Podcasts about too proud the life

Joining us to talk about her roles in :"Ain't Too Proud-The Life and Times of the Temptations", Reyanna Edwards joined us. See omnystudio.com/listener for privacy information.

Rudy Foster, who plays the role of Otis Williams of the Temptations in the production of "Ain't Too Proud: The Life and Times of the Temptations" coming to Miller Auditorium joined us with a preview of the show.See omnystudio.com/listener for privacy information.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 – Episode: Quinton “Q.” Robinson (2025 Update)

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

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In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

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Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

Talked with Oscar Quesada and Julie Gilbert, Kravis Center for the Performing Arts. Julie Gilbert is a Pulitzer Prize - nominated biographer, novelist, playwright and the teacher for the Kravis Center's Writer's Academy.  She's doing a book launch on February 19th for her novel "Giant Love".  Giant Love: Edna Ferber, Her best selling novel of Texas and the making of a classic American film.  She'll be having a conversation with Hap Erstein about the book and her writing program which is celebrating it's 20th Anniversary.  Then on Februrary 20th, the next 6 session class for Writer's Launch starts at 1:30pm.  The public is invited to sign up for the writing class at www.kravis.org. The Kravis has a wide variety of shows this season.  Wrapping up this weekend is Peter Pan The Musical (family fare and Kravis on Broadway) and 19th African American Film Festival. Coming up is The Book of Mormon, Moulin Rouge, CLUE, Les Miserables, 54 Belowat the Rinker: Mauricia Martinez, Ain't Too Proud - The Life and Times of the Temptations, An Evening with Isaac Mizrahi, Trailblazing Women of Country lunch and learn series, The Beach Boys, Peter Bence, Old Crow Medicine Show, Acoustic Evening with Rick Springfield & Richard Marx, Blippi: Join the Band Tour, Gospel Gala: Kierra Sheard-Kelly rescheduled to 2/28/25.  They are adding additional shows this season.  Listeners can sign up for the Kravis Newsletter at Kravis.org and find out about the announcements they'll be releasing on Tuesday.  They can also call 561-262-SHOW.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Welcome back to another Broadway Drumming 101 Classic episode! This time, I'm revisiting an incredible conversation I had with the talented Shannon Ford back in late 2021. Shannon has an amazing story, and I'm excited to share it with you again today.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Shannon is a versatile drummer and percussionist who has carved out an inspiring path in the Broadway world. Whether it's his impeccable groove, his dynamic adaptability, or his incredible professionalism, Shannon has earned his place in this tight-knit and supportive community. His journey into Broadway is a testament to hard work, persistence, and the power of connection.In this episode, Shannon dives into how he got his start in the Broadway scene, sharing both the challenges and triumphs of building a career in this unique industry. He talks about the importance of relationships, the mentorship he's received along the way, and how the Broadway drumming community has been welcoming and encouraging to him. If you're an aspiring Broadway musician, Shannon's story is one you'll definitely want to hear—it's filled with insights and advice that can help you on your journey.I loved hearing Shannon talk about his approach to the craft and what it takes to succeed in this competitive but rewarding world. There's so much to take away from his experiences, whether you're a drummer, a musician, or just someone who appreciates the hard work that goes into making Broadway magic happen.So take a listen, and let Shannon Ford's journey inspire you. This is an episode filled with heart, wisdom, and the kind of perspective that makes the Broadway drumming community so special. I hope you enjoy it as much as I did when I first recorded it.Be sure to check it out today, and as always, feel free to share your thoughts after listening—I'd love to hear what resonated with you. What's New at Broadway Drumming 101?We're always working on bringing you more incredible content! Here's what else we've got going on:* Exclusive Articles & Tips: Subscribe to our website to gain access to exclusive behind-the-scenes posts and resources you didn't learn in music school.* Video Content: Check out our YouTube channel for interviews, tutorials, and in-depth discussions with Broadway's top drummers. Don't forget to hit that subscribe button!* Shop Broadway Drumming 101: Grab your favorite merch, including T-shirts, hoodies, and more, at our Shopify store to show your love for the art of Broadway drumming.

On the next episode of Broadway Drumming 101, we sit down with Mike Ramsey, a seasoned professional musician who's been making it happen in New York City for years. Mike shares what it takes to build a career in one of the most competitive music scenes in the world—talking about why being early, prepared, and easy to work with are non-negotiables for success.We dive into the nitty-gritty of subbing on Broadway, where Mike's had to step into some intense percussion setups, like the dynamic dual percussionist roles in The Lion King. He explains why subbing is about emulating the chair holder's style—not showing off your own. “It's not your gig,” Mike reminds us, “your job is to make it seem like the regular musician is in.”Mike also shares some hilarious (and humbling) stories from his career—like a U-Haul mishap on the Belt Parkway that ended with the truck roof peeled back like a can of sardines. Somehow, the instruments survived, and Mike learned a valuable lesson about NYC driving restrictions.If you're an aspiring musician, this episode is loaded with practical advice, from how to get started in Broadway pits to why versatility and freelancing skills are a must in a city where gigs can be unpredictable. We even touch on the importance of building your online presence and why Mike might finally create a website after all these years.Don't miss this one—it's packed with insights, laughs, and gems for anyone looking to make it in NYC's music scene.

On the next episode of Broadway Drumming 101, we chat with Mike Ramsey, who's been making it happen as a professional musician in New York City for many years. We get into what it really takes to build a career in New York—from being on time (actually, being early) to knowing how to gel with people and stay prepared. Mike also drops some major gems about subbing for other musicians—like why it's never the time to “do your own thing” when you're filling in. If you're serious about playing in this city, this episode is packed with practical advice and real talk about what works—and what doesn't—when it comes to making it in the NYC music scene.Check out all of our podcasts HERE!Our last was with Nate Patten. A must-listen: Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an accompanist in the dance department at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In the next episode of the Broadway Drumming 101 Podcast, I chat with Mike Ramsey, a talented drummer/percussionist and an accompanist in the Dance department at NYU, to discuss his musical journey and offer invaluable advice for aspiring Broadway musicians.When asked about how to break into the Broadway scene, Mike shared a memorable lesson from his mentor, Javier Diaz, during a clinic at Rutgers University. The advice? "Focus on becoming a good musician." It's a simple reminder that technical skill and musicality are the foundation for success.Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an adjunct faculty member at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this special episode of Broadway Drumming 101, we step out of the drum chair and into the conductor's podium with Nate Patten, a celebrated music director, writer, and comedian based in New York City. With a resume spanning eight Broadway shows—including Company, The Prom, Charlie and the Chocolate Factory, and Catch Me If You Can—Nate brings a wealth of knowledge and humor to our discussion.Currently conducting Elf, the holiday musical lighting up Broadway through January 7, 2024, Nate shares the secrets of his success, from networking and building genuine relationships to fostering curiosity and taking unconventional opportunities. Whether you're a drummer, a percussionist, or any musician looking to understand the dynamics of working with a music director, this episode offers invaluable insights.What You'll Learn:* How Nate got his start in musical theater and built his career.* Why the chemistry between musicians in a pit is just as important as their talent.* The critical role drummers play in maintaining the pulse of a Broadway production.* Nate's unique approach to giving feedback and fostering artistry in the pit.* Tales from the rehearsal room with Broadway legends like Marc Shaiman, Scott Wittman, and Kristin Chenoweth.

Landing a gig in a Broadway pit is about more than just being talented or prepared—although that's important, too. Music directors are looking for musicians who bring something unique to the table and can fit into the group's chemistry. It's not just about being the best at your instrument; it's about being the right fit for the team and the project.In this video, we break down what music directors are looking for and how you can stand out—not just as a player but as a collaborator. If you're serious about working on Broadway, this is the kind of insight you need.Also, don't miss the latest podcast episode featuring Nate Patten, the conductor of the new holiday musical Elf, now playing at the Marquis Theatre in Midtown! Make sure to subscribe for more tips, behind-the-scenes knowledge, and interviews with the best on Broadway.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, we're honored to feature Ed Shea, a distinguished musician whose career spans from the Philadelphia soul scene to the stages of Broadway.Highlights from the Episode:* Early Musical Influences: Ed shares his initial fascination with music, sparked by the lively bands performing at his grandfather's bar in Wildwood, New Jersey.* Educational Journey: Attending North Catholic High School in Philadelphia, Ed was mentored by esteemed band director Tony Marchione, leading to his first theatrical experience with Do Re Mi.* Mentorship and Development: The impact of Nick D'Amico, a leading Philadelphia show drummer, in honing Ed's drumming skills and professional approach.* Philadelphia Sound Era: Insights into recording at Sigma Sound Studios with legends like Gamble and Huff, contributing to the iconic “Philadelphia Sound” alongside artists such as the O'Jays and Teddy Pendergrass.* Atlantic City Performances: Experiences from the peak of Atlantic City's entertainment scene, including performances with luminaries like Sammy Davis Jr. and Tony Bennett.* Broadway Transition: Ed's move to New York City in the early '90s, marking his Broadway debut and solidifying his reputation through tours like The Music of Andrew Lloyd Webber.* Sustaining Performance Excellence: Strategies for maintaining enthusiasm and precision in performances, and the camaraderie among Broadway musicians.* Guidance for Aspiring Musicians: Practical advice on preparation, subbing, networking, and succeeding in the competitive Broadway environment.* Adapting to Technological Advances: Navigating the integration of drum machines and evolving demands of contemporary drum compositions.Memorable Anecdotes:* Performing for Frank Sinatra at the Latin Casino at 25 and managing on-stage challenges.* Bringing personal timpani to a Sigma Sound session, receiving support from producer Thom Bell.* Mentoring emerging Broadway drummers, including Joe Nero, Taylor Simpson and Dan Berkery.Ed reflects on his dynamic career, the music industry's evolution, and the privilege of being part of Broadway's vibrant community. He encourages perseverance, adaptability, and embracing the challenges of a musical career in New York City.About Ed SheaEd Shea is a seasoned percussionist and drummer whose career began in the rich musical landscape of Philadelphia. A member of the American Federation of Musicians across multiple cities, including New York and Philadelphia, Ed has showcased his versatility across various platforms.Broadway Contributions:* Dream (1996)* Peter Pan (1999–2000)* Martin Short: Fame Becomes Me (2006)* Newsies The Musical (2012–2014)* Holiday Inn, The New Irving Berlin Musical (2016–2017)He has also substituted in productions such as Cats, Phantom of the Opera, Grease, and Les Misérables.Touring Experience:* A Chorus Line (National Company, 1977; Japan Tour, 1986)* Paul Anka East Coast Tour (1982)* Debbie Reynolds Tour (1990)* The Music of Andrew Lloyd Webber (1991–1992)* Jesus Christ Superstar (1994)* South Pacific West Coast Tour (2002)* Urinetown (2003–2004)* Chicago (2006–2007)Television Appearances:* Miss America Pageant (1988–1991)* Dick Clark's Freedom Festival (1989)* Merv Griffin's New Year's Eve (1990–1992)* A&E's Live by Request with Johnny Mathis (1997)* PBS's Wonderful, Wonderful with Johnny Mathis (2006)Recording Collaborations:Ed has recorded with labels such as Philadelphia International, Columbia, and Motown, working with artists including:* Four Tops* Spinners* Temptations* Patti LaBelle* O'Jays* Teddy Pendergrass* Lou Rawls* Stylistics* James Ingram* Deniece WilliamsFilm Contributions:* The Fish That Saved Pittsburgh (1979)* Staying Alive (1982)* City Slickers (1991)* Flirting with Disaster (1996)Educational Background:Ed studied at the Philadelphia Music Academy, graduating in 1972. He is also a professor of percussion at Seton Hall University, aiming to develop well-rounded percussionists and music educators.

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi chat with Joshua Morgan, the founder of Artist's Strategy, to talk about the business side of an acting career. From financial planning to networking, they explore how artists can build sustainable careers while navigating the transition from training to the industry. Joshua Morgan is a versatile actor, director, and educator who has performed at prominent theatres across the U.S., including Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Signature Theatre, and many more. He originated the role of legendary manager Shelly Berger in Ain't Too Proud: The Life and Times of The Temptations on Broaday and stayed with the production for four years.Before moving to New York to join the last revival of Les Misérables, Joshua co-founded No Rules Theatre Company, the first dual-city theatre based in Washington, D.C., and Winston-Salem, NC. During his tenure, he produced award-winning premieres, directed acclaimed productions, and developed outreach programs for underrepresented communities, including the Deaf/Hard of Hearing.As a director, his credits include In Love and Warcraft (Helen Hayes Nomination), Hedwig and the Angry Inch, The Last Five Years, and more. He has taught at esteemed institutions such as American University, Gallaudet University, and the University of North Carolina School of the Arts.Joshua is also the founder of Artist's Strategy, an organization dedicated to helping freelance artists build sustainable careers and co-host of Creative Risk, a podcast exploring all things art, entrepreneurialism and everything in-between. Follow him on all platforms at @jmorganarts.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

In this clip, legendary percussionist Ed Shea takes us back to his days at Sigma Sound Studios. Ed paints a vivid picture of the studio's bustling energy, where top-tier musicians like Bobby Eli and Tom Bell seamlessly crafted iconic records.Ed shares insider details about what it was like working with legends like Kenny Gamble and Leon Huff, recording albums for Lou Rawls, and navigating the laid-back yet precise atmosphere of Sigma. He talks about how the sessions were structured—three sessions a day, double scale pay, and often a relaxed schedule where creativity could flow uninterrupted.He also offers a practical tip for musicians: always be prepared. He recounts how he kept a manuscript book handy to quickly jot down parts when Leon Huff or other producers needed overdubs on the fly. Ed's approach to adapting to each session's unique demands highlights the professionalism and versatility that have defined his remarkable career.Ed also compares the relaxed recording environment to the high-pressure world of subbing on Broadway, giving you a glimpse into the different dynamics of studio and theater drumming.Subscribe today for more and to be notified when new content is released:Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Mike Dobson is a drummer, percussionist, and Foley artist who has spent over 20 years bringing stories to life with his unique combination of live music and sound effects.With degrees from The Hartt School (B.M.) and The New School (M.M.), Mike has the training and the creativity to tackle any project. He co-wrote the offbeat production Room 17B and has worked with top directors like Tina Landau.Mike's journey started behind the drum kit, but his passion for sound grew during his early days performing in circus and clown shows. That's where he learned how sound effects can create humor and enhance storytelling, lessons he's carried throughout his career. One of his standout roles was as the live Foley artist for The SpongeBob Musical. I first met him there and was able to work with him when subbing for Damien Bassman. He continued that role in The SpongeBob Musical Live On Stage, proving that sound can bring just as much personality to a show as the actors on stage.He's the drummer and percussionist for the Broadway show Water for Elephants, based on the bestselling novel. In this production, Mike doesn't just play drums—he helps create the world of a traveling circus during the Great Depression and uses traditional percussion, found objects, and custom instruments. Water for Elephants runs through December 8, 2024, so go see it before it ends!For more: https://www.mikedobsonmusic.com/homeClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this clip, Mike Dobson breaks down what it's like to be part of the small, elite group of drummers and percussionists on Broadway—and how his work is even more specialized. He combines live music and Foley artistry, creating sound effects in real-time for the stage, something very few people know how to do.Mike shares his experience working in this super-niche field, reflecting on his nearly 20 years in New York, and talks about how Foley is typically taught in film and audio programs but rarely for live theater.

In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some truly remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works and a few surprises along the way. Stay tuned because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this podcast, we hear about the career of legendary drummer Matt Vander Ende, who shares his fascinating journey from the West Coast music scene to the bright lights of Broadway. Known for his dynamic playing style, Matt takes us through his transition from rock and metal drumming into musical theater, where he ultimately landed one of Broadway's most demanding drumming roles in Wicked.Throughout the interview, Matt reveals:* His musical upbringing was in Oakland, California, and he had early classical training at the San Francisco Conservatory. he has a diverse performance background spanning from school jazz bands to heavy metal tours with his band, Defiance.* How he developed his versatile style, drawing influence from drumming legends like Steve Gadd, Vinnie Colaiuta, and Metallica's Lars Ulrich, blending classical chops with rock intensity.* His unexpected path into musical theater, starting with a recommendation to try drumming in local theater productions—a choice that paved the way to his long-running career on Broadway.Matt's detailed look at his role as the drummer for Wicked is a highlight of the conversation. He describes the intense demands of this iconic show, which requires the drummer to seamlessly switch between musical genres, from reggae and punk-inspired beats to classical and traditional Broadway rhythms—all while leading a large 23-piece orchestra.Matt shares:* What makes Wicked such a challenging and unique show to play, including the precise, genre-hopping drumming style it requires to drive the music and choreography.* His experience mastering complex segments like the intense “No Good Deed,” which he describes as “Bartok meets Metallica”—an exhilarating, intricate piece that demands both technical precision and a heavy rock feel.* The importance of consistency in Wicked, with Matt highlighting his methods for keeping each performance fresh, despite the rigorous routine, and the ways he managed physical strain and injury during his tenure.Matt also gives valuable advice to aspiring Broadway drummers on the importance of discipline, professionalism, and learning a wide variety of musical styles. He emphasizes the necessity of playing each performance exactly as the regular drummer does, especially for subs, and offers insights on building relationships and working as part of a close-knit Broadway team.For Broadway fans, drummers, and musicians alike, this episode is packed with stories, lessons, and insights from Matt's extraordinary journey. Don't miss his reflections on the highs and challenges of playing one of Broadway's most iconic shows!Tune in for an unforgettable conversation with Matt Vander Ende on Broadway Drumming 101.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Connor and Dylan are joined by Tony Award nominee Ephraim Sykes (Our Town, Ain't Too Proud: The Life and Times of the Temptations). It's officially fall, y'all, and we're chatting with Ephraim, one of the stars from the new Broadway production of Our Town, to kick off the season. But first: a conversation about NBC's Smash, and its upcoming Broadway adaptation. Gagged! Ephraim reflects on his time dancing on Smash, his entire love of the arts beginning with his talent for dance, as well as his inspirations and influences. We cover all things Our Town - from the glorious cast, co-starring with Zoey Deutch, their trip to Peterborough, New Hampshire, and why the themes of the play are timeless. The twins get the scoop on Ephraim's Hamilton experience from early workshops all the way to Broadway, the NYCC production of Pal Joey, and starring with Ariana Grande in Hairspray Live on NBC. Ephraim was an original Newsie, made his Broadway debut in The Little Mermaid, and was nominated for a Tony AND Grammy for Ain't Too Proud. It wouldn't be DRAMA without covering the culture, including Industry, The Perfect Couple, and the Kendrick Lamar/Drake beef. This chat is NOT to be missed.Follow Ephraim on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Broadway star Jelani Remy joins The Art of Kindness with Robert Peterpaul to talk all things Back to the Future the musical, the joy of a good backstage prank and much more. Jelani Remy is a NJ native and Broadway performer known for shows like Ain't Too Proud The Life and Times of The Temptations and Disney's The Lion King. The talent now lights up Broadway in the blockbuster musical Back to the Future as Goldie Wilson and Marvin Berry. His number Gotta Start Somewhere truly stops the show! For tickets and more: www.backtothefuturemusical.com Follow Jelani: @itsjelaniremy Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fresh from starring in Ain't Too Proud, Cameron Bernard Jones is soon to be playing Collins in the new UK revival of Rent for Landmark Theatres. Cameron is originally from New York and has performed internationally in Porgy & Bess, Hairspray and Showboat. In the West End, he has been in Motown The Musical and Tina: The Tina Turner Musical in which he covered Ike Turner. Cameron was in South Pacific at the Chichester Festival Theatre, Punchdrunk's acclaimed porudction of The Burnt City and received a Black British Theatre Award nomination for his performance as the title role in The Wiz at the Hope Mill Theatre in Manchester. Cameron starred as Melvin Franklin in the original West End cast of Ain't Too Proud: The Life and Times of The Temptations at the Prince Edward Theatre. Cameron is also a podcaster; he hosts and produces Lick The Plate, a podcast about people and food. In this episode, Cameron discusses his original journey into theatre, reestablishing himself in the UK and the highs and lows of his first contract as a West End leading man. He also reflects on navigating a career in theatre as a bass baritone and lots more. Follow Cameron on Instagram: @cbjartsFollow and subscribe to Lick The Plate wherever you get your podcasts. You can see Cameron in Rent at the Peterborough New Theatre and Queen's Theatre Barnstaple in June and July. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  46s Film Making 46s: Filmmakers talk origins, challenges, budgets, and profits.Listen on: Apple Podcasts Spotify

In this episode we are getting all kinds of information on casting directors! Joining host Ben Cameron are Merri Sugarman (Ain't Too Proud - The Life and Times of The Temptations, Miss Saigon) and Benton Whitley (On the Town, Chicago, Pippin). Ben and the group talk about what exactly a casting director does, the process of auditioning actors and working with the creatives of the show, and more! Want more ⁠Broadway Cast⁠? Want access to ⁠bonus episodes⁠? Want to have your questions asked on our show? We can make all of those dreams (⁠and more⁠) come true! ⁠CLICK HERE TO JOIN OUR PATREON⁠ Follow us @TheBroadwayCast on Instagram, Facebook, TikTok, YouTube and Twitter --- Support this podcast: https://podcasters.spotify.com/pod/show/the-broadway-cast/support

Although it still feels like the peak of summer here in Houston, the calendar does tell me that it is indeed September, which means it's time for a summer concert review. Lara and I take a walk down Memory Lane as we share details from the live music events we attended in 2023. To no one's surprise, this list includes Taylor Swift and Thomas Rhett. But this time, we have actual interaction with one of our beloved musical artists! Did we sneak onto Taylor's tour bus? Did Thomas Rhett invite us to an after-party? You'll have to listen to find out! EPISODE NOTES: Here's the Eras Tour playlist I made on Spotify! Eras Tour Movie Here's the Billy Currington playlist I made on Spotify! Click HERE to see TR sign Lara's boot! Here's the Thomas Rhett playlist I made on Spotify! Can you tell I love to make Spotify playlists? Moulin Rouge, the Broadway Musical John Cardoza, who played Christian Ain't Too Proud: The Life and Times of The Temptations Watch the Love Again trailer! Here's the Celine Dion playlist I made on Spotify! SHOW NOTES: Subscribe to Podcast: iTunes or Android Newsletter Subscription: HERE Follow Me: Facebook, Instagram, and Twitter Buy My Books: It's a Love Story and Why I Hate Green Beans

Percussionist, Educator and Entrepreneur Mariana Ramirez stops by to talk about freelancing in New York City, working on Broadway, and her experiences with the COVID shutdown (03:05), all things Excelsis Percussion (16:15), growing up in Mexico City, her late entry into studying music full-time, her extracurricular activities, and the vast size of her hometown (31:15), studying at Rutgers University (NJ) and the challenging transition to a new country (54:15), her life post-undergrad, revving up her freelancing career, and managing her mental health (01:05:25), and finishing with the Random Ass Questions, including segments on students taking on too much, her experiences as a woman in the percussion world, Mexico-U.S. Soccer relations, the greatness of Mexican food, and the musical Hadestown (01:17:30).Finishing with a Rave on the 2022 documentary Is That Black Enough For You?!? (01:41:50).Links:Mariana Ramirez's websiteExcelsis PercussionPrevious Podcast Guests mentioned:Marcelina Suchocka in 2022Britton-René Collins in 2023Other Links:SIX The MusicalOnce on This IslandAin't Too Proud: The Life and Times of the TemptationsMerrily We Roll AlongHead Over HeelsCaixa Trio“Hyperballad” - Björk (performed by Excelsis Percussion)Conservatorio Nacional de MusicaAlondra de la Parra“Aphasia” - Mark ApplebaumBack to the Future trailerLord of the Rings: The Fellowship of the Ring trailerThe Mandalorian trailerIsabel Allende“Whenever, Wherever” - ShakiraMachu PicchuHadestownRaves:Is That Black Enough For You?!? trailer

Michael Swanson Sr. VP Production NBC Universal Studio Group, was just featured in the Forbes Magazine article called, ‘How To Build Your Network” by Maya Richard-Craven.   Michael who's a giver by nature, was called on for his expert advice. He shared that ‘helping other people is a great way to form long- term relationships”.  When it comes to creating professional relationships, Michael says, “Go out of your way to be of service with a genuine motive and an earnest heart”. “Then over time, someone may ask if there is anything you need."  Since 85% of jobs are filled through networking rather than traditional hiring, (yes, it's true), then Michael's advice should help lead you in the right direction to build your career.  Michael's own professional journey has been one of working his way up through hard work, and is filled with many accomplishments. Being of service to many along his jounrey has surely led to the many professional relationships he has come to enjoy. Besides being an Emmy Award winner, and a Hollywood TV studio executive, film producer and theatre producer, Michael is also a visionary entrepreneur and President and CEO of the entertainment company, Faith Filmworks.  At NBC Universal, he's the studio executive responsible for the production of Universal Television's Parks and Recreation, Hacks, The Good Place, Brooklyn Nine-Nine, Good Girls, Never Have I Ever, Community and Master of None. And throughout his distinguished career in entertainment, Michael has produced movies to critical and audience acclaim including All About You, All About Us, For the Love of Ruth, To Hell and Back, Andraé Crouch: Making The Journey, Two Seasons, Notre Dame First Time Fans: Legacy, The Wayman Tisdale Story and Fannie. He's a guy many in the professional entertinament business aspire to meet, but if you do meet him, please don't ask if he has a card! Or a QR Code! LOL Michael said, " I find that a little off-putting. I think it's more important to really engage a person and get to know him or her, ask questions, but in a very genuine and authentic way as opposed to kind of bouncing around collecting information and calculating in your head what's the best way he or she can help boost my career or advance my career so I can climb the ladder. Frankly in my opinion it's just the opposite. How can we be of service to others? I find that when you are in service to others in a genuine way, with an authentic heart and no ulterior motives, but really just want to help and learn, then I think there comes an opportunity where that executive or that person can eventually reach back out to you and say, you know what, you're doing such a great job. Is there anything I can do for you? How can I help? And then it becomes a more authentic relationship and it can even perhaps turn into a long-term mentoring relationship. And I think that's the best way to navigate a career because it's a little bit more personal. It's not about just taking from someone but learning how to be of service to others." I'm personally aware that networking is challenging for people who don't have ‘connections or ‘experience' in their fields yet, but I always champion the idea of finding ways to meet the people you want to meet, especially in your desired industry, ‘in person'. I think ‘in person' matters for connecting genuinely with people. For getting them to ‘see' who you really are.  How do you think I got Michael Swanson on my show today right after Forbes got him? I had the good fortune to meet Michael ‘in person' when he was in NY from LA when The Temptations and The Four Tops performed at the Westbury Music Fair in Long Island NY. Michael, is involved with the Tony Award Winning Broadway smash hit musical ‘Ain't Too Proud: The Life and Times of The Temptations' and is also co-producing the upcoming Four Tops Musical, ‘I'll Be There' with my buddy Paul Lambert and Duke Fakir. Duke is the only surviving member of the group.   Michael is a beautiful human with a beautiful family. He serves on the board of directors for Wedgwood Circle, Notre Dame's Performing Arts Advisory Council, Success Through Education Program, FEAST and is a member of the Academy of Television Arts & Sciences. A South Side of Chicago native, Michael resides in Los Angeles with his wife of 29 years, filmmaker and screenwriter Christine Swanson, and their four children. Michael Swanson joined me live from LA on The Debbie Nigro Show to share much more of his warm advice about how to build your professional ‘relationships'.  Enjoy the podcast of our conversation.  If you prefer to read, the Audio Transcript is below. ************************************************************************  AUDIO TRANSCRIPT  0:00:00 And now, back to the Debbie Nigro Show! 2 0:00:24 Okay, life is all about relationships. Let me explain, okay? Actually, I'll let somebody else explain. Hi everybody, I'm Debbie Nigro. I am so excited to introduce you to my next guest. You know, I always say meeting people in person matters, right? I really do think it totally matters, especially in this virtual world we live in. I met Michael the night I went to see The Four Tops and also the Temptations at Westbury Music Fair in Long Island back when. It was a wildly fabulous night.  I met Michael and met his lovely son. What a gentleman. There was something very special about him and there's something very special about him that you guys are going to sense and find out about right now. Michael is a giver by nature. He's not only some big wig Hollywood TV studio executive and film producer and theater producer, which he is all those things, but he is a guy who's created relationships over time that have been really heartfelt and he's spending some time right now educating others on how to do it. Forbes just did a story on how to build a network of professional relationships. He was their first person. They went to interview him as an expert. What Michael said that really just needs to be shared because he's a giver by nature, I mentioned that, is that helping other people is a great way to form long-term relationships. So more about that, but first, welcome Michael and thanks for helping me out by coming on my show today. 1 0:02:10 Good morning, Debbie. It's so wonderful to be with you. Thanks for having me. 2 0:02:13 You're welcome. So you, being the first guy that Forbes called about relationships, probably took a moment, sat back and thought, wow, all my life's work has mattered because I know this matters to you. You have incredibly important advice to people about giving before taking. 1 0:02:31 Yes, yes. I think we are all called to be of service. One thing about networking and mentoring which Forbes wanted to focus on is how do you do it? What's the best way for someone who has had a long career and they wanted me to give advice and some tips. My whole thing is not about going to networking events and some of the less savvy networkers may their first question may become, �Do you have a card? 2 0:03:01 Does anybody have a card anymore? 1 0:03:04 Yeah, I know, right? QR codes. Can I scan your QR codes? I found that a little off-putting. I think it's more important to really engage a person and get to know him or her, ask questions, but in a very genuine and authentic way as opposed to kind of bouncing around collecting information and calculating in your head what's the best way he or she can help boost my career or advance my career so I can climb the ladder. Frankly in my opinion it's just the opposite. How can we be of service to others? I find that when you are in service to others in a genuine way, with an authentic heart and no ulterior motives, but really just want to help and learn, then I think there comes an opportunity where that executive or that person can eventually reach back out to you and say, you know what, you're doing such a great job. Is there anything I can do for you? How can I help? And then it becomes a more authentic relationship and it can even perhaps turn into a long-term mentoring relationship. And I think that's the best way to navigate a career because it's a little bit more personal. It's not about just taking from someone but learning how to be of service to others. 2 0:04:23 If somebody didn't know you and know that you are this heartfelt guy that you are and just saw your title, Hollywood TV studio executive, film producer, theater producer, and they were a young person trying to get into the business. They might be very intimidated by approaching a gentleman like yourself. You're giving some good advice, but how would you like someone to approach you if they were trying to get to know you? 1 0:04:48 My advice would be to simply be yourself. When I meet with a lot of especially recent college graduates or young professionals, that's my advice. There is only one you in this entire world who God has created. So be yourself because no one can be better at you being yourself than you. And then I find that you will relax, you will get centered, you can be yourself and communicate without trying to morph into someone else who you think you're supposed to be to move ahead. 2 0:05:21 Has anybody ever tried to impress you by doing something really out of the box to get your 6 0:05:26 attention? 4 0:05:29 Probably Debbie. But I don't know. 1 0:05:33 I can't think of anything right now. 2 0:05:36 I guess I'm thinking of something funny and I'll share it with you because you did you know one of the key points that was Made in the article and that you know I made Promoting your being on the show today It says that 85% of jobs are filled through networking rather than traditional hiring which is very loud It's a big number and what came to mind is you know a father Always tries to help a daughter or a son and my father God rest his soul He's dead 40 years now once went and repaved some guy's driveway and put in all new shrubs for a guy who wasn't in the TV business because he wanted to make sure he knew who I was by the time I called him. The guy woke up like, what? He didn't even know who I was. So I'm just saying that's funny but people do crazy things to try and get attention to create a relationship and that's the only reason I brought it up. But if in fact 85% right of all the jobs are filled through networking rather than traditional hiring. Like why do people even bother with these, you know, sending resumes into a virtual, you know, hole, a black hole? 1 0:06:36 Yeah, it can become very, rejection is hard for any of us, right? And so when you apply for a job, and even repeatedly sometimes, and you get that rejection or that disappointment, it can be deflating, it can be discouraging, it can even sometimes become depressing because it's like, I've done everything, what can I do? But I have hope in that 15%. You didn't say 100%, you said 85%. So stay positive, is my advice. Stay encouraged and keep submitting. Also, this is one thing that I like to say, which has been true in my life, God will take you to where He needs you to be when He needs you to be there. Sometimes we get rejections or we don't get that job or we don't get that meeting or we don't get that promotion. Sometimes perhaps it's for our own protection. We just may not know that. I'm a big believer, believe it or not, in failure. I think failure is your friend. The key is to learn from your failures, learn from your mistakes, learn from the setbacks, because all of those things are equipping you and preparing you for where you ultimately will end up. So it's not always a bad thing. You know, it's like adding tools to your toolbox that informs how you proceed. So life is hard, right? There are challenges, there are ups and downs, but stay encouraged is the advice that I always get. And importantly, you have to know that things take time. Things take time. Hang in there. Don't get discouraged. Most overnight successes are about ten years. It takes about ten years. 2 0:08:25 At least. Right? 9 0:08:27 I think I'm just peaking, Michael. 4 0:08:28 I love that. 8 0:08:29 That's okay because you know what, Debbie? 2 0:08:30 All of the experience and all of the knowledge and all of the things that you've learned 4 0:08:31 and now you've continued to hone your craft all of these years, it just makes you even 5 0:08:32 more prepared for where you are now. 7 0:08:33 Yes. 1 0:08:34 And have an even bigger platform. So I'm okay with that. I think we live in a microwave society now. Yep. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. 5 0:08:46 And I think we live in a microwave society now. 1 0:08:47 And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. And I think we live in a microwave society now. It's okay to put things in the crockpot. Let things simmer. I like that. Let things simmer. 6 0:08:59 Let things simmer. 2 0:09:00 I like that. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. Let things simmer. works, your celebrated entertainment production company. But you're also the production executive on so many shows that we all love and know, Parks and Recreation, The Good Plays, Brooklyn Nine-Nine, Master of None, Good Girls, Never Have I Ever, you've been out there in the movie world, Oh My Gosh, All About You, All About Us, For the Love of Ruth, it goes on, Broadway, Ain't Too Proud, The Life and Times of the Temptations, and then of course the upcoming Four Tops musical with Duke Fakir, the only living member producer and your co-producer. I'm excited to know you. I have to think that as you look back at your life and you are having this conversation with me about how important relationships are to going forward in a career, who is loud in your head right now that helped you along the way? Somebody that did something nice for you in your business? 1 0:10:02 Oh yeah, well you know so many people, Jerry D'Acanio, Clay Mattel, Adrian Backus, there are so many people who have impacted my life, my career. Mentors who I've had, Erwin McManus, pastors along the way like Charles Stanley. You don't always have to know. I know all those folks or know of them, but most of them I've had personal relationships with. But I also want to share, you don't have to know them personally. You can have a mentor or someone who can be very influential in your life or your career by reading his or her book, by listening to their podcast, their interviews, by kind of studying their business decisions, if they are entrepreneurs, kind of seeing what pivots they made when the landscape was changing. So you can learn from everyone, even if you've never met him or her along the way. Excellent. That has really impacted my career and my life as a husband, father, friend, executive and entrepreneur. 2 0:11:12 Excellent advice. And we do live in a world where there is an exorbitant amount of information for everybody to tap into free of charge if they have the energy and the desire, right? Absolutely. Let's talk about your family real quick. I know you have a beautiful wife you married to a long time who's also a great talent, Christine Swanson, and then you have four kids. This is a beautiful life you're living. And I've met one of your sons who was adorable. Which one was that? 1 0:11:35 That was Cole. That was our oldest son, Cole Swanson, who recently graduated from college and now he is doing his thing. He is also in the entertainment industry. He graduated from NYU Tisch School of the Art and focused on directing. So we have another filmmaker in the family. 2 0:11:50 Awesome. And the other kids, are they in the business? Are they coming up behind you? 1 0:11:55 I think they are, Debbie. You know, I have a rising sophomore at Stanford University who will probably major in filmmaking and business. I think he has a great producer's mind. My third son, Luke, that was Kenji who is at Stanford, my third son Luke recently completed the acting and theater workshop this summer at USC. Although he is a rising senior in high school, he wants to study acting and he would say be an on-screen actor to make it clear. I said, well you have to start in theater, that's where you really get your training. And then my daughter Julia is entering high school and she is just as smart as anyone. I think it would be great to have an entertainment attorney in the family, so who knows what her career path would be. But Christine, my wife, and I are blessed to have wonderful children. We've been married 29 years, about a week ago. I'm really grateful and just trying to raise some grounded children in Hollywood. 2 0:12:52 Wow, that is a huge accomplishment. So Michael Swanson, you're doing great. Thank you so much for being my guest today. I remembered your good energy when I met you in person. I knew that you would be accommodating and love to share your information about what you said in Forbes, which is how to build a network of professional relationships. Remember, helping other people is a great way to form long-term relationships. Go out of your way to be of service with a genuine motive and an earnest heart. Michael Swanson, NBCUniversal Senior VP of Production, you have a terrific day. Thank you, Debbie. 1 0:13:24 You too. Thanks for having me. 6 0:13:26 See you again soon, I hope. 2 0:13:27 Okay, real soon. 1 0:13:28 Bye-bye. 5 0:13:29 Bye-bye. Bye-bye.  

Town Square with Ernie Manouse airs at 3 p.m. CT. Tune in on 88.7FM, listen online or subscribe to the podcast. Join the discussion at 888-486-9677, questions@townsquaretalk.org or @townsquaretalk. Dreams do come true. Harrell Holmes Jr., grew up wanting to be a Temptation, and today, he is making that a reality as he stars as Melvin Franklin in the national tour of the high energy musical Ain't Too Proud: The Life and Times of the Temptations, which tells the story of the music group's rise to fame. Holmes Jr. talks with us about how his love of The Temptations began, his career from being featured on Star Search and American Idol to performing on stage in Ain't Too Proud, as well as what audiences can expect from the show. Ain't Too Proud: The Life and Times of the Temptations is playing at the Hobby Center for the Performing Arts in Houston until Sunday, August 13, 2023. For more information, click here. Then, we discuss the science of sleep with neurologist and sleep specialist Dr. Chris Winter. He explains the importance of bedtime rituals to remain consistent in the time you wake up and go to bed, the amount of sleep we need as adults, better habits for falling asleep for those who are having difficulties or experiencing insomnia, and more. Guests: Harrell Holmes Jr. Singer, Dancer, Actor Plays Melvin Franklin in Ain't Too Proud: The Life and Times of the Temptations Dr. Chris Winter Neurologist & Sleep Specialist Author, The Rested Child: Why Your Tired, Wired, or Irritable Child May Have a Sleep Disorder and How To Help and The Sleep Solution: Why Your Sleep is Broken and How To Fix It Host, Sleep Unplugged Podcast Town Square with Ernie Manouse is a gathering space for the community to come together and discuss the day's most important and pressing issues. We also offer a free podcast here, on iTunes, and other apps

Traci Lee / @tracelaine - "I know I love to move my body and I'm much better when I move my body. I do it every day intentionally. And because of it, I know for sure my voice is better, my show is better, and more connected to anything I have to do on stage." Traci Lee is a Dallas, Texas native and pumped to be making her Broadway Debut at The Nederlander Theatre in Shucked! National Tour: Ain't Too Proud: The Life and Times of the Temptations (First National), Beautiful: The Carole King Musical (First National). Off-Broadway: safeword. TV/Radio/Voiceover: Whataburger, Indeed, Aflac. BFA Musical Theatre - SHSU. “Endless gratitude to my family, my village & my team at Avalon Artists Group.” IG: @tracelaine https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Sifiso Mazibuko and Kyle Cox are currently playing Otis Williams and Paul Williams in the original West End cast of Ain't Too Proud - The Life and Times of The Temptations. Having opened on Broadway in 2019, Ain't Too Proud  opened in London to huge acclaim earlier this year. The show follows the remarkable journey of The Temptations from the streets of Detroit to the Rock & Roll Hall of Fame.Some of Sifiso's theatre credits include: Malindadzimu (Hampstead Theatre) and Motown The Musical (Shaftesbury Theatre). He was a standby in the original West End cast of Hamilton (Victoria Palace Theatre) and went on to takeover as Aaron Burr in the musical's second year. A recent graduate from ArtsEd, Kyle played Wyatt in Crazy For You (Chichester Festival Theatre) before making his West End debut in the ensemble of Elf The Musical (Dominion Theatre).Ain't Too Proud recently extended its run at the Prince Edward Theatre until 7th January 2024.Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Michael Andreaus plays Otis Williams in the National Tour of "Ain't Too Proud: The Life and Times of The Temptations." Ellen and Benita chat with him about the show, the real lives of the men behind the Temptations, auditioning, and performing on the road.

"Everybody wants to be Beyoncé, but does everybody wanna put in the work?" is just one of Jelani's many foods for thought in this episode. He shares where his love for theatre started, being a jack-of-all-trades type of person growing up, making it into Broadway and what it's like meeting a new generation of artists today that aspire to have the same profession. Jelani recalls his "The Lion King" journey, from the first time he saw the show to having a full circle moment of playing the role of Simba for years. This experience was eye-opening for him... becoming an inspiration and making connections with people. He was a standby when he first got the job for "Ain't Too Proud: The Life and Times of The Temptations" and enjoyed being a swing because while it can be a lot of pressure sometimes, it also helps him explore and test his abilities. Jelani also shares his experience with accidents on stage and why the show must go on, Broadway as a sport, and that “no” doesn't no, it just means not right now, so if you're an aspiring actor, make sure to stay ready and always be prepared. Jelani Remy is an actor best known for his role as Simba in the Broadway, National Tour, and Vegas company of Disney's "The Lion King". He was also part of Disney's "High School Musical" and "High School Musical 2", "Parade", "Cabaret", Broadway's "Ain't Too Proud: The Life and Times of The Temptations" where he played the role of Eddie Kendricks, “The Apple Boys”, and the Off-Broadway production of "Smokey Joe's Cafe" among others. Jelani will be the guest in the upcoming Broadway Lecture Series at StageWorks at Studio 237 on March 11, 2023. Connect with Jelani: Instagram: @itsjelaniremy Check out the Broadway Lecture Series: broadwaylectureseries.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne sits down with Broadway actor, Michael Andreaus, who explores his connection to the word, “Legacy”. We are thrilled that Michael agreed to chat with us during Black History Month and share his experiences as a black man in this current political climate. “Legacy” is a powerful and explorative episode that everyone should listen to. We hope you are moved and inspired by Michael's journey.About Michael Andreaus:Michael Andreaus is an actor, born in Atlanta, GA. He grew up in Atlanta and Oklahoma City, and he graduated from the University of Central Oklahoma. Upon moving to New York, he was cast in the Netflix limited series "When They See Us" and Off-Broadway, before being cast in "A Soldier's Play" on Broadway. He is currently playing Otis Williams in the First National Tour of "Ain't Too Proud: The Life and Times of The Temptations". Connect with Michael AndreausFacebookInstagramAbout the Show:There's a Word For That! is a weekly podcast that centers around a different word or expression each episode. Host Suzanne Dressler believes in pushing the envelope to explore why and how we use words and the ways this impacts our lives. With a diverse assortment of intelligent, creative, and exciting guests, TAWFT! will force you to analyze and consider words in an entirely original and eye-opening way. Even better? NOTHING is off-limits.Where to Find Me:InstagramTwitterFacebook

Webster University (MO) Percussion Professor and Freelance Percussionist Erin Elstner stops by to talk about teaching and performing in the St. Louis Area, teaching and playing in Asia, setting up a new program, and the fun of bringing in guest artists (05:15), more talk about her Webster jog (33:00), growing up in Iowa and St. Louis, her musical family, playing challenging piano music, marching band experiences, and her enjoyment of playing sports (41:00), and talks about her time in undergrad at the New School in NYC (01:06:35).Finishing with a Rave on the book and film Being There (01:24:50).Links:Erin Elstner's Canopus Drums pageErin Elstner on “The Humble Tambourine” on NPRPostmodern JukeboxThe Fabulous Fox TheaterPowell Hall RenovationsThe MUNY (STL)Final Fantasy concertsAin't Too Proud: The Life and Times of the TemptationsQuinton RobinsonTommy LeeKeith Also on the podcast in 2020Jason BittnerPiano Concerto No. 1 - Johannes BrahmsSt. Louis Blues 2019 Stanley Cup winGoon trailerSlap Shot trailerJames PreissManhattan Marimba QuartetGlen VelezZiryab TrioTrio MonkapotamusRaves/Links:“College Students Are Not All Right” - Nitish PahwaBeing There - Jerzy KosinskiBeing There trailer

oday #TheDayWithTrae features actor Michael Andreaus, who is currently starring as Otis Williams in Ain't Too Proud: The Life and Times of The Temptations at The Paramount. Trae Holiday will also be joined by Sally Wusstig-Trice, Owner and CEO of Beyond The Curls.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Javier Diaz is a percussionist, educator, and composer active in New York City. Javier regularly plays with the American Symphony Orchestra, chamber music groups, and Latin Jazz/Afro-Cuban folkloric groups in the New York area. He has performed with the Los Angeles Philharmonic, the Metropolitan Opera Orchestra, New York Chamber Symphony, New Jersey Symphony, New York Pops, New York Perspectives Ensemble, John Adams' Zankel Hall New Music Band, and the Hilliard Ensemble. He has been the principal percussionist in the Broadway productions of Guys and Dolls, Phil Collins' Tarzan, The Wiz, Women on the Verge of a Nervous Breakdown, Rocky, Ain't Too Proud: The Life and Times of The Temptations, Gloria Estefan's On Your Feet!, and Once on This Island.Javier's studio credits include Steven Spielberg's West Side Story, Lin Manuel Miranda's In The Heights, ECM's Tituli (with the Hilliard Ensemble) by Stephen Hartke, two albums with David Sanborn, including Time and the River (produced by Marcus Miller), award-winning films such as Tango Flush and Jesus Camp, and many TV and radio commercials. As an Afro-Cuban/Pop percussion specialist, Javier has appeared with: Sean Kingston, Diana Ross, Gladys Knight, Chaka Khan, Patty La Belle, Lázaro Galarraga's Afro-Cuban All Stars, percussionists Angel Luís Figueroa, Cándido Camero, Román Díaz, Pedro Martínez, The Pan-American Jazz Band, The Ethnix, Anette Aguilar's Latin Jazz Group, Marta Topferova, Edmar Castañeda, Tribal Sage World Music duo project with multi-percussionist Roger Squitero, World Percussion group Kalunga, and the New York World Music Institute. An active educator,Javier has taught concert percussion at El Sistema de Orquestas Juveniles e Infantiles de Venezuela, the University of Connecticut, Rutgers University, Queens College (CUNY), New York University, and at his private teaching studio in New York City and New Jersey. He has also taught Afro-Cuban percussion seminars, classes, and clinics at the Peabody Institute, University of Southern California, Percussion Artists Workshops Los Angeles/New York, Los Angeles School District, The Juilliard School, Rutgers University, Queens College, New York University, Boston Conservatory, University of Minnesota, and Mannes School of Music in New York City.Mr. Diaz currently teaches the Afro-Latin percussion survey at the Juilliard School and directs the Afro-Cuban Percussion Ensemble at Rutgers University. His most recent book on Afro-Cuban percussion, The Afro-Cuban Handbook, has become an instant classic of the percussion literature. As a composer, Javier has written chamber music, solo pieces, orchestral works, and electronic music.He has been commissioned by the Aspen Music Festival, New York University, and the University of Southern California. An alumnus of El Sistema de Orquestas Juveniles e Infantiles de Venezuela and the Aspen Music Festival, Javier holds a BM from the University of Southern California, a MM from The Juilliard School, and a DMA from The Graduate Center (City University of New York).Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

When her father passed very suddenly, Wendy Federman was thrust into the role of family business owner. In her true entrepreneurial spirit, Wendy was able to meet the challenge head-on and eventually fulfill her childhood dream on the Broadway stage. Wendy Federman is a thirteen-time Tony Award-winning theatre and film producer. She has also received two Olivier Awards, eleven Drama Desk Awards, nineteen Outer Critics Circle Awards, eighteen Drama League Awards, and three GLADD Media Awards for many of her over ninety co-productions. Her current and upcoming shows on and off-Broadway, on US National Tour, and in London & Australia include Company, Dear Evan Hansen, Hadestown, To Kill a Mockingbird, Ain't Too Proud-The Life and Times of the Temptations, Beetlejuice, Moulin Rouge!, Jagged Little Pill, Tina: The Tina Turner Musical, The Minutes, Sing Street, Get Up, Stand Up! The Bob Marley Musical, Funny Girl, The Play That Goes Wrong, Little Shop of Horrors, The Piano Lesson, and The Devil Wears Prada Musical. Today, Wendy joins us to share her unlikely path from her father's floral factory to Broadway. FULL SHOW NOTES CONNECT WITH US Twitter LinkedIn Our Website

Marcus Paul James - He has been seen in “MOTOWN: The Musical,” “In The Heights,” and “RENT.” Starting next Tuesday, December 13, anyone in LA will be able to catch the smash-hit Broadway musical “Ain't Too Proud – The Life and Times of The Temptations.” He joins Tavis for a conversation about the story of this legendary group and shares his thoughts on preparing for the role of Otis Williams

In this episode we are getting all kinds of information on casting directors! Joining host Ben Cameron are Merri Sugarman (Ain't Too Proud - The Life and Times of The Temptations, Miss Saigon) and Benton Whitley (On the Town, Chicago, Pippin). Ben and the group talk about what exactly a casting director does, the process of auditioning actors and working with the creatives of the show, and more! Want more Broadway Cast? Want access to bonus episodes? Want to have your questions asked on our show? We can make all of those dreams (and more) come true! CLICK HERE TO JOIN OUR PATREON Follow us @TheBroadwayCast on Instagram, Facebook, TikTok, YouTube and TwitterSee omnystudio.com/listener for privacy information.