Podcasts about Aymar

Brad discute avec Mike et Aymar des annonces marquantes des conférences gaming, State of Play, SGF et XBOX conf.

Lo que comenzó como un recorrido por Madrid… terminó convirtiéndose en una conversación profunda sobre negocios, inteligencia artificial, crecimiento personal y la evolución del emprendimiento moderno.

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Can producing stories and developing platforms to support people who have been harmed by multiple, intersecting systems heal those systems? In Reparative Media: Cultivating Stories and Platforms to Heal Our Culture (MIT Press, 2025), Aymar Jèan Escoffery argues that this is exactly how we repair our culture and heal harms from racism, sexism, classism, homophobia, transphobia, ableism, and religious discrimination: by reconsidering how we make media, how we connect through technology, and how we generate knowledge.Based on five years of deep, complex work cocreating an independent alternative to platforms like Netflix and YouTube, the author reveals the process behind developing OTV | Open Television to stream stories by diverse creators. The book shows that planting seeds for a more community-based media and tech ecosystem can also reform corporate systems better than so-called diversity, equity, and inclusion (DEI) programs, as the platform helped elevate creators on social media and in Hollywood at companies like HBO, Netflix, and more. Combining theory and practice, local production and global distribution, Chicago and Hollywood, the book paints a portrait of what a healing media ecosystem looks like—and shows how communal ways of knowing can cultivate reparative media, technology, and research that benefit everyone no matter how they identify. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Can producing stories and developing platforms to support people who have been harmed by multiple, intersecting systems heal those systems? In Reparative Media: Cultivating Stories and Platforms to Heal Our Culture (MIT Press, 2025), Aymar Jèan Escoffery argues that this is exactly how we repair our culture and heal harms from racism, sexism, classism, homophobia, transphobia, ableism, and religious discrimination: by reconsidering how we make media, how we connect through technology, and how we generate knowledge.Based on five years of deep, complex work cocreating an independent alternative to platforms like Netflix and YouTube, the author reveals the process behind developing OTV | Open Television to stream stories by diverse creators. The book shows that planting seeds for a more community-based media and tech ecosystem can also reform corporate systems better than so-called diversity, equity, and inclusion (DEI) programs, as the platform helped elevate creators on social media and in Hollywood at companies like HBO, Netflix, and more. Combining theory and practice, local production and global distribution, Chicago and Hollywood, the book paints a portrait of what a healing media ecosystem looks like—and shows how communal ways of knowing can cultivate reparative media, technology, and research that benefit everyone no matter how they identify. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Can producing stories and developing platforms to support people who have been harmed by multiple, intersecting systems heal those systems? In Reparative Media: Cultivating Stories and Platforms to Heal Our Culture (MIT Press, 2025), Aymar Jèan Escoffery argues that this is exactly how we repair our culture and heal harms from racism, sexism, classism, homophobia, transphobia, ableism, and religious discrimination: by reconsidering how we make media, how we connect through technology, and how we generate knowledge.Based on five years of deep, complex work cocreating an independent alternative to platforms like Netflix and YouTube, the author reveals the process behind developing OTV | Open Television to stream stories by diverse creators. The book shows that planting seeds for a more community-based media and tech ecosystem can also reform corporate systems better than so-called diversity, equity, and inclusion (DEI) programs, as the platform helped elevate creators on social media and in Hollywood at companies like HBO, Netflix, and more. Combining theory and practice, local production and global distribution, Chicago and Hollywood, the book paints a portrait of what a healing media ecosystem looks like—and shows how communal ways of knowing can cultivate reparative media, technology, and research that benefit everyone no matter how they identify. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Can producing stories and developing platforms to support people who have been harmed by multiple, intersecting systems heal those systems? In Reparative Media: Cultivating Stories and Platforms to Heal Our Culture (MIT Press, 2025), Aymar Jèan Escoffery argues that this is exactly how we repair our culture and heal harms from racism, sexism, classism, homophobia, transphobia, ableism, and religious discrimination: by reconsidering how we make media, how we connect through technology, and how we generate knowledge.Based on five years of deep, complex work cocreating an independent alternative to platforms like Netflix and YouTube, the author reveals the process behind developing OTV | Open Television to stream stories by diverse creators. The book shows that planting seeds for a more community-based media and tech ecosystem can also reform corporate systems better than so-called diversity, equity, and inclusion (DEI) programs, as the platform helped elevate creators on social media and in Hollywood at companies like HBO, Netflix, and more. Combining theory and practice, local production and global distribution, Chicago and Hollywood, the book paints a portrait of what a healing media ecosystem looks like—and shows how communal ways of knowing can cultivate reparative media, technology, and research that benefit everyone no matter how they identify. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Can producing stories and developing platforms to support people who have been harmed by multiple, intersecting systems heal those systems? In Reparative Media: Cultivating Stories and Platforms to Heal Our Culture (MIT Press, 2025), Aymar Jèan Escoffery argues that this is exactly how we repair our culture and heal harms from racism, sexism, classism, homophobia, transphobia, ableism, and religious discrimination: by reconsidering how we make media, how we connect through technology, and how we generate knowledge.Based on five years of deep, complex work cocreating an independent alternative to platforms like Netflix and YouTube, the author reveals the process behind developing OTV | Open Television to stream stories by diverse creators. The book shows that planting seeds for a more community-based media and tech ecosystem can also reform corporate systems better than so-called diversity, equity, and inclusion (DEI) programs, as the platform helped elevate creators on social media and in Hollywood at companies like HBO, Netflix, and more. Combining theory and practice, local production and global distribution, Chicago and Hollywood, the book paints a portrait of what a healing media ecosystem looks like—and shows how communal ways of knowing can cultivate reparative media, technology, and research that benefit everyone no matter how they identify. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

En este nuevo episodio de El Podcast de Druni, charlamos con Jaume Aymar, también conocido como Mind Sylenth, para conocer su historia más allá de lo que se ve en redes y escenarios.Aunque muchos le conocen por su trayectoria como DJ y productor, en este episodio nos centramos en su lado más personal. Hablamos de cómo ha aprendido a convivir con el TOC y de qué manera esto ha influido en su forma de pensar, sentir y enfrentarse a la vida. También profundizamos en qué fue lo que lo desencadenó y en todo el proceso que ha vivido hasta entenderlo, trabajarlo y transformarlo en una herramienta con la que ahora busca ayudar a otras personas¡No olvides suscribirte y activar las notificaciones para más episodios como este!Bernardo: https://www.instagram.com/bernardocasp/Juame: https://www.instagram.com/mindsylenthdj/TikTok: https://www.tiktok.com/@druni Contacto: podcast@druni.es / marta.martinez@druni.es

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Les open worlds sont-ils allés trop loin ?Avec Crimson Desert, Pearl Abyss promet un monde immense, annoncé comme plus grand que Skyrim et même plus vaste que Red Dead Redemption 2. Sur le papier, c'est spectaculaire. Mais en 2026, de plus en plus de joueurs expriment aussi une fatigue : cartes surchargées, quêtes annexes à répétition, durée de vie gonflée artificiellement, sentiment de ne jamais “voir le bout” d'un jeu. Pendant ce temps, des expériences plus resserrées, plus rythmées et plus lisibles continuent de séduire, à l'image du succès récent de Resident Evil Requiem ou encore d'Astro Bot.Dans cette émission, on débat du vrai sujet :la taille d'un monde ouvert est-elle encore une qualité en soi ?Pourquoi les AAA font-ils des jeux toujours plus vastes ?Pourquoi tant de joueurs ont-ils aujourd'hui le sentiment d'être noyés sous les activités ?Et à l'inverse, pourquoi les jeux plus linéaires ou semi-linéaires donnent-ils parfois une meilleure sensation de rythme, d'intensité et de satisfaction ?On parle aussi de structure de game design, de contraintes de développement, de streaming du monde, d'IA, de narration, de rythme, de densité, de remplissage, et de ce qui distingue un grand open world réussi d'une simple gigantesque checklist déguisée.Au programme :• Crimson Desert et la fuite en avant du gigantisme• Pourquoi les open worlds grossissent encore• Le problème du remplissage et de la fatigue du joueur• Pourquoi les jeux “couloirs” reviennent en grâce• Les contraintes techniques : streaming, mémoire, IA, QA, level design• Comment rythmer un open world sans le transformer en corvéeDites-moi en commentaires :vous préférez un jeu de 12 heures ultra maîtrisé, ou un open world de 80 à 150 heures ?#CrimsonDesert #OpenWorld #JeuxVideo▬ ▬ ▬  NOUS SOUTENIR  ▬ ▬ ▬

Cette semaine, Brad jase avec Aymar du film The Bluff, Knight of seven Kingdom, Bugonia, le changement de leadership chez Xbox et plein d'autres sujets.

Le rappeur Kerchak présente son premier album 34 sorti le 16 janvier 2026. Et Frank Vulgaire, créateur du Dockside Comedy Club qui, le 24 janvier, réunira sur scène des humoristes originaires des Comores. L'évènement aura lieu dans le 18ème arrondissement de Paris. Ils répondent aux questions de Claudy Siar, Laura Mbakop et Queen Stelyna. Originaire des Hauts-de-Seine, Kerchak propose un album authentique, aboutissement de 18 mois de travail et de réflexion. Inspiré par la trap des années 2010, l'artiste dit s'être livré comme dans aucun autre de ses projets. Pour ce nouveau projet, il accorde autant d'importance à l'esthétique qu'à son propos. Playlist du 21 janvier : Kerchak - D Kerchak - Fiak Kerchak feat Himra - Thomas Sankara Kerchak feat Naza - Alicia Ariana Plus d'informations sur Kerchak Sur la scène du Dockside Comedy Club, seront sur scène les humoristes Benito, Nas Botra, Aliana, Lewis, Tony HBS et Aymar. Plus d'informations sur le Dockside Comedy Club. Pour visionner les clips, cliquez sur les titres des chansons. Retrouvez la playlist officielle de RFI Musique.

Le rappeur Kerchak présente son premier album 34 sorti le 16 janvier 2026. Et Frank Vulgaire, créateur du Dockside Comedy Club qui, le 24 janvier, réunira sur scène des humoristes originaires des Comores. L'évènement aura lieu dans le 18ème arrondissement de Paris. Ils répondent aux questions de Claudy Siar, Laura Mbakop et Queen Stelyna. Originaire des Hauts-de-Seine, Kerchak propose un album authentique, aboutissement de 18 mois de travail et de réflexion. Inspiré par la trap des années 2010, l'artiste dit s'être livré comme dans aucun autre de ses projets. Pour ce nouveau projet, il accorde autant d'importance à l'esthétique qu'à son propos. Playlist du 21 janvier : Kerchak - D Kerchak - Fiak Kerchak feat Himra - Thomas Sankara Kerchak feat Naza - Alicia Ariana Plus d'informations sur Kerchak Sur la scène du Dockside Comedy Club, seront sur scène les humoristes Benito, Nas Botra, Aliana, Lewis, Tony HBS et Aymar. Plus d'informations sur le Dockside Comedy Club. Pour visionner les clips, cliquez sur les titres des chansons. Retrouvez la playlist officielle de RFI Musique.

Ombeline raconte les premiers jours en mer, l'adaptation au bateau, la découverte du rythme en voilier et les escales qui les ont menés jusqu'aux Açores. Une entrée en matière qui pose les bases de leur voyage en famille.Premiers jours de navigation avec Aymar et Castille ;Installations de sécurité, gestion de la gîte, premiers repères ;Escales en Espagne, Portugal, Madère et Canaries ;Découverte du Cap-Vert avant la boucle retour ;Arrivée aux Açores et premières impressions d'un archipel très nature.Pour écouter l'épisode en entier :Partir 11 mois avec 2 enfants en voilier-----------Si l'épisode vous a plu, laissez-moi une note 5 ⭐️ou un commentaire sur Apple Podcasts ou Spotify

Faire un voyage en famille, c'est déjà une aventure. Le faire en voilier pendant près d'un an, avec deux enfants de 2 ans et demi et 4 mois, c'est un autre rythme, une autre façon de voir le monde. Ombeline, Tugdual, Aymar et la petite Castille ont quitté la région parisienne pour vivre un tour de l'Atlantique Nord. Un projet imaginé bien avant l'arrivée des enfants et qui a pris forme au fil des mois, entre préparation, apprentissage du monde marin et envie de liberté.Dans cet épisode, Ombeline revient sur leur expérience : comment le projet est né, comment ils ont géré la sécurité à bord, comment ils ont organisé leur itinéraire et ce que le voyage en bateau leur a apporté.Si vous cherchez une idée de voyage en famille différente, ou que la voile vous attire un peu sans savoir par où commencer, leur récit devrait vous donner des pistes très concrètes.-----------Si l'épisode vous a plu, laissez-moi une note 5 ⭐️ou un commentaire sur Apple Podcasts ou Spotify

El freerider Aymar Navarronos lleva a su territorio: riesgo, técnica y respeto máximo por la montaña. Una conversación que refleja cómo Seiko Prospex acompaña a quienes viven el deporte desde la intensidad y la aventura.See omnystudio.com/listener for privacy information.

El camino de un jovencito que pasaba sus horas en un club de barrio tratando de embocar la pelota en el cesto a un representante de los mejores exponentes del deporte de Argentina. (Ginobilli, Aymar, Paretto, entre otros.) Contando cómo en su oficina cuelgan más de 20 medallas. Objetivo: "Ser la mejor versión de mi mismo". Vale la pena escuchar su historia.

Send us a textIn this episode of The Book Fix, Yajaira and Cheli dive into Caitlin Starling's newest gothic horror, The Starving Saints—a fever dream of faith, hunger, and madness set in the Aymar castle. We begin with a full breakdown of the novel: Aymar Castle has been under siege for six months, with food and hope nearly gone. Just as desperation sets in, salvation appears in the form of the Constant Lady and her Saints—divine, godlike figures who somehow enter the sealed fortress. With their arrival comes abundance: the starving are fed, the sick are healed, and despair is replaced by ecstasy. But their gifts come at a price. The castle's people, caught between starvation and salvation, surrender themselves to intoxicating feasts of terrible origin. Join the besties as they discuss whether or not they would recommend this horror book. Support the showOur Linktree: https://linktr.ee/thebookfix?utm_source=linktree_admin_sharebecome our Patron ♡ https://www.patreon.com/BookFixbuy us a book ♡ https://www.buymeacoffee.com/thebookfixBusiness Inquiries: thebookfixpodcast@gmail.comfollow us on Tiktok! ♡ https://www.tiktok.com/@thebookfix

Cette semaine. Brad discute avec Aymar et Kira de la Taverne du gamer. On parle de Hong Bak, Naked Gun, Métal Gear Solid Snake eater et plein d'autres sujets.

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La mejor jugadora de hockey de todos los tiempos habló en exclusiva con #SportMusicRadio en su ciudad natal con Flor Decillo .En el marco de una charla organizada por Sancor Salud, Lucha compartió su historia en primera persona: sus comienzos en #Rosario , la pasión que la llevó a lo más alto y los desafíos que marcaron su carrera.

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(Día Internacional del Refugiado) En el año 1916, en medio de la Primera Guerra Mundial, Juan Ramón Jiménez viajó por tierra y mar desde Madrid hasta Nueva York para casarse con la escritora y lingüista Zenobia Camprubí Aymar, que provenía de una acomodada familia catalano-puertorriqueña. La crónica de su viaje transatlántico la plasma en un diario íntimo que llega a ser una de sus obras más reconocidas por su audacia literaria, titulada: Diario de un poeta recién casado. Se divide en seis partes, en las que el autor documenta sus impresiones cotidianas al viajar desde Madrid hasta su pueblo natal de Moguer en la provincia de Huelva, y luego a Cádiz; desde Cádiz hasta Nueva York (donde se casa el 2 de marzo, y donde pasa buena parte de su residencia en los Estados Unidos entre enero y julio); y luego desde Nueva York de regreso a Madrid vía Cádiz y Moguer. El 20 de junio Juan Ramón y Zenobia desembarcan en Cádiz, donde comienza la quinta parte del diario, titulada «España». «¡Patria y alma! —exclama el poeta—. / Una abriga a la otra... / de la cuna a la muerte. / ... Ahora que el cuerpo entró en su patria, / el alma se le entra. / ¡Así, bien lleno! ¡Así, todo completo! / ¡Con mi alma, en mi patria!» Los recién casados visitan el colegio de San Luis Gonzaga en el Puerto de Santa María donde estudió Juan Ramón, y luego van a Moguer. Como es de esperar, allí la familia los recibe con cariño y con regalos de bodas. El 30 de junio, durante el retorno a Sevilla con destino a Madrid, el poeta le dedica a su madre los siguientes versos: ¡Qué bien le viene al corazón su primer nido! ¡Con qué alegre ilusión torna siempre volando a él; con qué descuido se echa en su fresca ramazón, rodeado de fe, de paz, de olvido! ... ¡Y con qué desazón vuelve a dejarlo, pobre y desvalido! ¡Parece que, en un trueque de pasión, el corazón se trae, roto, el nido, [y] se queda en el nido, roto, el corazón!1 Veinte años después, celebrado ya su Aniversario de Porcelana, la guerra civil de 1936 sorprendió a Juan Ramón y a Zenobia en Madrid, desde donde lograron volver a marcharse a América. Exiliado voluntario, en 1958 el poeta, ahora Premio Nobel español, murió en la isla de Puerto Rico sin haber querido volver a su patria, también roto el corazón por el fallecimiento de su esposa un año y medio antes que él.2 Quiera Dios que quienes añoramos nuestra patria desde lejos, al recordar nuestro primer nido determinemos más bien ocupar para siempre el glorioso nido que Jesucristo fue a preparar para los que nos hagamos ciudadanos de la patria celestial. Así podremos decir junto con los salmistas de Israel: ¡Cuán hermosas son tus moradas, Señor Todopoderoso! Anhelo con el alma los atrios del Señor; casi agonizo por estar en ellos. Con el corazón, con todo el cuerpo, canto alegre al Dios de la vida. Mi Dios y rey, Dios del universo, cerca de tu altar gorriones y golondrinas hallan lugar para sus nidos y allí ponen a sus polluelos. Felices quienes moran en tu casa y te alaban sin cesar.3 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Juan Ramón Jiménez, Diario de un poeta recién casado (1916) (Madrid: Casa Editorial Calleja, 1917), pp. 220, 233; Enrique González Duro, Biografía interior de Juan Ramón Jiménez (Madrid: Ediciones Libertarias, 2002), p. 116; Wikipedia, s.v. «Zenobia Camprubí» En línea 18 diciembre 2018. 2 Diego Marín, Literatura española, Tomo 2: Época moderna (New York: Holt, Rinehart and Winston, 1968), p. 308. 3 Sal 84:1-2 (NVI), 3 (TLA), 5 (BLPH)

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LES JEUX AU MEILLEUR PRIX AVEC ENEBA.com – Le meilleur endroit pour acheter des jeux (PS4, Xbox, PC) : https://ene.ba/TheSharePlayersCartes cadeau numériques https://ene.ba/TheSharePlayers-Gift-CardsAchetez vos jeux vidéo favoris Dragon Ball au meilleur prix ! https://ene.ba/TheSharePlayers-GamesDays Gone sur PS5 ça donne quoi ? Analyse technique et réflexion sur l'ouevre, qui mériterait une uite mais en sera privé malgré de très bons scores pour une nouvelle franchise.#daysgone #PS5 #PS5PRO

ENEBA.com – Le meilleur endroit pour acheter des jeux (PS4, Xbox, PC) https://ene.ba/TheSharePlayersCartes cadeau numériques https://ene.ba/TheSharePlayers-Gift-CardsAchetez vos jeux vidéo favoris au meilleur prix ! https://ene.ba/TheSharePlayers-Games90 euros pour un jeu vidéo...

ENEBA.com – Le meilleur endroit pour acheter des jeux (PS4, Xbox, PC) https://ene.ba/TheSharePlayersCartes cadeau numériques https://ene.ba/TheSharePlayers-Gift-CardsAchetez vos jeux vidéo favoris au meilleur prix ! https://ene.ba/TheSharePlayers-GamesRetour sur la présentation de la Nintendo Switch 2, avec de bonnes choses mais aussi beaucoup de points déceptions… On fait le point en détail.

LES JEUX AU MEILLEUR PRIX AVEC ENEBA.com – Le meilleur endroit pour acheter des jeux (PS4, Xbox, PC) : https://ene.ba/TheSharePlayersCartes cadeau numériques https://ene.ba/TheSharePlayers-Gift-CardsAchetez vos jeux vidéo favoris Dragon Ball au meilleur prix ! https://ene.ba/TheSharePlayers-GamesRetrouvez les premières impressions d'Aymar sur CIVILIZATION VII...  est-ce que le jeu tient toutes ses promesses ? Réponse en vidéo !#CIVILIZATIONVII  #CIVILIZATION #sidmeier

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Après des années de traversée du désert, le JRPG revient en force sur le devant de la scène. Comment expliquer ce retour en force ? Et quel avenir pour le genre ?Avec Aymar, Fareydj   Brian de Point N' Think, Geoff de PlayStation Inside.#jrpg #finalfantasy #xenoblade #dragonquest▬ ▬ ▬ TU VEUX SOUTENIR LA CHAÎNE ?   ▬ ▬ ▬

Un débat sur les nominés aux GAME AWARDS 2024 et ce que cela nous dit sur l'industrie, avec Aymar Azaïzia, GaGzZz & CritixSoutiens mon travail et mon indépendance en rejoignant mon Patreon : https://www.patreon.com/TheSharePlayers▬ ▬ ▬ TU VEUX SOUTENIR LA CHAÎNE ?   ▬ ▬ ▬

Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This episode is sponsored by Infravia Capital Partners and Vauban Infrastructure Partners Few would deny that investment in the energy transition is an urgent priority across Europe. Without investment in renewable energy, along with a host of associated infrastructure, there is little hope of meeting net-zero targets. Moreover, as the Russian invasion of Ukraine has demonstrated, Europe's energy security depends on the continent harnessing its own renewable resources. Yet escalating costs, supply chain disruption and rising interest rates have complicated the investment picture. Fund managers must navigate a complex web of considerations to ensure they select assets that truly possess infrastructure characteristics. In this episode, Christoph Bruguier, chief investment officer at Vauban Infrastructure Partners, and Aymar de Tracy, partner in the infrastructure investment team at Infravia Capital Partners, tell Infrastructure Investor's Ben Payton that the outlook remains strong. Despite complications in the market, they agree that infrastructure funds can access enormous opportunities with a disciplined strategy around energy transition investing.

If words are threads in a storyline, where do they take us? This week on The Artful Periscope, Larry conducts a double interview with E.A.(Ed) Aymar, author of When She Left, and Bruce Borgos, author of The Bitter Past. Together, the group discusses what they enjoy the most about storytelling – strong characters, interesting subplots, … Continue reading Episode 72 If Words are Threads in a Storyline, Where Do They Take Us – Author E.A. (Ed) Aymar, Bruce Burgos and Jeff Circle →

In this episode, Simma Lieberman The Inclusionist, interviews Ed Aymar, an award-winning author known for his multicultural crime thrillers. Ed, originally from Panama, shares insights into his background, military upbringing, and how he got into writing. The conversation explores the intersection of race, culture, and storytelling in the context of crime fiction. They discuss Ed Aymar's acclaimed works, such as No Home for Killers and When She Left," highlighting his unique perspective as a multicultural crime thriller writer. Tune in for a thought-provoking discussion on inclusivity and diverse perspectives in literature. The increase in multicultural crime thrillers from authors outside the US and also Black, Latino, Asian and Native American in the US continue to make the genre more diverse and exciting. Join Simma Lieberman and author Ed Aymar, a Panamanian author of crime thrillers in a captivating conversation about multicultural crime thrillers and the importance of diversity in literature. Key Points: • Ed Aymar, an award-winning author of crime thrillers, shares insights into his writing journey and the impact of multiculturalism in crime thrillers. Ed's most recent book, “When She Left,” is a must-read for any lover of crime fiction, and especially if you love learning about different cultures. •The discussion in this between Ed Aymar and Simma Lieberman The Inclusionist delves into the representation of diverse characters in literature and the evolving landscape of publishing. • Explore the significance of identity, allyship, and speaking up in today's society through the lens of literature and storytelling. Questions to Consider: • How does literature, play a role in shaping our understanding of diversity and culture? • What impact do diverse characters in books have on readers' perspectives and empathy? • How can we support and amplify voices from underrepresented communities in the literary world? Takeaways: • Discover the power of multicultural crime thrillers in fostering inclusivity and representation. • Gain insights into the challenges and triumphs of writers of color in the publishing industry. • Explore the evolving dynamics of identity, allyship, and advocacy in literature and beyond. Action steps to take in the conversation on race: • Listen to the episode to delve deeper into the conversation on multicultural crime thrillers and diversity in literature. •Share the podcast with friends and family to spark meaningful discussions on race, identity, and representation. • Consider supporting diverse authors and amplifying marginalized voices in the literary world. Don't  miss out on this engaging episode that sheds light on the importance of multicultural storytelling and the impact of diverse voices in literature. Tune in to gain valuable insights and perspectives on race, identity, and allyship in the world of crime thrillers. Key Moments  00:02:05 - Ed Aymar's Background and Writing Journey 00:03:02 - Multiculturalism in Crime Thrillers 00:04:27 - Accountability in Cultural Representation 00:05:47 - Misidentification and Sensitivity Reading 00:06:10 - The Importance of Belonging and Support Groups 00:07:43 - The Impact of Stereotypes and Publishing Challenges 00:10:27 - Diversity Panels at Writing Conferences and Tokenizing 00:11:09 - Historical Context of Multicultural Crime Writing 00:17:09 - The Debate on Updating Older Books with Racist Content 00:20:27 - The Current State of Diversity and Identity in Literature 00:21:03 - The Controversy Over White Authors Writing Diverse Characters 00:30:05 - The Shift in Publishing Towards Diverse Voices 00:31:10 - The Importance of Diversity in Storytelling 00:36:06 - The Authenticity of Cultural Representation in Fiction 00:37:38 - The Responsibility of Allies in Promoting Diversity 00:38:07 - Closing Remarks and Call to Action Guest bio:  Multiple Anthony Award–nominated E.A. AYMAR'S thriller No Home for Killers was published to praise from the New York Times, Kirkus Reviews, and South Florida Sun Sentinel and was an instant bestseller. His thriller They're Gone received rave reviews in Publishers Weekly and Kirkus (starred) and was named one of the Best Books Of 2020 by the South Florida Sun Sentinel. He is a former member of the national board of International Thriller Writers and is an active member of Crime Writers of Color and Sisters in Crime. He runs the DC Noir at the Bar series, was born in Panama, and now lives and writes in―and generally about―the DC/MD/VA triangle. Aymar also runs a popular and well-regarded newsletter called Crime Fiction Works featuring upcoming top crime fiction novels, interviews, and monthly prizes for subscribers. For more information: https://eaymar.substack.com/ https://www.instagram.com/eaaymar/ https://www.facebook.com/EAymarWriter   Simma Lieberman, The Inclusionist helps leaders create inclusive cultures. She is a consultant, speaker, and facilitator. Simma is the creator and host of the podcast, “Everyday Conversations on Race for Everyday People.” Contact Simma@SimmaLieberman.com to get more information, book her for your next DEIB  event, help you become a more inclusive leader, or facilitate dialogues across differences. Go to www.simmalieberman.com and www.raceconvo.com for more information Simma is a member of and inspired by the global organization IAC (Inclusion Allies Coalition)    Connect with me: Instagram Facebook YouTube Twitter LinkedIn Tiktok Website    Previous Episodes A Black Executive Perspective on Race in Corporate America Cancel Culture Unmasking the Dangers of Instant Judgment and Outrage From Conflict to Compassion: Jewish, Muslim, and Christian Leaders Share Their Perspectives on the Israel-Gaza Crisis Loved this episode?  Leave us a review and rating

"In writing, what's really crucial is persistence. Every 'no' brings you closer to a 'yes'. And when you infuse your personal experiences into your stories, you're not just writing; you're breathing life into your characters. That's when your stories truly begin to resonate with your readers." — E.A. Aymar About E.A. Aymar Multiple Anthony Award-nominated E.A. Aymar's essays have appeared in the Washington Post, the Washington City Paper, Publishers Weekly, and more. He is a former member of the national board of the International Thriller Writers and is an active member of Crime Writers of Color and Sisters in Crime. He joined me on Uncorking a Story to talk about his career and latest novel, When She Left, which has been called crime fiction at its best by New York Times bestseller Wendy Corsi Straub. Key Takeaways Embrace rejection as a part of the writing process and do not let it deter you from pursuing your dream. Rejection and disappointments can serve as valuable teachers, providing insights and wisdom that can help improve your writing skills. Feedback from rejection letters and conversations can provide opportunities for growth and learning, offering nuggets of wisdom that can enhance your writing abilities.  It is important to be both patient and persistent. E.A. mentioned that he started writing seriously in 1997, but his first book was not published until 2015. He expressed that his path to getting published was not a common or quick one, highlighting that it often takes time and perseverance in the writing journey. Despite facing challenges, including writing multiple books that were not picked up by publishers, he eventually found an agent he enjoyed working with, leading him to the successful publication of his book "The Unrepentant" a few years later. The author reflected on the struggles he faced, emphasizing the significance of staying motivated and feeling like he was fortunate to have achieved the goal of getting one book published after experiencing setbacks along the way. Don't be defensive when receiving suggestions for improvement, such as changing the title of your book. Instead, be open to considering advice from professionals in the field who may have valuable expertise and insights to offer. Be willing to "Kill Your Darlings," meaning to let go of elements of your work that may not be the best for the overall piece. Listening to experienced individuals and being open to making changes can ultimately lead to a stronger and more successful writing outcome. Buy When She Left Amazon: https://amzn.to/3HGA73F Bookshop.org: https://bookshop.org/a/54587/9780593317297 Connect with E.A. Aymar Website: https://www.eaymarwrites.com/ Instagram: https://www.instagram.com/eaaymar/ Facebook: https://www.facebook.com/EAymarWriter Substack: https://eaymar.substack.com/ Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/@uncorkingastory Instagram: https://www.instagram.com/irisyamashita/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Influenced by the passion and peril of love, dark comedy, and riveting tension, WHEN SHE LEFT firmly establishes crime fiction writer and essayist E.A. Aymar as "a benchmark of noir fiction." (as he was described by legendary thriller writer James Grady). In WHEN SHE LEFT, 23-year-old Melissa Cruz can't help falling in love with dreamy-eyed photographer Jake Smith, even if it means betraying her boyfriend Chris Winters, a rising star in his family's criminal organization. After barely escaping when Chris discovers the two of them together, Jake and Melissa find themselves on the run, with nowhere to turn and danger around every corner. To catch Jake and Melissa, Chris Winters calls upon a group of assassins who work for his family, among them a man named Lucky Wilson. Lucky has built a life for himself as a real estate agent by day and, unbeknownst to his wife and daughter, a hitman for the Winters at night. But Lucky hasn't been himself ever since discovering his wife's affair, given to crying fits and panic attacks. He takes the job on the promise that he can leave their criminal network and attempt to rebuild the family life he desperately craves.

Author E.A. Aymar joins Daniel Ford on the show to chat about his latest thriller When She Left.  To learn more about E.A. Aymer, visit his official website. Also read his reviews in The Washington Post and subscribe to his newsletter Crime Fiction Works. Writer's Bone is proudly sponsored by The Bookshop: Lou's Literary Line, Libro.fm and Mark Cecil's upcoming novel Bunyan and Henry; Or, the Beautiful Destiny. 

This is a compilation of the first two episodes of the Noir at the bar radio show heard on KKNW 1150 A.M. Seattle/Tacoma!Hosts Alan R. Warren, John Copenhaver & Joe Goldberg!Guests reading tonight are Judy Penz Sheluk reading from 'Skeletons in the Attic', Winona Kent reading from her 'Notes on a Missing G-String, Iona Whishaw reading from her 'To Track A Traitor', Carl Vonderau reading from his 'Saving Myles, Adam Sikes reading from his 'Landslide, and Ed Aymar reading his short story ' Your Purchase is Complete'!Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Crime fiction writer and essayist E.A. Aymar called in for a lively chat about his novel When She Left. E.A. received 2,565 bonus points for being a listener to the show, which he will be able to cash in for valuable prizes on his next appearance. (points may not be honored.)About the author: Multiple Anthony Award–nominated E.A. AYMAR'S thriller No Home for Killers was published to praise from the New York Times, Kirkus Reviews, and South Florida Sun Sentinel and was an instant bestseller. His thriller They're Gone received rave reviews in Publishers Weekly and Kirkus (starred) and was named one of the Best Books Of 2020 by the South Florida Sun Sentinel. He is a former member of the national board of International Thriller Writers and is an active member of Crime Writers of Color and Sisters in Crime. He runs the DC Noir at the Bar series, was born in Panama, and now lives and writes in―and generally about―the DC/MD/VA triangle. Aymar also runs a popular and well-regarded newsletter called Crime Fiction Works featuring upcoming top crime fiction novels, interviews, and monthly prizes for subscribers. For more information:https://eaymar.substack.com/https://www.instagram.com/eaaymar/https://www.facebook.com/EAymarWriter

E.A. Aymar is a multiple Anthony Award-nominated and #1 bestselling author of No Home for Killers: A Thriller as well as the new book When She Left.    He joins the show to discuss his writing journey, how he works from home, and writing from the perspectives of both male and female characters, and the necessity of representation without appropriation. Website: www.EAymarWrites.com

Author: E.A. Aymar Book: WHEN SHE LEFT: A Thriller CLICK HERE to buy the book! Publishing: Thomas & Mercer (February 6, 2024) Synopsis (from the Publisher): A young couple fleeing a criminal family confronts a reluctant assassin in this heart-pounding thriller from E.A. Aymar. When Melissa Cruz falls hard for a dreamy-eyed photographer named Jake, […] The post E.A. AYMAR – WHEN SHE LEFT: A Thriller appeared first on KSCJ 1360.

Noir at the bar! Seattle #2 - Tonight's Readers are Ed Aymer, Adam Sikes, and Carl Vonderau!Hosts are Alan R Warren, John Copenhaver, and Joe Goldberg!Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

This week's episode of Parsing Immigration Policy brings a global perspective to the immigration debate with Nicolas Monti and Maxime Aymar, co-founders of L'Observatoire de l'immigration et de la démographie (OID), an immigration think tank based in Paris. The guests share information on immigration trends, policies, and public sentiment in France.The French organization was founded three years ago in response to the public's growing distrust in immigration policies in France. France, one of the first countries to experience massive levels of immigration, especially non-European immigration, has seen immigration become an especially polarizing political topic. It is at the forefront of French political debate and an important topic for all political parties; but, as Monti and Aymar explain, the conversation has primarily become an ideological conversation. OID fills a gap in French politics by providing non-partisan facts, research, and analysis of the immigration issue.Monti and Aymar explain immigration trends in France over the past four decades, and their impact on France's economy, culture, and society. They also explore what motivates French people to be in favor of or against higher levels of immigration. In a unique collaboration, OID, along with like-minded research organizations in Israel, Hungary, and the United States, has established the International Network for Immigration Research (INIR), of which the Center is a member.In his closing commentary, Mark Krikorian, host of the podcast and executive director of the Center for Immigration Studies, highlights Lukeville, Ariz., the latest hotspot on the border. He references insights from the Israeli Immigration Policy Center, another member of INIR, emphasizing the importance of addressing “pull factors” for illegal aliens alongside physical barriers to maintain border security. Krikorian also emphasizes the role of the Biden administration's catch-and-release policies in incentivizing mass illegal immigration.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestsNicolas Monti and Maxime Aymar are co-founders of L'Observatoire de l'immigration et de la démographie (OID), an immigration think tank based in Paris.RelatedL'Observatoire de l'immigration et de la démographie (OID)Israeli Immigration Policy CenterFollowFollow Parsing Immigration Policy on Ricochet, Apple Podcasts, Amazon Music, Spotify, Stitcher, Google Podcasts.Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

In this episode, I chat with E.A. Aymar about his latest novel No Home For Killers, the D.C. Noir at the Bar series, and the Latino BIPOC thriller writing community.Anthony Award-nominated E.A. Aymar's most recent thriller, No Home for Killers, received praise from the New York Times, Kirkus, and the South Florida Sun-Sentinel. His previous thriller, They're Gone, was published to rave reviews in Publishers Weekly, Kirkus (starred), and named one of the best books of 2020 by the South Florida Sun Sentinel. He is a former member of the national board of the International Thriller Writers and is an active member of Crime Writers of Color and Sisters in Crime. Ed Aymar was born in Panama and now lives in the D.C. area, where he runs the D.C. Noir at the Bar series, and his column, “Decisions and Revisions,” appears monthly in the Washington Independent Review of Books. E.A.AymarNo Home For Killers, E. A. AymarThe Last Policeman, Ben H. WintersMore Than You'll Ever Know, Katie GuitierrezSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

“Families!” Chatter rolls into March with David, Torie and Jud Ashman. Jud debriefs the 2023 Gaithersburg Book Festival on May 20 with dozens of authors and hopefully a special Chatter on Books taping. David shares his Union Station Colleen Hoover experience, and they all marvel at her staying power. Four leaders of the Child2ChildFoundation join in. Inspired by a shared love for books and a desire to help others, these remarkable young women have sent over 60,000 books to children in Nigeria and Ghana. Finally, COB favorite Ed Aymar zooms in to share “No Home for Killers,” his latest murder mystery that goes deep into the ties and tragedies of one unique family.