Podcasts about filmmakers

What does it take to create a bold comedy pilot that lands at Slamdance? In this episode of Filmmaker Mixer, we talk with Zoe Tyson and Louie Rinaldi, the creators behind Daddies Boi. They break down writing razor-sharp comedy around aging and identity, directing emotionally risky material, and shaping a 14-minute pilot that feels expansive, funny, and dangerous. Filmmakers will learn about crafting tone, collaborating as co-creators, navigating pilot

A Silent Scream, 7min., USA Directed by Isabelle Kalkwarf A short film following the perspective of a young girl, going through an anxiety attack. https://www.instagram.com/Isabellesfilms ---- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Child's Drawing, 8min., Taiwan Directed by David Liang Ever since the younger sister's missing, the girl has been drowning in grief every night. However, she finds her younger sister's drawing book tonight. When she opens it, she discovers that something terror in childish drawings. https://www.instagram.com/reel/DNsuB0mQm9X/?igsh=ajExcHdmZnh4NHUw —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

FAT BOI, 3 minute Music Video/Comedy This is biig red couch's first professional music video! As a Washington Filmworks project, FAT BOI was filmed at Harbor Island Studios in Seattle Washington. biig red couch is thrilled to make his music video debut with Equinox Productions, especially beside his buddy and hype-man Antonio the capybara. Antonio surfs through biig red couch's journey from delusion to drab to FABULOUS! Antonio the capybara makes a cameo with interview with the star and director of the award-winning film. https://www.instagram.com/biigredcouch https://instagram.com/equinoxproductions ---- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

This week we welcome filmmaker, film festival programmer and founder of Festival Fixer, the new AI driven Festival Consultant, Heather Brittain. After that we play another round of the Game, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

What does it look like when a passion for storytelling evolves into a global creative journey? In this episode of the Starter Girlz Podcast, Jennifer Loehding sits down with actor, filmmaker, and creative producer Norman King IV to explore the path that led him from Washington DC to studying film in Paris and eventually building his career in Los Angeles. From a young age, Norman was fascinated with movies, storytelling, and the creative process behind the screen. That early curiosity eventually led him to pursue film through the global BFA program at Emerson College and Paris College of Art, where he spent several years living and creating in Europe while working with international crews and directing short films. During that time, he developed a global perspective on storytelling, exploring how culture, language, and lived experiences shape the way stories are told and received. Now based in Los Angeles, Norman continues building his career in film and media while producing creative projects that blend storytelling, culture, fashion, and meaningful conversations. This episode is about discovering your voice and learning how to bring that voice into the world. What You'll Learn in This Episode • The early experiences that sparked Norman's passion for filmmaking• How studying film internationally shaped his creative perspective• Why authenticity plays a powerful role in storytelling today• The importance of understanding the business side of creative work• Why creatives must learn to value their work and set boundaries• How global experiences influence the way stories are told• What success means when viewed through the lens of creativity and impact• The mindset that continues to guide Norman as he builds his career in film About Norman King IV Norman King IV is an actor, filmmaker, and creative producer based in Los Angeles and the CEO of NPIV Productions. Originally from Washington DC, Norman studied film through the global BFA program at Emerson College and Paris College of Art, spending several years living and working in Europe while directing short films and collaborating with international production teams. During that time, he also created the online talk show My 2 Cents, where he interviewed artists and creatives from around the world. After graduating with a dual degree in film arts, Norman worked with PBS before relocating to Los Angeles to continue building his career in film, media, and creative production. Through his work, he focuses on storytelling that connects culture, creativity, and meaningful conversations across audiences and perspectives. Episode Chapters 00:00 – Why Creators Must Value Their Work01:02 – Podcast Welcome and Episode Introduction02:15 – Meet Norman King IV04:27 – Discovering a Love for Film06:30 – Creativity and Finding Your Outlet09:43 – Authentic Storytelling and Audience Attention13:27 – Navigating Social Media and Algorithms17:54 – Fashion, Culture, and Creative Projects19:32 – The Business Side of Creativity23:02 – Setting Boundaries as a Creative25:01 – Lessons from Working with PBS27:39 – Defining Success and Creative Impact33:10 – Turning Ideas into Real Projects35:31 – Perfectionism and Creative Work38:47 – Moving from DC to Los Angeles41:16 – Networking, Creativity, and Intentional Connections43:53 – Life in Paris and Favorite Spots46:00 – Dream Film Projects48:16 – Languages and Global Experiences52:43 – Where to Connect with Norman53:53 – Final Thoughts and Closing Connect with Norman King IV Instagram: https://www.instagram.com/normankingivYouTube: Norman King IV Connect with Starter Girlz Website: https://startergirlz.com Take the 2-Minute Success Block Quiz to discover what may be holding you back. Want to Be a Guest on Starter Girlz? If you have a story that can inspire others, connect with Jennifer Loehding on PodMatch: https://www.podmatch.com/hostdetailpreview/17044863446695017c1879d7b

In this episode of Filmmaker Mixer, editor Ralph Jean-Pierre joins us to discuss shaping The Beast in Me in the cutting room. From identifying the emotional spine of the story to navigating structural challenges, Ralph breaks down the real craft behind film editing.With credits including Tokyo Vice, Servant, The Boys, and Lost in Space, Ralph shares insights from both premium television and feature work — including how pacing, performance, and collaboration define the final film.Filmmakers will learn about workflow discipline, editorial psychology, structural problem-solving, and how to build a sustainable career in post-production.

A documentary on one of the longest, and largely forgotten, US occupations in history hits streaming amid anxiety over the fate of Haiti. The post At a time of crisis for Haiti, a filmmaker reflects on past US intervention appeared first on The World from PRX.

The Dust of This Place, 20min., USA Directed by Vanessa Van Wormer Set in the high desert of California off of Historic Route 66, The Dust of this Place follows a couple lost in the limbo of a repeating moment in time, exploring absence, presence, and how a single difference in choice can affect their future. https://www.instagram.com/vvwdance https://www.instagram.com/thedustofthisplace.film/ —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Director Drew Kirsch joins Filmmaker Mixer to discuss the making of the action-thriller He Bled Neon. In this conversation, Kirsch breaks down the visual style, action design, and directing choices that shaped the film.Starring Joe Cole, Rita Ora, and Marshawn Lynch, He Bled Neon premieres at the 2026 SXSW Film & TV Festival in the Narrative Spotlight section. Drew shares how the project came together and what it took to bring the film's neon-charged world to life.Filmmakers will learn about directing action on an indie scale, building a strong visual identity, working with a diverse cast, and preparing a film for its festival premiere.

Filmmaker and actor Elle-Máijá Tailfeathers and author Billy-Ray Belcourt are bringing rural Alberta authenticity to Canada Reads. Tailfeathers will be defending Belcourt's novel A Minor Chorus. It follows a queer Indigenous doctoral student who steps away from his dissertation to write a novel, feeling caught between his childhood on the reservation, and the newest chapter of his life. They'll get into the upcoming debates, and why Tailfeathers believes this is the story Canada needs now more than ever.Books discussed on this week's show include:A Minor Chorus by Billy-Ray BelcourtThe Bluest Eye by Toni MorrisonI am Woman by Lee Maracle Kiss of the Fur Queen by Tomson HighwayIn Search of April Raintree by Beatrice MosionierCheck us out on Instagram @cbcbooks and TikTok @cbcbooks

Dakota Wint meets Raghu beyond the veil of normal perception to explore mysticism, altered states, and the fringe of spirituality.Subscribe to Dakota's new series, The Flower Heads Show, on your favorite podcast app.This time on Mindrolling, Raghu and Dakota explore:The Aghori people of India and the side of Hinduism a lot of people don't know aboutDr. Robert Svoboda's trilogy on the Aghori people: At the Left Hand of GodDifferentiating real prayer from performative ritualsFaith and seeing beyond the veil of our normal perception Considering the limits of spirituality and how it is expressed across culturesDissolving polarities and seeing the universality of all beingsTaking wisdom from Ram Dass through his posthumous book, There is No OtherRealizing that wisdom and spirituality does not require travel or psychedelicsDakota's experience with plant medicine in the Amazonian jungleFaith and remembering the mystery in day-to-day lifeThe eternal light of the Sadhu and reaching enlightened states without substancesYou can find Dakota's documentary, Aghori: Holy Men Of The Dead, free on YouTube: Click Here To WatchAbout Dakota Wint:Dakota Wint is a documentary filmmaker, vlogger, podcast host, and spiritual teacher from Detroit, Michigan. His films and podcasts revolve around current events, strange spirituality, and taboo traditions. You can subscribe to his podcast, A Place for Humans, HERE. Dakota grew to fame as an internet personality via his popular YouTube channel, Dakota of Earth. Dakota hosts retreats around the world and runs a non-profit focused on cultural and language preservation. Learn more about current happenings on his website“I am just trying to figure out what spirituality is, what the limits of it are, how it expresses itself, are we all talking about the same thing, what can you show me? I go to these places that have these big practices. What do you have to offer? Especially in India, where all these gurus make these big claims, what can you show me? That's what I've been asking myself and anyone I meet.” –Dakota WintSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Undertone" is a Canadian horror film written and directed by Ian Tuason, in his directorial debut. The film stars Nina Kiri as Evy, a woman who hosts a paranormal podcast with her friend Justin (Adam DiMarco), where she is the skeptic to his believer. After Evy moves back home to become the caregiver to her dying mother (Michèle Duquet), she and Justin are sent recordings by a married couple (Keana Lyn Bastidas and Jeff Yung) experiencing paranormal noises in their home, drawing Evy into fear and paranoia. Evy and her mother are the only characters to be shown on-screen in the film. All other characters are heard as off-screen voices, thus conveying the film's horror through its sound design. The film had its world premiere at Fantasia Fest on July 27th, 2025, and later screened in the Midnight section of the 2026 Sundance Film Festival, where it received positive reviews from critics, with praise for Tuason's directing, atmosphere, and Kiri's performance. Tuason was kind enough to spend some time speaking with us about his work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from A24. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Rachel talks with director John Lyde about his career and new projects Seeking Persephone and Sleeping Beauty Next Door For all of our director interviews https://www.youtube.com/playlist?list=PLXv4sBF3mPUBlik8iWDeZHnwT0-SZkxyM Check out all our interviews https://www.youtube.com/playlist?list=PLXv4sBF3mPUA_0JZ2r5fxhTRE_-RChCj5 Send us your feedback at feedback@hallmarkiespodcast.com or the twitter call +1 (801) 855-6407 Check out the merch store and get our #hashtag shirts! http://dashery.hallmarkies.teepublic.com/ Please support the podcast on patreon at https://www.patreon.com/hallmarkies Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram Check out our website HallmarkiesPodcast.com Follow Rachel's blog at http://rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel's Reviews on youtube https://www.youtube.com/c/rachelsreviews Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer, director, and producer Fia Perera joined #CarolynTalks, to discuss her feature film MERMAID, about Cassie (Devyn McDowell), a Transgender girl who finds understanding and protection with Pepper (Arturo Luiz Soria), a world weary drag queen who reluctantly let's the littler girl into her heart and under her sequined wing.#LGBTQ #IndepdentFilm #Interview #Podcast For film details, visit https://www.pererapictures.com/about-9, or https://www.pererapictures.com/Find me on Social Media at: @CarrieCnh12To donate to my work, fund can be given through paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #KCrushVisit Authory.com/CarolynHinds to find links to all of my published film festival coverage, writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

Writer-director Amy Wang joins the No Film School podcast to discuss her debut feature, Slanted, and the long road from film school to theatrical release. In conversation with GG Hawkins, Wang reflects on leaving Australia for AFI, building a creative community in Los Angeles, learning to write as a practical path to survival in the industry, and what happened after Slanted premiered at SXSW 2025, won the Grand Jury Prize, and eventually landed distribution ahead of its 2026 theatrical release. In this episode, No Film School's GG Hawkins and guest Amy Wang discuss... How Fight Club inspired Wang to pursue filmmaking as a teenager in Sydney Why she left Australia for AFI and what it was like arriving in Los Angeles as an international student The real value of film school, especially for community-building and dedicated creative time Why learning to write became the key to sustaining a filmmaking career after graduation How a Black List script helped open doors in Hollywood The emotional and personal origins of Slanted Why body horror and comedy became the right form for exploring race, identity, and belonging How Slanted went from a logline to a financed feature What production and post looked like on a tight timeline before SXSW What it felt like to premiere at SXSW, hear audience reactions, and unexpectedly win the Grand Jury Prize The reality of selling an indie film in today's market, even after major festival recognition What Wang learned from working with Bleecker Street on the theatrical release Details about her next feature, Crescendo, set in the world of competitive piano Memorable Quotes: “If you don't come from money, if you don't have a famous uncle and you don't want to work at Starbucks for the next three to four years after you graduate, you need to learn how to write.” (12:48) “You can't let the highs be too high and you can't let the lows be too low.” (16:31) “It doesn't matter what I do, it doesn't matter who I am, how I speak, my personality is like, what my thoughts or how intelligent I am, people will always see my face first.” (19:08) “As long as you keep going, as long as you keep learning and changing and growing, I think you don't need to be the best throughout your life to be able to have a career in this industry.” (40:56) Guests: Amy Wang Resources: Slanted official film page Applying for Your O-1 Visa to Work in Film and TV Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

This week we're joined by writer/director Ian Tuason, whose new A24 horror film Undertone is creeping into theaters March 13. The film plays with a deceptively simple question: what if the scariest thing in a movie isn't what you see… but what you hear later? We talk with Ian about building tension through sound, the eerie psychology of playback and EVP recordings, and why something as innocent as a children's song can suddenly feel sinister when it's heard through fresh ears. He also tells us about filming the movie in his own childhood home, the challenge of creating tension with minimal visuals, and the trust it takes to let actors experiment when they're carrying so much of the film. Plus, we get into what excites him about stepping into the world of Paranormal Activity next. And of course, Ian builds his Spook'em Scare'em Starter Kit. Headphones recommended... COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

ANADROMOUS, 5min., USA Directed by Ari Grubb When they find themselves evolving out of their aquarium home, two fish set off on a musical journey of self-acceptance and queer joy, and find community in a freaky fish gay bar in the deepest depths of the ocean. https://www.instagram.com/anadromous_film —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

HALF PAST, 20min., USA Directed by Jonas Fryer A group of con artists learn the importance of trust during a heist where everything goes wrong. https://www.wildsound.ca/videos/audience-feedback-half-past https://jonasfryer.com/ —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Join Andrew, Gabe, Kyle, Tom, Mike, and Special Guest Maggie as they discuss two ambitious ingenues as they navigate new horizons hoping to ascend and advance! Will we be kind to Cruella? Or will The Devil Wears Prada have it's due?

Writer/director Peter Warren joins Filmmaker Mixer to discuss his SXSW film KILL ME, a gripping dark comedy thriller starring Charlie Day and Allison Williams. The film follows a man who wakes up in a bathtub with his wrists slit—but insists he didn't do it—launching a bizarre amateur murder investigation to prove someone else tried to kill him. In this conversation, Warren breaks down how he blended comedy, mystery, and deeply personal themes about depression to create a film that is both suspenseful and vulnerable. Drawing from his own experiences and years in Hollywood television and studio filmmaking, Warren explains how the project evolved into a whodunnit where the protagonist might also be the suspect.Filmmakers will learn about writing unreliable protagonists, balancing tone between comedy and serious subject matter, structuring a mystery, and transitioning from studio screenwriter to feature director.

This week's French Connection podcast episode covers one of the most thrilling and morally complicated films of 1971. Ryan, Mike, and Greg revisit The French Connection on Movie of the Year. William Friedkin's Best Picture winner changed what American cinema thought a hero could look like. In addition, this episode features a special Gene Hackman career retrospective.Released in 1971, the film follows New York City detective Jimmy "Popeye" Doyle — based on real NYPD detective Eddie Egan, with partner Sonny Grosso inspiring the character of Russo. Doyle pursues a massive heroin operation with little regard for the law or the people around him. As a result, the film won five Academy Awards, including Best Picture, Best Director, and Best Actor. It remains one of the defining films of the New Hollywood era.This Movie of the Year podcast episode is one of the most anticipated of the 1971 season. Before diving in, check out our recent episodes on The Last Picture Show and A Clockwork Orange.Joining the Taste Buds for this episode is special guest C. Craig Patterson A screenwriter, director, and filmmaker based in Los Angeles. An alum of Columbia University, NYU's Tisch School of the Arts, and USC's School of Cinematic Arts, Patterson brings serious cinematic credentials to the table. His short film Fathead won the Cannes Film Festival Best Student Short Award and earned an NAACP Image Award nomination. His scripts have been recognized by the Sundance Screenwriters Lab, The Black List, and the Academy's Nicholl Fellowship. Patterson also directed the critically acclaimed Roy Wood Jr. comedy special Imperfect Messenger for Paramount+. With projects currently in development at Paramount and Epic Games, he is one of the most exciting emerging filmmakers working today — and exactly the kind of guest who makes a film like The French Connection worth revisiting.The French Connection 1971 Podcast: Popeye Doyle — Hero, Antihero, or Something Worse?The central tension of this French Connection 1971 podcast discussion is what to make of Popeye Doyle. Gene Hackman plays him as a force of nature — relentless, racist, reckless, and completely compelling. He is not a good man, and he is barely a good cop. Nevertheless, the film frames his obsession as heroic, his instincts as genius, and his victory as worth celebrating.Ryan, Mike, and Greg dig into what Friedkin and screenwriter Ernest Tidyman were doing with Doyle. Is the film a critique of the kind of law enforcement he represents? Or is it simply in love with him? The answer is probably both. Ultimately, that ambiguity is what makes the character so difficult and so fascinating fifty years later.The Real Detectives Behind the StoryThe real detectives, Eddie Egan and Sonny Grosso, consulted on the film and even appear in small roles. Consequently, knowing the story is grounded in a real investigation makes Doyle's behavior harder to dismiss. These were not fictional excesses invented for dramatic effect, and the panel takes that seriously.Gene Hackman won the Academy Award for Best Actor for this role, beating out Peter Finch, Walter Matthau, George C. Scott, and Topol. Furthermore, it remains one of the most celebrated performances of the 1970s. The panel uses this episode to look back at Hackman's broader career and make the case for where he stands in the pantheon.For more on Gene Hackman's career, visit the Internet Movie Database.William Friedkin and the New Hollywood Crime FilmDirector William Friedkin approached The French Connection as a documentary-style thriller. He shot on location in New York City with handheld cameras and natural light, refusing to glamorize either the city or its characters. As a result, the film feels unlike almost anything else from 1971 — raw, kinetic, and deeply uncomfortable.The Taste Buds explore how Friedkin's direction shaped the film's identity. Most notably, the legendary car chase under the elevated train tracks in Brooklyn is widely considered one of the greatest action sequences ever filmed. Friedkin shot it on live New York City streets without fully stopping traffic, with a camera mounted to the front of the car. For critical analysis of the chase, the Criterion Collection offers essential reading.Friedkin After The French ConnectionJust two years later, Friedkin directed The Exorcist, cementing his place as one of the defining filmmakers of the decade. The panel discusses what the two films share and what The French Connection reveals about Friedkin's sensibility. In both cases, his camera feels like it is barely keeping up with reality — and that is entirely by design.For more on Friedkin's influence on American cinema, visit the American Film Institute.The French Connection Podcast Discussion: Justice and Its LimitsAt its core, The French Connection is about the gap between justice and the law. Popeye Doyle operates outside the rules, endangers civilians, shoots an unarmed man in the back, and ultimately fails to bring the main target to justice. Despite all of this, the film presents his pursuit not as tragedy but as the cost of doing business.Ryan, Mike, and Greg examine what the film says about the American justice system in 1971 — a moment of profound national disillusionment. Vietnam, the civil rights movement, and the early signs of Watergate were all in the air. Meanwhile, the "good guys" in this film are not good, the "bad guys" are not caught, and the audience is asked to root for the pursuit anyway.Race and Policing in The French ConnectionMoreover, the film's racial politics are impossible to ignore. Doyle's racism is presented as character texture rather than moral failing, and the film never fully grapples with the implications of the policing it depicts. That discomfort is an important part of the conversation this week.For historical context on the real case, visit the DEA's history of the French Connection.Gene Hackman Best Performances: A Career RetrospectiveThis episode includes a special segment on Gene Hackman's best performances. The Taste Buds make their case for the defining Hackman roles and debate his greatest work. In particular, they discuss what made him such an unusual screen presence: his everyman quality, his capacity for rage, and his refusal to tell the audience how to feel about his characters.His breakthrough came in Bonnie and Clyde in 1967, and his Oscar followed here in The French Connection. Subsequently, classics like The Conversation, Mississippi Burning, Unforgiven, and The Royal Tenenbaums cemented one of the most extraordinary bodies of work in American cinema. This segment celebrates an actor who never got quite enough credit for how good he really was.Why The French Connection 1971 Still MattersMore than fifty years later, The French Connection remains essential viewing. Beyond its technical achievements, it functions as a moral document — capturing a specific American mood: exhausted, suspicious, and uncertain about its own institutions.Ultimately, this French Connection podcast episode revisits the film as a living argument about power, obsession, and the stories we tell about law enforcement. It asks hard questions, and this episode doesn't let them off the hook.Related Episodes from Movie of the Year: 1971If you enjoyed this episode, check out the rest of the Movie of the Year 1971 series:The Last Picture Show — Bogdanovich, nostalgia, and a dying Texas townA Clockwork Orange — Kubrick, free will, and the limits of the stateBrowse all Movie of the Year episodesFAQ: The French Connection Podcast and FilmWhat is The French Connection podcast episode about?Ryan, Mike, and Greg discuss William Friedkin's 1971 Best Picture winner. Topics include Popeye Doyle, Friedkin's direction, justice, and a Gene Hackman career retrospective.What is The French Connection about?It follows NYPD detective Popeye Doyle, based on real detective Eddie Egan, as he pursues a massive heroin smuggling operation using methods that are often illegal and always reckless.Who directed The French Connection?William Friedkin directed the 1971...

Still celebrating 80 yrs of community radio! In today's episode WKXL's NH Unscripted with Ray Dudley one of the up and coming filmmakers in New Hampshire Tyler LaPlant stops by to chat about his short film "Joey's Big Reveal". Walking the FCC line very keenly we have a great discussion about the film, working in the industry, and (as always) more!! Like his nh theater auditions, the granite state actors he hired and the impact on the nh arts community.

A young, ambitious journalist will have her first high-profile live interview with the President. The country is on the verge of a significant war, externally and internally. After a series of questions, the interview takes a dangerous course. —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Two roommates, desperate to feel successful in the milieu of New York City, turn to macabre money-making schemes by performing underground surgeries and serving human meat to unsuspecting customers. https://www.keshav-srinivasan.com/the-flesh-people https://www.instagram.com/thefleshpeoplefilm —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Filmmaker and Acton Institute scholar Michael Matheson Miller joins Peter to discuss poverty in America. Back in 2014, Michael directed Poverty, Inc., an award-winning documentary that investigated and challenged the multi-billion-dollar poverty industrial complex around the world. His soon-coming film is Poverty Trap, which turns its attention to the failures of America's anti-poverty efforts.

Dylan Leonard is a filmmaker, lifelong athlete, and person with type 1 diabetes who has spent the last decade traveling the world, often in remote and high-stakes environments, while navigating the day-to-day reality of blood sugars, supplies, and unpredictability. In this conversation, Dylan shares how his early diagnosis at 15, shaped a mindset that became his anchor: “I'll figure it out.” That belief carried him through near-miss travel moments, years on MDI without community, and the often invisible shame of managing diabetes while trying to feel “normal.”What shifted for Dylan was not just upgrading tech. It was discovering community, finding the right support, and realizing he was uniquely positioned to serve the version of himself who once felt alone and uninformed. That is what led to Breaking Limits, a multi-year documentary project highlighting athletes with type 1 diabetes and the experts who support them. This episode is a powerful reminder that education, tools, and community can change everything, and that your next chapter with T1D can be bigger than your fears. WHAT WE COVER:Running out of low snacks in a foreign country, tech failing mid-trip, and insulin chaos abroad — Dylan shares the scariest travel moments he's faced with Type 1.Diagnosed at 15 and convinced his basketball dreams were over — the moment Dylan had to decide if diabetes would stop him or fuel him.For 10 years Dylan managed Type 1 with finger sticks, MDI, and zero diabetes community — until one turning point changed everything.From hiding his diabetes on dates and during college recruiting… to publicly sharing his story with the world.The untold story behind the Breaking Limits documentary — the setbacks, funding struggles, and why Dylan is determined to release it free on YouTube.WHAT'S NEXT:

Today I am joined by Ashley Morales to talk about movies, the upcoming Oscars and more For our best and worst of 2025 https://youtu.be/R9Cv54qxsPA For our best and worst of 2024 https://youtu.be/yLxTEa15O2E For our Best and Worst of 2023 https://youtu.be/hMWAOEder1A Follow Manda on twitter https://twitter.com/amxndareviews Follow Molly on twiitter https://twitter.com/RasberryRazz For our first episode with Molly and Manda https://traffic.megaphone.fm/ADV4398866680.mp3?updated=1630629175 Get our awesome Female Film Critics Speak Out logo at our merch store for all kinds of designs for mugs, masks, shirts and more https://www.teepublic.com/stores/hallmarkies?ref_id=8581 For all our Female Film Critics panels https://www.youtube.com/playlist?list=PL7wz447AgL4y6x38rcvZNfRlfYQUgWpDP Check out the Online Association of Female Film Critics https://oaffc.com/ Check out Cherry Picks https://www.thecherrypicks.com Please support my content on patreon at https://www.patreon.com/hallmarkies Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Follow Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Rachel's Reviews at https://rachelsreviews.net Follow Rachel on twitter https://twitter.com/rachel_reviews Follow Rachel on facebook https://www.facebook.com/smilingldsgirlreviews/ Find the patreon at https://www.patreon.com/hallmarkies Check out Hallmarkies Twitter at https://twitter.com/HallmarkiesPod Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I am joined by Ashley Morales to talk about movies, the upcoming Oscars and more For our best and worst of 2025 https://youtu.be/R9Cv54qxsPA For our best and worst of 2024 https://youtu.be/yLxTEa15O2E For our Best and Worst of 2023 https://youtu.be/hMWAOEder1A Follow Manda on twitter https://twitter.com/amxndareviews Follow Molly on twiitter https://twitter.com/RasberryRazz For our first episode with Molly and Manda https://traffic.megaphone.fm/ADV4398866680.mp3?updated=1630629175 Get our awesome Female Film Critics Speak Out logo at our merch store for all kinds of designs for mugs, masks, shirts and more https://www.teepublic.com/stores/hallmarkies?ref_id=8581 For all our Female Film Critics panels https://www.youtube.com/playlist?list=PL7wz447AgL4y6x38rcvZNfRlfYQUgWpDP Check out the Online Association of Female Film Critics https://oaffc.com/ Check out Cherry Picks https://www.thecherrypicks.com Please support my content on patreon at https://www.patreon.com/hallmarkies Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Follow Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Rachel's Reviews at https://rachelsreviews.net Follow Rachel on twitter https://twitter.com/rachel_reviews Follow Rachel on facebook https://www.facebook.com/smilingldsgirlreviews/ Find the patreon at https://www.patreon.com/hallmarkies Check out Hallmarkies Twitter at https://twitter.com/HallmarkiesPod Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textAnthony Ma is an award winning actor, filmmaker, and voiceover artist from Arcadia, California whose career spans television, film, animation, dubbing, and directing. On screen, he has appeared in series including Scandal, S.W.A.T., This Is Us, Mom, Dear White People, NCIS: LA, The Mentalist, Castle, Shameless, and more. Beyond acting, he has built an impressive voice career across animation, Korean and Japanese dubbing, video games, and audio dramas.In this conversation, Anthony shares the journey behind his work as a storyteller and creative whose mission goes beyond performance. His voice credits include Blue Eye Samurai, Her Blue Sky, Marry My Husband, Bloodhounds, Pachinko, and First Love, showing the range and adaptability that have made him a sought after talent across multiple mediums. As a filmmaker, he also wrote and produced Chinese Antique, created the feature Elevator, and was part of Staycation, which premiered at the final LA Film Festival and received the LA Muse Fiction Award.A major focus of this episode is Anthony's directorial debut short, God & Buddha Are Friends, a film inspired by childhood experience that explores faith, family, culture, and identity through a distinctly San Gabriel Valley lens. The short won Best Narrative Short and Best Short Screenplay at the Studio City International Film Festival and also screened at the Los Angeles Asian Pacific Film Festival, CAAM Fest, and HAAPIFEST.Anthony also talks about community, representation, and his work co founding and leading the Taiwanese American Film Festival from 2017 to 2019. At the heart of everything he does is a desire to tell bold, human stories about the many layers of Asian American life, with honesty, depth, and humor. This episode is for anyone interested in acting, filmmaking, voiceover, Asian American storytelling, and what it takes to build a creative life with purpose._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Filmmaker and Acton Institute scholar Michael Matheson Miller joins Peter to discuss poverty in America. Back in 2014, Michael directed Poverty, Inc., an award-winning documentary that investigated and challenged the multi-billion-dollar poverty industrial complex around the world. His soon-coming film is Poverty Trap, which turns its attention to the failures of America's anti-poverty efforts.

Last week we had Zac Polston, well, this is the other half of the Vanguard. Gavin Charles is a YouTuber, Journalist, and Filmmaker. He's the creator of the Found Footage Indie Horror series, No Clip, and, as mentioned, he's the co-host of the YouTube Breadtube show, the Vanguard.

Filmed at Hawai‘i's Hapuna Beach, one of the most beautiful and dangerous shorelines in the islands, Pick It Up, America: Life Is a Beach is a heartfelt call for stewardship, ocean safety, and respect. Through interviews with lifeguards, keiki, locals, and dive experts, this short documentary reminds us that caring for our oceans means more than picking up your trash it means picking up awareness, responsibility, and love for the ʻāina. A vital message for families, tourists, and communities everywhere. https://kimberaleigh.com https://www.instagram.com/kimberaleigh/ https://www.facebook.com/kimberaleigh/ —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Two Argentinian designers and lifelong friends, Sandra and Martina, are chosen at the last minute to travel to Milan during Fashion Week to present their collection in a competition for emerging Latin brands. Elated, they leave behind a Buenos Aires collapsed by floods, blackouts, and a deep economic crisis and set off for a city of dreams and catwalks.At first, Italy seems to be everything they imagined: attractive men, a rich culture, gelato... but the fantasy quickly crumbles when they lose their dresses and tension grows between them. Surrounded by haute couture, inflated egos, and unexpected obstacles, they must face not only fierce competition but also wounds from the past that have never quite healed.As the glamour fades, they realize that the real challenge is not to win, but to rediscover that which brought them together from the beginning: the passion to create and tell a story with every stitch. They will have to decide if they are ready to sew a new beginning. https://www.instagram.com/deleonmartin/ —- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

A charming cult film with one of the most brilliantly bizarre premises of all time, Time After Time became a huge influence on the time travel movies that followed it. Filmmaker and co-host of Nothing New Justin Quizon makes his Underrated debut discussing the quirky charm of this 1979 feature.For more info, head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠underratedmoviepodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://patreon.com/UnderratedMoviePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://instagram.com/underratedmoviepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.tiktok.com/@underratedmoviepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/channel/UCAbpTHWyBle7yKJv4-gR_g⁠⁠⁠⁠

What does it take to color an entire afterlife? In this episode of Filmmaker Mixer, we're joined by colorist and Elemental Post co-creator David Tomiak to break down his work on A24's Eternity.David discusses collaborating from pre-production, drawing from mid-century cinema, building custom film grain inspired by early Eastman stock, and balancing playful detail with visual consistency. We dive into standout scenes, world-building through color, and how early color decisions can save indie films in post.Perfect for filmmakers interested in color grading, post-production workflow, and creative collaboration.

Hi gang! Leyla here. I'm not feeling too ✨jazzy✨ so this week Aaron has generously agreed to rerun an old episode, so I can have some time to reset and be ready to further discuss the Fountainhead next episode. Please enjoy!  --- Original Description:  This week, we round out our month of romance with 1990's "Pretty Woman" and 2003's "Something's Gotta Give!" We discuss our undying love for Julia Roberts, the differences between love scenes and character arcs, and the wildest reason you could have a pair of scissors in your nightstand.  also if you listen through the whole episode you do get to hear the funniest joke Aaron's ever made that will only land if you use tumblr  --- Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Our other projects: Aaron's TTRPGs Aaron's TTRPG Reviews aavoigt.com

Writer, director and actor Mekhai Lee joined me for #CarolynTalks, to discuss THEM THAT'S NOT, his short film starring Angel Theory as a deaf queer poet caught between her feelings of grief at her Grandmother's passing, and feeling isolated amongst her family members at the funeral.#LGBTQ #ShortFilm #Disability #Interview #FilmCritic THEM THAT'S NOT co-stars Biko Eisen-Martin and Carrie Compere, and is an official selection at the 2026 #SXSW Film Festival.Follow Mekhai on social media https://www.instagram.com/lifeofkhaiii__/Find me on Social Media at: @CarrieCnh12To donate to my work, fund can be given through paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #KCrushVisit Authory.com/CarolynHinds to find links to all of my published film festival coverage, writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

Send a textEver yell at your screen because the boom mic is right there? We sat down with Chicago filmmaker Will Adams to unpack how he turned the internet's favorite “bad movie” moments into a sharp, self-aware comedy that has audiences laughing with the filmmakers instead of at them. From fake eating and no-blood gunfights to the infamous not-really-kissing kiss, Will bakes the jokes into the script, then lets pros like Damon Williams, Adele Givens, and B. Cole deliver them with perfect timing.We dig into why writing is the single biggest lever for indie film quality and how a tight script can survive rough edges that fancy cameras can't hide. Will lays out a practical blueprint—write first, lock locations, then cast with dates—and explains why unstructured improv often wrecks continuity and pacing. As a director, he owns the vision, coaching performances until the line clicks because “that's a cut” is a promise to the audience. His Chicago upbringing—code-switching between grandma's grammar lessons and South Side cadence—shows up in dialogue that sounds lived-in, not lab-built, and in his refusal to box Black stories into endless gangster reruns.We also talk distribution and discoverability, the power of watching comedy with a crowd, and the music puzzle: why he partners with a composer to nail tone while dodging rights landmines. Will's influences span Pulp Fiction and Snatch, structures where every character is the star of their own thread before everything collides. That DNA shapes the film's spine, preventing sketch chaos and rewarding attention with layered payoffs. Before we wrap, Will teases Fluke—think Atlanta meets Curb Your Enthusiasm—about an out-of-work actor who keeps failing upward, proof that there's room for fresh, funny, human stories that don't recycle the same tired tropes.If you're hungry for smarter laughs and better craft, hit play, share the link with a note, and tell a friend what gag destroyed you. And if you're new here, tap follow, rate the show, and drop a review—your words help more curious listeners find us.Subscribe to our YouTube Channel: The SHITTS Podcast. Follow us on Spotify, Apple Podcasts, and iHeart Radio. Subscribe and comment.

While the Left accuses Trump of using tensions in Iran to distract from the Epstein files, a deeper cover-up is unfolding: both parties have blocked the release of taxpayer-funded "slush fund" details used to settle misconduct claims against Congress. We dive into why the American people deserve to know who was accused and how much it cost us. Plus, we analyze the fallout of Kristi Noem’s firing—did it actually benefit the Administration or the Democrats? Later, President Trump makes a bold offer to the IRGC, and Greg the Filmmaker joins us to mock the most ridiculous "lefties of the week" and crown our latest Hero & Stink. Guests: Joe Messina (The Joe Messina Show) & Gregory Rabidoux.Support Our Mission: https://www.paypal.com/donate/?hosted_button_id=ZMGRBFGDJKRS8See omnystudio.com/listener for privacy information.

"Children No More: Were And Are Gone" is a documentary short film directed by Hilla Medalia. It follows activists in Tel Aviv who gather weekly to demonstrate their opposition to the war in Gaza with a silent vigil for the children killed in Israeli attacks. The film had its world premiere at DOC NYC, where it received positive reviews, and has since been nominated for Best Documentary Short Film at the 98th Academy Awards. Medalia was kind enough to spend some time speaking with us about her experience and work on the film, which you can listen to below. We hope you'll be able to check out the film one day, which currently has no U.S. distributor. It is up for your consideration for this year's Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

February 24—Following a screening of the documentary Look & See: A Portrait of Wendell Berry during the weekend of Feb. 20–22, 2026, filmmaker Laura Dunn and Mary Berry, executive director of The Berry Center, joined Library of America for an online Q&A focused on the film and its subject: author, poet, farmer, and activist Wendell Berry and his home in Henry County, KY. Hosted by Ben Lasman, online content and community manager for Library of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Host Jeff Goldsmith talks to screenwriter Colby Day about his latest film, In the Blink of an Eye. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

"All The Empty Rooms" is an American documentary short film, directed and produced by Joshua Seftel. It follows Steve Hartman and photographer Lou Bopp as they embark across the United States to memorialize the bedrooms of children killed in school shootings. The film had its world premiere at the 52nd Telluride Film Festival and received positive reviews. Netflix released it globally on its streaming service on December 1st. It has been nominated for the Best Documentary Short Film at the 98th Academy Awards. Seftel was kind enough to spend some time speaking with us about his experience and work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration for this year's Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Jane Austen's Period Drama" is a 2024 English-language short comedy film written and directed by Julia Aks and Steve Pinder. The film is a satire on Jane Austen's "Pride and Prejudice." The film had its world premiere at the 39th Santa Barbara International Film Festival and has been nominated for the Best Live Action Short Film at the 98th Academy Awards. Julia Aks and Steve Pinder were both kind enough to spend some time speaking with us about their experience and work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on YouTube and is up for your consideration for this year's Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Geeta Gandbhir has made history as the first woman to receive Academy Award nominations for both Best Documentary Feature (for The Perfect Neighbor) and Best Documentary Short (The Devil Is Busy) in the same year. The Perfect Neighbor looks at the case of a 35-year-old Black mother of four who was fatally shot in 2023 by her white neighbor. The Devil Is Busy chronicles a day on the frontlines in the battle for reproductive rights at a women's healthcare clinic in Atlanta, Georgia.

She was raised inside what was framed as a sexually liberated utopia. And it took years for her to recognize it for what it was: a sex cult.In this unsettling and deeply thoughtful episode of Holly Randall Unfiltered, Inka Winter shares what it was like to grow up inside a radical art collective that erased boundaries, blurred consent, and normalized control under the banner of free love.Inka breaks down how cult logic shaped her understanding of sex, power, and autonomy, and how those early experiences eventually led her to become an erotic filmmaker, sex educator, and founder of a feminist production company centered on consent and the female gaze.The conversation dives into porn literacy, sex education, fantasy versus reality, and why censorship and silence make people more vulnerable, not safer. Inka explains how the same control structures found in cults still exist in society today, especially in the way sex is regulated, taught, and restricted.Smart, disturbing, and necessary, this episode challenges how we think about sexuality, media, and who gets to decide what is acceptable.Want the unedited, uncensored live tapings + bonus Q&A where fans can ask questions? Join our Patreon.https://patreon.com/hollyrandallunfilteredThis episode is brought to you by Stripchat, the exclusive sponsor of Holly Randall Unfiltered.https://www.instagram.com/scworld.officialBecome a supporter of this podcast: https://www.spreaker.com/podcast/holly-randall-unfiltered--6630320/support.

Geeta Gandebhir has made history as the first woman to receive Academy Award nominations for both Best Documentary Feature (for “The Perfect Neighbor”) and Best Documentary Short (“The Devil is Busy”) in the same year. “The Perfect Neighbor” looks at the case of a 35-year-old Black mother of four, who was fatally shot in 2023 by her white neighbor. “The Devil is Busy” chronicles a day on the frontlines in the battle for reproductive rights at a women's healthcare clinic in Atlanta, Georgia.

Williamson speaks with award-winning documentarian Deeyah Kahn about the state of our democracy, what's happening in the world today and where things are headed now. Subscribe to Marianne's Substack: MarianneWilliamson.Susbtack.com Subscribe to Marianne's YouTube Channel Follow Marianne on Instagram Follow Marianne on Facebook Follow Marianne on TikTok Learn more at Marianne.com