Podcasts about quartets

There are so many things to do, but you have been chosen. Time is meaningless and your fate is sealed. There is a cat on your lap.

Minni Arko Minnawi, le gouverneur du Darfour au Soudan et chef du mouvement de libération du Soudan, faction Minnawi, est le grand invité Afrique de RFI. De passage à Paris, il revient dans cet entretien sur les derniers développements de la crise au Soudan, des interventions étrangères, des possibilités de retrouver la paix. Minni Arcou Minnawi invite les Émirats arabes unis à entrer en dialogue direct avec les autorités soudanaises. RFI : Quand la guerre prendra-t-elle fin ? Minni Arko Minnawi : J'aimerais qu'elle se termine aujourd'hui, mais cela ne peut pas se faire sans certaines mesures. Quelles sont ces mesures ? En réalité, de nombreux facteurs ont contribué à cette guerre, notamment le facteur extérieur, à savoir, les Émirats arabes unis, qui doivent se retirer du conflit, qu'ils cessent de gérer la guerre. Quant au facteur interne, il nous serait alors beaucoup plus facile de nous asseoir ensemble et de mettre fin à la guerre. Les autorités soudanaises ont, à plusieurs reprises, exprimé des réserves quant à la présence des Émirats arabes unis parmi les membres du Quartet composé également des États-Unis, de l'Égypte et de l'Arabie saoudite. Rejetez-vous leur présence au sein du Quartet ? Oui, nous rejetons leur présence au sein du Quartet, car les Émirats arabes unis sont censés jouer un rôle de médiation, de facilitateur. Or, ils sont eux-mêmes partie prenante au conflit ; comment peuvent-ils donc être à la fois juge et partie ? L'armée soudanaise a fréquemment accusé des pays voisins de collaborer avec les Émirats arabes unis pour acheminer du matériel militaire au Soudan destiné aux Forces de soutien rapide. Pouvez-vous identifier ces pays ? C'est assez clair, surtout en ce qui concerne des responsables en Libye, à l'est du pays, à Benghazi, plus précisément qui est sous contrôle émirien. Il y a le Tchad. Ce sont des pays que les Émirats instrumentalisent pour faire avancer leur projet de démantèlement du Soudan. Et malheureusement, ce projet de fractionnement s'étendra à l'Afrique. À lire aussiAntonio Guterres, secrétaire général de l'ONU: «Il faut cesser les ingérences extérieures» au Soudan Vous avez mentionné le Tchad parmi les pays impliqués dans l'envoi d'aide militaire aux FSR, mais il existe des divisions au Tchad à ce sujet, même au sein du palais présidentiel... La majorité du peuple tchadien, et pas seulement les proches du président Déby, s'oppose au financement de la guerre pour servir les intérêts des Émirats arabes unis et des Forces de soutien rapide, pour déstabiliser et démanteler le Soudan. Le Darfour est en quelque sorte, une extension du Tchad, socialement parlant, et le Tchad est l'extension du Darfour... Par conséquent, la majorité de la population tchadienne, notamment les proches du président, se considère comme faisant partie d'une même communauté élargie, s'étendant jusqu'à Khartoum. De ce fait, ils rejettent tous la politique de Mahamat Idriss Déby, politique qui a conduit à la destruction de villes entières, ainsi qu'à des massacres, des combats urbains, un génocide et un nettoyage ethnique. Je crois vraiment que la majorité du peuple tchadien rejette cette politique. Quel intérêt a le président tchadien à s'impliquer dans cette guerre ? Nous ignorons quel serait son intérêt, mais peut-être qu'il s'y est impliqué par manque d'expérience. Vous avez récemment accusé l'Éthiopie de s'ingérer également dans la guerre au Soudan ? Bien entendu, ces faits sont corroborés par d'autres sources, par d'autres pays, y compris des pays dotés de technologies et de capacités avancées ; il ne s'agit pas d'une accusation soudanaise. Toutefois, il est clair que de multiples attaques ont été perpétrées depuis l'Éthiopie par les milices des Forces de soutien rapide, ainsi que par le Mouvement populaire de libération du Soudan-Nord, de Abdelaziz el Hilu, allié aux Forces de soutien rapide. À lire aussiAu Soudan, la guerre oubliée du reste du monde et dont personne ne voit la fin La prolongation de la durée de la guerre, bientôt trois ans, ne vous fait-elle pas craindre la division réelle du pays, qu'un État séparé ne soit annoncé au Darfour ? Bien sûr, les forces étrangères qui ont déclenché cette guerre et qui continuent à l'alimenter cherchaient à s'emparer de tout le Soudan. N'ayant pas atteint leurs objectifs, elles ont eu recours à la partition du pays, ou du moins, elles cherchent à conserver le Darfour et certaines régions du Kordofan. Mais cela est inacceptable pour le peuple soudanais. L'ensemble de la population soudanaise est aujourd'hui mobilisé, aux côtés des forces armées, des forces conjointes et d'autres encore. Tous sont sur le terrain pour rejeter ce projet, et c'est pourquoi il ne réussira pas. Appelez-vous les Émirats à un dialogue direct avec les autorités soudanaises ? Voilà ce qui est nécessaire : nous exigeons depuis longtemps que le rôle des Émirats arabes unis se limite à un dialogue bilatéral entre le Soudan et les Émirats, afin de discuter de réconciliation et d'un retour à des relations normales entre les deux pays. Notamment en matière d'échange de bénéfices et de partage de ressources. Nous refusons son ingérence, son soutien aux milices et aux crimes majeurs commis par les milices des Forces de soutien rapide, tels que le génocide et les crimes de guerre. Tout cela avec le soutien des Émirats arabes unis. À lire aussiSoudan: «El-Fasher est détruite, et bien que la ville ait été nettoyée, il reste des munitions au sol» Mais que cherchent les Émirats en entrant avec force dans cette guerre ? Les richesses du pays ? Je ne sais pas. Si la richesse est ce qu'ils cherchent, ils ne l'auront que par le dialogue bilatéral. Il est parfaitement naturel que nous échangions des ressources. La richesse devrait être partagée par les voies officielles : le commerce, les avantages mutuels, les investissements bilatéraux, etc.  Il n'y a aucune raison pour qu'ils s'impliquent, pour que de tels crimes soient commis, et pour qu'ils se salissent les mains de sang. Nous ignorons les raisons de tout cela. Masaad Boulos, le conseiller américain pour l'Afrique mène des efforts pour mettre fin à la guerre, comment voyez-vous le rôle américain dans cette crise ? Le rôle américain est primordial. Il doit être officiel. Masaad Boulos a rencontré des responsables soudanais à plusieurs reprises, mais hors du Soudan. Nous espérons que tout plan proposé sera acceptable pour le gouvernement et le peuple soudanais, qui souffre actuellement des Forces de soutien rapide et de l'ingérence internationale. Le pouvoir soudanais acceptera-t-il un plan de paix comme celui proposé pour l'est de la RDC, en partageant les richesses du Soudan avec les États-Unis ? J'ignore quelle proposition sera présentée. Je préfère donc ne pas traverser la rivière avant d'avoir atteint le pont. Quel point important souhaitiez-vous ajouter à cet entretien ? Les Forces de soutien rapide (FSR) sont un véritable fléau. Chaque ville qu'elles ont occupée est devenue désormais une ville fantôme, désertée par ses habitants. Les FSR sont une catastrophe humaine et doivent être identifiées pour ce qu'elles sont réellement : une milice, une organisation terroriste. Les FSR continuent de tuer des civils, se procurant les armes et les drones les plus sophistiqués fournis par les Émirats arabes unis, qu'elles utilisent pour tuer des civils et détruire des villes. Par conséquent, il est de la responsabilité du gouvernement et de l'armée de mettre fin à la guerre en reprenant et en sécurisant les zones encore sous leur contrôle, afin de protéger les citoyens soudanais. À lire aussiÉmirats arabes unis: l'or du Soudan «assure la prospérité des FSR et en même temps celle de Dubaï»

You know how when you were a little kid they told you you could grow up to be "anything you wanted"? Yeah... About that...

Mergulhe na história de um dos álbuns mais revolucionários e influentes da história do jazz. Time Out não apenas quebrou barreiras comerciais como o primeiro álbum de jazz instrumental a vender mais de um milhão de cópias - ele redefiniu o que era possível ritmicamente no jazz.Neste vídeo, exploramos:A história dos quatro músicos que criaram a magiaComo uma turnê pela Turquia inspirou compassos impossíveisA análise emocional de cada faixa do álbumO fenômeno global de "Take Five"A icônica arte de capa de Neil FujitaO legado que perdura 65 anos depois

Justified Quartet will be the featured performers this Saturday.See omnystudio.com/listener for privacy information.

Wenn jemand von Klassik in der Krise redet, kann er damit jedenfalls eines nicht meinen: dass es einen Mangel an großartigen jungen Streichquartett-Ensembles gäbe. Im Gegenteil. Eines der meistbeachteten ist seit ein paar Jahren das Leonkoro Quartet. Jetzt ist sein mit Spannung erwartetes zweites Album erschienen, mit lauter Wiener Musik. Damit sind aber keineswegs Mozart, Beethoven oder Schubert gemeint, sondern Webern, Berg und Schulhoff. SWR Kultur-Rezensent Albrecht Selge mit einer Empfehlung.

Southern Gospel Forward welcomes Jordan and Ali LeFevre of The LeFevre Quartet! Join hosts Avery Bradford, Evan Bradford, Tiffany Roby, Aaron Swain, and Scott Bouldin as they visit with Jordan and Ali to continue SGF's Couples Month in February!Support this podcast at — https://redcircle.com/sbm-studios/donations

Last year at MarsCon I tried something a little different for my concert. Instead of doing my usual set with short bits of stand-up comedy between songs, I tried to make it more like a hip hop concert with minimal talking between songs and my "posse" on stage with me the whole time. My posse consisted of Shoebox of Worm Quartet and Insane Ian. The end result was a lot of fun and I'm hoping to do more shows like this. But since I had Shoebox on stage with me I decided to premiere the latest Stupid Rap Battles. This one features me as a three-legged dog, and Shoebox as a fancy cup of coffee. This was the end result. Chris Mezzolesta was the pre-recorded announcer. This recording is from the 2026 MarsCon Fundraiser Album available now at MarsConComedy.com. Please pick up a copy and help out the comedy-music track. Lyrics, music, vocals: Tom Rockwell, Tim Crist Announcer: Chris Mezzolesta

Adorei conhecer esta senhora, escritora, leitora. Doce, culta, uma simpatia. Saí de sorriso na cara, o mesmo com que voltei a ouvir a conversa. Acredito que vão sentir o mesmo.Alguns livros que adorou:Cadernos do Subterrâneo, Dostoevsky's (Notes From Underground);A Porta, Magda Szabó's (The Door);Quartet, Jean Rhys;The Loser, Thomas Bernhard.Outras referências:W. G. Sebald;Autobiografia Thomas Bernhard. O livro que escreveu:Esta Estranha e Acidentada História.O que recomendei:Leila Slimani:O País dos Outros;Vejam como dançamos;Levarei o fogo comigo.O que ofereci:Na Sombra do teu Nome, Jodi Picoult.Os livros squi:www.wook.pt

durée : 00:25:21 - David Harrington, violoniste, membre fondateur du Kronos Quartet (5/5) - par : Laurent Vilarem - Dans ce dernier épisode, David Harrington s'interroge sur le rôle des artistes dans un monde troublé. Toujours curieux et engagé, le fondateur du Kronos Quartet inspire les nouvelles générations et partage son regard lucide sur la musique, la société et la politique actuelle. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:01 - David Harrington, violoniste, membre fondateur du Kronos Quartet (1/5) - par : Laurent Vilarem - David Harrington, fondateur du Kronos Quartet, retrace en 5 épisodes 52 ans d'aventures musicales : minimalisme, musiques du monde, cinéma, rencontres cultes et drames intimes. Un parcours libre et audacieux qu'il a raconté à Laurent Vilarem à l'occasion du festival Musica. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:24:58 - David Harrington, violoniste, membre fondateur du Kronos Quartet (3/5) - par : Laurent Vilarem - Dans ce troisième épisode, David Harrington évoque ses rencontres avec Morton Feldman, Astor Piazzolla et Witold Lutosławski. Il revient sur les projets audacieux des années 1980, comme Pieces of Africa, et la création révolutionnaire de Different Trains de Steve Reich. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The legacy of this internationally renowned ensemble, innovators of the "jubilee" singing style which influenced the national sound of quartets in the black community before World War II. The most popular of the Jubilee quartets, the Golden Gate Quartet started singing as the Golden Gate Jubilee Quartet in the mid-'30s when they were students at Booker T. Washington High School in Norfolk, VA. The membership included Willie Johnson (baritone and narrator), Henry Owens (first tenor) William Langford (second tenor), and Orlandus Wilson (bass). Their harmonies became very sophisticated, laced with a heavy dose of jazz and a Mills Brothers influence right down to their vocal imitation of instruments. In fact, next to the Mills Brothers, they were probably the best at the "sounding like instruments" technique. They built their reputation through performing on local radio shows and in churches. In 1937 the Gates signed to Victor's Bluebird affiliate and applied their unique jazz-swing sound to gospel titles like "Go Where I Send Thee," "The Preacher and the Bear," and "When the Saints Go Marchin' In." On Aug. 4, 1937, they recorded an amazing 14 songs in two hours at the Charlotte Hotel in North Carolina. They performed in the same year on NBC Radio's "Magic Key Hour." In June 1940, they recorded several sides with the legendary folk singer Leadbelly, released in 1941 on Bluebird's parent label, Victor. By now they had dropped the Jubilee portion of their name, presenting themselves strictly as the Golden Gate Quartet. Though their recorded repertoire from 1937 to 1940 includes mostly gospel and Jubilee songs, they did record two pop-jazz 78s: "Stormy Weather" and "My Prayer." One of the highlights of this period was a performance for President Franklin Roosevelt's inauguration, which led to a number of appearances at the White House at the request of Eleanor Roosevelt. In 1941 they moved to Columbia's Okeh affiliate, and their entire recorded output during the war years was on that label. The most successful of these records was a version of "Comin' in on a Wing and a Prayer" in 1943. Their biggest record success came in 1947 with the song "Shadrack," and in 1948 the group appeared in the RKO musical "A Song Is Born," starring Benny Goodman, Danny Kaye, and Louis Armstrong. In 1959 the Golden Gate Quartet moved to Paris and landed a two-year deal to perform at the Casino de Paris. While based in Europe, they recorded for EMI-UK, Pathe Marconi in France, and EMI-Germany, creating more than 50 LPs. Over the years the group amassed a travelogue of 76 countries performed in. One of the truly great vocal groups, the Gates were cited as an inspiration to many rhythm and blues groups of the era.   00:00 PAR Intro  00:18 NPR Wade In The Water Ep. 10: The Legacy Of The Golden Gate Quartet  58:43 JGH Commentary 01:04:14 PAR Outro    #fba #freedmen #negro #blackamericanheritage #virginia #florida #npr #spiritualjubilee #negrospiritual #worldwar2 #blackamericanfreedmen #rap #1930s #thegoldengatequartet #blackhistory

The Master's Quartet.

Easy Jazz - The Best of

Elmarie Mawe was delighted to be joined live in studio this morning by musicians Ellen Crowley and Charlie Duff of The Olympia Quartet to talk about their upcoming concerts in the Ortús Chamber Music Festival, and lots more besides! Hosted on Acast. See acast.com/privacy for more information.

A while back, I asked folks to suggest song titles, and I would write something based on the title alone. It was a fun expereiment, and maybe I should revisit it again. That said, it did yield this: one of the dumbest songs I've ever written (and honestly, a favorite of mine and Ben, my producer and co-writer of this melodical malady). This track of course comes from the Marscon 2026 Comedy Music Track Funraiser MP3 Album which you can purchase now to help cover the Hotel Room costs for this year's Comedy Music acts, and features almost 4 hours of live comedy music performances and other miscelaneous banter that more often than not features me, as I also emcee'd the event last year.

Here's a playlist focusing on Orchestras, Big Bands and String Quartets, at the intersection of jazz, classical, folk and Brazilian music. The playlist features Vitor Araújo, Metropole Orkest, Jacomo Bairos; Kurt Elling, WDR Big Band; Thomas Clausen Trio, Singapore Symphony Orchestra, Jean Thorel; Palle Mikkelborg [pictured]; Francesco Bearzatti; NO(w) Beauty; Vision String Quartet; Kris Davis, and The Lutosławski Quartet. Detailed playlist at https://spinitron.com/RFB/pl/21926939/Mondo-Jazz [from "Toque N. 6 up to "The Known End"]. Happy listening!

Das Barbican Quartet gehört zu den spannendsten Stimmen der Kammermusikszene und stellt ihr neues Album "Lux Intus" vor.

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We suprise The Kimmer with The Stone Mountain Chorus BarberShop Quartet. See omnystudio.com/listener for privacy information.

I had this silly notion for a song, putting Tom Petty together with Rocky and Bullwinkle... and it just wouldn't go away, and it made me giggle. So here ya go. Music: Tom Petty Lyrics :SG, Stephen "burpo" Debonrepos, Niamh Bagnell Guitars, drums, bass, keyboards, vocals, arrangement, production: SG Rocky and Announcer: The Luke "The Great Luke Ski" Sienkowski Bullwinkle: Dale Jones Helpful help: Susan "Sulu" Dubow

Contrarian stalwarts Norm Eisen, Asha Rangappa, and Jen Rubin join Harry for a special episode filmed in front of a live audience at Princeton University. They begin with the cataclysmic fall of the Washington Post and what it shows about Trump's power to demolish even the most powerful civic institutions. From there, they turn to the deportation effort, which seems to be running itself into the ground, and Trump's latest noises about election interference. They end with some measured but forceful optimism for American democracy in 2026. A video version of this episode is available on YouTube.  Mentioned in this episode: The Contrarian: ⁠https://contrarian.substack.com/ The Contrarian's YouTube: ⁠https://youtube.com/@ContrarianNews⁠ Democracy Defenders Fund: https://www.democracydefendersfund.org/⁠ Asha's Substack: https://asharangappa.substack.com/ Asha's podcast: https://podcasts.apple.com/us/podcast/its-complicated/id1434320092 The New York Times piece on lawsuits against the administration: https://www.nytimes.com/interactive/2026/us/trump-administration-lawsuits.html⁠ Image credit: Sameer Khan, Fotobuddy Learn more about your ad choices. Visit megaphone.fm/adchoices

Camille Saint-Saëns (1835 - 1921) - Quartetto per archi n. 1 in mi minore1.      Allegro 2.      Molto allegro quasi presto - 10:173.      Molto adagio - 15:404.      Allegro non troppo - 22:58 Joachim QuartetZbigniew Kornowicz, ViolinoGuillaume Plays, ViolinoMarie-Claire Méreaux, Viola Jean-Luc Bourré, Violoncello

By Dean Pinter

Dr. Sarcofiguy impersonates Phyllis Diller in a song that is an ode to yesteryear's "MY BOYFRIEND'S BACK AND THERE'S GONNA BE TROUBLE!". Alas, her boyfriend in this case? That amorous amphibian from the deep: THE CREATURE FROM THE BLACK LAGOON! THE LAGOON CREATURE FROM THE BLACK (IS ON THE ATTACK) by John Dimes Produced and Arranged by Craig Conley But with: THE SARCOFIGUY RAP by The Grave Mood Rings (Craig Conley and Michael Warwick)

I wrote Putin on a Bear after noticing how easily power turns into performance. Big egos, bigger symbols, and a world that sometimes feels more like political cosplay than leadership. The song stays light on purpose. I figured if things are already absurd, there's no need to shout. A raised eyebrow does the job. If it makes you laugh, hum along, or briefly wonder how we got here, that's enough for me. This is a small reminder that when authority starts demanding awe, laughter can still be an option. Blombird

Update on charges filed against former CapRadio General Manager accused of embezzlement and theft. Also, down payment assistance for first-time homeowners. City Council looks to repeal antiquated law. Also, band performs Thursday in Grass Valley.

"Bucket List" is what happens when a man misunderstands a STD diagnosis, comes to terms with his mortality, and decides to write an unlistenable song about it. Music video: https://www.youtube.com/watch?v=LqZE4vBkR4g

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A tribute to all the Flat Earthers, 1st Amendment Auditors, Sovereign Citizens and other "colorful characters" who live and breathe on social media!

Performance and Works used with permission from the artist and venue. Pianist, guitarist and educator Ariel Kasler is a driving force behind the resurgence of jazz and classical music in Northwest Ohio in both his position as the pianist for the Toledo Jazz Orchestra and as the Artistic Director of the Orchard Guitar Festival. As the leader of his own quartet, he performs original jazz compositions and arrangements influenced by Middle Eastern, Jewish, and Israeli music as evidenced on 2015's Above the Sound, the 2022 release Make it Bloom and on this March 23rd, 2025 performance. Featuring Andrew Bishop on Saxophones, Jeff Halsey on Bass, Olman Piedra on Drums and Ariel Kasler on Guitar and Piano, it's the Ariel Kasler Quartet…Live at the Bop Stop.

Music with the USAF Band of the Golden West Clarinet Quartet

Being a step parent requires sacrifice and responsibility... the former of which is never really talked about (at least on sites that don't require age verification). Parody to "Manchild" by Sabrina Carpenter. Written and Performed: Dino-Mike Wife Voice: Lindsay Smith Step Daughter Voice and Model: Kendra Shepherd Produced, Mixed and Mastered: Bob Emmet

I love the riff in "Hazy Shade Of Winter" almost as much as I hate what is happening to our country. So I put em together. Happy MLK Day, everyone! Music: Paul Simon Guitars, bass, drums, keyboards, vocals, arrangement, production: SG Lyrics: SG, Timothy J Weber, Niamh Bagnell, Eileen Favorite Backing vocals: Timothy J Weber Helpful help: Susan "Sulu" Dubow

In this episode, we discuss recordings of “Carissimi: Jonas (Live)” (BR Klassik) by the Bavarian Radio Chorus & Il Giardino Armonico / Giovanni Antonini, “Enescu & Mendelssohn: Octets” (Erato) by Quatuor Ébène & Belcea Quartet, “Fundal, Christensen & Eichberg: Viola Concertos” (Dacapo) by Rafaell Altino, the Odense Symphony Orchestra / Pierre Bleuse & David Danzmayr, “Suits and Scotches” (SteepleChase) by Matt Garrity, “Time To Swing” (Ionian Sound Record) by Tommy Bradascio, and “Stars Aligned” (Losen Records) by the Frode Kjekstad Quartet.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 243 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Carissimi: Jonas (Live)” (BR Klassik) Bavarian Radio Chorus, Il Giardino Armonico / Giovanni Antonini https://open.spotify.com/album/0Q0NJSwSpSceEs2LV389b1 https://music.apple.com/us/album/carissimi-jonas-live/1862277796 https://music.amazon.com/albums/B0FV4VBK5L   “Enescu & Mendelssohn: Octets” (Erato) Quatuor Ébène, Belcea Quartet https://open.spotify.com/album/2C6jpAMuE8L1N4DrkGjQU2 https://music.apple.com/us/album/enescu-mendelssohn-octets/1852431459 https://music.amazon.com/albums/B0G1VLQPV6   “Fundal, Christensen & Eichberg: Viola Concertos” (Dacapo) Rafaell Altino, Odense Symphony Orchestra / Pierre Bleuse & David Danzmayr https://open.spotify.com/album/7BnekhgTGlGVUWYONsT6mp https://music.apple.com/us/album/karsten-fundal-christian-winther-christensen-søren/1855463553 https://music.amazon.com/albums/B0G3CG2X5N   “Suits and Scotches” (SteepleChase)  Matt Garrity https://open.spotify.com/album/5r6PbDNbZb4bTGx64ss2pH https://music.apple.com/us/album/suits-and-scotches/1857990799 https://music.amazon.com/albums/B0G4SMHYV6   “Time To Swing” (Ionian Sound Record)  Tommy Bradascio https://open.spotify.com/album/53hTpHggyW72B68aQYnUWJ No Apple Music https://music.amazon.com/albums/B0GC6TMGLX   “Stars Aligned” (Losen Records)  Frode Kjekstad Quartet https://open.spotify.com/album/5uMZV2919g3rTzQKBJbP3W https://music.apple.com/us/album/stars-aligned-feat-eric-alexander-roy-powell-frederik/1860682773 https://music.amazon.com/albums/B0G6G83JX2  

As you get older time goes by quicker,TICK TICK TICK TICK TICK

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The narrator of this song can't help telling dad jokes. But she's not a dad. Parody of Golden by Huntrix

Steve Clarke celebrates his birthday with a performance by the Steve Clarke Quartet, 7pm Sunday night January 18 at Crooners. When Steve got together with Phil Nusbaum, Steve talked about the special theme of this performance.

John Metcalfe was born in New Zealand but he's been British based for years. He's a celebrated arranger, composer, producer and violist. His music is a unique combination of classical, pop, electronica and who knows what else. He's worked with Andrea Bocelli, Blur, Peter Gabriel, George Michael, Coldplay and U2. He's a member of the classical Duke Quartet. He's also been part of the Durutti Column, a post punk outfit. He's been called “one of the UK's best, most consistently brilliant artists.”My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JOHN:www.john-metcalfe.co.uk—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

This song is a love letter to Jim Hopper: small-town police chief, full-time dad, part-time monster decapitator, and walking OSHA violation in a Hawaiian shirt. It's got synths, keytar, mustache energy, and the unshakable belief that abs are optional if you punch Russians and glare at Demogorgons hard enough. Turn it up, eat your vitamins, and here's a public service announcement for you - don't mess with Jim.

I don't know about you, but the power of Taco Bell hits me sometimes after I enjoy items from their bountious (but still recovering from the deep item slashing of 2020) menu. That made me think, who needs a laxative when Taco Bell's a much tastier solution! So had to write a song about it. And since I wanted to try a lot of different styles for the debut album, I thought a foray into mariachi was perfect for this one (no latin/mariachi catagory in the drop down so picked pop!) I know there are several other funny songs about the Bell, but don't miss this hot fresh one! Video for this song. Please Follow and Subscribe at YouTube, TT, and IG (@kurplunkmusic) for new funny videos! Most songs from the new album can be heard (and seen!) at our YouTube channel plus behind the scenes content: https://www.youtube.com/@Kurplunkmusic/videos More info and links to all our socials at www.kurplunk.lol

Performance and Works used with permission from the artist and venue. Embracing his love for a vast variety of stylistic genres, three-time GRAMMY nominee, Troy Roberts is one of today's most widely recorded touring artists.  His name adorns several essential recordings ranging from the legendary Joey DeFrancesco, the iconic Van Morrison, and the critically acclaimed Kurt Elling. He's also a prolific front man, with sixteen releases to his name, including 2024's Green Lights, selections of which are featured here. Backed by the Northeast Ohio based Theron Brown Trio and from a February 16th, 2025 performance it's the Troy Roberts Quartet…Live at the Bop Stop.

You know the drill: It's time to sober up, hit the gym, pick up an actual book, and become your best self. At least until next weekend. Resolution 9: M. Spaff Sumsion: Lyrics Robert Lund: Vocals, instruments, production, what have you "My Favorite Things" is by Rodgers and Hammerstein. To our fan: Yes, this is an updated version of a song from Elves Gone Wild!

The Suffolk and Goode Players take on the Gig Economy in this parody of "Scarborough Fair/Canticle," an old English folk tune arranged by Martin Carthy and Paul Simon, who also added some lyrics and recorded it with Art Garfunkel. Our version had lyrics by Dale Leopold, Chris Mezzolesta arranged it and played acoustic guitar, bass guitar and virtual harpsichord and bells, and sung by Chris, Lori Furth and Karyn O'Bryant. Like the SandG version, there's a "Canticle" counter-melody that takes aim at the greed and callousness of those at the top. Enjoy!

Giant humanoid robots fighting battles in space! They're one of the coolest things imaginable, but they're also financially impractical and physically improbable, and the guy in charge of them inevitably ends up being some kind of corrupt, child-abusing weirdo. So why do we keep building them? Because they're one of the coolest things imaginable! Join our beleagured general as he attempts to justify his indefensible purchasing and staffing decisions