WARDROBE CRISIS with Clare Press

Construction! Proportion! Craft! What lies behind the enduring power of the suit? Of great tailoring? How is that amplified when it's bespoke? What makes a good suit? Does it still matter? Why? And how much should it cost? All these questions, and many more are on the (cutting) table this week, as Clare sits down with Savile Row tailor Dominic Sebag-Montefiore, creative director of iconic bespoke house, Edward Sexton.Thank you for listening to Wardrobe Crisis Series 11! We'll be back soon with a new series of inspiring interviews from fashion's front lines.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

This week's guest, Glen Rollason, describes pattern making as the architecture of fashion. It's the bones, the structure, the technical process that gives our clothes shape, moves them from the 2D to the 3D, and helps them fit. Pattern making is drafting, design, and highly skilled technical process - but it's also team work. No pattern, no coat!From the basics (what is it, where do you begin) to the artistry (fit, form, allure) through Raf Simons, bust darts and the crazy complexity of national sizing standards, we've got it all in this dynamic conversation about this essential fashion ingredient. Plus, why do we need to keep capacity on shore? How might small factories / design labs work in future? What's going on with apprenticeships, and what are we going to do about skilled people ageing out of the industry?Scissors at the ready!Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

In the last of our mini series, Made in Melbourne, we meet Australia's National Designer of the Year 2025, Amy Lawrance.Amy launched her namesake label just a couple of years ago, but she's highly experienced - working for other labels, teaching at RMIT, and she is an extraordinary, couture-standard maker.Her architectural patterns are blisteringly original, she uses mostly undyed silks and has been experimenting with decorative embroidery stitches that she discovered studying vintage dressmaking manuals.As she tells us, her atelier is "very, very small scale and very, very hands-on"; everything from pattern-making, to sampling to final production is by her own hands. "A lonely team of one!" she jokes, but she loves it. Not that it comes without challenges. Any small fashion business owner will be familiar with these. Like, how are you going to pay for it all? Will you need a second job forever? At what point should you give up? Or shift your aims from running your own show to helping grow someone else's vision? Resist! It's worth it in the end!In our discussion, we talk about passion, solitude, the joy of sewing, and the gap between that and selling, doing media, all that stuff that not every creative automatically loves. Why should they? We cover trend cycles (hello, Pantone Colour of the Year), self doubt, origami, the joy of having a dog and what it's like to stand before the judges at one of these big fashion prizes. But big picture: this is an episode about the sometimes elusive "Why" - why do what you do, the way you do it. Enjoy!Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

What do your favourite clothes mean to you? How connected are you to most of what's in your wardrobe? If you had to start from scratch, what would you prioritise?This interview is the third in a mini series of four about made in Made in Melbourne. This time, it's actually made in Ballarat, which is about 120 ks from the Victorian capital, but you get this idea. We're talking thriving in your own community, local production and pushing back on the idea that to make it in fashion you have to rush off to Paris or New York.For my guest this week, designer Saskia Baur-Schmid, it's sustainability and zero-waste pattern making. It's the fabric choices that she makes for her label Hyph_n, her beautiful sewing, and the way she communicates all this to her customers - each garment carries its own 'Eco ID'. But more than that, it's about crafting a sartorial identity, what makes us connect with our clothing, and how that ultimately plays such an important role on tackling overconsumption and waste. It's boils down to meaning, where we find it, and why it matters.Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

In the second of our mini series on emerging designers based in Melbourne, my guest this week Singaporean-Aussie designer Jude Ng. Jude started out selling at design markets, and we talk here about how some people might view that as not elevated, somehow not fashion enough. And what rubbish that is! As Jude says, it was having these direct relationships and conversations with potential customers that helped him build his business. To this day, he's set up his workshop on view in his Fitzroy, Melbourne store, so that people who are interested in his work can actually see him do it. In his own words, he offers: "ethically Melbourne made, zero waste slow fashion production and in-house bespoke mending". His pieces are unisex, and he talks about: "a different perspective in the realm of fashion by playing with a signature asymmetry and a relaxed, gender neutral sense of tailoring... using an artisanal approach and respect for the traditional craft techniques." And it works. It's beautiful and people love it. Six years in to his independent business, he's proving you can thrive as a directional designer outside of the obvious fashion capitals.Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

A new generation of fashion designers is rejecting the current system, but what are they building in its place? In the first of our mini-series, Made in Melbourne, Isabelle Hellyer, the designer behind All Is Gentle Spring, discusses her vision for small-scale, skills-based fashion trade we can be proud of.These stories are Australian, but relevant wherever you are - exploring universal themes of staying small in a Bezos-world, backing the authenticity of true craft, resisting the rise of ultra fast fashion and the unethical systems that underpin it.Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

According to Antoine Arnault, CEO of Loro Piana: "Luxury products are sustainable by nature." Hmmm. What do we think of that, then? Just because it's expensive doesn't make it ethical. In case you are not across these names, Arnault is a member of the LVMH dynasty (his dad, Bernard, is one of the 10th richest people on the planet) and Loro Piana is a posh Italian knitwear brand known for its cashmere and $500 baseball hats. But they've been in the news of late for rather less glamorous reasons, including sweatshop conditions in supplier factories in Italy.On this week's pod, Clare sits down with Jasmin Malik Chua, Sourcing Journal's Environment and Labor Editor, to unpack just how that can happen, and whether it's really true that you get what you pay for in high fashion.Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

We've all had tough days at work, right? But I'm going to bet your last one didn't involve multiple colleagues fainting from heat stress.My guest this week is researcher and academic Cara Schulte, author of an important new report, for Climate Rights International, that looks into the effects of the effects of extreme heat on garment workers in Bangladesh.These don't stop at the physical. Workers describe feeling mentally unwell, anxious, hopeless even desperate as both temperatures and humidity climb. And as climate change accelerates, we can only expect conditions to get gnarlier.So what can fashion do about all this?Listen to find out about the role of education; how pregnant women are impacted; how heat is linked to violence; why drinking fizzy pop won't help; how working hours, low wages, audits and PPE come into it; and practical action to improve things that would make a difference today.Cara's ultimate message: "When we think about sustainability in fashion, it's not just about materials and recycling - it has to be about people."Essential listening for anyone who produces in the Global South, or buys clothing made there.Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

To mark NAIDOC week in Australia, which officially celebrates & recognises the history, culture and achievements of Aboriginal and Torres Strait Islander peoples, we bring you this interview with activist, astronomer and knowledge holder Professor Ghillar Michael Anderson, who was central in the setting up of the Aboriginal Tent Embassy in Canberra in 1972. Michael is a Senior Law Man, Elder, and leader of the Eualeyai Nation from Goodooga, New South Wales. He has published several academic papers on Aboriginal astronomy. He contributed to the book, The First Astronomers, and he has asteroid named after him by the International Astronomical Union in honour of his contributions to the science. In this deep, warm and at times confronting conversation, we discuss how Aboriginal people read the stars, Michael's own experience growing up on Country, bush tucker, connection, the radness of Indigenous Aunties, Black Power, the story behind the Tent Embassy, and Michael's ideas for the future of activism for his community. Oh, and meeting Keith Richards in a casino in Alice Springs.Thank you for listening to Wardrobe Crisis.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

This week's episode is an update from Accra, Ghana, and the situation at Kantamanto markets. It was recorded during the Global Fashion Summit in Copenhagen, where I met up with Liz Ricketts from The Or Foundation. Liz was with several community members from Kantamanto, including market trader Mary and upcycler Latifa - both featured on the podcast. Ultimately this is a story of resilience, entrepreneurship, creativity and skill.Kantamanto is one of the world's biggest for physical markets for second-hand clothing, receiving an estimated 15 million used garments from the global north, EVERY WEEK. On the night of January 2nd, 2025, a huge fire ripped through 10 of the 13 sections in the market, affecting the majority of the estimated 30,000 people working there. It's a miracle more people weren't killed. Six months later, the market structure has been rebuilt, but there's still work to do. Find out how fundraising has been deployed, improvements have given all stallholders access to electricity and a new association of traders has been set up along with a unified security force trained in fire management. However problems persist around waste, the quality of what's in the bales and the dangerous work of female porters...Find Episode 150 with Liz, here.Read Clare's columns & support the show on Substack - wardrobecrisis.substack.comFind all the links for what's mentioned in this episode at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

Over the past few weeks, we've been diving into the world of weaving with natural fibres, exploring local textile traditions and capabilities, and don't get us wrong - we will always love that. But there's also a whole world of sciency possibilities shaking up the future of fabrics and fabulous ways.Pack your (metaphorical) bags for a European innovation tour!And get ready to answer some wild questions, like... What if bacteria could help us co-design a new generation of sustainable fabric dyes? Could we build a machine for that?Where does all the grape waste go from France's vineyards, and hey, what if we turned it into a fancy new animal-free leather alternative?And, how might one creative woman figure that out, DIY style, starting with a coffee grinder in her home kitchen? We all know polyester is plastic, right? So how come we expect our exercise gear to be moisture-wicking, when we're all at the gym encased in what's essentially sweaty, non-breathable, plastic-baggings? Who's ready for the ugly truth about the massive list of potentially toxic fabric finishing agents that fly under that radar? Okay! Don't panic - there's a new generation of clean, safe, bio-based alternatives...Featuring:Charlotte Werth, a bright young German Biodesigner specialising in bacterial dyeSamatha Mureau, an almost-French former fashion buyer turned alternative leather pioneer working with waste from the wine industry in the South of FranceMatthias Foessel, the infectiously upbeat force behind Swiss green chemistry company Beyond Surface TechnologiesFuture Fabrics Expo is on in London now - discover here.Find all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

Welcome to another episode about why it matters that we can make stuff locally.After last week's ep on Yorkshire's centuries-old wool recycling expertise, this time, as promised, Clare's taking you back to Australia, to see another inspiring mill in action.We're in Launceston, Tasmania to visit Australia's oldest continuously operating weaving mill.Waverley Mills has always worked with local wool, and over the years has woven all sorts of fabrics, from tweeds to flannels, but it's their blankets that made them famous. This is a story of tradition (during WW2 they produced blankets for the army), innovation (think, collaborating with Nudie Jeans to make the world's first recycled blanket out of old denim), and continuity. But above all, it's about community - who's worked here for decades and who is apprenticing to learn the trade today; who grows the wool, and who has seen the ups and downs of this place over the years, and has a long view on why it matters. It's a story about ethical manufacturing, the possibilities for re-shoring, fibre sovereignty and being able to manufacture textiles where we live - just, all the important sustainability stuff! Enjoy!Find all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

Ever wondered how mechanical textile recycling actually works? What shoddy and mungo is, and why we called it that? What the rag n' bone man collected back in the day and how the trade grew up, then scaled back? And what it will take to bring it back and keep what's already here, going?Wonder no more! John Parkinson has a masterclass for you, complete with magic and secrets. For 200 years, Yorkshire made recycled wool cloth for the world. But don't think its all disappeared. John's mill in Huddersfield is aptly called iinouiio - an acronym for It Is Never Over Until It Is Over. With centuries of accumulated of skill and knowledge, they're doing what they always did, only better.Find all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

What if the best place was the one you're already in? Meet Julia Roebuck, the powerhouse organiser behind Thread Republic Textile Reuse Hub and social enterprise in Huddersfield, UK.We're talking about textile skills, mending, repair, sewing, the wellbeing economy and what that might look like - at home. What fashion can be when we remove the transactional, when it's not just about shopping. And the immense satisfaction to be gotten from making something with your hands that you're proud.Discover Thread Republic here:threadrepublic.co.ukFind all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

How do you feel about competition? Do you think it's healthy? Natural? Are you that person who has to win at Scrabble or tennis or the pub quiz?Or maybe you've read your Gaia theory and are hooked on the idea of a harmonious, post-patriarchal ecosystem that's all about balance and working together.Many of us have come around to thinking that, at least when it comes to sustainability, it's being hyper-competitive that got into this mess. So you might be surprised to learn that competitive sustainability is the latest thing... we were!This week on the pod, find out what else we gleaned from Australia's first big sustainable fashion conference.Featuring: New Era Bio, Alt Leather, Wildlife Drones and more.Thank you to the Growth Activists for making this episode possible.Find all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

Want a side of modern slavery with that?Didn't think so.Modern slavery is organised crime, and no one wants that lurking in their supply chain. Yet fashion and textiles are key industries implicated in this travesty that traps an estimated 50 million people worldwide in forced labour, debt bondage and human trafficking. Twelve per cent of those in forced labour are children, while women and girls are disproportionately affected. And the problem is growing, despite many countries introducing legislation to ensure large companies are taking steps to ensure their supply chains are slavery-free.All this is intrinsically linked to low wages and wage insecurity.As Outland Denim's James Bartle points out: "It isn't possible to make a pair pf jeans for $20, and pay people a living wage."So, where are we at with legislation and reporting on modern slavery today? What steps can brands be taking now to ensure exploitation is part of story of their products. Why do we still have so few brands paying living wages in 2025? And finally: is it time we built the true cost of a product into its final price?Recorded live at the Good For Business Sustainable Fashion Summit in Sydney.With thanks to The Growth Activists, Australia's leading B Corp consultancy,and speakers:Dr Nga Pham, senior Research Fellow, Monash Centre for Financial StudiesFraser Tier, Group Commercial Manager, Active Apparel GroupJames Bartle - CEO & Founder, Outland DenimSarah Rogan - Oxfam Australia's Economic Justice & Strategic LeadFind all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

Continuing our theme of fashion's crazily wasteful ways, and our focus on Latin America, this week, more Brazilian goodness, as Clare sits down with São Paolo-based industrial upcycler Agustina Comas.We're talking fast fashion, big business, athleisure's reliance on synthetics and rethinking pattern-cutting.BTW: how much do you know about pattern-cutting?If you've ever done this yourself at home with paper dressmaking patterns, you'll know that you pin these onto the fabric and cut around them.Sometimes using tailor's chalk to add markings. It's often trickier than it should be!The scraps - or offcuts - are the wastage round the edges. And they can pile up.On an industrial level, technicians also use paper markers. Multiple layers of fabrics are laid on the table, and many garments are being cut at a time, often using computer-controlled machines.Of course brands try to make the most of fabric yields, even if only to save money, so if multiple styles use the same fabric, you might see these placed intricately on the marker to form a complex jigsaw puzzle. At the end of the day, they still sweep the offcuts into the bin. Who cares? It's just scraps.In some cases, these scraps account for 35% of the fabric.Instant waste! Mad!Making new stuff out of wasted old stuff is a noble idea.But wouldn't it be better if we used less in the first place?Agustina's got a plan for that.Also up for discussion - Brazil's mighty craft heritage, and how women are leading the way; Shein's designs on the country (and everywhere else); and which South American designers are pushing innovation.Find all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

Hello! What are we actually doing? Our unwanted clothes don't belong dumped in Chile's beautiful Atacama Desert...Everyone knows reasons why the global north exports used clothing to the global south - it's because fashion is too fast, quality is too low, volumes are too high, and for rich countries it's often cheaper to export your problem than it is to deal with it onshore. But even if that wasn't the case, even if you had a big dream and deep pockets, that horse has bolted - the system at scale today is about global trade.Certainly, some of it is a reuse stream, some of it does get re-worn and recycled. Also sorted, processed and re-exported. But the fact is, too many of of these clothes become unsustainable waste that, once they reach their final destination, escape into the environment and pollute Nature and communities.According to the UN, about 40% of the clothes imported through Chile's Iquique free trade zone in the northern Atacama, have no value in the local second-hand clothing market and cannot be re-exported. Many end up dumped in the desert.In our annual Fashion Revolution ep, we meet the activists and creatives behind a genius campaign - Recommerce Atacama. Bastian Barria and Angela Astudillo from Desierto Vestido have joined forces with creative agency Art Plan, ecommerce platform Vtex, and Fashion Revolution Brazil to sell these clothes back to where they come from. The price? Zero dollars. The slogan: "Don't buy, rescue!"Clare sits down with Fernanda Simon and Paula Lagrotta to unpack the issues.More info at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU. Hosted on Acast. See acast.com/privacy for more information.

Twenty-two billion! What are we playing at?!Things get worse when we look at the materials most commonly in use. The sports shoe category in particular is a giant, influential sector, yet its waste footprint and chemical inputs tend to fall under the radar. And don't get us started on the Crocsification of everything! Injection-moulded EVA is coming to a clog near you, but don't let's pretend that's sustainable.Increasingly, our shoes are made of frankenstein plastics, and even their creators don't necessarily know what's in them. This week on the podcast, Clare's guest is Chandni Batra, founder of A BLUNT STORY - a disruptive Indian sandals brand on a mission detoxify your footwear, and challenge the industry to stop trashing the planet.This is a gob-smacking conversation full of revelations about how huge numbers of shoes are made today, using oil-based plastics, potentially-toxic foams and petrochemical ingredients for all sorts of uses you've most likely never even heard of. Could these chemicals be leaching into our skin? What are their effects on the environment? And on the workers who must handle them? Why are modern shoes to hard to recycle? And what can be done about all this. Chandni has solutions! Ears here!More info at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU. Hosted on Acast. See acast.com/privacy for more information.

In the third of our four-part mini series on sustainable fashion in India, Clare sits down with Drishti Modi and Rashmick Bose, the duo behind slow fashion brand Lafaani. It's focused handcraft, handloom weaves, and natural dyes, and their clothes are gorgeous - we want them all!But the founders didn't always dream of fashion careers - they're sustainability professionals who met at university studying environmental resource management. At first, it was all about biodiversity, water use in marginalised communities, and regen ag.So how does one move from observing flying lizards in the Western Ghats, or surveying toilet numbers in remote villages, to staging runway shows? And making wonderful trench coats dyed with marigolds diverted from temple waste-streams. Somewhat of a winding road, it has to be said! Was it hard? What drives them? When you haven't been to fashion school, how do you get the design right? Who do you work with? How do you figure it all out, while staying true to your purpose? A warm, inviting conversation that will help anybody with big sustainability ideas trying to do fashion differently.More info at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU. Hosted on Acast. See acast.com/privacy for more information.

More from our visit to India! If you listened to the last episode with stylist Daniel Franklin, you'll have heard Clare promise more to come from India's burgeoning sustainable fashion scene. This week's chat is with one of Delhi's most promising young designers, who's just shown his collection at Lakmé Fashion Week in Mumbai, and who won last year's Circular Design Challenge (run by R/Elan and UN India). He is Ritwik Khanna, founder of the edgy menswear offering and atelier RKive City. He's created a new system of working with post-consumer textile waste (lots of denim and camouflage gear) that he de-constructs, then recuts into brilliant new garments, often embellished with embroideries. The result blends cool modernity with high craft.What's up for discussion? His process, obviously, but this is also a conversation about dignified work, what people don't realise about the second-hand and waste textile supply chain in India, and ultimately - what makes a good life.Fancy your chances winning the Circular Design Challenge? Applications for 2025 close May 8th. Info here. More info at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU. Hosted on Acast. See acast.com/privacy for more information.

Mumbai and New Delhi take turns to host Lakmé Fashion Week, and this season it's the former that will be exploding with creative runways and high-craft fever, starting next week.To get you in the mood, we're bringing you an Indian mini-series of the Wardrobe Crisis podcast, starting with this delightful conversation with stylist Daniel Franklin.Daniel styled five shows last season, and has seven on the go this time, and we can't think of anyone better to contextualise India's new gen talent explosion. So yes, expect to learn the new names-to-know and what makes them tick. But Daniel studied fashion history before breaking into magazines, and this is a far-ranging discussion that gallops through the myth of the Silk Route to the truth of the colonial hangover, via a tour of India's unparalleled craft heritage. Enjoy!More info at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU. Hosted on Acast. See acast.com/privacy for more information.

A disturbing shift away from diversity, equity and inclusion is spreading through the corporate world. Following US President Donald Trump's lead, some of the world's most powerful companies have rushed to dismantle years of positive work that's been done in this area.Race and gender are central to this discussion, but diversity and inclusion programs concern the whole gamut of non-majority groups in any given setting, including sexual orientation, disability and class. So what does mean to be abandoning policies and initiatives designed to make our societies, organisations and businesses fairer and more equitable for everyone? To remove unjust barriers to entry that have, for too long, locked less-privileged groups out? It's not like, our work is done here.Take, for example, the continued lack of representation of women in the C-suite. The numbers simply don't represent broader society - or brands' stakeholders and customer-bases. Or educational establishments that blatantly favour upper class students from rich families. That's where affirmative action comes in. Talking about merit-based hires and some lofty ideal of a colour/class/gender/disability-blind world is pure nonsense when some of us clearly get a head start over others.Big questions: what's driving brands to drop DEI programs? Did they ever really care in the first place? How do the culture wars play into all of this? Will what's happening in America spread to other countries? And will more big brands follow suit? Is diversity and inclusion officially dead - or just on life support?Tell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU.In this episode, Clare gives you a masterclass on the history, context and current state of play, then revisits key messages from previous episodes on this topic, including insights from Aja Barber, Lou Croff Blake, Rahemur Rahman and Junior Bishop. Hosted on Acast. See acast.com/privacy for more information.

It's time for some more trashtalk, my friends. Remember plastic pollution? Of course you do - because it's still with us. According to the UNEP, the equivalent of 2,000 garbage trucks full of plastic enter the world's oceans, rivers and lakes EVERY SINGLE DAY. And while there was a great deal of excitement around the prospect of a Global Plastics Treaty last year, talks were suspended at the end of 2024 when UN member states failed to reach an agreement on what would have been the first-ever global legally binding instrument to end plastic pollution.But it's not just plastic that's littering the environment. You name it; it ends up there - from paper and cardboard to aluminium cans, glass, clothing and fly-tipped furniture. We're all complicit, so we've all got a part to play.The good news is that awareness and community action is growing, and that is the focus of today's interview with the inspiring Ripu Daman Bevli - a Delhi-based environmentalist and runner, on a mission to make picking up litter cool. Meet the Plogman of India... Plog-what?! The term plogging originated in Sweden - it's a portmanteau of the Swedish verb, "plocka upp" (to pick up) and the English word "jogging". In 2019, Ripu ran 1000 km across 50 cities in India, picking up trash - and followers - along the way. As he says, if you want to spark behaviour change, forget shame and berating people - the secret is to invite them to join a fun activity. So don't stress, this is far from a dismal discussion about the waste crisis. Rather, it's a joyful, encouraging story about how to change the world with positivity, recorded on location in Delhi, with a soundtrack of beautiful birdsong.Tell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU. Hosted on Acast. See acast.com/privacy for more information.

In a markedly hatless era, forward-marching British accessories designer Leo Carlton is turning their talents to digitally-printed crowns, elf ears, breast plates and mysterious sculptural masks. Some of these gentre-defying fashion artefacts feel a bit witchy, with pagan undertones. Others, firmly futuristic. But how do they make them? Wouldn't you like to know! Leo trained at Cordwainers, enjoyed a two-year residency at Sarabande and studied classical millinery techniques - their first job out of college was with the iconic London hatmaker Stephen Jones, and they used to make showpieces for Dilara Findikoglu, Richard Quinn and Charles Jeffrey Loverboy. But these new VR adventures step beyond the confines of the physical word with mind-bending results. From teaching themselves digital printing via Youtube to sculpting in virtual reality, the only limits are: there are no limits.Tell us what you think? Find Clare on Instagram @mrspress Got recommendations? Hit us up!And please share these podcasts.THANK YOU Hosted on Acast. See acast.com/privacy for more information.

Experience matters. Everyone always tells new design graduates that it's best to work for someone else while you find your feet. But at what point do you know that you are ready to strike out on your own? While on the surface this conversation with emerging German fashion designer Essie Kramer seems to be about the joys of sourcing old ecclesiastical textiles and turning them into provocative new ensembles, or how digital printing is democratising object-making, I think it's really about confidence and finding your flow. When you know, you know! Essie is one to watch. I'm always excited to meet next gen fashion talent. Featuring young designers has been a pillar of Wardrobe Crisis from the start.I've been lucky enough to be a judge on many new gen competitions over the years, including Redress in Hong Kong, the Circular Design Challenge in India and Australia's National Designer Award. I got to write a bit for Sara Maino's Vogue Italia Talents project, and covered the BFC's New Gen for years.Every series, we've run at least one (sometimes more) Episodes focused on new designers around the world. Got recommendations? Hit us up!And please share these podcasts.Then re-listen to these treasures from our archives:Ep 61 Vogue Talents, featuring HUEMN and Sindiso KhumaloEp 65 with Ruchika from Bodice StudioEp 70 featuring Bethany Williams, Matthew Needham and Patrick McDowellEp 110 with upcyclers Helen Kirkum and Duran LantinkEp 139 with Icelandic knitter Ýr JóhannsdóttirEp 146 with Joao MaraschinEp 204 Michaela StarkHappy listening!Clare x Hosted on Acast. See acast.com/privacy for more information.

A note from Clare:This week, I'm experimenting with bringing you something a bit different. I'm calling it CLARE'S TAKE and it's a sort of op-ed slash invitation to start a conversation about a issue in the news. It's just me, no interview this time. Don't worry, I'm not abandoning the interview format! Normal programming will resume next week, but do let us know if you like the idea of us adding these editorial takes on topical fashion criticism into the mix, as a bonus.Thank you, as ever, for listening!Clare xxFrom *that hat as a strategic kiss-dodger to mob wife at a funeral, dark MAGA to the spectre of American state jewellery collection, let's just say there was a lot going on with Melania's fashion optics at the inauguration. But what's the bigger picture of luxury's right wing power play?In a few short years, we've gone from leading fashion designers openly stating that they'd never dress the Trumps thanks to their politics jarring with their values, to Bernard Arnault cosying up to his fellow billionaires at the official swearing in of a convicted felon. With global corporations lining up to chuck their DEI and climate goals out the window, how will big fashion respond? And what they heck should the rest of us do about all this?Tell us what you think? Find Clare on Instagram @mrspress *Boycotting X since August._________________To discover our Sustainable Fashion 101 online course, click here.We're giving listeners who enrol in January 50% off.Apply the discount code - newyear - at checkout to redeem your gift. Hosted on Acast. See acast.com/privacy for more information.

Ears here! Do yourself a favour and take a break from doomscrolling Trump...Berlin fashion week is about to roll around again, and we're inspired. Not least because last year Fashion Council Germany became the first to officially adopted Copenhagen Fashion Week's sustainability framework, complete with 20 minimum standards for participating designers.If you don't live there, what's your impression of the city's vibe? Dark, grey and dystopian?! In winter, there's a bit of that for sure, but it also crackles with electric creativity. Largely devoid of corporate nonsense, Berlin's fashion culture fosters indie talent, DIY and sustainability innovation, all mixed up with the underground arts scene.Think fashion as dialogue, self-expression and provocation. Community over ego. And embedding political movements - including sustainability and DIEB - into the shows.Plus, of course, the legendary club scene is never far away.“It is alternative,” says this week's guest, much-loved fashion photographer, cult magazine maker and adopted Berliner Axl Jansen. “They don't nip on their champagne and talk about art; they live it. Life is dangerous, you know? As an artist you have to define always new ideas, you have to find new paths of thinking, so it's always in a kind danger, art itself.”While this conversation isn't really about politics - it's about creativity, fashion, music - Clare's question to you is: Can we disassociate these things? We don't think so.Art reflects the times we live in - and these, once again, are turbulent ones.To discover our Sustainable Fashion 101 online course, click here.We're giving listeners who enrol in January 50% off.Apply the discount code - newyear - at checkout to redeem your gift. Hosted on Acast. See acast.com/privacy for more information.

Happy New Year! When was the last time you admired someone's style from afar, say from across the street? Or when you found yourself sitting next to them in a public place, a cafe perhaps, at a fashion show or on the bus? Did you strike up a conversation? Because we mostly don't. Mostly we just think how fab they look and that's that. I like to think of our first Episode for series 11 as an encouragement to talk to stylish strangers, in the very best of ways, because you never know what might come out of it.At London Fashion Week last season, I spotted Beau McCall in the crowd, and thought: Oh my, what a FABULOUS OUTFIT. He was covered, you see, in buttons galore, like a Harlem version of a Pearly King. He'd topped off this look with a Vivienne Westwood Buffalo hat. Next thing I knew, he was making his way over, and sat down next to me. The rest is, if not exactly history, encapsulated in this warm and sparkling conversation. Actually, there is quite a bit of history in it - from the evolution of the button as a fastener/decoration strictly for the well-to-do, to everyman's (and woman's) closure of choice, to the fashion history of NYC in the late '80s.Also up for discussion: why every family should have a button box, the joy of hand-sewing, how fashion can help if you're shy at parties, and what happens when you try and sew hundreds of a buttons onto a bathtub...For pics and links, hop over, as usual, to: thewardrobecrisis.comBeau's website is beaumccall.comFor info on The Or Foundation's Kantamanto fund, see here.To discover our Sustainable Fashion 101 online course, click here.We're giving listeners who enrol in January 50% off.Apply the discount code - newyear - at checkout to redeem your gift. Hosted on Acast. See acast.com/privacy for more information.

Breathe in deeply through your nose... What can you smell right now? Can you identify it? How does it make you feel? Is it fresh, bright, pleasant? Nostalgic? Disgusting? How often do think about smell? If you only tend to notice when it's something particularly lovely - your favourite dish being cooked, a preferred flower - or horrid (let's not go there); you're not alone.As this week's guest Susan Irvine explains, a couple of thousand years' of western philosophy has conditioned us to prioritise sight and sound, relegating smell to the senses' lower division. Why? Well, short of holding your nose (spoiler alert, there's some of that in this podcast!) smell isn't something we can generally choose to take in or shut out; it doesn't invite us to apply our discernment. But while the art and design worlds have long overlooked scent, that's changing. Agenda-setting creatives are using it in their storytelling - and we're not talking about perfume campaigns.Welcome to the mind-blowing world of smell as material. We'll leave it to Susan to explain.Susan Irvine is a writer of excellent books including novels, short stories and non fiction. A former Vogue beauty editor, she's a current Visiting Lecturer at London's Royal College of Art, where she teaches a course on using 'smell as material' based in the Fashion Programme. Can you help us spread the word ?Wardrobe Crisis is an independent production.We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend.Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

"Bangladesh has come out of a lot of difficulty in the past. Bangladesh is a place of hope, is a place of resilience ... We could again come together as a nation, with the ertailers and the brands supporting us, and make the transformation. It's a huge, huge opportunity."Rousing words from this week's compelling interview with manufacturer Shafiq Hassan, of the Echotex manufacturing facility in Gazipur, Bangladesh.Last year Bangladesh was ranked the third-largest exporter of clothing globally (after China and the European Union) exporting USD $38.4 billion worth of garments. The nation is home to over 40K garment factories of various sizes, and over 4 million garment workers.A decade after Rana Plaza, much progress has been made, including around environmental sustainability. Bangladesh now has 186 LEED (Leadership in Energy and Environmental Design) certified factories, and, according to Reuters, lays claim to 9 of world's top 10 'green' garment factories (considering carbon, water and energy footprint, waste, logistics, and using more sustainable materials).Clare interviewed Shafiq in London, in September 2024, a little over month after peaceful students protests in Bangladesh toppled ex-Prime Minister Sheikh Hasina, then presiding over an increasingly corrupt and authoritarian regime. Her government's response to the protests - appalling violence - is well documented. This week, a new report by the current interim government, titled Unfolding the Truth, implicates Hasina in as many as 3,500 cases of forced disappearances during her time in office.Warned the Solidarity Centre in August: "The economy of Bangladesh, depends on garment factories, but producers say customers are concerned about violence and disruption." What's more, the previous government's "repression against workers seeking to form and join unions has prevented garment workers from achieving the living wages and safe working conditions they have sought to achieve."So what's next?The Nobel peace laureate and economist Muhammad Yunus (founder of the Grameen bank) is leading the interim/ caretaker government. The factories are back working. Leading facilities like Echotex continue to innovate. What's unfolding is very relevant to the fashion sector, and to all of us who care about ethical production and want to understand the role brands have to play when it comes to what we hope are long term partnerships with suppliers.Can you help us spread the word ?Wardrobe Crisis is an independent production.We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend.Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

From Victor & Rolf's "Get Mean" frock through Jordan Gogos's radical upcycling projects to Paul McCann's "Sovereignty Never Ceded" gown, certain items of clothing speak loudly - with intention - about the times we find ourselves in. Let's not forget the long traditions of tapestry-making, quilting, embroidery, and the newer but related concepts of stitch-n-bitch craftivism. Cloth can be a radical medium. You might call it soft power, for its undeniable tactility - but don't mistake soft for weak. "Textiles galvanise communities. Through wars, pandemics and disasters, textiles have offered a way to mobilise social and cultural groups and build connections. In the late nineteenth century, British artist and designer William Morris sought to counter the mechanisation and mass-production of the Industrial Revolution by weaving tapestries on a manual loom with hand-dyed thread. Today, many artists are experimenting with the materials and techniques of textile design as a ‘slow making' antidote to the high-speed digital age." With an introduction like that, how could we not respond? This week, Clare sits down with Rebecca Evans and Leigh Robb, curators of RADICAL TEXTILES - a major new exhibition at the Art Gallery of South Australia.Up for discussion: do textiles belong in museums? Is fashion so often dismissed as some sort of lesser art because it's considered unserious women's business? How did political movements of the last century use textiles to get their messages across? What's with Don Dunstan's pink shorts? And so much more!Can you help us spread the word ?Wardrobe Crisis is an independent production.We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend.Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

New York, London, Milan, Paris? So last season! It's time to spotlight less discussed design centres. This time, Dundee, which is home the two emerging menswear designers you're about to meet - both recent graduates from the Jimmy Choo Academy.First we'll hear from Sasha Clegg, whom with a wink, called her label The English Man. Despite being neither. She chose the name to call out the pale, male-dominated fashion industry. Sasha, who is of Zambian and Scottish descent, wants to "celebrate multiculturalism, heritage, diversity, and inclusivity." Her graduate collection, titled Mother's Tongue, blends inspiration from her Scottish upbringing with nods to English football culture, and features kilts, tartan, and '80s-to-2000s influences. Our second interview is with Robyn Green, whose work explores subcultures and challenges Scottish stereotypes, with a political twist.Too often fashion mines working class communities for their idea and creativity without giving credit - that, says Robyn, is a form cultural appropriation. Her brand, Gadgie, is inspired by "the resilience and creativity of Scotland's working-class communities" and she's on a mission to create opportunities for underrepresented voices in fashion. How to begin? Head home. After studying in London, she's back in Dundee, setting up her new studio, working with local hand-knitters and crochet artists and championing Made in Scotland.Can you help us spread the word ?Wardrobe Crisis is an independent production.We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend.Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

It's not every day you get to sit down with a proper fashion world icon and pick his brains for free!Dear listeners, you're in for a treat this week, as Clare meets the one and only Jimmy Choo. This magic name in shoe design is now professor - he runs his own fashion school, the Jimmy Choo Academy in London's Mayfair.This is a warm-hearted generous chat full over pearls of wisdom, like..."First, you must learn patience.""It all experience! Whatever happens, don't blame yourself - learn from it.""Somebody will always be better than you.""If you act like a know it all, no one will want to talk to you. If you are humble, people will want to pass on their skills and knowledge.""Trust your instincts to seize opportunities."Want more? Headphones at the ready. And don't forget to tell us what you think.Ultimately, Jimmy's message is, there's no point merely chasing fame, publicity and money. You have to stay true to your values.For him, that means craftsmanship, skill, and passing on your knowledge. Hosted on Acast. See acast.com/privacy for more information.

If you listened to last week's interview w. Jem Bendell and wondered, "What on Earth do I do now?" And you weren't up for moving to Bali and getting collapse ready by starting a self-sufficient permaculture farm...we've got you! This week's episode is about practical action being taken right now to protect the rights of Nature. Clare is sitting down with two can-do women, fashion designer Lucy Tammam and Stop Ecocide International's Jojo Mehta to decode one of the topics of the moment, ecocide law. You might have noticed this idea gaining momentum. Ecocide refers to the mass damage and destruction of ecosystems – severe harm to nature which is widespread or long-term. The idea is to criminalise it. And it's happening! It's become national law in several countries with many more discussing it. In March, the EU passed a law that criminalises actions 'comparable to ecocide' - a revolutionary legal development; the first law of its kind to be adopted by a political entity with substantial global influence. In September, Vanuatu, Fiji and Samoa submitted a proposal to the International Criminal Court for recognition of ecocide as a crime. What does all this mean for fashion? Listen to find out! Hosted on Acast. See acast.com/privacy for more information.

Okay, brace yourselves...Brands love to set sustainability goals. But what if it's all nonsense? What if net zero, the obsession with carbon, and the idea that renewables are taking over from fossil fuels, are all part of a fake green fairy tale that we tell ourselves because the alternative is too difficult to imagine. Or that corporations tell us so that they can keep on with business as usual.WTAF? We know. It's... a lot.Is it true? You decide, after listening to this week's guest.Jem Bendell is an emeritus professor of sustainability leadership at the University of Cumbria, the author Breaking Together and founder of the Deep Adaptation movement, as well as Bekandze Farm school and folk band Barefoot Stars.If it sometimes feels like everything's collapsing around us, Bendell argues that's because it is. From the climate and cost of living crises to rising geopolitical tensions, and don't get us started in the widening gap between rich and poor. He says, it's not a sudden thing, like we see in Hollywood movies about the end of the world. Rather, he argues, collapse is a process, and one that's already begun. The question he's asking is: what can we do on the other side?Some people, he writes, are already: "dramatically changing their lives to prioritise creativity and social contribution. They are worrying less about their career, their financial security or following the latest trend. They are helping those in need, growing food, making music, campaigning for change and exploring spiritual paths. That is happening, because they have rejected the establishment's view of reality and no longer expect its officers to solve any of the worsening problems in their society." Others are just pretending nothing's wrong.Can cats help? Do doomsters really have more fun? Where does hope come into all this? Clare sat down with Professor Bendell after his keynote at the Festival of Dangerous Ideas in Sydney to ask all this and more. Music: Mystical Cat by Barefoot Stars, launched in support of Villa Kitty, donate here.Check the shownotes for links & further reading.https://thewardrobecrisis.com/podcast Hosted on Acast. See acast.com/privacy for more information.

What is the role of a fashion designer today? Thinking purely about gorgeous clothes is so last season. Gone are the days when designers could consider only a collection, how it will sell and what the customer might be looking for. Forward-thinkers are already beginning to take more holistic view and adopt a living systems approach. They're asking questions such as, Can we make like Nature makes? How might fashion create nutrients instead of waste? How can we use biomimicry in sustainable ways? Program living systems to produce bespoke products? And, how can we build a truly regenerative system in place of the current regenerative one?“We won't have a choice in the future. We will all have to include sustainability in everything we do,” says this week's guest Carole Collet - a bio designer, professor of textile futures and the director of LVMH's Maison/0 incubator for emerging talent focused on regenerative luxury.Carole was raised in Burgundy, France, to respect Nature. Her mother worked in a flower shop, her father in a greenhouse. In 1991, she was in London studying for her Masters in textiles when she had a revelation: “It's in biology that the answers will be.” Traditionally, textile design education focuses on weaving, knitting or maybe printing. “It's very craft based,” says Carole says, “and I love craft; I think it's justified. But at Masters level, I felt like it was too restrictive.” She went on to set up the first Material Futures program at Central Saint Martins “to explore what textiles could be”. A philosophical conversation that extends way beyond fashion, encouraging us to ask the big questions about what sort of world we want to build - and our responsibilities in doing so. We might begin, suggests Carole, by challenging our anthropocentrism, and ask, "What does a bee want? How about a fish?"Thought-provoking!Can you help us spread the word ?Wardrobe Crisis is an independent production.We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend.Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

Happy Secondhand September! Six years ago Oxfam UK came up with the idea of using September to encourage people to: "Shop second hand to take a stance against fast fashion and dress for a fairer world." They say it's a moment to come together “to choose a more planet-friendly way to shop, and dress for the world you want to see."How does preloved help with that? We all know that fashion waste is a problem, that new clothing and textile production is a serious contributor to the climate crisis. According to ThredUp, if every consumer bought just one this year secondhand garment instead of a new one, it would he like equal to taking 76 million cars off the road for a day.Plus by shopping with Oxfam, and other charity shops, you're investing in the vital work in local communities.This week Clare sits down with mega multi-tasker Eunice Olumide MBE - model, environmentalist, broadcaster, DJ, author, curator now filmmaker (phew!) - ahead of Oxfam's London Fashion Week show, to discuss thrifting, her new documentary about the history of British hip hop, moving beyond performative activism, and the challenges of championing secondhand in a world still dominated by the business model of new...Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend. Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

Fashion month is about to kick off again, with all eyes on New York, London, Milan and Paris. But the obsession with the so-called fashion capitals has long seemed out of touch. Yes, that's where the money is (well, Paris is anyway), but in our globalised world, there are many more fashion capitals that should not be overlooked. There are fashion weeks all over the place, all year round. But while Lagos, Melbourne, Berlin and Copenhagen deserve their place in the fashion spotlight, what happens when you're well off the beaten fashion track?East Arnhem Land, for example...These days, rising Australian fashion star Liandra Gaykamangu calls Darwin home, but that's the big smoke compared to where she grew up in Milingimbi (Yurruwi) in the Crocodile Islands - albeit with a sojourn to the Wollongong surf coast. Now her print-led namesake brand is making waves in fancy places. This mum of three used to be a high school teacher and her fashion-forward design is winning her prizes.A beautiful, far-reaching conversation the covers a lot of ground, from creative life in Australia's remote north, caring for County, and tuning into nature (what are the frogs telling you?) to mentoring nex gen Indigenous entrepreneurs, and what it takes to break through when you're outside of circles of power.Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend. Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

#underconsumptioncore is a thing! For this episode, we're in London visiting British journalist Tiffanie Darke to talk about her viral wardrobe challenge, The Rule of Five. She's also got a new book coming out in the US. What to Wear and Why, Your Guilt-Free Guide to Sustainable Fashion promises to get you "rethinking what clothes we buy, wear, and toss out, knowing that we can have a positive environmental impact while still looking good and dressing well”.It was during the pandemic, when Tiffanie was working at Harrod's, as the editor of that famed luxury department store's magazine, when she had a revelation. Mindless shopping felt meaningless.Then she read a shocking report by the Hot or Cool Institute - Unfit, Unfashionable, Unfair revealed that if we're serious about climate action, those of us in the global north/rich countries are going to have to have to drastically reduce our consumption. Of everything! So how much new fashion is sustainable if we want to keep global warming under 1.5 degrees? Buying just five new garments a year. Yikes!This is the story of how one woman set out to do that, and catalysed a movement along the way. Also up for discussion, who's to blame for the mess we find ourselves in? Could it be Gen X, those formerly hedonistic Cool Britannia types? After all, they were the first fast fashion fans…Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend. Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

Welcome to the last of our Copenhagen Fashion Week interviews (if you missed the previous Eps, do go back & take a listen).This one is refreshingly honest conversation with Danish knitwear designer Amalie Røge Hove about her much-loved label, A. Roege Hove, and the ups and downs of being an independent fashion business.Widely celebrated as the next big thing, for the past few years A. Roege Hove was a CPHFW highlight. But last season, Amalie was not on the schedule, although her brilliant work was part of the Ganni NEWTALENT platform to amplify rising talents.So why no runway? Everybody loves A. Roege Hove. After launching in 2019, they were stocked by the likes of Matches and Selfridges, dressing all the It-girls and winning all the prizes, including 2023's International Woolmark Prize.That winter, however, the label went into administration.Alas, it's a depressingly common situation. With many independents going bankrupt in the last few years, or finally deciding to close their doors because of rising costs and other stresses - including, of course, those who put sustainability at the heart of what they do.How much of a problem is the wholesale model here? Can you grow too fast? Can you make it without financial backers? What happens if you can't keep up? Or supply chains take a hit for reasons outside of your control? We thank Amalie for sharing her story so that others might benefit.*Since this interview was recorded in February, we are happy to report that A. Roge Hove has returned in a new form and showed again at the CPHFW Spring ‘25 collections.Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Share on socials! Recommend to a friend. Find Clare on Instagram @mrspressTHANK YOU Hosted on Acast. See acast.com/privacy for more information.

Our Copenhagen Fashion Week special continues! Clare sits down with Finnish menswear designer Rolf Ektroth.Last season, his hand-knits, made with Finnish yarn manufacturer Novita, were made available as pattern and yarn kits, so that home knitters could recreate his runway pieces. He loves macramé and hand embroidery, yet his collections have a modern street vibe that feels very polished. Perhaps it's because he's not actually a new name - Rolf Ekroth has been celebrated before, with glowing reviews in magazines and shows at Pitti Uomo before the pandemic. His label has had its ups and downs, he lost his backers at one point, but he kept at it. So, in part this is conversation about a career as a progression and taking the long view. It's about perseverance, figuring out what really matters to you and how we are all the sum of our experiences. It's also highly amusing - Rolf is crackup funny. And brilliant! Learn his name - we predict, it's going to be everywhere.Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

If you're not in Copenhagen for fashion week, here's your (virtual) ticket :)Last week, we talked to Ane from Alpha about studying fashion in the Nordics and how to make it as an artistic designer.Over the next three episodes, we've got interviews with some of the most exciting names to watch from the region.First up is Alectra Rothschild, whose show for her Masculina label was one of the most anticipated, thanks to last season's electric on-schedule debut.Vogue noted it was "probably history-making' - because Alectra was the first openly trans woman to show at Copenhagen, and because of the her iconic community casting. Listen out in this chat for the part about what a positive force that representation has been - she gets so many messages from fans around the world saying they feel seen. And want to place orders.Another big theme in this interview is sustainable business models, and what works when you're a small designer. How do you scale? Do you want to? Do you even try? Maybe you plan to go and work for an established house instead? Or, is there a way to stay independent, cater to your community and keep things bespoke?For Alectra (who trained as a tailor, worked at Mugler and did her MA at Central St Martins in London), it's about seeing herself as a "designer, but also maker, artist and costume designer" and focusing - for now at least - on commissioned pieces.Ask her to sum up her clothes and she says, “flamboyant, high femme, and quite shameless”. She's done with being put in a box and categorised - we contain multitudes. Above all she wants to enjoy herself. She makes clothes for night life. Her runways are a party, calling to mind the 1980s when the most exciting fashion scene was DIY, driven by club culture and community. Good times ahead.Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

We hear it all the time: fashion students are overwhelmed by overproduction and the ruthless churn of creative directors at the big luxury houses. How can they forge a creative path without contributing to the problem? If they decide to operate outside the system - crafting extravagant one offs, for example, or only making to order - how will they survive financially? What is the point of fashion if you can't wear it?Ana Lynge-Jorlén is the Danish fashion academic behind Alpha, a fashion incubator for directional design talent from the Nordics. The Alpha showcase at Copenhagen Fashion Week is always exhilarating, but as you will hear that's not all they do - they've got a big exhibition coming up in Norway's National Museum at the end of the year, and they do a bunch of industry mentorships working with the likes of The Row, Browns London and 1 Granary.But really this interview with Ane is about, as she puts it, "fashion's cultural value" - fashion is technically in the realm of applied art, as opposed to the fine one. But whatever you want to call it, fashion as artistic expression has value beyond the commercial. Can you wear it on the bus? That depends on how daring you are. Ane probably would!Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

Empathy, kindness, wellbeing, caring, sharing, repairing - not traditionally the first words that spring to mind when I say "FASHION!" But things are changing. Are we moving towards a new paradigm where who cares, wins? If we accept that the old ways (overproduction, exploitation, rampant shareholder capitalism, waste) don't serve us, why not redesign the whole thing along radical new lines? What might that look like?If you're intro underground fabulousness pushing disruptive fashion forwards, you might have noticed that in Arnhem, the Netherlands, the State of Fashion Biennale 2024 happened over the summer. The theme was 'Ties that Bind', and it explored ideas around ‘dismantling tradition', ‘political bodies' and ‘the fabric of shelter'.This Episode was recorded at the previous event in 2022 - and saved up because some of these stories are in Clare's latest book Wear Next.Says Clare: “Come back in time with us to that glorious summer. These conversations explore timeless themes. If anything, what we discuss feels even more relevant today. Also, if you've been feeling a bit blah about conventional fashion weeks and events, this should shake you up. It proves that not everything has to be about business and brands!”With the central theme Ways of Caring, the 2022 State of Fashion Biennale set out to discover ways to make the fashion industry more sustainable and caring. Participants were chosen from an open call, and over five weeks, more than 70 designers, artists and makers from all over the world, and the public bubbled with ideas on how to repair “the broken relationship between the production of fashion and the wearer”.Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

Complete this sentence: The future of fashion will be…Welcome to Series 10 of Wardrobe Crisis! We're kicking off with a conversation about the future of fashion, recorded live earlier this year when Wear Next came out in the UK.Clare is in conversation Tamara Cincik, Professor of Fashion & Sustainability at Bath Spa University, at the first ever event of the UK's new National Centre for Sustainable Fashion, which is based there. A robust discussion beginning with regenerative fashion, and swooping energetically through slowing down fast fashion and what's the point of fashion week to fibre sovereignty, the creative wellbeing economy, fashion burnout and mental health. We also talk about representation and inclusion, and ask: who gets to make the policy decisions that shape fashion's future?P.S. Intrigued by Clare's reference to the State of Fashion Biennale in Arnhem? Tune in next week for more.Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating / reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

What does it take to make it as an independent, small, local ethical business in a global world that favours big brands? How can we work together to ensure that our local businesses and creatives are literally sustainable - in that they thrive and stick around, and continue to give us the awesomeness that, at times, we maybe take for granted? It's not just fashion this applies to, but all the beautiful, unique, heartfelt local businesses that make our neighbourhoods sing - the cafes and family-owned restaurants, the fruiters, newsagents, hairdressers and book stores. Don't forget the circular services (like the one we featured last week - Clare's local cobbler, Roger Shoe Repairs). In the interview hot seat are Rowena and Angela Foong - two of the three sisters behind an ethically-driven, family fashion business called High Tea With Mrs Woo, based in Newcastle, Australia - which just so happens to be the world's biggest coal port BTW (listen out for a super interesting discussion on how being amongst all that fosters a special kind of community action around building alternatives). Mrs Woo (for short) is a studio of many things - natural fibre fabrics, unique designs, and the craft of pattern-making and sewing in house, but also mending workshops, community activations and collaborations with innovative textile upcyclers. As they say, you need to wear many hats to make it these days, but that's also part of the joy. Not that it's easy. In this frank interview the sisters' share their challenges and strategies - which include "co-retailing" - fun! Practical! To all those struggling with crazy rents, listen up. This episode is a love letter to all the small sustainable businesses out there.We appreciate you! But it's also a provocation to customers: if you value this stuff, you need to support it - otherwise one day you might turn around and find it gone.Thank you so much to everyone who has contributed to the crowdfunder for my documentary about trees. You are the best, and I very grateful.If you haven't heard about this, or seen the crowdfunder, I'd really love your help. Discover here. Hosted on Acast. See acast.com/privacy for more information.

Forget brands for a minute, the real circular fashion economy is the repair shop on your high street…Do you have a fab local cobbler or clothing alterations service? This episode is a reminder to thank them for being here and fixing our stuff.They are cornerstones of the circular fashion economy, and not some distant future dream - they're already here, and in many cases have been for decades. Honing skills that simply can't be learned overnight. They're the best! Here's to them! Keep giving them your business, and make sure you tell them you appreciate them. Everyone loves to be appreciated.My local cobbler, Roger of the (locally) famed Roger Shoe Repairs is gold. And this classic Roger conversation is a treat. That's all. Enjoy!Clare xP.S. Here are the links to the crowdfunder for my documentary, Urban Forest.Your support is much appreciated.https://www.pozible.com/project/urban-forest-a-documentaryGot something to tell me? Find me on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

Bobby Kolade is the designer behind Ugandan fashion label Buzigahill - which puts the politics of upcycling and waste colonialism at its core with the brilliant, provocative concept: Return to Sender.Buzigahill's collections are made from items of secondhand clothing donated in the global north, and increasingly being dumped on the global south in unsustainable numbers. Why “return to sender”? Because much of Buzigahill's clientele is in Europe and North America.Like Kantamanto in Accra, Ghana; Owino Market in Kampala receives huge numbers of bales of second-hand clothing every week, from countries in Europe, from the US and Canada. As a result, in 2023 second-hand accounted for 80% of all domestic clothing sales in Uganda.But how much is too much? Who is monitoring for quality and consistency? Are we right to keep talking about "donations" in the context of this undeniably big business? As Bobby says, it's not charity - it's a trade, and too often an unequal one with many impacts on local economies as well as the environment when it becomes textile waste. So surely it's good, right, when a receiving country finally says: "No more! We don't want your cast-offs." Or is it? As usual, there's no simple answer...This enthralling conversation was recorded before Uganda's government announced a ban on second-hand clothing towards the end of last year. A situation that continues to evolve.Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

What do your clothes say about you? Dear listener, I bet you've thought about this before. Fashion is a language in itself. But, what about the language we use to describe - and by extension to include, or to exclude - the people who wear it? Or don't get to wear it? The people we're marketing it to, or employing.Fashion communication isn't just about the clothes. It's about how we talk to each other.Meet Lou Croff Blake, a Berlin-based non-binary fashion practitioner, scholar, artist and community organiser. Their work merges queer theory with community-building, advocating for intersectional equity and amplifying the visibility of marginalised genders. Which sounds like a of words! Because it is. Carefully considered words chosen to challenge the dominant narrative.Open to learn? Join us on a deep dive on DIEB - diversity, inclusion, equity and belonging - as we consider the existential question: do we really want to build a more ethical fashion industry? If so, doesn't that have to be one where everyone can feel a true sense of belonging? Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

Can fashion lift its inclusivity game? When 28-year-old British model Junior Bishop - who just so happens to be a wheelchair user - spoke at the Houses of Parliament recently, she called on the fashion industry to do more to tackle its disability access issues. Levelling the playing field is integral to the wellbeing economy - what's the point of only some of us get to have our wellbeing considered?“When looking at fashion and media today,” said Junior, diversity and representation are gradually improving. That's important. “We hope to simply see people who look like us - our ‘imperfections', our ‘flaws', the little things that make us who we are.” Also, purely from the economic rationale, how do brands expect to sell to people who don't see themselves in campaigns?As Junior acknowledged: “The excitement of being able to see someone who is a wheelchair user, a cane user despite their age, has a limb difference, has Down syndrome, has albinism, the list goes on… Having those with disabilities or their family members tearfully say ‘I didn't know people like us could do that kind of thing'; that is why this movement needs to continue to grow." Representation is an important first step, but we can't stop there.This inspiring conversation, packed with practical advice and emotional intelligence, comes with a call to action: want to do better on this stuff? Ask disabled people what they need!Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.