Podcasts about Patsy Montana

Patsy Montana & Slim 3xxxxx 1st Song - I Want to be a Cowboy's Sweetheart

Patsy Montana & Slim 3x-xx-xx First Tune - I Wonder If She's Blue

Six String Hayride Podcast Episode 45. The 1990's Episode. In the 1990s, The divide between commercial country music (Garth Brooks, Billy Ray Cyrus, Alan Jackson) and more artistic music (Steve Earle, Emmylou Harris, John Prine and Johnny Cash) gets bigger and bigger. Money and chart position seems to guide the music business more than art and soul. George and Alan, two mainstream millionaires who work for one of the biggest record companies around, don't see the irony when they complain about the death of tradition in classic country. "Oh Brother Where Art Thou", as a film and a record, reminds us of the deep history and soul in classic country, folk, and gospel. We take a look at some of the hit records, bad records, and fun records from the 1990s. Johnny Cash begins a renaissance with his American Recordings Series. Trisha Yearwood has a fun cooking show that makes a great grilled cheese sandwich. We pay our respects to Gene Autry, Jerry Garcia, Stevie Ray Vaughan, Patsy Montana, Minnie Pearl, and Roger Miller. The June Carter cookbook gives us a delicious dessert, Chris makes another cocktail from the John Wayne drinking guide, and all the usual fun on Six String Hayride Classic Country Podcast.https://www.facebook.com/profile.php?id=100086513555749https://www.patreon.com/user?u=81625843

Sounds Like Radio Volume 171 is here as the Great Gildersleeve fears Leroy's ambition to be a singing cowboy. Now if only he had a little singing talent, it might not be so bad. Your Humble Host knows a good cowboy and cowgirl western singer when he hears it, and Leroy ain't it. Well, to help Leroy know what a good western song sounds like Your Humble Host has invited Merle Haggard, Patsy Montana, Roy Rogers, Emmylou Harris (that's her album cover with today's song in our picture with this show), Bing Crosby, Patsy Montana and Gene Autry. Not bad eh?

Six String Hayride Classic Country Podcast Episode 38. The 1930's Episode. The Carter Family Continues, Jimmie Rodgers dies from Tuberculosis. Patsy Montana, Roy Acuff, and Bob Wills enter the Country Music Charts. Gene Autry Rides in to Save the Day. FDR ends prohibition and guides a recovery from The Great Depression. Duke Ellington and Bob Wills bring swing music to theaters and dance halls. Frankenstein and King Kong pioneer a classic era in Movies. The Marx Brothers make us laugh and Orson Welles scares us with a radio broadcast of Martian Invaders. Radio rules the air to inform, entertain, and comfort a nation hurt by economic depression and the threat of war in Europe. Sons of The Pioneers inspire Chris to serve up some White Russian Drinks. All this and The Usual Fun with Chris and Jim. https://www.facebook.com/profile.php?id=100086513555749https://www.patreon.com/user?u=81625843

Signature Songs, Novelty Songs, and One Hit Wonders, All of the Above. Music from Carl Perkins, Patsy Montana, David Frizzell, Jerry Reed, Shelly West, The Monster Mash, CONVOY, and a shot of Tequila. Why the label "One Hit Wonder" often fails to see the whole story of a musician and the song, Some Silly Songs, The John Wayne Cocktail Guide, and the usual shenanigans with Chris and Jim.

Songs include: Tumbling Tumbleweeds, Montana Plains, There's No Hiding Place, Nobody's Darlin, Cattle Call and Beautiful Texas. Performers include: The Sons of the Pioneers, W. Lee O'Daniel, Red Foley, Patsy Montana, the Carter Family and Milton Brown. 

When Country music was first recorded in the 1920s and early 30s there were precious few women singers and stars. This episode presents some of the earliest commercial recordings by women singers of early Country music - Patsy Montana, "Moonshine " Kate, Girls Of The Golden West, Billie Maxwell and of course Sarah and Maybelle Carter. Saddle up and join us! --- Support this podcast: https://podcasters.spotify.com/pod/show/american-grooves-hour/support

Thank you for listening to Episode 75 of The Pitchy Podcast.We'll discuss the artists and performances from night two of the Blind Auditions on NBC's The Voice which aired on September 26, 2023. (We will not discuss the artists who did not move forward in the competition)Below are the links of the artists who made it onto a team. Ruby Leigh-I Want To Be A Cowboy's Sweetheart by Patsy Montana https://youtu.be/R1NgwVE5RQw?si=WgDMoX6pQ_ea5mSWJuliette Ojeda- Hopelessly Devoted To You by Olivia Newton Johnhttps://youtu.be/KuvPg2dW_bE?si=v2j0drNbpWBVYHhYJulia Roome-Dream A Little Dream Of Me by The Mamas and the Papashttps://youtu.be/YbJlO02oqvg?si=OIA8i3LzOUKJoisQJenna Marquis-Teenage Dirtbag by Wheatushttps://youtu.be/cohBXhASGwY?si=yV6XqmjnBKZYPscZEphraim Owen-Beneath Your Beautiful by Labrinthhttps://youtu.be/THZfVNlrAQ0?si=kHiZIeRp-4TsozvcTime Stamps0:00- Show opening and Who did Mara Choose?6:10-Ruby Leigh15:25- Juliette Ojeda20:55-Julia Roome26:10-Jenna Marquis 31:10-Ephraim Owens39:25-James Apology and Who Do We See In The Finals?44:20-Show closing ****************************************Be sure to subscribe to The Pitchy Podcast on your favorite podcast platform so you know when we drop new episodes!Also tap the link to head to our YouTube channel and hit that SUBSCRIBE button. https://youtube.com/@thepitchypodcastLastly, be sure to follow us on Instagram @thepitchypodcast to keep up with new episode updates, listen to episode clips and more. Thanks for listening. Hosted on Acast. See acast.com/privacy for more information.

This week, a collection of consummate cow poke crooners recorded live at Ozark Folk Center State Park. Also, commentary from these bovine balladeers. Included on this show are Grammy nominated cowboy performer Don Edwards, inimitable cowboy poet & humorist Glenn Ohrlin, and Arkansas original cowgirl, singer, songwriter, actress and Country Music Hall of Fame superstar Patsy Montana. One of America's best loved and most enduring cowboy singers, Don Edwards is indeed an American treasure. His love and passion for traditional cowboy songs is second to none and has earned him a fan base worldwide. He knows the songs, the stories, and even some of the old trails that made the old West famous. Accompanied by his trusty guitar, Don takes us on a trip back in time when cowboy singers and songs echoed through the trails, taverns, and cattle drive camps of yesterday. Born in Minneapolis, MN in 1926, Glenn Ohrlin was a veteran of the cattle industry and worked the rodeo circuit, both while being an acquisitive singer, poet, & story teller. Glenn put his extensive knowledge and years of experience collecting Western folk songs into a book, “The Hell Bound Train,” as well as performing his authentic style of cowboy poetry & prose. Ohrlin performed at cowboy poetry gatherings across America, and at the Kennedy Center in Washington D.C. In the 1970's, Glenn moved to Mountain View, Arkansas, where he continued his music career, lending regular performances at the Ozark Folk Center. We at the Ozark Folk Center State Park reap the benefit of having years of Glenn's live performance recordings in our archives. Patsy Montana was an American country music singer, songwriter and actress. Montana was the first female country performer to have a million-selling single with her signature song "I Want to Be a Cowboy's Sweetheart,” and is a member of the Country Music Hall of Fame. She was a mainstay on the National Barn Dance on Chicago radio station WLS for many years. Born “Ruby Blevins” in Beaudry, Arkansas, the 11th child and first daughter of a farmer, Patsy attended schools in President Bill Clinton's hometown of Hope, Arkansas. She was influenced early on by the music of Jimmie Rodgers, and paved the way for women in the male dominated world of country music. In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Dean Hinesley performing the tune “Letter Edged in Black,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins discusses the origin of some odd words and pronunciations in the native dialect of Ozarkian.

Hey there, cowpokes, and happy Pride! We are in a real treat this month with our conversation with Cathy Fink and Marcy Marxer, old time music legends. In our interview, Cathy and Marcy said they haven't done much -- but they're just being modest. They have performed with Pete Seeger, Theodore Bikel, Tom Paxton, Patsy Montana, Riders in the Sky, and a wide range of musical luminaries. They have entertained the Queen of Thailand, been keynote singers for the AFL-CIO, appeared on the “Today Show” and on National Public Radio. Cathy & Marcy earned GRAMMY Awards for their recordings “cELLAbration: a Tribute to Ella Jenkins”, and “Bon Appétit!: Musical Food Fun”. Their CD's “Postcards” and “Banjo Talkin'” were GRAMMY Fnalists in the Best Traditional Folk Album category. Since we discuss it later in the episode, we'll kick things off with the song they co-wrote with Tom Paxton, "Don't Say Gay."  "Don't Say Gay" Music Video: https://www.youtube.com/watch?v=vpjme3usL-0 Subscribe to the Rainbow Rodeo Patreon to get your copy of Rainbow Rodeo Issue 3 and more swag! Listen to Rachel this month on Sirius XM's Country Pride -- Channel 105 Advertise on Rainbow Rodeo!

Patsy Montana & Slim 3xxxxx 1st Song -I Want to be a Cowboy's Sweetheart

From Maybelle and Sarah Carter, "Moonshine Kate", Fiddler Hattie Stoneman, Patsy Montana to The Girls Of The Golden West women's contributions to pre-war country music are often overlooked. American Grooves celebrates some of those early voices in this episode - part 3 of our 2023 celbaration of Women's History Month 2023 --- Support this podcast: https://podcasters.spotify.com/pod/show/american-grooves-hour/support

Six String Hayride Episode 8. Discussion of the most influential women in Country Music. Sara and Maybelle Carter, June, Helen, and Anita Carter. Patsy Montana and Patsy Cline. Loretta Lynn, Dolly Parton, Tammy Wynette, and Emmylou Harris. How these women changed music and the way the music business treats women artists.https://www.patreon.com/user?u=81625843

Fram er komið á Alþingi frumvarp til lagabreytinga sem ætlað er að liðka fyrir vegaframkvæmdum í landinu. Haraldur Benediktsson, þingmaður Sjálfstæðisflokksins, hefur lagt til að sveitarfélögum verði gert mögulegt að stofna félag um tiltekna framkvæmd og veggjöld verði innheimt til að mæta kostnaði. Haraldur sér fyrir sér að sjóður lífeyrissjóðanna leggi til framkvæmdafé. Haraldur sagði frá þessum hugmyndum sínum. 160 ára afmæli Þjóðminjasafnsins var fagnað um helgina. Af því tilefni kom Harpa Þórsdóttir þjóðminjavörður í þáttinn og sagði frá nokkrum gersemum í eigu safnsins. Leikinn var hluti úr viðtali Guðjóns Friðrikssonar sagnfræðings við Guðmund J. Guðmundsson, formann Dagsbrúnar, þar sem rifjuð var upp bygging Verkamannabústaðanna við Ásvallagötu í Reykjavík. Viðtalið var í þáttaröð Guðjóns Reykjavík bernsku minnar frá 1984. Tónlist: Something - Bítlarnir, Talað við gluggann - Bubbi Morthens, Cheek to cheek - Fred Astaire, I wanna be a caowbays?s sweetheart - Patsy Montana. Umsjón: Björn Þór Sigbjörnsson.

Fram er komið á Alþingi frumvarp til lagabreytinga sem ætlað er að liðka fyrir vegaframkvæmdum í landinu. Haraldur Benediktsson, þingmaður Sjálfstæðisflokksins, hefur lagt til að sveitarfélögum verði gert mögulegt að stofna félag um tiltekna framkvæmd og veggjöld verði innheimt til að mæta kostnaði. Haraldur sér fyrir sér að sjóður lífeyrissjóðanna leggi til framkvæmdafé. Haraldur sagði frá þessum hugmyndum sínum. 160 ára afmæli Þjóðminjasafnsins var fagnað um helgina. Af því tilefni kom Harpa Þórsdóttir þjóðminjavörður í þáttinn og sagði frá nokkrum gersemum í eigu safnsins. Leikinn var hluti úr viðtali Guðjóns Friðrikssonar sagnfræðings við Guðmund J. Guðmundsson, formann Dagsbrúnar, þar sem rifjuð var upp bygging Verkamannabústaðanna við Ásvallagötu í Reykjavík. Viðtalið var í þáttaröð Guðjóns Reykjavík bernsku minnar frá 1984. Tónlist: Something - Bítlarnir, Talað við gluggann - Bubbi Morthens, Cheek to cheek - Fred Astaire, I wanna be a caowbays?s sweetheart - Patsy Montana. Umsjón: Björn Þór Sigbjörnsson.

This week, award winning country & Western swing trio The Farmer & Adele recorded live at Ozark Folk Center State Park. Also, interviews with these rhythmic wranglers. “With the sounds of classic songwriting in their music and the future in their sights, The Farmer & Adele are reimagining the modern cowboy/cowgirl while respecting its beginnings. Based out of Nashville, TN, The Farmer & Adele – led by Grace Adele and Keenan Wade – leads the pack of a new wave of musicians revitalizing western swing music. With a star-studded record, award nominations and their own morning radio show, The Farmer & Adele are a one-two punch of classic meets modern. “The Farmer & Adele have quickly rooted themselves into the fabric of music communities near and far. Their debut album, Into the Wide Open Sky, was selected to be featured as part of Nashville Public Library's Boombox series, a closely curated music collection highlighting the best artists in Nashville. Most recently, the band was awarded Best Western Swing Group by the Ameripolitan Music Awards. Also, their annual Country and Western Christmas Party tour is a beloved tradition that travels annually nationwide, featuring classic Christmas tunes, original holiday songs and their own take on The Nutcracker with a western swing twist. The band is also featured regularly on 650 AM WSM as the house band during the station's Grand Ole Opry pre-show and live radio spot coverage.” https://www.everybodylovesthefarmerandadele.com/story In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1994 archival recording of Ozark originals the Apple Family performing the tune “Who's Gonna Dance with Sally Ann,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley profiles early country music superstar and Arkansas native Patsy Montana.

Muy buenas amigos, el décimo episodio de OLD COUNTRY MUSIC, en esta ocasión con PATSY MONTANA. Una pequeña sección dedicada a los sonidos pioneros de la música country dentro del espacio "Blowin' In The Ameripolitan Winds" de mi compañera en La Aventura Americana Radio, Mariví Yubero. Una entrega semanal que no pasa de los 15 minutos de duración, aquí tenéis el capítulo en Ivoox, un saludo a todos y muchas gracias por seguir estos episodios.

We look at Patsy's "paying her dues" years of the 40s and early 50s, including her interactions with some of country's biggest legends. Songs: Patsy Montana and the Prairie Ramblers - I Wanna Be a Cowboy's Sweetheart 2 (I've Found My Cowboy's Sweetheart) Patsy Montana and Her Pardners - I Want To Be A Cowboy's Dreamgirl Patsy Montana and Her Pardners - Blanket Me With Western Skies  Patsy Montana and Her Pardners - Deep in the Heart of Texas Cowboy Slim Rinehart - Happy Roaming Cowboy  Patsy Montana - Sing Me a Cowboy Song The Carter Family - Will You Miss Me When I'm Gone Patsy Montana - Good Night Soldier Judy Canova - Good Night Soldier Elton Britt - There's a Star Spangled Banner Waving Somewhere Patsy Montana - When I Gets to Where I'm Goin' Cousin Emmy - Take Me Home Little Bird Hank Williams - I'm So Lonesome I Could Cry Patsy Montana and Her Buckaroos - Mama Never Said a Word About Love Dorothy Shay - Feudin' and Fussin' Patti Page - I Want to be a Cowboy's Sweetheart References: Berry, C. (Ed.). (2008). The Hayloft Gang: The Story of the National Barn Dance (Vol. 543). University of Illinois Press. Bufwack, M. A., & Oermann, R. K. (1993). Finding her voice: The saga of women in country music. Crown. Carlin, R. (2014). Country music: a biographical dictionary. Routledge. McCusker, K. M. (2008). Lonesome cowgirls and honky-tonk angels: The women of barn dance radio (Vol. 543). University of Illinois Press. Millie Good McClusky & Bill McClusky, November 4, 1988, Frist Library and Archive of the Country Music Hall of Fame and Museum Montana, P., & Frost, J. (2002). Patsy Montana: the cowboy's sweetheart. McFarland. Patsy Montana, October 22, 1967, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, October 16, 1974, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, June 9, 1984, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, August 30, 1985, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, September 2, 1985, Frist Library and Archive of the Country Music Hall of Fame and Museum Peterson, R. A. (2013). Creating country music: Fabricating authenticity. University of Chicago Press. Stand By! https://worldradiohistory.com/Archive-Station-Albums/WLS/Stand%20By

 When we say roots, we mean roots. This week on Deeper Roots we'll kick off Women's History Month by paying tribute to the many female performers from early country, the Golden Age, and well into our latest century. Influential, talented, and more than many of the opposite sex, not afraid to make a political statement now and then. We'll also be sharing some recent Americana 'cowboy sweethearts' with songs that are both winsome and traditional. Tune in to Community Radio for Sonoma County as we go back to the 30s with the Girls of The Golden West, Patsy Montana, and The Tune Wranglers. We've also got some favorites from Margo Smith, Dale Evans, Rose Maddox and Dolly Parton to share with you. 

Part 2 of 3 Patsy Montana episodes this season. We take a look at Patsy's time with the Prairie Ramblers and WLS in the 30s. We also get to hear her talk about the writing of the song that put her on the map: I Wanna Be a Cowboy's Sweetheart. Songs Girls of the Golden West - Lonely Cowgirl Sweet Violet Boys - Let's all Get Good and Drunk Prairie Ramblers - Shady Grove Patsy Montana and the Prairie Ramblers. - Homesick for My Old Cabin Patsy Montana and the Prairie Ramblers - Waltz of the Hills Stuart Hamblen - Texas Plains Patsy Montana & the Prairie Ramblers - Montana Plains Mac and Bob - That Silver-haired Daddy of Mine Patsy Montana and the Prairie Ramblers - I Wanna Be a Cowboy's Sweetheart  Patsy Montana and the Prairie Ramblers - Ridin' Old Paint Patsy Montana and the Prairie Ramblers - Old Black Mountain Trail  Billie Maxwell - Cowboy's Wife  Kitty Wells - It wasn't God who Made Honky-Tonk Angels Wilf Carter - The Strawberry Roan Patsy Montana and the Prairie Ramblers - She Buckaroo Jimmie Davis - Nobody's Darling  Patsy Montana and the Prairie Ramblers - Woman's Answer to Nobody's Darling  Patsy Montana and the Prairie Ramblers - Sweetheart of the Saddle Patsy Montana and the Prairie Ramblers - Lone star Patsy Montana and the Prairie Ramblers - Montana Patsy Montana and the Prairie Ramblers - Your own Sweet Darling Wife  Patsy Montana and the Prairie Ramblers - Echoes from the Hills Patsy Montana and the Prairie Ramblers - Leaning on the Old Top Rail References: Berry, C. (Ed.). (2008). The Hayloft Gang: The Story of the National Barn Dance (Vol. 543). University of Illinois Press. Bufwack, M. A., & Oermann, R. K. (1993). Finding her voice: The saga of women in country music. Crown. Carlin, R. (2014). Country music: a biographical dictionary. Routledge. McCusker, K. M. (2008). Lonesome cowgirls and honky-tonk angels: The women of barn dance radio (Vol. 543). University of Illinois Press. Millie Good McClusky & Bill McClusky, November 4, 1988, Frist Library and Archive of the Country Music Hall of Fame and Museum Montana, P., & Frost, J. (2002). Patsy Montana: the cowboy's sweetheart. McFarland. Patsy Montana, October 22, 1967, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, October 16, 1974, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, June 9, 1984, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, August 30, 1985, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, September 2, 1985, Frist Library and Archive of the Country Music Hall of Fame and Museum Peterson, R. A. (2013). Creating country music: Fabricating authenticity. University of Chicago Press. Stand By! https://worldradiohistory.com/Archive-Station-Albums/WLS/Stand%20By

Patsy Montana: the first female country musician to have a million-selling record. Patsy's not great with facts, so Jack does what he can to get a reasonably accurate account of the early life and career of this icon. Songs: Enrico Caruso - La Donna e Mobile Fritz Kreisler - Chansons sans Paroles Jimmie Rodgers - Mother was a Lady Jimmie Rodgers - Yodeling Cowboy Stuart Hamblen - This Ole House Fort Worth Doughboys - Sunbonnet Sue Jimmie Davis - Home in Caroline Rubye Blevins - I Love my Daddy, Too Rubye Blevins - When the Flowers of Montana Were Blooming References: Berry, C. (Ed.). (2008). The Hayloft Gang: The Story of the National Barn Dance (Vol. 543). University of Illinois Press. Bufwack, M. A., & Oermann, R. K. (1993). Finding her voice: The saga of women in country music. Crown. Carlin, R. (2014). Country music: a biographical dictionary. Routledge. McCusker, K. M. (2008). Lonesome cowgirls and honky-tonk angels: The women of barn dance radio (Vol. 543). University of Illinois Press. Millie Good McClusky & Bill McClusky, November 4, 1988, Frist Library and Archive of the Country Music Hall of Fame and Museum Montana, P., & Frost, J. (2002). Patsy Montana: the cowboy's sweetheart. McFarland. Patsy Montana, October 22, 1967, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, October 16, 1974, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, June 9, 1984, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, August 30, 1985, Frist Library and Archive of the Country Music Hall of Fame and Museum Patsy Montana, September 2, 1985, Frist Library and Archive of the Country Music Hall of Fame and Museum Peterson, R. A. (2013). Creating country music: Fabricating authenticity. University of Chicago Press. Stand By! https://worldradiohistory.com/Archive-Station-Albums/WLS/Stand%20By

woohoo 65 baby!

Para ir calentando con vistas a las extrañas fiestas que están a punto de caer... Desde el Torreón Pizarro les traemos en sus mejores momentos a Elmore James, Patsy Montana, Ray Kinney, Mississippi Sheiks, Jimmie Rodgers, Count Lasher, Felix Valvert, Blind Boy Fuller, Red Fox Chasers, The Esquire Boys, Rico's Creole Band, A partir de las 23 horas en la sintonía de Radio 3. Escuchar audio

1 - Cotton Picker's Scat - McKinney's Cotton Pickers – 19302 - The Scat Singers - Harry Roy and his Orchestra – 19363 - The Scat Song - Steve Washington with the Washboard Rhythm Kings – 19324 - The Scat Song - Cab Calloway and his Cotton Club Orchestra - 19335 - Irish Lilting (short example) - Paddy Rafferty and Michael Rafferty6 - Norwegian Sami Joik (short example) - Singer Unknown – 19547 - South Indian Konnakkol Duet (short example) - V Shivapriya and BR Somashekar Jois 8 - I Wanna Be A Cowboy's Sweetheart (yodeling example) - Patsy Montana with the Prairie Ramblers – 19359 - Some of These Days - Bing Crosby - 193210 - Farewell Blues - Nat Gonella and his Georgians – 193611 - You'll Have To Swing It - Ella Fitzgerald - 193612 - Tight and Gay - Leo Watson with the Vic Dickenson Quintet – 194513 - Candy Lips - Louis Armstrong's Original Washboard Beaters – 193814 - Presto Con Stomp (With a Floy Floy) - Slim Gaillard and Bam Brown – 194515 - How Am I Doin'? - Waring's Pennsylvanians - 193216 - You Gotta Ho-De-Ho - Cab Calloway and his Orchestra – 193217 - Popity Pop - Tiny Brown with the Slim Gaillard Orchestra - 194618 - Wa-Da-Da - Paul Whiteman's Rhythm Boys – 192819 - Honeysuckle Rose - Teddy Bunn and Leo Watson with The Spirits of Rhythm - 194520 - The New Low Down - Cab Calloway and the Mills Brothers with Don Redman and his Orchestra – 1932

Disfrutaremos esta noche con la rutilante presencia de Patsy Montana, Annette Hanshaw, Lena Machado y Lil "Brown Gal", así como de un nutrido grupo de artistas y grupos del porte de Amos Milburn and his Aladdin Chickenshackers, Bill Haley and his Comets, Jack Rowe and his Wichita Mountain Boys Jimmie Rodgers, Merle Travis, Lord Beginner... A partir de las 23 horas en la sintonía de Radio 3. Escuchar audio

This coming Saturday, December 19, is an important day for my family: it’s my mother Jane’s 85th birthday. To pay tribute to this event, and to this very special woman, I’m presenting a program focusing on the year 1935, and important milestones in film, musicals, and the hit parade. There was such a dizzying variety of musical material in this year that it was challenging to organize, but I focus on young artists who were just entering the scene (Judy Garland, Carmen Miranda, and Édith Piaf) to émigrés to and from America (including Marlene Dietrich, Paul Robeson, Joséphine Baker, Kurt Weill, Elisabeth Welch, and Erich Korngold), to Broadway shows that debuted in that year (in performances by, among others, Ethel Merman, Libby Holman, and Nat King Cole). Along the way I pay particular focus to what was, in retrospect, the most important Broadway event of the year, the premiere of Porgy and Bess. From that show, I present performances by Todd Duncan, Anne Brown, and Ruby Elzy, all of whom created their roles. I also examine the “Latin” influence on US culture from artists like Xavier Cugat, Carlos Gardel, and Miranda, and of the enormous cultural impact (in spite of repression and discrimination) that African American artists were making (Bessie Smith, Billie Holiday, Ella Fitzgerald, Alberta Hunter, Fats Wallter, and Adelaide Hall.) Finally I look at musicians who were also born in 1935 who made their mark in subsequent decades in a wide variety of styles (including Johnny Mathis, Julie Andrews, Diahann Carroll, Elvis Presley, Nancy Ford and Gretchen Cryer, and Jerry Orbach). This is not to forget figures ranging from Ruth Etting to Grace Moore to Fred Astaire to Patsy Montana to Allan Jones to Noël Coward to Benny Goodman to Lucienne Boyer to the Comedian Harmonists to Bette Davis. Please join me in celebrating all these artists, and in wishing my mother a very Happy Birthday! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.

In past the Oneida County Fair brought in some of the biggest names in Country & Western music. These acts always drew the biggest crowds for the fair, but one year a particular singer brought her very own Rodeo to perform with her. Historian Gary Entz has the story.

“It’s a song about taking the risk to do what you love,” Alice Wallace says of the soaring track, “The Blue,” which yields a lyric entitling her spellbinding new album. With Into the Blue, the California-country singer-songwriter conjures the atmospheric sound of the Golden State’s canyons and deserts, mountains and crashing waves, its crowning beauty and its tragic losses. At the same time, the supple-voiced Wallace tells her own and others’ stories, weaving tales that resonate as we grapple with so many disturbing national issues. Into the Blue is Wallace’s fourth album but marks her debut on the brand-new Rebelle Road label, an imprint founded by a trio of women dedicated to strengthening the California Country music community and expanding visibility for female artists in the Americana/roots genre. “They care so deeply about giving women a stronger voice in the music industry,” Wallace attests. Having spent the past six years writing songs and touring the nation – from AMERICANAFEST® to county fairs, barrooms to coffeehouses – Alice Wallace is ready to break out. “It takes bravery to ‘sail away into the blue’ and grab it,” she says. “It took me until about six years ago to finally take the plunge, quit my job and go for it. I haven’t looked back since.” It was after Wallace’s return to her birth state of California that she fully embraced her calling as a singer-songwriter. Her musical family had relocated to rural St. Cloud, Florida when she was a child. She grew up around the sounds of her parents playing guitars and singing, with “Gram Parsons and Emmylou Harris, their favorite,” she recalls. She also absorbed the country-rock of ‘70s-era Linda Ronstadt on the turntable. “I really taught myself to sing by mimicking their styles,” she says. “The powerful belt that Linda has. The emotive lilt to Emmylou’s voice. Trying to navigate those different elements helped me find my own voice nestled in between all that.” She first picked up a guitar at age 10, with her dad teaching her to finger-pick at 15, and by senior year in high school, Wallace was performing original compositions at the local Borders bookstore. It was in college that she discovered yet another calling: yodeling, that haunting vocal style that blends blues, country, and western. Wallace’s own “A Little Yodel” added her to the ranks of legends Patsy Montana and Carolina Cotton. In 2008, when the Wallace family relocated back to Southern California, she joined them. There, she began focusing on writing, performing, and touring, both solo and with a band. Since 2013, she performs some 200 dates a year. One of those with whom she’s shared stages is singer-songwriter Ray Wylie Hubbard, who says she and her “stunning” songcraft have that “Steve McQueen ‘Cincinnati Kid’ cool.” Pundits agree: she won the 2017 Female Vocalist of the Year at the California Country Awards and the previous year’s Best Country/Americana Artist at the L.A. Music Critic Awards. She was recently singled out by the Los Angeles Daily News and Pollstar for her “dead-on lovely version” of Ronstadt’s “throbbing” “Long Long Time” at the “Palomino Rides Again” event celebrating the legendary California honky-tonk. Into the Blue represents Wallace’s evolution as a recording artist, showcasing her growth as a songwriter as she embraces a fuller sound, backed by some of Americana’s most distinctive players. Co-produced by Steve Berns and Rebelle Road’s studio veteran, songwriter and musician KP Hawthorn (who’ve made a name for themselves working with artists in the West coast Americana scene), the album is brimming with soul. The formidable rhythm section, including drummer Jay Bellerose (Bonnie Raitt, Elton John, Aimee Mann) and bassist Jennifer Condos (Jackson Browne, Graham Nash), underpins instrumentation ranging from Tom Bremer’s crunchy electric guitar to Kaitlin Wolfberg’s lush string arrangements to keys and pedal steel from Jeremy Long (Sam Outlaw). Wallace uses an intoxicating array of vocal styles to bring her songs to life: a dusky alto on “The Lonely Talking” (co-written with KP Hawthorn); gospel-tinged belting on “When She Cries” (inspired by the end of a six-year drought in California), and a soaring soprano on “Santa Ana Winds.” The latter, a country-rock chronicle of California’s devastating wildfires, is a co-write with Dallas artist Andrew Delaney, a frequent collaborator whom she calls “the most brilliant lyricist I’ve ever met.” Wallace inhabits his stirring “Elephants,” giving voice to women who refuse to be “quiet as a mouse in a room full of elephants.” The Wallace-Delaney-penned “Echo Canyon” is, she says, “a southwestern cowboy ballad that’s a modern take on a yodel song.” Wallace’s heart-wrenching “Desert Rose” tells of a young mother’s struggle to give her baby a better life across the border. Lyrically, the heart of the album is the luminous anthem, “The Blue,” says Wallace. It describes her own journey to “get over my fears and go for the thing I love the most.” She knew that being a traveling troubadour and committing herself fully to music could be a dangerous choice. “In some ways, I wish I had done it sooner,” she says. “But I’m also glad I have the life experience to help fuel my songwriting and survive life on the road.” The highly charged emotional feel of “The Blue” derives in part from its exquisite layered harmonies – Wallace’s vocals joined by those of her father, mother, and brother. Known as “blood harmony,” when kinfolk sing together, it conveys a rapturous kind of purity and strength. That buoyancy radiates throughout Alice Wallace’s Into the Blue, lifting her listeners up, transporting them into the world of a seasoned troubadour looking back from a dream realized and dues paid without regret.

Songs include: There's a Star Spangled Banner Waving Somewhere, Jingle Jangle, Deep In the Heart of Texas, Try Me One More Time, Cherokee Maiden, Rosalita and Wreck on the Highway. Performers include: Bob Wills, Patsy Montana, Ernest Tubb, Al Dexter, Tex Ritter, Roy Acuff and Jimmie Davis. St

Jack talks record collecting, hunting down rare old 78s and discusses the music of: Delta Rhythm Boys, Nat Gonella and his Georgians, Bing Crosby, Mickey Katz and his Orchestra, Patsy Montana with Jack Wayne and his Bar Ten Boys, Tom Gerun Orchestra, American Quartet, Peerless Quartet, Charlie Barnet and his Orchestra with Mary Ann McCall, Lena Horne with Charlie Barnet and his Orchestra. Visit: www.JackSpinsShellac.com for more info. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/jackspinsshellac/message Support this podcast: https://anchor.fm/jackspinsshellac/support

Our annual Halloween show, featuring: Bessie Smith, Bing Crosby, Lena Horne, Borrah Minevitch, Patsy Montana, Cyril Smith and the Victor Military Band. Songs include: The Ghost Walk, The Headless Horseman, Haunted Town, Cemetery Blues, Zombie and With Her Head Tucked Under Her Arm.

It is the day of the Night of 1,000 Terrors on Mystery Mountain, where Tumbleweed Valley prepares for its storytelling festival of hair-raising horror. Speaking of horror, Charlie and Slocum are busy assembling a mechanical monster as part of their big and evil plan… featuring Patsy Montana!

Cowboy songs about the darkness of the American soul, as explored in cowboy and pioneer archetypes, from Lomax to Buster Scruggs (c.f., Coen Brother's Ballad of Buster Scruggs. Here's the playlist (also available on Spinitron.com): 1. Ennio Morricone “Per un pugno di dollari (Titoli)” composed by Ennio Morricone from Per un pugno di dollari (A Fistful of Dollars) [Original Motion Picture Soundtrack] (1964) 2. Marty Robbins “Streets of Laredo” from Gunfighter Ballads and Trail Songs (1959) 3. Eagles “Desperado” from Billy the Kid 4. Bob Dylan “Billy 7” from Pat Garrett & Billy the Kid (1973) 5. Roy Rogers “Cowboy Night Herd Song” from The Collection '38-'50 on Ideal Music 6. Patsy Montana & The Prairie Ramblers “I Want to Be a Cowboy's Sweetheart” from Country Legend on Itwhy 7. Cat Power “Silver Stallion” from Jukebox (CD, 2008) on Matador (USA) 8. Linda Rondstadt “Old Paint” from First Ladies of Country on Sony Music CG 9. Tim Blake Nelson “Cool, Clear Water” from Across the Valley 10. Edward L. Crain “Bandit Cole Younger” from Western Cowboy Ballads & Songs (1925-1939) 11. Harry Jackson “The Round-Up Cook” from The Cowboy: His Songs, Ballads and Brag Talk (1959) on Smithsonian Folkways Recordings/Folkways Records 12. Michael Martin Murphey “Goodbye Old Paint” from Cowboy Songs on Rhino/Warner Bros. (USA) 13. Arthur Russell “Goodbye Old Paint” from Love Is Overtaking Me (2008) on Audika Records

Songs include: I Want To Be a Cowboy's Sweetheart, Cowboy Swing, The Barstool Cowboy, The Cowboy From Brooklyn, Ragtime Cowboy Joe, The Dying Cowboy's Lament and The Cowboy Serenade. Performers include: Patsy Montana, Glenn Miller, Hank Penny, The Girls of the Golden West, Jimmy Dorsey and The Calgary Kid.

Songs include: Silver Bells, Great Speckled Bird, Back In the Saddle Again, Don't Be Blue, Truck Driver's Blues, Back On the Montana Plains and When I Put On My Long White Robe. Performers include: Bob Wills, Gene Autry, Patsy Montana, Roy Acuff, The Swift Jewel Cowboys, Floyd Tillman and Hank Snow.

This week, Ozark guitarist, singer, and master of the three finger banjo Adam Fudge performs live at the Ozark Folk Center State Park. Also, interviews with Adam. Mark Jones offers an archival recording of harmonica player & Ozark original Lou Alderman playing the traditional tune “Danny Boy.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Arkansan & country music superstar Patsy Montana, through the lens of archivist Bill McNeil. Born and raised in the rich musical culture of the Arkansas Ozarks, Adam Fudge has pursued the legacy of his native mountain music with tenacity and a deep love for the traditional. Adam is a fine singer and guitarist playing traditional country & bluegrass, but his true love is the three finger style of banjo popularized by bluegrass legend Earl Scruggs. Adam has won numerous awards for his incredible banjo skills, both in Arkansas and at the traditional music proving grounds of Winfield, Kansas. As well as possibly being one of the greatest three finger banjo players alive today, his guitar skills and Jimmie Rogers style vocals are finely tuned as well. On this show, Adam performs with a variety of musicians including his brother bassist Shane Fudge, bluegrass legend Dave Brancecum, old time fiddler Roger Fountain, guitar guru Brad Apple, educator & multi-instrumentalist Bill Nesbitt, and prolific bassist Gresham McMillon. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of harmonica player & Ozark original Lou Alderman playing the traditional tune “Danny Boy,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode presents a portrait of Arkansan & country music superstar Patsy Montana, through the lens of long time Ozark Folk Center archivist & author Bill McNeil.

Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, original cowgirl, singer, songwriter, actress and Country Music Hall of Fame superstar Patsy Montana performs live at the Ozark Folk Center State Park. Also, interviews with this country music legend. Also featured is the inimitable cowboy poet & humorist Glenn Ohrlin. Mark Jones offers an archival recording of Ozark legend Cathy Barton performing the song “Ebenezer.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. Patsy Montana, was an American country music singer, songwriter and actress. Montana was the first female country performer to have a million-selling single with her signature song "I Want to Be a Cowboy's Sweetheart", and is a member of the Country Music Hall of Fame. She was a mainstay on the National Barn Dance on Chicago radio station WLS for many years. Born “Ruby Blevins” in Beaudry, Arkansas, the 11th child and first daughter of a farmer, Patsy attended schools in President Bill Clinton's hometown of Hope, Arkansas. She was influenced early on by the music of Jimmie Rodgers, and paved the way for women in the male dominated world of country music. Born in Minneapolis, MN in 1926, Glenn Ohrlin was a veteran of the cattle industry and worked the rodeo circuit, both while being an acquisitive singer, poet, & story teller. Glenn put his extensive knowledge and years of experience collecting Western folk songs into a book, “The Hell Bound Train,” as well as performing his authentic style of cowboy poetry & prose. Ohrlin performed at cowboy poetry gatherings across America, and at the Kennedy Center in Washington D.C. In the 1970’s, Glenn moved to Mountain View, Arkansas, where he continued his music career, lending regular performances at the Ozark Folk Center. We at the Ozark Folk Center State Park reap the benefit of having years of Glenn’s live performance recordings in our archives. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Cathy Barton performing the traditional song “Ebenezer,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. For thirty years, from 1975 until his untimely passing in 2005, Dr. Bill McNeil served as the Ozark Folk Center’s folklorist and all-purpose advisor on all things dealing with traditional Ozark culture. During his tenure at the Folk Center, Bill McNeil guided the establishment of the Ozark Cultural Resource Center, an archival and teaching facility on the Folk Center’s grounds.

Artists include: Gene Autry, The  Chuck Wagon Gang, Uncle Dave Macon, Roy Acuff,  The Carter Family, Patsy Montana and Bob Wills. Songs include: With a Banjo On My Knee, Boots and Saddles, Texas Star, One More River To Cross, I Saw Your Face In the Moon and Hello Stranger.

Performers include: Gene Autry, Roy Rogers & Dale Evans, The Sons of the Pioneers, The Carter Family, Slim Whitman and Patsy Montana.  Songs include: Cattle Call, Jingle, Jangle. Jingle, Ride, Ranger, Ride, I Want to be a Cowboy's Sweetheart and Happy Trails.

Pioneering women in country music from the 1930s and 1940s, including: Patsy Montana, The Girls of the Golden West, Moonshine Kate, Shirley Thoms, Lulu Belle and Scotty  and Kitty Wells.  Songs include: Worried Man Blues, My Man's a Jolly Railroad Man, That's Where the West Begins and I'll Be All Smiles Tonight.

VICTORIA VOX and her ukulele return to the WoodSongs Stage with a brand new CD. Known as a pioneer for singer/songwriters in the growing ukulele genre, Victoria Vox has been writing and performing songs across the country in her eclectic, upbeat and clever way. Refreshingly modern and innovative, the award-winning vocalist and songwriter lives in Baltimore, and tours 130+ shows a year. The new album, 'Vox Ukulele Cello,' features Katie Chambers on cello who will accompany Victoria on WoodSongs. Website for Victoria Vox. CATHY FINK & MARCY MARXER are a formidable powerhouse of sound, with a repertoire of traditional and contemporary folk, old-time country and swing music. They've earned two Grammy Awards and have worked with the likes of Tom Paxton, Si Kahn, Riders in the Sky, Pete Seeger, Brave Combo, Mariachi Los Camperos, Mike Seeger, Patsy Montana, Pete Kennedy and Ysaye Barnwel. "ROCKIN THE UKE" is the very first Uke-centric CD and explores their versatility on the ukulele as they travel through blues, swing, old time county, folk and original songs - all in virtuoso style. Website for Cathy Fink & Marcy Marxer. THE LOVE LEIGHS hail from Austin, TX and combines ukuleles, guitar, a dash of clarinet; lots of harmonies, some twang, and more than a little sass. The band creates original songs in the tradition of 20th Century American acoustic music--a mix of jazz, blues, twang, and the occasional funky tune or Motown groove. Their latest Is 'All Your Talk of Love." Website for The Love Leighs.

Sunday Morning Coming Down Podcast - May 15, 2011 We began this week with Cowboy Copas, moving on to some honky tonk artists such as Stonewall Jackson, Moe Bandy, and Patsy Montana (pictured above). Later … See more: Sunday Morning Coming Down Sunday Morning Coming Down Sunday Morning Coming Down

Click to Play A Tribute to the Wild West.Playlist:Bonanza, Lorne GreeneMamas Don’t Let Your Babies Grow Up to be Cowboys, Willie Nelson & Waylon JenningsI’ll Go Riding Down, Gene Autry Cowboy Boogie, Red WoodwardYodellin’ Rambling Cowboy, Frank MarvinCowboy Stomp, Bob WillsCow Town Boogie, Ocie StockardOut on the Lone Prairie, Patsy MontanaSioux City Sue, Slim WhitmanA Little Log Cabin I Can Always Call Home, Wilf CarterAll Set And Saddled, Tex MortonCowpoke, Wylie & the Wild WestCocaine Blues, Billy HughesI Want to Be a Cowboy Sweetheart, Rosalie AllenThe Texas Cowboy, Hank SnowPanhandle Shuffle, Billy BriggsSteel Guitar Boogie, Tommy SargentGhost Riders in the Sky, Handsome NedDon’t take your guns to Town, Johnny CashMy Heroes Have Always Been Cowboys, Willie NelsonRingo, Lorne GreeneTumbling Tumbleweed, Johnny BondBrimstone Rock, 16 HorsepowerOne Horse Town, Hank Williams IIIHangman’s Boogie, Caution HorseDreaming Cowboy, Sally TimmsThe Lone Rangers Got Married, Johnny RebbGhost Riders In the Sky, Slapping SuspendersCrazy Horses, Demented Are GoCowboy playing Dead, Man or Astro ManCowboy Bob, Butthole SurfersLonesome Cowboy Bill, The Velvet Underground

Songs include: Heartaches, I Want To Be a Cowboy's Sweetheart, Tiger Rag, The Beer Barrel Polka and Jalousie. Artists include: The Andrews Sisters, Bing Crosby, Tommy Dorsey, Patsy Montana, The Boston Pops Orchestra, Ted Weems and The Mills Brothers. 

Performers include: Jimmie Rodgers, Gene Autry, Patsy Montana, Bill Monroe, Bob Wills and the Carter Family. Songs include: Great Speckled Bird, Old Love Letters, San Antonio Rose, Back in the Saddle Again and I Want to Be a Cowboy's Sweetheart.

[Show #52] Charles Dye Part #4: A Robot, Renegade Cop News, a Spotlight feature report from PSN Field Correspondent John Davidson, Part #4 of Another Thirty Days Of Dye and Viewer Mail! News: James Brown5/1933 - 12/2006James Brown, dead at 73 TCM Young Film Composers Competition Beta Monkey Music: Free Drum Loops! Ratshack Reverb 2.0 Last chance to get"Mix It Like A Record" for $99!* Offer ends January 5, 2007 Spotlight: The Baltimore Ravens are hot right now, and they could potentially go all the way to the Super Bowl. What does that have to do with production and music you ask? Well, John Davidson, 5-time Emmy-winner and special PSN Field Correspondent found out when he ran into David Wainwright. John Davidson5-timeEmmy-WinnerDavid's also a 5-time Emmy-winning post mixer with extensive experience in various surround sound formats for film and television, including Dolby E, Dolby Digital, Dolby Pro-Logic, etc. David's professional experience runs the entire spectrum from music mixing to film location recording and booming, Foley creation and documentary mixing. But today, John is going to talk with David about an interesting mix he does on the weekends...providing "In-Stadium Live Sound" for the NFL's Baltimore Ravens at the M&T Bank Stadium in Baltimore, Maryland. Celebrity Interview This is week #4 in Another 30 Days Of Dye. Multi-platinum, Grammy Award-winning engineer, mixer and producer Charles Dye began his engineering career in 1992. Since that time he's mixed hits for Ricky Martin, Sammy Hagar, Julio Iglesias, and Jon Bon Jovi. He's also recorded artists such as Aerosmith, Jennifer Lopez, Shakira and Gloria Estefan, among many others. Interview Links: Last chance to get"Mix It Like A Record" for $99!* Offer ends January 5, 2007 Pow -r Dither Charles In December EM Magazine ProMediaTraining.com Mackie Big Knob (Monitor Control) • See this at Sweetwater Presonus Central Station (Monitor Control) • See this at Sweetwater CharlesDye.com Charles' Recent Projects Viewer Mail: Stu Veneable 2-way Video Question: Suggestion From Mike Shettler Of Shortler Studios:x10.com Brian Stephens: MusicProShow.com Audio Comment From Nate Thoreson Tim Burgess Comments On "iPod Thieves" Answer To Last Week's Trivia Question: Q: There was a milestone in country & western music when the first C&W song by a female artist sold over one million copies. It's been covered by, among others, the Dixie Chicks, Suzy Bogguss, Lynn Anderson, and LeAnn Rimes. Who was the artist, OR what was the title of the song? A: I Want to be a Cowboy's Sweetheart by Rubye Blevins, who performed as Patsy Montana. This week's winner submitted the only correct answer and takes home a copy of Guitar And Trainer, courtesy of Ryan Smith over at GuitarAndDrumTrainer.com. Congratulations to Dennis McFall! The Jammin' Djembe Player! See you next week! Tags: music recording studio home studio project studio mixing protools plugin digidesign frappr creative commons digidesign guitar and drum trainer charles dye mix it like a record ssl ricky martin sammy hagar julio iglesias jon bon jovi grammy aerosmith jennifer lopez shakira gloria estefan livin la vida loca shake your bon bon milar emmy dixie chicks suzy bogguss lynn anderson leann rimes ratshack reverb james brown beta monkey music rubye blevins patsy montana