Podcasts about macarthur foundation genius grant

On the March 28 Friday LIVE, Genevieve Randall and guests have lively conversations about: a screening of "Tremors" at The Ross, featuring film producer Gale Anne Hurd: the new novel "The Antidote" by Pulitzer Prize for Fiction finalist and MacArthur Foundation Genius Grant recipient Karen Russell; "An Evening with Larry Gatlin" at the Merryman Performing Arts Center; Lincoln's Symphony Orchestra's "Star Wars: Return of the Maestro" at the Lied Center for Performing Arts; and Anastasis Theatre Company's production of "By a Thread." Also, poetry from Karla Hernandez Torrijos.

On the March 28 Friday LIVE, Genevieve Randall and guests have lively conversations about: a screening of "Tremors" at The Ross, featuring film producer Gale Anne Hurd: the new novel "The Antidote" by Pulitzer Prize for Fiction finalist and MacArthur Foundation Genius Grant recipient Karen Russell; "An Evening with Larry Gatlin" at the Merryman Performing Arts Center; Lincoln's Symphony Orchestra's "Star Wars: Return of the Maestro" at the Lied Center for Performing Arts; and Anastasis Theatre Company's production of "By a Thread." Also, poetry from Karla Hernandez Torrijos.

We dive into the mind of Robert Sapolsky, renowned neuroscientist, primatologist, and author, as he unpacks some of today's most challenging questions about human nature, choice, and resilience. With over 30 years of research on baboons and human behavior, Sapolsky brings a unique lens to questions about free will, the effects of stress, and how trauma can reverberate through generations. OUR GUEST Robert M. Sapolsky is the author of several works of nonfiction, including A Primate's Memoir, The Trouble with Testosterone, and Why Zebras Don't Get Ulcers. His most recent book, Behave, was a New York Times bestseller and named a best book of the year by The Washington Post and The Wall Street Journal. He is a professor of biology and neurology at Stanford University and the recipient of a MacArthur Foundation “Genius Grant.” He and his wife live in San Francisco. ROBERT SAPOLSKY

Why do we behave the way we do? Why do our children behave the way they do? Many of the factors are well beyond our control. Hunter talks to Robert Sapolsky, professor of biology and neurology at Stanford University and the recipient of a MacArthur Foundation “Genius Grant” about stress, individualist vs. collectivist cultures, displacement aggression, and how the frontal cortex development affects parents and parenting.  ABOUT HUNTER CLARKE-FIELDS: Hunter Clarke-Fields is the host Mindful Parenting Podcast (Top 0.5% podcast ), global speaker, number 1 bestselling author of “Raising Good Humans” and “Raising Good Humans Every Day,” Mindfulness Meditation teacher and creator of the Mindful Parenting Course and Teacher Training. Find more podcasts, Hunter's books, blog posts, free resources, and more at MindfulMamaMentor.com. Discover your Unique-To-You Podcast Playlist at mindfulmamamentor.com/quiz/ We love the sponsors that make this show possible! You can always find all the special deals and codes for all our current sponsors on our website: /mindfulmamamentor.com/mindful-mama-podcast-sponsors/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode #35, legendary professor and author Robert M. Sapolsky joins the show for a fascinating conversation about his most recent book: Determined. At length we discuss what life looks like when we accept the premise of Determined: free will is a myth and rewarding and punishing behavior is an outdated approach to running a humane and just world. Along the way we get into strange and groovy notions like Emergent Complexity, Chaoticism (a.k.a. The Butterfly Effect), the prefrontal cortex, and my personal passion, stress. With abundant erudition and mirth, Dr. Sapolsky makes the case several time over that a separate self with a free will apart from the biologic matrix is simply untenable. Along the way, Robert walks us through the arguments which support Determinism, starting with our inability to perceive our intentions and then showing us how brain neurons, slime molds, and ants operate without a blueprint. Overall, we get a persuasive portrait of how and why the seamless web of biology and environment have an unseen hand in how we act and think.Best to get your thinking cap out and put it on, because this show puts all of our assumptions about how humans work on the surgical table. Whether they survive the rigor of a sage professor's operations is the question we're left with. I hope you enjoy this show as much as I did!About Robert M. Sapolsky: Dr. Sapolsky is the author of several works of nonfiction, including A Primate's Memoir, The Trouble with Testosterone, and Why Zebras Don't Get Ulcers. His most recent book, Behave, was a New York Times bestseller and named a best book of the year by The Washington Post and The Wall Street Journal. He is the John A. and Cynthia Fry Gunn Professor of biology, neurology and neurosurgery at Stanford University and the recipient of a MacArthur Foundation “Genius Grant.” He and his wife live in San Francisco.

Meet Jared Diamond and Michael Shermer: https://skeptic.com/event Robert Sapolsky is the author of A Primate's Memoir, The Trouble with Testosterone, and Why Zebras Don't Get Ulcers. His most recent book, Behave, was a New York Times bestseller and named a best book of the year by the Washington Post and the Wall Street Journal. He is a professor of biology and neurology at Stanford University and the recipient of a MacArthur Foundation “Genius Grant.” His new book is Determined: A Science of Life Without Free Will. Shermer and Sapolsky discuss: free will, determinism, compatibilism, libertarian free will • Christian List's 3 related capacities for free will • how what people believe about free will and determinism influences their behaviors • the three horsemen of determinism: (1) reductionism (2) predetermination; (3) epiphenomenalism • dualism • punishment • retributive vs. restorative justice •Is the self an illusion? • game theory evolution of punishment • luck • and meaning (or lack thereof).

Jim talks with Robert Sapolsky about the ideas in his book Determined: A Science of Life Without Free Will. They discuss what motivates his writing about the topic, turtles all the way down, closing off the escape valves, the general critique of determinism, 4 positions on free will, naturalism vs determinism, intent, free will vs agency, Phineas Gage's famous brain injury, disruption of cognitive abilities, the limitations of metacognition, Benjamin Libet's volition experiments, why consciousness research doesn't have to do with free will, free won't, the theory of grit, an update to the marshmallow test, cusp decisions, deterministic chaos, the De Broglie-Bohm theory, New Age quantum bullshit, emergent complexity, downward causality, how attention determines who we become, the noble lie, why rejecting free will doesn't make people less ethical, and much more. Episode Transcript Determined: A Science of Life Without Free Will, by Robert Sapolsky JRS EP105 - Christof Koch on Consciousness JRS EP 148 - Antonio de Masio on Feeling and Knowing JRS EP 178 - Anil Seth on A New Science of Consciousness JRS EP108 - Bernard Baars on Consciousness JRS Currents 083: Joscha Bach on Synethic Intelligence Robert M. Sapolsky is the author of several works of nonfiction, including A Primate's Memoir, The Trouble with Testosterone, and Why Zebras Don't Get Ulcers. His most recent book, Behave, was a New York Times bestseller and named a best book of the year by The Washington Post and The Wall Street Journal. He is a professor of biology and neurology at Stanford University and the recipient of a MacArthur Foundation “Genius Grant.” He and his wife live in San Francisco.

The Fake Ass Book Club is back this week to review "Dawn" by Octavia Butler! Octavia Butler was an American science fiction writer, one of the best known among the few African-American women in the field. In her book, "humanity is decimated, and Earth has been all but destroyed by nuclear war. A black American woman, Lilith Iyapo, awakes among frightening aliens called “Oankali,” who offer humanity a devil's bargain: they will “save” humanity from extinction by taking human DNA, blending it with their own, and creating a stronger hybrid species. Lilith, the main charter, immediately becomes afraid that they will rape her, or remove her eggs without her permission, but they assure her, “No Oankali will touch you without your consent.” However, “consent” becomes an increasingly muddied concept as the novel goes on." (https://blog.pshares.org/rape-and-the-ravages-of-colonialism-in-octavia-spencers-dawn/). As the ladies navigate this story of survival and humanity's seemingly inevitable evolution, they have so many questions. If human evolution was dependent on their willingness to merge DNA with aliens, would you do it to survive? Would staying 100% human be that important? Would our humanity be compromised? While noting the similarities between colonialism and Oankali's quest to assimilate humans to a new way of life, Moni and Kat ponder how they would handle an alien invasion. Tune in to hear what they had to say!! (As always, this episode contains spoilers!) Warning: Adult Content (Rape/Suicide/Sexual Content) and strong language, please be advised this show is for adults 18 and up. Dedication: To our listeners as always, thank you! To Moni and her brothers and Nichelle Nichols. https://www.smithsonianmag.com/smart-news/nichelle-nichols-pioneering-star-trek-actress-dies-at-89-180980507/ https://en.wikipedia.org/wiki/Nichelle_Nichols Notes: Book: Dawn by Octavia Butler Paperback, 248 pages/ Audio book 9h 20min Sci-fi/Post- Apocalyptic/Fiction Published April 1997 by Warner Books (first published May 1987) https://www.goodreads.com/book/show/60929.Dawn About the Author: Octavia Estelle Butler was an American science fiction writer, one of the best known among the few African-American women in the field. She won both Hugo and Nebula awards. In 1995, she became the first science fiction writer to receive the MacArthur Foundation "Genius" Grant. https://www.octaviabutler.com/theauthor Mentioned in this episode: Lost Books of the Bible https://en.wikipedia.org/wiki/TheLostBooksoftheBibleandtheForgottenBooksof_Eden Stranger than Fiction: Heroic teen saves 3 people from drowning: https://www.msn.com/en-us/news/us/heroic-teenager-recounts-saving-3-girls-and-police-officer-from-drowning-in-sinking-vehicle/vi-AAZqG3n?ocid=msedgntp&cvid=262080707e8c447b889972d892806976 Please email thefabpodcast@gmail.com with your "Stranger Than Fiction" stories so we can share them on the show or let us know how you feel aout the show. You can follow and find us across social media by clicking our Link tree https://linktr.ee/Fabpod Don't forget to follow us on social media; rate, review, and SHARE!

Today, Dr. Peter Pronovost joins us. He is the Chief Clinical Transformation Officer at University Hospitals in Cleveland, Ohio, where he is a champion for innovation as well as patient safety and value improvement. His devotion to value improvement in this role reduced Medicare Annual expenditures by 21% over a two-year period.   Nicknamed “Dr. Checklist,” Peter garnered worldwide recognition for a patient safety checklist that he developed. And, in 2008, he received a MacArthur Foundation “Genius Grant” and was named by Time magazine as one of the “100 Most Influential People.”   In our conversation today, Peter and I talk about what it means to provide high quality care, about the necessary cultural shifts that are taking place in healthcare, about how even seemingly simple innovations can have long-lasting impacts on providing patients with better care, and about the power of our beliefs, human connection, and love in positively impacting others.   Additional Resources:   University Hospitals' Journey to Zero Harm: https://vimeo.com/687888354   Pronovost on Love Wins: https://vimeo.com/555014083/162fedf615

In the year 2000, Mauricio Lim Miller – now a leading social entrepreneur, public speaker and author focusing on peer-driven social change and economic empowerment – received a phone call from Jerry Brown, the then-mayor of Oakland, California. Miller had spent decades in community development and was heading Asian Neighborhood Design, a local organization that had grown into a nationally recognized model. The previous year, Miller was one of the honorees, along with Rosa Parks, invited by President Bill Clinton to attend the State of the Union address. And yet then-Mayor Brown was apoplectic. He was incredulous that a youth program in which Miller was involved was requesting over $10 million in funding to ensure the employment of 120 caseworkers, while guaranteeing no jobs for client-participants. Brown accused Miller of being "a poverty pimp." Miller didn’t exactly disagree. He had long harbored doubts about existing programmatic approaches to addressing poverty. Year after year he saw the same people walk through his doors; a generation later, he saw their children. And so with Brown’s urging, Miller began thinking about how social service policies and programs could be re-designed to help break the cycle of economic dependency.  Miller realized he didn’t know the answers. But he sensed that the families did, and that they could lift themselves and one another up if entrusted and supported to make their own decisions – rather than being “saved” from themselves or directed what to do with the financial assistance they received. The son of a single mother who immigrated from Mexico, Miller realized that though she struggled constantly, she had figured out how to enable her children to escape poverty. He sensed that designing programs powered from the bottom up, rather than from the top down – focusing on the wisdom, talents and resilience of people in low-income communities, rather than on their perceived failings or weakness, and connecting them with one another – could yield new insights and promise. Miller viewed this as a huge opportunity to recognize the ability of low-income families to contribute to society, becoming “makers,” not “takers.” Their strengths, initiative, resourcefulness, talents, and determination – qualities shown by countless waves of US immigrants – were all hiding in plain sight. So four weeks after the phone call, Miller resigned from Asian Neighborhood Design and, with start-up money from Brown, started the Family Independence Initiative (FII) as a research project. Now called UpTogether, FII gave low-income families laptops with data-tracking software and a platform that enabled them to record each action they took to improve their situations – whether related to savings, debt reduction, skills training or their children's grades. Quarterly, they received cash payments for tracking their behavior and documenting those actions. Instead of relying on professional caseworkers, FII encouraged families to set their own goals, provided cash incentives if they achieved them, and fostered relationships among families so they could turn to one another for support. Crucially, Miller and FII staff members did not provide advice or direction; they simply created peer support among the families and audited the data. Miller wanted a window into how low-income families functioned if they were nudged and trusted to set and pursue their own goals – and with the mutual support of one another within a peer network, the kind his mother lost when she immigrated to the United States. As The New York Times reported in 2017: The initiative is grounded in the premise that a paternalistic conceit has hindered the development of poor families …. Lim Miller’s organization provides no services or advice directly. What it offers are a structure and a platform within which families can strengthen their social networks, along with small payments for tracking their own behaviors and reporting them on a monthly basis. With these assets, they can discover what works for themselves and their peers, share or emulate their successes and assist one another. Ringing in Miller’s ears were shrewd observations made by his late mother, who had lamented that charitable programs took away their intended beneficiaries’ pride and overlooked their hard work and talents (she herself had been an accomplished dress designer and seamstress). “They never ask me about what I’m good at doing. We would be so much better off if they just gave us a fraction of what they spend trying to help us,” she had said. Miller sees a bigger picture, too – an opportunity for a fundamental shift toward social justice. Government and philanthropic services for low-income communities often inadvertently punish progress, because as people earn more, they quickly lose benefits. So, to help the working poor, FII rolled out low-interest loans for families that pay their rent and utilities on time. It now connects families in different parts of the country to share resources and guide one another and offers no-strings fellowships and scholarships. It has reached more than 100,000 households across the US, and their income on average rises by nearly 25 percent after two years with a corresponding decline in public subsidies. Many FII families have launched businesses, amassed more savings, and lowered their debt, and their homeownership has increased. These are all undeniable, measurable results. Miller says it’s a good start, but not nearly enough to truly break the cycle of poverty. UpTogether is now committed to sharing its data with any policymakers open to peer-driven change, leveraging the recognition of its bottom-up approach and fostering organic expansion via what Miller calls “ripple” growth. He also envisions setting up an association to catalyze cross-class mutual support and community building; a leadership academy for organizations and communities that want to implement FII’s philosophies; and is intent on pushing a policy agenda that incentivizes progress and supports economic mobility for low-income people. Miller could have looked the other way and lived a comfortable life, thanks to degrees in engineering and product design from Berkeley and all that came with them through his mother’s struggles and resourcefulness. Yet his mother’s words rang in his ears: “You can’t let what our family is going through happen to others.” Soon after his mother’s death in 1973, he abandoned his early engineering career and dedicated his career to the fight against poverty. Miller has been an Ashoka Fellow and received a MacArthur Foundation Genius Grant, a Harmony with Hope Award, a Prime Mover Fellowship, and a Purpose Prize for Financial Inclusion. In 2017 he published The Alternative: Most of what You Believe about Poverty is Wrong, and in 2019-2020 he was a James Wei Visiting Professor in Entrepreneurship at Princeton. He also sits on various boards, including the Board of Directors of the National Cooperative Bank, Development Corporation; the board of the Corporation for Enterprise Development; the Board of Public/Private Ventures; California Endowment and The Hitachi Foundation, and has launched several small businesses. He lives in Oakland and has two children. Join David Bonbright in conversation with this remarkable and innovative changemaker!

Once referred to as a ‘performing historian' Rhiannon Giddens is a musician from Greensboro, North Carolina whose career has ranged from folk to country, blues to gospel, opera to R&B. Her old-time string band, the Carolina Chocolate Drops have received 6 Grammy nominations, winning in 2010 for their album Genuine Negro Jig. In 2017 Rhiannon received a MacArthur Foundation Genius Grant for ‘reclaiming African American contributions to folk and country music and bringing to light new connections between music from the past and the present'.At Ireland's Edge, she speaks to music journalist Jim Carroll about race, influence and appropriation of African-American music, and cross-cultural collaboration all through the story of the banjo in the United States. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

OnWriting presents three live-taped episodes of OnWriting celebrating Black History Month, presented by the WGAE Black Writers Salon. In each installment, two co-chairs of the WGAE Black Writers Salon—OnWriting’s own Geri Cole and Rashidi Hendrix—speak with Black screenwriters who have each written amazing films about Black icons in history. For the second installment in the series, Geri speaks to Suzan-Lori Parks — Pulitzer prize-winning playwright and screenwriter of the new Hulu feature film, THE UNITED STATES VS. BILLIE HOLIDAY. Suzan-Lori Parks was encouraged to take up playwriting by her then-college professor, James Baldwin. In 2002, she became the first African-American woman to receive the Pulitzer Prize for Drama for her play Topdog/Underdog. She also wrote the screenplays for the Spike Lee-directed 1996 film GIRL 6, the 2004 adaptation of Zora Neale Hurston’s THEIR EYES WERE WATCHING GOD, and the 2019 film adaptation of Richard Wright’s NATIVE SON. She is also a recipient of the MacArthur Foundation Genius Grant. THE UNITED STATES VS. BILLIE HOLIDAY is adapted from Chasing the Scream: The First and Last Days of the War on Drugs by Johann Hari. It tells the story of the legendary Billie Holiday (Andra Day) as she's targeted by the federal department of narcotics with an undercover sting operation led by black federal agent Jimmy Fletcher (Trevante Rhodes), with whom she has a tumultuous love affair. The film is directed by Lee Daniels and is currently available to stream on Hulu. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Alisa Weilerstein has been living with type 1 diabetes almost as long as she’s been making music. She debuted with the Cleveland Orchestra at age 13, played Carnegie Hall at 15, performed at the White House at 27, and at 29 was awarded the MacArthur Foundation “genius grant” fellowship. She was diagnosed with type 1 diabetes at age 9 and her first concern, of course, was for her fingertips! Alisa speaks to us from Berlin, where she and her family spend half their time. In Tell Me Something Good we share stories about girl scouts stepping up and hearing a Dexcom alarm at the Supreme Court. This podcast is not intended as medical advice. If you have those kinds of questions, please contact your health care provider. Check out Stacey's book: The World's Worst Diabetes Mom! Alisa mentions playing in concert while pregnant. See that video here Join the Diabetes Connections Facebook Group! Sign up for our newsletter here   ----- Use this link to get one free download and one free month of Audible, available to Diabetes Connections listeners! ----- Get the App and listen to Diabetes Connections wherever you go! Click here for iPhone      Click here for Android   Episode Transcription (rough transcription, not yet corrected)   Stacey Simms  0:00 Diabetes Connections is brought to you by One Drop created for people with diabetes by people who have diabetes by Gvoke Hypopen, the first premixed auto injector for very low blood sugar, and by Dexcom take control of your diabetes and live life to the fullest with Dexcom.   Announcer  0:22 This is Diabetes Connections with Stacey Simms.   Stacey Simms  0:27 This week, she was playing the cello before she went to kindergarten. In fact, when Alisa Weilerstein was diagnosed with type one at age nine, her first thought was her  fingertips.   Alisa Weilerstein  0:41 I was already quite curious about the cello and the left hand, of course, it's the hand that goes on the fingerboard. And I remember saying to my doctor, I'm not going to click my fingers on my left hand, they won't be able to play.   Stacey Simms  0:50 She was certainly able to keep playing - Carnegie Hall at 15, the White House at 27 and at 29 Weilestein was awarded the MacArthur Foundation Genius Grant fellowship. She has quite a story. It was great to talk to her and tell me something good girl scouts stepping up. And did you hear the Dexcom at the supreme court hearings? This podcast is not intended as medical advice. If you have those kinds of questions, please contact your health care provider. Welcome to another week of Diabetes Connections. I'm so glad to have you along. I am your host Stacey Simms, and we aim to educate and inspire by sharing stories of connection. If you are new to the show, I am so glad to have you here a little bit about me. My son was diagnosed with type one right before he turned two he is almost 16 now so it's been a minute, my husband lives with type two. I don't have diabetes, but I have a background in broadcasting and local radio and television. And that is how you get the podcast. I am always amazed when I meet and talk to people with incredible musical talent like our guest this week. To me playing music reading music, expressing yourself through music is like another language. I appreciate music. But I don't have that kind of innate understanding that a true artist has my old radio show co host when I did mornings in Charlotte, North Carolina, where I am now for more than 10 years. And he was also a musician. And they just have this natural ability. I mean a true musician who can write music and read music and play and play by ear. To me it really is something special. And I hope I did this interview with Alisa justice. Because of course we're interested in talking about diabetes, but we talked about music as well. I also want to let you know, we are not out of November yet diabetes Awareness Month of course, we'll be doing some fun things on social media. I have a big sale going on for the world's first diabetes mom real life stories of raising a child with type 1 diabetes, it is on sale right now use the coupon code November, you've got to use it on my website at Diabetes connections.com. I can't do coupon codes on Amazon sorry. But this covers more than free shipping and everything else. So it's still a nice discount if we're doing $4 off for the rest of the month. So go to the website, scroll down, you'll see the book in the middle of the page there under the most recent podcast episodes. And to use the promo code, you're going to click order a signed copy. The other links take you to Amazon and you can't use a coupon code there. But if you click on order a signed copy, it'll take you to the right place. There's also a little teeny tab on top that says shop. It's hard for me to believe the book has been out for a year. I hope you're not tired of me talking about it. I got one nasty email this year I will share. Somebody stopped listening to the show two weeks after I published the book because he was tired of me talking about it. I felt like saying to him, you write a book, see if you want to talk about it! (laughs) But I appreciate you you know putting up with it. Especially this year when the whole book tour was canceled. I was supposed to like many of you, right? We were supposed to travel and go places and do things so you know I get it. Of course everybody's in the same boat. But I am going to continue to talk about the world's worst diabetes mom because man it was so much fun to put together and I'm not ashamed to say the response has been fantastic. So if you want to get a copy promo code November at Diabetes connections.com Diabetes Connections is brought to you by One Drop and getting diabetes supplies because a big pain you know that not only the ordering and the picking up but the arguing with insurance over what they say you need and what you really need. Make it easy with One Drop. They offer personalized test strip plans plus you get a Bluetooth glucose meter test strips lancets and your very own certified diabetes coach. Subscribe today to get test strips for less than $20 a month delivered right to your door. No prescriptions or co pays required. One less thing to worry about not that surprising when you learn that the founder of One Drop lifts with type one, they get it One Drop gorgeous gear supplies delivered to your door 24 seven access to your certified diabetes coach learn more go to Diabetes connections.com and click on the One Drop logo. My guest this week has been living with type one almost as long as she's been making music. Alisa Weilerstein has a remarkable story she debuted with the Cleveland Symphony At age 13, played Carnegie Hall at 15, performed at the White House at 27. And then she was awarded the MacArthur Foundation Genius Grant fellowship when she was 29 years old. I found her Tiny Desk concert. If you're familiar with those from NPR, that was 10 years ago, I will link that up as well. She is currently in Europe where she and her family live for half the year. I spoke to her. It was back in September when she her husband and their four year old daughter had just traveled back to Berlin from San Diego. Elisa, thank you so much for joining me, it's so interesting to talk to you that you're in Europe, we've got a little bit of a lag here on the call. But thanks for coming in. I   Alisa Weilerstein  5:37 appreciate it. Oh, you're so welcome. Thank you for having me on your show.   Stacey Simms  5:40 Before we jump in and talk diabetes and music. Tell me a little bit about living in Berlin. You live there half the time now?   Alisa Weilerstein  5:47 Yes. Well, I mean, I'm a I'm a cellist I played classical music. Of course, in normal times, I play about 120 concerts per year. And they're split between Europe and North America with an occasional trip to Asia. Of course, during the pandemic, that's been radically changed, obviously. But that's my schedule during normal times. And so it was very important for both me and my husband, my husband, as a conductor, to have a base in Europe as well, so that we're not just constantly on transatlantic flights, more than we actually need to be. So we have a base in Europe, which is Berlin, and it's such a great Center for the Arts. And our daughter loves it here. Our daughter was actually born here four and a half years ago. And yes, that's one reason why we chose Berlin.   Stacey Simms  6:27 I'm curious what the flight was like, and what the experiences like traveling from the US right now, with everything that's going on?   Alisa Weilerstein  6:33 Well, it's interesting, because then we spent most of the pandemic in San Diego. So we were there from March 13. Basically, you know, that that the day that all of the all of the borders shot, and I actually traveled to Germany in June, to play a live broadcast in Hamburg. At that time, it was a two week quarantine in Germany. And so I can't even hear it here in my apartment in Berlin. And at that time, it was even more sort of wacky to travel at that point than it was a week ago, when we flew back here to San Diego with my whole family. At that time. I mean, there were there were so few flights, and there was practically no one in the airports. So I flew from LA to Newark, of course, you know, you don't take your mask off your face, obviously. And even though there were like 10 people on my site, and not more than that, and then I had 10 hours in Newark, and then I suppose from Newark to Frankfurt, and I got a test immediately upon arrival, they were even doing testing at the airport at that time. And then my results arrived within 48 hours. You know, I tested for the for the virus and also for the antibodies, which unfortunately, I didn't have the antibody, I was actually disappointed. But anyway, I flew back to San Diego to rejoin my family. And then my whole family to my husband, my daughter and and also our daughters many. We flew back to Berlin. Again, it was a very few flights to San Diego, Chicago, Chicago, London, London, Berlin with a four and a half year old, you can imagine what oh, my gosh. But, you know, we tested right before literally before he went to the airport, we went to a lab to test and then we got tested at the airport and in Berlin Tegel airport there. They're doing testing upon arrival. And those results came within 24 hours. And potential street for me got here. So my girl was able to go to school right away here, which made her very, very happy. Great. Yeah,   Stacey Simms  8:18 yeah, I'm glad. I'm sure you're all glad to be settled.   Unknown Speaker  8:21 Oh, yeah.   Stacey Simms  8:24 So let's talk about type one. You were diagnosed at nine. Do you remember your diagnosis story?   Alisa Weilerstein  8:30 Oh, yeah. Very well. Yeah, it was actually the month before my 10th birthday was March first 1992. And as you remember that, of course, like 92 was a kind of critical year in diabetes research, which definitively proved that tight control could ward off the risk of complications by you know, whopping percentage, and they are 66% less likely to get complications if the agency was 7% or below. So that was encouraging. But yeah, my diagnosis story was essentially, for the couple of months leading up to my doctor's visit, I exhibited the classic symptoms, I was urinating frequently with who had extreme thirst, and I was losing some weight. And I've always been a kind of muscular body type. And I suddenly became, you know, sort of like belly dancer and not like my energy was okay. And was was actually sort of normal until like, about a, I remember, like, a few days before I went to the doctor, and I was just feeling just sort of tired, which was very unlike me. And my mother took me to the pediatrician. She said, you know, maybe you have a bladder infection because I was, you know, going to the bathroom every hour or something like that. So I remember we got a urine sample from home, which the doctor had asked us to do that. And so you know, I peed into a jar basically. And then we went to the pediatrician and, sorry   Stacey Simms  9:52 It's a type one diabetes all the time.   Alisa Weilerstein  9:58 The diabetes podcast, so I'm your listeners are familiar with this. And anyway, I am submitted the sample. And then I remember the doctor who might like very much, I actually took my mother aside, and there was some whispering, which I didn't know about. And my mom looked very serious. And she said to me, Well, the doctor thinks the jar was contaminated. So just give her another example. And so I went to the Darrell bathrooms and gave her a sample from the sterile cup. And unfortunately, the result was the same, which of course, showed sky high glucose. And the doctor said, Well, you know, you need to go straight to the ER, and doctor told me, so do you need to get a blood test? And so I thought, Oh, my, you know, I don't really like and then I remember asking my mother, I said, well, Can I at least get some m&ms afterwards. And my poor mother, she, I mean, she didn't know much about diabetes, but she heard that word diabetes mentioned. And she knew that that meant a sugar issue. And so she just kind of looked at me and she opened her mouth, and she closed it again. And ah, and, you know, we drove to the hospital. And then the rest was really kind of blur. My father, you know, I remember my mom calling my father saying you need to get here now. And my, my little brother at the time was four. And I remember them all kind of standing around me and I was getting weighed. And then suddenly, I was like, on a gurney with IVs, and needles sticking in and out. And then doctors coming in saying, Yes, we think it's juvenile diabetes. And of course, you know, somebody was in examining my tongue to see how to hide it. And I might I, I might have been, and it was very kind of dramatic. My blood sugar was 464. At the time, they said that actually, we caught it relatively early. If you can believe that. I think at that time, some kids were coming in already, you know, the 800, or something like that, coming into with, you know, really, rather advanced ketoacidosis. And I wasn't there yet, I was throwing some ketones. It wasn't yet in kind of a dire situation. Anyway, I was then in the hospital for about a week just for the kind of diabetes education and it was kind of a crash course in how to manage type one diabetes. And at the time, my insulin regimen was NPH. And regular to the fast acting because it was it was even before the time of humalog. And my blood sugar meter took 45 seconds to read the blood glucose results and counting carbohydrates and all of that stuff. So this was my diabetes education.   Stacey Simms  12:16 At nine years old, you were already on your way to playing music and performing as you did anyone say anything? I had to fit your first question, right? Can I still do this? What did they tell you about your musical career?   Right back to Alisa, she's gonna answer that question. But first diabetes Connections is brought to you by Dexcom. And they have this great partnership with Tandem now with basal IQ and control IQ. And we started on basal IQ as soon as it was available. And this is the Dexcom g six tandem pump software program, and immediately started doing less work for better results. When we switch to control IQ, oh my gosh, even less work even better results with diabetes. I don't know if you remember, but years ago, they started with just putting the CGM information on the pump and it didn't communicate, it's just there. But this is something else, the whole system keeps spinning more steady. His time in range has increased significantly, his agency, you know, I don't share exact numbers, but it is the lowest that he's ever had. Of course, individual results may vary. But to learn more, just go to Diabetes connections.com and click on the Dexcom logo right back now to Elisa sharing what she was most worried about at her diagnosis.   Alisa Weilerstein  13:38 Well, this is why I say 1992 was actually I mean, if one had to be diagnosed with diabetes, you know, at any time, it was an encouraging year to be diagnosed. Because I mean that the doctors who actually were well informed said, If you manage this, well, you will be able to live exactly the life that you want to live. And that was the constant messaging from my doctor at the time, all the nurses around each month this is and and they were teaching me how to do things. And he said this is the reason you have to do this is so that you can live a full life and do all the things that you want to do and play the cello do go to school, see your friends, play sports, do all of these things. And I remember there was just one issue, where I kind of had to make a special accommodation, which is what the finger picking, because of course I was already as you say I but I was already quite curious about the cello. And the left hand, of course is the hand that goes on the fingerboard. And I remember saying to my doctors, I'm not going to click my fingers on my left hence I won't be able to play and I but however if I was able to prick my fingers on my on my bow hand that wouldn't have affected that. So I only used three fingers to prick and my whole life after that I only I only use the same three fingers to pick my finger, my test my blood sugar, and luckily they accommodated and they basically well as long as you do it and as long as you don't hurt yourself. Sure. That was the answer.   Stacey Simms  14:57 I was going to ask you about that. Because I couldn't imagine especially the amount of finger prick you had to do back then. Yeah, Listen, I've, for somebody who nagged her son for years to rotate fingers do a different thing. Yeah, you were able to just move it around enough so that you didn't have issues with just those three fingers.   Alisa Weilerstein  15:14 No, I didn't. And, and even at the time, I mean, the lancets were very good, very painless, and very thin. So I mean, there was actually there was never an issue. And I mean, at the time, the recommendation was to test four times a day, I remember at the time that was considered like being very responsible. Of course, now, we would probably say that's kind of bare minimum. But as I got older, and I tested more often, I mean, I was asked to test before the continuous glucose monitors were accurate enough to kind of rely on I was testing 10 times a day, and I was just using those same three fingers.   Stacey Simms  15:43 That's so interesting. And you've mentioned a couple times 1992, we should just step back and mention as you listen, if you're not familiar, we're referring here to the dcct trial, the diabetes control and complications trial, which was really the first time as you said, that they believed that you could make a difference. I mean, it's hard to believe that before that time, doctors thought, Well, that's it if you have type one or juvenile diabetes, as they called it, you wouldn't live past 30. And this showed that you could,   Alisa Weilerstein  16:09 yeah, and you would kind of have to go to an alternative doctor to get anything more hopeful, or any kind of agency with it's really yeah, and   Stacey Simms  16:16 I'll link up more information on the dcct. It was such a pivotal time and diabetes. And it wasn't that long ago, when you think about it now. Alright, so you're then on your way, you're doing what you need to do. You've got your family on board, you're playing music, Cleveland Orchestra at age 13. And on and on. And I have to say, when I watch someone play the cello, and please forgive me, I am so musically ignorant, except that I enjoy listening. It seems like it's very athletic. It's a very physical looking instrument to play. Can you talk about that? Is it I assume that   Alisa Weilerstein  16:48 yes, it is? Oh, yeah, yeah, completely. And especially I'm not very tall, myself, I'm about five to my posture is good. You know, you have to learn how to use your body in a very efficient way, like kind of a lot of Alexander Technique. And yoga concepts can apply very well to pretty much any instrument, but kind of the cello, especially in terms of the strength that it takes. And truly free with instruments, you have to basically use your body to know how to use the natural energy and not natural body weight very well. And of course, it just takes a lot of years of practice to build it up. I mean, there's no substitute for time really, with that,   Stacey Simms  17:21 you must have by now of routine and you you the physicality of it, you've got that down. But when you were younger, and first learning, what did you do? Did you keep tabs like in your chair, or in your case, you know, how did you manage diabetes and playing   Alisa Weilerstein  17:35 I mean, I kept glucose tablets pretty much everywhere. playing the cello itself did not cause low blood sugar, I mean, there were a couple of pieces that I knew were kind of workouts in a way and that I would sometimes eat a little bit or maybe drink a little bit of juice before, I mean, like the way you would before going for a run, just to have like a little bit of energy to make sure that you have a threshold that can kind of carry you through if you're going to drop a little bit. So it was a lot of trial and error. And I just found out kind of what worked in I mean, in terms of going on stage, especially before the pump, certainly which I got an A pump when I was 16. So that was 98. And certainly before the CGM, I would test before going on stage. I mean, I've just tested in general much more on concert dates than on other days. And I always like to get to the hall about an hour before so that I could slowly put the gown on. So they put me so they kind of put my ducks in a row in terms of playing and just warming warming up slowly and kind of just getting myself in the mental space. But it was also blood sugar wise, it was just important for me to be able to test one hour before, kind of every 15 minutes. And then like two minutes before I'd walk on stage just to make sure that I was not going to get low on stage. I mean, like if I was 170, or something on stage, it wasn't ideal, but it was better than being 65 when you're going on stage because of course below that, then you kind of start to lose coordination. I mean, my ideal number to go on stage would be like 130 because the blood sugar's maybe slightly on the high side, but it's good enough that I felt normal. And I had a threshold to drop, so that if I walked offstage, and I was 85 or something like that would be fine.   Stacey Simms  19:10 You mentioned there were a couple of pieces that stand out as being more physical or do can you share those with us? I'm curious, which anything stand out?   Alisa Weilerstein  19:20 Sure. There's a concerto, which means that there's a solo instrument with an orchestral accompaniment, and the composer is Prokofiev, who was a Russian composer who actually died the same day that Stalin died. Oh, my 1953. Yes, the same day. So of course, nobody paid attention when he died, unfortunately, because it was one of those really, really tragic ironies to add to so many tragic ironies of the time, but he wrote a fantastic masterpiece for each other an orchestra called the symphony concert count, which is a symphony concerto. It's a 45 minute kind of tour de force, for the cello and for the orchestra as well, but especially the solo cello where which is just Just wild, very, very, very physical, technically very, very challenging. And it's just kind of an endurance exercise. And I remember just being very sure that I was not going to get low on stage. So I did a few practice runs of that pizza. The first time I played it in public, the first time I played it in with the orchestra, I was about 16 or 17 years old, I did several kind of practice runs, just running through with it with a kennel reduction for friends and for for my parents and things like that. So I knew kind of what my blood sugar threshold was with that piece in particular, it's funny, it was   Stacey Simms  20:34 Prokofiev. All I know is Peter and the Wolf.   Unknown Speaker  20:37 That's what I think. Yes, of course. No, it's just what I pay for my daughter all the time. You're fantastic.   Stacey Simms  20:43 It's funny. Oh, yeah. That's great. Yeah, yeah, at this point, it's almost like a professional athlete. In terms of I assume you have a routine, you know, you know,   Unknown Speaker  20:52 look, at this point, you   Stacey Simms  20:54 know, what you're doing. I'm curious. But anything throw you for a loop in terms of diabetes. These days, I'm thinking about advice for, you know, younger people who are starting out in a musical career, or, you know, just anything like that. So what throws you for a loop, we're in there?   Alisa Weilerstein  21:10 Oh, well, sometimes I can have a very inconsistent response to stress or to nerves, because generally speaking, I don't get nervous on stage. But perhaps the kind of travel situation, especially these days can make me quite stressed out and, you know, say high strung and nervous and then my blood sugar just shoots up, sort of out of nowhere, or it can be like a kind of a sticky high, and I can't get below 185, no matter how much I mean, like I can be, like, feel like I've got an ID of insulin and nothing brings it down until I relaxed, that can just sometimes be really kind of flummoxing and very frustrating. And then of course, I get more stressed about the blood sugar. And then of course, the stress response doesn't go down. So that's something that I just find very frustrating. And something that I feel is kind of out of my control and less like kind of just force myself to do some deep breathing in a kind of airport travel situation, which is stressful. Other things that life can throw your way. unexpected things I just signed, you know, test test test, look at the CGM as much as possible. And then you can catch the kind of unexpected highs and lows much much more easily. And so that's my advice to anyone just test as much as possible. Or if you have a CGM. Just make sure that you're really aware of what's going on there.   Stacey Simms  22:20 Can I be nosy? And ask where you were your tech? Yeah, she during performance, of course, I'm trying to think of the body motion and where it's, you know, where it makes sense.   Alisa Weilerstein  22:29 Well, not on my arms. Probably imagine, I put my infusion set in the center of my stomach. And when I'm wearing a gown, there's, I'm not sure even which company makes any more. But I think there's the diabetes mole, which has something called the five thing and this kind of like a garter belt, and it has a pocket, which is where I put my pump, when I'm wearing a dress or a concert gown.   Stacey Simms  22:52 Right? You've mentioned your daughter a couple of times, if they did, were you concerned, I obviously, you know, it takes a lot of work when you're wanting to get tight control before you get pregnant. I'm curious. Sounds like your doctors told you from the get go that you'd be okay. Can you share a little bit about that journey in terms of, you know, deciding to have your child,   Alisa Weilerstein  23:10 it's something that was kind of hanging over my mind. And it was it that's a personal thing. It's just not to say that, oh, you get a diabetes diagnosis, and you worry for the rest of your, let's say, especially if your child 17th, whether you're going to be able to have a healthy pregnancy or not. But I did actually have that kind of worry. And I would say I spent probably two years before we decided it was the right time to try and conceive just kind of experimenting to see how tight I thought I could get the control, especially with an intense travel schedule. And I found that at the time, the CGM was getting better and better. Like as you know, back in, you know, 2008 2009, the CGM was maybe 40% accurate assess. I mean, it was just terrible. I was like throwing it against the wall sometimes because it would just as I took Tylenol or something, it would go up to show that I was reading 400 because it couldn't, it didn't react about this kind of medicine and other things. And it was fall off. And it was just awful. So I get back two years before, you know my daughter was born in 2016. So this was like 2014 or so. I mean, my agencies had been in the low sevens at the time, and then I got them down to 6.8 6.6. And I thought, Okay, I think I'm going to be able to manage this. Because I was doing a lot of fine tuning. And then as your son will probably relate to this, like, the more you pay attention, the worse you actually think your blood sugar is, but it's actually your budget is actually getting much better. You know what I mean? Yeah. And so this was something that I realized that my doctor was telling me I was doing it, basically. And I was like, Really? I don't think I'm doing and then I saw Oh, my average was like 129 Oh, okay, that's not bad. But I mean, of course, it needs to be better than that for pregnancy. But this is in range. I could finally envision, you know, having an average of you know, 110 or something like that. And so we got pregnant and of course, the pregnancy itself is the biggest motivator. And I, of course, I was poked and prodded more than I care to remember during the pregnancy because of course, I was classified immediately as high risk and I had to see the doctor, you know, all the time, but I was working and traveling until 35 weeks. Oh, well, you can find a YouTube video of me doing my second to last concert with our daughter, my daughter and my belly. I played Hindemith concerto with the Frankfurt Radio Symphony. And my belly was absolutely huge. And then like, I'm walking on stage with this thing. And I saw myself, wow. I mean, I remember what it felt like. But seeing it now as it was some distance. It's kind of kind of amazing to me that I did that. But it was important to me to keep going. And I generally had a very easy pregnancy until the very end, and I felt best. And my blood sugar was best when I was active. You know, I was under strict supervision of my doctors, but I managed to do that.   Stacey Simms  25:50 How do you talk about your diabetes with your daughter?   Alisa Weilerstein  25:52 What does she know? She knows, in a very general way, if she sees me drinking juice, she knows that I'm low, because I don't drink juice. Otherwise, she knows that I have diabetes, she knows the word diabetes, and what you know, let's say in a very general way, what it is, and she knows what my medicine is, and that she's not supposed to touch it. And she can watch me kind of handle it, things like that. But that that's this is only Mama's territory to kind of handle things like that. So sometimes she likes to kind of look at my pumpkin to know what it does and things like that. But other than that, she doesn't know too many other details.   Stacey Simms  26:22 One of the things that when we were talking about coming on the show, I noticed that you're working with he Genesis, can you tell me a little bit about what you know who they are,   Alisa Weilerstein  26:31 he Genesis is? Well, it's an amazing company, they don't only work on diabetes research, they work on kidney disease and liver disease. And really, they're kind of primary goal is to make sure that there are no organ shortages for anyone who needs them. And so what they're working on is Type One Diabetes islet cell transplants. So they have an incredible immunology team, which I've been in touch with a bit. And it's just, it's very, very exciting, the research that they're doing, and my association with them really is to kind of spread the awareness of what it's truly like to live with type one diabetes, and to stress the need for a cure. Because nowadays, with biotech, making such amazing advances, sometimes people around me who don't know me, so well look at me, and they they don't really even know that I have diabetes, and they say, Oh, well, you make it look so easy. And it seems like with the technology, you can live a very, you know, you What do you need a cure for in a way. And this, of course, is exactly the wrong kind of message that you want to send us and Well, yes, I'm a very positive person, and I manage my diabetes as best I can. And I have the technology and the knowledge to do that. However, as we were saying before, living with Type One Diabetes is a 24 hours a day, seven day a week, 365 day a year job. Even with the technology, there is not a moment that goes by that you can really relax about it, you always have to be paying attention. I don't know how to look at a plate of food and not count the carbohydrates. And I don't know how to go for a run without thinking, Okay, how is this going to affect my blood sugar is my pump actually going to react to that and say, if I if I go for a sprint, how many glucose tablets do I have? Am I gonna drop too low to actually finish it, that kind of thing. And that's even with the technology that we have now, not to say nothing of hyperglycemia, gun awareness and all of these other things that we know are dangers with living with type one diabetes, and you as a parent of a diabetic have a type one diabetic who is luckily very well controlled. This is probably something that that you were always concerned about hypoglycemic unawareness overnight and things like that. I know that this was certainly something that my mother probably lost countless hours of sleep over. And type 1 diabetes is, you know, to say nothing. Also at the expense of managing type 1 diabetes, we all know what insulin prices are, we know what the prescription medication needs are. And the fact that type 1 diabetes is actually the most expensive chronic disease to treat of any chronic disease. And so this is really why we all need to be lobbying this and countless other reasons. This is why we are all lobbying for a cure. Not treatment, pain, of course, better treatment, but in the absence of a cure. But the ultimate goal, obviously is is a real cure.   Stacey Simms  29:08 We didn't talk much about music during this interview. I didn't know you were here to talk about. Okay, that sort of thing. But you have been playing according to what I've read you really been playing since probably before you remember much right? Did you start playing cello at age four?   Alisa Weilerstein  29:23 I did. Yeah.   Stacey Simms  29:24 Is it still exciting? Is it still challenging? Is it still fun?   Alisa Weilerstein  29:27 Oh, yes. And I'll eat all of the above. Yes, challenging, exciting, fun, frustrating, wonderful. tear my hair out type of frustrating sometimes as well. But you know, is one of those things where there's no concrete goal, really, I mean, you just have to keep growing. And in a way, there's a kind of a parallel with diabetes management, there are two because as we know, there's no way to do it perfectly. And you have to just do the best you can. And so that's like being an artist. You're constantly striving to be better to be the most studiers to yourself. To the composer's to what you're trying to say, you know, you're always searching for ways to do that better and to do it more clearly. And to do it more Honestly, I'm always experimenting.   Stacey Simms  30:09 Well, Lisa, thank you so much for joining me and for making time to talk about this. It's been a crazy time we're living in now, but I wish you the best as you're now in Europe. And, but really, thank you so much for spending some time with me and my listeners.   Alisa Weilerstein  30:23 Oh, my pleasure. Thank you so much for having me on your show.   Unknown Speaker  30:31 You're listening to Diabetes Connections with Stacey Simms.   Stacey Simms  30:37 I will link up more information you've got here Elisa play. So I'll put a lot of that in the show notes, a couple of different links, including, you know, she mentioned that video where she was pregnant, I found that and she obviously looks great. But Josh, he plays with such passion in every video, I think you'll love it. So I'll definitely link those up. Whatever app you're listening to, if you're listening on an app, they always have show notes and you can often get the links there as well. But if you have any trouble as I always say just go back to the homepage and that will help you out. Tell me something good in just a moment. Did you hear the Dexcom at the Supreme Court we're going to talk about that. But first diabetes Connections is brought to you by g Bo hypo pen, and almost everyone who takes insulin has experienced a low blood sugar and that can be scary. A very low blood sugar is really scary. And that's where Jeeva hypo pen comes in. It's the first auto injector to treat very low blood sugar. Jeeva hypo pen is pre mixed and ready to go with no visible needle. That means it's easy to use in usability studies 99% of people were able to give Jiva correctly, I am so glad to have something new, find out more go to Diabetes connections.com and click on the G book logo. g book shouldn't be used in patients with pheochromocytoma or insulinoma visit Jeeva glucagon comm slash risk.   Didn't tell me something good. This week, let's talk about the Girl Scouts for a moment. This is all about Isabella. She was just diagnosed in April. And she is part of a Girl Scout troop. Her mom Carrie posted a photo and I wanted to talk to her about that it looked so great. And here's what happened. Isabella is part of a Girl Scout troop. And she did a presentation on diabetes for diabetes Awareness Month. But this went a little bit further than a lot of the presentations that we have seen. And Isabella let everybody or asked everybody to do a finger poke to experience a little bit of what she goes through. And I'm laughing because the photo that's posted and I'll see if I get permission to share this is Isabella poking an adult's finger, and the adult is looking a little apprehensive. But there's this little girl in the background who just is very concerned, she's got this look on her face. Like really? What do you have to do that all the time? You know, it's a wonderful picture to show the empathy, I think and really also, and this might sound a little bit flowery, but I mean, this the bravery of Isabella, it's not easy to show other people, all the stuff that you have to go through when you have type one. And you know, maybe her friends would be scared or maybe they would treat her differently to have the support that she has, I think is really special. So Carrie, thank you so much for sharing that. Isabella, congratulations to you for sharing all of that. And good on the Girl Scout troop. That's awesome. Our next Tell me something good comes from the highest court in the land. Last week, the Supreme Court heard arguments about the Affordable Care Act. This is the third time in eight years that the Obamacare as it's also known, has been in front of the Supreme Court. But what I want to focus on is Justice Sonia Sotomayor is Dexcom Yes, of course, many of you already know that. One of the justices lives with type 1 diabetes. If you haven't read her incredible biography. I will link that up in the show notes. And yes, she is one of my dream guests. So somebody helped make that happen for us. I reached out to the press office, I'm gonna continue to work it will get her on one of these days. But her Dexcom apparently went off crystal a prick. liano heard it. She is an incredible diabetes advocate. And she was the very first guest on this show. Yeah, back in 2015. And she tweeted out that she had heard it she thought it was her Dexcom going off, but it was Justice Sotomayor is and that sparked a little bit of conversation about why would it be going off as a clerk kind of bring her juice box? And is it frustrating that you can't silence all the alarms? And why would you want to silence all the alarms and it was interesting to hear people go back and forth about that. One thing that did come up if you do want to silence the alarms, and look, I know we want that urgent low to be going off, but you are grownups as you listen, and a lot of people do not want to blaring at their workplace or they want to have a different way of doing this. Right. We all want our DIY stuff. If you don't already know one workaround is to stick headphones into the jack on your phone and then the alarm will go off but it'll go off in the headphones and it won't bother anybody else at work. As a mom, I don't want you to turn your urgent low alarm off. I mean, come on. I'm a mom, but I get it. So that was one thing but came up. But isn't that interesting? I have all sorts of personal and prying questions for Justice Sotomayor. Maybe that's why she doesn't want to come on. And talk to me about, hey, where do you put your Dexcom? Do you use skin tack?   Unknown Speaker  35:12 We would have more important things to talk about. I   Unknown Speaker  35:13 am sure   Stacey Simms  35:14 if you haven't told me something good story, please send it my way. Stacy at Diabetes connections.com or posted in the Facebook group Diabetes Connections, the group. I feel like this month has been busier. And not just because it's diabetes Awareness Month. I'm actually I there's stuff going on. I'm doing panels. I'm taping things more than the podcast. So it's kind of fun. And I'm feeling more energized than I have been in a while, which is nice. This weekend. I'm participating in the healthy voices conference. This was supposed to be in the spring, I think we're supposed to be in Dallas. I mean, I can't even keep track of the number of airline tickets. I had to reschedule, like most of you. But I'm excited because I'm not just talking about diabetes. I'm actually not even talking about diabetes. I'm talking about podcasting. And I'm talking about teaching podcasting. And I will be teaching health advocates, patient leaders how to podcast and how easy it is, you know, not to be afraid of it, how their voices are so important, but truly, it's not an esoteric, you know why you should podcast or your voice matters, which it very much does. It is down and dirty. You plug this microphone into this program. Here's how you get your RSS feed on Apple. I'm thrilled to be doing this. And if as you listen, you know somebody who wants to hear more about that stuff. podcasting is obviously my passion and I love helping more people get started. As this episode airs. I believe it will be tonight, I am taping something that will be for air in December. It's the annual Wait, wait, don't poke me, which is a game show that I do for friends for life. It is a take off of the NPR show. Wait, wait, don't tell me. I love it so much. We have so much goofy fun, and you'll be able to hear that you'll be able to watch that, if not at the conference in December. Shortly thereafter, I'll make it public and we always have a good time. Please remember that all this month you can get the world's worst of diabetes mom real life stories of raising a child with Type One Diabetes for a big discount for dollars off at Diabetes connections.com use the promo code November, he makes a nice gift for the holidays. Boy, I'm so bad at this advertising stuff. But you can go ahead and read the reviews on Amazon. You can purchase it on Amazon as an audiobook or an E book or head over to my website and get the discount. And I forgot to mention if you buy it off my website, I'll sign it for you. There's a little form on the on the very bottom of the order form. When you fill it out. It'll say order notes and just put if you want me to personalize it, or anything you want me to write, assign them all but if you put it in there, I will personalize it for you. thank you as always to my editor john Buchanan from audio editing solutions. Thank you so much for listening. I'm Stacey Simms. I'll see you back here next week. Until then, be kind to yourself.   Benny  37:52 Diabetes Connections is a production of Stacey Simms Media. All rights reserved. All wrongs avenged

In The Moment … November 9, 2020 Show 938 Hour 2 Shortly after finding out she won a MacArthur Foundation Genius Grant, Larissa FastHorse told Here and Now she didn't get into theater for the money. She does it because she loves it. FastHorse is Sicangu Lakota who grew up in South Dakota. She and her husband are now based in California. Larissa FastHorse joins us to talk about her work, including her satirical "Thanksgiving Play," and her plans for the Genius Grant. Arts, literature, and music reporting on SDPB is supported by the Northern State University School of Fine Arts. More information available at northern.edu Find us on Apple , Spotify , and Google Play . Plus, watch interviews from our show on YouTube .

Mary Halvorson was just awarded a so-called "genius grant" from the MacArthur Foundation. #WPRO A composer, guitarist and band leader, she spoke with us after performing at the 2013 Newport Jazz Festival. http://www.maryhalvorson.com/ She also appears in a video provided by the MacArthur Foundation: https://youtu.be/75ae29wPTDs Photo of Mary Halvorson at the 2018 Newport Jazz Festival by Steve Klamkin

Mary Halvorson was just awarded a so-called "genius grant" from the MacArthur Foundation. #WPRO A composer, guitarist and band leader, she spoke with us after performing at the 2013 Newport Jazz Festival. http://www.maryhalvorson.com/ She also appears in a video provided by the MacArthur Foundation: https://youtu.be/75ae29wPTDs Photo of Mary Halvorson at the 2018 Newport Jazz Festival by Steve Klamkin

Dominique Morisseau recently received a Tony Award nomination for Best Book for Ain't Too Proud. Ain't Too Proud marks Morisseau's Broadway debut, and the show garnered 12 nominations, including Best Musical. In 2018 she earned the MacArthur Foundation Genius Grant and will be a #LiveAtFive guest on Monday, May 20 to talk about her accomplishments. Be sure to watch the interview live to hear how she brought the story of the The Temptations to the stage.Hosted by Beth Stevens, Andy Lefkowitz and Caitlin Moynihan

Ayyye—look at us here together again! I'm sure you know by now, love, but last week we talked it up with Erika Meitner on whiteness, witness, and weathering trauma. This week, she brought us the poem "Night Travelers" by Campbell McGrath for us to be mesmerized by. Check it out! ERIKA MEITNER is the author of five books of poems. Her first book, Inventory at the All-Night Drugstore, won the 2002 Robert Dana-Anhinga Prize for Poetry, and was published in 2003 by Anhinga Press. Her second book, Ideal Cities, was selected by Paul Guest as a winner of the 2009 National Poetry Series competition, and was published in 2010 by HarperCollins. Her third collection, Makeshift Instructions for Vigilant Girls, was published by Anhinga Press in 2011. Her fourth collection of poems, Copia, was published by BOA Editions in 2014 as part of their American Poets Continuum Series, and her newest collection, Holy Moly Carry Me, was also published by BOA Editions in September 2018. Holy Moly Carry Me is the winner of the 2018 National Jewish Book Award in poetry, and a finalist for the 2018 National Book Critics Circle award in poetry. CAMPBELL MCGRATH has published numerous collections of poetry, including Spring Comes to Chicago (1996), which won the Kingsley Tufts Poetry Award. McGrath's many books of poetry include Capitalism (1990); American Noise (1994); Florida Poems (2002); Pax Atomica (2005); Seven Notebooks (2007); and In the Kingdom of the Sea Monkeys (2012). McGrath's work typically works as a kind of catalog; its long lines attempt to look at the vast complexity of America and penetrate its paradoxes and attractions. McGrath is also the co-translator of Aristophanes's The Wasps (1999). He has won a MacArthur Foundation “Genius” Grant, a Guggenheim Fellowship, a Witter Bynner Fellowship from the Library of Congress, the Academy of American Poets Prize, the Cohen Award from Ploughshares literary journal, and a Pushcart Prize. His poetry has been widely anthologized, including in The New Bread Loaf Anthology of Contemporary American Poetry (1999), The New American Poets (2000), and Great American Prose Poems (2003). McGrath has taught at the University of Chicago, Northwestern University, and Florida International University.    

Dominique Morisseau has authored over nine plays, including The Detroit Project (A 3-Play Cycle), which includes the following plays: Skeleton Crew, Paradise Blue, and Detroit '67. Additional plays include Pipeline, Sunset Baby, Blood at the Roo, and Follow Me To Nellie's. She most recently served as co-producer on the Showtime series Shameless. She wrote the book for the jukebox musical Ain't Too Proud—The Life and Times of the Temptations. This marked Morisseau's Broadway debut, and she received a Tony Award for Best Book of a Musical nomination, the first Black woman to do so. She is a recipient of the MacArthur Foundation "Genius Grant" for 2018.   Dominique and I have been trying to have this podcast convo for a while now, and boy was it worth the wait.  In a quick thirty minutes, we talked about: How getting a great quantity of her work out in the world as she was coming up helped her improve her skills and get noticed. Why not understanding the word “No” was an essential part of her becoming a writer in the first place. Why she’s cautiously optimistic about where we are right now and where we’re headed with diversity in the arts. . . and what still makes her nervous. She doesn’t read reviews.  Ever. Listen why. How long she had to be an “emerging artist” and whether or not emerging = young.     This episode of The Producer’s Perspective Podcast is sponsored by Magnolia Bakery. Visit Magnolia Bakery for freshly-baked, classic American desserts, including cupcakes, banana pudding, cakes, cheesecakes, icebox bars, and cookies. For more information, visit magnoliabakery.com or follow them @magnoliabakery.   Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready, 'cause here she comes! We sit down with Obie winner and MacArthur Foundation Genius Grant recipient Dominique Morisseau to discuss being a student of playwriting, proactively diversifying audiences, and making her Broadway debut with Ain't Too Proud - The Life and Times of the Temptations.

Recently on the show we did an episode on something called the Lydian Chromatic Concept of Tonal Organization (LCCOTO) with Andrew Bishko from our team. Andrew introduced me to this when he wrote a tutorial about the Lydian scale for our website, and in the process of putting that article together we came across a man called Andy Wasserman, one of just a handful of people in the world who is fully trained and certified to teach the Lydian Chromatic Concept.   So we were really keen to invite Andy onto the show to share a bit more about this - but as you’ll be hearing, Andy is actually a highly remarkable musician, composer and educator and we could have easily done a whole series of interviews with him!   Andy is a professional pianist, composer, arranger, performer and producer, in genres as diverse as Jazz, World Music (meaning West African, Asian, Middle East, Native American, Latin & Afro-Cuban, South American), Fusion, Funk, Hip-Hop, Electronica, Blues, New Age, and Gospel. You will have heard his music on TV and radio. And he’s had a fascinating journey to become the musician he is today.   We tried to reign ourselves in and focus on just a few topics, so in this conversation you’ll be hearing about:   • The four music mentors that helped Andy become the musician he is today, and the specific impact each had • Andy’s view on talent and what we can learn from paying attention to the music that resonates with us • And of course the Lydian Chromatic Concept created by his mentor George Russell, renowned composer and recipient of the MacArthur Foundation “Genius” Grant. It’s a framework for understanding music, which Andy has spent decades helping to develop and teach.   It's a bit of a mouthful of a name, but as you'll hear the Lydian Chromatic Concept is, in a way, quite simple - in the sense of being fundamental and universal. It’s not something we could ask Andy to actually teach in a podcast episode like this but we talk in depth about what the Concept is, the way it can transform how you hear and play music, and how to go about learning more about it if you want to experience that transformation for yourself.   Subscribe For Future Episodes! Apple Podcasts | Android | Stitcher | RSS   Full Show Notes and Transcript: Episode 090   Links and Resources • Andy Wasserman Official Website • Piano Lesson City: Andy Wasserman’s online one-on-one custom private lessons via webcam • Andy Wasserman’s YouTube Channel • All About Jazz website’s Andy Wasserman page • Jazz Monthly Interview of Andy Wasserman • George Russell’s Lydian Chromatic Concept Tribute page at AW.com • George Russell Official Website • Official LCCOTO website and Forum (Lydian Chromatic Concept of Tonal Organization) • Jazz Profiles: Six articles on life, career, and music of George Russell by Steve Cerra • About the Lydian Chromatic Concept • The Lydian Scale: Seeking the Ultimate Mysteries of Music • Book: The Lydian Chromatic Concept of Tonal Organization: The Art and Science of Tonal Gravity (order from Concept Publishing only!)     Enjoying the show? Please consider rating and reviewing it! Click here to rate and review

Astrophysicist Sara Seager joins me for a conversation about her leading role in the search for earth-like planets outside our solar system.  When she began her search as a graduate student – not just for any “exoplanets” as they’re called, but planets that may have just the right atmosphere to support life – she was greeted with plenty of “no’s.”  Not anymore.  Our conversation about her search led to insights on creativity, resilience, parenting, and the importance of sleep and free time doing nothing as key ingredients of success.  Seager, a Professor of Planetary Science and Physics at MIT and recipient of a MacArthur Foundation Genius Grant, also shares the details of a side project that could, one day, change the nature of space exploration: mining asteroids for precious metals.  Her thrilling journey began as a child, when she noticed something in the night sky for the first time and asked herself: “Why hadn’t anyone told me about this?”

Astrophysicist Sara Seager joins me for a conversation about her leading role in the search for earth-like planets outside our solar system.  When she began her search as a graduate student – not just for any “exoplanets” as they're called, but planets that may have just the right atmosphere to support life – she was greeted with plenty of “no's.”  Not anymore.  Our conversation about her search led to insights on creativity, resilience, parenting, and the importance of sleep and free time doing nothing as key ingredients of success.  Seager, a Professor of Planetary Science and Physics at MIT and recipient of a MacArthur Foundation Genius Grant, also shares the details of a side project that could, one day, change the nature of space exploration: mining asteroids for precious metals.  Her thrilling journey began as a child, when she noticed something in the night sky for the first time and asked herself: “Why hadn't anyone told me about this?”

In this episode the Nerdy Venoms interview Gene Luen Yang, writer, cartoonist, graphic novelist, and recipient of the MacArthur Foundation Genius Grant. Enjoy.

Episode 87: Students Sound Off on Hamilton: An American MusicalRunning Time: 17:32Lin-Manuel Miranda (2015)This Week's Guests:Mr. MeehanErika WilliamsTonight at part of their Great Performances series, PBS will air Hamilton's America -- an in-depth documentary about the making of the smash Broadway musical written by and starring Lin-Manuel Miranda in the title role of "The Ten Dollar Founding Father," Treasury Secretary Alexander Hamilton. First Lady Michelle Obama has called Hamilton "the best piece of art in any form that I have ever seen in my life," and critics and audiences alike have been similarly impressed by this revolutionary fusion of hip hop and history. Winner of the 2016 Pulitzer Prize for drama, a 2016 MacArthur Foundation Genius Grant, and 11 Tony Awards -- Hamilton has garnered unprecedented levels of academic and popular acclaim. So what makes this show work? Check out this week's episode to hear insight from both an educator and a student's perspective as we explore this latest supplement to the O'Connell High School American history and literature curriculum. Your browser does not support this audio Don't forget to subscribe to the podcast on iTunes! And we'll see you again next week.

Bryan Stevenson is the executive director of the Equal Justice Initiative in Montgomery, Alabama, and a professor of law at New York University Law School. He has won relief for dozens of condemned prisoners, argued five times before the Supreme Court, and won national acclaim for his work challenging bias against the poor and people of color. He has received numerous awards, including the MacArthur Foundation “Genius” Grant.

Bryan Stevenson is a public-interest lawyer who has dedicated his career to helping the poor, the incarcerated and the condemned. He's a professor of law at New York University Law School and the founder and executive director of the Equal Justice Initiative, an Alabama-based group that has won major legal challenges eliminating excessive and unfair sentencing, exonerating innocent prisoners on death row, confronting abuse of the incarcerated and the mentally ill, and aiding children prosecuted as adults. EJI won an historic ruling in the U.S. Supreme Court holding that mandatory life-without-parole sentences for all children 17 or younger are unconstitutional. He has won relief for dozens of condemned prisoners, argued six times before the Supreme Court, and won national acclaim for his work challenging bias against the poor and people of color. He has received numerous awards, including the MacArthur Foundation “Genius” Grant. He is a graduate of the Harvard Law School and the Harvard School of Government, and has been awarded 14 honorary doctorate degrees. Among the first cases Bryan took on was that of Walter McMillan, a black man from Harper Lee's hometown of Monroeville who was sentenced to die for a notorious murder he insisted he didn't commit. The case would change Bryan's life and transform his understanding of justice and mercy forever. JUST MERCY (Spiegel and Grau Hardcover) follows the suspenseful battle to free Walter before the state executes him, while also stepping back to tell the profoundly moving stories of men, women, and even children, who found themselves at the mercy of a system often incapable of showing it.   

A 1999 recipient of a MacArthur Foundation “Genius” Grant as well as the 2003 American representative at the Venice Biennale, Fred Wilson is internationally known for his museum installations, in which he re-installs and re-labels objects owned by a museum for the purpose of creating new meanings and non-conventional narratives. Beyond bringing home the point that the way we view and “read” objects is conditioned by context and juxtaposition, Wilson’s installations subvert, criticize, or poke fun at the unspoken assumptions that museums make about the social order, including such issues as class, gender, and ethnicity. He has created such projects across the US and around the world in such diverse venues as the Seattle Art Museum, Museums of History and Ethnography and the National Gallery of Jamaica, the Fine Arts Museums of San Francisco, Dartmouth College, and the Museum of World Culture in Gothenborg, Sweden. Born in 1954, Wilson has a BFA from SUNY Purchase. Wilson serves on the Board of Trustees of the Whitney Museum of American Art, New York. He lives and works in New York City.

An interview with urban revitalization strategist Majora Carter JTP: Delegates from about 190 countries are gathering over the next two weeks at the United Nations Climate Change Conference in Copenhagen. Although this is a landmark event, the largest meeting ever to discuss the environmental future of our planet. I'm a little concerned that we may not be talking about the most important issues. The other night on NPR David Kestenbaum reported on the first day of the conference. In his report on All Things Considered he said everyone pretty much agrees that we have to do something about climate change. But how I see it where the problem lies is that the delegates also seem to share the same disagreements NPR: In fact most of the disagreements, they're all about money. Developing countries like Bolivia are arguing “Hey The global warming problem? you in the developed world made it. So to solve it you're going to have to give us money to adapt and to keep our emissions down as we grow. JTP: The industrial growth that caused the climate change crisis in the first place will apparently continue. You see it seems that the Copenhagen delegates are really only arguing about who gets to continue to pollute the atmosphere with carbon gas emissions and how much. The conversation so far seems to be relegated to trading carbon credits for cash so the developing world can continue to build factories and produce consumer goods. But at what cost? What about the environment? And what about millions of disenfranchised people in the U.S. and around the world that will be most directly impacted as our planet's climate continues to change in the wake of human progress? I won't be attending the conference in Copenhagen. But a few weeks ago I did attend the Breaking the Color Barrier to the Great Outdoors conference in Atlanta. A few hundred African American Environmentalist gathered to talk among other things about the role people of color can play in protecting the natural world. There I met Majora Carter, the 2005 winner of the MacArthur Foundation Genius Grant. She received $500,000 to developed her ideas on creating sustainable urban communities. And while we didn't talk about Copenhagen in particular Carter has a rather unique perspective how best to curb some of the social effects of Climate Change. Carter: The McArthur Foundation dubbed me an urban revitalization strategist. Which I love, because of the work that I did around pioneering one of the first green jobs training systems in the country, really doing community based, led project development in one of the poorest congressional districts in the country that's also one of the most environmentally challenged. And the idea was that you can do development that met both the environmental as well as economic needs of a very poor communities and give them the tools they need to enjoy it and be a part of its development. JTP: The environmental issues that our planet faces aren't limited to carbon emissions. Though green houses gases are indeed the primary cause of global warming it's the institutions and practices of human behavior that create them. Carter believes that we need to develop community based initiatives that produce green jobs and allow ordinary people take an active part in the cessation carbon emitting industries.     In order to make lasting change in the fight again climate change we have to rethink how we develop and live in our urban centers. And for many communities around world that's going to mean taking a hard look at issues of social justice, how we treat the urban poor as well as racial and ethnic minorities. I'm James Mills and you're listening to The Joy Trip Project. JTP: There are many, many challenges that are involved in doing any kind of development in urban areas. Especially those areas where you've had a tremendous amount of disinvestment that started at a very high level that lead to the displacement of people or the development of lost of noxious facil...

An interview with urban revitalization strategist Majora Carter JTP: Delegates from about 190 countries are gathering over the next two weeks at the United Nations Climate Change Conference in Copenhagen. Although this is a landmark event, the largest meeting ever to discuss the environmental future of our planet. I'm a little concerned that we may not be talking about the most important issues. The other night on NPR David Kestenbaum reported on the first day of the conference. In his report on All Things Considered he said everyone pretty much agrees that we have to do something about climate change. But how I see it where the problem lies is that the delegates also seem to share the same disagreements NPR: In fact most of the disagreements, they're all about money. Developing countries like Bolivia are arguing “Hey The global warming problem? you in the developed world made it. So to solve it you're going to have to give us money to adapt and to keep our emissions down as we grow. JTP: The industrial growth that caused the climate change crisis in the first place will apparently continue. You see it seems that the Copenhagen delegates are really only arguing about who gets to continue to pollute the atmosphere with carbon gas emissions and how much. The conversation so far seems to be relegated to trading carbon credits for cash so the developing world can continue to build factories and produce consumer goods. But at what cost? What about the environment? And what about millions of disenfranchised people in the U.S. and around the world that will be most directly impacted as our planet's climate continues to change in the wake of human progress? I won't be attending the conference in Copenhagen. But a few weeks ago I did attend the Breaking the Color Barrier to the Great Outdoors conference in Atlanta. A few hundred African American Environmentalist gathered to talk among other things about the role people of color can play in protecting the natural world. There I met Majora Carter, the 2005 winner of the MacArthur Foundation Genius Grant. She received $500,000 to developed her ideas on creating sustainable urban communities. And while we didn't talk about Copenhagen in particular Carter has a rather unique perspective how best to curb some of the social effects of Climate Change. Carter: The McArthur Foundation dubbed me an urban revitalization strategist. Which I love, because of the work that I did around pioneering one of the first green jobs training systems in the country, really doing community based, led project development in one of the poorest congressional districts in the country that's also one of the most environmentally challenged. And the idea was that you can do development that met both the environmental as well as economic needs of a very poor communities and give them the tools they need to enjoy it and be a part of its development. JTP: The environmental issues that our planet faces aren't limited to carbon emissions. Though green houses gases are indeed the primary cause of global warming it's the institutions and practices of human behavior that create them. Carter believes that we need to develop community based initiatives that produce green jobs and allow ordinary people take an active part in the cessation carbon emitting industries.     In order to make lasting change in the fight again climate change we have to rethink how we develop and live in our urban centers. And for many communities around world that's going to mean taking a hard look at issues of social justice, how we treat the urban poor as well as racial and ethnic minorities. I'm James Mills and you're listening to The Joy Trip Project. JTP: There are many, many challenges that are involved in doing any kind of development in urban areas. Especially those areas where you've had a tremendous amount of disinvestment that started at a very high level that lead to the displacement of people or the development of lost of noxious facil...