American actor and comedian
POPULARITY
4 episodes with kevin pollack
5 episodes with kevin pollack
3 episodes with kevin pollack
4 episodes with kevin pollack
4 episodes with kevin pollack
2 episodes with kevin pollack
2 episodes with kevin pollack
2 episodes with kevin pollack
2 episodes with kevin pollack
How many times have YOU recommended a movie to a friend or colleague and got a response the next day to the tune of "what the hell did you tell me to watch?! Why do you like this?!" There's nothing like showing a film you like that has a poor critical reputation, to your brother who has never seen it and hoping for the best. Did he like it? Yih, nah, you'll have to listen to find out. This week we tackled Arnie's End of Days, which plays sort of like Commando meets Rosemary's Baby, with a regularly randy Satan (surprising that when he pees later in the movie, he doesn't have to arch his back in a triangular shape...) a constantly screaming Robin Tunney who puts the "shut up dammit" in Damsel in Distress, Kevin Pollack with a character name out of a 70's cop show and Hector Salamanca in a wheelchair sans the bell. And, of course, Arnie making a smoothie out of old pizza from the floor. He didn't even wash it first. Animal. It's all here and more! What are you waiting for? Listen! Join us on Discord after listening to discuss, suggest our next movie or just to chat! https://discord.gg/3wAkRxeW
Today on the show, Paul and Ben talk about technical issues, Ferrara candies, bank errors in your favor, the TV we're watching, characters we almost did, Kevin Pollack, walking out of movies, improv, mutton chops, rich people psychology, sophomore's efforts, and the Anybody But Ben sketch group.
Happy Holidays and welcome back to purgatory!!! This week the boys gather around to talk about 1993's Grumpy Old Men directed by Donald Petrie and written by Mark Steven Johnson!!! The film stars Jack Lemmon, Walter Matthau, Ann-Margret, Burgess Meredith, Daryl Hannah, Kevin Pollack, Ossie Davis, Buck Henry, Christopher MacDonald, John Carroll Lynch and Steve Cochran!!! Thanks for checkin us out!!! You can find our past and most recent episodes on Podbean.com and you can find us where most other podcasts are found. Intro "Grumpy Old Men theme" by Alan Silvestri https://youtu.be/Q8bEIPBzYZE?si=UPPG0q23vO668DRx Outro "Cafe Polka" by Frank Yankovic https://youtu.be/HC8g5Y9q0y4?si=51jdXdvCmkyay-_p
National candy corn day. Entertainment from 2002. Time clock invented, Soviets detonate largest nuclear bomb ever, Bosphorous Bridge opened in Turkey. Todays birthdays - John Adams, Ruth Gordon, Patsy Montana, Grace Slick, Otis Williams, Henry Winkler, Harry Hamlin, T. Graham Brown, Kevin Pollack, Gavin Rossdale. Steve Allen died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/ Candy corn song - JensensDilemma - Nelly Kelly RowlandSomebody like you - Keith UrbanBirthdays - In da club - 50 Cent http://50cent.com/I want to be a cowboys sweetheart - Patsy MontanaSomebody to love - Jefferson AirplaneI aint got nothing - The TemptationsHell and High water - T. Graham BrownComedown - BushExit - Single & Stoned - Robinson Treacher https://robinsontreacher.com/countryundergroundradio.comHistory & Factoids about today webpage
'Him' was a huge bummer after delivering one of the coolest trailers of the year. Kenjac and Gooch review the latest from Jordan Peele's Monkeypaw productions, go over news and do an NFL player actor comparison exercise. Also interviews with Tulsa King cast members Sylvester Stallone, Frank Grillo, Garrett Hedlund, Kevin Pollack, Dana Delany, Martin Starr, Bella Heathcote, Annabella Sciorra and Jay Will. Timecodes: Intro - (0:00) Mandalorian & Grogu Teaser - (5:00) Tom Holland Stunt Injury - (11:06) Chris Nolan Is Our President - (13:22) Shelby Oaks Reactions - (16:26) Netflix Enters WB Bid - (18:01) 'Slime' Movie - (24:01) 'The Chair Company' Trailer - (28:58) Peacemaker Ep. 5 Review - (32:56) Alien Earth Ep. 7 Review - (37:15) Frank Grillo Interview - (42:26) Sylvester Stallone Interview - (1:08:14) Garrett Hedlund & Bella Heathcote - (1:15:55) Kevin Pollack & Dana Delany - (1:25:11) Martin Starr, Jay Will and Annabella Sciorra - (1:34:32) 'Him' Review SPOILERS - (1:42:10) NFL Actor Comps - (1:58:42) Follow Barstool Sports here: Facebook: https://facebook.com/barstoolsports Twitter: https://twitter.com/barstoolsports Instagram: http://instagram.com/barstoolsportsYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool
Sam Roberts has a fav wrestler, a couple favorite matches, and a lot of opinions about NXT, Charlotte, Finn Balor, Roman Reigns, and Japanese style wrestling. Plus, he's talking about his feud with Kevin Pollack, working with Opie & Anthony, and why he thinks Sean "X-Pac" Waltman is one of the smartest guys in the biz!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Dana and Tom discuss The Usual Suspects (1995): directed by Bryan Singer, written by Christopher McQuarrie, music and editing by John Ottman, Cinematography by Newton Thomas Sigel, starring Gabriel Byrne, Stephen Baldwin, Kevin Pollack, Chazz Palminteri, Benicio Del Toro, and Kevin Spacey.Plot Summary: The Usual Suspects is a crime thriller about five criminals who meet during a police lineup and decide to work together on a heist. After the heist goes wrong, they find themselves being manipulated by a mysterious and dangerous crime boss named Keyser Söze. As the story unfolds, one of the criminals, Verbal Kint, tells the police what happened. Through flashbacks, we learn about betrayal, revenge, and the power of fear. The movie builds to a shocking twist at the end, where everything we thought we knew is turned upside down. It's a smart, suspenseful film that keeps viewers guessing until the very last scene.Chapters:00:00 Introduction and Welcome01:54 Cast and Background for The Usual Suspects04:28 Relationship(s) to The Usual Suspects06:49 What is The Usual Suspects About?11:31 Did Dana Like It?12:48 All-Time Movie Plot Twists Rankings16:20 Plot Summary for The Usual Suspects17:29 Did You Know?21:28 First Break22:19 Best Performance(s)32:47 Best Scene(s)36:22 Second Break37:06 In Memoriam39:17 Best/Funniest Lines40:54 The Stanley Rubric - Legacy46:10 The Stanley Rubric - Impact/Significance50:31 The Stanley Rubric - Novelty53:28 The Stanley Rubric - Classicness01:03:31 The Stanley Rubric - Rewatchability01:06:23 The Stanley Rubric - Audience Score and Final Total01:08:40 Remaining Questions for The Usual Suspects01:20:08 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-usual-suspects-1995For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:The Usual Suspects, movie review, film analysis, plot twist, Kevin Spacey, Bryan Singer, crime thriller, character analysis, cinematic legacy, film trivia, Keyser Soze, Christopher McQuarrie, Kevin Pollack, Benicio Del Toro, Stephen Baldwin, Gabriel Byrne, John OttmanRonny Duncan Studios
WHO is Keyser Soze?It was one of the more intriguing questions posted within cinemas in the Summer of 1995 and for good reason. Identifying this mysterious spectral crime boss whom EVERY ONE else on screen was afaid of became the central mystery of this small indie crime thriller from a couple of relatively untested fimmakers with a very electic cast. The director was Bryan Singer (X-Men Days of Future Past, Bohemian Rhapsody) and the Oscar-winning screenplay was by Christopher McQuarrie (Mission Impossible Fallout, Jack Reacher). The stacked ensemble cast included Gabriel Byrne, Benicio Del Toro, Stephen Baldwin, Kevin Pollack, Chazz Palminteri, Giancarlo Esposito, Dan Hedaya, Suzy Amis, and Kevin Spacey who also won an Oscar for his memorable performance as Verbal Kint...or was it some one else? ;) This twisty action drama became one of the most talked about films of that year and eventually one of the more beloved, influential films of the 1990's. Now approaching its 30th Anniversary, it's time to head back to the docks of San Pedro and find out if there actually IS any dope on that boat...... Host & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Une nouvelle enquête qui sent bon le portnawak du tout début des années 90 avec l'over the top Ricochet de Russell Mulchay sorti en 1991 ! Le fringant Denzel Washington affronte un John Lithgow psychopathe en mode Hannibal Lecter et qui synthétise à merveille toutes les outrances de son époque. Soit le temps béni des grosses productions à la fois tendues et musclées où tout était permis entre détonations, exagérations et autres pétages de plomb légendaires. Et c'est Cédric Belconde, alias The Last Geek Hero, derrière la chaîne youtube TOP 25 Action Movies qui vient mettre sa touche de C4 dans l'émission. Retrouvez la photo signalétique de l'invité en début d'émission ainsi que les complices (un film dans le même giron) en toute fin de podcast. Avec dans cet épisode, une fois n'est pas coutume, un retour sur l'ouvrage L'Encyclopédie du crime au cinéma signé Alain Bauer et Stéphane Boudsocq soit 200 faits réels pour 240 films et Etroite Surveillance le très sympathique Buddy Movie de John Badham (1987). Enfin en guise d'hommage au grand Gene Hackman nous reviendrons sur quelques unes de ses oeuvres les plus noires en fin d'émission. Un dossier mené par Rafael Lorenzo.
With apologies for our latest recent hiatus, here's an old bonus episode - formerly just for patrons - in which Daniel and Jack chat about 1992's A Few Good Men, a military courtroom drama written by Aaron 'West Wing' / 'Social Network' Sorkin, and starring Kevin Pollack and some other people probably. We're still alive and the show will be back. We appreciate your patience. Please consider donating to help us make the show and stay independent. Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true IDSG Twitter: https://twitter.com/idsgpod Daniel's Twitter: @danieleharper Jack's (Locked) Twitter: @_Jack_Graham_ Jack's Bluesky: @timescarcass.bsky.social Daniel's Bluesky: @danielharper.bsky.social IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1
Welcome back to the new year of...purgatory!!! The boys wrap up January with Jeremy's pick End of Days from 1999 directed by Peter Hyams and written by Andrew W. Marlowe. The film stars Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollack, CCH Pounder, Derrick O'Connor, Miriam Margolyes, Udo Kier, Rod Stieger and Jack Shearer. Thanks for checkin us out, you can find our back catalog on Podbean.com and you can find the show where all other podcasts are found. Intro & Outro composed and conducted by John Debney from the End of Days soundtrack 1. Main Theme https://youtu.be/lakJD8eq-bo?si=pwPho3F0TJCdIWJS 2. I am Forever https://youtu.be/4t-Th0LMVMQ?si=FRQY6jg0Um1qQ3fN
Michael Curtis joined me to talk Saturday Morning cartoons; going to SDSU Film Corps; having a local Emmy nominated public access sketch show; working on Return of the Killer Tomatoes; being a PA for many films, then an AD; meeting his partner Greg Mahlins; pitching and an episode of Dream On; a story for The Wonder Years; joining the writing staff of Great Scott with Tobey Maguire; writing The Making of ... and God Spoke, a cult classic; writing for Don Rickles on Daddy Dearest; Diane English being out of touch on Double Rush; play a cop in Who's Harry Crumb; working with Peter & David Paul and Martin Mull; getting a PhD from the Universal Life Church; getting hired on Friends; The Super Bowl episode with Jean Claude Van Damme and Brooke Shields; writing "The One Where Ross & Rachel. ...You Know"; writing the Ms. Chanandler Bong joke; Tom Selleck; how hard it was to write the "Rachel Smokes" episode; Princess Leia episode has a fan in George Lucas; a censored joke; Young Tony Danza; leaving due to exhaustion; going to Work with Me with Kevin Pollack; sneaking on to The Grinch set; The Weber Show; Nikki; writing the Joe Schmo Show; writing a pilot for Dane Cook; Love, Inc.; making three pilots for the Jonas Brothers Show; working with the boys; Fred Savage; moving to Italy; Italian health care system; People learning English from Friends; seeing the talent in Olivo Rodrigo; working with Jake Paul
Wrapping up our SEASON'S CREEPINGS triple feature with Peter Hyam's 1999 century-capping showdown of good vs. evil. The balls are dropping, the pee is exploding, and Arnold Schwarzenegger is once again going toe-to-toe with holiday monsters as we party like it's 1999… and panic like it's Y2K… to meet New York's most eligible — and evil — Beelzebubian bachelor in END OF DAYS. Make sure to subscribe on Apple Podcasts, Spotify, or anywhere you get your podcasts.Want to support the show and save 20% on Fangoria? Visit shop.fangoria.com/howimetyourmonster and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic https://bit.ly/howimetyourmonstermerchQuestions and comments: howimetyourmonsterpodcast@gmail.com
This week we invited comedian and podcaster Cole Stratton to watch the John Woo action classic Face/Off, starring Nicolas Cage wearing John Travolta's face and John Travolta wearing Nicolas Cage's face. Come to SF Sketchfest on January 18th and watch Cole Stratton's amazing improv show Theme Park with Rachel Dratch, Ana Gasteyer, Oscar Nuñez, Kevin Pollack, and more! Buy your tickets here!We are excited to announce that Free With Ads will be doing our first ever LIVE SHOW at San Francisco Sketchfest 2025! Join Jordan, Emily, producer Matt Lieb, and a very special guest at the Punch Line in San Francisco on January 23rd at 7:30pm for a live show you will never forget. Get your tickets NOW!Free With Ads merch is finally here! Go to the MaxFun store now and buy something for yourself!Also, we are having a contest! If you buy some merch and take a picture of yourself with that merch and send it to freewithads@maximumfun.org, we will pick one of you and the winner will get to have any song they want Godzilla-fied. That's right, Matt will make a Godzilla remix of your favorite song.
National candy corn day. Entertainment from 1970. Time clock invented, Soviets detonate largest nuclear bomb ever, Bosphorous Bridge opened in Turkey. Todays birthdays - John Adams, Ruth Gordon, Grace Slick, Henry Winkler, Harry Hamlin, T. Graham Brown, Kevin Pollack, Gavin Rossdale. Steve Allen died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Candy corn song - JensensI'll be there - Jackson 5Run woman run - Tammy WynetteBirthdays - In da club - 50 Cent http://50cent.com/I want to be a cowboys sweetheart - Patsy MontanaSomebody to love - Jefferson AirplaneI aint got nothing - The TemptationsHell and High water - T. Graham BrownComedown - BushExit - In my dreams - Dokken http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com
The rise and fall of the one-hit Wonders is packed with chart-topping performances and is a platinum record in our books! This week we're fangirling over 1996's “That Thing You Do”, with Tom Hanks doing triple duty as director, writer and co-star, Steve Zahn running away with the movie, Tom Everett Scott appreciating jazz, Charlize Theron, Obba Babatunde, Rita Wilson, Alex Rocco, Chris Isaak, Kevin Pollack and even Bryan Cranston making a meal out of a cameo. At the heart of it all is Liv Tyler's Faye, that brilliant soundtrack, and the continually missed opportunity to adapt this as a musical. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov
While we love and support Freddie Prinze, Jr. unconditionally, we have to admit this is a future forgotten film! Sarah tells Hallie and John the plot of the new domestic horror film, co-starring Monica Potter and Kevin Pollack, in the form of a quiz. Visit our website to grab a downloadable copy of the quiz questions, if you want to play along! The Girl in the Pool is available to rent or buy on Fandango at Home (formerly Vudu).
In this episode, we are talking to Kevin Pollack about keeping and breeding Rein Rats and a nice conversation about reptile conservation.Follow:Zac Loughman @ dr_crawdad on IGhttps://www.instagram.com/dr_crawdad/On FB https://www.facebook.com/profile.php?id=100011423011423Clint Bartley IG: MetazoticsLLC FB: MetazoticsWebsite: metazotics.comExo-terrahttps://exo-terra.comMPR NetworkFB: https://www.facebook.com/MoreliaPythonRadioIG: https://www.instagram.com/mpr_network/YouTube: https://www.youtube.com/channel/UCtrEaKcyN8KvC3pqaiYc0RQMore ways to support the shows.Swag store: https://teespring.com/stores/mprnetworkPatreon: https://www.patreon.com/moreliapythonradio ★ Support this podcast on Patreon ★
And we are back to spend even more time in the most magical of shitty motels, with The Lost Room - Episode 4: The Box! In this segment, Wally and Joe go ghost hunting, uglies are dramatically bumped, Ruber has a religious experience, and Kevin Pollack is sorely missed. All that and more await you, so dive on into Dude, Where's My Room Episode 4! Have any questions or comments for us? Send us a message to our social media pages or email us directly at webelongdeadpod@gmail.com. And if you liked the music you heard on this episode, check out We Belong Dead Tunes Playlist on Spotify! #thelostroom #thekey #theclock #thecomb #thebox #scifi #thescifichannel #dude #wheresmyroom #webelongdead #wbd #horror #movie #podcast #pod #itunes #spotify #playlist #mutantfam
This was a Special interview with Tom Sawyer, who took over Cobb's Pub, and then created the legendary "Cobb's Comedy Club" in San Francisco. Starting in the early 80's, he ran one of the main independent comedy clubs for over 25 years. Tom then went on to be the Booker for "Live Nation" for another 7 years. He knows comedy, and worked with Robin Williams, Jim Carey, Dana Carvey, Paula Poundstone, Wil Durst, Kevin Pollack, and many other talents just getting started in their careers. For me, talking to a peer who helped develop such amazing talent, really made this interview fun!Such a great interview, it lasted 90 mins, so broken into three parts for your enjoyment.Unapologetically Mixed UpWelcome to our podcast Unapologetically Mixed Up. This is not a one size fits all podcast.Listen on: Apple Podcasts SpotifySupport the showStandup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.
This was a Special interview with Tom Sawyer, who took over Cobb's Pub, and then created the legendary "Cobb's Comedy Club" in San Francisco. Starting in the early 80's, he ran one of the main independent comedy clubs for over 25 years. Tom then went on to be the Booker for "Live Nation" for another 7 years. He knows comedy, and worked with Robin Williams, Jim Carey, Dana Carvey, Paula Poundstone, Wil Durst, Kevin Pollack, and many other talents just getting started in their careers. For me, talking to a peer who helped develop such amazing talent, really made this interview fun!Such a great interview, it lasted 90 mins, so broken into three parts for your enjoyment.Unapologetically Mixed UpWelcome to our podcast Unapologetically Mixed Up. This is not a one size fits all podcast.Listen on: Apple Podcasts SpotifySupport the showStandup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.
This was a Special interview with Tom Sawyer, who took over Cobb's Pub, and then created the legendary "Cobb's Comedy Club" in San Francisco. Starting in the early 80's, he ran one of the main independent comedy clubs for over 25 years. Tom then went on to be the Booker for "Live Nation" for another 7 years. He knows comedy, and worked with Robin Williams, Jim Carey, Dana Carvey, Paula Poundstone, Wil Durst, Kevin Pollack, and many other talents just getting started in their careers. For me, talking to a peer who helped develop such amazing talent, really made this interview fun!Such a great interview, it lasted 90 mins, so broken into three parts for your enjoyment.Unapologetically Mixed UpWelcome to our podcast Unapologetically Mixed Up. This is not a one size fits all podcast.Listen on: Apple Podcasts SpotifySupport the showStandup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.
Hosts Sonia Mansfield and Margo D. can't handle the truth and dork out about 1992's A FEW GOOD MEN, starring Tom Cruise, Demi Moore, Kevin Pollack, Kevin Bacon, Kiefer Sutherland, and Jack Nicholson. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify Tune In Stitcherhttp://dorkingoutshow.com/https://bsky.app/profile/dorkingout.bsky.social https://www.threads.net/@dorkingoutshow https://www.instagram.com/dorkingoutshow/ https://www.facebook.com/dorkingoutshowhttps://twitter.com/dorkingoutshow
Kevin Pollack, the now Famous Actor, used to be a damn good comedy impressionist and worked for me in the early 80's. Here is one of his best short comedy sets with loads of impressions based on early Star Trek Movies.Support the showWrite a Review: in-depth walk through for leaving a review.On Your Apple & Android Phones, Visit New APP: Standup Comedy Podcast Network and website .com
This season's SORKINING is a great one. The fellas dive into Sorkin's film debut 'A Few Good Men'(1992). Starring Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Keifer Sutherland, Kevin Pollack, Josh Malina, Cuba Gooding Jr, and...Noah Wyle...oh and JT Walsh. Come for the conversation on the whiskey and movie...stay for the discussion on what we think Aaron Sorkin is trying to say about the US Military. Finally...just how the hell many movies has Kevin Bacon been in? Thanks to our Whiskies: Jeremy-Elijah Craig Brandon- Penelope
Today on the show, Paul and Ben talk about their new headphones, tech issues, the same box of Kix, Thanksgiving, mutton chops, Dairy King, mozzarella cheese sticks, consequences, Henry Kissinger, changing names, the TV we're watching, Mars and Venus, the math of jokes, Bayes' Theorem, Kevin Pollack, WHAT ARE THE … Continue reading →
Ugggggh fine you got us. We'll do another episode on the Grumpy Old Men series for you putz's. Grumpier Old Men is here to make sure that all the old men in this franchise get a chance at true love!! GET VACCINATED AGAINST COVID-19 https://www.vaccines.gov/ Black Lives Matter Stop AAPI Hate Donate Directly to Stop AAPI Hate https://donate.givedirect.org/?cid=14711 Center for Anti-Racist Research: https://www.bu.edu/antiracist-center/ Colorlines: https://www.colorlines.com/ Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with fellow Italian restaurant/bait shop owners! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises!
Eddie Deezen joins me to discuss 1941; working with Dan Aykroyd, John Belushi, and Christopher Lee; Midnight Madness and tough night shoots; loving most of the cast; doing a pilot with Ally Sheedy that didn't get picked up; doing a back door pilot on The Facts of Life; co-starring on Punky Brewster; going to The Tonight Show and getting his foot run over by Paul McCartney; Beverly Hills Vamp with Britt Eckland, Tim Conway Jr., and Pat McCormick; playing the ponies; starting as a standup at the Comedy Store and being gonged by Paul Williams on The Gong Show and its aftermath. Impressionist Zach W. Arnold joined me and impersonated George Burns; talks about being in character; sang like Frank Sinatra and Dean Martin; discusses his natural singing voice; sings as Ringo Starr; discusses blogging the city of Orlando' playing Ringo in two Beatles tribute bands; what's it like to be in a tribute band; impersonated every US President from JFK to Biden; discusses Rich Little; finding a new take on an impression; Robert DeNiro, Dustin Hoffman, and Matthew McConnaughy; his take on Cheech and Chong; I do John Travolta and Robin Williams; we discuss impressionists Roger Kabler, DC Follies cast members John Roarke and Louise DuArt, Jeff DeHart, and Kevin Pollack; Jack Lemmon & Walter Matthau; Zach does Don Rickles and I introduce his John Wayne as Johnny Carson; impersonates Jimmy Stewart, Truman Capote and Paul Lynde; discusses Dana Carvey, Harry Shearer, Jim Carrey, and Rodney Dangerfield; impersonates Alan Thicke and Tom Brokaw; impersonating Eddie Deezen to Eddie Deezen; impersonating the Klumps; his philosophy of comedy; impersonates Katharine Hepburn, Joan Rivers, Ed Wynn, and Andy Rooney; discusses his grandmothers fascination with Andy Rooney;
This week we look back on the Kevin Pollack and JT Walsh vehicle, ‘A Few Good Men.' We were all quoting its famous line in the 90s: “Captain Galloway, why don't you get yourself a cup of coffee?”. Edited by We Edit Podcasts - https://www.weeditpodcasts.com?via=yiciai Find us at all the finest podcast places: Apple: https://podcasts.apple.com/us/podcast/your-inner-child-is-an-idiot/id957660267 Spotify: https://open.spotify.com/show/4BHABEvxH02VSCkhvKX2HQ?si=NHxzzArHSxGnxFUvTEpbNQ And the rest: https://www.podpage.com/your-inner-child-is-an-idiot/ Thank you to our Patrons for being our Three Seashells: Just Cuz Lindsay Halik Scalfasaurus Jackson Has An Unhealthy Obsession With Damon James Taylor David Mort Dramatically Placed Hot Dog Captain Jean-Luc Picard Josh Frigo Hizoner the Mayor The Elusive Fan Gromkin Heather Tuggle Larissa Maestro Shit on the Cartouche! Lindsey Nell Zachary Hartley Jeremy Powlen Caroline Amberson Dr. Malcolm's Heaving Bosom Beth Surmont T. Smith Tommy Boy Is My Favorite Movie The Hands of Fate Particle Man Travis Vance The Zesty The Supreme Ruler of This Podcast Damon's Australian Accent Karen Curd Jonathon Day Bill Haynes Kathleen Campagna Emeka Obika Kristin Carter GoodCause theKuehm Jason X Vincent Jorgensen Jessica Hurtado Jody Passanisi Manstrocity Dan McIntyre Jirah Cox Toxoglossa Amy Parman Justin Shea My Neighbour Burrito Little Flick Emily Bucago Jarrad Holbrook
Well I guess we have a new episode for you morons. If we sound extra annoyed about it, or maybe even grumpy...it's becasue, this week, we're discussing 1993's Grumpy Old Men! Join us as we dive DEEP into the Midwest to talk this Walter Matthau, Jack Lemmon, and Ann-Margret starring film! Grab a taste of Magic Mind here: www.magicmind.com/sr Use discount code SR20 for up to 56% of your subscription order! GET VACCINATED AGAINST COVID-19 https://www.vaccines.gov/ Black Lives Matter Stop AAPI Hate Donate Directly to Stop AAPI Hate https://donate.givedirect.org/?cid=14711 Center for Anti-Racist Research: https://www.bu.edu/antiracist-center/ Colorlines: https://www.colorlines.com/ Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your degenerate, moron neighbor! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises!
1992 was a great year, look no further than WrestleMania VIII and the crowning of the Macho Man Randy Savage as WWF Champion as evidence of that. But it was also a great year for movies, and Brad Garoon & Jake Ziegler are ready to fill in a few glaring gaps in their 1992 canons. Brad has Jake watch Robert Altman's the Player, a movie he'd been meaning to see forever. They talk about this slick noir and sendup of the Hollywood system, starring Tim Robbins, Vincent D'Onofrio, Fred Ward, Whoopie Goldberg, and Greta Scacchi. They wrestle with Altman's directorial style and marvel and the height of some of the actors in this film. Jake assigns Brad A Few Good Men, a movie that Brad, like most of the world, had seen one scene of. They talk about the surprising Oscar snubs for director Rob Reiner and screenwriter Aaron Sorkin, and the terrific performances by Tom Cruise, Demi Moore, Kevin Pollack, Jack Nicholson, and Wolfgang Bodison. Jake makes the case for Kevin Bacon being historically underrated, and Brad makes the case for the point that Sorkin dialogue became unbearable. Other movies discussed in this episode: Touch of Evil (1958), Nashville (1975), Juice (1992), The Mighty Ducks (1992), White Men Can't Jump (1992), Wayne's World (1992), Alien 3 (1992), Under Siege (1992), Scent of a Woman (1992), Aladdin (1992), Reservoir Dogs (1992), Batman Returns (1992), Glengarry Glen Ross (1992), A League of Their Own (1992), My Cousin Vinny (1992), Unforgiven (1992), Gosford Park (2001).
Inconceivable! Jack, Justin and Corey duel it out over Rob Reiner's fairytale classic, THE PRINCESS BRIDE (1987)! The three talk canceled songs, Rob Reiner's immaculate directing run, stolen valor, over-saturation in pop culture, Fred Savage's nostalgia, Peter Falk's voice, Kevin Pollack's impressions, Mark Knopfler's bad music, Carey Elwes' beauty, Andre The Giant's farts, Mandy Patinkin's motivations, sacred text movies, fairytales and Jack's controversial take.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.
The stage is set, the mic is on, and the cue is yours. In this episode, stand-up comic and voice actor Tom Sawyer shares his golden nuggets for aspiring voice talents hoping to benefit from the power of comedy. From the importance of having fun in the booth to taking a well-deserved break, and the power of belief in oneself, Tom is a reservoir of invaluable insights. We talk about standing out in a sea of talents, catching the ears of the right casting person, and the art of continuous learning. But remember, feedback is the breakfast of champions, and as Tom says, it's all about enhancing your performance. Get ready, it's showtime! About Tom Tom Sawyer ran lengendary San Francisco comedy club, Cobb's for over 30 years. After stepping away from the comedy business, Tom was encouraged to explore voice acting by after famed comedian and voice actor Carlos Alazraqui (Rocco's Modern World, the Taco Bell Chihuahua) who knew Tom was an excellent celebrity impersonator. Tom signed with JE Talent in San Francisco and Aperture Talent in Los Angeles in 2017, and the rest is history. https://kitcaster.com/tom-sawyer/ 0:00:01 - Announcer It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a V-O boss. Now let's welcome your host, Ann Gangusa. 0:00:20 - Anne Hey everyone, welcome to the V-O Boss podcast. I'm your host, Anne Ganguzza and today I am super excited to be here with very special guest actor, comedian, entrepreneur oh my God, the list goes on Tom Sawyer. Tom ran the legendary San Francisco Comedy Club Cubs for over 30 years booking legendary greats, and this list just goes on and on, but I'll give you just a few of them Jerry Seinfeld, dana Carvey, Bob Saget, Jim Carrey, Rita Rudner, Joe Rogan, Sarah Silverman and the list just goes on. He stayed on as a booker until 2012 and then ultimately stepped away from the comedy business. After that, he was encouraged to explore voice acting by famed comedian and voice actor Carlos Ellsrocki, a good friend of his. He signed on with JE Talent in San Francisco and Aperture Talent in LA in 2017, and the rest, they say, is history. But boy, we've got a lot of history I'd like to talk to you about, tom. Thank you so much for joining us and welcome. Thank you for having me. Oh, it's my pleasure. So, gosh, there's so many things I want to start with. I mean the first tell. You have such a large history of comedy, so, of course, I'm sure a very common question you get asked is were you a funny kid, or have you always loved comedy? What is it that drew you to comedy? 0:01:44 - Tom Well, yeah, I was the kid in the back of the class making all the other kids laugh, so that was where I started and I always did impressions. So when I was a kid I was doing Don Adams from Get Smart and Ed Sullivan and Richard Nixon and you know, it's probably a little weird seeing an eight-year-old doing Richard Nixon but that's what I was doing. When I was very young I realized I could do voices and never stopped and that's what kind of led me to voiceover when I got out of the comedy club business. 0:02:15 - Anne But boy, there was a long history of being in the comedy business. I label you as entrepreneur 20 times over because I think just following that passion of yours and then ultimately opening up a club that literally was just famed and just housing some of the comedy greats. Tell me a little bit about that history. I mean, that is just so, so fun and impressive. 0:02:36 - Tom Yeah, actually, I went to San Francisco to become a stand-up comic and there were all these clubs, the Punchline and the Holy City Zoo and the other cafe. They were very packed all the time and getting stage time there was next to impossible. Or you'd get on at one o'clock in the morning in front of a very tired, very small, very drunk audience. And then there was this little. 0:02:55 - Anne Sometimes that helps, I'm not sure Mostly doesn't, oh okay. 0:03:00 - Tom But there was this little club in the Marina District in San Francisco called Cobb's Pub and they were trying to do comedy there and there was no audience, but there was stage time. You could get on stage there. In fact, sometimes you couldn't get off stage because there was no one there to take over, so you had to stretch, stretch and that was terrifying sometimes. Especially if you're the third or fourth comic going, hey, where are you from? And the audience goes we all know where we're from, so stop asking. 0:03:29 - Anne That's so funny. I just wanted to say that a lot of my actor friends I feel like being on that comedy stage is like a rite of passage almost, and it's probably I would think one of the toughest things to do is to stand on stage like that and try to make people laugh. I mean, that's just to me it's comedy without a net. Yeah, exactly. 0:03:48 - Tom And the thing is it's like you're stuck there, literally. You have an allotted time that you have to perform and they give you 10 minutes. You have to do 10 minutes, doesn't matter if it's horrible right from the word jump, you're on stage for those 10 minutes. That's the time you have to do and that's one of the things you learn right away is like if you get on stage early. you're not going to get back on stage. So you have to go through the rite of passage of bombing, and I've seen comics bomb from Paula Poundstone, kevin Meany, kevin Nealon, the list goes on and on. Every comic has bombed. But even later on you get in front of an audience that just doesn't dig you. 0:04:27 - Anne And again, nowhere to go. You can't run off the stage. 0:04:31 - Tom You're mean, I get that. 0:04:38 - Anne And it's funny because I literally I just went to a comedy club a couple of weeks ago and I was thinking about that, like what do you do? I mean, they are there until the next comedian is called on stage. And it feels interesting as being a part of the audience, because a lot of times I think, as the audience, you are part of maybe not part of the act, but it's very interactive, it's very back and forth and engaging because, of course, you're trying to make us laugh. 0:05:02 - Tom Yeah, you have to communicate to the audience without really engaging the audience, because you're the boss on stage, you're kind of like the crowd master and you're crowd control and entertainment at the same time. And because comedy, some people feel like, oh, I'm going to be as funny as the comic. 0:05:22 - Anne And that's when things get really sideways. 0:05:24 - Tom You're there to be entertained. Sit back, relax and leave the talking or the driving to the person with the microphone. So you got some stage time on Cobbs and and then I realized that I just kept seeing these shows that weren't very good. The guy who was booking the club at the time wasn't doing a great job, and I was a big fan of stand up as well. So I started thinking about what I would do instead, and then I started telling the owner at the time first owner of Cobbs. I was telling him you know, here's what I would do differently, and then I could tell him at the beginning of the show how the show was going to fail. And then he was started realizing that everything I was saying was happening and he went what do I get to lose? We're doing horrible business. And so he gave me the job of booking and from there I started getting the people I really, really like to perform and it started going great and we went from being like about 20% capacity to 90% capacity in about a year. 0:06:23 - Anne So let me ask you a question that, to me, is very interesting how do you get, at the time, the talents that you booked? I mean, they were big names. Were they big names then? And how did you get them to book? I mean, that's a skill, right? It's something that we do in our businesses every day, right? We've got to try to get clients to like us and to work with us. So how did you do that? Did you have a secret? 0:06:42 - Tom Yeah, my secret was I paid really well. 0:06:45 - Anne Okay, okay, that's a good piece. 0:06:48 - Tom My biggest competition, which was twice the size of our club. We were out paying that Because we decided that the most important thing was getting butts in the chairs and the only way to do that was having acts that actually brought an audience. So the only way to do that was to offer these guys more of an opportunity to make more money. So we would give them a percentage of the door and say, hey, the more people come to see you, the more you're gonna make. And because of that we had people that would call up and go, hey, I'm gonna be on the Tonight Show in six weeks with Johnny Carson, do you have anything open? And I would move stuff around and get them in there and then I would get a Tonight Show plug or a Letterman plug or Arsenio Hall. At the time and that was kind of my thing was I'm gonna pay everybody. Really well, so everybody could. Percentage of the door. In the early days before all the big agencies came in, sure, and remember this was at a time where there were just like a couple agencies doing personal appearances for comedians. Comedians were pretty much on their own. They were doing their business themselves. So if I wanted Bob Sagan, I'd call Bob Sagan, so I get his number from another comic and everybody was kind of looking for each other and I would bring one comic in. They'd go, hey, you should book these guys. And I go, okay, great, and call them up. And they'd go, right, when can you give them me a date? And I'd give them a date. Plus, we flew people up and we put them up in the hotels. So we didn't personally make a ton of money. That wasn't my thing. My thing was having the best shows I could possibly have and making a name right. And making a name for the club? 0:08:24 - Anne Absolutely, and that's interesting because, again, I like to talk about the entrepreneurial business side of what we do as creatives and freelancers, and there's a lot of thinking outside the box and also recognizing the value of the talent, that if you wanna put out great work, then you wanna hire a talent that's amazing and great and pay them fairly and absolutely. And so talk to me a little bit about the networking aspect. I mean, the cash is a good draw, but you also had to communicate effectively, I would say, to really book these talent. 0:08:58 - Tom Well, the thing that separated me from everybody else, besides being generous with the money that was brought in, was that I knew what they were going through, no matter what it was going on on stage. If they were dealing with a heckler, I'd gone through that as a comedian. If they were bombing, I knew that pain, so I could empathize with them, I could be their counselor, I could give them advice. I looked at it like I wasn't really a good comedian, and mainly that was because I wasn't true to who I am personally. So my mantra after that was be yourself. 0:09:32 - Anne I love that. 0:09:33 - Tom Yeah, that's who I wasn't. I was trying to fit in and have everybody like me and that really affected the quality of my stand up because I wasn't being true to me. So that was my mantra to everybody be yourself. Because nobody can take that away from you. 0:09:49 - Anne That's so interesting because I never ventured into comedy myself. However, I find that people find me the most funny when I am being my dorky self and I'm making mistakes and I'm just being oops, sorry, and I think in voiceover as well. I wanna talk more about that. I think it's all about being authentic and being yourself and that's really, I think, what connects you to people and engages you to people and endears you to people. 0:10:14 - Tom Yeah, I think it's really important when you get a job, and especially if it's somebody you want to get more bookings from play around, have fun. I mean, I booked a video game and the first thing we did we went through several of the lines I had to do and then we went through all those and I just did just the lines, basically no acting or anything like that and they went. Yep, that's about it. I went great, thank you. 0:10:33 - Anne Love it, love it, bye, bye. 0:10:35 - Tom So everybody started laughing. It loosens everybody up and that's really it's just. Don't be a pain on the ass. Realize that you're always learning. They're always learning. Everybody's a professional too, and so be courteous and nice and smart and be entertaining. You are the talent, so show some talent as a professional as well. 0:10:53 - Anne Show some talent. I love that. So talk about in the transition while booking talent. So you did that for a very long time, I mean 30 years, and so, wow, I mean, was there a point? I mean, were you just so busy for 30 years Did you think about voiceover? Was that a thought in your head or something that you would do, or you just were completely. You loved running the club and booking talent. 0:11:18 - Tom Prior to moving to San Francisco, I lived in Florida, lived in Sarasota, Florida, and I did a lot of theater there. That's why, I fell in love with theater and acting. You know, I always thought like, oh, stand up might be a good gateway to getting into acting, but then I got into the business end of it. So I didn't really think about it until I got out and I didn't know what I was gonna do. And I was talking to Carlos and he said dude, you do so many voices and stuff. You'd be great at voice acting. Cause I've always done impressions, never stopped doing impressions. In fact I would teach other people like Kevin Pollack or something, if they had an oppression and they couldn't figure it quite out. They were doing it but they weren't quite right. We'd kind of jam and help them get there, or they would help me get there and we'd all do our really weird outside the box impersonations. You'd have to spend five minutes explaining who that guy is Right right right. 0:12:07 - Anne So you can't do that one. 0:12:09 - Tom But for comics, we love doing those, especially impersonators, impressionists, we love doing those for other impersonators. It was kind of like our jazz moment, you know, where you get to jam behind the scenes with another musician. 0:12:20 - Anne Absolutely. 0:12:21 - Tom So Frank Calliendo, I had the club, and Dana Carvey, of course, was the master of the not perfect impression, but getting the perfect funny it didn't matter, that's what his genius is. Bye, you know, is finding the perfect funny to any voice. And then Tom Kenny played. The club started at Cobbs as well Again, the guy who did so many crazy voices. It was another inspiration for me to move there, and every once in a while I talked to him, cause I'll get a audition for something that I know is directing or in, so I go heads up and he's going dude. I have nothing to do with casting, you know sometimes they cast people and I'm scratching my head. So yeah, but I'll put in a good word for you. 0:12:58 - Anne So Well, hey again, networking totally helps. Now comedy skill. I think comedy is a skill and art form. What are your thoughts on that? 0:13:07 - Tom I mean cause, oh, absolutely. 0:13:08 - Anne Yeah, it's not something that I can go on a stage and execute. 0:13:11 - Tom Yeah, it's like anything else I personally believe. my philosophy is we all have a gift somewhere along the line. We might not be in a position ever to know what that gift is, but we all have a gift and sometimes there are people out there have more than a couple fair, but there's also people who just don't ever find theirs. And I think that the idea is you know to try to discover who you are and your strengths, weaknesses. Stay away from those weaknesses and hurdle towards your strengths, you know, and don't get locked up into one thing to always be on the road to discovery. 0:13:42 - Anne I guess I want to ask you first of all about once you got into voice acting and then was it like you were always wanting to book a certain genre because you've had lots of characters inside of you that wanted to come out? Or did you find any of the genres outside of character Interesting, because I'm a believer that you're a character in just about everything you do, even if you're doing e-learning. 0:14:05 - Tom Yeah, I always try to find a person, even when it's just one of those hey, you're a dad, or hey, you're a regular guy. Or I just had an audition yesterday where you're just a regular father, you know it's regular. But the line said something else, you know. So I gave one as what they were saying and then one. That's what I felt the lines were doing. It was a subtle difference, but it was a difference that maybe whoever put this together wants to see. If somebody figured it out, or they didn't know that's where they were going and they don't know. Sometimes they don't even know until they hear it. So give them what you think they want, and then give them what they say they want. 0:14:39 - Anne So interesting. I guess I would talk to you then about writing right, especially now that you've transitioned in voice acting and you're given a script right, or you're given an audition and finding the humor. Sometimes there's subtleties in that humor, sometimes it's obvious. Are there telltale signs to look out for? And then, once you do see it, is there a specific way that you feel it should be performed? Should it be performed in the obvious way? Or maybe, if you wanna capture the ear of the casting director, you do something different? 0:15:08 - Tom Well, I think you know what you do with a couple takes is you do the one that's on the page and then you do the one that where you think they go or where you can go with it to show what you can bring to the party. I always like to find the humor in something, especially if it says it's humorous, you know, and then play around with it and add a little bit, do a little improv with it, find a little spontaneity into there, or sometimes I'll even rewrite a line, cause I think it's kind of like flat, so I'll make it a little funnier. A punchier. 0:15:36 - Anne Okay, now that gives me a segue into a question In terms of with the script, in terms of improv right For an audition, are you improving in the audition and or improving the line, and at what point do you feel that people may go too far if you're completely rewriting, or do you think that's offensive maybe? 0:15:54 - Tom I think you have to be pretty subtle in rewriting. I think you do run the risk of people going why do I bother sending you a script? Cause you're adding all this stuff to it. So you pick and choose your moments. You know I've done that before, I've added jokes. But I'll listen to it again and go okay, that's a little too much. Plus, I want to have them. I don't want the person thinking after the third one, is he gonna go back to the script or what you know. So I wanna pick and choose my moments and make sure that I think of the funniest, the ones that have the most oomph. You want them to land, and so era on the side of too few than too many. 0:16:33 - Anne Let's talk about character development for you, especially because you're an impressionist. So how can you take, let's say, and you don't necessarily wanna have a character that's just after a particular person, but you wanna develop it into your own character. Is there a formula or a process for that, in terms of developing new characters? 0:16:51 - Tom Well, I have a book of all the impersonations I do, well, a book with the impersonations I do. And then I have like one that's like the ones I do pretty right on, and the ones I do that are just kind of soft. I don't really have it down, but that's great because it's a character. 0:17:07 - Anne Do you have a number for that? Somebody wants to have how many characters in their arsenal, how many to build off of. 0:17:13 - Tom Every day that I can figure out how to do a different celebrity or something like that. I write it down in the book Cause it comes to you sometimes. I mean, when I figured out how to do Robin Williams, it just was an accident. It's one of those things where you find a word and all of a sudden. Then you find a place in your throat and you're doing it and you can't stop. 0:17:32 - Anne It's crazy so it just never stops. I love it, I love it. 0:17:37 - Tom So one day I did Robin for Robin and that didn't go so well, apparently I didn't know he doesn't like his voice, apparently being impersonated. You didn't like that. No, it's really a very awkward Cause. I thought it'd be a lot of fun. 0:17:50 - Anne Yeah, and that's interesting because I'm curious about that. You know, celebrities like their voices impersonated, or now we've got a whole another, a whole another digital thing to be thinking about, when voices might be impersonated or turned into right With synthetic voices. But that might be another podcast. 0:18:10 - Tom That's a little scary. 0:18:11 - Anne That's a scary one, absolutely. 0:18:13 - Tom The thing about it is is like the flaws, like, let's say, go back to Dana Carvey, cause again there aren't many that he does right on, he'll leave me be the first to admit it. He's not like somebody like Frank Caliendo, who's just like amazing. He's verbatim, you can hear the voice. He's somebody who can do a sound alike. Dana could never do a sound alike, but he gets people's caricature down. That's the thing is it's like, and that's kind of what makes it funny is the imperfections is going up, finding those words. I just, you know, I used to do Bruce Stern and a lot of people kind of forgot who he was, and then one day I just was doing it for somebody to just start laughing Cause they didn't even remember who that Bruce Stern was. But it's just his voice is funny, you know, cause he has a kind of voice like that and it's very inquisitive either. Everything goes up at the end Doesn't make a darn gosh darn bit of difference, and not sometimes he gets crazy. But and so you find those little imperfections actually make a character and make it really funny. That's what I like to do. You know, I did a animation pilot and it was like a hippie character and I was going through a bunch of voices with a writer cause they booked me and they didn't feel like they wanted to do something different with it. They said what can you do? And I was going through my book and I started doing Nick Nolte and they loved it and then you ended up going with that over what they originally had, with me doing it. 0:19:37 - Anne So I love how you have a book with everything written down. Now, do you also have audio files that go along with that, so that you can help yourself get into words? 0:19:45 - Tom Yeah, I have one where it's all my impressions, so that way I can go back. And how do I do that? One Cause I don't practice them all the time. Cause. 0:19:54 - Anne I have life. 0:19:55 - Tom So, and I don't want to be walking around talking to myself, of course, of course. Man, it's got so many voices. 0:20:00 - Anne So are you writing down then the name and then you write down the qualities of the characteristics or how you get into it. Is it a kick phrase? Maybe that gets you into the character. 0:20:10 - Tom Well, there's certain words, for example, you know, I came up with for Christopher Walk and I came up with the word pantaloon being the perfect Christopher Walken word. I'm thinking cowbell but that's yeah, cause. Well, that's, this is before cowbell yeah, before cowbell. 0:20:26 - Anne But pantaloon automatically gets me there. I love it. I love it Cause I say it. 0:20:33 - Tom I can't help but do more. Christopher Walken, who doesn't like a nice pair of pantaloons? 0:20:43 - Anne I love it. I love it. 0:20:44 - Tom Cause you want your calves exposed. So yeah, and then with Kurt Douglas, it was horse, oh Horse, okay, I'm going to read my horse. If I say horse, I go into Kurt Douglas Well. 0:21:01 - Anne I think there's something always so obviously so entertaining, but something that just draws people to comedy. What are your thoughts about this crazy, chaotic world that we live in today, and where does comedy sit now, I mean, in terms of how important is it? 0:21:17 - Tom I think comedy is as important as it ever was. And it's in a weird place right now, cause I think a lot of people are reacting to people saying words and there's a lot of people getting offended easily and comedy is not for those folks that have thin skin, both sides of it. I find it funny that I think a lot of comics right now have thin skin as far as getting some criticism back, cause it's also about growth. What was funny in 1970, if you listened to comedy in 1970 or the 80s, it's not as funny now. In some of it's just not funny at all. We grow, we expand, we move on, and to me, that's what's great about comedy is it's about adapting. You're always adapting. You're always growing, as you should be as a person. So to me, if you're moving the ball forward constantly in your life, you're gonna be a better person than you were 10 years ago. So why not take that to comedy? Absolutely, the things that were funny like 15, 20 years ago are real cringy right now, and it's not because they weren't funny back then. They were. It's the same reason I get upset with people who go back like 20 years and go. I can't believe you said that back then. 0:22:28 - Anne Well, back then that wasn't offensive. 0:22:30 - Tom Exactly, we didn't find that offensive back then. Now we've all grown up and we've all moved on a bit and we understand that's not the same. But don't punish me for something that was okay Back then. Mark Twain, who wrote a famous book about a guy named Tom Sawyer, had a lot of cringy stuff in his books. There's still masterworks of literature, but those were the times. We have to accept. That's where those books came and there were a reflection of those times. Same way we would stand up. So to me it's just about. Everybody just needs to grow up. Everybody needs to understand where everybody was back then and where they are now and be better for them. 0:23:06 - Anne Yeah, yeah. Do you find that you miss owning a comedy club or booking talent or having that in your life? 0:23:12 - Tom I miss working with young comics. That's the thing I miss the most and it was actually when I started. The last version of Cubs when it exists now, because it's a 400-seat room has really amazing acts, but they're much bigger acts and they generally bring their own acts with them, and comedians who can bring their own acts generally don't bring really really great acts because they don't want to have to work as hard. I would make comics work hard because I would have really good acts going on before them. Sure, so they have to try to continually stand tall, so they had to keep their game. My thing was like Interesting strategy. I like that yeah yeah, absolutely Nobody could coast. And then later on it was comics they would bring in. I didn't think they were as talented as some of the people I could book with these guys, and so I wasn't really working with the comics anymore as much as I used to, and so that's one of the things about smaller room is you can get to work with younger comics and you get to tell them the dos and the don'ts and hopefully guide them to a path where they can be their best selves on stage. Sure, that part I miss. 0:24:14 - Anne And actually, speaking of that, what sort of advice would you give to voice talent out there that want to continually up their game and stay on top of the voiceover game, because, boy, it's competitive out there, super competitive. 0:24:27 - Tom It's crazy, it's crazy. 0:24:29 - Anne Like just as I'm sure it was in comedy and being in the club. It's such a mental game a lot of the times too. 0:24:34 - Tom Yeah, the nice thing about voiceover having been a stage actor very early in my life is you don't see the person who you're auditioning for, so you don't see that look, as soon as you hit the stage, that you've already lost your audition. You're not the person they're looking for, and that's so disheartening sometimes so at least you go into every audition with this could? 0:24:56 - Anne be the one. 0:24:57 - Tom And I love auditioning, so I love going into another character or finding something I haven't found before, or even sometimes there's a couple of characters I do that I think, oh man, this one is definitely gonna find a home someplace. It's just a matter of getting in front of the right casting person hearing it. So I'll bring out those guys every now and then, when it's the right opportunity for those characters, cause they're like they're my buddies. I want them to succeed. Yeah, I think just have fun in the booth is the main thing, and if you need to take a break, tell your agent I need to take a break. I mean, I talked to other voice actors and it gets a little depressing. Everybody came in this business thinking that everybody always said I should be in voice acting and everybody always said this is what I should be doing and I did it and nothing's happening. 0:25:43 - Anne Yeah, what's your advice for that? Because that becomes like a mind game. It becomes like oh my God, I've done all this work, what else can I do? I mean, what would you suggest in terms of getting work? It seems like the question I get most often as a coach is like so all right, I've got this great demo now and had this great coaching, and so now, where's the work? How do I get the work? Or how do I stand out? 0:26:04 - Tom I think the thing about it is acting as a lottery. You're buying a lottery ticket is what you're doing. I mean, carlos Alice Rocky was a comic Lucky, had a job, state entertainment state creative, but it was getting the Taco Bell, chihuahua and all those people you auditioned from and he hit it, hit the lottery, you know so, and from there he's done so many other things. But when I say who Carlos Alice Rocky is, when I bring him up, I always go the Taco Bell, chihuahua guy and they go oh, I love that. So it's the same thing where you just go, my lottery ticket is gonna come and you're gonna believe in yourself. When you believe in your talent and talk to other people in the business too. Just do classes I think it's still a good idea to do, just as even a workout session. Plus, you get some inspiration from other people who have a different style, maybe that you see something in yourself or you bring out something in yourself you didn't know was there. So I would say, take a class every now and then network with other people who just to have support, just so, hey, I'm here for you when you're down on yourself, in the same way that if I need somebody to talk to and say, hey, I'm really kind of wondering what the hell I'm doing here. And they can talk you down from being sad or lift your spirits up and let you know you're really a talented person. That's why you got into this whole thing in the first place. 0:27:16 - Anne Yeah, I think that self-sabotage can happen to the best of us even. 0:27:20 - Tom And then sometimes you'll hear it in the reads. I mean, again, I'll go into a class and you can tell the person who's been beat down on pretty bad by themselves, mostly Cause do you have an agent? Yeah, do you have a demo? Yeah, well, you're doing all the right things and I think it's good to have an agent or two that are giving you good feedback or giving you feedback. 0:27:40 - Anne I was with an agency that way too many people. 0:27:43 - Tom The poop sticks agency you have 400 people that they represent and you just go. That's too many. I don't feel special when you're just going okay. You got a demo, you're in. So I think, being with a smaller agency, that's a little more hands-on. Both my agents give me feedback every time, even if it's just a nice job. Yeah, and because of that I feel like I'm better for it, because I already know if I see a script, I know exactly what kind of read in the ballpark I need to be, so that's what I'm gonna get back. I'm at the point now where I really get back oh, you need to do this, this is too much, and something like that. So it's always I recognize what I'm working with right away. I do it, get it out, get the feedback, forget about it. 0:28:26 - Anne That's what you gotta do. I think a lot of people really crave feedback in this industry because we are just in our studios, kind of just talking into our little four padded walls, and so a lot of times it's hard when you don't get feedback and it's interesting. 0:28:40 - Tom Yeah, especially if you don't have a partner in a relationship, you know where you can at least go hey, honey, what do you think of this? 0:28:47 - Anne Yeah, you can bounce it off. 0:28:48 - Tom I don't bother my wife with everything, but every once in a while, you know, I go. You know, what do you think of this? Or she'll hear me and she'll go. I need to hear the whole thing. She'll hear me in my booth screaming, you know. And then now she has to hear all the stuff I did in that character. 0:29:04 - Anne I love what you said about well, at least when you're in front of a stage, I can, you can get that reaction from the audience. You know that, if you've bombed or not already, and the fact that when you're in your studio you actually use the fact that you're not in front of an audience as a creative kind of positive outlook, that you can be creative and not have to face that which is so interesting from, let's say, somebody that doesn't necessarily or hasn't started from being on stage. They might've worked a corporate job and now all of a sudden they're getting into character acting, and so they don't have that perspective. So I really like that perspective of taking the challenge and I think the creativity has to be in your brain, your imagination. You have to imagine that character in that scene, which is so difficult for some people. Do you have any tips on how to really create a scene realistically while you're sitting here in your studio? 0:29:53 - Tom Yeah, I think the most important thing, especially when you get those video games where it's like one line, one line, one line, one line, five, one lines and they're like hey, don't touch that rock and you're going. How are these people going to book somebody based on five lines that are no more than 10 words for the longest one? and you're going, how am I gonna stand out in front of anybody? So you gotta kind of create a scene around those and those. I generally will write a bigger scene for the line and then because I'll have the line in there and I'll make sure that it doesn't bleed into the other words that I'm saying, but that gives me a little bit more emotional pop for that line. 0:30:35 - Anne Are you developing the characters that you're interacting with as well? 0:30:38 - Tom I know who I'm talking to. Yeah, so I might not have the character fully developed, but I know who I'm talking to. 0:30:44 - Anne Right, and what's happening in that scene? And what's happening, yeah, and you actually write that down. 0:30:48 - Tom I'll go on Word, I'll cut and paste the lines and then I'll put words around the line and highlight the line that is actually in it. So I have all the other words and a highlighted line to make sure I hit that one. But I know what's going on and I try to create more around it. 0:31:05 - Anne So how long would you say do you spend, let's say, analyzing and doing all that work? How long would you say you take for an audition to kind of do that creating the scene and writing that down before you go in and record? 0:31:17 - Tom It depends on my schedule and what I have to do and also how much I think something is really in my wheelhouse. I mean there's things you get where it's like I knock it out in 10 minutes because I really have a solid idea of what I'm gonna do with it and I go and do it and I listen to. It sounds good. With characters, though, with video games and animation, I really like to do as much as I possibly can. I remember I did this video game audition where the character was cockney. I called my dialect coach and we went through the whole thing together. It was like a class for me. I thought this was a good opportunity to have a little class on doing a cockney accent and I said can I book our session with you? And we just worked on the script I was auditioning for because I really I loved it and I really wanted to nail it and, regardless, I got a class out of it. So it did two things for me helped me learn, and I put that learning to immediate use. 0:32:11 - Anne Absolutely absolutely. 0:32:13 - Tom And again, that's a really good thing to do is have a network of people, find a good dialect coach, find people that are teachers or coaches that you can work with, that you can go to and use them when you need, when you're stuck or when you just need something. Had a Pixar audition that I did and the character was obviously somebody from Eastern Europe and I had a friend who's from Ukraine and we went through the script and she helped me with some of the pronunciations and I didn't book it but I really felt confident sending it in. 0:32:45 - Anne I really felt like I nailed it Exactly. I love that because you've gotten the worth out of it, whether you booked it or not. So that's the other thing. So when you really are excited about something and you do all that work and you feel like you nailed the audition, but then you didn't book it, thoughts on how to stop that from getting you all upset and, oh my God, that's it. 0:33:03 - Tom Well, it's sort of like you still have to go. This is out of my control. I have no idea what the other person at the other end is going through what they've got in front of them. If they end up going with somebody that they've already booked for something and they can give them another character because union rules and it's like you did a really good job, maybe even better than that person but they're already booked and they don't have to pay another person to do that voice. They can do up to three voices and not get a penny more. So they go. Let's just give them that, so you don't know all the little things that transpire for somebody to get that part over you. 0:33:35 - Anne Yeah, and I think it's important for people to understand that it doesn't necessarily reflect on a poor performance or a poor audition. 0:33:42 - Tom No, my agent is a very funny woman and my auditions who I'm getting in front of have escalated. I'm doing more Disney Pixar auditions and stuff like that and she just goes. You're feeling upwardly. 0:33:53 - Anne There you go. I love that. 0:33:56 - Tom Which I thought was hilarious, because we always think we're failing. We're not. We're all doing the best we can and we're all doing great auditions. But because I'm doing so well in my auditions, other casting people are getting interested, so I am getting in front of people that I didn't get in front of, like four or five years ago. 0:34:12 - Anne Awesome, that's awesome. So even if you don't book the job, you could be making an impression on someone that can get you maybe the next job or the job after that. 0:34:21 - Tom That's the idea. They go well. I really like that because you don't know, when I was booking COBS I would get DVDs and before that VHSs of comedians from around the country. We were very well known so I would get them from New York, boston, other parts of the country and they'd just pile up on my desk because it was excruciating for me at some times. So then at one point, when they were ready to fall over, I would just start watching them. In the beginning I would watch two or three minutes of somebody. Then it came down to just 30 seconds to a minute, because you know right away and that's how I'm sure it is for casting people. 0:34:56 - Anne You know right away if there's talent or if they were gonna be bookable absolutely or if they're right or wrong. 0:35:01 - Tom You might like them and you might wanna listen to the whole thing and you would go ah, they're just not quite right. I need a little bit of a younger voice. This is obviously somebody who's an older voice and I think it's really. I mean, I try to do what I can and have as much fun as I can, because there's gonna be probably 10 years down the road where this voice isn't gonna sound the same and I'll be doing grandpas and wizards. 0:35:22 - Anne So yeah, our voices do change as they age. I have experienced that myself. I certainly sound a whole lot different than I did 10 years ago. Well, well, this has been an amazing discussion, Tom. I so appreciate you taking the time and just dropping all these wonderful tips and tricks and words of wisdom for the boss listeners out there. 0:35:45 - Tom Yeah, yeah, have fun kids. That's the message. 0:35:47 - Anne There you go. I love that. So, bosses, I want you to take a moment and imagine a world full of passionate and powered, diverse individuals giving collectively and intentionally to create the world that they wanna see. You can make a difference. Find out more at 100voiceshoocareorg. And a big shout out to our sponsor, ipdtl. You, too, can network and connect with amazing people like Tom. Find out more at IPDTLcom. You guys have an amazing week and we'll see you next week. Bye. 0:36:18 - Outro Join us next week for another edition of VO Boss with your host, Ann Gangusa, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL. Transcribed by https://podium.page
Sam Roberts has a fav wrestler, a couple favorite matches, and a lot of opinions about NXT, Charlotte, Finn Balor, Roman Reigns, and Japanese style wrestling. Plus, he's talking about his feud with Kevin Pollack, working with Opie & Anthony, and why he thinks Sean "X-Pac" Waltman is one of the smartest guys in the biz!
Ryan and Dylan finish their director analysis on Rob Reiner's hot streak of movies with When Harry Met Sally, Misery, and A Few Good Men.
Quick best of clips from Anthony, Rich Vos, Theo Von, Chris Distefano, Kevin Brennan, Kevin Pollack, Judy Gold, Dennis Falcone, CLUBSODA KENNY and Chuck from North Carolina. This episode is sponsored by BlueChew. Want to have better sex? Visit https://go.bluechew.com/opie to receive your first month FREE -- pay only $5 shipping. In this video, you will be entertained with some of the funniest comedy clips. These hilarious clips have been curated from Opie's solo show, which he embarked upon after the end of the Opie and Anthony Show in 2014. Opie's solo show has been acclaimed as some of his best work in his career, and this video serves as a quick moving best-of for those who are looking for a good laugh. Get ready to be entertained with these funny small bites from some of the best comedians in the business! VIDEO OF Da Beer Show E8 with Opie and Matt - Banana Bread Beer https://www.youtube.com/watch?v=nqT_3tWC2L0 The livestream happens most days on my Facebook and YouTube https://www.facebook.com/opieradiofans https://www.youtube.com/opieradio Join the Private Facebook Group - https://www.facebook.com/groups/203909694525714 Merch - www.opieradio.com Instagram and Tik Tok - OpieRadioSee omnystudio.com/listener for privacy information.
In ‘Overreaction Monday' Rich weighs in on the way-too-early NFL playoff picture, if Anthony Richardson can lead the Colts to the playoffs, Lamar Jackson's new WR targets Odell Beckham Jr. and rookie Zay Flowers, Baker Mayfield's prospects with the Buccaneers in 2023, the Lakers NBA title chances, if we'll see multiple Game 7's in the NBA Playoffs, and if we'll see dual championships in Miami for the Heat and the NHL's Florida Panthers. Actor Kevin Pollack and Rich discuss the final season of ‘The Marvelous Mrs. Maisel,' his 49ers fandom, shares some hilarious Don Rickles stories from the set of Martin Scorsese's ‘Casino,' ‘The Usual Suspects, and ‘A Few Good Men' including a surprising revelation about acting legend Jack Nicholson. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
In episode 54, Brothers Pete and Paul Escarcega chat about "The Pope's Exorcist", starring Russell CrowePete reviews "Renfield", the Chris McKay directed comedy starring Nicholas Cage and Nicholas Hoult.Pete also reviews "Mafia Mamma", a hilarious new comedy starring Toni Collette.Paul reviews the biopic "Sweetwater", based on the story of Nat "Sweetwater" Clifton, and his journey to become the first African-American player in the NBA. The film stars Everett Osborne, Jeremy Piven, Kevin Pollack, and Cary Elwes.And lastly, Paul reviews "Chupa", the Netflix film directed by Jonás Cuarón, starring Demián Bichir, Christian Slater, and Evan Whitten.https://youtu.be/VZbld3v78pITo listen on Apple Podcast:https://podcasts.apple.com/us/podcast/aaaction-podcast/id1634666134To listen on Spotify:https://open.spotify.com/show/1L78fn3C6RlKKdUihtiLyR?si=f31450db95724290Please make sure to like and subscribe to the Aaaction Podcast:https://www.youtube.com/channel/UCzJFoiUHvdbaHaiIfN37BaQ#aaactionpodcast #podcast #film #movie #moviereview #moviepodcast #newmovie #pope #thepopesexorcist #popesexorcist #exorcist #renfield #dracula #comedy #nicholascage #mafia #mafiamamma #sweetwater #civilrights #nba #basketball #biopic #history #blackhistory #chupa #netflix
Grumpy old women Sonia Mansfield and Margo D. dork out about 1993's GRUMPY OLD MEN, starring Jack Lemmon, Walter Matthau, Ann-Margaret, Darryl Hannah, Kevin Pollack, Burgess Meredith, Buck Henry, and Ossie Davis. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsGoogle PlaySpotify LibsynTune In Stitcherhttp://dorkingoutshow.com/https://twitter.com/dorkingoutshow
The boys are back with BIG IDEAS! CCE is starting the first leftist brothel and adult daycare! Nate's new big idea MarXtianism! And Drew's movie idea starring TOM CRUISE and KEVIN POLLACK.
Willow - Ep 227 Intro: WBTNLU the podcast that reminds you it's hip to be square. Join us on our quest to Tir Asleen where magic and adventure await us as we discuss the film and series WILLOW on Normies Like Us! Question Up Top: History with Willow? Show/Movie Willow (1988) - dir by Ron Howard (Produced/Story by George Lucas) The fantasy epic takes a very Star Wars direction with the Sword and Sandal genre and follows the young “Nelwyn” Willow on his quest to protect a baby of prophecy - Elora Danan Cast - Warwick Davis as Willow Ufgood, Val Kilmer as Madmartigan, Joanne Whalley (Kilmer) as Sorsha, Kevin Pollack, Billy Barty, Pat Roach https://en.wikipedia.org/wiki/Willow_(film) Willow (2022/ Disney+) - show run by Jonathan Kasdan (writer of Solo, son of Lawrence Kasdan) The fantasy epic returns as Disney+ attempts to create their own Lord of the Rings meets House of the Dragon. After a new threat arises from the ashes of Bavmorda the kingdom of Tir Asleen is threatened once again and a new group of warriors must rise to meet the challenge, with a little help from the great sorcerer Willow! Cast - Warwick Davis, Ellie Bamber as Dove aka Elora Danan, Ruby Cruz as Princess Kit Tanthalos, Erin Kellyman as Jade, Tony Revolori as Prince Graydon, Amar Chadha-Patel as Thraxus Boorman, Dempsey Bryk as Prince Airk, and Christian Slater as Alagash, with Jack Kilmer as the Voice of Madmartigan https://en.wikipedia.org/wiki/Willow(TVseries)
BEST OF HMS PODCASTS - Friday December 23, 2022
Kicking off our 100th Episode with a Controversial Christmas Classic — DIE HARD (1988)! For a future-franchised film jam-packed with exciting explosions, it's hard to believe this project was a gamble before it ever went into production. From its humble beginning to creating an iconic action hero, the formation of DIE HARD is nothing short of a surprise for everyone involved. //***Discussions include*** State of late ‘80s action films; DIE HARD's early novelization, lengthy writing process & tonality shift; studio demands, production challenges, director's influence & balancing action with comedy; casting stories, main & supporting cast breakdown/interplay; cinematography, stunts, special effects & sound/music; release, reception, sequels & the Is this a Christmas movie debate. Bruce Willis, Alan Rickman, Bonnie Bedelia & Reginald VelJohnson star in DIE HARD (1988). Directed by John McTiernan. //***Picks of the Week*** • Lindsay's Pick: PRESUMED INNOCENT (1990). Harrison Ford, Bonnie Bedelia, Greta Scacchi, Raul Julia, Brian Dennehy. /// Director by: Alan J.Pakula. • Justin's Pick: RICOCHET (1991). Denzel Washington, John Lithgow, Ice-T, Lindsay Wagner, Kevin Pollack. /// Directed by Russell Mulcahy. //***MurrayMoment*** Bill learns a secret Bruce Willis had been holding on to for over 30 years. //***Final Thoughts on DIE HARD*** Next Episode: Jan. 31, 2023: GROUNDHOG DAY (1993) • Please rate, review & subscribe. • Follow on Facebook, Instagram, Twitter & YouTube. • //Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders. www.dontpushpausepodcast.com dontpushpausepodcast@gmail.com Be Kind and Rewatch // December 20th, 2022.
GGACP celebrates the 30th anniversary of the classic courtroom drama "A Few Good Men" by revisiting this interview with comedian and impressionist Kevin Pollak. In this episode, Kevin joins the boys for a frequently hilarious conversation about the legend of Harry Houdini, the cinema of Barry Levinson, playing pranks on Paul Reiser and Alan Arkin, joining the cast of "The Marvelous Mrs. Maisel" and sharing the screen with Tom Cruise, Robert De Niro, Jack Lemmon and Rod Steiger. Also, Steve Martin packs arenas, Walter Matthau hits on Sophia Loren, Don Rickles runs afoul of Joe Pesci and Kevin attempts to explain France's affection for Jerry Lewis. PLUS: "Morton & Hayes"! In praise of "Avalon"! Riffing with Robin Williams! Remembering J.T. Walsh! And Kevin wows with impressions of Albert Brooks, Peter Falk and Jack Nicholson! Learn more about your ad choices. Visit megaphone.fm/adchoices
Even 30 years after its release, A FEW GOOD MEN tops lists for the most riveting courtroom dramas. Using true events, a coveted director & soon-to-be celebrated writer, the film bleeds talent from all angles & integrity from end to end. All talents behind this film had a clear, unified vision — make a searing, ethically complex drama that would stand the test of time. //***Discussions include*** True events behind the film (pre & post release); writer Aaron Sorkin's humble beginning, story evolution & adapting the stage play to screen; Rob Reiner's influence & creating action within a narrative; in-depth character & cast discussion, behind the scenes stories, release & reception. Tom Cruise, Demi Moore, Jack Nicholson, Kevin Pollack star in A FEW GOOD MEN (1992). Directed by Rob Reiner. //***Picks of the Week*** Lindsay's Pick: THE LAST DETAIL (1973). Jack Nicholson, Otis Young, Randy Quaid. /// Director: Hal Ashby. Justin's Pick:THE LAST SAMURAI (2003). Tom Cruise, Ken Watanabe, Koyuki Kato, Tony Goldwyn. /// Directed by Edward Zwick. . //***MurrayMoment*** Lindsay sets the record straight on Bill's SNL character, Nick the Lounge Singer, Rob Reiner's involvement & the *true* inspirations behind the popular recurring sketch. //***Final Thoughts on A FEW GOOD MEN*** Next Episode: Our 100th Episode: DIE HARD (1988) Please rate, review & subscribe. Follow on Facebook, Instagram, Twitter & YouTube. Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders. www.dontpushpausepodcast.com dontpushpausepodcast@gmail.com Be Kind and Rewatch // November 22nd, 2022. >
Zack & Zo, joined by special guest Claire from Why the Flick? podcast, are in the courtroom to bare witness to a court marshal. A gifted JAG officer, Lt. Kaffee, has clients who are accused of murder and all the evidence points to their guilt, but spurred by his superior officer, Lt. Cdr. Galloway, and his co-counsel, Lt. Weinberg, Lt. Kaffee is encouraged to risk it all to prove that his clients are not guilty.Episode Segment Time StampsOpening Credits . . . . . . 00:12:06Favorite Parts . . . . . . . . 00:31:58Trivia . . . . . . . . . . . . . . . .00:20:28Critics' Thoughts . . . . . 01:37:46 Why The Flick? Links:Why the Flick? Podcast - https://anchor.fm/whytheflickInstagram - https://www.instagram.com/whytheflick/TikTok - https://www.tiktok.com/@whytheflickTwitter - https://twitter.com/whytheflickLetterboxd - https://letterboxd.com/whytheflick/ Back Look Cinema: The Podcast Links:www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @BackLookCinema - https://twitter.com/backlookcinemaFacebook: @BackLookCinemaPodcast - https://www.facebook.com/backlookcinemapodcastInstagram: @backlookcinemapodcast - https://instagram.com/backlookcinemapodcastTicTok: @backlookcinema - https://www.tiktok.com/@backlookcinemaBack Look Cinema Merch at Teespring.com (https://back-look-cinema-merch.creator-spring.com/)Back Look Cinema Merch at Teepublic.com (https://www.teepublic.com/user/back-look-cinema-podcast-merch?utm_source=designer&utm_medium=social&utm_campaign=G1VQNMthhSg) Movie Lovers Unite YouTube channel: https://www.youtube.com/c/MovieLoversUnite/featuredSuicide and Crisis Hotline: Dial 988 - https://988lifeline.org/
Flashback Episode of The Father Time Podcast with Jamie KalerA Baptist Preacher's Son becomes a comedian, marries an Academy Award Nominated Costume Designer and has a kid. And here come the stories.Murray Valeriano is a brilliant comedian, writer, and human sponge. This Tennessee native and preacher's son found his comedy calling in sunny California and soon began a successful writing career. Lately, you probably saw him on @midnight.Murray has toured the country performing in clubs and theaters, either headlining or opening for some of comedy's heavy hitters, Kevin Pollack, Christopher Titus, Brad Garret and the late, Robert Schimmel, As an award winning writer, Murray has written for the Tonight Show Starring Jimmy Fallon, The Tonight Show with Jay Leno, Bill Engvall's Here's Your Sign Awards and Ridiculousness to name a few. He has also written for other comedians such as Conan O'Brian, Steve Carell and Dennis Miller. Murray Valeriano is a captivating person who possesses a remarkable wealth of pop culture knowledge and experience and it shines through on his popular “Roadstories” podcast. Once you stick a bunch of hilarious comics in room to talk comedy war stories it is simply magical. USA TODAY called the Road Stories podcast “One of the funniest podcasts of 2013” Countless reviews on Itunes have given 5 stars and Itunes itself featured it in its “New and Notable” Subscribe today for free.#theparentslounge #murrayvaleriano #thetonightshow #conan #comedian #roadstories #roadstoriespodcast #parentingpodcast #parentingadvice #parentingstories #jamiekaler #fathertimepodcast #jasongowin #katemulligan
Sam Roberts has a fav wrestler, a couple favorite matches, and a lot of opinions about NXT, Charlotte, Finn Balor, Roman Reigns, and Japanese style wrestling. Plus, he's talking about his feud with Kevin Pollack, working with Opie & Anthony, and why he thinks Sean "X-Pac" Waltman is one of the smartest guys in the biz! GET GRILLING WITH MEATER! GO TO MEATER.COM AND USE CODE STEVE TO GET 10% OFF!!!
S OON I'M GONNA MAKE THIS A SEPARATE PODCAST FEED AS I ROLL OUT THE LAST YEAR OF RADIO I DID. Day 2 - Clubsoda Kennygives his thoughts on the first day of the new show. Kevin Pollack calls in. Opie reads a newspaper article about all the drama. Judy Gold and Kevin Brennan stop by. Brother Wease calls in to show his support on the last day he's able to talk! I now cherish the last year of radio I did especially with the passing of my dear friends Carl Ruiz and Vic Henley. I was able to come to the realization why I went into radio all those years ago. It was for the fun and pure joy of it. The last year was filled with ugliness, drama and a ton of laughter. Me, Car Ruiz, Vic Henley and Sherrod Small had the time of our lives on and off the radio show. Our close friendships was on full display. The last year also saw Carl Ruiz blossom into a superstar which led me to do the Opie Radio podcast with him. A special thanks to Erock, Clubsoda Kenny, Paul and Louis for going on this ride with us. Hope you enjoy the Good, the Bad and the Ugly of the last year of radio I did. Instagram and Tik Tok - OpieRadio Merch - www.opieradio.com Join the Private Facebook Group by clicking "subscribe" on my www.facebook.com/opieradiofans See omnystudio.com/listener for privacy information.
© 2020-2026 Ivy Podcast Discovery LLC
