Podcasts about radio film school

In the season finale of "Crossing the 180," Ron brings out of "mothballs," clips for his previous critically acclaimed podcast, "Radio Film School." In these clips, Ron speaks with seasoned film and Television producer Yolanda T. Cochran as well as "The Other 50%: Herstory" podcast host and Hollywood veteran, Julie Harris Walker. You'll also hear soundbites from other luminaries in the worlds of Hollywood and tech. Altogether, this is a funny, provocative, and inspiring look at addressing the issue of gender disparity in Hollywood. -Yolanda on Twitter -Ron on Twitter Crossing the 180 theme music "Gettin' Paid, Part II" and end-credits music "I Don't Think," both by Alec's Band (CC BY) and curated from FreeMusicArchive.org. Enjoying the podcast? Make sure to leave us a review on your podcast platform of choice! The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artofthecut/support

On the heels of all the exciting Star Wars news in the world (e.g. the release of "Obi Wan Kenobi" and the Star Wars Celebration), we're pulling out of mothballs one of the early podcast episodes created by Ron, JD, and Yolanda. Part of Ron's old "Radio Film School" show, this episode is a fun discussion about the women characters in the Star Wars universe. (This originally aired in December 2016, right after "Rogue One" premiered. But it still holds up today.") The next regular episode will be a look at season 3 of Atlanta. You won't want to miss it. Until then, enjoy this bonus. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is it like working with your spouse? Why is it important to create art that is unique to you? What is the future of Radio Film School? Tune in to find out."If we make what we know to be true for ourselves, that edge gives it an individuality that can't be found anywhere else." ~ Kelly Clark, ArtistIt has been quite a while since we've had a new episode of the show. A lot has been going on with me. New job (blog editor for Frame.io), moving out of my house, and becoming a nomad. But for this season finale, we have something that'll make you laugh and cry. And isn't that what makes a Radio Film School episode special?Video Mentioned in This EpisodeThe profile film for Kelly Clark.Music in this EpisodeMusic was curated from FreeMusicArchive.org . In order of appearance, the music in this episode was:Laserdisc by Chris Zabriskie (CC BY)Little Lily Swing by Tri-Tachyon (CC BY)Daylight PON II by Kai-Engel (CC BY)Endless Story about Sun and Moon by Kai-Engel (CC BY-SA-NC)Getting Paid Part II by Alec's Band (CC BY)Click here to learn about Creative Commons licenses and meanings.Save Big on Your Next GigIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

A popular reward level for crowdfunded films is a credit in the movie. Apparently, this is a bigger deal than I originally thought. Today we find out why.In this episode of our "Making a Documentary" mini-series of Radio Film School, friend of the show Yolanda T. Cochran (with her husband JD offering his usual comic relief) gives us some detailed information on film and television credits. If you have thought about giving away a movie credit on your crowdfunded film for anything less than at LEAST $100 (or more), you need to listen to this episode. Or, if you're curious about union regulations regarding credits, or just the logistics that go into making credits, then stick around. It's actually pretty fascinating.The Role of "Producer"Ever wonder what all those different "producers" you see in movie credits actually do? The second half of this episode is a replay of a "Short Ends" segment from last year wherein Yolanda tells us. Get the 411 on executive producers, co-producers, producers, line producers, etc.Music in this EpisodeMusic was curated from Kevin MacLeod's Incompetch.com and FreeMusicArchive.org. In order of appearance, the music in this episode was:Please Listen Carefully by Jahzzar (CC BY-SA)Boulevard St. Germain by Jahzzar (CC BY-SA)Fire Ahead by Jahzzar (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.Save Big on Your Next GigIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

How long will change take? Should we all just settle in and "wait for a new generation"?Rahm Emmanuel, former White House Chief of Staff, Mayor of Chicago and brother of Ari Emmanual of WME was once quoted in the New York Times saying, "We can't kick the can down the road because we've run out of road." In today's episode, miniseries co-producer and a recurring guest on the show, Yolanda T. Cochran takes the reigns again to ponder what we should realistically expect by way of change in gender parity and politics.Fellow podcaster, Julie Harris Walker (of "the other 50%" - a Herstory of Hollywood and Herstory of Tech) joins us in the early days of her podcast to share thoughts on: what she's learned from talking to women executives in the business, where the women's movement may have had some shortcomings, and what the outlook of change is looking like.Likewise, Courtney Daniels, actress, producer and founder of Busted Buggy Entertainment gives some input on whether a "united front" from women is either viable or effective for women in high places in the biz.And finally, an excerpt from Ryan Murphy's acceptance speech for The Hollywood Reporter's inaugural Equity in Entertainment award makes a case for the argument that patience may not be a virtue.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.Support Our Sponsors and You Support the ShowSong Freedom: when you need high-quality music for your productions, including mainstream music as well as “oldies but goodies”. Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Little Wooden Churchby The Trumpeteers (CC BY)Night on the Docksby Kevin MacLeod (CC BY)Explodeby Kellee Maize (CC BY)Pigalleby Jahzzar (CC BY-SA)Julyby Kai Engel (CC BY)Sunsetby Kai Engel (CC BY)Takeoverby Kellee Maize (CC BY)

The #1 question I've had about the ridiculous Pepsi ad from a month ago is "How?" How did so many smart people in a room get this so wrong? I think today's episode of Radio Film School has some potential answers.I wanted to talk to some professionals who could give us informed and experienced insight into this debacle and PR mess. So I got on the line with Blake Howard, Creative Director of Matchsic, a brand consulting and design firm who has done work for companies like Coke and other national brands; and Chris Chan, the resident visual anthropologist at the viral video factory and social experiment production company Cut. They provide some new perspective on a topic that admittedly has been discussed ad nauseam. But I'm confident you'll dig this one!Music in this EpisodeMusic was curated from Kevin MacLeod's Incompetch.com and FreeMusicArchive.org. In order of appearance, the music in this episode was:“Overcast” by Kevin MacLeod (CC BY)“Lucid Streaming” by Graham Bole (CC BY)“Kool Kats” by Kevin MacLeod (CC BY)“Daybreak” by Kevin MacLeod (CC BY)“Lobby Time” by Kevin MacLeod (CC BY)Click here to learn about Creative Commons licenses and meanings.SAVE BIG ON YOUR NEXT GIGIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

"For sale. Baby shoes. Never worn." These are the words from Ernest Hemingway's famous 6-word short story. And they're the impetus for today's guest-produced and highly anticipated episode."We only give each other the top layers, the top; we dont give each other what lies beneath." ~ Kassim Harris, Director of It Eats You UpRobert Hardy is a filmmaker and writer who used to write for the popular filmmaking website No Film School. Robert has since left the behemoth site to start his own filmmaker resource for inspiration, Filmmakers Process. I love what Robert is doing with his site. It's very much in line with the spirit and goals of Radio Film School--helping filmmakers become better artists by connecting with what it means to be an artist. As I read the articles on his site, I knew I wanted him to adapt one as a segment for the podcast. That's what you're going to hear on today's episode.Robert connects with director, cinematographer, colorist and 16mm film fanatic Kassim Norris. His award-winning short film "It Eats You Up" is an excellent example of what Robert calls Iceberg Storytelling. You will be immensely inspired.Music in this EpisodeMusic was curated from FreeMusicArchive.org and Art-List.io (where noted). In order of appearance, the music in this episode was:Please Listen Carefully by Jahzzar (CC BY-SA)Universe is Calling by Lee Rosevere (CC BY)Behind the Clouds by Fog courtesy of Art-List.io (all rights reserved)Division by Ocean courtesy of Art-List.io (all rights reserved)Born Twice by Mark Tracy courtesy of Art-List.io (all rights reserved) Fire Ahead by Jahzzar (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.SAVE BIG ON YOUR NEXT GIGIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."Kassim's film "It Eats You Up".

Find the original post at: podcast.studiosherpas.com “You get to a point where there’s always going to be something that could hold you back, and you have to decide, ‘Ok, at which point am I not going to let that something be a hindrance to me starting to check things off of that bucket list that so many people have but they never actually get through.” [33:57] I’ve been a friend and admirer of Ron Dawson for over a decade now, and he seems to have a way of making everything he touches turn to gold. Ron is currently the host of Radio Film School, a podcast that many call “This American Life for filmmakers”. Before RFS though, Ron had started 2 more uber-popular podcasts geared towards the film and photography industry. Ron is now in the process of filming his first feature documentary, as well as transitioning his business and family into becoming global digital nomads. As with all successful people, Ron’s story has not been without struggle. In this episode, he shares how some of the hard times have inspired his life and business and forced him to focus only on the most high-value pursuits.

Is the EEOC's investigation into Hollywood's hiring practices of women valid? Are women really not treated equitably in Hollywood. According to Scott Baio, the answer is a resounding "No!"From teen heart-throb to conservative political activist, Scott Baio has some provocative political ideologies that is fair to say isn't the common mindset in what has traditionally been a very liberally-minded, Democrat-populated town. From speaking at the Republic National Convention to appearing on the conservative Fox News program The Five to decry the government's investigation into hiring practices, Mr. Baio is unafraid and unashamed to make his thoughts and politics known. Good for him! I mean that. I totally disagree with his opinion on the matter, but I do commend his fortitude to speak up for what he believes in a town where he has to know it will be met with criticism.Well, it was the appearance on the aforementioned Fox News program that prompted today's episode of our miniseries "Breaking the Glass." I had miniseries co-producer and recurring guest on the show, Yolanda Cochran, listen to the entire segment. We then hopped on Skype to have a conversation about it. She gives some valuable insight into the business from the perspective of a person who has worked in the business for over 20 years (more than half of that time in some kind of producing role).In the last part of the show today, guest podcast producer Stefanie Malone (Emmy award-winning documentary producer and Executive Director of the National Film Festival for Talented Youth) arranges a conversation with director Jen McGowan. Jen's first feature film, "Kelly and Cal", starred Juliet Lewis and won the Gamechanger Director Award at the 2014 SXSW Film Festival. Jen is also the creator of Filmpowered.com, a site for connecting with and hiring female filmmakers. Jen gives a look at the situation from the point of view of a person currently in the system trying to get the next job, just like every other hard-working director, man or woman. Her thoughts about why we should have diversity in hiring practices are inspiring.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.Support Our Sponsors and You Support the ShowSong Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Mothership by Kellee Maize (CC BY)Explode by Kellee Maize (CC BY)It Looks Like The Future, But It Feels Like The Past by Doctor Turtle (CC BY)Takeover by Kellee Maize (CC BY)

In keeping with our Star Wars theme this week, today we discuss their strong female characters and how well the series passes the Bechdel Test.The latest two entries into the Star Wars universe have had strong female leads at the center. Show regulars JD and Yolanda T. Cochran join me today in this special episode to discuss that role that strong women have played in the various franchise installments.We also get into how many of the films pass the Bechdel Test. The test sets up three simple parameters for a movie: 1) you have two or more female characters, 2) they talk to one another, and 3) they talk about something other than a man. Is the test a valid one for determining a film's gender diversity? About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.Support Our Sponsors and You Support the ShowSong Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was actually curated from Kevin MacLeod's Incompetech.com. "Rynos Theme" (CC BY).

Last month I had a great conversation with 30+ year editing and producing veteran Chris Fenwick about what it takes to make it in this business. He used the analogy of "standing on a chair" to make a point. In the context of that conversation was his commentary about a female assistant editor in Hollywood who as featured in the second installment of our Breaking the Glass docu-film series. The editor, Christine Haslett, shared frustrations about not advancing as far as she would've liked in her field. JD heard Chris' commentary on her situation and felt in the context of Christine, the "stand on a chair" analogy was not only way off the mark, but he felt it also sabotaged the very message "Breaking the Glass" series is trying to convey. As he put it, "He wanted to knock the guy over who was standing in the chair" (albeit, the way he described it was a tad more, um, colorful. :)This is an episode that will make you laugh and/or get pissed (I'm sure you'll get mad at somebody in this episode). But most of all, I hope it makes you think.Here's the first episode of FCPX Grill after its 14-month hiatus.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.VideosHere's the BTG film episode referenced in this episode.Here's Dane Sanders' keynote address at Engage15 that is referenced (the inspiration for Chris' "Stand on a Chair" metaphor).When you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to these companies who are helping to spread the word to achieve gender equality in the biz:MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Discovery by Zachary Nelson (courtesy of Song Freedom, all rights reserved).Let's Start at the Beginningby Lee Rosevere (cc by)Night Movesby Cosmic Analog Ensemble (cc by)Astronauts On Earthby Cosmic Analog Ensemble (cc by)Montmartre by Jahzzar (CC BY-SA)Direct to Video by Chris Zabriskie (CC BY)Preachin' Dem Bluesby The Good Lawdz (cc by-sa)Musical Mathematicsby Lee Rosevere (cc by)Click here to learn about Creative Commons licenses and meanings.

Radio Film School show regular and Breaking the Glass co-producer Yolanda T. Cochran has a special episode created for you today. It's a message of what it means to be a woman pursuing power and influence in today's culture. It's centered around the events of the 2016 presidential election, but it holds value and meaning for women (and men frankly) in the film and television business, and in all walks of life.Then afterward, I give my own post-election commentary and epilogue specifically aimed at my friends and colleagues in the creative arts industry. About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.VideosWe All Belong HereChisolm '72: Unbought and UnbossedOther ResourcesAmerica Loves Women Like Hillary Clinton...As Long as They're Not Asking for a Promotion (Quartz Article)MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:It's Always Too Late to Star Over by Chris Zabriskie Montmarte by Jahzzar (CC BY-SA)Another Version of You by Chris Zabriskie (CC BY)I Am the Man Who Will Fight for Your Honor (CC BY)Rewound by Chris Zabriskie (CC BY)That Kid In the Fourth Grade Who Really Liked the Denver Broncos by Chris Zabriskie (CC BY)I Can't Imagine Where I'd Be Without You by Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

An excerpt from our new podcast about HBO's "Westworld" and a discussion about Spike Lee's "Do the Right Thing" set the stage for an insightful discussion about how an audience responds to your film.A few weeks ago JD, Yolanda and I apparently felt like we didn't have enough time arguing and debating with each other on "Radio Film School", so we decided to take our passionate debates to a new "frontier"—HBO's "Westworld." Our new podcast "Wrestling with Westworld" is a weekly fun, funny, and engaging discussion about the new hit show. On the very first episode, we had a great conversation about audience reception and a filmmaker's ability to effectively and accurately convey their message to the audience. I felt it would be very informative to share with my RFS audience.As a follow up to the "Westworld" convo, I share a discussion that JD and I originally had last year about "Do the Right Thing". In it we address Spike Lee's comments that he believes the Danny Aiello character, Sal, is a racist, whereas both JD and I don't necessarily think he is. As the writer/director, did Spike do a good job of communicating to the audience that Sal is indeed a racist? That's what we explore. Special "guest star" appearance by filmmaker Ryan Booth. Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Fire Aheadby Jahzzar (CC B-SA)Black Lungby Broke for Free (CC BY)Night Owl by Brokefor Free (CC BY)Old Western Firefightby Cullah (CC BY-SA)Western Firefight 2by Cullah (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

On last week's season 2 premiere of Radio Film School, 30+ year editing and producing veteran Chris Fenwick provided some great perspective. But during my conversation with him, we talked about a number of things. One of them was his comment made about the second installment of our "Breaking the Glass" docu-film series wherein animation editor Christine Haslett shared frustrations about not advancing as far as she would've liked in her field. Chris' commentary on her situation is the impetus for today's discussion.After the credits, there's a fun preview of our brand new podcast about HBO's hit new series "Westworld." I like to refer to it as "The Westworld podcast Samuel L. Jackson would love!" You can subscribe to the new show in iTunes. Find it online at daredreamer.fm/westworldpod.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.VideosHere's the BTG film episode referenced in this episodeHere's Dane Sanders' keynote address at Engage15 that is referencedSponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks Wipster for helping to spread the word to achieve gender equality in the biz.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Gettin' Paid, Pt. IIby Alec's Band (CC BY)The Journeyby Marcos H. Bolanos (CC BY-SA)Out of the Skies, Under the Earthby Chris Zabriskie (CC BY)The InsiderTheme by The Insider (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.

Today we have the season 2 premiere of Radio Film School and we look at four essential characteristics to have fulfilling longevity in any artistic endeavor.Season 1 of the show explored the theme of "finding your voice and developing a signature style." In season 2, the central theme will be "pursuing your passion" To kick the season off, we're going to look at 4 characteristics that are essential for filmmakers (or any artist) to go the distance. And in the process of looking at those characteristics, boy, do we have a show for you. Everything that makes a Radio Film School episode special—funny anecdotes, silly stories, sound design, a great soundtrack, pop culture movie references, and engaging, enlighting, and insightful interviews with amazing and eloquent filmmakers and artists.Be sure to listen past the credits to get a sneak peek at season 2 and some of the cool projects we have lined up. Sign up for our email list to get access to the special resources mentioned in the episode.Who You HeardIn this episode, we hear from:Talicia Raggs, producers/writer on CW's The OriginalsYolanda T. Cochran, former EVP of Physical Production at Alcon EntertainmentChris Fenwick, veteran editor and producerJeff Cannata, co-host of the SlashfilmcastCosmos Kiindarius, award-winning directorJenna Edwards, film and media producer dedicated to helping filmmakers tell their storiesRana Campbell, host of the Dreams in Drive podcast (you can catch my episode of her show here.)Courtney Daniels of Busted Buggy EntertainmentPatrick Moreau, managing partner of Muse Storytelling and The Better Human ProjectAmina Moreau, managing partner of StillmotionTell Us Your StoryWe want to hear the story of your first movie memory. Email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Fire Aheadby Jahzzar (cc by-sa)Boulevard St Germainby Jahzzar (cc by-sa)Young Adult Frictionby Alec's Band by Alec’s Band (cc by)Release (Instrumental)by Josh Woodward (cc by)Voyage I - Waterfallby The Kyoto Connection (cc by-sa)Warm of Mechanical Heartby Kai Engel (cc by)Walking Barefoot on Grass (Bonus) by Kai Engel(cc by)Show Me (Instrumental)by Josh Woodward (cc by)What Does Anybody Know About Anythingby Chris Zabriskie (cc by)Words Fall Apart (Instrumental)by Josh Woodward (cc by)lost love lettersby Fog Lake (cc by)The Summer Is Goneby Mike B. Fort (cc by)Click here to learn about Creative Commons licenses and meanings.

Perhaps one of the reasons the gender inequality issue in the entertainment business is so pervasive is how we men interact with one another.Sexual harassment is no joking matter, and the topic has become a focus in the entertainment biz with the recent resignation of Fox News president Roger Ailes after allegations by popular Fox anchors like Megyn Kelly and Gretchen Carlson of sexual harassment and inappropriate conduct . In today's episode, miniseries co-producer Yolanda T. Cochran is back with her business partner Christina Kremer to discuss an issue related to this topic that may literally frighten you.We also get some funny yet pointed perspective from my friend and Being Boss podcast co-host Kathleen Shannon of Braid Creative.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.The Docu-Series is Now LiveThe first installment of the short film docu-seires is now live. Check it out!SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to these companies who are helping to spread the word to achieve gender equality in the biz:MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:TRAVEL LIGHTby Jason Shaw (CC BY)Seven Notes in Black 3 - Albionby Ian Alex Mac (CC BY)NICE AND EASYby Jason Shaw (CC BY)Insomnia (Instrumental)by Josh Woodward (CC BY)I Got One Thing by Cullah (CC BY-SA)Referent Powerby Cullah (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.Videos MentionedThat Apple Recruitment VideoThe Fortune Magazine Video Report

This week we have a teeny peek at what's ahead in season 2 of Radio Film School, then revisit one of my favorite episodes from season 1.As we count down to the official premiere of season 2 of Radio Film School on Tuesday, October 11, I want to take take a stroll down memory lane and revisit our podcast collaboration with the Circa podcast -- "A Brief History of Cinema." But before that, there's a brief rundown of what you can expect in the upcoming season: new segments, new producers, new theme, and of course, our ongoing miniseries about gender, race, and making it in the biz, "Breaking the Glass."About the RewindToday’s rewind delves into the rich beginnings of cinema (starting with Thomas Edison and the Lumiere Bros) then takes us through the advent of television, and finally ends up at the smart phone. Zac’s storytelling style is immersive and engaging. You’ll immediately know why I chose Circa as a collaboration partner on this episode.After the credits there is one of the funniest bonus segments we’ve had. So be sure to stick around for that too. Music in this EpisodePlease Listen Carefully by Jahzzar (CC BY-SA)Yes Ma'am by Cullah (CC BY-SA) Brooks by Kai Engel (CC BY) Pigalle by Jahzzar (CC BY-SA) Sunset by Kai Engel (CC BY)Alfama by Jahzzar (CC BY-SA)Porch Blues by Kevin MacLeod (CC BY)Click here to learn about Creative Commons licenses and meanings.

One of the goals that Yolanda and I have for this special series is finding concrete solutions to the whole gender inequality issue in the entertainment business. One solution that is often bandied about (and in fact was an impetus for this mini-series) is for women to adopt more of the headstrong, confident, dare I say, "aggressive" tendencies of their male counterparts. But in this special bonus episode, Yolanda shares a heartfelt and personal sentiment that makes her want to call bullsh*t on that notion. It's a short episode, so I really encourage you to take the ten minutes or so and hear what she has to say. We'd love to hear YOUR story as it relates to what Yolanda shares. Feel free to do so anonymously if you so desire. You can email us your story to radiofilmschool@daredreamer.fm. Or, if you're so inclined, send a voice memo to that email address, or leave a voicemail at the bottom of any page on daredreamer.fm. Your story just might be what some woman out there needs to hear right now to change their whole life.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to Wipster for helping to spread the word to achieve gender equality in the biz:MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Another Version of You by Chris Zabriskie (CC BY)Undercover Vampire Policemanby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

A lack of or poor communication is often at the heart of conflict. Today we explore how this has a profound effect on gender inequality in business.If you ever need a great movie or television scene to creatively illustrate a life lesson, you need look no further than Star Trek. You read that right. Star Trek. Everything you ever need to know about life, love, friendship, family, politics, whatever, can be learned from the annals of the various starships Enterprise and their respective ongoing missions. And today, I use an episode from Star Trek TNG as a metaphor for this issue of communication between men and women and the role it plays in gender inequality.Radio Film School regular and Breaking the Glass co-producer Yolanda Cochran takes the helm of the discussion and as a segment producer engages in a conversation with her business partner Christina Kremer. A conversation that will give you an important perspective. About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Be Notified When Film Series StartsThe film series portion of Breaking the Glass will begin next week. Subscribe to our email list to be notified of when it drops!Only a Few Days LeftWe want to include your talent in the short film docu-series. Each winning entry will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to Wipster for helping to spread the word to achieve gender equality in the biz.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:God Be With You Till We Meet Againby Chris Zabriskie (CC BY)Village Dreamingby Visager (CC BY)But Enough About Me, Bill Paxtonby Chris Zabriskie (CC BY)I Want to Fall in Love on Snapchatby Chris Zabriskie (CC BY)Outro - Totally Here and Nowby Kyoto Connection (CC BY-SA)Undercover Vampire Policemanby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

Today on our biweekly miniseries addressing gender inequality in the business, we discuss perhaps the most pervasive and insidious issue holding women back.Earlier in season 1 of the podcast, during our first "Women in Film" series, we had an episode that set the show on a path to have what would becomeEarlier in season 1 of the podcast, during our first "Women in Film" series, we had an episode that set the show on a path to have what would become Breaking the Glass. In that episode, there was one particular topic discussed that affects women from as high up as the ivory towers of studio executive offices, to the trenches of post production houses: self-confidence and the "imposter syndrome." In this episode we'll hear from:Elaine McMillion Sheldon, director of Hollow and co-host of the She Does Podcast.Julie Harris Walker, host and producer of the podcast "The Other Fifty Percent: A Herstory of Hollywood"Breaking the Glass panel participant Nichelle Protho, VP of Sander-Moses and COO of Slam DigitalShow regular Yolanda Cochran (Producer) and Christina Kremer (post-production supervisor)Amina Moreau, executive creative director of StillmotionKathleen Shannon, owner of Braid Creative and co-host of the Being Boss podcastAbout the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Podcasts & Videos MentionedSheryl Sandberg on the TED Radio HourTHR Roundtable with Studio ExecutivesThe Frame Interview with Natalie PortmanDeadline Extended for Female Filmmaker Video Vignette ChallengeWe want to include your talent in the short film docu-series. Each winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to these companies who are helping to spread the word to achieve gender equality in the biz:WipsterMusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were: There's a Special Place for Some People by Chris Zabriskie (CC BY) It's Always Too Late to Start Over by Chris Zabriskie (CC BY) Divider by Chris Zabriskie (CC BY) Please Listen Carefully by Jahzzar (CC BY-SA) Phase IV by lo-fi is sci-fi (CC BY) They're Coming by Elysian Bailey (CC BY) Casa Bossa Nova by Kevin Macleod at Incompetech.com (CC BY)Click here to learn about Creative Commons licenses and meanings.

Today I bring you a special announcement about the history, and more importantly, the future of the show.September 1, 2016, marks the 1-year anniversary of Radio Film School's official premiere. It's been quite a year. Since launching, we've been #1 in our podcast category on iTunes, have been on iTunes New and Noteworthy (we still frequently make it into the top 50), named by No Film School as "the filmmaker's podcast we've all been waiting for", and this summer, Cinema5D named us one of the top 5 filmmaking podcasts to binge listen during the summer. As we approach the beginning of season 2, I want to share some thoughts I have about what we've been able to accomplish, where we're going, and other important changes you'll want to know about if you're a fan. In This EpisodeWe hear from...Dave Shulman (executive director of the Seattle Film Institute) from the “A Brief History of Cinema” episodeAlex Ferrari (host of Indie Film Hustle podcast) from the “Tarantino the Provocateur”Alex Vo (SF Bay Area filmmaker) from “Of Fathers and Filmmaking”Video essayist Adam Westbrook of Delve.tvZac Lovelace (Circa Podcast) from“A Brief History of Cinema”Patrick Moreau, head of Muse StorytellingAmina Moreau, executive creative director of StillmotionMusic in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Sunset by Kai Engel (CC BY)Beyond Something Beautiful by Scott Holmes (CC BY)Cylinder Six by Chris Zabriskie (CC BY)Man with a Golden Soul by MC Cullah (CC BY-SA)God's Will by lo-fi is sci-fi (CC BY)Hanami by Fabian Measures (CC BY)The Sun Is Scheduled to Come Out Tomorrow by Chris Zabriskie (CC BY)Yes Ma’am by Cullah (CC BY-SA) Back To Buxton by Alec's Band (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

A key ingredient to solving the issue of gender inequality in this, or any industry, is for those in the positions of power to listen empathetically. But that's not always the case.Before any kind of real change can occur, the side of the "table" that has the power and influence, has to be able to really hear and listen to what the demarginalized side is saying. But societal norms and prejudices often tend to get in the way. And when it comes to issues of gender inequality, the natural tendencies of us men can also get in the way. Specifically, our penchant to not always be great listeners. Today on the show we hear fromBefore any kind of real change can occur, the side of the "table" that has the power and influence, has to be able to really hear and listen to what the demarginalized side is saying. But societal norms and prejudices often tend to get in the way. And when it comes to issues of gender inequality, the natural tendencies of us men can also get in the way. Specifically, our penchant to not always be great listeners. Today on the show we hear from address that issue. We'll hear from:Salima Koroma, director of the hip-hop documentary "Bad Rap".Julie Harris Walker, host and producer of the podcast "The Other Fifty Percent: A Herstory of Hollywood".Breaking the Glass panel participants Dayna North (writer and co-executive producer of HBO's Insecure).And we revisit part of my discussion with show regular Yolanda Cochran from the infamous "think like a man" episode.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Deadline Extended for Female Filmmaker Video Vignette ChallengeWe want to include your talent in the short film docu-series. Each winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.Videos MentionedVisit the blog post for this episode to see the videos mentioned:It's Not About the NailThe White Privilege Facebook video postMusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:As I Figureby Kevin MacLeod (CC BY)Words Fall Apart (Instrumental)by Josh Woodward (CC BY)Where it goesby Jahzzar (CC BY-SA)Chunk of Lawnby Jahzzar (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.

In this episode I cover: 1) The return of Rocko's Modern Life and how I met the B-52's while working as a camera operator intern at a local Atlanta TV station. 2) Canon EOS 5D Mark IV rumors are heating up. I talk about the latest information from CanonRumors.com. It looks like the 5D Mark IV will support 4K video, but it does not come with a CFAST card slot. In a few days - perhaps as early as August 25, 2016 - we likely all will have the facts, but will it make a difference? 3) There's a free sound library available that may be of interest to digital media creatives. It's a royalty free library from Red Sky Lullaby. 4) If you are a Final Cut Pro X user, I tell you how you can win a free pass for the 2016 FCPX Creative Summit. And I also tell you about an awesome FCP X resource: fcp.co. 5) Kris Simmons - The Video Business Success Coach - returns to motivate you to put your biz into high gear. Ron Dawson of Radio Film School left us a voice mail with a great question about a topic we did not address in our series “Am I getting paid enough?” Stay tune to hear Ron’s question and Kris Simmons answer to it. Mentioned in the podcast: CrumplePop's website: http://crumplepop.com CrumplePop AudioDenoise: http://www.crumplepop.com/fcpx-premiere-plugin-audio-denoise/ CrumplePop EchoRemover: http://www.crumplepop.com/fcpx-premiere-audio-plugin-echoremover/ The return of Rocko's Modern Life: http://www.theverge.com/2016/8/11/12445758/rockos-modern-life-nickelodeon-one-hour-special-announcement New Canon EOS 5D Mark IV spec rumors: http://www.canonrumors.com/canon-eos-5d-mark-iv-specifications-and-image/ Verify on-demand-insurance for drone pilots: http://verifly.com Radiophonic Atmospheres FREE Sample Pack from Red Sky Lullaby: http://99sounds.org/radiophonic-atmospheres/ Make a donation to support the Digital Convergence Podcast: http://creativemethod.tv/donate Send email or leave voice mail feedback: http://creativemethod.tv/contact/ Carl Olson on Twitter: https://twitter.com/TheCarlOlson CreativeMethod.TV on Instagram: https://www.instagram.com/creativemethod.tv/ CreativeMethod on Facebook: https://www.facebook.com/creativemethodtv/ CreativeMethod website: http://creativemethod.tv

Today is the first official episode of the Radio Film School mini-series, and Ron addresses the elephant in the room.It's great that Ron wants this podcast series to make a difference in the industry; but is he really the best person for the job? He has a discussion with JD and Yolanda that you might not expect. We also here from 1st AC Austin Lewis giving his input on what men can do to help bridge the gap of gender inequality in the business. And Stefanie Malone, Executive Director of the National Film Festival for Talented Youth (NFFTY) comes on board as a new podcast producer. She provides an eye-opening insight about Affirmative Action you might not have ever heard.About the ShowBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Calling All Female FilmmakersWe want to include your talent in the short film docu-series. Each winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.

A new Radio Film School podcast mini-series that takes the first season's "Women in Film" series to a "whole 'nuther level!"What began as a simple suggestion by show regular Yolanda T. Cochran, grew to become both a podcast and a short film documentary series starring an impressive line-up of women in the film and television industry.This preview will sample what you will hear and see.Go to daredreamer.fm/breaking-the-glass to watch the film series trailer and learn about the female filmmaker video vignette submission guidelines and challenge.SPONSORSWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Out of the Skies, Under the Earthby Chris Zabriskie (CC BY)Comfort to Youby Cullah (CC BY-SA) Aislingby Cullah (CC BY-SA)Insomnia (Instrumental)by Josh Woodward (CC BY)Yes Ma’amby Cullah (CC BY-SA)Brooksby Kai Engel (CC BY)

Today we introduce an official new segment on Radio Film School..."RAW": Radio Film School interviews uncut, unfiltered and unbelievable. Today we have my uncut interview with Philip Bloom.There's a reason I like to call this show the "This American Life" for filmmakers. Our main episodes are craftily edited audio documentaries where I pull soundbites from disparate interviews to fit any particular episode. But many of my raw interviews with guests are so chock full of wonderful insights, seems like a shame not to share the whole thing. Sometimes I'll post them as exclusive bonuses for Premium Members. But many will be shared for the whole world to hear. And that's what we're doing today as we launch an official new segment of the show wherein I share full, uncut guest interviews.Today we have world renowned DP and director Philip Bloom, and we cover a gamut of topics like:His take on the "style" questionHow he got his startWhy he calls himself a “filmmaker”Why he does his reviews the way he doesHow he deals with online criticismThe biggest misconception people have about himAnd the proverbial "much, much, more!"Excerpts of this interview were used in RFS episodes "What the Hell Are You", "Plan E from Outerspace" and this week's "One Man Bands."Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Boulevard St. Germain by Jahzzar (CC BY-SA)Gettin' Paid Part II by Alec's Band (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Check These Videos OutVisit the blog post to see Phil's Blackmagic Design 4K Ursa review and his NAB2016 post mortem Vlog.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

In this week's episode of Radio Film School, we explore valuable filmmaking lessons learned the hard way.Have you ever had a vision for a film that you were so adamant about achieving, with an Ahab-like stubbornness you made creative decisions that you regretted later? Perhaps it's just me. Five+ years ago when I recorded the interview of my daughter Imahni for "Mixed in America," I purposefully only recorded the audio. It was a creative decision akin to the conquistadors burning their ships (i.e. there was no going back. I would be forced to produce creative b-roll for the film.) Today we explore the ramifications of that decision and how I overcame them. Show regulars JD & Yolanda Cochran return as they give me critical feedback on the rough draft, as well as give their input on the decision I made.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Bonfire Musicby David Mumford (CC BY)Night Without Sleep(Instrumental) by David Mumford (CC BY)Shelby Bluesby David Mumford (CC BY)Twinkle, Twinkleby David Mumford (CC BY)When You Leave by Sergey Cheremisinov (CC BY)Be Back Soonby David Mumford (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Videos MentionedCheck out "We Got That B-roll" and have a laugh!Sarah Polley's "The Stories We Tell" TrailerReach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

After 5-1/2 years, Mixed in America: Little Mixed Sunshine if FINALLY finished. Here's part 1 of a 2-part finale of the mini-series where we've followed the film's progress.Throughout this first season of Radio Film School, we've followed the progress of my short film documentary "Little Mixed Sunshine," the first installment of my "Mixed in America" short film documentary series which tells the stories of biracial people in America. So much has gone into the making of this film that I want to discuss. If you've been listening to the show and the mini-series "Shooting Sunshine," you've heard a lot of the creative challenges I've faced. These are all important lessons from which any filmmaker can glean valuable insight. And in part 2 of this mini-series finale we'll get into the details of the final creative decisions I made and how I arrived at them. That will be next week.This week I want to tackle a more complex topic—that is the roles that race and culture have played in my life, and how a filmmaker's personal background can have such a profound effect on his or her work. Show regulars JD & Yolanda Cochran return as they give me critical feedback on the rough draft of the film I shared with them back in March.And as is often the case on this show, we start with a couple of funny, yet poignant stories to set the stage.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:A Thousand Years (Instrumental) by Christina Perri courtesy of Song Freedom (All rights reserved)Fogby Sergey Chermisinov (CC BY)virgo indigoby Fog Lake (CC BY)Tennesee Hayrideby Jason Sha (CC BY)Back to the Woodsby Jason Shaw (CC BY)Acoustic Bluesby Jason Shaw (CC BY)Remembering Past Everything by Pipe Choir (CC BY-)Undercover Vampire Policemanby Chris Zabriskie (CC BY)A Thousand Years (with Vocals) by Christina Perri courtesy of Song Freedom (All rights reserved)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.

For the past 10 months, we've explored a theme that is pertinent to all artists. Let's sum this season up and get the definitive answer to this crucial question.If you're any kind of artist, but especially if you're one trying to earn a living at your craft, it's vital to both your creative fulfillment as well as your professional longevity, to find "your voice" and develop a signature style. On September 1 of last year, Radio Film School launched with a mission to get to the bottom of this answer. After almost 90 interviews, we have determined what I can safely proclaim is a definitive strategy.In our season 1 finale, we'll revisit old interviews, introduce new ones, and summarize what essentially amounts to a 4-stop process; and we do it in a way that is classic Radio Film School--from stories to movie clips to an eclectic score, you'll be inspired after hearing this episode.Be sure to listen past the credits to get a sneak peek at season 2 and the collaboration we're doing with Stillmotion and Muse Storytelling to document the making of their The Remarkable Ones series. It's very cool! Sign up for our email list to be notified when we start. Also, email subscribers will get access and see my short film, "Mixed in America: Little Mixed Sunshine."Who You HeardIn this episode, we hear from:Zaki Lisha of De Anza College's Film & TV ProgramAdam Forgione of Pennylane ProductionsElaine McMillion Sheldon, Peabody Award-winning filmmaker behind the interactive documentary "Hollow"Dustin Blake of Indy Productions (see his "tatted-up" wedding video below)Ryan Koral of Tell Agency and Studio SherpasBrett Culp, director of “Legends of the Knight"Video Essayist extraordinaire Adam Westbrook of delve.tvKathleen Shannon of the Being Boss podcast as a guest on CreativeLive's Power. Profit. Pursuit. Podcast (ep. #37)Sasha Perl-Raver, movie and TV critic, actress, writer and co-host on Collider TV TalkWho You Heard in the Audio MontagesIn the opening montage of soundbites, here's who you heard:Commercial photographer and author Doug MenuezPhilip Bloom (internationally renown DP)Ray Roman of Ray Roman FilmsTravel filmmaker Brandon LiSal D'Alia, the filmmaker behind Adorama's TTL Film SeriesCut.com CEO and Creative Director, Mike GastonPatrick Moreau, co-founder of Still Motion and Muse StorytellingKevin Shahinian of Pacific PicturesAlex Ferrari, host of Indie Film HustleIn the Radio Film School Preview you heard:Kevin ShahinianRyan Booth of Serial Box TVJeff Cannata of the Slashfilmcast and We Have ConcernsBrett Culp In the credits montage you heard:Brett CulpPatrick MoreauSasha Perl-RaverReach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Reflectionsby Scott Holmes (CC BY)Fire Aheadby Jahzzar (CC BY)Prelude No. 4by Chris Zabriskie (CC BY)Cylinder 6by Chris Zabriskie (CC BY)A Man with a Golden Soulby MC Cullah (CC BY-SA)Please Listen Carefully by Jahzzar (CC BY-SA)Wonder Cycleby Chris Zabriskie (CC BY)Main Stemby U.S. Army Blues (Public Domain)Simple Hop by Broke for Free (CC BY)Green Fieldsby Scott Holmes (CC BY)Fall and Riseby Scott Holmes (CC BY)God’s Willby lo-fi is sci-fi (CC BY)Back to Buxtonby Alec’s Band (CC BY)Click here to learn about Creative Commons licenses and meanings.VideosCreative Mornings Doc - The trailer and full Creative Mornings documentary I created.Dustin Blake's Vegas Wedding - may contain adult content.The Podcasts Which Have Influenced Radio Film School the Most99% InvisibleThis American LifeTED Radio HourStartUp PodcastRadioLab

It's only fitting that as we head into the week that kicks off the Radio Film School season finales, we end the season where we began. With fathers.Today we have a Father's Day special. The first half of the show are selected reruns of stories from our first official episode "Of Fathers and Filmmaking Part 1." At about the 9-minute mark I introduce a brand new story. It was actually the story that inspired me to post this special in the first place. It's from Ryan Koral, founder and president of TELL, a corporate video production agency, and co-founder of Studio Sherpas, a community and resource for small business video producers. I have no doubt you'll be moved and inspired by his story.Happy Father's Day!Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Hanami by Fabian Measures (CC BY)Cylinder Six and The Sun is Scheduled to Come Out Tomorrow by Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

Superhero movies are all the rage lately. Believe it or not, there is a lot filmmakers can learn from them. Today is Part 1 in a new Short Ends series.This week we hear from:Robert Meyer Burnett: A 25+ year veteran of Hollywood, Rob is a director, editor, frequent co-host on Collider Heroes, and self-proclaimed comic book geek. Currently directing the Star Trek fan film Axanar (which raised over $1 million in crowdfunding).Sasha Perl-Raver: movie critic, television journalist, actress, and co-host of Collider TV Talk as well as FX Download.Brett Culp: director of the documentary "Legends of the Knight", a feature-length documentary about the legend and story of Batman inspiring people living with debilitating or even life-threatening illnesses. Through the success of that film, Brett has since founded "The Rising Heroes Project," a non-profit that creates uplifting films to support charitable organizations and inspire communities. They are now working on their follow-up to "Legends" with "Look to the Sky."Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Subdivision of the Massesby Philipp Weigl (CC BY)Dracula, Killed by Bondby Ian Alex Mac (CC BY)Bernard FINALby Ian Alex Mac (CC BY)Click here to learn about Creative Commons licenses and meanings.VideosSuperman 75th Anniversary Animated ShortMan of Steel Review - Nostalgia CriticThere's A New StoryBuilder App from Muse Storytelling by StillmotionMuse Storytelling by Stillmotion has released a new app that will change the way you tell stories. Use it to work out the four essential "P's" of every story: People, Places, Plot and Purpose. Add photos to help you visualize the story. You can even join a community of like-minded creatives who can all collaborate with you on your story's development. Head on over to buildstory.org and sign up for a free 14-day trial. No credit card is required.Wipster + Adobe Premiere Pro. Wipster + Vimeo.We're thrilled to have Wipster join the Radio Film School family. Wipster is a leading video collaboration tool, allowing you to share your video with clients and colleagues and collect feedback. Go to Wipster.io to sign up. And if you're used to using Vimeo to share links with clients, no worries. Wipster has exclusive integration with Vimeo. Go from Vimeo to Wipster and back again, seamlessly.Wipster also has a built-in panel that allows you to share your video directly from within Premiere Pro, and you'll be able to see client's feedback on that video directly within Premiere. Check out their 1-minute walk-through.Grow in Your Craft and CareerWe're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.

If you're serious about learning video, chances are you've come across one of the videos of Dave Dugdale of LearningVideo.com. Today we have a bonus episode of Radio Film School where I have an in-depth chat with Dave.When Dave Dugdale talks, companies listen. Why? Because he has one of the most popular video education channels on YouTube—with over 170,000 subscribers and 20+ million views. What sets Dave apart from many other "professionals" in this industry, is that Dave will be the first to tell you he doesn't consider himself a pro. He's just a regular guy trying to learn video and sharing what he learns with the world. He doesn't put on a face and try to make himself cooler or smarter than he really is. He's like the friendly neighborhood dad down the street...who just happens to be a minor YouTube celebrity.Today's bonus episode of the show is my full, uncut interview with Dave. This was actually an interview I did with Dave for my now defunct podcast, The Solo Creative. I don't want the Solo Creative interviews I did to go to waste, so periodically I'll post them in the Radio Film School feed as bonuses.In this interview with Dave, he covers how he got started, his strategy for making passive income with his websites, mistakes he’s made, where and how he learns, his philosophy on life and work, and the value of just putting yourself out there. I have no doubt you’ll be inspired.Other 1-on-1 Filmmaker Interviews: Crossing the 180If you like these one-on-one style interviews where I dig deep and wide with filmmakers, you'll love my back catalog of Crossing the 180. This was my first filmmakers podcast. Over 100 interviews with filmmakers from just about every facet of the business: from Hollywood DPs and directors, to DSLR luminaries, to wedding "rock stars." Become a Dare Dreamer FM Premium Member, and you get free access to these sets of interviews as I make them available. Go to daredreamer.fm/x180 to learn more.Music in this EpisodeIn order of appearance, the music in this episode:Getting Paid, Part II and I Don't Think by Alec’s Band (CC BY)Click here to learn about Creative Commons licenses and meanings.VideosIntro to Dave's camera coursesAn Intro to DaveAn excerpt from Dave's Sony A7s II training videoDave rambles about NAB2016 for 30 minutes ("rambles" was his words. :)There's A New StoryBuilder App from Muse Storytelling by StillmotionMuse Storytelling by Stillmotion has released a new app that will change the way you tell stories. Use it to work out the four essential "P's" of every story: People, Places, Plot and Purpose. Add photos to help you visualize the story. You can even join a community of like-minded creatives who can all collaborate with you on your story's development. Head on over to buildstory.org and sign up for a free 14-day trial. No credit card is required.Wipster + Adobe Premiere Pro. Wipster + Vimeo.We're thrilled to have Wipster join the Radio Film School family. Wipster is a leading video collaboration tool, allowing you to share your video with clients and colleagues and collect feedback. Go to Wipster.io to sign up. And if you're used to using Vimeo to share links with clients, no worries. Wipster has exclusive integration with Vimeo. Go from Vimeo to Wipster and back again, seamlessly.Wipster also has a built-in panel that allows you to share your video directly from within Premiere Pro, and you'll be able to see client's feedback on that video directly within Premiere. Check out their 1-minute walk-through.

Today's episode is a must-listen episode for anyone out there who has procrastinated or dragged their butt on getting a project done. An update on my documentary "Mixed in America".Five years ago I embarked on a personal project to create a short film documentary series about biracial people in America. It's called "Mixed in America" and the first installment of the series is about my daughter, Imahni. The name of the installment is "Little Mixed Sunshine" and it combines a personal interview various b-roll and re-enactments. Well, five years after first interviewing her and even uploading a 1-minute teaser, the project still isn't done.Out of a desire to educate and inspire other filmmakers and creatives (or, quite possibly, a temporary loss of sanity) I made the decision to share my progress of the film on this podcast. The segment has been cleverly called "Shooting Sunshine." Today you'll hear the latest installment of the series with an update on where I am exactly with "Mixed in America." Show regular JD Cochran is back to give me some "tough love." If you've ever dragged your feet on getting a project done, particularly a film project, this is the episode for you. project done. An update on my documentary "Mixed in America".Five years ago I embarked on a personal project to create a short film documentary series about biracial people in America. It's called "Mixed in America" and the first installment of the series is about my daughter, Imahni. The name of the installment is "Little Mixed Sunshine" and it combines a personal interview various b-roll and re-enactments. Well, five years after first interviewing her and even uploading a 1-minute teaser, the project still isn't done.Out of a desire to educate and inspire other filmmakers and creatives (or, quite possibly, a temporary loss of sanity) I made the decision to share my progress of the film on this podcast. The segment has been cleverly called "Shooting Sunshine." Today you'll hear the latest installment of the series with an update on where I am exactly with "Mixed in America." Show regular JD Cochran is back to give me some "tough love." If you've ever dragged your feet on getting a project done, particularly a film project, this is the episode for you.Another great bonus segment is at 37:01. It gives additional insight into the making of "Mixed in America."Music in this EpisodeIn order of appearance, the music in this episode:Remembering Past Everythingby PC III (CC BY)The Theatrical Trailer for Poltergeist IIIby Chris Zabrisie (CC BY) dreamgate by Fog Lake (CC BY)“If I Don’t Fit” by Imahni Dawson. All rights reserved. (I hope to have an iTunes version you can buy when the film is released.)Mockingby David Mumford (CC BY)Please Listen Carefullyby Jahzaar (CC BY-SA)Knock (Instrumental)by Josh Woodward (CC BY)Click here to learn about Creative Commons licenses.Videos MentionedThe original "Mixed in America" teaser (from Jan 2011)The most recent teaser-trailer (Oct 2015)There's A New StoryBuilder App from StillmotionMuse Storytelling by Stillmotion has released a new app that will change the way you tell stories. Use it to work out the four essential "P's" of every story: People, Places, Plot and Purpose. Add photos to help you visualize the story. You can even join a community of like-minded creatives who can all collaborate with you on your story's development. Head on over to buildstory.org and sign up for a free 14-day trial. No credit card is required.Wipster + Adobe Premiere Pro. Wipster + Vimeo.We're thrilled to have Wipster join the Radio Film School family. Wipster is a leading video collaboration tool, allowing you to share your video with clients and colleagues and collect feedback. Go to Wipster.io to sign up. And if you're used to using Vimeo to share links with clients, no worries. Wipster has exclusive integration with Vimeo. Go from Vimeo to Wipster and back again, seamlessly.Wipster also has a built-in panel that allows you to share your video directly from within Premiere Pro, and you'll be able to see client's feedback on that video directly within Premiere. Check out their 1-minute walk-through.Grow in Your Craft and CareerWe're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.

Last month we had one of the most attended NAB Shows ever. But in true Radio Film School style, our "coverage" of it won't be what you expect.The National Association of Broadcasters (aka NAB) had its annual expo and convention last month. There were over 100,000 people in attendance. And as is the case every year, NAB was the place to find all the most anticipated tech, tools, and toys that will be the next, over-hyped "game-changer." This week on the show we're going to talk about technology and the role it plays in the lives of storytellers and filmmakers. But if you are expecting a run-down of the latest and greatest cameras, drones, lenses, microphones, digital recorders and capture cards, I'm sorry to disappoint you. You won't find that here.However, if you enjoy a deeper conversation about technology and how we as filmmakers relate to it, the good and the bad, then sit back, relax, and enjoy the show.This week we hear from:David Shulman, executive director of The Seattle Film InstituteJames Kaelan, editor-in-chief of BRIGHT IDEAS Magazine, the print publication arm of filmmaking crowdfunding site seed&sparkRollo Wenlock, CEO of WipsterPatrick Moreau, Emmy award-winning filmmaker of StillmotionMara Tasker, head of original content creation at seed&sparkMusic in this EpisodeIn order of appearance, the music in this episode:Somnolenceby Kai Engel (CC BY). I pretty much used Kai's newest album as this episode's soundtrack.Anxietyby Kai Engel (CC BY)Deliriumby Kai EngelOneiriby Kai Engel (CC BY)Tapesby Gumbel (CC BY)Comatoseby Kai Engel (CC BY)Soporby Kai Engel (CC BY)Another Version of Youby Chris Zabriskie (CC BY)Laserdiscby Chris Zabriskie (CC BY)Fortsetzung Folgtby Gumbel (CC BY)Levelsby Gumbel (CC BY)Click here to learn about Creative Commons licenses and meanings.Videos MentionedChris Milk's TED Talk about EmpathyNo Film School's Private Lytro Cinema Camera DemoThe Lytro Cinema Intro VideoLearn How Stillmotion Tells Emmy Award-winning StoriesStillmotion’s Muse Storytelling is the process they use to tell the kind of stories that has helped them garner five Emmys, and go from shooting weddings to shooting the Super Bowl. They’ve generously offered our listeners a special offer. Details are in the episode.Wipster + Adobe Premiere ProWe’re thrilled to have Wipster join the Radio Film School family. Use the offer code “RFSandWipster” and get your first seat for just $13/month. Go to Wipster.io to sign up.Wipster now has a built-in panel that allows you to share your video directly from within Premiere Pro, and you'll be able to see client's feedback on that video directly within Premiere. Check out their 1-minute walk-through.Grow in Your Craft and CareerWe're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.

I originally thought about calling this Radio Film School episode "Brandon McCormick's Incredible Infinite Catalog of Creative Compositions". But Talent v. Tools was easier. Find out why and what you'll learn.What started out as a simple research project to study the scenes and compositions of world-class master directors, turned into a treasure trove of a database with nearly 9,000 high-resolution screenshots and 10 GB of data. Whitestone Motion Pictures co-founder and director Brandon McCormick is back on the show with more engaging insight. Learn how this database project of his revealed some amazing discoveries about focal length, shot selection, composition, editing, storytelling, and prioritization. Here are the lessons he learned about feature filmmaking from studying the minutia of master filmmakers films. You may be surprised at what you learn.And stick around after the credits in the bonus segment as Brandon addresses the question, "Why do directors often get credit for work that seems should be accredited to others who worked on a film?" Click here to see screenshots from Brandon's database.Music in this EpisodeIn order of appearance, the music in this episode:Cat and Mouse by Scott Holmes (CC BY)The Stars Look Different (Ziggy Stardust Mix) by spinningmerkaba (CC BY)Flight of Lulu by Possimiste (CC BY)Wee Tipple by Scott Holmes (CC BY)Click here to learn about Creative Commons licenses and meanings.Muse Storytelling has a New Class - "Conducting Remarkable Interviews"Stillmotion's Muse Storytelling is the process they use to tell the kind of stories that has helped them garner five Emmys, and go from shooting weddings to shooting the Super Bowl. They also have a brand new course on their site called “Conducting Remarkable Interviews” and it’s based on years of experience in the field and research of psychology, sociology, and neurology. Go to learnstory.org to learn more.Grow in Your Craft and CareerWe're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.

My full, uncut Radio Film School interview with Richard "RB" Botto, the CEO and founder of the creative arts social media juggernaut Stage 32.As you know, Radio Film School is a documentary series. It's kind of like This American Life or TED Radio Hour, but devoted specifically to filmmaking and the creative arts. As a radio documentary, you seldom, if ever, hear full interviews of my guests. I just pull from each interview the soundbites and clips I need for any particular episode.But every now and then I’ll make a full uncut interview available as a bonus. And after I finished my interview with Richard Botto (or RB for short), I knew I had to post this baby.If you heard last week's Vol. 2 of my Quentin Tarantino regular episode, you’ve already heard part of my interview with RB. But naturally, we go far beyond what you heard. As most Radio Film School conversations go, this discussion was more about the art and soul of filmmaking. We cover topics like:How do you go about separating the artist from his or her art. Can you look at Woody Allen or Polanski films the same? Can you admire DW Griffith's “Birth of a Nation” for its technical achievement despite its racist tone. How do you feel about John Ford the filmmaker or Lilian Gish the actor knowing they were in that film (Ford actually plays a Klansman).We discuss fan films and what role they should play in today’s filmmaking landscapeWe get into why Citizen Kane is his favorite film and whether or not it really deserves the title “Best film of all time.”We geek out over what makes a good sci-fi filmThat state of fan filmdom and whether or not they should continueAnd of course, we talk about some effective strategies for using social media in this biz.It’s over an hour of inspirational goodness.Music used in this episode include:Getting Paid, Part II and I Don't Think by Alec's Band (CC BY)Boulevard St. Germain by Jahzzar (CC BY-SA)

Today we’re excited to announce that Radio Film School is now part of the Podcastica network. Think of it as a sort of indie label of 8 (or rather, now, 9) podcasts. To acquaint our new family of Podcastica listeners with the show, and to celebrate the 6-month mark into the season, today we start a 2 part “Best of…” series. In part 1 we’ll cover some of my favorite personal stories told on the show; from father figures to first loves. This episode also includes the moving story of why spoken word artist Marshall Davis Jones changed his famous "Spelling Father" spoken word performance to no longer refer to his dad as a deadbeat. (Powerful stuff! That story alone is worth the price of admission.)In part 2 (later this week), we’ll share some of my favorite guest stories and conversations.Even if you’ve been an avid listener, I am confident you'll enjoy this trip down memory lane as I'll also offer some additional insight into the episodes I highlight. And in today's bonus segment, I finally give the definition of the term "Short Ends" and why I chose that name for the interim episodes.Enjoy!Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre, look no further than Song Freedom. Click here and use offer code radio for a one-time Standard Gold Level license worth $30.Learn How Stillmotion Tells Emmy Award-winning StoriesStillmotion's Muse Storytelling is the process they use to tell the kind of stories that has helped them garner five Emmys, and go from shooting weddings to shooting the Super Bowl. They've generously offered our listeners a special offer. Details are in the episode.Grow in Your Craft and CareerWe're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.Music in this Episode"Please Listen Carefully" by Jahzzar. CC BY-SA."Cylinder Six" by Chris Zabriskie. CC BY."A Man with a Golden Soul" by Cullah. CC BY-SA.“Sly and the Family Jones” by Mike Spitz and Phys Edison. CC BY.“12 Lost Love Letters” and “Erik” by Fog Lake. CC BY.Stubborn Love by The Lumineers. Courtesy of Song Freedom. All rights reserved.“Save the Last Dance for Me” by the Drifters. Courtesy of Song Freedom. All rights reserved.“Dancing Machine” by the Jackson 5. Courtesy of Song Freedom. All rights reserved."The Sun is Scheduled to Come Out Tomorrow"Chris Zabriskie. CC BY."Hey Ho" by the Lumineers. Courtesy of Song Freedom. All rights reserved.

Leave it to Radio Film School to turn a funny anecdote about swing dancing into a valuable lesson for filmmakers and artists of all kinds.Why are we artists and creatives so obsessed with awards and competitions? There’s a perverse irony in the fact that something as personal and subjective as “art” can be judged in the first place. With the 2016 Academy Awards Oscar celebration behind us, I felt compelled to produce a bonus episode of the show to address what I feel is an important lesson we filmmakers, and artists in general, should heed. Enjoy!Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre, look no further than Song Freedom. Click here and use offer code radio for a one-time Standard Gold Level license worth $30.Learn How Stillmotion Tells Emmy Award-winning StoriesStillmotion's Muse Storytelling is the process they use to tell the kind of stories that has helped them garner five Emmys, and go from shooting weddings to shooting the Super Bowl. They've generously offered our listeners a special offer. Details are in the episode.Grow in Your Craft and CareerWe're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.Music in this EpisodeMain Stem by U.S. Army Blues. Public Domain.As I Figure by Kevin MacLeod. CC BY.Bei Mir Bist Du Schoen by the Andrew Sisters. Public Domain on Archive.org,.Passing Fields by Quantum Jazz. CC BY-SA.Night on the Docks - Sax by Kevin MacLeod. CC BY.Little Lily Swing by Tri-Tachyon. CC BY.Sing, Sing, Sing by Benny Goodman. Public Domain on Archive.org.

One of the most divisive controversies in the Oscar race this season has been the fact that for the second consecutive year, no people of color were nominated in any of the acting categories. This topic has been thoroughly discussed in all sorts of blogs and podcasts; so in my constant quest to stand out from the pack, I deliberately chose NOT to make a regular Radio Film School episode about the topic.But as an African American filmmaker, I felt I would be remiss if I didn’t contribute to the conversation in some way. But I want to do it in a way that hasn't been quite done before.Today's bonus includes TWO conversations sharing FOUR perspectives on the topic, all falling on varying degrees of the spectrum.First is an excerpt from my interview on the NSavides Podcast, hosted by Nick Savides. Nick and I got into a discussion about the topic and he was gracious enough to let me post that Oscar portion of our discussion on my show. I strongly encourage you to listen to my full interview with Nick on his podcast. We cover a wide range of topics about passion projects, networking, finding clients, processing feedback, and so much more.Second, show regulars JD & Yolanda Cochran (indie filmmaker and former Alcon Entertainment executive, respectively) join me in a provocative debate/discussion about racial representation, how Oscar voting works, boycotts, and possible solutions.Over 90 minutes of engaging and invigorating conversation that will give you pause to think...no matter which side of the controversy you stand.JOIN THE CONVERSATION at facebook.com/radiofilmschoolEnjoy!Musci Credits:Declaration of Independence by Cullah. CC BY-SA.

For all you artists who've ever felt mediocre, this episode is for you."Amadeus" is easily one of my favorite movies. I can watch it over and over. It tells the tragic and fictional tale of Italian composer Antonio Salieri and his "complicated" relationship with Wolfgang Amadeus Mozart. It won F. Murray Abraham his first (and I think only) Oscar for Best Support Actor. In the film, Salieri laments at being just a mediocre composer when compared to the likes of Mozart (whom he claims to have killed).As artists, we sometimes feel like Salieri, don't we? We see other people's work and feel like we pale in comparison. That we're just...mediocre. Today on the show we're going to explore this topic and see if we can't come to a new perspective that is healthier for our craft (and career).On this episode, we'll hear from some talented Atlanta-based filmmakers, namely Chris Fenner (who you may remember from the very first "Short Ends" episode "What the Hell Are You?"); Dan Duncan of Remedy Films; and music video filmmaker Isaac Deitz. We also hear again from a Radio Film School favorite, Brandon McCormick of Whitestone Motion Pictures. Lastly, we hear from Yolanda Cochran, who recently finished a 6-month consulting gig at Netflix.Music Tips - Picking Music for Your ProductionThis week during the sponsor segment I start a series of tips related to music and film. This week's tip is on picking music for your production. Remember, a huge way you can support the show is by checking out our sponsors. We're supported in part by Song Freedom. Click here and use offer code radio for a one-time Standard Gold Level license worth $30.We're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.Music in this EpisodeMusic in this episode was curated from FreeMusicArchive.org, Kevin MacLeod's Incompetech.com and Song Freedom. In order of appearance:"I Heard if Through the Grapevine" by Marvin Gaye. Courtesy of Song Freedom. All rights reserved."The Great Break Off" by The Insider. CC BY-SA."Bach Prelude in C" by MANWOMANCHILD. Public Domain."Please Listen Carefully" by Jahzzaar. CC BY-SA."Sonata No. 13 in E Flat, Op. 27 No. 1-I Andante - Allegro - Tempo 1" (that's a mouthful) by Daniel Veesey. Public Domain."Prelude in C" by Kevin MacLeod. CC BY."Egmont Overture Finale" by Kevin MacLeod.CC BY."Troy Holder - Ode to Joy" by Tory Holder. Public Domain.

Every artist deals with it in their career—the difference between what they envision, and what they actually create. How to deal?There's a well-known video of "This American Life" host Ira Glass sharing his thoughts about what he calls "The Gap." It's the difference between your taste (what you know to be good work) and your talent (what it is you're actually able to create, which is often not as good as you'd like it to be). This week, on the first main "Radio Film School" episode of 2016, we dive into this issue. You'll hear from Sam Mestman, CEO of We Make Movies; Ryan Booth, filmmaker, DP and creator of the music performance web series "Serial Box Presents"; and Patrick Moreau, co-founder of Stillmotion and LearnStory.org. If you've ever faced "the Gap," this is the episode for you."Shooting Sunshine" ReturnsWe also have the next installment of my "Shooting Sunshine" segment. The behind the scenes look at the making of "Little Mixed Sunshine", the first episode in my short film documentary series about bi-racial people. In it, I answer the question: "Why is this film STILL NOT DONE?!" Support Our Sponsor and You Support the ShowA huge way you can support the show is by checking out our sponsors. We're supported in part by Song Freedom. Click here and use offer code radio for a one-time Standard Gold Level license worth $30.We're also supported by YOU, the listeners. Become a Dare Dreamer FM Premium member and gain access to bonus episodes, ebooks, templates, and other resources to help you grow in your craft and career.Music in this EpisodeMusic in this episode was curated from Free Music Archive, Kevin Macleod's Incompetech.com and Song Freedom."Hola Hola Bossa Nova" by Juanitos. CC BY."Machinations" & "Plans in Motion" by Kevin Macleod of Incompetech.com. CC BY."There are Many Different kinds of Love" by Chris Zabriskie. CC BY."Fire Ahead" by Jahzzar. CC BY-SA."dream gate" by Fog Lake. CC BY."The Theatrical Trailer for Poltergeist III" by Chris Zabriskie. CC BY."Snowmen" by Kai Engel. CC BY."Cherubs" (No vocals) by Josh Woodward. CC BY.Songs used during the Song Freedom sponsor segment are courtesy of SongFreedom.com. (All rights reserved). Click here for the mixtape of songs.Counting Stars by One Republic. All rights reserved.Ain’t too Proud by the TemptationsInspirational Ambient Build by BanvardVideos Featured in Today's ShowThe video created by Current.tv that started it all. "Storytelling" by Ira Glass (part 3 of 4).Two other interpretations of "The Gap" on video:This Vimeo Staff Pick incarnation by Daniel Sax is quite impressive. (Over 1.3 million views as of this writing.)This title motion graphic by David Shiyang Liu inspired Daniel's video.

This week we have a Thanksgiving holiday special episode of Radio Film School that will give you a profound outlook on life and your art.Growing up as a kid, one of my favorite Thanksgiving Day pastimes was watching "The Wizard of Oz" on TV with my mom and brother. (Largely because I was hopelessly infatuated with Dorothy.) This week we have a special episode of the show where we look at the history of that MGM classic. We'll hear fun stories from me and Sky City Haya producer Tom Wineland about our experiences with that movie; and most importantly, friend of the show Brandon McCormick of Whitestone Motion Pictures gives us a profound and poignant lesson based on the dark origin story of the Tin Man.Support our SponsorClick here and use offer code radio for a one-time Standard Gold Level license worth $30. Music in this EpisodeMusic from today's episode was curated from the Song Freedom. Click here to see the Song Freedom mixtape for this episode (All rights reserved). The Song Freedom songs were Le Jazz - Hot A and Le Jazz - Hot B.The rest of the songs were from the "Heartless" soundtrack, courtesy of Whitestone Motion Pictures (all rights reserved). Music and Lyrics by Nick Kirk and The Brothers Bright. Songs used (in order of appearance):The Tinner (during the history of "Wizard of Oz")Our Story Begins with LoveThe Wicked Witch of the EastThe Cursed AxeFrozenYours Alone (credits)The Tin Man (during bonus excerpt at end)Videos Featured in Today's Show"Heartless: The Story of the Tin Man""Heartless: Behind the Scenes""Making the Tin Man: Art Department""Making the Tin Man: Camera""Making the Tin Man: Music & Sound"

Today we have a bonus episode of Radio Film School dedicated solely to one of the topics we started last week—women in film. Specifically we discuss, "Who are the women masters of yesteryear?"The "women in film" segment we aired last week only begins to scratch the surface of this deep, broad and complex topic. In today's episode we bring back Scilla Andreen (CEO of IndieFlix), Stefanie Malone (executive director of NFFTY), Ryan Davis (co-founder of Smarthouse Creative) and Nancy Chang (executive director of ReelGrrls). I also speak to Nichelle Protho, VP of the television and online video production company Sander/Moses. As they discuss the women filmmakers that could be considered masters in the field, some of their answers may surprise you. Names like Maya Deren, Barbara Kopple and...Lucille Ball?Support our SponsorClick here and use offer code radio for a one-time Standard Gold Level license valued at $30.Music in this EpisodeMusic from today's episode was curated from the Free Music Archive and Song Freedom. Click here to see the Song Freedom mixtape for this episode (All rights reserved). The Song Freedom song used was:Little Kyoto by Dream City OrchestraFree Music Archive Songs used:"Candlepower" by Chris Zabriskie. CC-BY."Mad Humans" (J. Glaze Remix) by Kellee Maize. CC-BY."Looking Back" by Lee Rosevere. CC-BY-SA."Mad Humans" (Mad Men Remix) by Kellee Maize. CC-BY.

Today we start our journey to find that elusive creature known as one's signature style. What exactly does it mean for a filmmaker, or any artist for that matter, to have a signature style? How does he or she get one? How do they develop it? Why should we care? Today we start in earnest the core topic for this first season of Radio Film School. Everything beforehand has been building up and preparing us for this journey. And we have some very inspiring interviews to start us off.Award-winning filmmaking Kevin Shahinian, renown for his Bollywood-style wedding films and Hollywood-calibre production values, provides incredible and poignant insight into the style question from a sophisticated point of view. I have a discussion with Film Riot host Ryan Connolly about his style (and whether or not he thinks he has one). And "Legends of the Knight" director Brett Culp rounds us off with some sage advice on how to develop one's personal style.In the bonus segment post-credits, I FINALLY get around to discussing with JD how it was he that prompted me to pursue filmmaking full-time as a profession.Music in this EpisodeWe have some more great use of Song Freedom songs. Tune it to find out how you can get a FREE Song Freedom song license.Music from today's episode was curated from the Free Music Archive and Song Freedom. Click here to see the Song Freedom mixtape for this episode (All rights reserved). In order of appearance:"Save the Last Dance for Me" by the Drifters"Dancing Machine" by the Jackson 5"Party Rock Anthem" by LMFAO"Early News" by Dream City Orchestra"Forever Young" by Bob DylanFree Music Archive Songs used:"Please Listen Carefully" by Jahzzar. CC-BY-SA."Let's Start at the Beginning" by Lee Rosevere. CC-BY-SA."transcanada" by Fog Lake. CC-BY."The Last Slice of Pecan Pie" by Josh Woodward. CC-BY."Low Horizon" by Kai Engel. CC-BY."Divider", "Cylinder Six" and "Pick Up a Convict on Alcatraz" by Chris Zabriskie. CC-BY."Datpiff" by The Good Lawdz. CC-BY-SA.PhotosGo to today's blog post to check out old photos of yours truly.

In this special stand-alone bonus episode, I bring back the "Spelling Father" post-credits bonus segments from episodes 1 & 2. Whether or not you heard them originally, listen to them now because...The first story is funnyThe second one is profound. You'll be inspired by the end with Marshall's words (which make a great analogy for the nature of art), and...There's a special offer for Radio Film School listeners at the end.Music for this episode:Please Listen Carefully by Jahzzar. CC BY-SA.The Sun is Schedule to Come Out Tomorrow by Chris Zabriskie.CC BY.

Today I tell the story of how 4 unlikely partners, 3 hip-hop artists, 2 epic failures and 1 ulcer lead to me becoming a filmmaker.What as the last funny anecdote you heard, or perhaps told. I bet you a million dollars it was tied to yours of someone else's pain, suffering and/or unfortunate mishap. Naturally, you couldn't laugh about it then. But today it's fair game. Why is there such an uncanny relationship between tragedy and time? Pain and posterity? Today we're going to look at that dynamic and use as a case study my short-lived experience as a wannabe hip-hop mogul. Hilarity will ensue.In the second segment of the show I introduce a new segment called "Shooting Sunshine." It's a mini Radio Film School series about the making of a short documentary film series called Mixed in America: Stories of Race Relations & Identity in the Proverbial Melting Pot. This is a personal project I started way back in 2011.Finally, after the credits we have another funny bonus segment.This episode is sponsored by Song Freedom. Be sure to listen to the episode to get a special discount code granting you one free song credit.Music in this EpisodeMusic used in order of appearance:"Marty Gots a Plan" and "Run Amok" by Kevin MacLeod (incompetch.com). CC-BY."Sly and the Family Jones" by Mike Spitz and Phys Edison. CC BY."Warm Up Suit" by Broke for Free. CC BY-SA."My Girl" by the Temptations. Song courtesy of Song Freedom. All rights reserved."Bonfire Music" by David Mumford. CC BY.The official show theme music is "Please Listen Carefully" by Jahzzar. CC BY-SA."I Know (Prod. MVSIC)" by Hi Rez. CC BY."In the Night - Game of Thrones Remix (J. Glaze Remix)" by Kellee Maize & J. Glaze Prods. CC BY."Hall of the Mountain King" by Kevin MacLeod (incompetch.com). CC-BY.

This week on "Radio Film School" is perhaps the most personal story I've ever publicly shared. And we see why that it is key to your journey as a filmmaker.Every self-respecting comic book nerd knows that the most iconic superheroes have origin stories tied to parents, and in many cases, fathers or father figures. Superman. Batman. Spider-Man. Thor. These are just a few whose origins as heroes are intimately tied to their parents and father figures.In this week's episode of "Radio Film School: Cinemaverick" we look at the role my father played in my own origin story as a filmmaker. We also meet my long-time friend and frequent podcast partner in crime, JD Cochran. And finally, we return where we left off last episode with Patrick Moreau of Stillmotion commenting about the death of his mother and the profound impact that had on him as an artist. In doing so, I delve into my own perilous territory as it relates to that subject.MusicMusic in this episode was curated from FreeMusicArchive.org.Little Wooden Church by The Trumpeters. Public Domain.A Man with the Golden Soul by Cullah. CC BY-SA.Please Listen Carefully by Jahzzar. CC BY-SA.A Lil Somethin' Somethin' by The Good Lawdz. CC BY-SA.Railroad's Whiskey Co. by Jahzzar. CC BY-SA.Vladimir Estragon by Jahzzar. CC BY-SA.God's Will by lo-fi is sci-fi. CC BY.The Sun is Schedule to Come Out Tomorrow by Chris Zabriskie.CC BY.Check out the blog post for this episode for family photos (including me and my brother in the bathtub). Subscribers get access to the episode early. Blog post won't go live until 6 am PST Sept 15.

In a sea of great filmmaking podcasts about just about everything under the sun, do we really need another one? We believe so."Radio Film School" is the first radio documentary series about filmmaking. Host Ron Dawson speaks with filmmakers (and other artists) from around the world, exploring the central theme of what it means to be a filmmaker. In season one, we'll specifically be discussing the topic "Finding your voice and developing a signature style."This extended preview will give you a sense for the style and format of the show.Music for this episode included:The show's theme music is "Please Listen Carefully" by Jahzzar (CC BY-SA)"Cylinder Six" by Chris Zabriskie (CC BY)"Pick Up a Convict on Alcatraz" by Chris Zabriskie (CC BY)"A Man With a Golden Soul" by Cullah (CC BY-SA)"Declaration of Independence" by Cullah (CC BY-SA)

Ron Dawson has been a frequent guest and co-host of the Digital Convergence Podcast. He hosted two podcasts of his for creatives: FStop Beyond and Crossing The 180. Ron confesses that after a while, producing Crossing the 180 stopped being fun and so after producing 110 episodes, he retired the show. A move from Atlanta to Seattle ensued. After settling into his new home, Ron's wife reminded him of his love of blogging and podcasting. Encouraged by his wife, and inspired by the format and creative approach of the popular podcasts Serial and This American Life, Ron began to formulate his return to podcasting with two new podcasts: Radio Film Lab and The Solo Creative Podcast. Ron describes Radio Film School as "This American Life for filmmakers." Ron says, "I came up with Radio Film School because it succinctly captures in essence what the show is about: audio based inspiration, education and entertainment for the aspiring filmmaker. I also think when potential listeners are perusing through iTunes, Radio Film School will instantly make sense." After hearing a preview of Ron's new podcast, I can confidently say, Radio Film School is truly unlike anything you've heard before. After listening to my conversation with Ron Dawson, you will hear from The Video Business Success Coach Kris Simmons. We get a lot of questions about how to keep the sales process going while working on current client projects. Kris gives good advice on how to keep your sales pipeline flowing–even while you work. This Episode Sponsored By: VideoBlocks - an affordable, subscription-based stock media site that gives you unlimited access to premium stock footage. Start your free seven day trials here: VideoBlocks: http://carlolson.tv/videoblocksAudioBlocks: http://carlolson.tv/audioblocksGraphicStock: http://carlolson.tv/graphicstock Thank you for supporting the sponsors of the Digital Convergence Podcast. Thank you for supporting the Digital Convergence Podcast by your generous use of my affiliate links and support of my sponsors. Mentioned In This Episode: Ron Dawson's website:http://daredreamermag.com/ Radio Film School:http://daredreamer.fm/shows/radiofilmschool/ The Solo Creative Podcast:http://daredreamer.fm/shows/solocreative/ Music resources curated by Ron:http://daredreamer.fm/rfs-music/ Take your business to the next level with KRE8 University: http://carlolson.tv/kre8 Become an associate producer of the Digital Convergence Podcast by your generous financial support: http://carlolson.tv/patron Send email or leave voice mail feedback: http://carlolson.tv/contact/