Podcasts about Bond Street

John Patterson grew up in Cranford. After high school he worked for about eight years at the Cranford Public Library. More recently, he's lived in Brooklyn. On Thursday, April 17, his latest play, The Last Supper, will debut in the Gene Frankel Theater at 24 Bond Street in Manhattan.John is my guest on this episode. We talk about the creative process, the play and his growing up years in Cranford. 

running an online business is hard enough without the stress and time consumption of managing hosting whether managing one WordPress site or dozens kin's manage Solutions offer Speed Enterprise grade security and an intuitive dashboard with 247 365 human only expert support get peace of mind that your sites stay online secure and performing their best start today and get your first month free with migrations handled for you learn more at kin.com podcast that's K nst.com podcast at your job do you ever have to deal with a nose roller how about a snub pulley well if you're installing a new conveyor belt system dealing with the different components can sound like you're speaking a foreign language luckily you've got a team ready to help Grangers technical product Specialists are fluent in maintenance repair and operations so whenever you want to talk shop just Reach Out call click granger.com or just stop by Granger for the ones who get it done hey guys so third coffee nothing but phone calls for the last half hour anyway my new um project if you like or thing F the thing with being a recycler right you're always finding new things and new possibilities and new ideas inspiring ideas things that you can use and the other day I was out and about um with my brother we go on these Adventures on Thursdays right and I'd come across a shop that sold fossils and minerals um Rocks Crystals all that sort of thing um snails uh water snail casings and just um absolutely fantastic and I got really excited by them all um and my brother is a photographer stock photographer and there was some Driftwood there it was quite pricey some lovely Driftwood um anyway I was thinking about this Driftwood and I was thinking about how there's so much of it here where I live and thinking that's quite a cool resource isn't it I could sort of forage can you forage for something you can't eat or does foraging mean eating I'm not sure stuff you can eat but I can certainly acquire um bits of wood that I mean and sticks sticks interesting sticks and I really like this idea of sculpting playing creating art from stuff that I found the found object I do it with music I do it with my artworks now I've just done I've just released a load of artworks actually on blink friction which are um graffiti stencils on a a Victorian Bible that was very broken so it couldn't be sold on it was inappropriate for selling but it was fine for recycling as most things are so so much you can do with with recycled materials there really is and it really adds a curiousness and an interest I think to the finished product so really pleased actually with I sold one as well which is really good so if you pop over to eBay and maybe if you search blink friction I don't know I'm not sure if that will come up but if you go to my websites you you'll be able to see all of the wonderful wonderful artworks and fashion that I'm now forging ahead with but I've got so much uh Ro so many raw materials i' I've spent the last month sourcing Bargains on eBay of job lots of things like Army Surplus stuff um patches and old Levis old denim denim's wonderful absolutely wonderful thing to recycle it it's just perfect because barring things like glue if you get glue on denim is no good you won't get that off I don't I think certain glues will never come off anything look like a sort of Evo stick you know that's slightly yellow and it was horrific you there is nothing you can do with glue damaged Fabrics that I have discovered okay you may know differently tell me go to the blog and write me a message go to my Facebook or something so um I've put all this stuff in the cupboard but I did realize that the this it's kind of it makes me feel unsanitary Because unless they've been washed so everything that comes in needs to be washed but you know there's still this sort of idea that it's been around a bit and it's not you know it's not your brand spanking new Vivian Westwood that you just bought in Bond Street or something to you see what I mean it's it hasn't got quite got that same um ring to it or sense about it and of course this it's a sense that I love I love the sense the idea of buying an old Victorian Bible page that has been graffitied um and then you know mounting it in an expensive 3D frame or something really classy really Chic that I think is the perfect mix I do think if you buy a bit of artwork that's recycled you have to think very long and hard about how you're going to display it to make it make sure it's no longer a a Castaway and it doesn't feel like a cast away it doesn't feel like you know if you put it in a a 2bit frame that you know that's got scratches on it and um or a mass-produced plastic frame for example that really you didn't think too much about perhaps if you don't mount it that's always a giveaway should always mount an original artwork so you know these there are ways of making recycled art look really top-notch but you do have to think about it a bit anyway back to the Driftwood so um I was thinking about Driftwood a lot because I was minded of a a frame that I made for a friend very very large drift wood frame and I had to keep going out and sourcing this Driftwood and drying it out and then gluing it onto the mirror and she she said she absolutely loved it I don't know if it was a lie or not I always felt it was but uh in later years I confronted her about it and she promised me that it was absolutely wonderful and she loved it I still don't know if that's actually true so but let Let's Pretend shall we that she thought it was absolutely F she very classy lady as well um so yeah um I was Googling yesterday basically I was Googling how can I be a millionaire with Recycling and I was hoping for some inspiration um but the inspiration that came were well the fact finding Mission the stats proved that the most lucrative of all reclaim is metal so scrap metal that's where the the do is guys scrap metal so you know there are you can be a millionaire but you need a probably a string of scrap metal yards um it's interesting isn't it how something so tangled and dirty could create money I I did find that interesting um there's no way I'm going to do that there's no way I'm going to go out in the middle of the night and rob derel houses of their lead and you know other scraps or buy up old knacked washing machines and sell them for scrap that's just not going to happen um that's not quite what they do though is it I don't know how does scrap what what happens to scrap metal when it's taken into the the yard what happens after that I'm not I'm not 100% sure um I know you can go to a scrap yard and buy bits and in fact my godfather was being really annoying the other day he was saying oh you can go when your em is uh up and they tell you what's wrong you can go and get the pieces that you need secondhand from from scrapyards and my mom and I were like no we're not going to do that and he say no it's very easy just go along and and he would not bloody shut up about it and we were like f off can you imagine well you I don't know if you can but my mother and I a 60 and an 80y old teetering into a scrap metal yard a an old car dumped car place looking for old brake pads so say oh yeah we'll have those I mean do they even get them out for you they probably do actually don't they but no it's not going to happen I mean I I couldn't possibly I've got a bright yellow coat that I'm wearing at the moment um Stella McCartney and there's no way I'd walk in there I'd get dirty I could I'd get dirty just looking at it do you know what I mean this is how I feel about all these reclaimed Levis that I've got slightly Mucky so I've I've found a home for all this stuff that's going to last me two years before I upcycle everything it might even last me 5 years you know but I'm going to make a point of you know trying to create one thing a week for for the clothing cuz blink friction clothing is close to my my heart anyway um so scrap metal was out but then I thought well what natural resources are here you know in my locality and there actually loads lots of fossils and um minerals and and rocks and certain interesting finds that you can you know you scour around this guy at this shop the other day told me that because the the solent between the aisle of white and uh gosport is the it used to be before it was water logged it used to be forest and it and inhabited with people and there are parts of the area this chap told me that you can go to When the tide is out and you can see the old tree stumps you can actually see them because the water's darker or some something he said so I'm absolutely without a Shadow of Doubt want to go there next Thursday I'm really Keen to try that out um but also the Driftwood so I I found some recycled Driftwood models things that people had made with the Driftwood and they excited me greatly people are making Thrones for your garden out of Driftwood fantastic um thousands of pounds and I thought wow that's really adding a lot of value I mean I I'm not much of a carpenter it would be difficult for me to make from scratch something like that but it wouldn't be difficult to get the chair and then to adhes is that a word adhere God I'm visualizing here that the throne that I would make it wouldn't be beyond my cap capabilities to to you know glue basically glue bits of Driftwood all over the chair and create something other something up upcycled something rather fantastic and I'm I'm really Keen to give it a go I over the moon that I found something that that's kind of fidly fiddly and therapeutic but different to Denim because the denims I'm kind of bored of the denim now um so the other thing is you can just get bits of Driftwood and bits of drift Driftwood once they're dried out they they're either soft or hardwood you can tell by pting your nail in and Crafters love them Crafters love Driftwood so the more unusual the shape or I'll tell you who uses Driftwood t

Costoso crossover de Call of Duty con las Tortugas Ninja Adolescentes Mutantes, Se informa que Niantic, el desarrollador de Pokémon Go, está en conversaciones para vender su negocio de videojuegos, Batman Ninja contra la Liga Yakuza, La Odisea revela a Matt Damon como Odiseo, La película de acción real de Street Fighter encuentra un nuevo director, Amazon MGM asume el control creativo de la franquicia de James Bond, e anuncia oficialmente Avatar: Seven Havens, ambientado después de los eventos de La leyenda de Korra, Marvel está explorando formas de reunir a The Defenders…

Today, we're thrilled to welcome Donna Lennard, a trailblazer who has redefined how we experience dining, design, and community.Donna is the founder of the iconic il Buco family of restaurants—destinations renowned for their ingredient-driven Italian and Mediterranean cuisine—and il Buco Vita, a lifestyle and tabletop brand rooted in craftsmanship and cultural heritage. What began as an unassuming antique shop on Bond Street has, over the last three decades, blossomed into a beloved collection of spaces that feel more like homes than restaurants.From her beginnings working in the kitchen to her journey into antiques and culinary artistry, Donna has built a world where every detail—from the handmade dishes to the plate it's served on—tells a story. Her ability to bridge the worlds of collecting and curating, in both food and design, creates an atmosphere of warmth, connection, and timeless elegance.Donna shares how it all started, the pivotal moments that shaped il Buco's evolution, and the parallels between curating antiques and crafting unforgettable dining experiences. We'll also explore the balance between consistency and evolution, the importance of community, and the future of il Buco's ever-growing world. So with great honor, this is Donna Lennard, for Collectors Gene Radio.il Buco - https://ilbuco.com/Collectors Gene - https://collectorsgene.com/il Buco's Instagram - https://www.instagram.com/ilbuconycCameron's Instagram - https://www.instagram.com/cameronrosssteiner

Meet Amaan, the 21 year old visionary behind the disruptive jewellery brand Basliq. He recently launched an official collection at Bloomingdale's for Wicked The Movie—a collaboration that stemmed from a chance encounter with Cynthia Erivo (the actress who plays Elphaba in the film) at the Loewe store on Bond Street, leading to an unexpected friendship. Amaan shares with us how he's built his brand through raw authenticity, being in the right place at the right time and maintaining genuine relationships, with icons like Bella and Gigi Hadid, Beyoncé, Maya Jama, and Doja Cat championing his designs, as well as being one of the first South Asian designers and the youngest designer in history to style for the Met Gala. We also dive into his mixed Pakistani-Indian heritage, growing up in Manchester and now calling Dubai his home. At this point in his life, Amaan has already understood what many spend their twenties (and beyond) figuring out—his purpose: to create a brand that every cool girl you can think of is wearing. Episode chapters: (0:00) - Introduction  (2:51) - How Bella Hadid wore his jewellery (6:43) - Authenticity in the industry (8:37) - Growing up half Pakistani half Indian (11:09) - Creative process (13:41) - Jewellery production process (15:25) - Getting to work with Doja Cat (18:05) - There is no break in fashion (24:45) - Global representation in the fashion industry (28:03) - Key takeaways from running a global jewellery business (29:25) - Pay young designers fairly (34:32) - If Miuccia Prada isn't on your moodboard, you're doing something wrong (37:35) - What does Amaan have strong game in? Explore Amaan's designs at Basliq on: Website: https://www.basliq.com/ Instagram: https://www.instagram.com/basliq_/ To be the first to get updates on new episodes, please do give us a subscribe or follow!

Eine Oase am Piccadilly Mayfair, weltberühmt für seine historische Eleganz, den tadellosen Service, die beeindruckenden Zimmer und Suiten und seinen legendären Nachmittagstee: Willkommen im The Ritz London. -- Unsere England-Fans Claus Beling und Alexander-Klaus Stecher lassen das Podcast-Jahr mit einem 6-Gänge-Menü im Restaurant des Ritz ausklingen. Gemeinsam mit Enzo Buonocore, dem Restaurantchef des Ritz, begeben sie sich auf eine kulinarische Reise und erfahren mehr über die faszinierende Geschichte dieses ikonischen Hauses, dessen Wurzeln bis ins 19. Jahrhundert zurückreichen: Als das Ritz 1906 zum ersten Mal seine Türen öffnet, gilt es als eines der besten Hotels der Welt. Der berühmte Hotelier César Ritz hatte es mit dem Ziel entworfen, der ultimative Ort für Gäste zu werden, die im luxuriösesten Hotel des Landes übernachten möchten. Gelegen im Herzen von London ist das Ritz der perfekte Ausgangspunkt, um die pulsierendste Stadt zu erkunden: Trafalgar Square, Buckingham Palace, West End Theatres, Bond Street - alles nur einen Steinwurf entfernt. Außerdem gibt Enzo Buonocore einen Einblick in seinen persönlichen Karriereweg, der ihn bereits in jungen Jahren an die Spitze eines der berühmtesten Restaurants der Welt geführt hat. Er teilt bewegende Anekdoten aus dem Hotelalltag, spricht über die extrem hohen Erwartungen der internationalen Gäste und erzählt von unvergesslichen Momenten, wie dem Besuch Queen. The Ritz London - ein Treffpunkt für alle, die britische Eleganz in ihrer höchsten Form erleben möchten. BRITPOD – England at its best! -- WhatsApp: Du kannst Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. -- Ein ALL EARS ON YOU Original Podcast.

Dobbi und Käthe auf Besuch in London. Okay, bis zu Charles haben wir es nicht geschafft, aber hey, wir waren im Pub, im Stadion von Leyton Orient, wieder im Pub, auf dem Camden Market, dann erneut im Pub, Shoppen auf der Bond Street, zwischendurch in ein paar weiteren Pubs und natürlich haben wir auch einige Sehenswürdigkeiten besucht. Ach ja, und im Podcast haben wir ganz nebenbei über ganz andere Dinge gesprochen – natürlich auch im Pub.

This week we're journeying to the storied past of NYC and the East Village as Ariel welcomes the founder and visionary behind the Il Buco hospitality group, Donna Lennard. For the last thirty years, Donna has been at the forefront of ingredient-driven Italian/Mediterranean cuisine, winning numerous accolades, including a rare three star New York Times review for il Buco Alimentari. With the recent launch of Il Buco Vita, the group's foray into the home space, Lennard's impact on creating warm, inviting and lasting interiors is even more impactful. Donnabegan her career as an independent film producer and worked in restaurants all over Manhattan during her school years, where she initially met Alberto Avalle, a “foodie” from Umbria. In 1994, she and Alberto stumbled upon a storefront on cobblestoned Bond Street and created il Buco, which was initially opened as an antique shop. Il Buco catered to the tastes of the artists living in the area who quickly discovered thatDonnaand Alberto not only had an eye for beautiful antiques, but also a refined taste for delicious food and wine. It didn't take long before the store transformed into the buzzy restaurant it remains to date, in a gorgeous interior setting to boot.Since the opening of il Buco,Donnahas opened three more restaurants in New York City, the Hamptons and Ibiza, along with their coveted tabletop and lifestyle brand - il Buco Vita. The common thread weaving each area ofDonna's locations is an inviting atmosphere of quiet luxury with an exquisite attention to detail.—Visit one of Donna's Restaurants: https://ilbuco.com/Follow on Instagram: https://www.instagram.com/ilbuco_av/And shop for your own piece from il Buco Vita: https://ilbucovita.com/

Thursday 21 November 2024 Rio Tinto's second report into the miner's culture shows things are getting both better and worse.  And more, including: Australia's (and the world's) biggest packaging company, Amcor, offers $13 billion for a US based competitor Kevin Rudd speaks for the first time since the US election And a street in Milan has beaten 5th Avenue in New York, and Bond Street in London, to become the most expensive street in the world Plus don't miss the new episode of The Property Pendulum, brought to you by Domain and Fear & Greed. This week's episode: how spring selling season has fared, and how buyers can make the most of it. Get it from APPLE, SPOTIFY, or anywhere you listen to podcasts.Find out more: https://fearandgreed.com.auSee omnystudio.com/listener for privacy information.

Send us a Text Message.[Original air date, May 9, 2023] Miguel Armaza sits down with David Haber, General Partner at Andreessen Horowitz (a16z), one of the largest Venture Capital funds in the world, founded in 2009 by Marc Andreessen and Ben Horowitz.Based in NYC, David focuses exclusively on investing in global fintech. Before a16z, he founded Bond Street, a NY fintech that aimed to transform small business lending in the US. Bond Street was eventually acquired by Goldman Sachs in 2017.We discuss:Company building lessons from his experience at Bond Street and why he always looks for people with “humble confidence”The power of storytelling and why David believes effective storytelling is crucial for entrepreneurs and investorsThe future of fintechKey qualities of a good venture capital investorA look inside a16z and the vision of Mark and Ben for the firm… and a lot more!Want more podcast episodes? Join me and follow Fintech Leaders today on Apple, Spotify, or your favorite podcast app for weekly conversations with today's global leaders that will dominate the 21st century in fintech, business, and beyond.Do you prefer a written summary? Check out the Fintech Leaders newsletter and join ~70,000+ readers and listeners worldwide!Miguel Armaza is Co-Founder and General Partner of Gilgamesh Ventures, a seed-stage investment fund focused on fintech in the Americas. He also hosts and writes the Fintech Leaders podcast and newsletter.Miguel on LinkedIn: https://bit.ly/3nKha4ZMiguel on Twitter: https://bit.ly/2Jb5oBcFintech Leaders Newsletter: bit.ly/3jWIp

In this episode, which is number 24 in Danny Hurst´s Monopoly history series it is the turn of the last green square – the extremely high rent, Bond Street. A street that is home to two of the oldest and most renowned auction houses, the oldest manmade sculpture in London and the Beadles. (Yes, that's with a "d", not a "t"). Find out why the street has been misnamed, and what its connection to James Bond, chocolate, diamonds, Guy Burgess, and the film Titanic is. Also, let Danny take you on a tour of the street´s many famous statues. *Correction-in this podcast it claims the statue of Sekhmet is the oldest manmade object in London.  This is actually the oldest manmade sculpture rather than object.   KEY TAKEAWAYS The statue above the entrance of Sotheby´s is over 3,600 years old. It has been a luxury shopping destination since the 18th century. The Royal Arcade is a must-see. The street is home to the oldest uniform-wearing security firm in the world. Danny tells you where you can see the work of Henry Moore. BEST MOMENTS ‘There isn´t a Bond Street in London. ´ ‘The origin of this motto goes way back to Roman times.' ‘It is believed that only one resident lives on Bond Street.'   EPISODE RESOURCES Shop for all official versions of Monopoly here - https://www.amazon.co.uk/stores/page/785DC233-0A69-4DF8-98E9-4F50CC50A59E HOST BIO Historian, performer, and mentor Danny Hurst has been engaging audiences for many years, whether as a lecturer, stand-up comic or intervention teacher with young offenders and excluded secondary students. Having worked with some of the most difficult people in the UK, he is a natural storyteller and entertainer, whilst purveying the most fascinating information that you didn't know you didn't know. A writer and host of pub quizzes across London, he has travelled extensively and speaks several languages. He has been a consultant for exhibitions at the Imperial War Museum and Natural History Museum in London as well as presenting accelerated learning seminars across the UK. With a wide range of knowledge ranging from motor mechanics to opera to breeding carnivorous plants, he believes learning is the most effective when it's fun. Uniquely delivered, this is history without the boring bits, told the way only Danny Hurst can. CONTACT AND SOCIALS https://instagram.com/dannyjhurstfacebook.com/danny.hurst.9638 https://twitter.com/dannyhurst  https://www.linkedin.com/in/danny-hurst-19574720 Podcast Description "History is a nightmare from which I am trying to awake." James Joyce. That was me at school as well. Ironically, I ended up becoming a historian. The Unusual Histories podcast is all about the history you don't learn at school, nor indeed anywhere else. Discover things that you didn't know that you didn't know, fascinating historical luminaries and their vices and addictions, and the other numerous sides of every story. We start with the Monopoly Series, in which we explore how the game came to be, the real-life connection between the cheapest and most expensive properties, the history of each location, how proportionate the values were then and are today, what the hell a "community chest" is and whether free parking really does exist anywhere in London.  If you love history; or indeed if you hate history, this is the podcast for you…

I had heard Lauren's name over the years as one of the most trusted artist/hair stylists in the area. Having worked and lived in Delray Beach, you get to know and familiarize yourself with local businesses. Whats remarkable about Bond Street Salon is its history and future as a Delray Beach landmark. What started as a passion from a young age, Lauren knew she wanted to be involved. She was enthralled by the experience, uniqueness and individuality that she witnessed by her first salon experience in Boca Raton Florida. Her journey continued by apprenticing in different salons locally and abroad until she was ready to go off on her own and had great mentorship to support that decision. Lauren prides herself on her routine, process and ability to handle many different businesses and personalities all at once. Her foundation is prayer and meditation as well as a strict fitness and hygiene regimen. That process translates into her growth and success of her long standing business Bond Street Salon. If you have any questions or are looking for a new salon experience please visit www.bondstreetsalon.com. We hope you enjoy the show!

Founder's FAQ: answers to all the possible questions of a founder. Hosted by Ilker Koksal. This episode's guest is David Haber. David is a general partner at Andreessen Horowitz, where he focuses on technology investments in financial services. David was previously a senior executive in Firmwide Strategy at Goldman Sachs where he helped lead partnerships, new ventures and M&A. Before joining the firm, David was the Founder and CEO of Bond Street, which aimed to transform small business lending through technology, data, and design. Bond Street was acquired by Goldman Sachs in October 2017. In this episode; 1-) Building a competitive advantage in the early days 2-) Building a top-notch team in the early days 3-) Pattern recognition in founders and markets 4-) Role of the board and leveraging resources Founder's FAQ is a book for founders, and you can order through the www.foundersfaq.com

On this episode of The Distribution, Brandon Sedloff sits down with David Haber, a General Partner at Andreessen Horowitz where he focuses on technology investments in financial services.David was previously a senior executive in Firmwide Strategy at Goldman Sachs where he helped lead partnerships, new ventures and M&A. Before joining the firm, David was the Founder and CEO of Bond Street, which aimed to transform small business lending through technology, data, and design. Bond Street was acquired by Goldman Sachs in October 2017 as part of the firm's digital finance business. Previously, David was a venture investor at Spark Capital and a founding associate of Locus Analytics, a start-up asset management firm.Links:a16z.com Juniper SquareBrandon on LinkedInTopics:(00:00:00) - Intro(00:01:29) - David's background and career(00:12:38) - Moving from entrepreneurship to a large organization(00:17:14) - What was the thinking behind making the jump from Goldman Sachs to a16z?(00:20:52) - The intersection of entrepreneurship and enterprise value company building(00:27:56) - David's experience as a venture investor(00:29:42) - Defining Fintech(00:33:01) - How are you adding value to partners?(00:36:21) - What areas of Fintech are you most excited about?(00:38:56) - Thoughts on generative AI(00:41:47) - How are you gauging risk when underwriting an AI investment?(00:45:20) - Developing an investment thesis(00:47:36) - What are you excited about over the next 12 months?The views expressed here are those of the individual personnel quoted and are not the views of a16z or its affiliates. This content is provided for informational purposes only, and should not be relied upon as legal, business, investment, or tax advice. Furthermore, this content is not directed at nor intended for use by any investors or prospective investors and may not under any circumstances be relied upon when making a decision to invest in any a16z funds. PLEASE SEE MORE HERE: https://a16z.com/disclosures/

You will learn how to get started, network continually, and build relationships in real estate with Brian Ray, co-founder, managing partner, and principal of Alchemy-ABR Investment Partners and ABR Partners, LLC, his family holding company. During his 20-plus year career, Brian has acquired, developed, and managed properties with a value exceeding $3 billion.  You'll glean information on how to set up partnerships and build long-term success, along with managing everything and having fun along the way. Brian advises looking at situations in a way to help solve problems and deliver an outcome to the client. A long-term approach can lead to great success, and Brian has been involved with iconic buildings across the New York skyline, including 40 Bond Street, Seagram's Building, and One Rockefeller Center.  You can connect with Brian Ray at LinkedIn and Instagram. And I'm always happy to connect with listeners—you can find me online at: My website: JamesNelson.com LinkedIn: JamesNelsonNYC Instagram: JamesNelsonNYC Twitter: JamesNelsonNYC My Forbes.com articles: Forbes.com/sites/jamesnelson

Two Twists on a Classic TaleEpisode 242 explores two versions of the same case by two true crime pioneers, the first by distinguished journalist Alfred Henry Lewis and the second by True Crime Historian favorite Edmund Pearson. It's interesting how they approach the case from entirely different perspectives with completely different details. The episode ends with an obituary of the interesting life of the defendant after she leaves Bond Street.Ad free version with subscription

In today's episode, Kailee Costello hosts David Haber, General Partner at a16z. David focuses on technology investments in financial services.David was previously a senior executive in Firmwide Strategy at Goldman Sachs where he helped lead partnerships, new ventures and M&A. Before joining the firm, David was the Founder and CEO of Bond Street, which aimed to transform small business lending through technology, data, and design. Bond Street was acquired by Goldman Sachs in 2017. In this episode you will hear about: - The outlook for fintech: challenges and opportunities - How seeing the world from the perspective of an operator, an entrepreneur, and an investor has shaped David's investing today - David's current investing theses - David's learnings from Bond Street about the importance of “leading with software” - How David's lessons from Bond Street and his time at Goldman Sachs have influenced what he looks for in an investment and a founding team - David's rationale for leaving his VC role at Spark Capital to found a startup - What David liked and disliked about his roles in VC compared to his role as founder and CEO at Bond Street For more FinTech insights, follow us on WFT Medium: medium.com/wharton-fintech WFT Twitter: twitter.com/whartonfintech WFT Instagram: instagram.com/whartonfintech Kailee's Twitter: @KaileeCostello_ Kailee's LinkedIn: https://www.linkedin.com/in/kaileecostello/

The abstract painter Mali Morris is fascinated by colour and light, and has been exploring their possibilities in her work for more than 50 years. She was born in Wales and studied at the University of Newcastle, where the Pop Art pioneer Richard Hamilton was one of her teachers. He brought her and fellow students news of New York which she says “seemed as far away to me as the moon”. Mali herself taught at a number of art schools including Chelsea, the Slade School and the Royal College of Art. She was elected a Royal Academician in 2010, and last year, flags made from her work hung above Bond Street, not far from the Academy, in a riot of joyous colour. She currently has a major exhibition at the Ikon Gallery in Birmingham. Her musical choices include Bach, Beethoven, Vivaldi and some blues singing and whistling by Professor Longhair.

This week we're talking to two artists inspired by the nature.    Emily Young, hailed as Britain's greatest living female stone sculptor, specialises in using materials from abandoned quarries and Francis Hamel is known for his portraiture and landscape paintings.  Emily lives and works mostly in an isolated part of Tuscany, where she free carves in reclaimed uncut natural stone, often found in abandoned quarries. She evokes beautiful ancient figures from an unknown mythology.   Her main objective is to explore the relationship of humankind and the planet through her interaction with stone.  Her 25 new works in stone are being exhibited at Richard Green on Bond Street, in association with Willoughby Gerrish Ltd.    Francis has lived and worked for over 25 years at Rousham, one of England's most prized historic house and gardens. He explains how the garden at Rousham became the starting point for his exhibition when he was seeing it afresh during lockdown.  From there he went on to paint some of Britain's best-known gardens including Sissinghurst, Great Dixter, Sezincote, and Stourhead, as well as some private ones designed by renowned gardeners like Sarah Raven, Arthur Parkinson and Tom Stuart-Smith. His exhibition of garden paintings launches at his Oxfordshire home of Rousham before moving to John Martin on London's Albemarle Street.   Together they talk about how they work, what inspires them and what they set out to achieve. It's a fascinating conversation about the artistic process and highlights their similar and different approaches to stone and to paint. Emily Young: Pareidolia in Stone from 25th October to 10th November Richard Green https://www.richardgreen.com Francis Hamel: Thirty Gardens from 12th to 27th October John Martin https://www.jmlondon.com   This episode is brought to you with the kind support of support of Lomi, makers of ‘smart waste appliances' that transform food waste into plant food.  Go to Lomi's website at uk.lomi.com and use promo code breakout at the checkout for a £50 discount.

Features editor Matt Barker and reporter Charlotte Rawlings discuss the recent fuss over Burberry's Bond Street tube station takeover, Samuel L Jackson appearing in the latest Warburtons campaign and a Credos report on the ad bombardment fuelling mistrust among younger audiences.Matt is then joined in the studio by Lola Neves, chief strategy officer at Neverland and Matt Waksman, head of strategy, advertising at Ogilvy, to chat about a mini-wave of retro ads, including from McDonald's and Muller.Are we witnessing a new trend, prompted by a need to escape our troubled times, or is it simply a quick and easy way to target a younger demographic obsessed with 1990s/early naughties baggy fashion and lo-fi gaming graphics?Further reading:Bond Street tube station becomes ‘Burberry Street' and draws mixed reactionSamuel L Jackson vents his anger in Warburtons spotAd bombardment biggest cause of mistrust for younger audiencesMcDonald's travels back to 1990s in retro campaign Hosted on Acast. See acast.com/privacy for more information.

Burberry CEO Jonathan Akeroyd discusses the state of the fashion industry in the UK. He spoke with Bloomberg's Francine Lacqua outside Bond Street station in London, which the brand renamed "Burberry Street station" to promote its show. See omnystudio.com/listener for privacy information.

Kate Winslet, Stormzy, Victoria Beckham and Princess Beatrice all feature at Vogue World event. Burberry's Bond Street takeover and more. How emerging designers are dealing with the cost of living crisis. Our Fashion Director Victoria Moss discusses the up-and-coming fashion designers to look out for this year, and why London Fashion Week is so significant for the city. In this episode:How Burberry's taking over parts of LondonThe home-grown emerging talent featuring at the eventDesigner's innovative ways of dealing with the cost of living crisisHow LFW boosts London's economy and imageFollow us on X or on Threads. Hosted on Acast. See acast.com/privacy for more information.

Ready to uncover the soul of London? Join your host Sasha, as she takes you on an enlightening journey through the vibrant city, traversing its iconic landmarks and hidden gems. You're not just going to learn about London, but experience its heartbeat from within, feeling like a true Londoner. From the historic Tower of London to the fashionably eclectic Camden Market, prepare for a roller coaster ride of discovery that will leave you craving more.Our exploration is not limited to just sightseeing. From a tranquil boat ride through Little Venice to indulging in a traditional afternoon tea, from strolling in Hyde Park to shopping for luxury goods on Bond Street, we'll be immersing ourselves in experiences that make London what it is. We'll also be venturing into the world of tennis tournaments, street art, and historical castles. Ever wondered what it's like to witness the New Year's Eve fireworks on the Thames or celebrate at the Notting Hill Carnival? Stick with us and you'll find out!And just when you think we've seen it all, we'll delve deeper with unique experiences like taking a spin on the London Eye, exploring Victorian art at the Leighton House Museum, or taking a personalized black cab tour. This is no ordinary tour; it's a collection of experiences that truly capture the essence and allure of London. So join us, pack your bags, and buckle up for an unforgettable London adventure!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showGOT QUESTIONS ABOUT LONDON?Send me your question(s) for a chance to be answered live.Whatsapp: +44 7700 1822 99 (Text & Voice)E-Mail: hello@londonasked.comWeb: https://londonasked.com/askFOLLOW MEFacebook: @londonaskedInstagram: @londonaskedTwitter: @londonaskedJOIN THE FACEBOOK GROUPhttps://facebook.com/groups/londonaskedLEAVE A REVIEWPlease leave a review wherever you're listening to this podcast.GET IT NOW! The London Asked and Answered: Your Comprehensive Travel Guide Book or eBookhttps://guided.london/book© 2023 London Asked and Answered; Sascha Berninger Ready to dive into the ultimate London adventure? Subscribe now to unlock exclusive content and join us in uncovering the city's best-kept secrets, insider tips, and unforgettable experiences. Don't miss out on the journey of a lifetime – hit that subscribe button and let's explore London together! https://plus.acast.com/s/london-asked-and-answered. Hosted on Acast. See acast.com/privacy for more information.

It's the return of the legendary Mikey Erg on Behind the Vinyl - this time for an in-person interview before The Ergs! show in Asbury Park last month. This interview is a little more focused on The Ergs! so if you are a fan of the band this is definitely a discussion for you. We talked about the return of pop punk when The Ergs! first formed, The Fest and how it's the best show anyone will play the entire year, the “final” show at the Asbury Lanes in 2008, the band originally breaking up but since teaming up again and building momentum (New songs + and more shows), playing a handful of West Coast shows last year, carrying the hometown of Old Bridge with them, putting out two new EPs last year, working with Steve Albini for a solo record, and how his solo self titled record could had been a The Ergs! record. 

Yes, we're the Mainstreet podcast but that doesn't mean we ignore what's happening on nearby Bond Street, Bel Air's other "Main Street."  And one thing that's happening on Bond Street is the opening of U Brand Yourself, owned and operated by Bel Air native Wendy Nowakowski.  This is Wendy's story and we're happy to share it on Mainstreet. Please visit our sponsorYour Pet AuPair, Harford County's award-winning pet service company.https://www.belairaupair.com/Support the showFacebook: @USAMainstreetWebsite: themainstreetpodcast.comTwitter: https://twitter.com/home?lang=enEmail: info@themainstreetpodcast.comPlease support The Mainstreet PodcastBuy Me A Coffee:Buy Me a Coffee Mainstreet Patreon: patreon.com/mainstreetpodcast

Miguel Armaza sits down with David Haber, General Partner at Andreessen Horowitz (a16z), one of the largest Venture Capital funds in the world, founded in 2009 by Marc Andreessen and Ben Horowitz.Based in NYC, David focuses exclusively on investing in global fintech. Before a16z, he founded Bond Street, a NY fintech that aimed to transform small business lending in the US. Bond Street was eventually acquired by Goldman Sachs in 2017.We discuss:Company building lessons from his experience at Bond Street and why he always looks for people with “humble confidence”The power of storytelling and why David believes effective storytelling is crucial for entrepreneurs and investorsThe future of fintechKey qualities of a good venture capital investorA look inside a16z and the vision of Mark and Ben for the firm… and a lot more! Want more podcast episodes? Join me and follow Fintech Leaders today on Apple, Spotify, or your favorite podcast app for weekly conversations with today's global leaders that will dominate the 21st century in fintech, business, and beyond.Do you prefer a written summary, instead? Check out the Fintech Leaders newsletter and join 54,000+ readers and listeners worldwide!Miguel Armaza is Co-Founder & Managing General Partner of Gilgamesh Ventures, a seed-stage investment fund focused on fintech in the Americas. He also hosts and writes the Fintech Leaders podcast and newsletter.Miguel on LinkedIn: https://bit.ly/3nKha4ZMiguel on Twitter: https://bit.ly/2Jb5oBcFintech Leaders Newsletter: bit.ly/3jWIpqp

In the last week of March 1912, Captain Robert Falcon Scott died in his tent in Antarctica, on his failed effort to become the first person to reach the South Pole. He'd just missed out to the Norwegians under explorer Roald Amundsen. You might think the British had no chance from the beginning- Amundsen's crew were wearing sealskins and using dogs, sledding 50 miles a day while Scott's team were outfitted in kit from Bond Street, covering just 10 miles a day. The motorised vehicles they took lasted only a couple of days; one sinking through the ice the moment they took it off the ship. But, Tim Maltin's new research suggests there was something more unusual else at play that led to their failure and ultimately Scott's death: thermal inversion. The same meteorological phenomenon that caused Titanic to hit the iceberg just two weeks later.Tim joins Dan on the podcast to discuss the rivalry between two great explorers, the similarities and differences between their expeditions, he takes Dan through the gruelling last months of Scott's expedition, what happened the night of Scott's death and the discovery of their bodies, months later.Produced by James Hickmann and mixed by Dougal Patmore Hosted on Acast. See acast.com/privacy for more information.

This week's episode does exactly what it says on the tin, as host Stephen Fry bobs about with:Go On Then, Impress Us written by James Rampton and performed by Cassius Konneh [Peckham Manor School, south east London and the Lyceum Ballroom, Wellington Street, Covent Garden, London]Not Your Usual Busker written by James Rampton and performed by Dame Joanna Lumley [near Covent Garden tube station, London]The Bob That Changed the World written by James Rampton and performed by Shama Rahman [108 Bond Street, London]Sound editing by Viel Richardson.

For Paula Rowntree, Head of Workplace Design for LLOYDS BANKING GROUP, the office very much plays an important role in the workplace. For her it is the human connection, the corridor moments, saying hello, being creative, having conversations, seeing when someone is not ok. So when it comes to designing spaces, the focus is very much on the wellbeing of the people using the space, as well as the sustainability aspect, which is why Biophilic Design is such a positive element in a designer's bag. “Biophilic Design is incredibly important. It is that Deep-rooted connection to nature that we all have. To breathe fresh air, that emotion you get from being connected to nature.” Paula goes on to explain how years ago, the historic design trend was to take nature out of buildings, and make them a little more sterile and austere. Fortunately, that trend is shifting. Bringing in more greenery and timber elements, we feel calm and relax very quickly in a space. “Planting, naturally makes you feel better”. Paula will be speaking at the Workpace Design Show, taking place on 27 and 28 February 2023 in London. “Often, when we come to implement real planting, we might need to create a business case for it (we need watering systems, so there's a cost to install and maintain). But there is a whole array of plant elements we can bring into a space, from pretend plants, to preserved planting which may be simpler to deploy and gives illusion of planting.” Fortunately, Lloyds Banking Group have a strong sustainability agenda, so for Paula, nature-inspired design is a key to helping reach net-zero targets and encourage sustainable behaviour. With our planet in crises, temperatures are rising, it is a big overwhelming problem. “We are trying to get everyone in the bank thinking about sustainability. What can you do? That's where I started from, what can I do?” In one of the flagship branches of Lloyds, notably the one on Oxford Street (near Bond Street), Paula pushed the boundaries, as well as changing heating systems, lighting, furniture and fabrics she looked at planting. She installed High-raft moss discs, Preserved planting up at ceiling level, Plant pots with ground-level plants all putting oxygen back into the air, plus a Living wall on the outside with the brand element on the fascia. As a result, the bank colleagues feel very proud to explain what it's all about, especially the sustainability aspect. “Biophilia and planting becomes a visible statement” something that says that this company is committed to sustainability. “Also by putting planting back into the environment in branches, we are helping make people feel a little bit better in the work environment.” The spaces feel good, there's re-oxygenation, alongside brand messaging. “There is something so joyful, it makes you feel: wow this in an amazing space. We want to make them timeless, make them last, to be there for future generations, because planting does that right, it doesn't just stop.” Also note Paula will be speaking at #workspacedesignshow and I'll be chairing a panel discussion. Join me at the UK's biggest workspace event bringing you networking, thought leadership, and the latest products to transform our country's offices, taking place 27th & 28th February 2023 at Business Design Centre. Register FREE to attend here https://invt.io/1exbb5fmtdj #WDS23

What you'll learn in this episode:   What it means to be a personal jeweler, and how Jessica helps repurpose people's unworn jewelry How Jessica came up with the idea for her podcast, Inside the Jewel Vault What pieces Jessica would include in her fantasy jewel vault Why wearing jewelry connects us to our humanity Why Jessica is creating a gender-fluid jewelry brand   About Jessica Collins   Jessica Cadzow-Collins fell in love with jewelry and gems aged 18, whilst working as an intern at Sotheby's, and trained as a professional gemmologist. For over 30 years since then, she's held senior roles in fine jewelry at luxury retailers such as Harrods, Garrard and Asprey where she helped all kinds of amazing clients with their precious pieces, from tiaras to engagement rings, all over the world.     Jessica is now a personal jeweler. She started a business, Jessica May Jewels, to help people find their dream designs and remodel their unworn pieces. Using her high-jewelry know-how, she creates bespoke pieces that don't compromise on luxury, quality, service, value or ethics.    Photos available on TheJewelryJourney.com   Additional Resources: Instagram Facebook LinkedIn Website Jessica's article on the Koh-i-Noor 'Curse or Blessing'   Transcript:   When Jessica Cadzow-Collins isn't designing jewelry, repurposing her clients' old jewelry, or developing her own line of jewelry, she's talking to people about jewelry on her podcast, Inside the Jewel Vault. A lifelong jewelry lover, Jessica joined the Jewelry Journey Podcast to talk about what it means to be a personal jeweler; what she would include in her fantasy jewel vault; and why wearing jewelry is distinctly human. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    Today, my guest is Jessica Cadzow-Collins speaking to us from London. She is the founder and designer of Jessica May Jewels. She is also the creator and host of the podcast Inside the Jewel Vault. She's a gemologist and a designer, and she has worked with many well-known jewelry houses. Jessica, welcome to the program.   Jessica: Thank you so much for having me, Sharon. It's so lovely to be your guest. It's nice to be on the other side of the process instead of being a host for a change.   Sharon: Tell us about your jewelry journey. When you were a child, were you interested? Were you artistic?   Jessica: Yes, I was artistic. I was also quite academic. I was an all-arounder. I grew up in Scotland. I was educated in Edinburgh, and I had my heart set on being an art dealer as a teenager. That's what I wanted to do more than anything. So, as soon as I could, I got into my old, beaten VW and drove all the way from Edinburgh to Florence. I stayed with the Prince and Princess Corsini as their paying guest, and I did studies in Italian and history of art.    Luckily, I managed to win a job as an intern at Sotheby's. I had a very menial job filing, but the desk next to mine was the jewelry expert's. She would value the pieces that came into the Florence office, and I would send them to London if they were good, or New York if they were very good, or they'd go onto Rome. That is how I got into jewelry. It was so amazing seeing these piles of new pieces. Every day fresh pieces would come in, and we would stand and talk about the age of them, the condition, the composition, and the gems.    She said, “You shouldn't do paintings. You shouldn't be an art dealer. You should do this.” So, I did. I phoned my father that evening and said, “I'm going to London. I'm going to study gemology,” because that is what she told me she had done. So, there it was. It was just fate.   Sharon: You were an art history student and then you went into jewelry?   Jessica: Yes, that is the way it worked.    Sharon: There are not that many courses for jewelry history except gemology. Tell us about that.   Jessica: I went to London. What I loved about studying gemology was it was glamorous and academic and unusual. None of my friends were doing it. At the time, the only course I could take was in London, in the city. It was night school. I was only 18 at the time. I was studying gemology at night, and I had to get a job in the day. So, I won a job again. It was a long process, but I got a job basically as a tea girl.   I was in the trading department of this old jewelers on Bond Street called Collingwood. Really, from the get-go, I was expected to trade. I was trading loose stones and antique period jewelry. I would take a bag of jewels and go to Miami and New York and Boston, all over Europe, trading, buying and selling jewels for a 10% profit or whatever, just as an antique dealer would. I wasn't a very good dealer, I have to say. I was too keen on being able to sleep at night and a bit too fair to be a very good dealer. That's how I ended up in retail in the end.   Sharon: You say it's glamorous. I don't understand why gemology or gems are glamorous.   Jessica: Oh, it is. I loved it, absolutely loved it, because I was surrounded by gems in my day job, and in the evening, I was understanding how they were formed in the earth's crust and the processes they take to go from the mine to the market. It was fascinating. I absolutely loved the whole world. I've been very happy in this world now for 34 years—no, 35 years. I was definitely in the right job.   Sharon: But you said you couldn't sleep at night because you wanted to make sure everybody was treated fairly.   Jessica: I think a really good dealer would need to be a little bit sharp. I think I was a bit too concerned about being fair.    Sharon: Most of the time, dealers say they have a hard time letting go of the things they acquire.    Jessica: Yes, I know that feeling, but this is perhaps why the job I do is perfect. I'm making something for someone. When they're happy and their face lights up, you know you've done a good job. That's a joy. That's the thing I love most.   Sharon: So, people come to you to have things designed, or do you design them and put them out?   Jessica: That's right. That's what I do now, but most of my career I was running departments or boutiques on Bond Street for all the first-class brands, especially those with royal service like Asprey and Garrard. That was my world.   Sharon: Wow! When did you decide to go out on your own? What was the catalyst for that?   Jessica: It was perfect. I had just begun a new project, a very exciting major project, and then Covid came and everything went dead. My new job collapsed. It just fell in on itself. I think that was the catalyst for me saying, “Well, do you know what? This is the sign to set up my own business I've been waiting for. Let's just get on with it.” So, it all kicked off during Covid at the same time as starting the podcast.   Sharon: So, that was the catalyst.   Jessica: Yes.   Sharon: Covid was the catalyst.    Jessica: Yes. I seized the opportunity, because suddenly the whole world seemed in flux. It was an exciting time if you could seize that wave and roll with it and see where you went. I must say I've been very happy working for myself as my own boss ever since.   Sharon: So, the podcast is Inside the Jewel Vault.   Jessica: Yes.   Sharon: Tell us about it. It's so different. Did it take you a while to come up with the name? Tell us, what does the podcast entail?   Jessica: Thank you for mentioning the podcast. It is a passion project of mine. It was during Covid. It was shortly after the first spring lockdown in 2020. I'm lucky I have friends who are very talented, including my neighbor, Lizzie Wingham. She's a digital editor who's worked for the BBC. She's very well regarded, and she has an interest in jewelry herself. I was talking to her over the garden fence, and she said, “I've been looking, and there are no podcasts on the subject of jewelry that really spark my imagination as a specialist. Jessie, you should do one,” and I said, “Oh, my goodness, I've never done a podcast in my life. I have no idea what to do.” She said, “Well, I'll help you. I'll be your producer.” The tea ended and the wine came out, and we began a project.    The idea for the format is just to ask our guests questions. The guests are drawn from across the jewelry world. They're people who have good stories to tell, obviously, but are exceptional in their own field. When you start to look at the world of jewelry, it's huge. There are not only designers, but there are scholars; there are dealers; there are minerologists; there are curators. The list is so huge. That's how it all came about.    The idea was to ask these people to come up with six gems. They could be ones they've worked with. They could be ones they've owned themselves or handled, or maybe handled once and then lost. They could just be pieces they lust after. It's like the jewelry equivalent of Desert Island Discs, which is a very popular BBC radio show.   Sharon: What is it called?   Jessica: It's called Desert Island Discs. It's one of the staple BBC radio shows in the U.K.    So, we just got started, and it was a wonderful excuse for me to speak to some of my heroes. We've uncovered all sorts of ancient gold and royal gems and fabulously valuable diamonds and goodness knows what else. Lizzie's job is to turn all of those recordings I enjoy doing into produced and intelligent podcasts that follow a good line. That's what we've been doing.   Sharon: The name is such an unusual idea, Inside the Jewel Vault. Did you come up with it over wine, or did you have to really think about it? Tell us how you did it.   Jessica: After a glass of wine, certainly. Good ideas seem very compelling then, don't they? It just came about while we were chatting about it. As I said, it sort of follows the format of Desert Island Discs, where you speak to a guest. In that radio show, they select eight tracks or pieces of music that mean something to them, whereas we are selecting six gems or jewels that really turn them on.    Sharon: How often do you have a new episode—I call it an episode—or a new person?   Jessica: I don't do this full time. It's not a well-oiled machine like yours, Sharon, I'm afraid. You've done nearly 200, I think, over the last four years, haven't you? Whereas I've only done about 40. There are a couple more in the can waiting for approval and final edits, but we're a bit slower off the mark than you are, Sharon.   Sharon: How do you choose a guest, first of all? You must know so many people. How do you choose the guest?   Jessica: I have to admit that I don't know the guests. Quite often it's a cold call or a cold email, I suppose. They're somebody who is lighting up their own corner of the world of jewelry. I've yet to ask an auctioneer; I've yet to ask a foreign collector; I've yet to ask all sorts of people on my dream list. 2023 will be the year I start sending out these cold emails again.    Sharon: What's the reaction you get when you ask a guest to be on Inside the Jewel Vault? How much time do you give them? It can take a while.   Jessica: It's entirely down to the guest. Most people are so busy, especially the people that I've been speaking to. They tend to fly around the world as it has opened up. When I first started, it was rather easy because people were sitting at home. They were able to sit by their laptop and start typing, and everyone got so good at Zoom. It's a bit harder to track people down and to twist their arm enough for them to tell me what six pieces they would put into their fantasy jewel vault, but it is great fun. I love doing it.   Sharon: It sounds wonderful. I've listened to it and it's very interesting. The guests you choose, is it because they do something original or they're well-known? You could always choose a diamond dealer. You don't, but how do you choose a guest?   Jessica: That's a really good idea, Sharon. I must speak to a diamond dealer. That's one I haven't spoken to yet. I have a set of running lists that I keep adding to. It's just finding the opportunity to approach people. It's very much a passion project, but I must admit it: I do need to give it a bit more time and attention. I think we only manage about one a month at the moment, and it's quite a slow process. I need to work a bit harder on it, but there's always so much to do. That's my excuse. I'm always so busy looking after my clients, making their pieces. Also, I'm about to launch my own brand, which is taking up an awful lot of time. It's very exciting, but also very hard work.    Sharon: So, you have your own jewelry brand in addition to retail stores. Tell us how you work right now.   Jessica: At the moment, I'm a personal jeweler, which means I take care of people's pieces. I can repair or upgrade their existing pieces or entirely start again from scratch. I make engagement rings. I make new pieces out of old pieces. It's really down to the customer. Quite often, people come to me with their jewelry box and say, “I hardly wear any of these pieces, but so-and-so gave me this and my mother-in-law gave me that. I can't get rid of them, but I don't wear them. What do we do with them?” I'll transform them into pieces they can wear and absolutely love wearing, pieces that are adaptable and suit their lifestyle. I help people with all sorts of things, from signet rings from their 18th birthday to their first diamond pieces in their 20s through to push presents and all the rest of it. Everything a person would do, I do, and I love that.   Sharon: How do people learn about your services?   Jessica: It's word of mouth and the fabulous Google. I don't do any advertising. It just seems to be luck that people find me through searching or asking.    Sharon: Your website is very nice and clean and easy to read. Your LinkedIn is also. I think it's great what you're saying. If I were looking for an original jeweler, if I were looking for an engagement ring, I might go to you and say, “I have no idea, and I have no stone or anything.” What would you do?   Jessica: If it was for you, then it makes it a whole lot easier. Sometimes I have to work with the groom or friends of the bride to be. We have to work out what she loves. Sometimes it's crystal clear because she's seen a ring that is her dream ring. Actually, a lot of brides do get involved in designing their dream rings. Occasionally I've done some complete, total surprise dream rings, and they've been wonderful to do. For others I've worked very closely with the couple, and we produce something together that encapsulates their unique love for each other and their story and all their hopes and dreams. It's the most wonderful process.   Sharon: That's a lot to have in one ring, a lot to communicate in one piece of jewelry. Tell us what's been the most surprising with Inside the Jewel Vault when people come to you. What are the surprises you've had, things that have been different?   Jessica: Oh, gosh! I've had such a broad array of different guests. I think any of the pieces Darren Hildrow chose are quite extraordinary. He chose a piece you wouldn't normally consider a piece of jewelry. It was more like a piece of body art, to be honest.   Sharon: What's his name? I haven't heard of this person.   Jessica: He's a jewelry entrepreneur called Darren Hildrow, and he chose one piece that was extraordinary. It's called Rocket Man by Walter van Beirendonck, which is more like a piece of body art. That was pretty surprising.    Some of the guests have chosen stunning pieces that everyone would know of, but other guests have chosen pieces that are by smaller designers. That's always fascinating to hear. We did a lovely broadcast with the GIA's field gemologist in Bangkok, Wim Vertriest, and he chose some amazing gems that he had stories of throughout his career. The wonderful thing about gems and jewels is that there are stories attached to almost everything. It's the human connection that makes jewelry so special. I think the Rocket Man was the most unusual case, but everything else is particularly special because it does have a story.   Sharon: I'm curious if people ask you if you look at it differently because of your background.  You're Scottish from Edinburgh, and then you went to Italy. You must speak Italian.  Do people ask if you have a different perspective than somebody like me who just grew up and went to school and that's it?    Jessica: I'm sure that's not the case, Sharon. You've spoken to hundreds of people in your career now. It's the joy of hearing somebody else's point of view, somebody else's story, somebody else's jokes. There's always an opportunity to learn from people, don't you think?   Sharon: Yes, that's why I'm asking. If you're at a party, how do you describe what you do? If somebody says, “What do you do,” what do you say?   Jessica: At the moment, I say I'm a personal jeweler and I can make your jewelry wearable or make it new or make the jewels of your dreams. That's what I say if I'm asked what I do.   Sharon: We will have photos posted on the website. Please head to the JewelryJourney.com to check them out.

In November 2022, we had the privilege of attending the Royal Automobile Club's Art of Motoring Exhibition at the prestigious Sotheby's Bond Street, London.This week on the Driven Chat podcast, Rachael Downie shares her fascinating conversations had with some wonderfully talented automotive artists at Europe's leading curated automotive art exhibition.Curators Andrew Marriott and Rupert Whyte, used the beautiful expansive space to showcase 26 artists that use varied mediums for their work. All have truly inspirational, some quirky and unexpected anecdotes and background stories.In this podcast, you'll hear from:Virginia-based Heidi Mraz with her incredible ‘Petal to the Metal' story-telling montages;Sculptor, Jonny Ambrose, who showcased the largest art piece, a six-foot-long skeletal Porsche 917 constructed using 3D printed joints and carbon fibre rods;Richard Neergaard, who forms his eye-catching pieces using laser-cut aluminium;And Martin Tomlinson, whose automotive passion and enthusiasm not only comes across through his art but also through his autograph book. The book, which is available for purchase, serves as a fascinating and unique memento of some of the greatest racing drivers, with the signatures of over 70 top racing drivers and World Champions. Heidi Mraz: https://www.heidimraz.com/Jonny Ambrose: https://www.jonnyambrose.com/Richard Neergaard: https://www.rncarart.com/Martin Tomlinson: https://www.motor-racing-art.co.uk/ The Driven Chat podcast is brought to you by Paramex Digital. It is available to stream on all the usual podcast platforms, including Apple Podcasts, Spotify, Google Podcasts, Amazon, Audible and more. For more information on Driven Chat, visit www.drivenchat.comContact the show via email: podcast@drivenchat.com Hosted on Acast. See acast.com/privacy for more information.

On The Town With Tanya chats with playwright, Author, (IMPASSE), Gary Batson on his new 3 act play at the Gene frankel Theatre The Gene Frankel Theatre 24 Bond Street, New York, NY 10012 (212) 777-1767 (get your tickets on the website! https://www.genefrankeltheatre.com Please like share and subscribe on youtube! --- Support this podcast: https://anchor.fm/tanya-cooper/support

Founded by Marc Andreessen and Ben Horowitz, Andreessen Horowitz (also known as a16z) is a revered venture capital firm which sits at the epicentre of financing entrepreneurial businesses. In this conversation, David Haber, General Partner overseeing fintech investing, begins by discussing his background, including graduating from Harvard, selling his business (Bond Street) to Goldman Sachs in 2017, before joining a16z to establish their first East Coast presence. David is able to offer a unique perspective as both an entrepreneur and venture capitalist. He describes how a16z is growing, its desire to build enduring value by compounding returns and building on competitive advantages. He then explains how they engage with firms of varying size to help them on their journeys and provides an illustration to help frame the conversation. He discusses the private asset explosion, the potential adjustments following this tougher period, risk-taking, hiring, crypto and more! Sign up to our newsletter for more in-depth insights | Follow us on LinkedIn The Money Maze Podcast is kindly sponsored by Schroders, Bremont Watches, LiveTrade and Mintus.  

For this week's episode of the aBlogtoWatch Weekly podcast, David got lost on the way to his recording studio, so it's just Ariel and Rick---but they're joined by Simon from Escapement24 and Rob Corder of WatchPro! The horological quartet exhaustively unpacks Rolex's pre-owned announcement, lament another massive watch heist, and fret about dropping ceramic watches. Plus, the future of Oris and Chopard's new 5th Avenue boutique!Highlights3:34 Rolex Launches Its "Rolex Certified Pre-Owned" Watch Program29:36 Good Week/Bad WeekWatches Worth £12 Million Stolen From Secure Storage Facility | watchpro.comRolex Prepares To Boost Watch Production With New $1 Billion Facility | watchpro.comGrand Seiko And Seiko Open Two-storey Showroom On London's Bond Street | watchpro.com37:11 Last Week, This WeekA watchmaker responds to David and Sylvan's discussion of ceramic watches, like the Tudor Black Bay Ceramic40:50 Watch ReviewsTudor Black Bay CeramicOris Debuts Coulson Limited-Edition Watch Inspired By Aerial Firefighters53:50 Chopard To Open Fifth Avenue Boutique & Introduce Three Limited-Edition WatchesaBlogtoWatch launched the first-ever podcast about watches back in 2010 and continues to be the most referenced and respected publication in the world for watch enthusiasts, buyers, and collectors. Today, in addition to the website and social media channels, aBlogtoWatch produces the SUPERLATIVE interview podcast as well as aBlogtoWatch Weekly news podcast. The aBlogtoWatch Weekly podcast features the editors of the timepiece enthusiast publication aBlogtoWatch.com, coming together each week to discuss some of the latest industry stories and hottest new releases.We'd love to hear from you with feedback or suggestions for future show topics or guests. Advertising opportunities are also available. Comment below or contact podcasts@ablogtowatch.com.

Former ABC news presenter Ashley Hall is facing more than 20 charges after police discovered a stash of illegal drugs worth $600,000 in two Sydney CBD hotel rooms. Mr Hall presented some of ABC's most loved radio programs. NSW police found 4.9 kilograms of 1,4-butanediol and 253 grams of methylamphetamine during a four-month-long investigation. After the investigation, officers arrested Hall in Sydney's CBD on Wednesday and shortly after carried out two search warrants at hotels in Wentworth Street and Bond Street.See omnystudio.com/listener for privacy information.

Former ABC news presenter Ashley Hall is facing more than 20 charges after police discovered a stash of illegal drugs worth $600,000 in two Sydney CBD hotel rooms. Mr Hall presented some of ABC's most loved radio programs. NSW police found 4.9 kilograms of 1,4-butanediol and 253 grams of methylamphetamine during a four-month-long investigation. After the investigation, officers arrested Hall in Sydney's CBD on Wednesday and shortly after carried out two search warrants at hotels in Wentworth Street and Bond Street.See omnystudio.com/listener for privacy information.

Teodoro Castañeda - La Iglesia de Cristo perfecta

Teodoro Castañeda - ¿Que es el hombre, para que en el pienses?

HAPPY HALLOWEEN!Join the ONUC gals this week as they discuss The Bond Street Tragedy. Trigger Warning Level: LowVisit our website www.onenationundercrime.com for all of the ways to contact and follow us. We are on Twitter @onucpod, Instagram @onenationundercrime, and on both YouTube and Facebook by searching 'One Nation Under Crime'.Follow One Nation Under Crime on your favorite podcast platform and you will get the shows as soon as they come out!Remember, there isn't always liberty and justice for all.Sources: Murder by Gaslight, Smithsonian Magazine, and Dayton in ManhattanSupport the show

Heute vor 125 Jahren wurde dem Taxifahrer George Smith ein Pub-Besuch zum Verhängnis: Zur Mittagszeit ist er mit seinem Wagen auf der Bond Street in London unterwegs, als der Polizeibeamte Russell in der Atemluft des Fahrers eine Fahne erschnüffelt. Autorin: Irene Geuer Von Irene Geuer.

"the vehicle was driven into the front corridor of the famous actor's house"

The Ukrainian Catholic Eparchy of the Holy Family has opened a Welcome Centre in London in partnership with the Association of Ukrainians in Great Britain. Based at the Eparchy's cathedral near Bond Street in central London, the Centre provides a single point of contact for essential information for arrival, settling and long-term living in the UK. Bishop Kenneth Novakowski, the Ukrainian Catholic Bishop for the Holy Family of London, talks to us about the new welcome centre and how the Ukrainian community in the UK is working with the government, NGOs and other charities and organisations to help Ukrainians fleeing war in their homeland. ukrainianwelcomecentre.org Transcript I'm Bishop Kenneth Novakowski, the Ukrainian Catholic Bishop for the Holy Family of London. The shock of the invasion of Ukraine in many ways seemed to almost paralyse people of conscience and goodwill throughout the world in those first few days. Eventually the Ukrainian people started to realise that they had to flee from their homes - to flee from harm's way - because of the consistent bombings and invasion of their country. And so in the first several weeks of the invasion we saw a huge migration of people departing their homes and their cities to western Ukraine. More than 7 million, in a very short time, left the country and made their way into the border countries with Ukraine - especially into Poland. The government of the United Kingdom developed two schemes to receive displaced persons fleeing harm's way. One was 'Homes for Ukraine' and the second was concerned with family reunification. According to government statistics here in the United Kingdom, 100,000 displaced people from Ukraine have been welcomed into the UK. Very quickly our cathedral of the Holy Family in Exile in central London became the focal point for people wanting to help and for those needing help. So along with the Association of Ukrainians in Great Britain, the Ukrainian Catholic Eparchy of the Holy Family decided to provide a safe place - a place of welcome - for those fleeing and also for those who are sponsoring people who have opened up their homes and their hearts. A place of welcome where we would work closely together with other non-government agencies and governmental agencies to provide information, counselling and even community for those who are fleeing. We were able to provide fairly large premises in our cathedral dedicated to that goal of providing a place of welcome to our newly-arrived brothers and sisters. This joint venture is true community outreach, and I can't emphasise enough the co-operation we have had from so many other non-governmental organisations, other religious communities and the government. In the area of pastoral care and concern for not only those who are arriving but for those who feel they want to have a place to pray during the daytime, we have kept our cathedral doors open between 10am and 8pm. This allows people to come in, have a time of prayer and silence - a place where they can come and think about the benefits that we have here in the United Kingdom. They can say a prayer and light a candle - for those who have died in defending Ukraine, for those who are fleeing and for those who are helping those that have arrived here. As this war continues we can become desensitised to the horror that the war is bringing to Ukrainian people but the reality is that the war is still going on. People are still losing their lives, their homes, their businesses. Here in the UK, through the work of so many people, we are providing a place that is safe allowing people to keep their dignity. It's a place of welcome from which I continue to ask for people to pray for peace in Ukraine or those who are helping in the various charity organisations working in Poland, Ukraine, and all the other border countries - especially organisations like CAFOD, Caritas Ukraine, Caritas Internationalis and for all of those volunteers who every day are providing care and kindness to those fleeing harm's way.

The director of a new Ukrainian Welcome Centre in central London has urged Britons to keep their hearts and doors open to Ukrainians who are arriving in the UK fleeing the war in their homeland. Andriy Marchenko talks to us about the Centre, based at the cathedral of the Ukrainian Catholic Eparchy of the Holy Family near Bond Street in central London It provides a single point of contact for essential information for arrival, settling and long-term living in the UK and is a partnership between the Ukrainian Catholic Eparchy of the Holy Family of London and the Association of Ukrainians in Great Britain. "Many of these people have come through a lot of hardship before ending up in the United Kingdom. Many have been through a lot and they tend to be stressed out, they tend to be disoriented sometimes and we aim to help them, to signpost them to the right services in the UK, to give them correct advice so that they know exactly what to do - what their next move should be in order to succeed and, eventually, to thrive in the United Kingdom." ukrainianwelcomecentre.org Transcript My name is Andriy Marchenko. I'm the director of the Ukrainian Welcome Centre. The Ukrainian Welcome Centre has been set up in London as a joint initiative of the Ukrainian Catholic Eparchy of the Holy Family of London and the Association of Ukrainians in Great Britain. This is, of course, a direct response to the escalation of Russia's war against Ukraine. It is common knowledge that there are many Ukrainians who are coming to the United Kingdom as they are seeking refuge here from Russian attacks. Our centre aims to support these people as they arrive in the United Kingdom. They need to settle, they need to get all their documentation ready, they have to send their children to schools - the majority of those who are coming are mothers with children. They need to find the proper accommodation, they need social support, they need to find jobs, they need practically to start life anew - even if it is for a little while. Many of these people have come through a lot of hardship before ending up in the United Kingdom. Many have been through a lot and they tend to be stressed out, they tend to be disoriented sometimes and we aim to help them, to signpost them to the right services in the UK, to give them correct advice so that they know exactly what to do - what their next move should be in order to succeed and, eventually, to thrive in the United Kingdom. We normally organise open days here at the centre where Ukrainians can come and ask the questions that are troubling them. We also get quite an extensive support from the UK government. So, for instance, the Home Office Department for Levelling Up and the Department for Work and Pensions send their representatives to our centre for drop-in sessions with the Ukrainians where they can actually directly point those questions to the government. We also provide additional services such as psychological support, GP access, immigration lawyers and so forth. We have set up quite an operation, mostly volunteer-based, but of course we have a lot of support on the part of the Eparchy and also on the part of the Association of Ukrainians in Great Britain who have supplied a lot of knowledgeable people with a lot of experience in dealing with such matters, who are instrumental to running this centre. I feel blessed that I am surrounded by so many people. We have lots of plans for the future. Right now we have been more or less setting up [our operations] and the past few months have been what we would call the initial few months for our centre. It is not a very easy process because there is quite a bit of bureaucracy involved. First of all, people have to apply from outside the United Kingdom to come here. So before coming here they need to be granted a visa. In order to get their visas, they need to travel outside Ukraine because there is no British visa centre in Ukraine. So first of all they have to travel to places like Poland, France or Germany and apply for UK visas there. They give their biometric data and then just wait for their visas to be processed. That can take quite a long time. For some lucky ones it is not very long, for some it takes a long time. I have heard of several people who have actually given up hope of getting a UK visa and travel to some other country or indeed back to Ukraine. Once they're here, the process can be quite difficult for those newcomers. So this is part of our mission - to try and help them. We give them a one-stop, single point of contact where they can get all the necessary basic information - where to go, which services to apply for, and where to apply for those services. I think the most important thing is for these Ukrainians to remain connected to their homeland because they can end up in very different conditions and situations. Sometimes we have seen these people come in [to the centre] just to speak Ukrainian instead of getting their questions answered. So I think the essential part of it is to keep them together as a community so that when it's time to go home they will remain integrated to Ukraine rather than detached from it. The main challenge is, perhaps, that these people are really very stressed and they have been through a lot and sometimes when we hear these stories it can be quite shocking. Please keep your hearts and doors open to Ukrainians because this is the decisive ground where history is actually being made. Ukrainian people are not coming here on a whim. They have to come here to find refuge from what's happening in Ukraine. Russian forces, the Russian government, have been deliberately targeting civilian infrastructure in Ukraine and that includes residential quarters. These people are actually on the run from something that's unavoidable. They had to leave in order to survive, and by helping these people, the British nation is helping the Ukrainian nation survive - a fellow European nation. There is a lot of hardship but I would say that Russia is fighting a war against the whole of the civilised world and not just against Ukraine. It is very important to support Ukraine by supporting Ukrainian people. The United Kingdom is at the forefront of supporting Ukraine and we would be absolutely grateful if British people continued this support to Ukrainian families at this grassroots level. Practically all of them are asking, "Okay, you're working at the centre, you probably know the situation better than us… When will it be safe to go back home?" We should remember that most of these women have left their men fighting in Ukraine. So, of course, they want to go back home, and they want their families reunited. Most of all, they want their old life back - their normal, peaceful life.

Welcome to Campfire Classics, a Literary Comedy Podcast!! If you've ever found yourself think "This episode of Campfire Classics is too linear and the story they're reading makes a lot more sense than I want it to," then this is the episode for you.  Good lord, your hosts are pulling out all the stops, hopping from non-sequitur to non-sequitur, and reading a story that feels almost like it was written by someone challenged to avoid any semblance of plot. Now you're intrigued, aren't you? Ken has chosen a short story by Virginia Woolf (the extra "o" proves you're supposed to howl her name) for Heather to read.  It's called "Mrs. Dalloway in Bond Street". And while Heather does a fabulous job of reading, the story is just...confusing. During moments of lucidity, your hosts ask: What's the worst thing you ever consumed at a party? Is it better to have no guests or shitty guests? And what the crap is going on in this story!?!? "Ms. Dalloway in Bond Street” was published by The Dial in 1923. Email us at 5050artsproduction@gmail.com. Remember to tell five friends to check out Campfire Classics. Like, subscribe, leave a review. Now sit back, light a fire (or even a candle), grab a drink, and enjoy.

The Black Olive Restaurant sits in quaint elegance on the cobblestone section of Bond Street in old Fells Point. The restaurant is owned by the Spiliadis family, whose passion for food as art is grounded in a basic aesthetic principle: cook your food with an eye towards simplicity and tradition, and use only the finest ingredients, no matter what it takes to find them. The restaurant & family have created a baltimore institution where the environment ensures that the depth of conversation & activism matches the richness of flavor their food elicits.  

What you'll learn in this episode: Why even the most skilled jewelry experts should be open to learning new things Which jewels stand out the most out of the thousands of pieces Daniela has seen over her 40-year career How Daniela and her co-author David Bennett have updated their seminal book, “Understanding Jewelry,” for the 21st century Why the public has started to appreciate jewelry for its artistic value rather than just its intrinsic value Why a strong jewelry collection doesn't have to include hundreds of pieces About Daniela Mascetti Daniela Mascetti is one of the jewelry world's most experienced scholars specializing in the history of jewelry. Daniela joined Sotheby's in 1980, and soon after opened the firm's Jewelry department in Milan. After a distinguished career of 40 years at Sotheby's, she was appointed Chairman Jewelry, Europe, a position she retained until 2020. As one of the most renowned and experienced of scholars specializing in the history of jewelry, highlights from Daniela's distinguished career include research for the sales of historic collections such as the Jewels of the Duchess of Windsor (1987) and The Princely Collections of Thurn und Taxis (1992), Elton John, Maria Callas and Gina Lollobrigida. Most recently she was responsible for the academic research for the record-breaking sale of Royal Jewels from the Bourbon-Parma Family which included treasures from Queen Marie Antoinette. Daniela also provided research for the auction Castellani & Giuliano: The Judith H. Siegel Collection held in New York, a landmark event which reinvigorated the interest in and demand for revivalist jewels. Daniela regularly lectures on jewelry and was responsible for Sotheby's Institute of Art Jewelry Courses. She is co-author with David Bennett of the best-selling reference book Understanding Jewelry and Celebrating Jewelry, published in 2012. She has also co-written The Necklace from Antiquity to the Present, Earrings from Antiquity to the Present and a Bulgari monograph with Amanda Triossi. In 2021, Daniela and David launched a unique website showcasing their unparalleled experience and knowledge in the field of jewelry. Daniela Mascetti grew up between Lake Maggiore, Lake Varese and Lake Como and graduated in Archaeology from the University of Milan, where she developed the analytical skills required for the dating, researching and valuing of historical jewels. Additional Resources: Website: https://www.understanding-jewellery.com/ Instagram:  https://www.instagram.com/understandingjewellery/ Facebook:  https://www.facebook.com/UnderstandingJewellery Twitter:  https://twitter.com/UJewellery_ LinkedIn:  https://www.linkedin.com/company/19192787 Transcript: Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Here at the Jewelry Journey, we're about all things jewelry. With that in mind, I wanted to let you know about an upcoming jewelry conference, which is “Beyond Boundaries: Jewelry of the Americas.” It's sponsored by the Association of the Study of Jewelry and Related Arts or, as it's otherwise known, ASJRA. The conference takes place virtually on Saturday and Sunday, May 21 and May 22, which is around the corner. For details on the program and the speakers, go to www.jewelryconference.com. Non-members are welcome. I have to say that I've attended this conference for several years, and it's one of my favorite conferences. It's a real treat to be able to sit in your pajamas or in comfies in your living room and listen to some extraordinary speakers. So, check it out. Register at www.jewelryconference.com. See you there.   This is the second part of a two-part episode. Today, my guest is Daniela Mascetti, a well-known name in the high-end world of jewelry and auctions. She spent four decades at Sotheby's and holds the position of Senior Specialist Worldwide. She's co-author with David Bennett of the bible for jewelry professionals, “Understanding Jewelry.” If you haven't heard part one, please go to TheJewelryJourney.com. Welcome back.    Flipping through the book—I tend to look at books starting from the back forward. There was a comment about jewelry being seen as art as well as jewelry more recently. I wish I'd written down the comment, but it intrigued me because it was a comment about art jewelry. I tend to think of that as something with no gems, but more with plastic or wood or whatever.   Daniela: What I think we wanted to say is that when we started in the jewelry field—I started in 1980, David in 1974 or 1975, I think—jewels were just seen as extremely valuable items. They were available to display gems. I remember vividly, in the early 1980s, beautiful Art Déco cloche brooches set with diamonds being bought by members of the trade that used to deal in diamonds. These beautiful Art Déco pieces were going to be dismantled just for their intrinsic content. That was 1985, 1986, 1989.    Then gradually the general public started to look at jewels as a form of art. As you buy a painting, as you buy a sculpture, as you buy a lovely piece of ceramic, the public started to look at buying jewels for their artistic value rather than just for the intrinsic value. When I started, the composition of the showroom at Sotheby's—if I was a Christie's, I would have had exactly the same situation—was entirely made up of members of the trade. Perhaps one private buyer, two at most. Nowadays—or at least for a moment when I stopped working back in 2019—it was a 50/50 split, so a great amount of private people buying for the pleasure of acquiring an item that was unique for its sole artistic value.   Sharon: What do you think changed that people started seeing it as an artistic item?   Daniela: One thing that contributed was “Understanding Jewelry,” the bible as you say, which brought the history of jewelry design to a large public. They started to read the story, the history behind each piece of jewelry, and then a plethora of books started to be written on the subject of jewels. I remember when I started, there were probably 10 books dedicated to the history of jewelry design—forget about gemology and all that. Now, there are hundreds, if not thousands, of books on the subject. All these have contributed to persuade or open the public to the concept of jewels as a collectable field.    Of course, there is a very strong connection between the artistic weight and the intrinsic weight. It's always a combination of the two, but it is interesting to see how the public has started to appreciate jewels for their artistic value independently from the intrinsic value. There will always be the clients who go for the 16 carats, the flawless diamond as a status symbol, as a showoff, but more and more, the public is opening up to smaller items that can tell a story.   Sharon: Tell us about the business of UnderstandingJewelry.com, because there's so much. I know you're just starting out, but it's so much.   Daniela: It just started up. If you've read the book, “Understanding Jewelry,” the book keeps on growing. I thought we could have subscriptions so you can subscribe and get the book continuously bringing information to you, but then we thought, once we started a website, why don't we try to do more with it? Apart from the academic part of the website that is dedicated the book, we have several other offers. We have courses online done through Zoom. Call them courses, call them seminars. They are groups of lectures on different subjects. For the time being, we've done one on Art Déco that I think was well-received.    We are planning many more, but we're also concentrating on proper seminars on the field. The first will be in France, starting in Burgundy and ending up in Paris. It will be a combination of lectures and experiences. It will be lectures on jewels, experiences in Burgundy. There will be culinary experiences in restaurants and wine tastings, visiting wonderful chateaux, visiting historic places such as the Cluny Abbey. Then in Paris, we'll be visiting museums and some of the grand maisons of jewelry: Cartier, Boucheron, Chaumet, Melediaux. That is on the academic side. We also offer valuation and advisory services. Many of the clients from Sotheby's came back to us for advice to keep augmenting their collections or slim down the collection.    What else do we do? We are just about to launch what will be called Hidden Gems, a part of the website where we present jewels we have found in locations such as London, Geneva and New York to start with, and that perhaps the public at large would not find because they are not sitting in the windows of jewelers of the mainstream. They are little gems in the sense of jewelry, hidden treasurers in the sense that they are the perfect example of the kind of jewelry that's hard to find. It could be a perfect Art Déco double-clip brooch. It could be the perfect 19th century pendant sitting with a member of the trade that does not have a shop front. It will always be something we choose ourselves. We will not be persuaded to put something on our website if we do not believe it is worth being on the website. What I can say is that David and I are completely independent. We put together the website entirely by ourselves. We have no financial backing. So, we are in a very privileged position and we have the final say.   Sharon: That's nice to hear. It's a very nice website. I presumed that Sotheby's had given you some backing. I think it's a beautiful website. I'm sorry; go ahead.   Daniela: We will agree to endorse the best jewelry, and we can do it now in our position. We've clocked together about 95 years of experience in the jewelry field. We are not backed by anybody, so we can really say, “We think this is good.” Of course, it would be personal, and we can't really stop that.    Sharon: The Hidden Gems that you post, will they be for sale?   Daniela: They will be for sale, yes. Our function would be to put together the seller and the potential buyer, and then the bill will be done between the two of them. We will not be interfering with the estimate, the valuation, whatever. Of course, if we are asked, “Do you think this jewel is really worth the money?” within reasonable figures, we would say yes. If we do realize the wrong figure is being asked for that type of jewel, then that type of jewel will not be on our website anyway, because we will not set the price. The price will not be on our website, but we will know more or less what the asking figure is and whether we think it is reasonable. The end of the story is if you want something that is a very special example of something, you have to be prepared to pay the right amount of money.   Sharon: You mentioned something before; I'm always intrigued by the word collection and what a collector is, and the fact that people come to you and you advise them on building their collections. How do you advise on a collection? Do people come and say, “I have these three pieces. I have a ruby, an emerald and a sapphire ring. What do I need now?”   Daniela: It's very much a matter of listening to your client because they're all different. The beauty is that all the collections are different. There are no two collections that are exactly the same, because each collection is the reflection of the person who puts it together. Even more so if the collector is a woman because she would have been wearing those jewels. If the collection is really there, our function is to say, “Yes, perhaps you could sell that item that is not such a great example and buy something better in that field.” Maybe the collection is almost complete, and we can say, “Look, these are the little gaps we would fill if we were in your position.” Sometimes collections are always growing. We have collectors that want to slim down the collection to always keep it at its peak, and we have collectors that want to leave their collection as it is because it shows all the steps from the very beginning and the mistakes to give a better example later on. Again, there is no rule. You have to listen, figure out what the client is aiming at and then try to do your best and give the best advice.    Sharon: If somebody comes to you to advise them on their collection and there are gaps, do you help them source?   Daniela: Yes, we would try to help them source. We are in very good relationships with, I would say, every member of the trade, having been a dealer with them for so many years through the auction world. We are in good relationships with the auction houses, having had a fantastic career with them. So, we would know where to go to source the item. Of course, it would perhaps be easier to source something contemporary because we would know where to go. It would be harder to source for somebody who says, “Well, I'm looking for an Art Nouveau brooch in the design of a teacup, but I don't want Lalique. I'm aiming for something different.” That would be a bit more challenging, but perhaps that's where we find them something even more exciting.   Sharon: Do you only work with very wealthy people? The kinds of jewels you're mentioning are not the kind of jewels I'm going to be buying. Do you work with people at different levels?   Daniela: The idea is that we're open to all levels. What we're really looking to do is be approachable. Of course, I can't give advice on gathering a collection of tiny little silver rings because that wouldn't be economically viable, but we are not talking about millions. On our website, on Hidden Gems, there will be jewels valued at $8,000, $9,000, $10,000, so we're not looking only at the top end. We're looking at the top end of quality; that for sure we are aiming at.    Sharon: This is the question that doesn't have an answer, but I'm always interested in different opinions. What is a collection to you? If you're saying somebody has a collection, does that mean four pieces that tell a story, or is it just 20 pieces? What's a collection?   Daniela: That is a very good question and a very difficult one to answer, because everybody has a different idea of a collection. I think I hinted at this subject. To somebody, even to me, a perfect collection of gemstones could include a fantastic Burmese ruby, a Colombian Muzo emerald, a superb Kashmir sapphire. I would like to have a Burma sapphire and a Ceylon sapphire of the best quality, and then why not a diamond. Perhaps if they want to go into colored diamonds, we would have to stretch the prices, but a collection could be made of 10 beautiful gemstones. It doesn't need to be hundreds of items. We sold a few collections at auction that were made up of 20 items. It could be five good ruby sapphires, a diamond and a beautiful pearl, and you have a perfect collection of the most appreciated gems.    Then you can have collections of different periods. I've had a chance to handle beautiful period collections. There are even more collections focused on Lalique, and then collections such as the Bourbon-Parma than spans 250 years of production.   Sharon: Don't forget the tiny silver rings. I was going to say don't forget the collection of tiny silver rings, too.   Daniela: Absolutely.   Sharon: I have a million more questions. I don't want to keep you here all day, but let me ask you, when in your career did you decide to become a gemologist? I don't know what organizations you belong to.   Daniela: That was not a decision of mine. It was imposed by Sotheby's. By the time I started, gemology had become an essential part of our business. I remember all my mentors at Sotheby's, all my bosses, and none of them had a gemological degree. But the next generation, David and I, we had to do gemology. I remember one day at Sotheby's in Milan, I was told, “Daniela, you have to complete a gemology degree,” which I must admit I did not enjoy at all because at school, I was really bad at sciences, physics and mathematics.    Studying gemology for me has been a toil. It has been hard to go through and get my certificate, but it was a necessity. If you look at jewels, you have to be able to say, “Yes, I know what to do. I brought my loupe, and this is what I'm looking for.”   Sharon: You were in the auction business for 40 years. What kept you attractted and kept you going? What is the excitement of the auction world and jewelry?  What was it? What excited you?   Daniela: Why I stayed in jewels in the auction world is simply because only by working within the auction house, that sort of frame, do you have the chance to see the amount of objects I have seen. What is seen with the auction is just a fraction of what we see throughout the year, especially in London. It was a fantastic place because we had what we called counter service. People could just come off Bond Street with their little trinkets, knock on the door, and we had to go out to the counter and give evaluations. That was constant throughout the day.    Now, if you have a look at the amount of jewels if you work in a museum, even in the jewel-rich museums of the world such as the Victoria & Albert Museum in London, you have the collection; you have that number. If you work for a dealer, you have your stock. But we had access to the jewels of different clients, so many different collections. We may have never sold it, or we valued it and we never got it for sale because somebody else got it for sale, or we valued it because they simply wanted to know the weight of the collection.    I can't think of how many thousands of jewels I've seen in my life, the sheer number and the variety. You went from little jewels made of woven hair to 100-carat flawless diamonds, jewels of the Duchess of Windsor to the jewels of Gina Lollobrigida to the jewels of Maria Callas to the tiny, little diamond ring that had been sewn inside a teddy bear at the beginning of World War II and was rediscovered 40 years later by the granddaughter of the deceased person by breaking into this very old teddy. It's the sheer amount of variety and the variety of human stories behind these jewels.    Sharon: It must have been very, very attractive, I could understand how that's very compelling. Daniela, thank you so much for spending time with us today, telling us only part of your story. You've lived a really fantastic life, so thank you for being with us today.   Daniela: Sharon, thank you so much for having me. All the best to you and your team.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

YERRR!! This is episode six of the Off The Dome Podcast. This week Lani and Yesus discuss how it all started on Bond Street. If it wasn't for Noho Secret Society, there wouldn't be any pins! Without the community, there wouldn't be any lines or any battles! Y'all did that!!!    As usual, the weekly segments such as Pickups, Sleeper Hats of the week, ‘What's Your Fit???”, PANIC HAT OF THE WEEK, Worst Hat of the Week, and "Look Into the Past” get covered as well.    In Sneakers & Streetwear Australian skate shop PASS~PORT is collabing with Nike SB on a hiking boot-inspired Dunk High.  JJJound & New Balance release a new collab on the 990v3 LANI GOT THE JJJOUND BAPES!!! The new Pistachio colorway of the “Passport” UnionLA x Nike Dunk Low collaboration is releasing. Possibly a pop-up in New York?? Palace x Detroit Tigers capsule collection is releasing soon.    Hat & Pin News Hat Club's upcoming “Tropicana” Tampa Bay Rays fitted is gonna cause PANIC Hat Club's MetroCard pack leaked by FittedNotify Manolo collab'd with MyFitteds on a SpeakerBoxxx/Love Below inspired pack MyFitteds GTA Pack is looking, suspect Is the Ichiro Seattle Mariners Fitted gonna cause panic??? And so much more!     Follow the “Off The Dome Podcast” on Instagram!!! Follow Jonathan on Instagram!!! Follow Jelani on Instagram!!!    

You could put wire mesh on the windows of Bond Street or Fifth Avenue Haute Couture stores but would anyone still shop there? Today we are speaking with Jonathan Eddery who developed a wealth of Loss Prevention (LP) skills and experience before joining MAST as Director of Technical Security Systems. We are learning how to balance risk management with reputational risk and the interplay between covert and overt technology. On today's episode we are asking: Is one of the major Loss Prevention (LP) skills balancing what not to protect when balancing unsightly or disproportionate measures with the aesthetics or reputation of the business? What does LP have to teach the wider community about security-by-design in their day to day work? What does the tech landscape actually look like at the moment in responding to different types of crime? How can today's security consultant be expected to be all things to all people? How can you maximise your own profits on a consultancy project without understanding the tech involved? How much of a tech expert do you need to be to prevent distributor or supplier price gouging? More about Jonathan Jonathan Eddery is an experienced Security professional, specialising in bespoke consultancy services across various sectors of the industry. A former police officer of 9 years he went on to obtain 2-degree level qualifications in Security Risk Management and progressed to be an assessor for the CSMP BTEC level 6 diploma. He devoted a further 12 years to understanding risk in retail, corporate and educational establishments. Seeing a niche in the industry for a Tech savvy consultant he advanced his learning with 4 further Technical Security courses. Utilising these unique skills, he is currently the Director of Technical Security projects for MAST https://www.linkedin.com/in/jon-eddery-csmp-msyi-m-ismi-hcsa-66a59248/ (LinkedIn) More about the Circuit: The Circuit Magazine is written and produced by volunteers, most of who are operationally active, working full time in the security industry. The magazine is a product of their combined passion and desire to give something back to the industry. By subscribing to the magazine you are helping to keep it going into the future. https://circuit-magazine.com/read/ (Find out more >) If you liked this podcast, we have an accompanying weekly newsletter called 'On the Circuit' where we take a deeper dive into the wider industry. http://bit.ly/OntheCircuit (Opt in here >) The Circuit team is: Elijah Shaw Jon Moss Shaun West Phelim Rowe Connect with Us:  https://circuit-magazine.com/ (Circuit Magazine) https://mailchi.mp/the-bba.org.uk/bba-connect (BBA Connect) https://www.theprotectorapp.com/ (NABA Protector) https://the-bba.org.uk/ (British Bodyguard Association)

Rabbi Kushi Schusterman leads a thriving Jewish community at the Harford Chabad, now located  on Bond Street but its future home will be on East Broadway.  Steve and I were both unaware that such a community existed in Bel Air and were curious to learn  more about the community's history, mission, and beliefs.  Thankfully, Rabbi Schusterman was willing to come on Mainstreet and answer some of our questions.  Jewish and non-Jewish listeners alike will benefit from Rabbi Schusterman's wisdom, which he shares through stories, anecdotes, and jokes. He also sometimes answers our questions with a question.  After all, he's a rabbi -- a rabbi who calls himself a rebel by nature who doesn't like rules. We hope you enjoy our conversation with Rabbi Kushi Schusterman.  To learn more about Rabbi Schusterman and Harford Chabad: Web: https://www.harfordchabad.org/Facebook: @HarfordChabadPlease like and follow the Mainstreet PodcastFacebook: @USAmainstreetWebsite: https://themainstreetpodcast.com/Email: info@themainstreetpodcast.comAnd please consider giving us a five-star rating and review wherever you listen to podcasts. In other words, just show us some love.  Like to sponsor an episode of Mainstreet?  Contact us and we'll discuss your best options. The Mainstreet Podcast is sponsored by Your Pet AuPair! For the second year in a row, Harford County Living's Choice Award Winner for Best Pet Services Company. Visit belairaupair.com and and use promo code "Mainstreet" on the Get A Quote form to receive $10 off your first invoice of over $100.Support the show