Podcasts about royal academician

Our Special Guest this week is Elsie Owusu OBE RA, Architect and Principal at Elsie Owusu Architects. Elsie is a founding member and the first chair of the Society of Black Architects. Her projects include the U.K. Supreme Court and Green Park tube station.  She has been an elected RIBA Council member since 2014, a vice-chair of the London School of Architecture, and a Royal Academician. She was recently part of the Radix Big Tent Housing Commission.Latest News Update on planning related matters.A Decision of the High Court between Ross and the Secretary of State for Housing, Communities and Local Government and Renewable Energy Systems Ltd on an appeal against the Local Planning Authority's refusal of planning permission for the proposed Longhedge Solar Farm. The solar farm was approximately 223 acres with a build area of 157 acres on a site to the north-east of the village of Hawksworth in Nottinghamshire.An Appeal Decision involving Berkeley Strategic Land Limited against the previous decision of Wokingham Borough Council for a proposed development of 350 dwellings and a care home with access on land adjacent to Blagrove Lane in Wokingham. The appeal is made under section 78 of the Town and Country Planning Act 1990 (as amended) against a refusal to grant outline planning permission.Visit our Website:hwgpnfy.com

Anne Desmet RA is a distinguished wood engraver, print maker and Royal Academician. Fascinated by the idea of metamorphosis, her imaginative works often draw on architectural themes. We discuss how her work has evolved over several decades, and how she brings together a wide range of styles and techniques. https://annedesmet.com

The grandfather of British Pop Art, Sir Peter Blake is one of most influential and popular artists of his generation. A Royal Academician with work in the national collection, including Tate and the National Portrait Gallery, he is renowned for paintings and collages that borrow imagery from advertising, cinema and music. Having created The Beatles' Sgt Peppers Lonely Hearts Club Band sleeve in 1967 he became the go-to album designer for other musical artists including The Who, Paul Weller, Madness and Oasis. He was knighted for services to art in 2002.Sir Peter tells John Wilson how, after a working class upbringing in Dartford, Kent, he won a place at the Royal College of Art alongside fellow students Bridget Riley and Frank Auerbach. He recalls being influenced by early American pop artists including Jasper Johns and Robert Rauschenberg, and how he began making art inspired by everyday popular imagery. He chooses Dylan Thomas's 1954 radio play Under Milk Wood as a work which captivated his imagination and later inspired a series of his artworks based on the characters, and also cites Max Miller, the music hall artist known as 'the Cheeky Chappie'; as a creative influence. Sir Peter remembers how he made the iconic Sgt Pepper sleeve using waxwork dummies and life size cut-out figures depicting well-known people chosen by Peter and The Beatles themselves. Producer: Edwina PitmanArchive used: Under Milk Wood by Dylan Thomas, performed by Richard Burton, BBC Third Programme, 25 Jan 1954 Max Miller, introduced by Wilfred Pickles at the Festival of Variety, BBC Light Programme, 6 May 1951 Max Miller archive from Celebration, The Cheeky Chappie, BBC Radio 4, 3 July 1974 Monitor: 89: Pop Goes The Easel, BBC1, 25 March 1962 Peter Blake: Work in Progress, BBC2, 21 February 1983 Newsnight, BBC2, 7 February 1983 Ian Dury, Peter the Painter

British sculptor Antony Gormley's (Sir Antony Mark David Gormley OBE RA) work has been widely exhibited throughout the UK and internationally with recent exhibitions at Musée Rodin, Paris (2023); Lehmbruck Museum, Duisburg, Germany (2022); Museum Voorlinden, Wassenaar, Netherlands (2022); National Gallery Singapore, Singapore (2021); Schauwerk Sindelfingen, Germany (2021); Royal Academy of Arts, London (2019); Delos, Greece (2019); Uffizi Gallery, Florence, Italy (2019); Philadelphia Museum of Art, Pennsylvania (2019); Long Museum, Shanghai (2017); and Forte di Belvedere, Florence, Italy (2015) among others! Some permanent public works include the Angel of the North (Gateshead, UK), Another Place (Crosby Beach, UK), and Inside Australia (Lake Ballard, Western Australia). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999, the Bernhard Heiliger Award for Sculpture in 2007, the Obayashi Prize in 2012 and the Praemium Imperiale in 2013. In 1997 he was made an Officer of the British Empire (OBE) and was made a knight in the New Year's Honors list in 2014. He is an Honorary Fellow of the Royal Institute of British Architects, an Honorary Doctor of the University of Cambridge and a Fellow of Trinity and Jesus Colleges, Cambridge. Gormley has been a Royal Academician since 2003.He and Zuckerman discuss the state of the world, art as a form of witnessing, what can sculpture do, being in the world but not of it, moving through space with awareness, active meditation, what art is for, recognizing our own vitality, discovering ourselves as strangers, and the urgency and hopefulness of being alive right now!

TALK ART EXCLUSIVE! We meet Sir Antony Gormley OBE RA to discuss his forthcoming solo show 'Aerial' at White Cube New York, USA and his epic new 'Time Horizon' public installation of 100 sculptures which has just opened at Houghton Hall, Norfolk, UK. We explore his entire career across this intimate, highly detailed, feature-length special episode recorded in person at his London studio.Antony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space. Gormley's work is concerned with the experience of being in the world and an expression of how it feels to be alive. Through a critical engagement with his own physical existence, Gormley identifies art as a place where new behaviours, thoughts and feelings can arise. For him, art can be a place of becoming where, collectively, we can think about our role as creators of the future: ‘I want it to be about life. I want it to be about potential.'We explore his new works made for ‘Aerial', an exhibition by Antony Gormley in New York, in which the artist considers sculpture as an instrument for proprioception – the body's innate capacity to sense and perceive its position, movements and orientation in relation to itself and the environment. The exhibition features two recent developments in Gormley's practice: one explores physical proximity in mass and scale, where two over-life-size bodies merge as one, while the other endeavours to catalyse space almost without mass.Whilst 'Time Horizon', one of Antony Gormley's most spectacular large-scale installations, is currently being shown across the grounds and through the house at Houghton Hall in Norfolk. Featuring 100 life-size sculptures, the works are distributed across 300 acres of the park, the furthest away being approximately 1.5 miles on the West Avenue. The cast-iron sculptures, each weighing 620kg and standing at an average of 191cm, are installed at the same datum level to create a single horizontal plane across the landscape. Some works are buried, allowing only a part of the head to be visible, while others are buried to the chest or knees according to the topography. Only occasionally do they stand on the existing surface. Around a quarter of the works are placed on concrete columns that vary from a few centimetres high to rising four meters off the ground.Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999, the Bernhard Heiliger Award for Sculpture in 2007, the Obayashi Prize in 2012 and the Praemium Imperiale in 2013. In 1997 he was made an Officer of the British Empire (OBE) and was made a knight in the New Year's Honours list in 2014. He is an Honorary Fellow of the Royal Institute of British Architects, an Honorary Doctor of the University of Cambridge and a Fellow of Trinity and Jesus Colleges, Cambridge. Gormley has been a Royal Academician since 2003.Antony Gormley's 'Aerial' runs from 30 April – 15 June 2024 at White Cube New York.‘Time Horizon' runs concurrently at Houghton Hall, Norfolk from 21 April – 31 October 2024, the first time the work has been staged in the UK.Follow @WhiteCube and @HoughtonHallVisit: https://www.whitecube.com/gallery-exhibitions/antony-gormley-new-york-2024andhttps://www.houghtonhall.com/antony-gormleys-time-horizon-2/ Hosted on Acast. See acast.com/privacy for more information.

The abstract painter Mali Morris is fascinated by colour and light, and has been exploring their possibilities in her work for more than 50 years. She was born in Wales and studied at the University of Newcastle, where the Pop Art pioneer Richard Hamilton was one of her teachers. He brought her and fellow students news of New York which she says “seemed as far away to me as the moon”. Mali herself taught at a number of art schools including Chelsea, the Slade School and the Royal College of Art. She was elected a Royal Academician in 2010, and last year, flags made from her work hung above Bond Street, not far from the Academy, in a riot of joyous colour. She currently has a major exhibition at the Ikon Gallery in Birmingham. Her musical choices include Bach, Beethoven, Vivaldi and some blues singing and whistling by Professor Longhair.

We meet leading artist Rana Begum to discuss her new public art flag display on London's Piccadilly in collaboration with the Royal Academy of Arts and Art of London. We also explore her incredible current solo exhibition at The Box in Plymouth titled 'Dappled Light'.The vibrant designs entitled No.1273 Flag are currently adorning the London skies until 20th August 2023, so make sure you visit if you're in London this month! Each flag showcases intricate geometric patterns, celebrating the multicultural fabric of the city. Rana Begum, a distinguished Royal Academician elected in December of 2019, has skilfully infused the flags with meticulously tiled mosaic patterns, symbolising unity and the diverse community of London. With her mastery of minimalist abstraction, she captures the vibrant essence of the city's world-class culture and entertainment scene, particularly in the iconic West End. Her artwork spills out onto the streets of the West End, bringing vivid colours and vibrancy along London's iconic Piccadilly.Part of Art of London's Summer Season, these striking designs give us a glimpse of what's in store for the city's streets. Rana Begum's designs, responding to the "Art of Entertainment" theme, reflect the liveliness and excitement of dance, music, and theatre. Her clever blend of colour and geometry captures the fluidity of movement, resulting in a rhythm that connects with passers-by.The work of London-based artist Rana Begum distils spatial and visual experience into ordered form. Through her refined language of Minimalist abstraction, Begum blurs the boundaries between sculpture, painting and architecture. Her visual language draws from the urban landscape as well as geometric patterns from traditional Islamic art and architecture. Light is fundamental to her process. Begum's works absorb and reflect varied densities of light to produce an experience for the viewer that is both temporal and sensorial. In 1999, Begum graduated with a BA in Fine Art from Chelsea College of Art and Design and, in 2002, gained an MFA in Painting from Slade School of Fine Art. Rana Begum lives and works in London.Follow @RanaBegumStudio @TheArtofLdn and view image of Rana's new flags at: https://artoflondon.co.uk/events/art-of-london-unveils-new-flags-by-rana-begum-on-piccadillyand visit @TheBoxPlymouth for her current solo exhibition. @RoyalAcademyArts Summer Exhibition 2023 is open until 20thAugust, for more information visit: https://www.royalacademy.org.uk/exhibition/summer-exhibition-2023 Thanks for listening and happy Summer!!! Hosted on Acast. See acast.com/privacy for more information.

WELCOME BACK TO SEASON 9 of The GWA PODCAST! This week, we interview one of the most influential and groundbreaking artists alive, SONIA BOYCE! Born and raised in London, where she still lives today, Boyce has been taking the art world by storm since the 1980s when she and other trailblazing artists – such as Lubaina Himid and Claudette Johnston – emerged collectively onto the art scene as the Black Arts Movement. Putting images of women and their stories centre stage, they exhibited in shows such as Five Black Women in 1983 at the Africa Centre, Thin Black Line at the ICA in 1985, and The Other Story at the Hayward in 1989.  Since then, Boyce's indefatigable practice – spanning drawing, printmaking, photography, installation, video and sound – has constantly evolved, focusing on collaboration, often with an emphasis on improvisation as she works with other artists to create immersive installation environments. Taking on a broader ethos of "collage" and what it means today – both literally and metaphorically – Boyce's practice has brought together a multitude of people, places and perspectives to provoke invaluable conversations about the world we live in today. Often involving sound pieces, when I find myself amongst one of Boyce's works, it becomes easy to lose oneself inside this very special, unusual but gripping world.  Since 2014 Boyce has been a professor of Black Art and Design, at the University of Arts London. In 2016, she was made a Royal Academician, in 2019 received an OBE for her services to art, and of course in 2022 became the winner of the Golden Lion award at the Venice Biennale, which she won for Feeling her Way – an immersive exhibition filled with bejewelled wallpaper and improvisatory song by women musicians – which is currently on view at Turner Contemporary in Margate before travelling to Leeds and later the Yale Centre for British Art.  https://turnercontemporary.org/bio/sonia-boyce/ https://www.tate.org.uk/art/artists/sonia-boyce-obe-794  https://www.theguardian.com/artanddesign/2018/mar/19/hylas-nymphs-manchester-art-gallery-sonia-boyce-interview  https://www.royalacademy.org.uk/article/sonia-boyce-ra-magazine-venice-biennale  https://www.nytimes.com/2022/05/13/arts/design/sonia-boyce-venice-biennale.html https://www.bbc.co.uk/iplayer/episode/m001f0q7/imagine-2022-sonia-boyce-finding-her-voice  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Mikaela Carmichael  Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

Join us ‘in conversation' with Michael Craig-Martin and A Level art students from South Wilts Grammar School in Salisbury discussing topics such as the artist's approach towards colour, the importance of creativity in any profession and Craig-Martin's journey towards becoming an internationally-renowned artist. Craig-Martin is best known for his vibrant representation of everyday objects that celebrate the ordinary and everyday. The artist was awarded a CBE in 2000, was an elected Royal Academician in 2006 and knighted in the Queen's Birthday Honours List in 2016. Craig-Martin blurs the boundaries between what is 2D and 3D in his sculpture by representing an upscaled object in one continuous outline as seen in Fountain Pen (turquoise), 2019, which is currently on display at Roche Court Sculpture Park. This is further illustrated by his untitled glass etching piece also exhibited at Roche Court which shows many everyday objects layered on top of each other. The accessibility and relatability of the artist's subject matter is what continues to fascinate the viewer and why his work has been exhibited across the US, Europe, South Korea, China and London. The Roche Court Educational Trust works with over 6,000 children, young people and specialist groups annually, at both the Sculpture Park and elsewhere. We encourage an exploration of modern and contemporary art through our specialist looking, thinking & speaking approach.As an independent charity, we rely on donations to deliver our program. For further details of how to support our work, please visit our website at: https://rochecourteducationaltrust.co.uk/support-us/ Follow us on Instagram https://www.instagram.com/_ilovesculpture/ To find out more about Michael Craig-Martin, follow this link: Michael Craig-Martin (michaelcraigmartin.co.uk)Thanks to: Dan Coggins and Zach James for co-producing this episode. Thanks also to the New Art Centre and finally, Michael Craig-Martin, for generously giving up his time. This podcast has been generously funded by RSA Catalyst Award and The Arts Society Wessex.Photo credits: Michael Craig-Martin, Fountain Pen (Turquoise), 2019

Join Mali Morris, painter and Royal Academician, and Rebecca Lyons, Director of Collections and Learning at the RA, as they discuss Mali's work and influences. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Ron Arad was born in Tel Aviv educated at the Jerusalem Academy of Art and later at the Architectural Association in London. He co-founded the design and production studio One Off with Caroline Thorman in 1981 and later, in 1989, Ron Arad Associates architecture and design practice and in 2008 he set up Ron Arad Architects. Ron was awarded the Royal Designer for Industry (RDI) in recognition of his ‘sustained excellence in aesthetic and efficient design for industry' in 2002, and was awarded the London Design Medal in 2011. He was professor of Design at the Hochschule in Vienna from 1994 to 1997, and later Professor of Design Products at the Royal College of Art in London. In 2013 he was elected as a Royal Academician by the Royal Academy of Art in London. Ron Arad's constant experimentation with the possibilities of materials such as steel, aluminium or polyamide and his radical re-conception of the form and structure of furniture has put him at the forefront of contemporary design.

Today on the podcast, Lucy Branch talks to, James Butler, the legendary sculptor, who has created a dizzying list of magnificent monumental commemorative sculptures in bronze. He was elected a Royal Academician in 1972, a Member of the Royal West of England Academy in 1980 and Fellow of the Royal Society of British Sculptors in 1981. His portfolio includes The RAF Fleet Air Arm Memorial, London Embankment, Field Marshal Earl Alexander of Tunis - Wellington Barracks, Birdcage Walk, London, footballer Duncan Edwards, The Stratford Jester and so many more. Join us and BE INSPIRED BY SCULPTURE. You can find images of James Butler's work and a transcription of the interview at Sculpture Vulture Blog - SCULPTURE VULTURE. Please support the show by purchasing, Bronze Behaving Badly, about the foundations of preserving sculpture and architectural features. Or, one of several novels such as, Restoration Murder, by Lucy Branch. This podcast was brought to you by Antique Bronze

In episode 68 of The Great Women Artists Podcast, Katy Hessel interviews the great sculptor, PHYLLIDA BARLOW !!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] Simultaneously colossal and intimate, precarious and triumphant, stoic and ephemeral, Phyllida Barlow's all-engulfing sculptures, made from cement, cardboard, fabric, to chicken wire, don't just force a redressing of sculpture in art history, but they question the limitless potentials of the versatile medium. Taking influence from her surroundings, and in turn influencing and challenging ours, they distort all sense of perspective, challenge sculptural conventions, and make us breathe, inhabit, and experience the medium in ways that no artist has done before. Full of tension and awkwardness, but also the familiarity of the everyday, for over fifty years Barlow's sculptures have questioned not only the history of the medium, but the role of monuments in modern day society. Born in Newcastle, and raised in postwar London, Barlow studied at Chelsea School of Art, and went on to complete her MA at the Slade, the latter of which she taught at for four decades, until 2009. Barlow has exhibited across the globe at the world's most renowned museums including, the Serpentine, taking over the Tate's Duveen Galleries, Haus de Kunst, and in 2017, represented Britain at the Venice Biennale. She is also a Royal Academician. But the reason why we are speaking with Barlow today is because she has not only just published an incredible book on her collected lectures, writings, and interviews – of which a favourite of mine is her on Eva Hesse, aptly titled, Lost for Words – but she is currently the subject of a solo presentation at London's Highgate Cementary AND an exhibition at Hauser and Wirth, the latter of which features a large-scale ‘sculptural intervention' consisting of over 100 brightly coloured cement posts more than 20 feet tall, forming a circular barricade, which in typical Barlow style, blocks, stunts, distorts our normal viewing space and forces us to re-situate ourselves in the galleries, resulting in new paths forged, new sight lines experienced. I hope you enjoy this episode! Further links: www.hauserwirth.com/hauser-wirth-ex…phyllida-barlow www.royalacademy.org.uk/article/digit…t-documentary www.hauserwirth.com/artists/2826-phyllida-barlow www.tate.org.uk/whats-on/tate-bri…4-phyllida-barlow hausderkunst.de/en/exhibitions/phyllida-barlow LISTEN NOW + ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Research assistant: Viva Ruggi Artwork by @thisisaliceskinner Music by Ben Wetherfield www.thegreatwomenartists.com/

Artists Sonia Boyce, Isaac Julien, Eddie Chambers and Harold Offeh talk to Anne McElvoy about their art and the influence of the British black arts movement - which began around the time of the First National Black Art Convention in 1982 organised by the Blk Art Group and held at Wolverhampton Polytechnic. Eddie Chambers has written Roots and Culture: Cultural Politics in the Making of Black Britain and Black Artists in British Art: A History since the 1950s. He teaches at the University of Texas, Austin. Sonia Boyce is Professor at Middlesex University, a Royal Academician and the Principal-Investigator of the Black Artists & Modernism project. She will show work in the British Pavilion at the Venice Biennale in 2022. Isaac Julien shows at the Victoria Miro Gallery. His work is on display at the Museum of Modern Art in Scotland until August 31st. Lessons of the Hour is a ten-screen film installation looking at the life and times of Frederick Douglass who, from 1845-7, made repeated visits to Edinburgh, while campaigning across the UK and Ireland against US slavery. Harold Offeh is an artist, curator and senior lecturer in Fine Art at Leeds Beckett University. His work Covers features in Untitled: art on the conditions of our time which runs in a newly curated display at Kettle's Yard, Cambridge 10 July 2021 – 3 October 2021 following its opening at the New Art Exchange in Nottingham. You can also see his work in the Wellcome Collection exhibition Joy which runs until February 2022. Nottingham Contemporary's The Place Is Here brought together around 100 works by over 30 artists and collectives in 2017 when this episode first aired. Producer: Karl Bos Editor: Robyn Read You might be interested in our playlist on the Free Thinking programme website Exploring Black History https://www.bbc.co.uk/programmes/p08t2qbp

Farshid Moussavi is an award-winning architect and founder of Farshid Moussavi Architecture (FMA), aiming to go beyond how we have come to think of architecture by questioning the use of buildings. Moussavi is professor in practice of architecture at Harvard University Graduate School of Design and was elected Royal Academician in 2015. She has published three books, The Function of Ornament, The Function of Forms and The Function of Style, based on her research and teaching at Harvard. In this podcast, Farshid Moussavi acknowledges the struggle of understanding and assimilating problems, means and tools arising. She finds potential in the way architecture and the digital have been meeting each other, with architects now relying on digital tools in an indispensable way. Moussavi explains how the use of the digital has led architecture back to its raw state and has liberated buildings from basic ideas of efficiency and storage into places that inspire. She appreciates new problems as opportunities for architecture to make a difference and make the world a better place. Common Futures is a new series of podcasts produced by the Norman Foster Foundation that aim to empower our community to make positive change as a platform for people around the world to share and hear inspirational stories and ideas that will shape the future. www.normanfosterfoundation.org

In this final episode of the International Women's Day auction series Rosa talks with Anne Desmet RA about her work and practice as one of Britain's leading printmakers. They talk about becoming a Royal Academician, the history of wood engraving and Anne's love of Italian architecture. Anne Desmet was born in Liverpool, UK, in 1964.​ She has taught wood engraving widely, including at the RA Schools, British Museum and Middlesex University. In 2011, Anne was elected a member of the ​Royal Academy of Arts​ and is only the third wood engraver ever elected to the RA in its entire history. She is also a Fellow of the Royal Society of Painter-Printmakers (RE) and the Society of Wood Engravers (SWE). In 2018, she was elected an Honorary Fellow of Worcester College, Oxford. She is the author of many books on the topic of print making and retrospectives and exhibitions of her work have toured the UK. Anne has generously donated 4 artworks to our Art on a Postcard Auction for International Women's Day. View lots 244-247 to our auction which you can view here: http://bit.ly/3bbU5Uj The Art on a Postcard Auction for International Women's Day is raising money for The Women's Prison Team at The Hepatitis C Trust to support their important work. The artists who have donated their work have used 'i am' as inspiration for the artwork. Artists include such luminaries as Claudette Johnson known for her large scale paintings of black women; ‘Punjabi, Liverpudlian' Dr. Chila Kumari Burman whose joyous work has been adorning the Tate Britain since Diwali; Japanese born, Brooklyn based artist Yui Kugimiya whose work is unique in its use of traditional painting techniques to create quirky stop-motion animations and Antonia Showering whose lockdown year included a White Cube show. Bidding starts at £50 25 Feb – 11 March 2021 View the auction - bit.ly/2XWXmiN

Farshid Moussavi is an award-winning architect and founder of Farshid Moussavi Architecture (FMA), aiming to go beyond how we have come to think of architecture by questioning the use of buildings. Moussavi is professor in practice of architecture at Harvard University Graduate School of Design and was elected Royal Academician in 2015. She has published three books, The Function of Ornament, The Function of Forms and The Function of Style, based on her research and teaching at Harvard. In this podcast, Farshid Moussavi acknowledges the struggle of understanding and assimilating problems, means and tools arising. She finds potential in the way architecture and the digital have been meeting each other, with architects now relying on digital tools in an indispensable way. Moussavi explains how the use of the digital has led architecture back to its raw state and has liberated buildings from basic ideas of efficiency and storage into places that inspire. She appreciates new problems as opportunities for architecture to make a difference and make the world a better place. #NFFStories is a series of podcasts produced by the Norman Foster Foundation that aims to empower our community to make positive change. A new platform for people around the world to share and hear inspirational stories and ideas that are going to shape the future. www.normanfosterfoundation.org

Farshid Moussavi OBE RA is an internationally acclaimed architect and Professor in Practice of Architecture at Harvard University Graduate School of Design. Moussavi's approach is characterised by an openness to change and a commitment to the intellectual and cultural life of architecture. Alongside leading an award-winning architectural practice, Farshid Moussavi Architecture (FMA), she lectures regularly at arts institutions and schools of architecture worldwide and is a published author. Moussavi was appointed Officer of the Order of the British Empire (OBE) in the 2018 Queen's Birthday Honours for services to architecture. She was elected a Royal Academician in 2015 and Professor of Architecture at the RA Schools in 2017.

In episode 39 of The Great Women Artists Podcast, Katy Hessel interviews the world-renowned British artist, CORNELIA PARKER !! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW! This was such an insight into one of Britain's foremost artists known for her inventive, poetic, and quietly provocative works in sculpture, photography, performance, prints, and large-scale, and often site-specific, installations. Working in a variety of mediums since the mid-1980s, Parker's art is about destruction, resurrection and reconfiguration. Demonstrating the importance of process, she frequently transforms objects by using seemingly violent techniques such as shooting, exploding, squashing, cutting and burning. And it is through these actions that she both physically alters the object, as well as becoming an active development of its story herself.  Having studied at Gloucestershire College of Art & Design and at Wolverhampton Polytechnic before receiving her MA in Fine Art from the University of Reading in 1982, Cornelia Parker has since gone on to capture audiences from around the world, shifting our idea of what art can be, and exploring every possible potential of materials. Shortlisted for the Turner Prize in 1997, made an OBE and a Royal Academician in 2010, as well as serving as the country’s Election Artist in 2017, Parker has exhibited all over the world, including the likes of the Metropolitan Museum in New York, London’s Hayward Gallery, Manchester’s Whitworth Gallery, Sydney’s Museum of Contemporary Art, as well as featuring in collections worldwide from the Tate, Royal Academy, Pompidou, and MoMA.  Further reading! https://www.tate.org.uk/art/artists/cornelia-parker-2358 https://cristearoberts.com/artists/25-cornelia-parker/ https://www.mca.com.au/artists-works/exhibitions/cornelia-parker/ https://www.royalacademy.org.uk/art-artists/name/cornelia-parker-ra ENJOY!!! This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

In episode 33 of The Great Women Artists Podcast, Katy Hessel interviews one of the most groundbreaking, important, and influential artists working in the world today, the Turner-Prize winning artist, LUBAINA HIMID!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] Known for working in painting, drawing, collage, printmaking, cut-outs, and installations, Himid paints onto a variety of surfaces from ceramic to wood which produce objects with performative potential intended to be encountered in a space.  A tireless champion of marginalised voices, Himid has dedicated her thirty-year-plus career to uncovering silenced histories, to valorise ‘the contribution Black people have made to cultural life in Europe for the past several hundred years’. Born in Zanzibar in 1954, Himid moved to Britain with her mother when she was just four months old. She studied Theatre Design at Wimbledon College of Art, and later Royal College of Art. In the 1980s, Lubaina became one of the LEADERS and TRAILBLAZERS of Britain’s Black Arts movement, curating three shows – which we disucss in depth. Living and work in Preston, she is a CBE, a Royal Academician, the winner of the 2017 Turner Prize, and a professor at the University of Central Lancashire; in the collection of the Tate, V&A, Whitworth, Walker Art Gallery, plus more; and has had solo exhibitions at the New Museum in New York, Tate St Ives, Chisenhale, and it has just been announced that Lubaina will have a major solo exhibition at Tate Modern in November 2021.  This is really one of the greatest conversations I have EVER had. I am completely in awe at Lubaina and her BRILLIANT work that remains more present than ever. I really hope you enjoy this episode. This episode is sponsored by Alighieri  https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off!  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

William Etty was obsessed with the female form. At the height of his career as a history painter, long after his election to Royal Academician in 1828, he sat side-by-side with novices to study naked models, a practice he continued even as his health faded toward the end of his life. Whether posed alone or in groups, these models served as templates for goddesses, graces, muses, nymphs and sirens in his finished paintings. Bypassing the conventions of his day, Etty abandoned the doctrine that the figure ought to be idealised according to the established norm of beauty based on Greco-Roman sculpture. His nudes tend to have breasts, thighs and other bodily features that are larger or more irregular than had long been customary. As the audience for contemporary British art grew steadily throughout his lifetime, his flouting of convention proved exciting and scandalous. But there is more to Etty’s art than a move to a more naturalistic or realistic aesthetic. In his works, the female body remains mysterious and opaque, layered in flesh and rich paintwork. Many of the women who posed for him were employed simultaneously as sex workers, a fact that created a palpable sense of tension in the critical reception of his achievements, and arguably within the paintings themselves. This programme will take a look at this endlessly fascinating artist, exploring the conspicuous sensuality of his take on the classical body. 

Dame Elisabeth Frink, R.A. (1930-1993) “She respected herself. She took herself seriously and she took the work seriously, due to the nature of the work. She knew what it was she wanted to explore.” Annette Ratuszniak, Curator, Frink Estate.   In 1973 Elisabeth Frink became the first female sculptor to be elected as a Royal Academician. Frink was born into an army family, and her childhood was overshadowed by the Second World War. This experience, and other upheavals of the 20th century, led her to ask fundamental questions about the nature of humanity in her work. In an artworld increasingly dominated by abstraction, Frink remained resolute in her commitment to working both figuratively and in bronze. When Frink died in 1993 she had created over 400 sculptures, many of which are well-known public commissions.    In Episode 2, we explore hidden narratives in Frink’s career, and consider how artists can be sidelined by the ‘art world’ yet remain popular with the public. We also consider the impact an artist’s family has on their posthumous reputation and how this is managed.     “A lot of her work resonates in a really contemporary way.” Cathie Pilkington, RA, First Female Professor of Sculpture at the Royal Academy. With contributions from: ·      Simon Martin, Director, Pallant House Gallery ·      Annette Ratuszniak, Curator, The Elisabeth Frink Estate ·      Sam Johnston, Director, Dorset History Centre ·      Cathie Pilkington, R.A. ·      Clare Lilley, Director of Programme, Yorkshire Sculpture Park The sound recordings of Elisabeth Frink (00.00.27-00.00.42) are from Artists' Lives run by National Life Stories (https://www.bl.uk/projects/national-life-stories-artists-lives) in partnership with the British Library.  Audio (c) British Library Board  With thanks also to Dorset History Centre  https://www.dorsetcouncil.gov.uk/libraries-history-culture/dorset-history-centre/dorset-history-centre.aspx Image: Elisabeth Frink with Soldiers Head, courtesy of the Frink Estate For works discussed in this episode and more photographs of Frink, see the @sculptinglives Instagram feed. 

Piers Gough co-founded his own architectural practice while he was still at college, at the age of only twenty-two. He made his name during the redevelopment of London’s Docklands, though you can also see his work in Liverpool (the golden “bling bling” building), in Nottingham, where he built a centre for Maggie’s cancer charity, and in Glasgow, where he designed the masterplan for the redevelopment of the Gorbals. He’s won numerous awards for his buildings, not least for his bright-green triangular public lavatory in London’s Westbourne Grove. And six of his buildings have been listed by English Heritage, protected for posterity. He’s been president of the Architectural Association, he’s a Royal Academician... which all sounds steady enough, but trying to sum up his style, the Architects Journal said: “One’s never certain whether one is in a town house, a country house, a castle, or a gigantic piece of sculpture.” In conversation with Michael Berkeley, Piers Gough reflects on the challenges of designing for the modern city, and on the influence of the accident that broke his spine and which at one point made him doubtful that he would ever walk again. He shares, too, the surprise and fun of becoming a father in his sixties. Music choices include William Walton’s “Belshazzar’s Feast”; Monteverdi’s haunting love duet “Pur ti miro”; Handel’s “Semele”; and Piers's favourite country-music track, “Truckstop Honeymoon”. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

In The Studio enters the endlessly surprising and shape-shifting world of architect, designer and artist Ron Arad. Born in Israel but based in London for over four decades, Arad’s multi-disciplinary career has seen him design and produce everything from sunglasses to skyscrapers, and from hats to hotels. A Royal Academician and Professor Emeritus at the Royal College of Art, he has designed for numerous major international furniture and design brands, and his public art work can be found in cities across the world including Tokyo, Milan, Toronto, Tel Aviv and Singapore. Like the man himself, Arad’s work has always evaded categorisation. His constant experimentation with the boundaries and possibilities of materials and his keen interest in cutting edge technology means that nothing is ever as it seems. What at first glance appears to be a map on the wall, turns out to be a bookcase, a vast mirrored sculpture is in fact a ping pong table, a quartz pendant on a necklace doubles as a magnifying glass. In this programme, Ron welcomes Edwina Pitman into his labyrinthine studio, filled with prototypes and iconic design pieces, to chart the making of one of his many ongoing projects. Inspired by an object found in a flea market forty years ago, Ron’s idea is to create a string quartet that plays itself. Over the course of a year, he reveals how he and his team work on the technology, the design and the commercial possibilities to make this ghostly vision a reality.

Talk Art returns for Season 4!! Robert & Russell meet Grayson Perry CBE, the legendary English artist, Royal Academician, writer and broadcaster. Best known for his ceramic vases, tapestries and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British "prejudices, fashions and foibles". We discuss Essex & the 'Cockney diaspora', the relationship between his collages & pots, transvestism, inviting fashion students at St Martin's to create dresses for his persona Claire, his admiration for fashion designers like Manish Arora & Alessandro Michele, iconic women like Countess Raine Spencer, why he enjoys making limited editions & multiples, his childhood teddy bear Alan Measles and a recent trip to USA to make a new documentary about the political & social divide. We find out about his marriage to Philippa Perry, why he loves cycling & collecting motorbikes, historical influences such as 15th century plates & pottery, Folk art, Outsider art, Islamic ceramics but also living artists he admires such as Mark Bradford and Jonas Wood, plus Grayson shares some advice for emerging artists. Visit @TalkArt on Instagram for images of all artworks discussed in this episode, and follow Grayson @AlanMeasles. Special thanks to Matt Carey-Williams and Kathy Stephenson @VictoriaMiroGallery. If you've enjoyed this episode, be sure to leave us a review on Apple Podcasts or email talkartpodcast@gmail.com as we love hearing your feedback! See acast.com/privacy for privacy and opt-out information.

Speaker: Hughie O'Donoghue Chair and interlocutor: Baroness Hale Hughie O'Donoghue is a British painter and Royal Academician whose works explore themes of universal human experience. His paintings, often on an epic scale, meditate on ideas of truth and the relationship between memory and identity. Baroness Hale is President of the Supreme Court. In 2009 she became the first woman Justice of the Supreme Court after a varied career as an academic lawyer, law reformer and judge. Part of Art, Imagination and Public Service, Westminster Abbey Institute's 2019 autumn programme.

Robert & Russell meet British sculptor Phyllida Barlow CBE at the Royal Academy of Arts for an hour-long private tour of her current solo exhibition 'cul-de-sac'. World-renowned for using materials such as plaster, cardboard, scrim and cement, which turn the conventions of traditional sculpture on its head. We discuss her best-known works including the Tate Britain Commission 2014, and her installation for the 2017 Venice Biennale British Pavilion, where she represented the UK.Listen in as we experience entirely new sculptures by the artist in the RA's Gabrielle Jungels-Winkler Galleries. Towering above like seemingly precarious structures, these giant site-specific works both test and take inspiration from the gallery’s architecture. In the form of a “cul-de-sac”, with only one way in and out, it gives visitors the freedom to find their way between them.Alongside her own work, Barlow had a long career as a fine art teacher, including Professor of Fine Art and Director of Undergraduate Studies at the Slade until 2009, and Chelsea College of Art and Design before that. She was elected as a Royal Academician in 2011 and was also part of last year’s Selection Committee for the 250th Summer Exhibition. Barlow is represented by Hauser & Wirth. See acast.com/privacy for privacy and opt-out information.

Rebecca is a painter and printmaker. She specialises in woodblock printing, combining Western and Eastern traditions. She is also a Royal Academician and holds the position of Keeper of the Royal Academy Schools. For the TOAST Podcast the writer and broadcaster Laura Barton met Rebecca in her North London studio, which overlooks the railway. With the aid of old photographs, Rebecca took Laura to Japan. Rebecca first travelled to Japan in 1979, attending the art school in Kyoto. Every year she returns. Our first podcast series, titled A Creative Practice, follows the writer and broadcaster Laura Barton as she journeys with six creative women to the places they find inspiring – from a walled garden in Wales to the rugged coastline of Northern Ireland.

The American writer Tom Wolfe has died aged 88. His style of reportage in the late 60s became known as the New Journalism, and his best known books were the Right Stuff about the first NASA astronauts, as well as his novel The Bonfire of the Vanities which epitomised the excesses of Wall Street in the 80s. Writer and critic Diane Roberts pays tribute.Director Richard Eyre talks about his new film of King Lear which is a co-production between BBC Two and Amazon. The stellar cast includes Anthony Hopkins as Lear alongside Emma Thompson and Emily Watson as his scheming daughters. Deadpool 2 is the follow-up to the hugely successful Marvel Comics' Deadpool, whose eponymous anti-hero is a wisecracking mercenary played by Ryan Reynolds. The latest film sees him assembling a team of superheroes to rescue a young mutant. Rhianna Dhillon reviews. As the Royal Academy of Arts celebrates its 250th anniversary, what does it mean to be a Royal Academician? Samira talks to its President, Christopher Le Brun and Keeper of the RA, Rebecca Salter.

The artist Phyllida Barlow shares her passion for music that reflects her sculpture, in its defiance of convention and delight in surprise. For years Phyllida Barlow was so desperate for people to see her sculptures that she would leave them on the street or in disused factories; or she would install them in friends' houses, using pianos and ironing boards as plinths. Initially overlooked by museums and galleries, she was in her sixties when she found widespread recognition - in the last decade she's been invited to exhibit all over the world, and has became a Royal Academician, a CBE, and the recipient of numerous awards. Her 2014 exhibition at Tate Britain was unforgettable - she filled the cavernous Duveen Galleries with huge, gravity-defying pieces made out of timber and scrap materials which appeared to be about to topple over or to be on the point of collapse. And in 2017 she received the ultimate accolade of representing Great Britain at the Venice Biennale. She talks to Michael Berkeley about finding success in later life, how she juggled life as a teacher, artist and mother of five, and the challenges of constructing monumental installations. She chooses music by Birtwistle, Wagner, Janacek, Webern, and Messiaen, pieces which reflect her fascination with size, scale, texture and unexpected beauty. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Artist Sonia Boyce's career has been punctuated by series of firsts - the first black woman to have her work collected by the Tate, the first black woman to be elected a Royal Academician. As her first retrospective opens, Sonia discusses her art and why she removed a painting from the walls of Manchester Art Gallery.On the 100th anniversary of Debussy's death two interpreters of his music discuss his life, legacy and influences. Lucy Parham tours a show playing his piano music interspersed with readings from Debussy's own writings and letters while Mirga Gražinytė-Tyla the conductor of the city of Birmingham Symphony Orchestra has curated a season of Debussy's orchestral works. Testament is a rapper, beatboxer and theatre maker who's now based in Yorkshire. That county is the setting of Black Men Walking, a touring production that takes as its real life inspiration a group of black men - and some women - who go walking in the Peak District once a month. It uses music, poetry and the rich and largely unsung history of black people in this country, and countryside, to tell its story. Presenter: Gaylene Gould Producer: Hannah Robins.

The man who would be King!  Royal Academician,  Brian Catling on his literary trilogy THE VOORH,  his visual art work and why the cowboy character, Doc Holliday is so important.

The artist Tom Phillips talks to Philip Dodd about his career as he marks his 80th birthday. His works range from sculptures, like a tennis ball with his own hair, to commissions for the Imperial War Museum and Peckham, and portraits of subjects including Sir Harrison Birtwistle and the Monty Python team. His interest in literature is seen in his version of Dante's Inferno and art made from reworking the text of a Victorian novel, in addition to his post card collection, photographic diaries and his role as a Royal Academician. Plus, as scientists and policymakers gather at Kew to take stock of the world's plant diversity, Philip is joined by botanist Pippa Greenwood, conservationist Murphy Westwood, and the 'Plant Messiah' Carlos Magdalena to consider the lilies. The Plant Messiah: Adventures in Search of the World's Rarest Species by Carlos Magdalena is published on the 1st of June. Connected Works by Tom Phillips runs at the Flowers Gallery, Kingsland Road, London from May 26th to July 1st. The South London Gallery hosts the world premiere performance and an audio-visual installation of his opera Irma on the 16 and 17 September 2017, drawn from his Victorian novel artwork A Humument. Producer: Craig Templeton Smith

Artists Sonia Boyce, Isaac Julien, Eddie Chambers and Harold Offeh talk to Anne McElvoy about their art and the influence of the British Black Art movement - which began around the time of the First National Black Art Convention in 1982 organised by the Blk Art Group and held at Wolverhampton Polytechnic.Eddie Chambers has written Roots and Culture: Cultural Politics in the Making of Black Britain and Black Artists in British Art: A History Since the 1950s. He teaches at the University of Texas, Austin. Sonia Boyce is Professor at Middlesex University, a Royal Academician and will also have a solo show at the ICA later this year. She is one of the recipients of a Paul Hamlyn Foundation Award. She is also the Principal-Investigator of the Black Artists & Modernism project. Isaac Julien is showing Other Destinies at the Royal Ontario Museum from January and shows at Victoria Miro Gallery. Harold Offeh is an artist, curator and senior lecturer in Fine Art at Leeds Beckett University. His work Covers will feature in Untitled: art on the conditions of our time.Nottingham Contemporary's The Place Is Here brings together around 100 works by over 30 artists and collectives spanning painting, sculpture, installation, photography, video and archival displays from the 1980s. It runs from 04 Feb - 30 Apr 2017New Art Exchange's exhibition, Untitled: art on the conditions of our time, runs from 14 Jan - 19 Mar 2017 and features 12 British artists each with ties to Africa.Producer: Karl Bos Editor: Robyn Read

In this podcast, part of our ‘Architecture and Freedom' season, newly elected Royal Academician, Farshid Moussavi, discusses architecture's function as an agent in shaping everyday life.

Celebrated artist, influential teacher, Royal Academician and this year's Summer Exhibition Coordinator, Michael Craig-Martin CBE RA joins Tim Marlow to reflect on his career and discuss some of the ideas and events that have shaped his achievements as an artist and teacher.

Anthony Green, senior Royal Academician, is one of the UK's most eminent and best-loved figurative painters. His career as an artist has now spanned fifty years, and his brightly coloured, irregularly-shaped paintings and sculptures are exhibited across the world, in galleries including the Royal Academy, the Scottish National Gallery, and the Met in New York. Many of them explore autobiographical themes; in painting after painting he's recorded family life, at home, in bed, making love to his wife even. In Private Passions, Anthony Green looks back on his life as an artist; he explains the crucial importance of meeting his wife back when they were both students at the Slade - through her, he found his identity as a painter. He talks about watching fashions come and go in art, and explains why he is determined to explore religious subjects in his work, even though he knows it puts him outside the mainstream. And he confesses to being an incorrigible optimist, who loves this life, and fully expects to enjoy the next. Music choices include Charles Trenet, Bach, Wagner, Noel Coward, Beethoven's Emperor Piano Concerto, and Eric Idle - 'for the coffee breaks in the studio'. Producer: Elizabeth Burke A Loftus production for BBC Radio 3. To hear previous episodes of Private Passions, please visit http://www.bbc.co.uk/podcasts/series/r3pp/all.