Sometimes governments do this as well. They do things that they know the citizens won't like, but they try to keep them in the dark. They don't let the press or the newspapers know, and they try to make sure people don't know what's going on. They keep them in the dark. Not a very good thing.WANT FREE ENGLISH LESSONS? GO TO YOUTUBE AND SEARCH, "BOB THE CANADIAN"If you enjoy these lessons please consider supporting me at: http://www.patreon.com/bobthecanadianThe other phrase I wanted to teach you today is a shot in the dark. Now, a shot in the dark is simply a guess. If you were to say to me what's 10 times 11 and I didn't know the answer, I might say, it's shot in the dark. It's probably around 110 or something like that. Anyways, a shot in the dark, that's a bad example. A shot in the dark is a guess. If you were to ask me how many English lessons have I made, I would say, and it's just a shot in the dark. At least over a thousand. Maybe close to 2000 if you combine the two channels. But that's just a shot in the dark. That's just a guess because I don't know the actual answer.So to review, when you are in the dark, it means you don't know about something. It means other people know, but you don't know. And a shot in the dark is simply a guess about something.But hey, let's look at a comment from a previous video. This comment is from Klopcyna. Dear Bob, do your students know you are a successful YouTuber? Do they watch your videos? This question's come up before my response. Most do know, but few watch them. I think when they find out, it's cool and unique. But after a while it's just a normal thing. Yeah, once. Thanks, Klopcyna, for that comment. Once I'm their teacher and I start assigning homework and I start checking their homework and doing all the things that teachers normally do, like telling them to stop running in the hallway. I think they forget that I'm a YouTuber and that I'm doing quite well on YouTube.So yes, most of them know I think most of them think it's pretty cool. But the other thing I would say is this YouTube isn't as big a deal for them as some of the other social media apps they use. I don't consider YouTube necessarily a pure social media app or platform. I mostly use YouTube to learn new things and obviously to teach things. But for my students, I think it's a little more of the like TikTok, Snapchat, BeReal. All of those kinds of things are more important in their lives. So yeah. Do they know? Yes. Do they care? Maybe a little bit. I don't know. It doesn't really matter to me. I just hope that they learn something from me in the classes that I teach.So hey. Yep, it continues. Once again, I was not going to talk about the weather, but yeah, it's a little warmer as you can see, I'm able to be outside without a winter hat or gloves, but it's still definitely winter. I haven't had to clean the driveway again. I think what I miss the most is the sun. Like you can kind of see it up there behind the clouds. But I'm looking forward to not necessarily warmer weather. I don't mind if it stays a little bit cold. I think I'm looking forward to just a little more sunshine. I've been taking my vitamin D pill every day because I'm nSupport the show
Esta semana, en Islas de Robinson... Seguimos reuniendo discos favoritos a tiempo real. Algunos tesoros presentes de esencia clásica, "ADN robinsoniano". Suenan: JACKIE WEST - "SUNROOM" ("CLOSE TO THE MISTERY", 2024) / JULIE BETH NAPOLIN - "IN THE DARK" ("ONLY THE VOID STANDS BETWEEN US", 2024) / HALEY HEYNDERICKX - "GEMINI" ("SEED OF A SEED", 2024) / MAIA FRIEDMAN - "ON PASSING" (2024) / HANNAH FRANCES - "DUSK" ("KEEPER OF THE SHEPHERD", 2024) / ALLEGRA KRIEGER - "INTO ETERNITY" ("ART OF THE UNSEEN INFINITY MACHINE", 2024) / DAISY RICKMAN - "SIGNPOST TO THE STARS" ("HOWL", 2024) / EVA MAY - "IN MY HEART" (2024) / CLARA MANN - "'TIL I COME AROUND" (2024) / NAIMA BOCK - "TAKES ONE" ("BELOW A MASSIVE DARK LAND", 2024) / DOROTHEA PAAS - "NIGHT PICTURE" ("THINK OF MIST", 2024) / JENNIFER CASTLE - "EARTHSONG" ("CAMELOT", 2024) /Escuchar audio
All content (c) 2024 Empowered Sleep Apnea, LLC unless otherwise notedA PDF transcript of this episode (includes cartoon! HUZZAH!) is within your grasp by clicking HERE.~ ~ ~ ~ ~HAPPY HALLOWEEN, Life Fans! For this extra-delibulous palindromic 11th episode of our second season, Dave reads from the Beautiful Blue Book three tales of a SCARY thing we see here on the ISLE of SLEEP APNEA, something called "CPAP Pressure Toxicity".What's CPAP Pressure Toxicity? It's any CPAP setting that's TOO HIGH FOR YOU? What does that look like? Well, listen to our three stories...SCARY STORIES for HALLOWEEN…and find out for yourself! Don't worry, Life Fans! We wouldn't leave you IN THE DARK! All three of our TALES OF TERROR happily resolve into joyful EMPOWERMENT!The cartoon for today's episode is a teaching point that's worth REMEMBERING...the type of mask we use for CPAP really MATTERS...our cartoon character CLAUDIO helps us take a look at the functional differences between nasal masks and oronasal masks.To fully grasp this episode's cartoon, just click HERE!Our Website: https://www.empoweredsleepapnea.comOfficial Blog: "Dave's Notes" : https://www.empoweredsleepapnea.com/daves-notesTo go to the BookBaby bookstore and view the BOOK, click HERE!
How many puns can you fit into one show title? What's Arsenio Hall up to these days? And how do compasses work anyway? Andy Matthews (Two In The Think Tank) joins me in the CombsCave to discuss these queries and more as we look at "In The Dark", S2/E20 of Martial Law (2000), a very 'new millennium' cop show. Also features: yet more Manhandled Jeff, some alarming green-screen action and the least amusing bloopers ever set to celluloid. Don't worry, though- Andy also has a song for us. Follow the podcast: Twitter: @reanimatespod Instagram: @reanimatespod YouTube: @re-animatespodcast Tumblr: /reanimatespodcast
Send us a textWith one of the most iconic lineups in its storied history, the Nitty Gritty Dirt Band continues to shine as one of the most accomplished groups in American roots music. Featuring founding members Jeff Hanna (lead vocals, guitar) and Jimmie Fadden (drums, harmonica, vocals), along with longtime bandmate Bob Carpenter (keys, vocals), who has been with the band since 1980, and rounded out by Jim Photoglo (bass, vocals), Jaime Hanna (guitar, vocals), and Ross Holmes (fiddle, mandolin, vocals), the Dirt Band has captivated audiences for nearly six decades.Their career began in 1966 as a jug band in Southern California, quickly rising to prominence by 1970 with their breakthrough album Uncle Charlie & His Dog Teddy, featuring the hit single "Mr. Bojangles." Over the years, they've made an indelible mark on American music with hits like “Fishin' In The Dark,” “Modern Day Romance,” and “Long Hard Road.” The band is also celebrated for their three Will The Circle Be Unbroken records, which featured collaborations with bluegrass, country, and folk legends such as Earl Scruggs and Doc Watson. These efforts earned the Dirt Band GRAMMY, CMA, and IBMA Awards, while their PBS special Circlin' Back! won an Emmy.In 2022, the band released Dirt Does Dylan to widespread critical acclaim, continuing their legacy of musical excellence. Bob Carpenter, a recent guest on Midwest Mixtape Podcast, discussed the band's journey and the exciting next chapter—ALL THE GOOD TIMES: The Farewell Tour. Launching in 2024, this tour will celebrate the nearly 60 years of music that the Dirt Band has shared with the world, offering fans a final chance to experience the band's legendary live performances.http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn
Fresh back from vacation, the legend Armin van Buuren joined us on America's Dance 30 to celebrate the incredible success of his smash "In The Dark"! Armin shared how the song was born w David Guetta & Aldae, why he was shocked it actually happened, how long ago they started working on it, and how many different Vs there were of it before its release. Armin also talked which artists he'd love to collab with that he still hasn't!He also shared about Ibiza and how best to enjoy the paradise island, what major show he has coming up that he's really excited about, and who he would DJ a set for if it could be anyone dead or alive.We also got to know Armin better w "Armin In The Dark" or "Armin With The Lights On"!!Find out if he'd rather do the following in the dark or w the lights on:watch a scary movietake a napplay a live setproduce his next #1how he proposed to his wifeFollow: @AmericasDance30 on all socials!Count down the biggest dance songs in the country every week with Brian Fink on America's Dance 30; listen on stations around the world!
An Iraqi lawyer reaches out to an American investigative journalist about a massacre that killed family members and others in his hometown. In 2005, after an IED attack on their convoy, US Marines stormed a village and executed 24 men, women, and children. The servicemen claimed they were returning fire from insurgents, but the evidence collected - including secret photographs - suggested a war crime was committed. Despite international condemnation of the Haditha massacre, none of the Marines served time for the killings. Two decades later, Madeleine Baron asks the question “why not?”Season three of the two-time Peabody Award winning podcast “In The Dark” from The New Yorker digs into the arcane world of the military justice system. The nine-part series is the result of four years of investigation, hundreds of interviews, and thousands of unreleased documents. Along the way, they uncover new details about that day in Haditha, the Marine Corps's efforts to minimize it, and why no one involved in the biggest American war crime since Vietnam was ever punished.OUR SPOILER-FREE REVIEW OF EPISODES 1-5 OF "IN THE DARK" BEGIN IN THE FINAL 13 MINUTES OF THIS EPISODE.In Crime of the Week: who can it be now? New episodes of Crime Writers On every Monday this summer!For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.
This program is drawn from a new season of the award-winning investigative podcast In the Dark. On a November day in 2005, in the city of Haditha, Iraq, something terrible happened. “Depending on whose story you believed, the killings were a war crime, a murder,” the lead reporter Madeleine Baran says. “Or they were a legitimate combat action and the victims were collateral damage. Or the killings were a tragic mistake, unintentional—sad, but not criminal. Basically, the only thing that everyone could agree on was that twenty-four people had died, and it was marines who'd killed them.” Season 3 of In the Dark looks at what happened that day in Haditha, and why no one was held accountable for the killings. Baran and her team travelled to twenty-one states and three continents over the course of four years to report on a story that the world had largely forgotten. Episode 1 airs this week on The New Yorker Radio Hour, and you can listen to the rest of the series wherever you get your podcasts.
This week Pastor Tim Schoen continues the teaching series “He's Him” with the second message “In The Dark.”(Recorded June 29th, 2024)To get connected follow us on Instagram @HSRevolution
0:00:00 Intro 0:01:05 Members Of Mayday - Mayday Anthem (Thomas Schumacher Remix) 0:04:54 The Prodigy - Smack My B**** Up (A.D.H.S. Edit) (unreleased) 0:08:50 Thomas Schumacher - When I Rock (A.D.H.S. Remix) 0:13:05 A.D.H.S. - Maxed Out (unreleased) 0:19:15 Cherrymoon Trax - House of House (Thomas Schumacher Remix) 0:26:30 A.D.H.S. - In The Dark (unreleased) 0:30:45 Thomas Schumacher - Stella Remix (unreleased) 0:35:50 Thomas Schumacher & A.D.H.S. - Aksijan 0:40:10 Thomas Schumacher & A.D.H.S. - Mirazh 0:43:30 A.D.H.S. - (unreleased) 0:47:00 Marhu - La Monnaie 0:51:45 A.D.H.S. - Sagaraya 0:56:04 unreleased 1:00:47 A.D.H.S. - Khakuri (unreleased) 1:04:05 Josh Wink - Higher States Of Consciousness | Thomas Schumacher Remix (unreleased) 1:08:33 A.D.H.S. - Paranoize 1:12:24 Thomas Schumacher - Tainted Schall 1:17:00 Thomas Schumacher - Final Fantasy (unreleased) 1:22:00 A.D.H.S. & Thomas Schumacher - Cafe Del Mar Rework (unreleased)
In a small New York town, a sense of mystery enveloped the community when 36-year-old Jennifer Ramsaran disappeared without a trace on December 11, 2012. Following months of uncertainty, her remains were discovered along a secluded roadside, revealing the shocking truths of a secret love affair.Credit:Dateline NBC - The Perfect LifeDon't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
In 1989, in St. Joseph, Minnesota, 11-year-old Jacob Wetterling was abducted at night while riding his bike home from a corner store with his friends. His case would puzzle authorities and deeply unsettle the small community for nearly thirty years.Credit: Clips and interviews featured in this episode were sourced from "In The Dark" podcast, Season 1 (Jacob Wetterling) investigated and written by Reporter Madeleine Baran. For a comprehensive exploration of Jacob's narrative, I highly recommend the podcast.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
"Changing Beats: Goose's Drummer Departure and New Musical Ventures"Larry Mishkin dives into a live performance of the Grateful Dead's Mardi Gras Show from 1986. The discussion highlights the additional set by The Nevels, a brief comparison of songs played, and the significance of the venue, Kaiser Convention Center. The conversation transitions to Goose, a contemporary jam band, announcing a change in drummers and their new album release. Larry also touches on the Grateful Dead's record-breaking achievement of having the most Top 40 albums on the Billboard 200. Lastly, it explores the origins and themes of the Grateful Dead's song "Cassidy," drawing connections to individuals associated with the band and the Beat Generation. Throughout, there's a mix of musical analysis, historical context, and personal anecdotes, offering a comprehensive exploration of the music and culture surrounding these iconic bands plus the latest cannabis news. Grateful DeadFebruary 12, 1986 (38 years ago)Henry J. Kaiser Convention CenterOakland, CAGrateful Dead Live at Henry J. Kaiser Convention Center on 1986-02-12 : Free Download, Borrow, and Streaming : Internet Archive Show Title: Dead and the Neville Brothers Rock Oakland Celebrating Mardi Gras A short Dead show by Nevilles played a set after turning it into a marathon evening of great music INTRO: Sugaree Track #3 Start – 1:35 Jerry comes out smoking on this crowd favorite to get things rocking (second song after Hell in a Bucket). Released on the Jerry's first solo album, Garcia, in January, 1972. Played 362 times 1st at on July 31, 1971 at the Yale Bowl in New Haven, CN six months before its release Last played on July 8, 1995 at Soldier Field in Chicago Kaiser Convention Center is a historic, publicly owned multi-purpose building located in Oakland, California. The facility includes a 5,492-seat arena, a large theater, and a large ballroom.[2] The building is #27 on the list of Oakland Historic Landmarks.,[3] and was listed on the National Register of Historic Places in 2021.[4]The building is located at 10 10th Street, in the Civic Center district of the city. It is next to the Oakland Museum, Laney College, Lake Merritt, and near the Lake MerrittBARTstation.he Beaux-Arts style landmark was built in 1914; the architect was John J. Donovan.[3] The structural engineer was Maurice Couchot.[5] Originally known as the Oakland Civic Auditorium, it was renamed in honor of Henry J. Kaiser after a 1984 renovation.The city closed the facility in 2006 and its future was uncertain for a decade.[1] In 2006, Oakland voters defeated a ballot proposition advocating a library space in the building.The facility was owned by the City of Oakland until 2011, when it was sold to the local redevelopment agency for $28 million.[6] However, the redevelopment agency was dissolved by the State of California in 2012,[7] so ownership reverted to the city of Oakland.In 2015 the city chose a local developer, Orton Development, Inc. to renovate the facility. The plans are to turn it into a commercial space, with the Calvin Simmons Theater being renovated as a performing arts venue. The building is also supposed to be registered as a national historic landmark.In the 1950s and 1960s the Roller Derby played there hundreds of times. Elvis Presley performed at the convention center on June 3, 1956, and again on October 27, 1957. On December 28, 1962, Martin Luther King Jr. spoke to an audience of 7,000 at the auditorium to mark the 100th anniversary of the Emancipation Proclamation.[13]Ike & Tina Turner performed at the Oakland Auditorium on January 13, 1967.From 1967 through 1989, the Grateful Dead, an American rock band, performed at the convention center 57 times. Their first 23 concerts at the convention center were billed at "Oakland Auditorium", and later, starting in 1985, the venue changed to "Henry J. Kaiser Convention Center". In the 80's the band started performing "runs" of shows over the course of three to seven days.[ SHOW No. 1: Tons of Steel Track # 4 1:07 – 2:40 A “new” Brent song, released on In The Dark in 1987. Love the harmonizing with Phil – “She wasn't built to travel at the speed a rumor flies, these wheels are bound to jump the tracks, before they burn the ties.” Crowd loves it too – any excuse to hear Phil sing – this is just about a month before the Hampton show where Phil broke out Box of Rain, Deadheads couldn't get enough of him. David Dodd:Brent wrote the words and music for “Tons of Steel.” It was first performed on December 28, 1984, at the Civic Auditorium in San Francisco (now Bill Graham Civic). The other first in the show was "Day Tripper." I was there! It sounded like a hit to me. But then, I was completely disconnected from whatever it was that passed for hit-making in the 1980s.It was performed fairly regularly throughout 1985 through September 1987, making its last appearance on September 23 at The Spectrum in Philadelphia. That seems odd to me, because it was dropped from rotation just a little more than two months after it was released on In the Dark, in July. Any thoughts?So, it's a song about a train. One of the prime motifs in Grateful Dead lyrics. Quick—name five Grateful Dead songs with trains! No peeking!What do trains evoke in Dead lyrics? Everything from danger (“Caution,” “Casey Jones”) to adventure (“Jack Straw”) to love (“They Love Each Other”) to farewell (“He's Gone”) to whatever that thing is that we feel when Garcia sings about wishing he was a headlight... (and take a look at the back cover of Reflections sometime). Played 29 times First played December 28, 1984 S.F. Civic Auditorium (NYE run) Last played September 23, 1987 at the Spectrum, Philly SHOW No. 2: Cassidy Track #6 2:20 – 4:09 "Cassidy" is a song written by John Barlow and Bob Weir[1] and performed by the Grateful Dead, Ratdog, and Phil Lesh & Friends.[2] The song appeared on Bob Weir's Ace, and the Grateful Dead's Reckoning and Without a Net albums.[3]The song was named after Cassidy Law, who was born in 1970 and was the daughter of Grateful Dead crew member Rex Jackson and Weir's former housemate Eileen Law.[1] The lyrics also allude to Neal Cassady, who was associated with the Beats in the 1950s[4] and the Acid Test scene that spawned the Grateful Dead in the 1960s. Some of the lyrics in the song were also inspired by the death of Barlow's father.[5]The song was quoted in the admiring and admirable obituary of Barlow in The Economist.One of my favorite songs, a great sing a long.I really like this version because it gets nice and trippy. Always good for a helping define the mood of the show, usually about mid to late first set. A very fun tune. Played 339 times 1st: March 23, 1974 at the Cow Palace in Daley City, just outside S.F. Last: July 6, 1995 Riverport Amphitheatre, Maryland Heights, MO outside of St. Louis SHOW No. 3: Willie and the Hand Jive Track # 14 1:23 – 3;05 Played with the Neville Bros. but without Phil who left the stage for this one song. Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart.[1][2] The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation,[2]though Otis always denied it.[3] It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead.[4][5] Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the BillboardRock Tracks chart. The lyrics tell of a man named Willie who became famous for doing a hand jive dance.[1][2] In a sense, the story is similar to that of Chuck Berry's "Johnny B. Goode", which tells of someone who became famous for playing the guitar and was released two months before "Willie and the Hand Jive".[1] The origin of the song came when one of Otis' managers, Hal Ziegler, found out that rock'n'roll concert venues in England did not permit the teenagers to stand up and dance in the aisles, so they instead danced with their hands while remaining in their seats.[2][5] At Otis' concerts, performers would demonstrate Willie's "hand jive" dance to the audience, so the audience could dance along.[2] The dance consisted of clapping two fists together one on top of the other, followed by rolling the arms around each other.[2] Otis' label, Capitol Records, also provided diagrams showing how to do the hand jive dance. Eric Clapton recorded "Willie and the Hand Jive" for his 1974 album 461 Ocean Boulevard. Clapton slowed down the tempo for his version.[12] Author Chris Welch believes that the song benefits from this "slow burn".[12]Billboard described it as a "monster powerful cut" that retains elements from Clapton's previous single "I Shot the Sheriff."[13]Record World said that "Clapton slowly boogies [the song] into laid-back magnificence. George Thorogood recorded a version of "Willie and the Hand Jive" for his 1985 album with the Destroyers Maverick.[27] His single version charted on the Hot Mainstream Rock Tracks chart, peaking at #25, and reached #63 on the Billboard Hot 100 chart.[1][28]Allmusic critic James Christopher Monger called the song one of Thorogood's "high points. Other artists who covered the song include: Johnny Rivers, New Riders of the Purple Sage, The Flying Burrito Brothers, Sandy Nelson, The Tremeloes, Amos Garrett, Ducks Deluxe and Levon Helm.[4]Lee Michaels released a version of the song on his 1971 album, 5th To my surprise, played 6 times by the band, all in '86 and once in ‘87 This is the fist time they ever played it Last: April 4, 1987 at the Centrum in Worcester, MA SHOW No. 4: In the Midnight Hour Track # 16 2:20 – 4:01 Played with the Nevilles, Phil back on stage Again, Jerry's playing really stands out. "In the Midnight Hour" is a song originally performed by Wilson Pickett in 1965 and released on his 1965 album of the same name, also appearing on the 1966 album The Exciting Wilson Pickett. The song was composed by Pickett and Steve Cropper at the historic Lorraine Motel in Memphis, later (April 1968) the site of the assassination of Martin Luther King Jr. Pickett's first hit on Atlantic Records,[1] it reached number one on the R&B charts and peaked at number 21 on the pop charts. Wilson Pickett recorded "In the Midnight Hour" at Stax Studios, Memphis, May 12, 1965. The song's co-writer Steve Cropper recalls: "[Atlantic Records president] Jerry Wexler said he was going to bring down this great singer Wilson Pickett" to record at Stax Studio where Cropper was a session guitarist" and I didn't know what groups he'd been in or whatever. But I used to work in [a] record shop, and I found some gospel songs that Wilson Pickett had sung on. On a couple [at] the end, he goes: 'I'll see my Jesus in the midnight hour! Oh, in the midnight hour. I'll see my Jesus in the midnight hour.'" and Cropper got the idea of using the phrase "in the midnight hour" as the basis for an R&B song.[3] More likely, Cropper was remembering The Falcons' 1962 song "I Found a Love," on which Pickett sings lead and says "And sometimes I call in the midnight hour!" The only gospel record Pickett had appeared on before this was the Violinaires' "Sign of the Judgement," which includes no such phrase.[4]Besides Cropper, the band on "In the Midnight Hour" featured Stax session regulars Al Jackson (drums) and Donald "Duck" Dunn (bass). According to Cropper, "Wexler was responsible for the track's innovative delayed backbeat", as Cropper revamped his planned groove for "In the Midnight Hour" based on a dance step called the Jerk, which Wexler demonstrated in the studio. According to Cropper, "this was the way the kids were dancing; they were putting the accent on two. Basically, we'd been one-beat-accenters with an afterbeat; it was like 'boom dah,' but here was a thing that went 'um-chaw,' just the reverse as far as the accent goes."[5]Pickett re-recorded the song for his 1987 album American Soul Man."In the Midnight Hour" t has become an iconic R&B track,[citation needed] placing at number 134 on Rolling Stone's list of the 500 Greatest Songs of All Time,[citation needed] Wilson Pickett's first of two entries on the list (the other being "Mustang Sally" at number 434).[citation needed] It is also one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll,[citation needed] Pickett's only such entry. In 2017, the song was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant."[7] In 1999, "In the Midnight Hour" recorded in 1965 on Atlantic Records by Wilson Pickett was inducted into the Grammy Hall of Fame. Covers:· The Grateful Dead regularly performed the song in concert from 1967 onwards, most notably with extended improv vocals by frontman Ron "Pigpen" McKernan. It was occasionally the Dead's “midnight song” at their NYE shows – I saw them do it in 1985 at midnight on the 31st. Fun way to start the new year although I was always partial to Sugar Mag at NYE midnight. 57 times played 1st: December 10, 1965 at the Fillmore in S. F. Last: October 17, 1994 at MSG, NYC OUTRO: Johnny B. Goode Track #17 Start – 1:40 We just featured this song from a different show, but this version demands recognition. Played with the Nevilles – great mash up of musicians, singers, the whole thing is just great. Interestingly, not the encore, but the last song of the second set (US. Blues was the encore, a ripping version, but no Neville Bros so I went with JBG instead to hear them one more time). Chuck Berry tune Dead played it 283 times First played: September 7, 1969 at The Family Dog at the Great Highway, S.F. Last played: April 5, 1995 at the Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
In the early morning of January 14, 2018, 17-year-old Jordan Turpin discreetly left her home to seek help. This courageous decision would expose disturbing secrets, shocking the entire nation.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
The wives and daughters of Dubai's ruler live in unbelievable luxury. So why do the women in Sheikh Mohammed's family keep trying to run away? The New Yorker staff writer Heidi Blake joins In the Dark's Madeleine Baran to tell the story of the royal women who risked everything to flee the brutality of one of the world's most powerful men. In four episodes, drawing on thousands of pages of secret correspondence and never-before-heard audio recordings, “The Runaway Princesses” takes listeners behind palace walls, revealing a story of astonishing courage and cruelty.“The Runaway Princesses” is a four-part narrative series from In the Dark and The New Yorker. To keep listening, follow In the Dark wherever you get your podcasts.
In 1978, Mary Vincent, a 15-year-old runaway hitchhiking her way to California, made the unfortunate decision to accept a ride from a stranger, ignoring numerous warning signs. This naive decision would result in lasting consequences for the rest of her life. Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
On February 9, 2013, 23-year-old Shandee Blackburn was walking home alone from work in Mackay, Queensland, Australia, when she was brutally ambushed less than a block away from her home. To this day her case remains unsolved.Credits:The clips and interviews featured in this episode were sourced from The Australian and The Australian's podcast, "Shandee's Story," investigated and written by Hedley Thomas. For a comprehensive exploration of Shandee's narrative, I highly recommend the podcast.Listen here: https://www.theaustralian.com.au/podcasts/shandees-story Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
The holidays. Stressful and too over-commercialized to bring the same heartwarming sensations of years past. However, with your loved ones in toe and the gift of giving, it can still be special. For instance, Alicia and I just got drunk the day after Thanksgiving and made this for you. Plus some cameos! If Hollywood has taught me anything, it's that everyone loves excessive cameos! So please give your own personal yule log a squeeze, jingle your bells, and get ready for another holly, and still jolly episode of It's Just 2 Movies!For more, subscribe to our Patreon! Contact the show via email at: itsjust2movies@gmail.comFacebook, TikTok, Twitter, Instagram, Letterboxd and the like @itsjust2moviesDon't forget to subscribe on YouTube!Need to buy some stuff on Amazon? Visit our Amazon affiliate link to do your shopping and it helps the show financially! Wow! Amazing! *As Amazon associates we earn from qualifying purchases* Tropic Thunder, for instance! Want to support the show more directly and chuck in a buck? Buy Me a Coffee Don't use Spotify, Apple Podcasts, or any of those other platforms? The show is always free on our website. :) ***SPECIAL THANKS TO THESE FOLKS WHO CONTRIBUTE TO THIS DUMB SHOW***Russ Tafari. @russ_tafari and check out Russ Tafari Music Lamplighter Productions for our artwork. @lamplighter_productions_il Brad Sexton for our tunes. Check out SUNDS Mad thanks to Dave, @wheep3d our video editor. Check out our YouTube!Support the show
During Christmas 1996, JonBenét Ramsey, a six-year-old American child beauty queen, was discovered deceased in the basement of her family's home in Boulder, Colorado. Since then, this case has evolved into one of our nation's most famous unsolved mysteries.Credits: CNN - The murder mystery of JonBenet Ramsey 2016CNN - John and Patsy Ramsy first interview 1997Good Morning America - Linda Arndt interview 1999Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
the Road life with this band, Allies- backing me up and opening my concerts in the Whistlin' In The Dark days.
On the night of November 13, 2022, tragedy struck as four University of Idaho students—Ethan Chapin, Xana Kernodle, Madison Mogen, and Kaylee Goncalves—were fatally stabbed in a rental home close to the Moscow, Idaho, campus. Presently, Bryan Kohberger stands as the primary and sole suspect in the case.Don't forget to rate and subscribe to the show, and follow me on Instagram @exhibitmaepodcast ☺
“Somebody took Jacob” -- On October 22, 1989, 11 YO Jacob Wetterling bikes home and disappears with a gunman into the night. 9 months earlier, 12 YO Jared Scheierl gets ice cream and vanishes shortly after, but a few hours later, he makes it back home: 27 years later, he would be the key to finally solving Jacob's disappearance, taking down one of the most terrifying men the state of Minnesota has ever seen. External Footage From: "The Hunt with John Walsh" (S1 E8, "Justice Denied", CNN), "Moms Of Missing Kids: We'll Never Give UP" (CNN), "In The Dark" (S1 E3, The One Who Got Away, APM Reports).
Hosts Jim DeRogatis and Greg Kot talk with Dr, Ricky Rodriguez about the cultural exchange between Latino fans and British bands in the 1980s. Plus, Jim and Greg review new albums by Kelela and Yo La Tengo. Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs: Siouxsie & The Banshees, "Spellbound," Juju, Polydor, 1981The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Kelela, "Washed Away," Raven, Warp, 2023Kelela, "Raven," Raven, Warp, 2023Kelela, "Enough for Love," Raven, Warp, 2023Kelela, "On the Run," Raven, Warp, 2023Kelela, "Bruises," Raven, Warp, 2023Yo La Tengo, "Sinatra Drive Breakdown," This Stupid World, Matador, 2023Yo La Tengo, "Fallout," This Stupid World, Matador, 2023Yo La Tengo, "Aselestine," This Stupid World, Matador, 2023Yo La Tengo, "This Stupid World," This Stupid World, Matador, 2023Yo La Tengo, "Until It Happens," This Stupid World, Matador, 2023Adam Ant, "Juanito the Bandito," Juanito the Bandito (Single), CBS, 1982Blue Rondo À La Turk, "Me and Mr. Sanchez," Me and Mr. Sanchez (Single), Virgin, 1981Holly Johnson, "Americanos," Blast, MCA, 1989Duran Duran, "The Reflex (The Dance Mix)," The Reflex (The Dance Mix) (Single), EMI, 1984Orchestral Manœuvres In The Dark, "So In Love," So In Love (Single), Virgin, 1985Pat Boone, "Speedy Gonzales," Speedy Gonzales (Single), Dot, 1962John Cale, "Story of Blood feat. Weyes Blood," Mercy, Double Six, 2023Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.
“In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.
We're pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.
We're pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.
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