Podcasts about Popular culture

Play Episode Listen Later May 21, 2025 50:11

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lori Jo Marso, "Feminism and the Cinema of Experience" (Duke UP, 2024)

Play Episode Listen Later May 21, 2025 50:11

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Joe List Makes Comedy History - CNU 143

Joke WRLD

Play Episode Listen Later May 21, 2025 18:07

Episode 143 of the Comedy WRLD Update. This week we are first joined by Joe List to talk about his new special Small Ball being released in movie theaters May 21st. We also had the pleasure of speaking with @BrentWeinbach about his new special Popular Culture, and ran down the list of podcast guest appearances from the prior week as well as any new comedy specials.Watch the full episode here: https://youtu.be/4UPJt28cMYk?si=y5R2CPNlZFa2UgobPlease Subscribe & Follow Joke WRLD On:Patreon - https://www.patreon.com/jokewrld Instagram - https://www.instagram.com/joke.wrld/Tik Tok - https://vm.tiktok.com/ZMdMus6EG/

Nicholas Barry et al., "Constitutional Conventions: Theories, Practices and Dynamics" (Routledge, 2025)

Play Episode Listen Later May 20, 2025 51:34

Constitutional Conventions: Theories, Practices and Dynamics (Routledge, 2025) is an excellent edited volume exploring the various ways in which governments and constitutional structures operate in the spaces that are not necessarily articulated in law, edict, or formal documents. This is not a text about the folks who gathered together in 1787 in Philadelphia, or even those who wrote new constitutional structures after the fall of the Berlin Wall. Conventions means the rules that govern the interactions between political actors and the governments they inhabit. In many ways, this refers to the kinds of norms that have grown up around different parts of the systems of government. The strength and endurance of those rules or norms can change over time and in response to crises or dynamic changes. Constitutional Conventions: Theories, Practices, and Dynamics explores these thick and thin dimensions of the governing structures from a comparative perspective, taking up Anglo and American systems in the United States, the United Kingdom, and Australia. The book also examines the cases of Hungary and Czechia (the Czech Republic), two post-Cold War systems; and finally, also, China. In considering these constitutional conventions, we can think of them as structures or engagement that is not enforced by the courts, since these are not, per se, written constitutional laws. In long standing liberal democracies, there is an inclination towards adhering to conventions. But when these conventions are under strain, how they work, or maintain “regular order” becomes a critical test within the established governmental systems. Constitutional Conventions provides another dimension of significant interest in the discussion of how China works within these kinds of conventions within the process in which political individuals come up through the governmental and party systems and move into leadership roles. The comparative case study of Hungary and Czechia indicates that even in somewhat similar structures, the conventions and norms are not always the same. Constitutional Conventions: Theories, Practices, and Dynamics is an important analysis of the ways in which governmental structures work beyond what is written or built as the official system. The discussions cover theoretical, practical, and comparative dimensions of our understandings of the processes and functions of governments. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or send her missives at Bluesky @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nicholas Barry et al., "Constitutional Conventions: Theories, Practices and Dynamics" (Routledge, 2025)

Defending Faith, Family and Freedom

Play Episode Listen Later May 20, 2025 51:34

Constitutional Conventions: Theories, Practices and Dynamics (Routledge, 2025) is an excellent edited volume exploring the various ways in which governments and constitutional structures operate in the spaces that are not necessarily articulated in law, edict, or formal documents. This is not a text about the folks who gathered together in 1787 in Philadelphia, or even those who wrote new constitutional structures after the fall of the Berlin Wall. Conventions means the rules that govern the interactions between political actors and the governments they inhabit. In many ways, this refers to the kinds of norms that have grown up around different parts of the systems of government. The strength and endurance of those rules or norms can change over time and in response to crises or dynamic changes. Constitutional Conventions: Theories, Practices, and Dynamics explores these thick and thin dimensions of the governing structures from a comparative perspective, taking up Anglo and American systems in the United States, the United Kingdom, and Australia. The book also examines the cases of Hungary and Czechia (the Czech Republic), two post-Cold War systems; and finally, also, China. In considering these constitutional conventions, we can think of them as structures or engagement that is not enforced by the courts, since these are not, per se, written constitutional laws. In long standing liberal democracies, there is an inclination towards adhering to conventions. But when these conventions are under strain, how they work, or maintain “regular order” becomes a critical test within the established governmental systems. Constitutional Conventions provides another dimension of significant interest in the discussion of how China works within these kinds of conventions within the process in which political individuals come up through the governmental and party systems and move into leadership roles. The comparative case study of Hungary and Czechia indicates that even in somewhat similar structures, the conventions and norms are not always the same. Constitutional Conventions: Theories, Practices, and Dynamics is an important analysis of the ways in which governmental structures work beyond what is written or built as the official system. The discussions cover theoretical, practical, and comparative dimensions of our understandings of the processes and functions of governments. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or send her missives at Bluesky @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Arming Our Children to Resist the Popular Culture

Play Episode Listen Later May 16, 2025

Gary talks to Dr. Jeff Myers, president of Summit Ministries, about their incredibly successful program to help young Christians make the case for faith, family, and freedom.

children christians resist popular culture arming jeff myers summit ministries

282: Thus, It Is Just Bad, Pt. 15 (Sly)

ai lost mash futurist popular culture thomas frey

Play Episode Listen Later May 16, 2025 102:10

Join Professor Mouse, the Cosmologist, Teddy, and Prince B in Sca'ena as they follow the tale of Bjorn, Gliff, and Orso II in this DnD special. This time, they fight a big bad guy.

movies politics comedy football marvel films television star trek comics pop culture dungeons and dragons popular culture sca cosmologists prince b

05-13-25 Interview - Our Futurist Thomas Frey - We've Lost Our Popular Culture

Mandy Connell

Play Episode Listen Later May 13, 2025 19:58 Transcription Available

WE'VE LOST OUR POPULAR CULTURE Let's not forget that the phrase "pop culture" means popular culture and it used to refer to those things that we ALL watched or knew about like the finale of MASH or the season premiere of Dallas where they revealed Who Shot JR??? Our favorite futurist Thomas Frey is on to talk about how highly personal algorithms have siloed us into so many different spaces that we don't have those cultural touchstones anymore like we used to. We will also talk about how AI is the future of teaching and learning, though I've got a column later in the blog about one teacher leaving the profession because of the reliance of kids on tech now. Find out more about Thomas or invite him to speak here.

Introducing Common Concern: Conversations on Anti-Asian Racism and COVID-19

Below the Radar

Play Episode Listen Later May 13, 2025 14:20

Welcome to Common Concern: Conversations on Anti-Asian Racism in the Wake of COVID-19. This is a special Below the Radar series produced in collaboration with Toronto Metropolitan University and SFU's Vancity Office of Community Engagement. Common Concern is a mini-series that considers the historical context, and short and long term impacts of a rise of anti-Asian racism during the COVID-19 pandemic, through the lens of academics and community organizers. In this introductory episode, Canadian Journal of Communication editor Stuart Poyntz is joined by Sibo Chen to discuss the origins of Common Concern, as an offshoot of Sibo's ongoing research, the potential for podcasting as an accessible vehicle for knowledge mobilization, and the development of this special series in partnership with Below the Radar. Bios: Sibo Chen Sibo Chen is an Assistant Professor in the School of Professional Communication at Toronto Metropolitan University. As a critical communication scholar by training, his areas of interest include Public Communication of Climate and Energy Policy, Risk and Crisis Communication, Transcultural Political Economy, and Critical Discourse Analysis. Currently, he serves as Executive Board Members of the International Environmental Communication Association as well as the Canadian Communication Association. Stuart R. Poyntz Stuart R. Poyntz is Professor and Associate Director of the School of Communication and a Director of the Community Engaged Research Centre (CERi) at Simon Fraser University. His work in participatory research has largely involved teenagers in informal learning spaces and art institutes. He has been a Visiting Scholar at Queensland University of Technology, Griffith University, Hong Kong Baptist University, and the University of British Columbia, and was President of the Association for Research in Cultures of Young People. Stuart's research addresses children's media cultures, theories of public life, social care and urban youth cultures. He has published five books, including the forthcoming monograph, Youthsites: Histories of Creativity, Care and Learning in the City (Oxford UP), and has published widely in national and international peer-reviewed journals, including Oxford Review of Education, Popular Culture, Journal of Children and Media, Canadian Journal of Communication, Cultural Studies, Studies in Social Justice, Journal of Youth Studies, Review of Education, Pedagogy and Cultural Studies, and in various edited collections.

281: Star Trek Quiz

movies politics comedy football marvel films television star trek quiz comics pop culture dungeons and dragons thunderbolts popular culture cosmologists

Play Episode Listen Later May 9, 2025 92:41

In this episode, Professor Mouse and the Cosmologist talk Thunderbolts and take a Star Trek quiz.

280: Daredevil - Born Again Season 1

movies politics comedy football marvel films television star trek comics pop culture dungeons and dragons daredevil popular culture daredevil born again cosmologists

Play Episode Listen Later May 2, 2025 90:58

In this episode, Professor Mouse, the Cosmologist, and Teddy discuss the first season of Daredevil: Born Again.

Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

New Books in Sociology

Play Episode Listen Later Apr 27, 2025 50:06

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

New Books in Communications

Play Episode Listen Later Apr 26, 2025 50:06

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

New Books in American Politics

Play Episode Listen Later Apr 26, 2025 50:06

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

Play Episode Listen Later Apr 25, 2025 50:06

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

Play Episode Listen Later Apr 25, 2025 50:06

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

Play Episode Listen Later Apr 25, 2025 50:06

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

279: Agent Van Hollen

movies politics comedy football marvel films television star trek comics agent pop culture dungeons and dragons popular culture cosmologists van hollen

Play Episode Listen Later Apr 25, 2025 70:38

In this episode, Professor Mouse, the Cosmologist, and Teddy discuss the Kilmar Abrego Garcia and other legal items.

Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

New Books in Popular Culture

Play Episode Listen Later Apr 25, 2025 50:06

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

New Books in Intellectual History

Play Episode Listen Later Apr 23, 2025 48:06

Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)

New Books in Sociology

Play Episode Listen Later Apr 23, 2025 69:43

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)

New Books in Critical Theory

Play Episode Listen Later Apr 22, 2025 69:43

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)

New Books in East Asian Studies

Play Episode Listen Later Apr 21, 2025 69:43

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

Exchanges: A Cambridge UP Podcast

Play Episode Listen Later Apr 21, 2025 48:06

Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social.

Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

Play Episode Listen Later Apr 20, 2025 48:06

Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

New Books in German Studies

Play Episode Listen Later Apr 20, 2025 48:06

Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

Play Episode Listen Later Apr 20, 2025 48:06

Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

New Books in European Studies

Play Episode Listen Later Apr 20, 2025 48:06

Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

New Books in Italian Studies

Play Episode Listen Later Apr 20, 2025 48:06

Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel's philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo's project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel's thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel's ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel's considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state's monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel's concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)

New Books in Korean Studies

Play Episode Listen Later Apr 19, 2025 69:43

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)

Play Episode Listen Later Apr 19, 2025 69:43

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)

New Books in Popular Culture

Play Episode Listen Later Apr 19, 2025 69:43

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

278: Port M'a Ant'eau After Show 8

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Play Episode Listen Later Apr 18, 2025 54:27

Join Professor Mouse, the Cosmologist, and Teddy as they reflect on their last DnD campaign episode.

277: Thus, It Is Just Bad, Pt. 14 (Tony)

Play Episode Listen Later Apr 11, 2025 79:37

Join Professor Mouse, the Cosmologist, Teddy, and Prince B in Sca'ena as they follow the tale of Bjorn, Gliff, and Orso II in this DnD special. This time, they discover a mysterious and annoying stranger.

movies politics comedy football marvel films television star trek comics pop culture dungeons and dragons popular culture sca cosmologists prince b

276: Thus, It Is Just Bad, Pt. 13 (Vault Crawl)

music new york city college advice film lifestyle acting television pop culture actors life advice popular culture film reviews

Play Episode Listen Later Apr 4, 2025 75:36

Join Professor Mouse, the Cosmologist, Teddy, and Prince B in Sca'ena as they follow the tale of Bjorn, Gliff, and Orso II in this DnD special. This time, they explore a mysterious underground vault.

movies politics comedy football marvel films television star trek comics pop culture dungeons and dragons vault crawl popular culture sca cosmologists prince b

Q & YAY!

The P in Raspberry

Play Episode Listen Later Apr 2, 2025 71:11

Julia and Miranda spend an hour answering your beguiling questions!! They get into the personal, the professional, popular culture, life advice, etc, etc. Get your snacks, your drinks, and tune in! Don't forget to follow us on Instagram so you can send in questions next time! XoxoEp. Recorded Mar. 25, 2025.Follow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySend us a textSupport the show

Postscript: Collective Action to Support Students at American Colleges and Universities

Play Episode Listen Later Apr 2, 2025 47:40

A coalition of educators and allies has come together to push back against a variety of different kinds of attacks on higher education and students at colleges and universities, particularly in the United States. This group is driven by the belief that a democracy is only as strong as its commitments to academic freedom, intellectual integrity, human diversity, and individual dignity. The impetus among this particular group of academics and staff members is to make sure that students at all the campuses, in all the programs at those campuses across the United States are supported and free to engage in their chosen courses of study. The various ways in which this mission is being attacked or undermined, with the slashing of grants, attempts to control curriculum, freezing of campus free speech, snatching of students off the streets, and threats to the bottom line all contribute to destabilizing the educational paths of students, and the ability of the faculty and the staff to provide students with the education, research opportunities, and higher education experiences they are seeking at these institutions. I am joined on this installment of PostScript by three members of an organic group of educators—across disciplines—who came together in the early days of the new Trump Administration to try to figure out how to best support students at different institutions. One of the results of this collaboration among academics and educators across disciplines, institutions, and parts of the country, was to craft a letter directed at university administrators, governmental entities, and the public, explaining the value and import of education, especially in a democracy, and the need for a diversity of voices and contributors to that enterprise. I discuss the origin of the group, the genesis of the letter (which is available to sign here), and the deep concerns among those who work in higher education in the United States with Alison Gash, Daniel Laurison, and Nathan Lents. Alison Gash is Professor of Political Science and Head of the Department of Political Science at the University of Oregon. Daniel Laurison is Associate Professor of Sociology at Swarthmore College, the former Editor-in-Chief of the British Journal of Sociology, and a 2021-2023 Carnegie Fellow. Nathan Lents is Professor of Biology at John Jay College, Links: We are Higher Ed Letter: Speaking Out for Democracy and US Higher Education We are Higher Ed Website: https://www.wearehighered.org/ Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ratatouille

Deconstructing Disney

Play Episode Listen Later Apr 2, 2025 116:12

Episode SummaryErin and Rachel discuss Ratatouille (2007), a Pixar film about a French rat who wants to be a chef. Their discussion includes a fine stew of food politics, meritocracy, and sexism with a garnish of fatphobia. Bon appetit! Episode BibliographyBaker, J. (2005, January 17). Dan Lee. James Baker. https://www.james-baker.com/news/dan-lee/Bird, B. [@BradBirdA113]. (2020, July 13). The “Guarantee” was my idea, not Pixar's. It had zero to do with CARS or HAPPY FEET. It was a [Tweet]. Twitter. https://x.com/bradbirda113/status/1282845727446765568Bird, B. (Director). (2007). Ratatouille [Film]. Pixar Animation Studios.Booth, M. (2007, June 27). Oui! A rich foodie treat, with a great view. The Denver Post. https://www.denverpost.com/2007/06/27/oui-a-rich-foodie-treat-with-a-great-view/Brandes, S., & Anderson, T. (2011). Ratatouille: An animated account of cooking, taste, and human evolution. Ethnos, 76(3), 277-299. DOI: 10.1080/00141844.2011.569559Chang, J. (2007, June 18). Film Review: Ratatouille. Variety. https://variety.com/2007/film/reviews/ratatouille-2-1200558501/Daly, S. (2010). Summer Movie Q&A; Top Chef. EW.com. htps://web.archive.org/web/20100222021712/http://www.ew.com/ew/article/0,,20166944_20166964_20043277,00.htmlDan Lee (animator). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Dan_Lee_(animator)Desowitz, B. (2007, April 25). Brad Bird Offers an Early Taste of 'Ratatouille'. Animation World Network. https://www.awn.com/animationworld/brad-bird-offers-early-taste-ratatouilleDesowitz, B. (2007, May 11). Ratatouille to Kick Off With 'Big Cheese Tour'. Animation World Network. https://www.awn.com/news/ratatouille-kick-big-cheese-tourDockterman, E. (2020, December 30). How the Ratatouille Musical Went From TikTok Sensation to All-Star Broadway Production. Time. https://time.com/5925560/ratatouille-tiktok-musical/Eric ArtPassion. (2019, December 10). The Making of Ratatouille. YouTube. https://www.youtube.com/watch?v=tjYmGqYgVxAEstiloz, T. (2007, July 3). Ratatouille: Behind the Scenes at Pixar & Film's Stars Chat. YouTube. https://www.youtube.com/watch?v=KTvOilSDCgcFerguson, P. (2014). Word of mouth: What we talk about when we talk about food. University of California Press.Finn, S.M. (2017). Discriminating taste: How class anxiety created the American food revolution. Rutgers University Press.Gagné, M. (n.d.). Taste Visualization for Pixar's Ratatouille. Gagne International. https://www.gagneint.com/Final%20site/Animation/Pixar/Ratatouille.htmGleiberman, O. (2007, July 6). Ratatouille (2007). Entertainment Weekly. https://web.archive.org/web/20141108232303/http://www.ew.com/ew/article/0,,20044993,00.htmlGraser, M. (2007, June 15). Pixar hopes auds find ‘Ratatouille' tasty. Variety. https://variety.com/2007/film/features/pixar-hopes-auds-find-ratatouille-tasty-1117967050/Hammond, W. (2007, October 8). Ratatouille 2007, directed by Brad Bird | Film review. Time Out. https://www.timeout.com/movies/ratatouilleHarrap, C. (2022, April 13). Still in the Dark Ages: Are French Kitchens Sexist? France Today. https://francetoday.com/food-drink/still-in-the-dark-ages-are-french-kitchens-sexist/Harris, D.A., & Giuffre, P. (2015). Taking the heat: Women chefs and gender inequality in the professional kitchen. Rutgers University Press. Hayhurst, D. (2007, August 9). Record breaking ‘Ratatouille'. Variety. https://variety.com/2007/film/box-office/record-breaking-ratatouille-1117969958/Herhuth, E. (2017). Pixar and the aesthetic imagination: Animation, storytelling, and digital culture. University of California Press.Hill, J. (2007, September 3). Toon Tuesday: Why “Ratatouille” ‘s good-but-not-great box office numbers are now causing problems for Disney's marketing department. Jim Hill Media. https://jimhillmedia.com/toon-tuesday-why-ratatouille-s-good-but-not-great-box-office-numbers-are-now-causing-problems-for-disneys-marketing-department/Holzer, L. N. (2007, June 29). Pixar cooks up a story. The Reporter. https://web.archive.org/web/20070702164407/http://www.thereporter.com/billboard/ci_6260970Lindenfeld, L., & Parasecoli, F. (2016). Feasting our eyes: Food films and cultural identity in the United States. Columbia University Press.The Los Angeles Times. (2007, June 30). Disney faces a challenging stew in trying to sell ‘Ratatouille'. Chicago Tribune. https://www.chicagotribune.com/2007/06/30/disney-faces-a-challenging-stew-in-trying-to-sell-ratatouille/Nominees & Winners of the 80th Academy Awards. (2013, October 12). The Academy of Motion Picture Arts and Sciences. https://web.archive.org/web/20131012045551/http://www.oscars.org/awards/academyawards/oscarlegacy/2000-present/2008/winners.htmlNoyer, J. (2008, February 28). Jan Pinkava reveals “les ropes” of Ratatouille. Animated Views. https://animatedviews.com/2008/pinkava-on-pixar-projects/Parasecoli, F. (2008). Bite me: Food in popular culture. Bloomsbury Publishing.Phillips, M. (2007, July 15). Movie review: 'Ratatouille'. Metromix. https://web.archive.org/web/20070715125627/http://metromix.chicagotribune.com/movies/mmx-070629-movies-review-ratatouille%2C0%2C3953295.storyPixar. (2016a). Behind the Swinging Doors | Ratatouille | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=RjOKRDiUc8IPixar. (2016b). Care & Feeding of Your CG Rat | Ratatouille | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=1tMroyERYMMPixar. (2016c). Something New | Ratatouille | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=e13d9w_zItQPixar. (2025). Ratatouille. Pixar. https://www.pixar.com/ratatouillePrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Ratatouille. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl846038529/Ratatouille (film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Ratatouille_(film)Rea, S. (2007, June 29). You'll smell a . . . terrific 'toon, starring a rat. Philly.com. https://web.archive.org/web/20160304071441/http://articles.philly.com/2007-06-29/entertainment/24994660_1_remy-sous-chef-auguste-gusteauRodriguez, R. (2007, June 29). A delightful stew offers a treat for all ages. Miami Herald. https://archive.ph/20070623044747/http://ae.miami.com/entertainment/ui/miami/movie.html#selection-897.85-909.108Scott, A.O. (2007, June 29). Voilà! A rat for all seasonings. The New York Times. https://www.nytimes.com/2007/06/29/movies/29rata.htmlSublette, C.M., & Martin, J. (2013). Let them eat cake, caviar, organic, and whole foods: American elitism, white trash dinner parties, and diet. Studies in Popular Culture, 36(1), 221-43.

Postscript: Collective Action to Support Students at American Colleges and Universities