Podcast appearances and mentions of kevin pollack

Une nouvelle enquête qui sent bon le portnawak du tout début des années 90 avec l'over the top Ricochet de Russell Mulchay sorti en 1991 !  Le fringant Denzel Washington affronte un John Lithgow psychopathe en mode Hannibal Lecter et qui synthétise à merveille toutes les outrances de son époque. Soit le temps béni des grosses productions à la fois tendues et musclées où tout était permis entre détonations, exagérations et autres pétages de plomb légendaires.  Et c'est Cédric Belconde, alias The Last Geek Hero, derrière la chaîne youtube TOP 25 Action Movies qui vient mettre sa touche de C4 dans l'émission. Retrouvez la photo signalétique de l'invité en début d'émission ainsi que les complices (un film dans le même giron) en toute fin de podcast. Avec dans cet épisode, une fois n'est pas coutume, un retour sur l'ouvrage L'Encyclopédie du crime au cinéma signé Alain Bauer et Stéphane Boudsocq soit 200 faits réels pour 240 films et Etroite Surveillance le très sympathique Buddy Movie de John Badham (1987).  Enfin en guise d'hommage au grand Gene Hackman nous reviendrons sur quelques unes de ses oeuvres les plus noires en fin d'émission.  Un dossier mené par Rafael Lorenzo.  

With apologies for our latest recent hiatus, here's an old bonus episode - formerly just for patrons - in which Daniel and Jack chat about 1992's A Few Good Men, a military courtroom drama written by Aaron 'West Wing' / 'Social Network' Sorkin, and starring Kevin Pollack and some other people probably. We're still alive and the show will be back.  We appreciate your patience. Please consider donating to help us make the show and stay independent.   Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true IDSG Twitter: https://twitter.com/idsgpod Daniel's Twitter: @danieleharper Jack's (Locked) Twitter: @_Jack_Graham_ Jack's Bluesky: @timescarcass.bsky.social Daniel's Bluesky: @danielharper.bsky.social IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1

Welcome back to the new year of...purgatory!!! The boys wrap up January with Jeremy's pick End of Days from 1999 directed by Peter Hyams and written by Andrew W. Marlowe. The film stars Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollack, CCH Pounder, Derrick O'Connor, Miriam Margolyes, Udo Kier, Rod Stieger and Jack Shearer. Thanks for checkin us out, you can find our back catalog on Podbean.com and you can find the show where all other podcasts are found. Intro & Outro composed and conducted by John Debney from the End of Days soundtrack 1.  Main Theme https://youtu.be/lakJD8eq-bo?si=pwPho3F0TJCdIWJS 2. I am Forever  https://youtu.be/4t-Th0LMVMQ?si=FRQY6jg0Um1qQ3fN  

Michael Curtis joined me to talk Saturday Morning cartoons; going to SDSU Film Corps; having a local Emmy nominated public access sketch show; working on Return of the Killer Tomatoes; being a PA for many films, then an AD; meeting his partner Greg Mahlins; pitching and an episode of Dream On; a story for The Wonder Years; joining the writing staff of Great Scott with Tobey Maguire; writing The Making of ... and God Spoke, a cult classic; writing for Don Rickles on Daddy Dearest; Diane English being out of touch on Double Rush; play a cop in Who's Harry Crumb; working with Peter & David Paul and Martin Mull; getting a PhD from the Universal Life Church; getting hired on Friends; The Super Bowl episode with Jean Claude Van Damme and Brooke Shields; writing "The One Where Ross & Rachel. ...You Know"; writing the Ms. Chanandler Bong joke; Tom Selleck; how hard it was to write the "Rachel Smokes" episode; Princess Leia episode has a fan in George Lucas; a censored joke; Young Tony Danza; leaving due to exhaustion; going to Work with Me with Kevin Pollack; sneaking on to The Grinch set; The Weber Show; Nikki; writing the Joe Schmo Show; writing a pilot for Dane Cook; Love, Inc.; making three pilots for the Jonas Brothers Show; working with the boys; Fred Savage; moving to Italy; Italian health care system; People learning English from Friends; seeing the talent in Olivo Rodrigo; working with Jake Paul

Wrapping up our SEASON'S CREEPINGS triple feature with Peter Hyam's 1999 century-capping showdown of good vs. evil.  The balls are dropping, the pee is exploding, and Arnold Schwarzenegger is once again going toe-to-toe with holiday monsters as we party like it's 1999… and panic like it's Y2K… to meet New York's most eligible — and evil — Beelzebubian bachelor in END OF DAYS. Make sure to subscribe on Apple Podcasts, Spotify, or anywhere you get your podcasts.Want to support the show and save 20% on Fangoria? Visit shop.fangoria.com/howimetyourmonster and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic https://bit.ly/howimetyourmonstermerchQuestions and comments: howimetyourmonsterpodcast@gmail.com

This week we invited comedian and podcaster Cole Stratton to watch the John Woo action classic Face/Off, starring Nicolas Cage wearing John Travolta's face and John Travolta wearing Nicolas Cage's face. Come to SF Sketchfest on January 18th and watch Cole Stratton's amazing improv show Theme Park with Rachel Dratch, Ana Gasteyer, Oscar Nuñez, Kevin Pollack, and more! Buy your tickets here!We are excited to announce that Free With Ads will be doing our first ever LIVE SHOW at San Francisco Sketchfest 2025! Join Jordan, Emily, producer Matt Lieb, and a very special guest at the Punch Line in San Francisco on January 23rd at 7:30pm for a live show you will never forget. Get your tickets NOW!Free With Ads merch is finally here! Go to the MaxFun store now and buy something for yourself!Also, we are having a contest! If you buy some merch and take a picture of yourself with that merch and send it to freewithads@maximumfun.org, we will pick one of you and the winner will get to have any song they want Godzilla-fied. That's right, Matt will make a Godzilla remix of your favorite song.

National candy corn day. Entertainment from 1970. Time clock invented, Soviets detonate largest nuclear bomb ever, Bosphorous Bridge opened in Turkey. Todays birthdays - John Adams, Ruth Gordon, Grace Slick, Henry Winkler, Harry Hamlin, T. Graham Brown, Kevin Pollack, Gavin Rossdale. Steve Allen died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Candy corn song - JensensI'll be there - Jackson 5Run woman run - Tammy WynetteBirthdays - In da club - 50 Cent      http://50cent.com/I want to be a cowboys sweetheart - Patsy MontanaSomebody to love - Jefferson AirplaneI aint got nothing - The TemptationsHell and High water - T. Graham BrownComedown - BushExit - In my dreams - Dokken     http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

The rise and fall of the one-hit Wonders is packed with chart-topping performances and is a platinum record in our books! This week we're fangirling over 1996's “That Thing You Do”, with Tom Hanks doing triple duty as director, writer and co-star, Steve Zahn running away with the movie, Tom Everett Scott appreciating jazz, Charlize Theron, Obba Babatunde, Rita Wilson, Alex Rocco, Chris Isaak, Kevin Pollack and even Bryan Cranston making a meal out of a cameo. At the heart of it all is Liv Tyler's Faye, that brilliant soundtrack, and the continually missed opportunity to adapt this as a musical. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

While we love and support Freddie Prinze, Jr. unconditionally, we have to admit this is a future forgotten film! Sarah tells Hallie and John the plot of the new domestic horror film, co-starring Monica Potter and Kevin Pollack, in the form of a quiz. Visit our website to grab a downloadable copy of the quiz questions, if you want to play along! The Girl in the Pool is available to rent or buy on Fandango at Home (formerly Vudu).

In this episode, we are talking to Kevin Pollack about keeping and breeding Rein Rats and a nice conversation about reptile conservation.Follow:Zac Loughman  @ dr_crawdad on IGhttps://www.instagram.com/dr_crawdad/On FB https://www.facebook.com/profile.php?id=100011423011423Clint Bartley IG: MetazoticsLLC FB: MetazoticsWebsite: metazotics.comExo-terrahttps://exo-terra.comMPR NetworkFB: https://www.facebook.com/MoreliaPythonRadioIG: https://www.instagram.com/mpr_network/YouTube: https://www.youtube.com/channel/UCtrEaKcyN8KvC3pqaiYc0RQMore ways to support the shows.Swag store: https://teespring.com/stores/mprnetworkPatreon: https://www.patreon.com/moreliapythonradio ★ Support this podcast on Patreon ★

And we are back to spend even more time in the most magical of shitty motels, with The Lost Room - Episode 4: The Box! In this segment, Wally and Joe go ghost hunting, uglies are dramatically bumped, Ruber has a religious experience, and Kevin Pollack is sorely missed. All that and more await you, so dive on into Dude, Where's My Room Episode 4! Have any questions or comments for us? Send us a message to our social media pages or email us directly at webelongdeadpod@gmail.com. And if you liked the music you heard on this episode, check out We Belong Dead Tunes Playlist on Spotify! #thelostroom #thekey #theclock #thecomb #thebox #scifi #thescifichannel #dude #wheresmyroom #webelongdead #wbd #horror #movie #podcast #pod #itunes #spotify #playlist #mutantfam

This was a Special interview with Tom Sawyer, who took over Cobb's Pub, and then created the legendary "Cobb's Comedy Club" in San Francisco. Starting in the early 80's, he ran one of the main independent comedy clubs for over 25 years. Tom then went on to be the Booker for "Live Nation" for another 7 years. He knows comedy, and worked with Robin Williams, Jim Carey, Dana Carvey, Paula Poundstone, Wil Durst, Kevin Pollack, and many other talents just getting started in their careers. For me, talking to a peer who helped develop such amazing talent, really made this interview fun!Such a great interview, it lasted 90 mins, so broken into three parts for your enjoyment.Unapologetically Mixed UpWelcome to our podcast Unapologetically Mixed Up. This is not a one size fits all podcast.Listen on: Apple Podcasts SpotifySupport the showStandup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.

This was a Special interview with Tom Sawyer, who took over Cobb's Pub, and then created the legendary "Cobb's Comedy Club" in San Francisco. Starting in the early 80's, he ran one of the main independent comedy clubs for over 25 years. Tom then went on to be the Booker for "Live Nation" for another 7 years. He knows comedy, and worked with Robin Williams, Jim Carey, Dana Carvey, Paula Poundstone, Wil Durst, Kevin Pollack, and many other talents just getting started in their careers. For me, talking to a peer who helped develop such amazing talent, really made this interview fun!Such a great interview, it lasted 90 mins, so broken into three parts for your enjoyment.Unapologetically Mixed UpWelcome to our podcast Unapologetically Mixed Up. This is not a one size fits all podcast.Listen on: Apple Podcasts SpotifySupport the showStandup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.

This was a Special interview with Tom Sawyer, who took over Cobb's Pub, and then created the legendary "Cobb's Comedy Club" in San Francisco. Starting in the early 80's, he ran one of the main independent comedy clubs for over 25 years. Tom then went on to be the Booker for "Live Nation" for another 7 years. He knows comedy, and worked with Robin Williams, Jim Carey, Dana Carvey, Paula Poundstone, Wil Durst, Kevin Pollack, and many other talents just getting started in their careers. For me, talking to a peer who helped develop such amazing talent, really made this interview fun!Such a great interview, it lasted 90 mins, so broken into three parts for your enjoyment.Unapologetically Mixed UpWelcome to our podcast Unapologetically Mixed Up. This is not a one size fits all podcast.Listen on: Apple Podcasts SpotifySupport the showStandup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.

Hosts Sonia Mansfield and Margo D. can't handle the truth and dork out about 1992's A FEW GOOD MEN, starring Tom Cruise, Demi Moore, Kevin Pollack, Kevin Bacon, Kiefer Sutherland, and Jack Nicholson. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify Tune In Stitcherhttp://dorkingoutshow.com/https://bsky.app/profile/dorkingout.bsky.social https://www.threads.net/@dorkingoutshow https://www.instagram.com/dorkingoutshow/ https://www.facebook.com/dorkingoutshowhttps://twitter.com/dorkingoutshow

Kevin Pollack, the now Famous Actor, used to be a damn good comedy impressionist and worked for me in the early 80's. Here is one of his best short comedy sets with loads of impressions based on early Star Trek Movies.Support the showWrite a Review: in-depth walk through for leaving a review.On Your Apple & Android Phones, Visit New APP: Standup Comedy Podcast Network and website .com

This season's SORKINING is a great one. The fellas dive into Sorkin's film debut 'A Few Good Men'(1992). Starring Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Keifer Sutherland, Kevin Pollack, Josh Malina, Cuba Gooding Jr, and...Noah Wyle...oh and JT Walsh. Come for the conversation on the whiskey and movie...stay for the discussion on what we think Aaron Sorkin is trying to say about the US Military. Finally...just how the hell many movies has Kevin Bacon been in? Thanks to our Whiskies: Jeremy-Elijah Craig Brandon- Penelope

Today on the show, Paul and Ben talk about their new headphones, tech issues, the same box of Kix, Thanksgiving, mutton chops, Dairy King, mozzarella cheese sticks, consequences, Henry Kissinger, changing names, the TV we're watching, Mars and Venus, the math of jokes, Bayes' Theorem, Kevin Pollack, WHAT ARE THE … Continue reading →

Ugggggh fine you got us. We'll do another episode on the Grumpy Old Men series for you putz's. Grumpier Old Men is here to make sure that all the old men in this franchise get a chance at true love!! GET VACCINATED AGAINST COVID-19 https://www.vaccines.gov/ Black Lives Matter Stop AAPI Hate Donate Directly to Stop AAPI Hate https://donate.givedirect.org/?cid=14711 Center for Anti-Racist Research: https://www.bu.edu/antiracist-center/ Colorlines: https://www.colorlines.com/ Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with fellow Italian restaurant/bait shop owners! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises!

Eddie Deezen joins me to discuss 1941; working with Dan Aykroyd, John Belushi, and Christopher Lee; Midnight Madness and tough night shoots; loving most of the cast; doing a pilot with Ally Sheedy that didn't get picked up; doing a back door pilot on The Facts of Life; co-starring on Punky Brewster; going to The Tonight Show and getting his foot run over by Paul McCartney; Beverly Hills Vamp with Britt Eckland, Tim Conway Jr., and Pat McCormick; playing the ponies; starting as a standup at the Comedy Store and being gonged by Paul Williams on The Gong Show and its aftermath. Impressionist Zach W. Arnold joined me and impersonated George Burns; talks about being in character; sang like Frank Sinatra and Dean Martin; discusses his natural singing voice; sings as Ringo Starr; discusses blogging the city of Orlando' playing Ringo in two Beatles tribute bands; what's it like to be in a tribute band; impersonated every US President from JFK to Biden; discusses Rich Little; finding a new take on an impression; Robert DeNiro, Dustin Hoffman, and Matthew McConnaughy; his take on Cheech and Chong; I do John Travolta and Robin Williams; we discuss impressionists Roger Kabler, DC Follies cast members John Roarke and Louise DuArt, Jeff DeHart, and Kevin Pollack; Jack Lemmon & Walter Matthau; Zach does Don Rickles and I introduce his John Wayne as Johnny Carson; impersonates Jimmy Stewart, Truman Capote and Paul Lynde; discusses Dana Carvey, Harry Shearer, Jim Carrey, and Rodney Dangerfield; impersonates Alan Thicke and Tom Brokaw; impersonating Eddie Deezen to Eddie Deezen; impersonating the Klumps; his philosophy of comedy; impersonates Katharine Hepburn, Joan Rivers, Ed Wynn, and Andy Rooney; discusses his grandmothers fascination with Andy Rooney;

This week we look back on the Kevin Pollack and JT Walsh vehicle, ‘A Few Good Men.' We were all quoting its famous line in the 90s: “Captain Galloway, why don't you get yourself a cup of coffee?”. Edited by We Edit Podcasts - https://www.weeditpodcasts.com?via=yiciai Find us at all the finest podcast places: Apple: https://podcasts.apple.com/us/podcast/your-inner-child-is-an-idiot/id957660267 Spotify: https://open.spotify.com/show/4BHABEvxH02VSCkhvKX2HQ?si=NHxzzArHSxGnxFUvTEpbNQ And the rest: https://www.podpage.com/your-inner-child-is-an-idiot/ Thank you to our Patrons for being our Three Seashells:  Just Cuz Lindsay Halik Scalfasaurus Jackson Has An Unhealthy Obsession With Damon James Taylor David Mort Dramatically Placed Hot Dog Captain Jean-Luc Picard Josh Frigo Hizoner the Mayor The Elusive Fan Gromkin Heather Tuggle Larissa Maestro Shit on the Cartouche! Lindsey Nell Zachary Hartley Jeremy Powlen Caroline Amberson Dr. Malcolm's Heaving Bosom Beth Surmont T. Smith Tommy Boy Is My Favorite Movie The Hands of Fate Particle Man Travis Vance The Zesty The Supreme Ruler of This Podcast Damon's Australian Accent Karen Curd Jonathon Day Bill Haynes Kathleen Campagna Emeka Obika Kristin Carter GoodCause theKuehm Jason X Vincent Jorgensen Jessica Hurtado Jody Passanisi Manstrocity Dan McIntyre Jirah Cox Toxoglossa Amy Parman Justin Shea My Neighbour Burrito Little Flick Emily Bucago Jarrad Holbrook

Well I guess we have a new episode for you morons. If we sound extra annoyed about it, or maybe even grumpy...it's becasue, this week, we're discussing 1993's Grumpy Old Men! Join us as we dive DEEP into the Midwest to talk this Walter Matthau, Jack Lemmon, and Ann-Margret starring film! Grab a taste of Magic Mind here: www.magicmind.com/sr Use discount code SR20 for up to 56% of your subscription order! GET VACCINATED AGAINST COVID-19 https://www.vaccines.gov/ Black Lives Matter Stop AAPI Hate Donate Directly to Stop AAPI Hate https://donate.givedirect.org/?cid=14711 Center for Anti-Racist Research: https://www.bu.edu/antiracist-center/ Colorlines: https://www.colorlines.com/ Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your degenerate, moron neighbor! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises!

1992 was a great year, look no further than WrestleMania VIII and the crowning of the Macho Man Randy Savage as WWF Champion as evidence of that. But it was also a great year for movies, and Brad Garoon & Jake Ziegler are ready to fill in a few glaring gaps in their 1992 canons. Brad has Jake watch Robert Altman's the Player, a movie he'd been meaning to see forever. They talk about this slick noir and sendup of the Hollywood system, starring Tim Robbins, Vincent D'Onofrio, Fred Ward, Whoopie Goldberg, and Greta Scacchi. They wrestle with Altman's directorial style and marvel and the height of some of the actors in this film. Jake assigns Brad A Few Good Men, a movie that Brad, like most of the world, had seen one scene of. They talk about the surprising Oscar snubs for director Rob Reiner and screenwriter Aaron Sorkin, and the terrific performances by Tom Cruise, Demi Moore, Kevin Pollack, Jack Nicholson, and Wolfgang Bodison. Jake makes the case for Kevin Bacon being historically underrated, and Brad makes the case for the point that Sorkin dialogue became unbearable. Other movies discussed in this episode: Touch of Evil (1958), Nashville (1975), Juice (1992), The Mighty Ducks (1992), White Men Can't Jump (1992), Wayne's World (1992), Alien 3 (1992), Under Siege (1992), Scent of a Woman (1992), Aladdin (1992), Reservoir Dogs (1992), Batman Returns (1992), Glengarry Glen Ross (1992), A League of Their Own (1992), My Cousin Vinny (1992), Unforgiven (1992), Gosford Park (2001).

Inconceivable! Jack, Justin and Corey duel it out over Rob Reiner's fairytale classic, THE PRINCESS BRIDE (1987)! The three talk canceled songs, Rob Reiner's immaculate directing run, stolen valor, over-saturation in pop culture, Fred Savage's nostalgia, Peter Falk's voice, Kevin Pollack's impressions, Mark Knopfler's bad music, Carey Elwes' beauty, Andre The Giant's farts, Mandy Patinkin's motivations, sacred text movies, fairytales and Jack's controversial take.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

National candy corn day. Entertainment from 1998. Time clock invented, Soviets detonate largest nuclear bomb ever, Bosphorous Bridge opened in Turkey. Todays birthdays - John Adams, Ruth Gordon, Grace Slick, Henry Winkler, Harry Hamlin, t. Graham Brown, Kevin Pollack, Gavin Rossdale. Steve Allen died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Candy corn song = JensensThe first night - MonicaHoney I'm home - Shania TwainBirthdays - In da club - 50 Cent http://50cent.com/Somebody to love - Jefferson AirplaneHell and High water - T. Graham BrownComedown - BushExit - It's not love - Dokken http://dokken.net/ https://coolcasts.cooolmedia.com/

The stage is set, the mic is on, and the cue is yours. In this episode, stand-up comic and voice actor Tom Sawyer shares his golden nuggets for aspiring voice talents hoping to benefit from the power of comedy. From the importance of having fun in the booth to taking a well-deserved break, and the power of belief in oneself, Tom is a reservoir of invaluable insights. We talk about standing out in a sea of talents, catching the ears of the right casting person, and the art of continuous learning. But remember, feedback is the breakfast of champions, and as Tom says, it's all about enhancing your performance. Get ready, it's showtime! About Tom   Tom Sawyer ran lengendary San Francisco comedy club, Cobb's for over 30 years. After stepping away from the comedy business, Tom was encouraged to explore voice acting by after famed comedian and voice actor Carlos Alazraqui (Rocco's Modern World, the Taco Bell Chihuahua) who knew Tom was an excellent celebrity impersonator. Tom signed with JE Talent in San Francisco and Aperture Talent in Los Angeles in 2017, and the rest is history. https://kitcaster.com/tom-sawyer/ 0:00:01 - Announcer It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a V-O boss. Now let's welcome your host, Ann Gangusa.  0:00:20 - Anne Hey everyone, welcome to the V-O Boss podcast. I'm your host, Anne Ganguzza and today I am super excited to be here with very special guest actor, comedian, entrepreneur oh my God, the list goes on Tom Sawyer. Tom ran the legendary San Francisco Comedy Club Cubs for over 30 years booking legendary greats, and this list just goes on and on, but I'll give you just a few of them Jerry Seinfeld, dana Carvey, Bob Saget, Jim Carrey, Rita Rudner, Joe Rogan, Sarah Silverman and the list just goes on. He stayed on as a booker until 2012 and then ultimately stepped away from the comedy business. After that, he was encouraged to explore voice acting by famed comedian and voice actor Carlos Ellsrocki, a good friend of his. He signed on with JE Talent in San Francisco and Aperture Talent in LA in 2017, and the rest, they say, is history.  But boy, we've got a lot of history I'd like to talk to you about, tom. Thank you so much for joining us and welcome. Thank you for having me. Oh, it's my pleasure. So, gosh, there's so many things I want to start with. I mean the first tell. You have such a large history of comedy, so, of course, I'm sure a very common question you get asked is were you a funny kid, or have you always loved comedy? What is it that drew you to comedy?  0:01:44 - Tom Well, yeah, I was the kid in the back of the class making all the other kids laugh, so that was where I started and I always did impressions. So when I was a kid I was doing Don Adams from Get Smart and Ed Sullivan and Richard Nixon and you know, it's probably a little weird seeing an eight-year-old doing Richard Nixon but that's what I was doing. When I was very young I realized I could do voices and never stopped and that's what kind of led me to voiceover when I got out of the comedy club business.  0:02:15 - Anne But boy, there was a long history of being in the comedy business. I label you as entrepreneur 20 times over because I think just following that passion of yours and then ultimately opening up a club that literally was just famed and just housing some of the comedy greats. Tell me a little bit about that history. I mean, that is just so, so fun and impressive.  0:02:36 - Tom Yeah, actually, I went to San Francisco to become a stand-up comic and there were all these clubs, the Punchline and the Holy City Zoo and the other cafe. They were very packed all the time and getting stage time there was next to impossible. Or you'd get on at one o'clock in the morning in front of a very tired, very small, very drunk audience. And then there was this little.  0:02:55 - Anne Sometimes that helps, I'm not sure Mostly doesn't, oh okay.  0:03:00 - Tom But there was this little club in the Marina District in San Francisco called Cobb's Pub and they were trying to do comedy there and there was no audience, but there was stage time. You could get on stage there. In fact, sometimes you couldn't get off stage because there was no one there to take over, so you had to stretch, stretch and that was terrifying sometimes. Especially if you're the third or fourth comic going, hey, where are you from? And the audience goes we all know where we're from, so stop asking.  0:03:29 - Anne That's so funny. I just wanted to say that a lot of my actor friends I feel like being on that comedy stage is like a rite of passage almost, and it's probably I would think one of the toughest things to do is to stand on stage like that and try to make people laugh. I mean, that's just to me it's comedy without a net. Yeah, exactly.  0:03:48 - Tom And the thing is it's like you're stuck there, literally. You have an allotted time that you have to perform and they give you 10 minutes. You have to do 10 minutes, doesn't matter if it's horrible right from the word jump, you're on stage for those 10 minutes. That's the time you have to do and that's one of the things you learn right away is like if you get on stage early.  you're not going to get back on stage. So you have to go through the rite of passage of bombing, and I've seen comics bomb from Paula Poundstone, kevin Meany, kevin Nealon, the list goes on and on. Every comic has bombed. But even later on you get in front of an audience that just doesn't dig you.  0:04:27 - Anne And again, nowhere to go. You can't run off the stage.  0:04:31 - Tom You're mean, I get that.  0:04:38 - Anne And it's funny because I literally I just went to a comedy club a couple of weeks ago and I was thinking about that, like what do you do? I mean, they are there until the next comedian is called on stage. And it feels interesting as being a part of the audience, because a lot of times I think, as the audience, you are part of maybe not part of the act, but it's very interactive, it's very back and forth and engaging because, of course, you're trying to make us laugh.  0:05:02 - Tom Yeah, you have to communicate to the audience without really engaging the audience, because you're the boss on stage, you're kind of like the crowd master and you're crowd control and entertainment at the same time. And because comedy, some people feel like, oh, I'm going to be as funny as the comic.  0:05:22 - Anne And that's when things get really sideways.  0:05:24 - Tom You're there to be entertained. Sit back, relax and leave the talking or the driving to the person with the microphone.  So you got some stage time on Cobbs and and then I realized that I just kept seeing these shows that weren't very good. The guy who was booking the club at the time wasn't doing a great job, and I was a big fan of stand up as well. So I started thinking about what I would do instead, and then I started telling the owner at the time first owner of Cobbs. I was telling him you know, here's what I would do differently, and then I could tell him at the beginning of the show how the show was going to fail. And then he was started realizing that everything I was saying was happening and he went what do I get to lose? We're doing horrible business. And so he gave me the job of booking and from there I started getting the people I really, really like to perform and it started going great and we went from being like about 20% capacity to 90% capacity in about a year.  0:06:23 - Anne So let me ask you a question that, to me, is very interesting how do you get, at the time, the talents that you booked? I mean, they were big names. Were they big names then? And how did you get them to book? I mean, that's a skill, right? It's something that we do in our businesses every day, right? We've got to try to get clients to like us and to work with us. So how did you do that? Did you have a secret?  0:06:42 - Tom Yeah, my secret was I paid really well.  0:06:45 - Anne Okay, okay, that's a good piece.  0:06:48 - Tom My biggest competition, which was twice the size of our club. We were out paying that Because we decided that the most important thing was getting butts in the chairs and the only way to do that was having acts that actually brought an audience. So the only way to do that was to offer these guys more of an opportunity to make more money. So we would give them a percentage of the door and say, hey, the more people come to see you, the more you're gonna make. And because of that we had people that would call up and go, hey, I'm gonna be on the Tonight Show in six weeks with Johnny Carson, do you have anything open? And I would move stuff around and get them in there and then I would get a Tonight Show plug or a Letterman plug or Arsenio Hall. At the time and that was kind of my thing was I'm gonna pay everybody. Really well, so everybody could. Percentage of the door.  In the early days before all the big agencies came in, sure, and remember this was at a time where there were just like a couple agencies doing personal appearances for comedians. Comedians were pretty much on their own. They were doing their business themselves. So if I wanted Bob Sagan, I'd call Bob Sagan, so I get his number from another comic and everybody was kind of looking for each other and I would bring one comic in. They'd go, hey, you should book these guys. And I go, okay, great, and call them up. And they'd go, right, when can you give them me a date? And I'd give them a date. Plus, we flew people up and we put them up in the hotels. So we didn't personally make a ton of money. That wasn't my thing. My thing was having the best shows I could possibly have and making a name right.  And making a name for the club?  0:08:24 - Anne Absolutely, and that's interesting because, again, I like to talk about the entrepreneurial business side of what we do as creatives and freelancers, and there's a lot of thinking outside the box and also recognizing the value of the talent, that if you wanna put out great work, then you wanna hire a talent that's amazing and great and pay them fairly and absolutely. And so talk to me a little bit about the networking aspect. I mean, the cash is a good draw, but you also had to communicate effectively, I would say, to really book these talent.  0:08:58 - Tom Well, the thing that separated me from everybody else, besides being generous with the money that was brought in, was that I knew what they were going through, no matter what it was going on on stage. If they were dealing with a heckler, I'd gone through that as a comedian. If they were bombing, I knew that pain, so I could empathize with them, I could be their counselor, I could give them advice. I looked at it like I wasn't really a good comedian, and mainly that was because I wasn't true to who I am personally. So my mantra after that was be yourself.  0:09:32 - Anne I love that.  0:09:33 - Tom Yeah, that's who I wasn't. I was trying to fit in and have everybody like me and that really affected the quality of my stand up because I wasn't being true to me. So that was my mantra to everybody be yourself. Because nobody can take that away from you.  0:09:49 - Anne That's so interesting because I never ventured into comedy myself. However, I find that people find me the most funny when I am being my dorky self and I'm making mistakes and I'm just being oops, sorry, and I think in voiceover as well. I wanna talk more about that. I think it's all about being authentic and being yourself and that's really, I think, what connects you to people and engages you to people and endears you to people.  0:10:14 - Tom Yeah, I think it's really important when you get a job, and especially if it's somebody you want to get more bookings from play around, have fun. I mean, I booked a video game and the first thing we did we went through several of the lines I had to do and then we went through all those and I just did just the lines, basically no acting or anything like that and they went. Yep, that's about it. I went great, thank you.  0:10:33 - Anne Love it, love it, bye, bye.  0:10:35 - Tom So everybody started laughing. It loosens everybody up and that's really it's just. Don't be a pain on the ass. Realize that you're always learning. They're always learning. Everybody's a professional too, and so be courteous and nice and smart and be entertaining. You are the talent, so show some talent as a professional as well.  0:10:53 - Anne Show some talent. I love that. So talk about in the transition while booking talent. So you did that for a very long time, I mean 30 years, and so, wow, I mean, was there a point? I mean, were you just so busy for 30 years Did you think about voiceover? Was that a thought in your head or something that you would do, or you just were completely. You loved running the club and booking talent.  0:11:18 - Tom Prior to moving to San Francisco, I lived in Florida, lived in Sarasota, Florida, and I did a lot of theater there.  That's why, I fell in love with theater and acting. You know, I always thought like, oh, stand up might be a good gateway to getting into acting, but then I got into the business end of it. So I didn't really think about it until I got out and I didn't know what I was gonna do. And I was talking to Carlos and he said dude, you do so many voices and stuff. You'd be great at voice acting.  Cause I've always done impressions, never stopped doing impressions. In fact I would teach other people like Kevin Pollack or something, if they had an oppression and they couldn't figure it quite out. They were doing it but they weren't quite right. We'd kind of jam and help them get there, or they would help me get there and we'd all do our really weird outside the box impersonations. You'd have to spend five minutes explaining who that guy is Right right right.  0:12:07 - Anne So you can't do that one.  0:12:09 - Tom But for comics, we love doing those, especially impersonators, impressionists, we love doing those for other impersonators. It was kind of like our jazz moment, you know, where you get to jam behind the scenes with another musician.  0:12:20 - Anne Absolutely.  0:12:21 - Tom So Frank Calliendo, I had the club, and Dana Carvey, of course, was the master of the not perfect impression, but getting the perfect funny it didn't matter, that's what his genius is. Bye, you know, is finding the perfect funny to any voice. And then Tom Kenny played. The club started at Cobbs as well Again, the guy who did so many crazy voices. It was another inspiration for me to move there, and every once in a while I talked to him, cause I'll get a audition for something that I know is directing or in, so I go heads up and he's going dude.  I have nothing to do with casting, you know sometimes they cast people and I'm scratching my head. So yeah, but I'll put in a good word for you.  0:12:58 - Anne So Well, hey again, networking totally helps. Now comedy skill. I think comedy is a skill and art form. What are your thoughts on that?  0:13:07 - Tom I mean cause, oh, absolutely.  0:13:08 - Anne Yeah, it's not something that I can go on a stage and execute.  0:13:11 - Tom Yeah, it's like anything else I personally believe.  my philosophy is we all have a gift somewhere along the line. We might not be in a position ever to know what that gift is, but we all have a gift and sometimes there are people out there have more than a couple fair, but there's also people who just don't ever find theirs. And I think that the idea is you know to try to discover who you are and your strengths, weaknesses. Stay away from those weaknesses and hurdle towards your strengths, you know, and don't get locked up into one thing to always be on the road to discovery.  0:13:42 - Anne I guess I want to ask you first of all about once you got into voice acting and then was it like you were always wanting to book a certain genre because you've had lots of characters inside of you that wanted to come out? Or did you find any of the genres outside of character Interesting, because I'm a believer that you're a character in just about everything you do, even if you're doing e-learning.  0:14:05 - Tom Yeah, I always try to find a person, even when it's just one of those hey, you're a dad, or hey, you're a regular guy. Or I just had an audition yesterday where you're just a regular father, you know it's regular. But the line said something else, you know. So I gave one as what they were saying and then one. That's what I felt the lines were doing. It was a subtle difference, but it was a difference that maybe whoever put this together wants to see. If somebody figured it out, or they didn't know that's where they were going and they don't know. Sometimes they don't even know until they hear it.  So give them what you think they want, and then give them what they say they want.  0:14:39 - Anne So interesting. I guess I would talk to you then about writing right, especially now that you've transitioned in voice acting and you're given a script right, or you're given an audition and finding the humor. Sometimes there's subtleties in that humor, sometimes it's obvious. Are there telltale signs to look out for? And then, once you do see it, is there a specific way that you feel it should be performed? Should it be performed in the obvious way? Or maybe, if you wanna capture the ear of the casting director, you do something different?  0:15:08 - Tom Well, I think you know what you do with a couple takes is you do the one that's on the page and then you do the one that where you think they go or where you can go with it to show what you can bring to the party. I always like to find the humor in something, especially if it says it's humorous, you know, and then play around with it and add a little bit, do a little improv with it, find a little spontaneity into there, or sometimes I'll even rewrite a line, cause I think it's kind of like flat, so I'll make it a little funnier. A punchier.  0:15:36 - Anne Okay, now that gives me a segue into a question In terms of with the script, in terms of improv right For an audition, are you improving in the audition and or improving the line, and at what point do you feel that people may go too far if you're completely rewriting, or do you think that's offensive maybe?  0:15:54 - Tom I think you have to be pretty subtle in rewriting. I think you do run the risk of people going why do I bother sending you a script? Cause you're adding all this stuff to it. So you pick and choose your moments. You know I've done that before, I've added jokes. But I'll listen to it again and go okay, that's a little too much. Plus, I want to have them. I don't want the person thinking after the third one, is he gonna go back to the script or what you know. So I wanna pick and choose my moments and make sure that I think of the funniest, the ones that have the most oomph. You want them to land, and so era on the side of too few than too many.  0:16:33 - Anne Let's talk about character development for you, especially because you're an impressionist. So how can you take, let's say, and you don't necessarily wanna have a character that's just after a particular person, but you wanna develop it into your own character. Is there a formula or a process for that, in terms of developing new characters?  0:16:51 - Tom Well, I have a book of all the impersonations I do, well, a book with the impersonations I do. And then I have like one that's like the ones I do pretty right on, and the ones I do that are just kind of soft. I don't really have it down, but that's great because it's a character.  0:17:07 - Anne Do you have a number for that? Somebody wants to have how many characters in their arsenal, how many to build off of.  0:17:13 - Tom Every day that I can figure out how to do a different celebrity or something like that. I write it down in the book Cause it comes to you sometimes. I mean, when I figured out how to do Robin Williams, it just was an accident. It's one of those things where you find a word and all of a sudden. Then you find a place in your throat and you're doing it and you can't stop.  0:17:32 - Anne It's crazy so it just never stops. I love it, I love it.  0:17:37 - Tom So one day I did Robin for Robin and that didn't go so well, apparently I didn't know he doesn't like his voice, apparently being impersonated. You didn't like that. No, it's really a very awkward Cause. I thought it'd be a lot of fun.  0:17:50 - Anne Yeah, and that's interesting because I'm curious about that. You know, celebrities like their voices impersonated, or now we've got a whole another, a whole another digital thing to be thinking about, when voices might be impersonated or turned into right With synthetic voices. But that might be another podcast.  0:18:10 - Tom That's a little scary.  0:18:11 - Anne That's a scary one, absolutely.  0:18:13 - Tom The thing about it is is like the flaws, like, let's say, go back to Dana Carvey, cause again there aren't many that he does right on, he'll leave me be the first to admit it. He's not like somebody like Frank Caliendo, who's just like amazing. He's verbatim, you can hear the voice. He's somebody who can do a sound alike. Dana could never do a sound alike, but he gets people's caricature down. That's the thing is it's like, and that's kind of what makes it funny is the imperfections is going up, finding those words.  I just, you know, I used to do Bruce Stern and a lot of people kind of forgot who he was, and then one day I just was doing it for somebody to just start laughing Cause they didn't even remember who that Bruce Stern was. But it's just his voice is funny, you know, cause he has a kind of voice like that and it's very inquisitive either. Everything goes up at the end Doesn't make a darn gosh darn bit of difference, and not sometimes he gets crazy. But and so you find those little imperfections actually make a character and make it really funny. That's what I like to do. You know, I did a animation pilot and it was like a hippie character and I was going through a bunch of voices with a writer cause they booked me and they didn't feel like they wanted to do something different with it. They said what can you do? And I was going through my book and I started doing Nick Nolte and they loved it and then you ended up going with that over what they originally had, with me doing it.  0:19:37 - Anne So I love how you have a book with everything written down. Now, do you also have audio files that go along with that, so that you can help yourself get into words?  0:19:45 - Tom Yeah, I have one where it's all my impressions, so that way I can go back. And how do I do that? One Cause I don't practice them all the time. Cause.  0:19:54 - Anne I have life.  0:19:55 - Tom So, and I don't want to be walking around talking to myself, of course, of course. Man, it's got so many voices.  0:20:00 - Anne So are you writing down then the name and then you write down the qualities of the characteristics or how you get into it. Is it a kick phrase? Maybe that gets you into the character.  0:20:10 - Tom Well, there's certain words, for example, you know, I came up with for Christopher Walk and I came up with the word pantaloon being the perfect Christopher Walken word. I'm thinking cowbell but that's yeah, cause. Well, that's, this is before cowbell yeah, before cowbell.  0:20:26 - Anne But pantaloon automatically gets me there. I love it. I love it Cause I say it.  0:20:33 - Tom I can't help but do more. Christopher Walken, who doesn't like a nice pair of pantaloons?  0:20:43 - Anne I love it. I love it.  0:20:44 - Tom Cause you want your calves exposed. So yeah, and then with Kurt Douglas, it was horse, oh Horse, okay, I'm going to read my horse. If I say horse, I go into Kurt Douglas Well.  0:21:01 - Anne I think there's something always so obviously so entertaining, but something that just draws people to comedy. What are your thoughts about this crazy, chaotic world that we live in today, and where does comedy sit now, I mean, in terms of how important is it?  0:21:17 - Tom I think comedy is as important as it ever was. And it's in a weird place right now, cause I think a lot of people are reacting to people saying words and there's a lot of people getting offended easily and comedy is not for those folks that have thin skin, both sides of it.  I find it funny that I think a lot of comics right now have thin skin as far as getting some criticism back, cause it's also about growth. What was funny in 1970, if you listened to comedy in 1970 or the 80s, it's not as funny now. In some of it's just not funny at all. We grow, we expand, we move on, and to me, that's what's great about comedy is it's about adapting. You're always adapting. You're always growing, as you should be as a person. So to me, if you're moving the ball forward constantly in your life, you're gonna be a better person than you were 10 years ago. So why not take that to comedy? Absolutely, the things that were funny like 15, 20 years ago are real cringy right now, and it's not because they weren't funny back then. They were. It's the same reason I get upset with people who go back like 20 years and go. I can't believe you said that back then.  0:22:28 - Anne Well, back then that wasn't offensive.  0:22:30 - Tom Exactly, we didn't find that offensive back then. Now we've all grown up and we've all moved on a bit and we understand that's not the same. But don't punish me for something that was okay Back then. Mark Twain, who wrote a famous book about a guy named Tom Sawyer, had a lot of cringy stuff in his books. There's still masterworks of literature, but those were the times. We have to accept. That's where those books came and there were a reflection of those times. Same way we would stand up. So to me it's just about. Everybody just needs to grow up. Everybody needs to understand where everybody was back then and where they are now and be better for them.  0:23:06 - Anne Yeah, yeah. Do you find that you miss owning a comedy club or booking talent or having that in your life?  0:23:12 - Tom I miss working with young comics. That's the thing I miss the most and it was actually when I started. The last version of Cubs when it exists now, because it's a 400-seat room has really amazing acts, but they're much bigger acts and they generally bring their own acts with them, and comedians who can bring their own acts generally don't bring really really great acts because they don't want to have to work as hard. I would make comics work hard because I would have really good acts going on before them.  Sure, so they have to try to continually stand tall, so they had to keep their game. My thing was like Interesting strategy. I like that yeah yeah, absolutely Nobody could coast. And then later on it was comics they would bring in.  I didn't think they were as talented as some of the people I could book with these guys, and so I wasn't really working with the comics anymore as much as I used to, and so that's one of the things about smaller room is you can get to work with younger comics and you get to tell them the dos and the don'ts and hopefully guide them to a path where they can be their best selves on stage. Sure, that part I miss.  0:24:14 - Anne And actually, speaking of that, what sort of advice would you give to voice talent out there that want to continually up their game and stay on top of the voiceover game, because, boy, it's competitive out there, super competitive.  0:24:27 - Tom It's crazy, it's crazy.  0:24:29 - Anne Like just as I'm sure it was in comedy and being in the club. It's such a mental game a lot of the times too.  0:24:34 - Tom Yeah, the nice thing about voiceover having been a stage actor very early in my life is you don't see the person who you're auditioning for, so you don't see that look, as soon as you hit the stage, that you've already lost your audition. You're not the person they're looking for, and that's so disheartening sometimes so at least you go into every audition with this could?  0:24:56 - Anne be the one.  0:24:57 - Tom And I love auditioning, so I love going into another character or finding something I haven't found before, or even sometimes there's a couple of characters I do that I think, oh man, this one is definitely gonna find a home someplace. It's just a matter of getting in front of the right casting person hearing it. So I'll bring out those guys every now and then, when it's the right opportunity for those characters, cause they're like they're my buddies. I want them to succeed. Yeah, I think just have fun in the booth is the main thing, and if you need to take a break, tell your agent I need to take a break. I mean, I talked to other voice actors and it gets a little depressing. Everybody came in this business thinking that everybody always said I should be in voice acting and everybody always said this is what I should be doing and I did it and nothing's happening.  0:25:43 - Anne Yeah, what's your advice for that? Because that becomes like a mind game. It becomes like oh my God, I've done all this work, what else can I do? I mean, what would you suggest in terms of getting work? It seems like the question I get most often as a coach is like so all right, I've got this great demo now and had this great coaching, and so now, where's the work? How do I get the work? Or how do I stand out?  0:26:04 - Tom I think the thing about it is acting as a lottery. You're buying a lottery ticket is what you're doing. I mean, carlos Alice Rocky was a comic Lucky, had a job, state entertainment state creative, but it was getting the Taco Bell, chihuahua and all those people you auditioned from and he hit it, hit the lottery, you know so, and from there he's done so many other things. But when I say who Carlos Alice Rocky is, when I bring him up, I always go the Taco Bell, chihuahua guy and they go oh, I love that. So it's the same thing where you just go, my lottery ticket is gonna come and you're gonna believe in yourself.  When you believe in your talent and talk to other people in the business too. Just do classes I think it's still a good idea to do, just as even a workout session. Plus, you get some inspiration from other people who have a different style, maybe that you see something in yourself or you bring out something in yourself you didn't know was there. So I would say, take a class every now and then network with other people who just to have support, just so, hey, I'm here for you when you're down on yourself, in the same way that if I need somebody to talk to and say, hey, I'm really kind of wondering what the hell I'm doing here.  And they can talk you down from being sad or lift your spirits up and let you know you're really a talented person. That's why you got into this whole thing in the first place.  0:27:16 - Anne Yeah, I think that self-sabotage can happen to the best of us even.  0:27:20 - Tom And then sometimes you'll hear it in the reads. I mean, again, I'll go into a class and you can tell the person who's been beat down on pretty bad by themselves, mostly Cause do you have an agent? Yeah, do you have a demo? Yeah, well, you're doing all the right things and I think it's good to have an agent or two that are giving you good feedback or giving you feedback.  0:27:40 - Anne I was with an agency that way too many people.  0:27:43 - Tom The poop sticks agency you have 400 people that they represent and you just go. That's too many. I don't feel special when you're just going okay.  You got a demo, you're in. So I think, being with a smaller agency, that's a little more hands-on. Both my agents give me feedback every time, even if it's just a nice job. Yeah, and because of that I feel like I'm better for it, because I already know if I see a script, I know exactly what kind of read in the ballpark I need to be, so that's what I'm gonna get back. I'm at the point now where I really get back oh, you need to do this, this is too much, and something like that. So it's always I recognize what I'm working with right away. I do it, get it out, get the feedback, forget about it.  0:28:26 - Anne That's what you gotta do. I think a lot of people really crave feedback in this industry because we are just in our studios, kind of just talking into our little four padded walls, and so a lot of times it's hard when you don't get feedback and it's interesting.  0:28:40 - Tom Yeah, especially if you don't have a partner in a relationship, you know where you can at least go hey, honey, what do you think of this?  0:28:47 - Anne Yeah, you can bounce it off.  0:28:48 - Tom I don't bother my wife with everything, but every once in a while, you know, I go. You know, what do you think of this? Or she'll hear me and she'll go. I need to hear the whole thing. She'll hear me in my booth screaming, you know. And then now she has to hear all the stuff I did in that character.  0:29:04 - Anne I love what you said about well, at least when you're in front of a stage, I can, you can get that reaction from the audience. You know that, if you've bombed or not already, and the fact that when you're in your studio you actually use the fact that you're not in front of an audience as a creative kind of positive outlook, that you can be creative and not have to face that which is so interesting from, let's say, somebody that doesn't necessarily or hasn't started from being on stage. They might've worked a corporate job and now all of a sudden they're getting into character acting, and so they don't have that perspective. So I really like that perspective of taking the challenge and I think the creativity has to be in your brain, your imagination. You have to imagine that character in that scene, which is so difficult for some people. Do you have any tips on how to really create a scene realistically while you're sitting here in your studio?  0:29:53 - Tom Yeah, I think the most important thing, especially when you get those video games where it's like one line, one line, one line, one line, five, one lines and they're like hey, don't touch that rock and you're going. How are these people going to book somebody based on five lines that are no more than 10 words for the longest one?  and you're going, how am I gonna stand out in front of anybody? So you gotta kind of create a scene around those and those. I generally will write a bigger scene for the line and then because I'll have the line in there and I'll make sure that it doesn't bleed into the other words that I'm saying, but that gives me a little bit more emotional pop for that line.  0:30:35 - Anne Are you developing the characters that you're interacting with as well?  0:30:38 - Tom I know who I'm talking to. Yeah, so I might not have the character fully developed, but I know who I'm talking to.  0:30:44 - Anne Right, and what's happening in that scene? And what's happening, yeah, and you actually write that down.  0:30:48 - Tom I'll go on Word, I'll cut and paste the lines and then I'll put words around the line and highlight the line that is actually in it. So I have all the other words and a highlighted line to make sure I hit that one. But I know what's going on and I try to create more around it.  0:31:05 - Anne So how long would you say do you spend, let's say, analyzing and doing all that work? How long would you say you take for an audition to kind of do that creating the scene and writing that down before you go in and record?  0:31:17 - Tom It depends on my schedule and what I have to do and also how much I think something is really in my wheelhouse. I mean there's things you get where it's like I knock it out in 10 minutes because I really have a solid idea of what I'm gonna do with it and I go and do it and I listen to. It sounds good. With characters, though, with video games and animation, I really like to do as much as I possibly can. I remember I did this video game audition where the character was cockney. I called my dialect coach and we went through the whole thing together.  It was like a class for me. I thought this was a good opportunity to have a little class on doing a cockney accent and I said can I book our session with you? And we just worked on the script I was auditioning for because I really I loved it and I really wanted to nail it and, regardless, I got a class out of it. So it did two things for me helped me learn, and I put that learning to immediate use.  0:32:11 - Anne Absolutely absolutely.  0:32:13 - Tom And again, that's a really good thing to do is have a network of people, find a good dialect coach, find people that are teachers or coaches that you can work with, that you can go to and use them when you need, when you're stuck or when you just need something. Had a Pixar audition that I did and the character was obviously somebody from Eastern Europe and I had a friend who's from Ukraine and we went through the script and she helped me with some of the pronunciations and I didn't book it but I really felt confident sending it in.  0:32:45 - Anne I really felt like I nailed it Exactly. I love that because you've gotten the worth out of it, whether you booked it or not. So that's the other thing. So when you really are excited about something and you do all that work and you feel like you nailed the audition, but then you didn't book it, thoughts on how to stop that from getting you all upset and, oh my God, that's it.  0:33:03 - Tom Well, it's sort of like you still have to go. This is out of my control. I have no idea what the other person at the other end is going through what they've got in front of them. If they end up going with somebody that they've already booked for something and they can give them another character because union rules and it's like you did a really good job, maybe even better than that person but they're already booked and they don't have to pay another person to do that voice. They can do up to three voices and not get a penny more. So they go. Let's just give them that, so you don't know all the little things that transpire for somebody to get that part over you.  0:33:35 - Anne Yeah, and I think it's important for people to understand that it doesn't necessarily reflect on a poor performance or a poor audition.  0:33:42 - Tom No, my agent is a very funny woman and my auditions who I'm getting in front of have escalated. I'm doing more Disney Pixar auditions and stuff like that and she just goes. You're feeling upwardly.  0:33:53 - Anne There you go. I love that.  0:33:56 - Tom Which I thought was hilarious, because we always think we're failing. We're not. We're all doing the best we can and we're all doing great auditions. But because I'm doing so well in my auditions, other casting people are getting interested, so I am getting in front of people that I didn't get in front of, like four or five years ago.  0:34:12 - Anne Awesome, that's awesome. So even if you don't book the job, you could be making an impression on someone that can get you maybe the next job or the job after that.  0:34:21 - Tom That's the idea. They go well.  I really like that because you don't know, when I was booking COBS I would get DVDs and before that VHSs of comedians from around the country. We were very well known so I would get them from New York, boston, other parts of the country and they'd just pile up on my desk because it was excruciating for me at some times. So then at one point, when they were ready to fall over, I would just start watching them. In the beginning I would watch two or three minutes of somebody. Then it came down to just 30 seconds to a minute, because you know right away and that's how I'm sure it is for casting people.  0:34:56 - Anne You know right away if there's talent or if they were gonna be bookable absolutely or if they're right or wrong.  0:35:01 - Tom You might like them and you might wanna listen to the whole thing and you would go ah, they're just not quite right. I need a little bit of a younger voice. This is obviously somebody who's an older voice and I think it's really. I mean, I try to do what I can and have as much fun as I can, because there's gonna be probably 10 years down the road where this voice isn't gonna sound the same and I'll be doing grandpas and wizards.  0:35:22 - Anne So yeah, our voices do change as they age. I have experienced that myself. I certainly sound a whole lot different than I did 10 years ago. Well, well, this has been an amazing discussion, Tom. I so appreciate you taking the time and just dropping all these wonderful tips and tricks and words of wisdom for the boss listeners out there.  0:35:45 - Tom Yeah, yeah, have fun kids. That's the message.  0:35:47 - Anne There you go. I love that. So, bosses, I want you to take a moment and imagine a world full of passionate and powered, diverse individuals giving collectively and intentionally to create the world that they wanna see. You can make a difference. Find out more at 100voiceshoocareorg. And a big shout out to our sponsor, ipdtl. You, too, can network and connect with amazing people like Tom. Find out more at IPDTLcom. You guys have an amazing week and we'll see you next week. Bye.  0:36:18 - Outro Join us next week for another edition of VO Boss with your host, Ann Gangusa, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.  Transcribed by https://podium.page  

Sam Roberts has a fav wrestler, a couple favorite matches, and a lot of opinions about NXT, Charlotte, Finn Balor, Roman Reigns, and Japanese style wrestling. Plus, he's talking about his feud with Kevin Pollack, working with Opie & Anthony, and why he thinks Sean "X-Pac" Waltman is one of the smartest guys in the biz!

Ryan and Dylan finish their director analysis on Rob Reiner's hot streak of movies with When Harry Met Sally, Misery, and A Few Good Men.

Dana and Tom welcome back Christine Duncan to re-discuss the courtroom drama, A Few Good Men (1992): directed by Rob Reiner, written by Aaron Sorkin, starring Tom Cruise, Demi Moore, Kevin Pollack, Keifer Sutherland, Kevin Bacon, and Jack Nicholson.Plot Summary: "A Few Good Men" is a riveting legal thriller that delves into the depths of military justice and the clash between honor and truth. Lieutenant Daniel Kaffee (Tom Cruise), a talented but complacent lawyer, finds himself assigned to defend two Marines charged with murder. As he uncovers a web of secrecy and cover-ups, Kaffee must confront the formidable Colonel Nathan Jessup (Jack Nicholson), a commanding officer determined to protect his authority at any cost. With compelling performances and sharp dialogue, director Rob Reiner crafts a gripping courtroom drama that examines the price of integrity in the face of overwhelming power.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/a-few-good-men-1992-revisit-ft-christine-duncanFor the Original Episode on A Few Good Men, go to: https://www.ronnyduncanstudios.com/post/a-few-good-men-1992For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-list

Quick best of clips from Anthony, Rich Vos, Theo Von, Chris Distefano, Kevin Brennan, Kevin Pollack, Judy Gold, Dennis Falcone, CLUBSODA KENNY and Chuck from North Carolina. This episode is sponsored by BlueChew. Want to have better sex? Visit https://go.bluechew.com/opie to receive your first month FREE -- pay only $5 shipping. In this video, you will be entertained with some of the funniest comedy clips. These hilarious clips have been curated from Opie's solo show, which he embarked upon after the end of the Opie and Anthony Show in 2014. Opie's solo show has been acclaimed as some of his best work in his career, and this video serves as a quick moving best-of for those who are looking for a good laugh. Get ready to be entertained with these funny small bites from some of the best comedians in the business! VIDEO OF Da Beer Show E8 with Opie and Matt - Banana Bread Beer https://www.youtube.com/watch?v=nqT_3tWC2L0 The livestream happens most days on my Facebook and YouTube https://www.facebook.com/opieradiofans https://www.youtube.com/opieradio Join the Private Facebook Group - https://www.facebook.com/groups/203909694525714 Merch - www.opieradio.com Instagram and Tik Tok - OpieRadioSee omnystudio.com/listener for privacy information.

In ‘Overreaction Monday' Rich weighs in on the way-too-early NFL playoff picture, if Anthony Richardson can lead the Colts to the playoffs, Lamar Jackson's new WR targets Odell Beckham Jr. and rookie Zay Flowers, Baker Mayfield's prospects with the Buccaneers in 2023, the Lakers NBA title chances, if we'll see multiple Game 7's in the NBA Playoffs, and if we'll see dual championships in Miami for the Heat and the NHL's Florida Panthers. Actor Kevin Pollack and Rich discuss the final season of ‘The Marvelous Mrs. Maisel,' his 49ers fandom, shares some hilarious Don Rickles stories from the set of Martin Scorsese's ‘Casino,' ‘The Usual Suspects, and ‘A Few Good Men' including a surprising revelation about acting legend Jack Nicholson.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.

In episode 54, Brothers Pete and Paul Escarcega chat about "The Pope's Exorcist", starring Russell CrowePete reviews "Renfield", the Chris McKay directed comedy starring Nicholas Cage and Nicholas Hoult.Pete also reviews "Mafia Mamma", a hilarious new comedy starring Toni Collette.Paul reviews the biopic "Sweetwater", based on the story of Nat "Sweetwater" Clifton, and his journey to become the first African-American player in the NBA. The film stars Everett Osborne, Jeremy Piven, Kevin Pollack, and Cary Elwes.And lastly, Paul reviews "Chupa", the Netflix film directed by Jonás Cuarón, starring Demián Bichir, Christian Slater, and Evan Whitten.https://youtu.be/VZbld3v78pITo listen on Apple Podcast:https://podcasts.apple.com/us/podcast/aaaction-podcast/id1634666134To listen on Spotify:https://open.spotify.com/show/1L78fn3C6RlKKdUihtiLyR?si=f31450db95724290Please make sure to like and subscribe to the Aaaction Podcast:https://www.youtube.com/channel/UCzJFoiUHvdbaHaiIfN37BaQ#aaactionpodcast #podcast #film #movie #moviereview #moviepodcast #newmovie #pope #thepopesexorcist #popesexorcist #exorcist #renfield #dracula #comedy #nicholascage #mafia #mafiamamma #sweetwater #civilrights #nba #basketball #biopic #history #blackhistory #chupa #netflix

It's the end of the road for an Emmy- and Golden Globe-winning comedy series. “The Marvelous Mrs. Maisel” is back for its fifth and final season, with episodes dropping weekly starting April 14 on Amazon Prime Video.  For this episode of Streamed & Screened, hosts Bruce Miller and Terry Lipshetz, provide a (mostly) spoiler-free analysis of the the program, which is a favorite of both. Also hear from the stars, including clips from Rachel Brosnahan (Miriam "Midge" Maisel), Alex Borstein (Susie Myerson), Tony Shalhoub (Abraham "Abe" Weissman) and Kevin Pollak (Moishe Maisel) who reflect on the characters, the series and whether we might see them all reprise their roles in the future as part of a feature-length movie. Bruce also has an interview with Michael Zegen, who plays Midge's ex-husband Joel Maisel, who offers thoughts of his own on the program. Whether you're a longtime fan of the show or looking for an introduction before you binge the whole thing over a long weekend, you'll want to give this episode a listen. About the show Read more: REVIEW: 'Mrs. Maisel' ends with marvelous update Where to watch: Amazon Prime Video Cast: Rachel Brosnahan as Miriam "Midge" Maisel Alex Borstein as Susie Myerson Michael Zegen as Joel Maisel Marin Hinkle as Rose Weissman Tony Shalhoub as Abraham "Abe" Weissman Kevin Pollak as Moishe Maisel Caroline Aaron as Shirley Maisel Luke Kirby as Lenny Bruce Jane Lynch as Sophie Lennon Created by: Amy Sherman-Palladino Executive producers: Amy Sherman-Palladino, Daniel Palladino Producers: Dhana Gilbert, Matthew Shapiro, Salvatore Carino, Sheila Lawrence About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: A lot of young women trying standup comedy for the first time, which is so awesome and long overdue. It's been incredible to hear how his legacy has already affected people, and I'm really excited to see how she lives on. That voice you just heard was Rachel Brosnahan, who stars as Miriam ‘Midge' Maisel in ‘The Marvelous Mrs. Maisel' I'm Terry Lipshetz, a senior producer at Lee Enterprises and a co-host of Streamed and Screened, an entertainment podcast about movies and TV. Joining me, as always, is the incomparable Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. The Marvelous Mrs. Maisel is back for its fifth and final season with episodes dropping weekly starting April 14th on Amazon Prime Video. Bruce It will be an end of an era for one of the most popular shows on that platform. Certainly big shoes to fill. First of all, why was it not the marvelous Bruce Miller? This is now this is how this should be. This is how he introduced me. Right. It's interesting because this is a show that I think people lost track of because of the big gaps between seasons. Was it over? Is it over? And when they see this fifth season and I've seen the whole thing, they will go, Oh my God, there's so much in that fifth season because they do a lot of time jumps. So you're not going to just see one season, one year play out. It goes into the future and you find out things about her children. You find out things about her husband, her ex-husband, her friends, Susie. All of those people come into play at some point. And so it flashes back and forth and it's I think it pays. It rewards the people who have been loyal. And you get to see a lot of fun. So there is and I you know, I'm really I should say nothing. But there is one kind of cute thing where they're showing, you know, did she have a lot of dresses? And they show the racks of her clothes all. My God, what is this? She did have it because I don't think she ever wore anything twice. No, I don't remember it. And you also, I think, see growth in Mrs. Maysles comedy career, how she's able to tell, you know, I always thought, is she making this crap up on the fly? And every night, is she not writing this down so that she can, you know, retell it at another place? It seemed like every every routine she did was just of the moment. And you see how she does all that. And there is a scene in the last episode that is on Be Livable, and that's as much as I can tell you on the spoiler end of things. But okay, no spoilers. You know, when you first watched it, what surprised you most about it? For me personally, I was sucked in because I'm a native of New York City, okay? And for me, my wife is from just outside of Green Bay, Wisconsin. And it's been an interesting ride because she's she's Catholic. I was raised Catholic, but my dad was Jewish. But for me, it's kind of seeing that cultural the cultural phenomenon of New York, the Jewish culture, even though I'm I didn't grow up in the fifties or sixties, I was born in the mid seventies, but for me I could relate to it. And I thought that they kept this show like it's fiction, but it's also really easy. And I think it was that reality that kind of kept bringing me back. So a couple of things, if you don't mind me throwing these out, because we're going to be talking a lot about I mean, we're basically going to just talk about the show with Mrs. Basil. Yes, this is the Mrs. Maisel episode. So first off, the beauty of streaming is if you have not watched this show yet, just go back and watch it. You know, go get Amazon Prime if you don't have it already and start cranking through them. My wife and I didn't start this until the 2020 lockdown. There was already in between season three and seven season for that really long gap they were talking about. But we had nothing to watch during it. So we're kind of crushing through Netflix and Hulu and anything we could find. And we hopped into Mrs. Maisel and for some reason I didn't know much about it at the time. I was saying, What is this like some superhero thing? Because it kind of played with some of those Marvel titles that you hear. But it's a it's a comedy. It takes place, I guess, you know, like late 1950s, early 1960s. Rachael Brosnahan plays Miriam Midge Maisel. She's a housewife with very strong Jewish personalities in her life. Between her her husband and her parents and her in-laws. Alex Borstein plays Susie Myerson. She manages The Gaslight Cafe. Becomes a manager. She wants to be a manager. She's there. Michael Zegen is Joel Maseil while her husband and there's a Tony Shalhoub is in it as her father. There's a lot of actors you will know. Kevin Pollak is her father in law. It was a Jane. Lynch turned up as. Jane Lynch. Yeah. So it's it's an awesome ensemble cast. So and it's also a lot of reality. So Luke Kirby plays Lenny. Bruce. Right? So he's a real person, very controversial comic of the time, but becomes Midge's friend over time and helps guide her career. Midge Maisel, a fictional character, but she's based on Joan Rivers, who had a relationship with Lenny Bruce and started at the Gaslight Cafe, which was a real location. It's where, if you've ever heard of a musician named Bob Dylan, you've heard of Bob Dylan before.Bruce Never heard of him. Never heard of him. So he was a young man. Robert Zimmerman out of Hibbing, Minnesota. Probably did. Well, is he did. He did well. So he came to New York City and was kind of brought under the wing of a folk singer named Dave Van Ronk, who is who is the mayor of MacDougal Street down in the village of New York City. They performed at the Gaslight. This is a real location. So it's the beauty of this show is, you know, you're getting a little bit of a history lesson of the time and it but it's still a fictional comedy. It's hilarious. I love it. It's very you know, some of it is kind of on the surface kind of comedy and you pick it up really quick. But some of it's very deep, too, and it kind of gets into, you know, the place of women at the time in the 1950s and, you know, kind of being you're the housewife. Take care of the kids. Joel wants to be the comic. He's the one that's going to be the comedian. And of course, the tables get turned. But yeah, you're right. I mean, with the dresses, even as the show progresses and, you know, she's short on cash, sometimes it's like, how can you afford this apartment? Where are all these dresses coming from? It's ridiculous. The clothing budget does not suffer. She will always have a great outfit. What I find fascinating was each year it got bigger. You know, you start out and it's kind of like, Oh, this is doing a period show is expensive. And they didn't. They just threw it out there. They went to a summer camp, you know, and that can't be easy to recreate, particularly of that era. Then they go to a USO show, which is huge in an airplane hangar. They go to Paris, for God's sakes. This season, you're going to see them in New York and you're going to see a lot of landmarks in New York, particularly Rockefeller Center, which they use like a drum. They are around that building all the time. So that's that's fascinating to see. And the cast, there are so many people over those four seasons that get a return visit in the fifth. So it's it's kind of like a reunion. And you go, Oh my God, That was from remember when they did that? And she was in that. And then there's also a bit of, Oh, how can I how can I say this without saying this? It reminds you of if you saw my favorite year, if you saw laughter on the 23rd floor, if you saw any of those kind of looks at what Sid Caesar, Imogene Coca, Carl Reiner and Howard Morris did during the early days of television. With your show of shows, there are references to those kinds of things, so you get a real sense of the time. I think you really get to see what the fifties and sixties were like. There's a sort of Johnny Carson character. They mentioned Jack Paar in the course of the the series. What I love are these time jumps where you find out exactly what happened to Mrs. Maisel. What did she fizzle out and become? Nothing. Did she come a big star? Was she like Joan Rivers? You know, that is an easy comparison. But there were other female comics of the time, Tony Fields, if you remember that name. I don't know if it moms Mabley, these were all ones who were working that Phyllis Diller. And they kind of had to be aggressive in their approach to comedy because otherwise they were going to just be bulldozed over. And I think that's what you get out of out of Midge, is that she is not going to take no, but she is going to get knocked down. I can't wait to dive into this. It's exciting. I always love those just the characters. They even if they're playing such a really small role, it feels like they're playing a much larger role than it actually turns out to be. There are little in this one, you know. I don't know if you ever remember those kind of industrial shows that used to be big in New York, where it would be like, Oh, soap or whatever. And they do a huge thing for all of their their corporate people around the country. They'd come in for a day or whatever a weekend, and they do an industrial show, which we are. A lot of Broadway people would get on stage and sing the praises of, you know, Lox or whatever it might have been, or a new car. And they did these elaborate stage shows and fact there's a documentary out about them that is just fascinating because it's a world we don't know. We weren't in that industry. We weren't in that that thing. But people made a lot of money off that writing those shows. And you get a sense of that as well. There's a big convention of sorts that that Midge happens to be involved in. So you get another you know, it's this history lesson that you're getting a lot of stuff, even though it's not a real person. You know, if she were real, I think you'd look at it differently. You would say, Oh, well, you've got to have this moment. You've got to have that, and you really don't know what could happen. And Joel does not get shortchanged either. You know, I thought that maybe he would kind of just disappear as the years go by. And he has a very, very strong presence in the final season. That's great. I always loved his character. I always was afraid that as the ex-husband, estranged husband, he might just kind of slowly walk out of the show. And in the fact that not only has he remained at the forefront and kind of done his own thing, too, he's found his place and kind of escaped the shadow of his very overbearing parents. But the fact that he's still in it and that his parents are still in it just really makes the whole program him. And they do interweave those things, too, you know, that he was building a club. He was trying to get a club off the ground. And you'll see more of that in the next season. And his parents are big players with Mrs. Maysles parents. Interestingly, I don't think you see enough of Tony Shalhoub. I think he has a very secondary presence in in this year's show, and that's surprising because he won an Emmy for it, and I would have thought they would have leaned in a little more, maybe he just wasn't available to do a lot more. That's interesting. I also wonder, too, if it's is it part of character development, too, where they they want to highlight certain characters each season kind of give them because he did seem to have a very prominent role last year. When he was doing The Village Voice and he's a critic. And now he's getting the reaction to what life is like as a critic, which is I think, just fascinating. That's your favorite part, isn't it? Yeah, that's the cool part. Yeah. I lean into the critic aspect. I don't do I care about the comic? I don't know if I do, but I do care about the critic. You know, you talk a little bit about the characters and the reality and whatnot. One of my favorite things from the series and this is because, you know, and we've talked about this my my fan of of I'm such a huge fan of music. I have a very large record collection and just I feel like I have a pretty solid knowledge and I'm watching I think it was season it was season three when Midge was out on tour, was Shy Baldwin. Right. So she was doing comedy to open up for his big band performance. So he was performing. He had that ensemble band behind him. There was the one character who kind of became her friend of sorts. Carol Keane, who is a fictional musician. However, she was based on a real person. She played. Carol Kaye, if you at all familiar with her, is a legendary bassist, and she's part of what's known as The Wrecking Crew. The Wrecking Crew in the 1960s was this group of musicians that would come in and they were studio musicians. So you would have performers who weren't necessarily the best bands. They would go out live. But when it came to actually recording the albums, the producers were like, Let's you guys are in quite good enough. And it was even the Beach Boys, like the Beach Boys, didn't perform their own instruments in the studio. In a lot of cases. It was a lot of times it was The Wrecking Crew. So Carol Kaye, the real person was the basis to put down the bass line. That famous bass line in In These Boots by Nancy Sinatra. The bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum. So that was Carol Kaye and the fictional character in Mrs. May's All, who is also the bassist in the band and a befriended Midge and that season. So that was for me, another piece that I just really love about this. That's where rewards you for being astute in other areas, correct? If you if you know things like if you you know, if you don't if you don't know these things, that's that's totally fine. You're just going to be entertained for for an hour or however long the episode is. But if you if you're familiar with pop culture in any way, you don't need to just know the real people like Lenny Bruce. But it's knowing little things like The Gaslight Cafe. Carol Kaye, These types of people, you know, they are based on actual folks, even if it's just very loosely. Yeah, it's fun to see who they might be. You know, Sophie Lennon, Who is she referring to? Who is she trying to be that you would know as a fellow comedian? You know, is she somebody that or is she just whole cloth, a fresh character? And that's I think that's kind of picking the brain of Amy Sherman Palladino, the creator of this show. If you know her from Gilmore Girls, you know that she loves dance scripts, she loves the idea that there's there are more words there than really you need to do a half hour or 45 minutes of a show, but she packs it and I would assume it would be very difficult to to learn all those lines, particularly when she wants that kind of rapid fire way of talking. And that's how she is. She's just like that. She usually wears a hat, too. She loves wearing hats. She's short. She's not unlike Susie. I would assume that a lot of Susie's personality comes from Amy, and her husband. Daniel is also a producer on the show, and he writes as well. So they're they're kind of in sync with what this mindset is all about. And I'm sure she had a grand plan as to where she was going to take this whole thing. Now, you can easily see that they might have gone seven or eight years with this, but I think the idea of cutting it off now opens up other opportunities like a movie. And I think for them, let's let's try and make the fifth season as packed as we can and then we can go on and do those other things and not have to worry about time limitations or we've got to meet a deadline to get this on the air by a certain time because it's it's expensive. It is hugely expensive. Bruce, I don't think you know this, but you have just set up the perfect segue way into, oh, wow, some audio here. So we already heard from Rachel. Now we're going to hear from Tony Shalhoub, who plays Midge's father. He talks about how they didn't know how long this series was going to go, but felt that both Amy Sherman-Palladino and Dan Palladino were able to wrap up the story perfectly the way it was supposed to be. So let's let's cut ahead to that clip. From what I understand, even though we didn't know how many seasons it may go or may not go, Amy and Dan always had, they always had the final scene in their heads. They always they didn't know exactly how we were going to get there, but they knew where we were going to land and then I think we all by osmosis, we all felt that cool. All right, so that was Tony Shalhoub. Bruce, does that sound accurate, like what he's talking about? Does it feel like the series wraps up perfectly? I think it does for me it did anyway. And I thought, like I say, the last episode is one you can't miss because it's and I, I cheated, all right? Because I was afraid I was doing an interview and I thought I better see the end just in case this character is dead. I don't want to end up asking, Well, like, you know, what about those later years are, well, I'm dead, so I won't be in those later years. But that wasn't the case. There wasn't anything. But I did watch the last episode before I finished off the other ones before it, and the last episode is a great example of standalone television. You could take that episode out, not see any of the rest of the series, and you would still get a really good sense of a story. It's like a little mini movie in itself, and it's interesting how they all are able to get friends in. There is a roast at one point that has a lot of comedians that you know, are friends of a lot of the actors that are in the shows. And there are ties. I think Rachel's husband is a character in the show. There are people that are all people who've been on Gilmore Girls, people who've been on Bunheads, people who have been, if you will, loyal over the years. And they repay that loyalty by giving them a shot in this last season. I mean, it's remarkable. If I sat and made a list of all the people that I saw, I, you know, a character that they introduced last season played by Gideon Glick, he's this magician and kind of an offbeat magician. And you go, What is this? I love that character. And he returns this season and he has a lot of really goofy things. He's afraid of flying. So that's a fear factor. And there there is a picture that you'll see out there somewhere that is JFK, the the airport. So you'll be able to see what that looks like inside. And it's just fascinating to see these characters. The last time I saw it was Catch Me if you can, and just to look at that and now there's a hotel there that you can stay at there. It's very commercial where you could go and actually do tourism things there. But it is featured in this season. Again, huge, huge landmarks that they're using in New York. I think it's fascinating to to realize that somebody didn't say no. Nobody was saying them, No, you can't do that. We can't afford to do that. It's like I'm sure she dreamed it. And very much like Susie, where she's not going to let somebody else tell her no, she's just going to keep going ahead and doing it. And I think that's in a nutshell. Amy. Amy Palladino I can't remember the timing of this. Was the JFK airport at the time, or was it still Idlewild? Yeah, it was, Yeah, it was, but as I know it is. I know I always wondered because it transitioned. It was not named. No, it was not named JFK because, you know, and interestingly, I don't remember that they've even mentioned that Kennedy has died at that point. But you'll see the eighties, you'll see the nineties, you'll see the seventies, you'll see various different time frames over the course of the of the of the episodes. Wow. So another character that was mentioned and we talked briefly about her was that of Alex Borstein. She plays Susie Myerson. You know, you had mentioned the connection with her to Amy Sherman-Palladino and whether it's the connection there. But we have a we have a clip of her also. Now, if you're familiar with her, she's also the voice of Lois on Family Guy. She's a comedian. She's been around for a really long time. But I think this is kind of like probably her biggest breakthrough screen role that I can think of on screen role. So we have a short clip of her talking about her relationship with Midge. So let's go to that. For a bit. Like Mutton, Jeff, It makes no sense. And yet there's just this chemistry. There's something that draws these women together and they've got each other's backs and it's not about finding a mate. It's about achieving something in their lives that they want. It's about filling a hole within and they complete each other. All right, Bruce So that was Alex Borstein talking about the relationship that Susie and Midge have. Is that connection? Because that was always one of my favorite things was the interactions between Midge and Susie and kind of the weird polar opposites that they are, but they have this great presence on screen together. Do we get more of that in this first season? We do. And you also get fighting. And that's as much as I can say about that. You know how they it's like on a soap opera where they love to put people together and then they like to tear them apart. And I think this falls into that. You know, there's there's a reason for them to be at each other's throats and maybe they both don't pay attention enough to what the needs are of the other person. But you see how how Susie is just giving her life for this person that maybe she might be a little too protected. You know, Mitch can Mitch has the ability to go and do this because she has her parents to fall back on if she really needs them. Her husband, her ex-husband is still there in the picture for her. She doesn't have that kind of if I don't do this, I don't know what will happen to my life. There is a safety net for her, and we've seen that over the years where she's taken jobs at other places and done other things and she gets a new job this year. And that's a safety net of sorts, too. But there's always this comedy where Susie has nothing. Susie is like she's all in and she will do whatever she needs to do to further the career of her client. Hopefully there will be more clients, but you know, you look at it and you say, Oh my God, she's just doing all this for one person. Is that friendship? Is that is that, you know, just survival? Is it? She's enamored with her. What is the what is the deal for her and why is she doing this? And you get answers to all of that stuff. It's just it's really fascinating. I remember when they went to the to the Catskills and they were staying there and I think she had a hammer or something. And she was like trying to do things with the hammer. And you go, Oh my God, this is unreal. And she's always treated like dirt by everybody. Everybody sees her as like their batboy for anything that goes wrong. Susie, we're going to go to you. Yeah, She said that season at the Catskills was just incredible. I mean, they basically took it was pretty much the entire season was more or less on location up there. And you still had to work her in somehow. And she obviously she doesn't dress like somebody that belongs there. So she just walked around with that hammer and like, I think a plunger, too, just looking like a maintenance worker and nobody would question it because that's what she did. But that relationship, you know, even though we're we're avoiding spoilers for season five, we had that adversarial give and take relationship between them throughout all the seasons. Because you're right, she didn't have anybody. Susie doesn't have anybody to fall back on, so she has to make a living, which meant at times taking on other clients. You know, she didn't want to be Sophie Lemon's manager, but she needed the money and then kind of had to deal with that abuse as well as the abuse of of Midge, who couldn't believe that she would support Sophie Lennon, who is her her nemesis. Right. Yeah. So, you know, that that to me has been just a great, you know, relationship. But it always comes back to when they meet in the diner, which is such an iconic New York thing. Like, I just love I miss diners so much. Bruce Living in Wisconsin, there's no diners out here. People who think there's diners out here, there is no diners out here that is. Have a drive thru with it, too, right? But it's such a it's just such a new York, New Jersey, East Coast cultural thing where you go to a diner and you get that triple decker club sandwich or the pastrami or whatever it is and a pile of food. You come all the other way, it's on you. Who knows everybody's order. Yeah. You know, you get that big pickle spear which probably sits on every plate, and they just move it from plate to plate so I don't touch it. The end. They do. Go back to the diner. You'll be seeing that and you'll be seeing various and sundry combinations of people talking. So it's a it's a key place. And like I say, these sets that they build the apartments, the business places they go to, it's unbelievable. I don't know how I would love to see what the budget was for this because it had to be huge because it looks good. And I there's a thing and there's this coming season where they mention something as a giveaway, okay? And I thought, oh no, that it's it's wrong. It's not the same time. And I had to look it up to make sure that that was within that time span. It was exactly in that time span. You know how you would say I like a yo I don't want to see what it is because again, this is one of those things. But if it was a yo yo and you say, well, yo, yo, what year was a Rubik's cube? That would be one a Rubik's Cube. Why are they giving away Rubik's cubes? They weren't available in 62 or 61 were they. I don't I think they didn't come until the seventies, but that's not yet. But there is another thing like that. And damn, if they didn't nail it. And I looked it up and it was exactly right, it it fit with the time frame. You'll see stuff like that that it just you want to play gotcha with them and they, they already know they're much better than we are at vetting these kinds of things. Yeah, they, they're really good. It's just nailing history. It is a history. Even though it is fiction, it is a history lesson throughout pop culture, history lesson. Were there characters that you really like that maybe aren't around or have, you know, dropped in for an episode or two? Well, you know, the Carol K one was one that I really liked. The magician that was in there in season four when Midge was working at that theater. And, you know, it's kind of the adult content. It's not quite a strip club, but it's that kind of like a doll that the manager of that club was. It's just a lot of those little characters like that. I really love the characters that I really felt a personal connection to, and we'll kind of kind of move this forward too, with some some clips that we have coming up. So we have Michael Zegen, who plays Joel Maze, all his parents. Kevin Pollack plays Moisi Maisel, his father, and then Caroline Aaron plays Shirley Mays or his mother. So I had mentioned earlier that that my mom was Catholic, my dad is Jewish. His parents, um, his mother died. My, my paternal grandmother died. I was probably about 15 years old when she passed away. She wasn't a very devout Jewish person. My grandfather was he was it could be. Yes, it was. That was probably about it. My grandfather was always a little bit more religious. And then after my grandmother died, he got remarried a year or two later is very quick. And the woman that he married, her name was Mildred. We all called her Millie and they became very devout again. He would go to temple. They kept kosher, but but Millie had a very unique personality. So when the show started and I started watching it, and when Joel's parents were finally introduced and Shirley Hazel comes on screen, I turned to my wife immediately and I'm like, Oh my goodness, that is Millie. That's Bella. Is Millie. Looks like Millie. Sounds like Millie. Acts like Millie. This is not like you can think that that there's there's acting here and we're over the top and there's no way people could be like this in real life. Surely Basil is Millie or Millie was Shirley. Mabel, whichever reality. So it to me there was just that personal connection that that strong, very strong personality with her. And in the father, I would I don't think my grandfather was any way like my she they had certain crossovers but you know Shirley and Millie were two peas in a pod. Shirley is a big fan of pop culture, and she knows all the names that Midge might throw out there. She has like she could give you an encyclopedia about the person, and she's so excited about everything. And of course, when Midge invites them to come to various and sundry things, oh, she's right there. She's ready to come. Whereas her own mother is like, well, this interrupt with what I'm doing. I don't know if I want to come and see you perform in front row is always Shirley. Shirley is there. She's all, This is wonderful. You're doing a great job. I love you, you're great. And you'll see they do a lot with them during this next year, so you'll enjoy that. I'm looking forward to that because that interaction with them and in some ways to my my maternal grandparents who were Catholic, they never interacted that often with each other. But there is always a very strange relationship between like my mom and her parents and my dad and his parents when they would interact. It was very I don't know if his adversarial is quite the way, but culturally very different. And I kind of get that with this show, like like Midge and her parents were very much one way, and Joel and his parents are very much another. And there is that that onscreen dynamic that I just love. And it kind of clicks with me a bit. Yeah, and they're together a lot. The four of them do a lot of things together. You'll be you'll be thrilled. You know, speaking of Moisi, Mazal, we do have one more clip of Kevin Pollak, and he's talking a little bit about the future of Mrs. Maisel. So let's go to that. Yeah, we're not going to ever say goodbye. And I predict now for you, in 4.3 years we'll be here talking about the amazing movie. There I said it. Kevin Pollak leaves a little bit of that door open. Could we see Mrs. May's old movie? I think it's the door has been cracked. Look, the way they need content these days and you know that it'd be an Amazon film in a minute. And, you know, so they put it in theaters. They could get a lot of attention for it. And then you just put it on streaming again. I think we've seen the model for all of this. And like I said, it would help pay the bills for all that expensive stuff that they're using because it looks like a Cinemascope film. It's shot. Well, it has great I mean, the scoring, they created original songs for this. Now, really for a half hour you're going to do that. And the sets, the costumes, the whole and, you know, the first season they won a lot of Emmys for those kind of below the line things. And I think this year they're going to be well rewarded for what they've done because it is so vast and so unbelievable. But, you know, it did not go unnoticed by the actors. I think they believe that they landed into a great situation. And I don't think it was by chance either that they were selected. I think these people, they knew who were the hard workers, they knew who the ones that would deliver for them. And it it it seems like it's a brutal show to do because it isn't just getting up and saying a line against somebody. You know, what's interesting is you'll see a little a clip of a TV show that stars Hank Azaria and Sutton Foster within the show. It looks it has a bit of Dick Van Dike to the quality of it. And Sutton Foster kind of seems like a mary Tyler Moore. And you think the idea that they would write this script for a show within a show that really isn't seen that much, you get a couple of lines out of it. And, you know, they did you know, they probably wrote the whole script or this sitcom that they were trying to reference in some way. And it's done in black and white. And you get all of that that kind of little homage. But clearly they are fans of the medium. They are ones who want to make sure that it comes across and you do get that sense of what the time was like. You know, it was not easy being a female comedian in New York, Hollywood, wherever. And I don't I think now it just seems too easy because we see comedians all over the place, you know, doing a one hour special on Netflix. But the idea that somebody would have had that or got that an unreal, unreal. And if I was able to interview Joan Rivers Times and she net, you know, as much as she was kind of oh what's the term I want to use not boisterous but she was you know, she seemed like a very like she would just tell it like it is and not worry about the consequences. That was not Joan. It was a character that she was portraying. She was the most loving, wonderful person who would would take you under her arms and just treat you like a friend. And that's the I think that's the same kind of disconnect you get here with Mrs. Maisel. She is two different people, but I can see easily that she is the the Joan Rivers is the template for Mrs. Maisel, even though their lives are much different. They don't they don't wind up the same way. They don't have the same dynamics. There aren't the same, you know, cards being played. But there is that kind of idea that I'm alone. I really am alone in this venture and I've got to do what I want to. Another series that it kind of seems similar to is Hacks, because you see Jean Smart showing what a comedian's like after the big days are over and how does she keep that going? And there's a glimpse of that with this fascinating because I think I think Joan Rivers is the mothership for all these kinds of things because of what she did do and the idea that look at Joan went to QVC and sold crap just to make money, you know, and what she had to do, she alienated Johnny Carson at one point and then she had her own show. But the one thing that she valued most was The Tonight Show. And there was no way they were going to let her back on with that because she had, you know, went as she had. She'd gone against the master and she wasn't sorry enough for Johnny to make this really work. And I think that was a big failing in Joan's life, is that she felt that somehow that relationship was not really repaired and she never got The Tonight Show. She didn't get things she wanted, but in the end, she did get a lot. And she is viewed as somebody they all look up to. You know, they say, well, I wouldn't be here if it weren't for Joan Rivers. And I think that's the path that you're looking at with Mrs. Maisel as well. So with Mrs. May's all leaving Prime Well, not really leaving. It's going to be there, but but this is a big tentpole production for them. What's left for Prime. They do have a lot of shows, but I also don't find myself going to Prime very often for original programing. It feels like a weird, weird platform to me compared some of the others in some ways, maybe a little bit like Apple Tv+, which has several big productions. But when there's nothing there, you know, when you run out of something like Ted Lasso, it feels like there's a long gap until something else comes. What what's your thinking on on Prime right now? I think, though, they're doing movies and a lot of those movies will draw the attention. And so I think that's where they'll get whatever. And they also have a lot of limited series that are ten and down or eight and done. And I think that for them is a better model then a series that who knows if you know the the the suits the executives who are in power may not like that series. And there it's just like network TV. As soon as one regime is out, there's do we have support? You know, unless you're the number one show on television they'll be looking to dump. Yeah. So we've been sprinkling clips throughout this episode, which has been fun because we don't always have audio from so many different people. But we do have one more and it's a little bit more than just a 1015 second clip. We have an interview. Do you want to talk a little bit about that? Yeah, I got to talk to it to Michael Zegen, who plays Mr. Maisel. And it's fascinating because I was always under the impression that his job could be gone at any minute. I really thought that Joel is not necessary to this show. He was important in the first year, but would you stick around? And so we got to talk about that and what this last season was like and what, you know, what what comes next. He is working on the Penguin, which is the new I think his HBO Max series with Colin Farrell, and he's a mobster in that. And so that's an excellent he'll be doing it Fascinating. And he feels very blessed, very blessed that he was a part of this because he knows it's magic in a bottle and you don't get that many times. Michael, how is it to say goodbye to this? I would think that would be very, very difficult. It is You're you're correct in you're you're sentiments. Yeah it's it's it's definitely difficult but it's some I don't know it doesn't feel like it's ended just yet especially you know we we still have all this and we're going to France together and I you know we still have this group text chain. So it's I don't think it'll ever quite feel over over. But I, I, you know, I know the reality of it. And we're not going to be filming anymore, which is devastating. Well, the last season is so stuffed with information. I mean, there's a lot there to unpack. What was it like when you were doing it? Did you say, Oh, my God, I can't believe this happened? And that happened. And, you know, there's a lot. There is, but there's always a lot. I feel like, yeah. And, you know, there's a lot of dialog. I actually think this year the scripts, they're always long, you know and I guess in our show is is supposed to be like, you know, 55 to 60 pages, our scripts are like 90 pages to 100 pages. So they're always long. I do feel like this this season, though, they were longer than most. And the locations, I mean, you're everywhere, you're doing the years, the whole all of it. That's why I thought it seemed like an awful lot. But maybe it's let's get it done and then move on to something else. Well, the show is big. It's been big from the beginning. You know, we went to Paris in the in the second season and the Catskills and Miami. So it's it's it's always been very big. And yeah, I mean, there's a lot of stuff, but somehow it just it still flows just as nicely as ever. And it's, you know, it's still. Mazal. When it started, did you feel, oh, they're going to get rid of my character at some point. I, I was just saying this in a in a previous interview. Yeah. In the first episode when I read it, I thought that was it for Joel and I thought it was going to be a guest star. I didn't even I, I looked at the you know, I was auditioning for it. They send you the cast breakdown and it said that he was a series regular. So I was like, Oh, even better. I had no idea. I really honestly thought this is it for him. And later. But but, you know, luckily that wasn't the case. And they were able to to create this this whole journey for and this evolution for this character. And there have been so many subplots of his that he just kind of owns. That must be a real cool feeling to have them kind of right for you, if you will. Yeah, we all get our subplots. But yeah, I mean, I think Joel's is is probably, I guess the most separate from from everybody else is they all kind of I mean, look, he's still in Midge's orbit, obviously, but but I think, you know, he's probably the he's like Pluto as opposed to, you know. Tony's not Venus. Right. What were you miss about this show? Because you had such a huge cast and of really great people? Well, that's what I mean. That's in that's it in a nutshell is the cast I, I, I, I'll miss everyone terribly isn't. And really, it's not just the cast, it's the crew. It's it's you know, our writers, Amy and Dan, obviously, I I'll miss everything about this show. Literally everything. This has been the greatest experience of my life so far, you know, work wise. I don't I was just talking to Tony and Kevin Pollak and they were saying, you know, by the way, no way, you're going to top this. So, like, they felt bad for me because they they were saying they're like, you have like years and years left. We only have like three and, you know, and I'm on it. It's over for me, basically. But I mean, I don't believe that, but I do I do believe that it's going to be very hard to top something like this. Do you think it's because of the writing that made it such an iconic show or was it something else? Is it spending a lot of money and doing a lot of things, making it bigger than normal? I think that the money is certainly helps. You know, luckily we had Amazon behind us and anything really Amy and Dan wanted they got because I think, you know, Amazon loved the show just as much as we did. But what was the first part of the question? Well, did did you think that it was going to be this this big, this kind of whatever, or was it the writing that really kind of sold all of this thing? It's really everything. It's the writing. It's like I said before, the crew, I mean, we had, you know, people at the top of their game in every, you know, whether it's lighting or set design or acting. I mean, it was just the whole the whole project was just lightning in a bottle. And and I think that's that's really just what made it so special. But yeah, did I have any idea I, I didn't know that it was going to be this big. I knew people were going to like it. I liked it. So, you know, I, I think I've got pretty good taste. And, you know, my if you look at my resume like I've done really good shows before and I've done shows that people watch. But but this was this took it to a new level. And, you know, right out of the gate, we we got nominated for all these awards and we won and we won the Golden Globe, you know, And that that was like, okay, yeah, we were right. Like, this is something special. And and now, you know, then we had to top that. And you got the Emmy. So there you go. Yes, We did. Talk about, though, Amy, as a as a force. I have my views of what she'd be like. I always see her in a hat and I always think she's like, she's marshaling troops. But is it like that or what is she like on on set? She's honestly just the best. You know, you talked about the writing. It doesn't get better than that. And and honestly, like, I'm a little sore about the fact that for, you know, the past couple of years at the Emmys, she's not even nominated for writing. I mean, this is the best written show on TV, you know. Yes. There's succession. There's all these other shows. But like in terms of comedy, it doesn't get better than this. And, you know, it's so rare for me to read something, especially when I'm home alone and I laugh out loud. That doesn't happen. And that's been happening on this show from day one. The minute I read the pilot, I was I was laughing. And and so, yeah, she's she's just, you know, there's there's a level of trust involved with her that that is unparalleled that I haven't I haven't experienced with anybody else. She shows up to set. I mean she's a former dancer, you know, and she thinks like a dancer. So, so even even our background actors, a lot of them are dancers. I don't know if you know that, but it's true. A lot of them are dancers and it's it's always a dance when we're rehearsing a scene because we don't have rehearsals, like prior to showing up to set and doing the scene. We, we, we get there on the day like, you know, 530 in the morning, whatever it is, and then we start blocking it out. And sometimes they're huge scenes. But I mean, you know, she's she's obviously in charge and there's this level of trust that I'll just do anything she wants because, you know, she knows what she wants. And to have a director who knows what they want is sometimes I mean, honestly, in my experience, it's rare. So what is it like watching Rachel do stand up? I mean, Rachel can do anything. You know, she's she always talks about how nervous she is. Like, I don't buy it. Like she's she's a she can do anything. She she's that type of actor where again, it's that level of trust. Like, I mean, any time I got to work with her was a joy and all of our I think you know all of our scenes that we got to do together were always my favorite. And yeah, I mean, you know, she talks about how nervous she is, how the audiences keep growing and growing for her character. And honestly, like, that stuff doesn't faze her. She was born to perform. And, you know, I don't I don't know if she would be a standup comedian, but but I'm sure she can handle that as well if she wanted to. Hey, and you can, too. So that might be even the next step. So. Hey, thank you so much, Michael. I appreciate it. And I thank you for all those years of really great television. Oh, thanks so much. I appreciate it. Thanks, Bruce, for that interview with Michael Zegen. What do we have on tap? Well, I'll tell you, I do. And tell me if you don't agree when you start watching this, this series by, because I think it's going to be in for a lot of Emmys, you know how they come and go. And they kind of had a down year. Never. They weren't getting nominated. And the things I think this year they're coming back with a vengeance. And I don't know how you could deny Rachel Brosnahan, the Emmy for best actress. Really? There are there is a moment there that you will go, Oh, my God, I'm glad I watch this series because it builds to this moment and it's unbelievable. And you'll, as you heard from Michael, you know, watching her was just unbelievable. But next week, we're going to talk about dead ringers. Here's another opportunity. And you wondered, where is Amazon going? Well, this is another series they've got, but it's a limited series. It's based off a movie. If you remember the movie by David Cronenberg, starring Jeremy Irons, he played brothers, twin brothers who were odd, to say the least, and they were involved in obstetrics and making all kinds of weird tools and instruments and whatnot. And they had freaky obsessions. They I mean, watch the movie. You'll see what I mean. It was one of those movies. Take me out for the longest time. Well, they've redone the movie and it's now a limited series, and it features two women as twins. Beverly and Elliot Mantle are now played by Rachel Weisz and Rachel really digs into it. She's and she has lots of fun. And you'll see a different Beverly and a different Elliot. And then it's at one point they play each other to try and dupe their friends. So it's a fascinating look at characters, but I do think they made a horrible land. I just kind of have that feeling knowing how the movie went. But that's next. We were talking to people who were involved in Dead Ringers, and that'll be coming as a limited series later this month. All right, Bruce, thanks again, as always. And tune in again next week for another episode of Streaming & Screened.See omnystudio.com/listener for privacy information.

Grumpy old women Sonia Mansfield and Margo D. dork out about 1993's GRUMPY OLD MEN, starring Jack Lemmon, Walter Matthau, Ann-Margaret, Darryl Hannah, Kevin Pollack, Burgess Meredith, Buck Henry, and Ossie Davis. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsGoogle PlaySpotify LibsynTune In Stitcherhttp://dorkingoutshow.com/https://twitter.com/dorkingoutshow

The boys are back with BIG IDEAS! CCE is starting the first leftist brothel and adult daycare! Nate's new big idea MarXtianism! And Drew's movie idea starring TOM CRUISE and KEVIN POLLACK.

Willow - Ep 227 Intro: WBTNLU the podcast that reminds you it's hip to be square. Join us on our quest to Tir Asleen where magic and adventure await us as we discuss the film and series WILLOW on Normies Like Us! Question Up Top: History with Willow? Show/Movie Willow (1988) - dir by Ron Howard (Produced/Story by George Lucas) The fantasy epic takes a very Star Wars direction with the Sword and Sandal genre and follows the young “Nelwyn” Willow on his quest to protect a baby of prophecy - Elora Danan Cast - Warwick Davis as Willow Ufgood, Val Kilmer as Madmartigan, Joanne Whalley (Kilmer) as Sorsha, Kevin Pollack, Billy Barty, Pat Roach https://en.wikipedia.org/wiki/Willow_(film) Willow (2022/ Disney+) - show run by Jonathan Kasdan (writer of Solo, son of Lawrence Kasdan) The fantasy epic returns as Disney+ attempts to create their own Lord of the Rings meets House of the Dragon. After a new threat arises from the ashes of Bavmorda the kingdom of Tir Asleen is threatened once again and a new group of warriors must rise to meet the challenge, with a little help from the great sorcerer Willow! Cast - Warwick Davis, Ellie Bamber as Dove aka Elora Danan, Ruby Cruz as Princess Kit Tanthalos, Erin Kellyman as Jade, Tony Revolori as Prince Graydon, Amar Chadha-Patel as Thraxus Boorman, Dempsey Bryk as Prince Airk, and Christian Slater as Alagash, with Jack Kilmer as the Voice of Madmartigan https://en.wikipedia.org/wiki/Willow(TVseries)

BEST OF HMS PODCASTS - Friday December 23, 2022

Kicking off our 100th Episode with a Controversial Christmas Classic — DIE HARD (1988)! For a future-franchised film jam-packed with exciting explosions, it's hard to believe this project was a gamble before it ever went into production. From its humble beginning to creating an iconic action hero, the formation of DIE HARD is nothing short of a surprise for everyone involved. 
//***Discussions include*** State of late ‘80s action films; DIE HARD's early novelization, lengthy writing process & tonality shift; studio demands, production challenges, director's influence & balancing action with comedy; casting stories, main & supporting cast breakdown/interplay; cinematography, stunts, special effects & sound/music; release, reception, sequels & the Is this a Christmas movie debate. Bruce Willis, Alan Rickman, Bonnie Bedelia & Reginald VelJohnson star in DIE HARD (1988). Directed by John McTiernan. //***Picks of the Week*** • Lindsay's Pick: PRESUMED INNOCENT (1990). Harrison Ford, Bonnie Bedelia, Greta Scacchi, Raul Julia, Brian Dennehy. /// Director by: Alan J.Pakula. • Justin's Pick: RICOCHET (1991). Denzel Washington, John Lithgow, Ice-T, Lindsay Wagner, Kevin Pollack. /// Directed by Russell Mulcahy. //***MurrayMoment*** Bill learns a secret Bruce Willis had been holding on to for over 30 years. //***Final Thoughts on DIE HARD*** Next Episode:
Jan. 31, 2023: GROUNDHOG DAY (1993) • Please rate, review & subscribe. • Follow on Facebook, Instagram, Twitter & YouTube. • //Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders. www.dontpushpausepodcast.com dontpushpausepodcast@gmail.com Be Kind and Rewatch // December 20th, 2022.

GGACP celebrates the 30th anniversary of the classic courtroom drama "A Few Good Men" by revisiting this interview with comedian and impressionist Kevin Pollak. In this episode, Kevin joins the boys for a frequently hilarious conversation about the legend of Harry Houdini, the cinema of Barry Levinson, playing pranks on Paul Reiser and Alan Arkin, joining the cast of "The Marvelous Mrs. Maisel" and sharing the screen with Tom Cruise, Robert De Niro, Jack Lemmon and Rod Steiger. Also, Steve Martin packs arenas, Walter Matthau hits on Sophia Loren, Don Rickles runs afoul of Joe Pesci and Kevin attempts to explain France's affection for Jerry Lewis. PLUS: "Morton & Hayes"! In praise of "Avalon"! Riffing with Robin Williams! Remembering J.T. Walsh! And Kevin wows with impressions of Albert Brooks, Peter Falk and Jack Nicholson! Learn more about your ad choices. Visit megaphone.fm/adchoices

Even 30 years after its release, A FEW GOOD MEN tops lists for the most riveting courtroom dramas. Using true events, a coveted director & soon-to-be celebrated writer, the film bleeds talent from all angles & integrity from end to end. All talents behind this film had a clear, unified vision — make a searing, ethically complex drama that would stand the test of time. 
//***Discussions include*** True events behind the film (pre & post release); writer Aaron Sorkin's humble beginning, story evolution & adapting the stage play to screen; Rob Reiner's influence & creating action within a narrative; in-depth character & cast discussion, behind the scenes stories, release & reception. Tom Cruise, Demi Moore, Jack Nicholson, Kevin Pollack star in A FEW GOOD MEN (1992). Directed by Rob Reiner.   //***Picks of the Week*** Lindsay's Pick: THE LAST DETAIL (1973). Jack Nicholson, Otis Young, Randy Quaid. /// Director: Hal Ashby. Justin's Pick:THE LAST SAMURAI (2003). Tom Cruise, Ken Watanabe, Koyuki Kato, Tony Goldwyn. /// Directed by Edward Zwick. . //***MurrayMoment*** Lindsay sets the record straight on Bill's SNL character, Nick the Lounge Singer, Rob Reiner's involvement & the *true* inspirations behind the popular recurring sketch. //***Final Thoughts on A FEW GOOD MEN*** Next Episode:
 Our 100th Episode: DIE HARD (1988) Please rate, review & subscribe. Follow on Facebook, Instagram, Twitter & YouTube. Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders. www.dontpushpausepodcast.com dontpushpausepodcast@gmail.com Be Kind and Rewatch // November 22nd, 2022. >

Zack & Zo, joined by special guest Claire from Why the Flick? podcast, are in the courtroom to bare witness to a court marshal. A gifted JAG officer, Lt. Kaffee, has clients who are accused of murder and all the evidence points to their guilt, but spurred by his superior officer, Lt. Cdr. Galloway, and his co-counsel, Lt. Weinberg, Lt. Kaffee is encouraged to  risk it all to prove that his clients are not guilty.Episode Segment Time StampsOpening Credits . . . . . . 00:12:06Favorite Parts . . . . . . . .  00:31:58Trivia . . . . . . . . . . . . . . . .00:20:28Critics' Thoughts . . . . .  01:37:46 Why The Flick? Links:Why the Flick? Podcast  - https://anchor.fm/whytheflickInstagram - https://www.instagram.com/whytheflick/TikTok - https://www.tiktok.com/@whytheflickTwitter - https://twitter.com/whytheflickLetterboxd - https://letterboxd.com/whytheflick/ Back Look Cinema: The Podcast Links:www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @BackLookCinema - https://twitter.com/backlookcinemaFacebook: @BackLookCinemaPodcast - https://www.facebook.com/backlookcinemapodcastInstagram: @backlookcinemapodcast - https://instagram.com/backlookcinemapodcastTicTok: @backlookcinema  - https://www.tiktok.com/@backlookcinemaBack Look Cinema Merch at Teespring.com (https://back-look-cinema-merch.creator-spring.com/)Back Look Cinema Merch at Teepublic.com (https://www.teepublic.com/user/back-look-cinema-podcast-merch?utm_source=designer&utm_medium=social&utm_campaign=G1VQNMthhSg) Movie Lovers Unite YouTube channel: https://www.youtube.com/c/MovieLoversUnite/featuredSuicide and Crisis Hotline: Dial 988 - https://988lifeline.org/

National Candy Corn day. Pop culture from 1955. Soviets detonate largest nuclear bomb ever, time clock invented. Todays birthdays- John Adams, Henry Winkler, Grace Slick, Ruth Gordin, T. Graham Brown, Gavin Rossdale, Kevin Pollock, Harry Hamlin. Steve Allen died.

Flashback Episode of The Father Time Podcast with Jamie KalerA Baptist Preacher's Son becomes a comedian, marries an Academy Award Nominated Costume Designer and has a kid. And here come the stories.Murray Valeriano is a brilliant comedian, writer, and human sponge. This Tennessee native and preacher's son found his comedy calling in sunny California and soon began a successful writing career. Lately, you probably saw him on @midnight.Murray has toured the country performing in clubs and theaters, either headlining or opening for some of comedy's heavy hitters, Kevin Pollack, Christopher Titus, Brad Garret and the late, Robert Schimmel, As an award winning writer, Murray has written for the Tonight Show Starring Jimmy Fallon, The Tonight Show with Jay Leno, Bill Engvall's Here's Your Sign Awards and Ridiculousness to name a few. He has also written for other comedians such as Conan O'Brian, Steve Carell and Dennis Miller. Murray Valeriano is a captivating person who possesses a remarkable wealth of pop culture knowledge and experience and it shines through on his popular “Roadstories” podcast. Once you stick a bunch of hilarious comics in room to talk comedy war stories it is simply magical. USA TODAY called the Road Stories podcast “One of the funniest podcasts of 2013” Countless reviews on Itunes have given 5 stars and Itunes itself featured it in its “New and Notable” Subscribe today for free.#theparentslounge #murrayvaleriano #thetonightshow #conan #comedian #roadstories #roadstoriespodcast #parentingpodcast #parentingadvice #parentingstories #jamiekaler #fathertimepodcast #jasongowin #katemulligan 

Sam Roberts has a fav wrestler, a couple favorite matches, and a lot of opinions about NXT, Charlotte, Finn Balor, Roman Reigns, and Japanese style wrestling. Plus, he's talking about his feud with Kevin Pollack, working with Opie & Anthony, and why he thinks Sean "X-Pac" Waltman is one of the smartest guys in the biz! GET GRILLING WITH MEATER! GO TO MEATER.COM AND USE CODE STEVE TO GET 10% OFF!!!

In 1988 colossal nerdlingers Ron Howard and George Lucas smashed their massive domes into each other like two rutting ram studs, until spilled forth one of the 80s most successful high fantasy epics.  Gavin details the Brownies, portrayed by Kevin Pollack and Rick Overton to extreme comic effect, as well as the two-headed Eborsisk, a fire-breathing faux-hydra of nightmarish aspect. He also details how the Eborsisk and other Willow miniatures damaged his young psyche AND testicles in a traumatic schoolyard tragedy-slash-layway-mishap.  Let's see Joe Rogan try to do THAT! #ValKilmer #Willow #Fairies #LittlePeople #Fantasy #Willow #DanaDelaney #MichaelBiehn #WarwickDavis

Apologies for audio issues on this episode, we recovered as much clear audio as we could. This week we revisit the 1999 apocalyptic action, horror thriller, End of Days starring Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney and  Kevin Pollack. 7.5/10 from Sylvia6.5/10 from Bob6/10 From DustinCandidates for next episode-Star Trek The Motion PictureMortal KombatStargateVote Now on twitter @MoviesAgainstMovies Against Time is a bi-weekly film retrospective podcast hosted by married couple Sylvia and Dustin along with their long time friend Bob. Each episode we take turns picking a movie from the 60's to the 00's to revisit or sometimes experience for the first time. We share our unique perspectives and research behind the scenes information that we find interesting along with occasional banter and personal stories. Our little show is the perfect binge listen for movie buffs and casuals alikeSubscribe / Listen Here - https://link.chtbl.com/matEmail: moviesagainsttime@gmail.comRSS Feed: https://moviesagainsttime.podomatic.com/rss2.xmlWebsite: https://moviesagainsttime.podomatic.com/Insta: moviesagainstTwitter: @moviesagainstMovies Against Time on Facebook.

S OON I'M GONNA MAKE THIS A SEPARATE PODCAST FEED AS I ROLL OUT THE LAST YEAR OF RADIO I DID. Day 2 - Clubsoda Kennygives his thoughts on the first day of the new show.  Kevin Pollack calls in.  Opie reads a newspaper article about all the drama.  Judy Gold and Kevin Brennan stop by.  Brother Wease calls in to show his support on the last day he's able to talk! I now cherish the last year of radio I did especially with the passing of my dear friends Carl Ruiz and Vic Henley.  I was able to come to the realization why I went into radio all those years ago.  It was for the fun and pure joy of it.  The last year was filled with ugliness, drama and a ton of laughter.  Me, Car Ruiz, Vic Henley and Sherrod Small had the time of our lives on and off the radio show.  Our close friendships was on full display.  The last year also saw Carl Ruiz blossom into a superstar which led me to do the Opie Radio podcast with him.  A special thanks to Erock, Clubsoda Kenny, Paul and Louis for going on this ride with us.  Hope you enjoy the Good, the Bad and the Ugly of the last year of radio I did. Instagram and Tik Tok - OpieRadio Merch - www.opieradio.com Join the Private Facebook Group by clicking "subscribe" on my www.facebook.com/opieradiofans See omnystudio.com/listener for privacy information.

For the first time since 2019, we're doing an episode dedicated to exploring some of the more interesting covers of Elvis songs that we've enjoy! From Bruce Springsteen to Norah Jones, The Cramps to Black Stone Cherry, this list goes all over the place musically. Plus - has Justin found a version of "Raised on Rock" that Gurdip doesn't completely hate? Then, for Song of the Week, Gurdip admits he had a "Dirty Dirty Feeling" listening to Elvis is Back, while Justin gets a dirty, dirty mind revisiting "The Walls Have Ears" tango scene from Girls! Girls! Girls!, although the guys sadly have to pay their respects to Elvis's late costar Laurel Goodwin. Timestamps: 0:00 Start 3:00 Listener Emails 24:30 Main Topic "Elvis Covers" 1:06:15 SotW: Dirty Dirty Feeling 1:18:30 SotW: The Walls Have Ears If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music history and movie enthusiast. Clip of Jonathan Rhys-Meyers sourced from Kevin Pollack's Chat Show: https://www.youtube.com/watch?v=9-JERDJDS-g

Alex tells us about the time she met Sean Lennon. Phil had lentil soup for lunch and as a lovely real estate lady was showing him a new apartment, it wanted out.  Paul Reiser stops by and to start, shares stories of casting Helen Hunt and having Yoko Ono on Mad About You, Kevin Pollack making a prank phone call as Alan Arkin, how he got The Kominsky Method and his new show, There's… Johnny, on Peacock starting this Sunday. Adam sent Phil statues of roosters every day for a month and they kept getting bigger and bigger and bigger. John Lennon‘s ‘Pee Letter' https://www.rollingstone.com/music/music-news/john-lennons-pee-themed-letter-to-phil-spector-up-for-auction-246153/ ADAM'S TICKET LINKS: https://linktr.ee/AdamFerrara Please consider supporting the good people who support us. Thanks for all the love! https://cruzintowellness.com/adam-ferrara Learn more about your ad choices. Visit podcastchoices.com/adchoices