Podcast appearances and mentions of Tim Crouch

In this very special, “This is New Jersey,” edition of Lessons in Leadership, Steve Adubato and Mary Gamba talk with Tim Crouch, Chief Strategy Officer, Choose NJ, about the significance of attracting film, media and technology industries to New Jersey. Then, Steve talks with Bob Papa, Sportscaster & The Voice of The New York Giants, … Continue reading Lessons in Leadership: Tim Crouch and “The Leadership and Grit Connection” Mini-seminar

Where to find Tim Crouch: Gutter Growth: https://guttergrowth.com/ Secret Weapons (VA Service): https://secretweapons.io/Facebook: https://www.facebook.com/guttergrowthI had an incredible conversation with Tim Crouch of Gutter Growth on the latest episode of our podcast!

This week we feature fiddler Tim Crouch.  Tim has a long history in bluegrass music dating back to the days as a teenager playing with his Uncle Dub Crouch - who was a legend in bluegrass music in Missouri and was a friend and mentor to our cover story artist this month John Hartford.  Tim also spent time with Jim & Jesse, The Whites and Mike Snyder.

I’m A Truck Drivin Pool Shootin Son-Of-A Gun – Devyn Brinsfield 6th Avenue Heartache – The Wallflowers Never Did No Wanderin’ – Nick Chandler and Delivered Home Is Where You Make It – Luke Deuce Soul Man – The Blues Brothers Christmas for Cowboys – Jon Wolfe Drag Rider’s Blues – Matt Robertson I Made the Prison Band – Silverada Pontiac Blue – Drake Freeman Run (feat. Tim Crouch & Andrew Crawford) – Zac Kellum

Same Kind of Crazy as Me – Cody Jinks & Ward Davis Get That Truck – Porter Martin Lightning – Kason Layne Run (feat. Tim Crouch & Andrew Crawford) – Zac Kellum Rhinestones and Diamonds – Jeff Martin Whiskey Weather (feat. Michael Kelton) – Tyller Gummersall She’s Getiin’ even – Storey Boys Cherokee Girl – Shaun Abbott You Just Missed Me – Shelby Lee Lowe Needle and Thread – Michael Honan

Following a far-too-brief episode during Shedinburgh, Tim Crouch returns for a proper chat… The post Tim Crouch appeared first on Putting it Together.

This week, Ozark original singer, multi-instrumentalist and hit song writing powerhouse Shawn Camp recorded live at the Ozark Folk Center State Park. Also, interviews with this #1 country song writing genius. Some careers can be described with a couple of words but Shawn Camp's isn't one of them. A bold and distinctive singer, a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn with hits such as “Two Pina Coladas” (Garth Brooks,) “Nobody But Me” (Blake Shelton,) “Would You Go With Me” (Josh Turner,) “River Of Love” (George Strait) and Billy Currington's hit single “Love Done Gone.”  Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn, and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine. - https://shawncamp.com/bio Shawn is joined in this performance by fiddle champion and multi-instrumentalist Tim Crouch. A bluegrass and country fiddle player from Strawberry, Arkansas, Tim got his start fiddling with Jim & Jesse as a Virginia Boy when he was 19 years old. He has since worked with a long list of country and bluegrass artists including Alan Jackson, Dolly Parton and Alison Krauss. He is a former staff fiddle player for Nashville's "Grand Ole Opry" and has also performed on numerous television programs including "Late Night with David Letterman," “The Conan O'Brien Show," "CBS This Morning," "Austin City Limits," "Hee Haw" and others. In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original fiddle master Tim Crouch playing the tune “Tom and Jerry” at the 1981 SPBGMA Fiddle Contest held at the Ozark Folk Center State Park. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks' influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 1)

In this episode of 'Building Great Sales Teams,' the host interviews Tim Crouch, the owner of Gutter Growth Mastermind and the upcoming Gutter Summit. Tim shares his compelling personal story of overcoming a paralyzed arm through faith and hard work, and how this experience shaped his entrepreneurial journey. Tim discusses his career in the seamless gutters business, detailing his transition from being an employee to running his own company, and eventually selling it. He describes the birth of Gutter Growth Mastermind, its impact on the industry, and the value of providing mentorship and training to other gutter professionals. The episode also covers the importance of industry conventions, marketing strategies, and tips for transitioning from a storm-chasing business model to a stable, local business. The upcoming Gutter Summit is highlighted as an essential event for those in the gutter industry or those looking to enter it. Overall, this episode is a deep dive into the personal and professional triumphs that make Tim Crouch a successful entrepreneur and mentor.Chapters00:00 Introduction to Building Great Sales Teams00:30 Meet Tim Crouch: Gutter Growth Mastermind01:08 Tim's Inspirational Story of Overcoming Adversity03:45 The Journey to Recovery and Resilience12:52 From Personal Training to Gutter Business16:04 Starting and Growing a Gutter Business17:09 Transitioning to a Home-Based Business17:28 Challenges of Storm Chasing18:25 Building a Permanent Company18:40 Marketing Strategies and Meeting Mr. Pipeline19:23 Understanding the Gutter Market20:55 Selling the Company21:40 Starting the Gutter Growth Mastermind23:24 Mastermind Structure and Mentors24:28 The Importance of Masterminds26:14 Gutter Summit Event Details28:09 Personal Business Experiences32:53 Legacy and Impact34:54 Connecting on Social MediaYou can connect with Tim Crouch on: Website - Guttersummit.comGet 10% OFF with the promo code: GROW  Thank you for supporting Building Great Sales Teams! If you want to learn more about our host Doug Mitchell or get free BGST resources go to www.salesprogrambuilder.comAnd don't forget to visit us on Apple Podcasts to leave a review and let us know what you think! Your feedback keeps us going. Thanks for helping us spread the word!

Tim Crouch occupe une place à part sur la scène anglaise, bien à l'écart des codes traditionnels. Le dramaturge britannique explore plutôt les lisières de la représentation, qu'il aime pousser au bord de l'abîme pour questionner les pouvoirs de la fiction. Maniant l'humour et les concepts, il déploie la puissance du langage pour inventer des pièces qui se fabriquent à vue, avec les spectateurs, dans l'autre-deux du jeu et de la réalité. S'il porte un regard critique sur le devenir du secteur happé dans les logiques capitalistes, il défend résolument un art d'expérimenter la vie par l'expérience troublante du théâtre. CRÉDITS : Un épisode de « Parcours d'artiste », une série de podcasts d'ARTCENA Production : ARTCENA Journaliste : Gwénola David Création sonore : Marc Sayous Photographie : © Eoin Carey

We bring you a special edition from the 77th international theatre festival in the southern French city of Avignon, where change is in the air under its new Portuguese director Tiago Rodrigues. As the first non-French leader to take the reins of the festival, Rodrigues has brought in a majority of first-time performers and female directors, and introduced English as a guest language. One of the British artists joining the line-up for the first time this year is actor, director and playwright Tim Crouch. He sat down with FRANCE 24's Alison Sargent to talk about his experimental work exploring grief, technology and the nature of performance.

A Public Fit Theatre Company is an award-winning ensemble theatre based in Las Vegas, Nevada. In this episode of Behind the Buzzz, producing director Joe Kucan and artistic director Ann-Marie Pereth continue the conversation about Tim Crouch's "An Oak Tree" with the playwright himself! They discuss storytelling, technology, and their love for audiences.Fun side note: There are 15 performers who CAN ABSOLUTELY NOT LISTEN TO THIS PODCAST UNTIL AFTER THEIR CURTAIN CALL!Behind the Buzzz is a production of A Public Fit Theatre Company. Copyright 2023, all rights reserved. Hosted on Acast. See acast.com/privacy for more information.

Season 2, Episode 47: excerpts from the plays Raymondo by Annie Siddons, Silent Planet by Eve Leigh, A Negotiation by Hannah Khalil and Adler & Gibb by Tim Crouch. read by Caridad Svich. --- Support this podcast: https://anchor.fm/caridad-svich/support

Very excited to welcome Tim Crouch, one of British Theatre's 'great innovators', with plays that have disturbed and challenged the passive theatrical experience to The Good Listening To 'Clearing'.A wonderfully rich and textured conversation indeed.  As Tim said:  "I talked with Chris about Tony Brightwell, my dad, my dog, randy airline captains, theatre, sailing little boats, my family - but mostly the dog..."Tim Crouch is a world renowned British experimental Theatre Maker, Actor Writer & Director.  He specialises in rejecting theatrical conventions - especially realism - and prefers a form whereby the audience is invited to help image and create the work. Tim is very warmly regarded and much respected as being an "Actor's Actor"."Theatre in its purest form is 'conceptual': No need for sets, costumes & props. All exists inside the audience's head".This is particularly relatable for me because of my own love of all things Comedy Improvisation and INSTANT WIT whereby an empty stage is brimming and charged with potential where 'anything is possible', with the audience all set to colourise the scene and fill in the gaps of all the silly proceedings with their imaginations. Tim's seminal 'centre piece' play from which he says all else has evolved was My Arm, the story of an 'empty gesture'.  It's about the confession of a man who lived for thirty years by the courage of his lack of conviction.  "At the age of 10, for want of anything more meaningful to do, I put my arm above my head and kept it there".Other work includes "An Oak Tree"; TV series "Don't Forget The Driver" which he co-wrote with actor Toby Jones (as Tim's homage to his home town of Bognor Regis) plus numerous world tours with a series of plays making Shakespeare more accessible through the eyes and perspective of single characters "I, Malvolio"; I, Banquo"; I, Caliban"; "I, Peaseblossom"Stephen Bottoms, Professor of Contemporary Theatre and Performance at the University of Manchester said of Tim Crouch:"I can think of no other contemporary playwright who has asked such a compelling set of Questions about theatrical form, narrative content and a spectators's engagement".‘One of the smartest artists making theatre in Britain now.‘Kulturflash on Tim Crouch

This episode explains the geology and natural water systems that created and continue to sustain America's first national river. Featured are interviews with Buffalo National River biological sciences technician Ashley Rodman and park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode explores the myriad of wildlife that thrive both above and below the waters of America's first national river. Featured are interviews with Arkansas Game and Fish Commission biologist Rachel Norton and Buffalo National River ecologist and aquatic wildlife specialist Shawn Hodges. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode details planned park festivities for the 50th anniversary celebration year and profiles a unique volunteer support organization for America's first national river, the Buffalo National River Partners. Featured are interviews with Buffalo National River Chief of Interpretation Cassie Branstetter and Buffalo National River Partners Board Chairperson Terrie Martindale. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode examines the history of human activity and historic cultural sites along America's first national river. Featured is an interview with Buffalo National River archaeologist Suika Rivett. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode recounts the controversy over, and political maneuvering that resulted in the creation of America's first national river. Featured are interviews with writer, professor, and regular Ozark Highlands Radio contributor Dr. Brooks Blevins, and Buffalo River area native and long time Buffalo National River staff member Zed Davenport. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode inventories natural resources and the history of economic activity around America's first national river. Featured is an interview with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode describes the park staff and volunteer support structures as well as the immense logistical challenges of maintaining America's first national river. Featured are interviews with Buffalo National River Chief of Interpretation Cassie Branstetter, area native and long time Buffalo National River staff member Zed Davenport, Buffalo National River Partners Board Chairperson Terrie Martindale, park ranger and interpreter Lauren Ray, and long time area resident and photographer Ed Alexander. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode investigates the impact of human activity on the river environment and ecology, as well as policies and guidelines designed to mitigate such issues for America's first national river. Featured are interviews with park ranger and interpreter Lauren Ray, park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton, and long time area resident and photographer Ed Alexander. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode recalls early efforts to conserve and protect America's first national river. Featured is an interview with long time area resident and photographer Ed Alexander, who's father, Arkansas Game and Fish Commission biologist Harold Alexander was one of the early pioneers in seeking to protect the river. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode guides us on a tour of places “you shouldn't miss” and other remarkable spots along the 135 miles of America's first national river. Featured is an interview with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode continues our tour of places “you shouldn't miss” and other remarkable spots along the 135 miles of America's first national river, as well as where to find information about park events, facilities and services. Featured are interviews with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton and Buffalo National River Partners Board Chairperson Terrie Martindale. In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America's first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills. This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

durée : 00:59:25 - Tous en scène - par : Aurélie Charon - Tim Etchells et son collectif "Forced Entertainment" sont à Paris tout l'automne avec six spectacles. Ce pionnier du théâtre contemporain anglais réinvente le lien entre public et spectateurs, avec force et humour. Catherine Hargreaves met en scène et traduit "Moi, Malvolio" de l'auteur Tim Crouch. - invités : Tim ETCHELLS

Welcome to the premier unvailing of the new Kim Robins CD, Leave The Porch Light On. Lots of super tunes with some really good work. Contributing writers include Paula Breedlove, Mark Brinkman, Rick Lang, Alan Johnston among others. Pickers and vocal contributers are Kyle Estep, Josh Woods, Duane Estep, Clay Hess, Brennan Hess & Tim Crouch. Distributed by Pinecastle Records.

THAT PODCAST... where we rely on the kindness of strangers and wonder if, generally, we're good people (or not so much) – PART TWOHost Chris McCausland returns to the subject of isolation and relying on the kindness of strangers in the pandemic, and discovers that whilst this felt like new territory for many of us, there is a portion of the population for whom this was not a new normal, but the norm. For many people with disabilities, barriers to socialising and engagement with strangers has been part of their lives for the longest time.Part 2 of the episode features commissions from Athena Stevens and Tim Crouch, and a conversation with novelist Dina Nayeri.Content Warning – graphic violenceEpisode 3, Part 2 credits: Host - Chris McCauslandGuest - Dina NayeriCommissioned pieces:THE KINDNESS OF STRANGERS by Athena StevensWriter-Performer - Athena StevensDirector - Jennifer BakstSound Designer - Helen Atkinson MILKY DRINKS by Tim CrouchThe Reader - Amber JamesDirector - Jennifer BakstSound Designer - Max PappenheimWriter - Tim Crouch Host script - Jennifer Bakst and Chris McCauslandTestimonials Research - Aina J. Khan Interview sound recording - James HingleyMusic – BMG Production MusicProduction Co-ordinator - Madeleine SharmaAssistant Producer - Ben QuashieProducers - Andrew Hughes and Sarah Jane MurraySeries Producer - Ben WalkerCommissioning Editor - Jennifer BakstExecutive Producers - Robert Delamere and Richard TwymanTHAT PODCAST is a Storyglass and ETT co-production Hosted on Acast. See acast.com/privacy for more information.

Season 2, Episode 21: untitled piece by Caridad Svich, and excerpt from Tim Crouch's Total Immediate Collective Imminent Terrestrial Salvation (published by Oberon Modern Plays, 2019). --- Support this podcast: https://anchor.fm/caridad-svich/support

Kendra Jones A director, creator, and dramaturg, Kendra Jones graduated with Distinction from the MA Text & Performance at the Royal Academy of Dramatic Art (RADA), London, and holds a BA(Hons) in Theatre Performance from the University of Winnipeg where she has also been guest faculty. Favourite directing credits include Simon Stephens’ Sea Wall, Sarah Kane’s 4.48 Psychosis (Theatre By the River), a site-specific interpretation of Tim Crouch’s I, Malvolio (impel theatre), Watching Glory Die (Love2 Theatre), Drunk Enough To Say I Love You, Seagulls (selardi theatre), Clever Little Lies (Assistant director to Steven Schipper, RMTC,) and Richard II (workshop Assistant Director to Christopher Brauer, Zone41). Kendra is also a creator of original work, including Dear Mama, Tonight at Eight, Autel, and her adaptation of Marlowe’s Edward II. She writes about contemporary performance from an academic perspective on her blog; this writing focuses on the performer-audience relationship and the ethics of performance, and has been published by CBC Manitoba, Common Ground Publishing, Brunel University, and the Humanities Education Research Association. In 2020, Kendra’s site-specific production of Tim Crouch’s I, Malvolio toured to ShakespeareFest in Winnipeg to critical acclaim, and her direction of Love2 Theatre’s production of Judith Thompson’s Watching Glory Die ran in February 2020 at the Grand Canyon in Toronto, receiving accolades from audiences and critics alike for its inventive staging and visceral interpretation of the script. www.kendrajones.net Twitter: @impeltheatre Instagram: @impeltheatre Blythe Haynes BLYTHE HAYNES (she/her) has had a varied career with many stops along the way. From her first gig at ten months old in a LOTTO 64 commercial, she went on to obtain her BFA in Acting from the University of Alberta. Blythe has called Toronto home for some time, where she is an actor, award winning voice artist and producer. She is a co-founder and co-artistic director of Gangway! Theatre Co., a Toronto-based collective focused on exploring feminism, Canadian history, and mental health through an intersectional lens. She is also a co-founder of the History Actor Department at Black Creek Pioneer Village, where her interest in site-specific theatre was born. Blythe regularly lends her voice to podcasts, including the award winning Six Stories, Told At Night and Campfire Radio Theatre’s Woods Ferry, and has received two PARSEC awards for her voice work. She was recently on the producing team of the Judith Thompson lead Watching Glory Die at the Edinburgh Fringe Festival, where she created and hosted a podcast to accompany the production. Twitter: @**HaynesBlythe Instagram:** @blythe_haynes An Acorn: Instagram: @forest_acorn Tickets: http://www.kendrajones.net/impel-theatre?fbclid=IwAR3cudc3vLPauwMfmxRjSfbFl5sZlduS8gZJDERN5gu_Arjv75fgvMK8zrU Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

We know of fear, but who or what shall we fear? This week, guest speaker Tim Crouch carries a message of the different types of fear and how we should correctly respond to each one.

Es un privilegio saludaros otra vez. Y es imprescindible agradeceros vuestra cercanía y vuestro apoyo a lo largo de todo este tiempo. Los oyentes, vosotros, nunca habéis sido, ni sois, ni seréis, “clientes”. A la vez que sumamos nuevos aliados, queremos mantener el respeto por los que siempre estáis ahí y sois los cimientos más sólidos de esta radio pública. Sois “los nuestros”, con los que tenemos empatía y complicidad. Vaya, como siempre, nuestro respeto y nuestro cariño por todos y cada uno de vosotros. Según la leyenda, el lobo aúlla a la luna para que le devuelva su sombra. Esta es la nuestra. Comenzamos nuestra temporada número 48 de TOMA UNO, que supondrá además la número 30 en la sintonía de Radio 3. Aquí llegamos en 1991, con 18 años de andadura. La radio siempre nos ha brindado hospitalidad y cariño. Hoy volvemos a acomodarnos en su porche, con unas vistas incomparables, un horizonte amplio y sugestivo, además de una compañía impagable. Y nos volvemos a sentir en casa. Por eso queremos compartirlo contigo cada fin de semana. TOMA UNO siempre ha querido ser un motivo de celebración, por eso “Take It Easy” de los Eagles vuelve a ser la canción de apertura. Fue la canción con la que comenzamos la primera temporada de TOMA UNO allá por 1973 y es la que hoy escuchamos para abrir la número 48 del programa. Algún tiempo antes de que se convirtieran en personajes fundamentales de lo que hoy conocemos como Americana, Jackson Browne y Glenn Frey vivían en el mismo bloque de apartamentos de Los Ángeles. Browne le enseñó a Frey un primer esbozo de una canción que no podía terminar y que impactó en el músico de Detroit, de tal forma que se dispuso a colaborar en terminarla. El resultado fue “Take It Easy”, la canción de apertura del primer álbum de los Eagles. Era un acercamiento vital del rock a las raíces y viceversa. En 1976, los Eagles la interpretaron de esta forma en el Forum de Inglewood, en el condado de Los Ángeles. No volvieron a hacerlo en aquel lugar hasta los días 12, 14 y 15 de septiembre de 2018, 42 años después y, tristemente sin Glenn Frey. Los tres días de conciertos se han resumido ahora en Live From The Forum MMXVIII que se editará el 16 de octubre en varios formatos. Los Eagles siguen siendo una banda de referencia para la música de raíces norteamericana y “Hotel California” se mantiene como una de las canciones emblemáticas que marcaron el devenir del grupo. La música fue una idea de Don Felder y la banda trabajó con esa especie de “reggae eléctrico mexicano” que hizo que el título de trabajo fuera precisamente "Mexican Reggae" antes de culminar la composición de la letra, que tiene una referencia oculta a Steely Dan, según confesó Glenn Frey. “Hotel California” sigue siendo una canción con tintes cinematográficos. Incluso los Eagles pensaban en la serie de televisión The Twilight Zone, que triunfó en la primera mitad de los 60. Con la incorporación de Vince Gill y Deacon Frey, hijo de Glenn, la mítica banda californiana suena ahora así, en este anticipo de su nuevo álbum en directo, el primero en 20 años, Live From The Forum MMXVIII. La reedición ampliada de Wildflowers era el proyecto en el que Tom Petty estuvo trabajando meses antes de su fallecimiento. Su intención era publicar las 10 canciones que no se incluyeron en el disco, y que él llamaba All the Rest. En la cuádruple edición de lujo y dentro de las Home Recordings, con 15 cortes, de los que 12 son versiones nunca editadas y 3 son canciones inéditas, vamos a encontrar esta maqueta del tema central, “Wildflowers”, grabada en su estudio casero. El próximo 16 de octubre aparecerá, por fin, Wildflowers & All The Rest, el proyecto más personal en el que Tom Petty estuvo centrado tras la publicación en 2014 de su último álbum con los Heartbreakers, Hypnotic Eye. El músico de Gainsville nunca olvidó que aquel segundo de sus álbumes en solitario de 1994 debía haber sido un disco doble, y fue dejando algunas muestras en distintas publicaciones posteriores. Tras su muerte, todos los planes de reedición se pospusieron hasta que se resolvió una demanda entre las hijas de Petty, Adria y Annakim, y su viuda Dana, el pasado año. De esta forma podremos escuchar canciones tan sutiles como “There Goes Angela (Dream Away)”, otra muestra de sus maquetas caseras. Para la grabación del nuevo disco de Chris Stapleton, el músico de Kentucky ha contado con dos miembros de los Heartbreakers de Tom Petty como son el guitarrista Mike Campbell y el guitarrista Benmont Tench. Reunido con su mujer, Morgane, y viejos y nuevos colaboradores en el RCA Studio A de Nashville el resultado es Starting Over, al que da nombre esta canción compuesta junto a su viejo amigo Mike Henderson. Un tema perfecto desde su título, Comenzar de nuevo, para un día como el de hoy. "Y no me importa / Dondequiera que estemos es donde quiero estar”. "Y cariño, por una vez en nuestra vida / Vamos a arriesgarnos y lanzar los dados / Puedo ser tu centavo de la suerte, tú puedes ser mi trébol de cuatro hojas”. Starting Over es una colección de 14 canciones en la que encontraremos también versiones de "Joy of My Life" de John Fogerty y a dos temas de Guy Clark, "Worry B Gone" y "Old Friends". El disco se publicará a mitad de noviembre, pero ya podemos compartirlo en TOMA UNO. Seguimos anticipando nuevas grabaciones de buenos amigos, como son en este caso The Band of Heathens, que el 25 de este mes publicarán Stranger, el más ecléctico de sus álbumes después de tres años desde que Duende nos dejó boquiabiertos por su exquisitez. La banda, que hasta la llegada de la pandemia estaba asentada en Austin, ha sido una de las más activas en estos tiempos de aislamiento y ha utilizado todos los medios a su alcance para mantener el contacto con sus seguidores desde sus respectivos hogares en California, Texas, Carolina del Norte y Tennessee. Han transmitido en vivo conciertos y han popularizado sus imperdibles Remote Transmission y el Good Time Supper Club. Grabado en Portland, Oregon, con el productor Tucker Martine, Strange, debe su título al clásico del californiano Robert Heinlein Stranger in a Strange Land y a la novela de Albert Camus L'Étranger, pero conecta directamente con los seguidores del grupo, esas personas leales que han echado abajo los muros del aislamiento para mantener ese contacto vital. Dentro del semanal Good Time Supper Club hemos podido disfrutar de como The Band of Heathens, con Todd Snider como invitado, rememoraba de esta manera "L.A, Freeway", una de las canciones mágicas de Guy Clark que el artista tejano compuso hace 45 años tras discutir con su casero en Los Ángeles, lo que provocó su marcha a Nashville. La familia, los amigos, la empatía… todo ello va tejiendo un tapiz con el que nos vamos arropando en estos tiempos de incertidumbre. Y la banda sonora de estos momentos inesperados calma cierta ansiedad cuando nos acogemos a nuestros sonidos más reconocibles. Eso ha hecho, por ejemplo, Tennessee Jet que en su nuevo álbum, The Country, que ayer mismo se publicó, ha contado con el apoyo vocal de Cody Jinks, Paul Cauthen y Elizabeth Cook, además de la armónica de Mickey Raphael y Brian Newman, trompetista habitual de Lady Gaga, para devolver al presente el clásico de Townes Van Zandt “Pancho And Lefty”, la historia de Pancho, un bandido mexicano, y su amistad con Lefty, el hombre que finalmente lo traiciona. Pudiera tener que ver con el propio Pancho Villa… o no. Al fin y al cabo son leyendas del lejano Oeste. Dicen que Colter Wall es un cantante retro. Bien al contrario, el músico canadiense de Saskatchewan tiene la capacidad de recuperar las esencias de la música popular y traerlas al presente, ante la triste uniformidad de la industria. Es posible que, en este sentido, esté tomando el relevo generacional de Michael Martin Murphey en su lucha por preservar la tradición. Western Swing & Waltzes and Other Punchy Songs sigue ahondando en el viejo Oeste y en la música de las praderas polvorientas con una pala instrumental casi minimalista que arropa a una voz imponente, casi impropia de un tipo que Ha cumplido 25 años a finales de junio. Entre las canciones elegidas que no le son propias está "Big Iron", compuesta e interpretada por Marty Robbins en 1959 en el álbum Gunfighter Ballads And Trail Songs. Cuenta la historia de un duelo en el que un Ranger de Arizona mata a Texas Red, un popular forajido de 24 años, en el pueblo de Agua Fría. Colter Wall ha querido que su versión sea un tributo a Grady Martin tanto como a Marty Robbins. El guitarrista de Tennessee, miembro del Nashville A-Team, fue uno de los instrumentistas más reconocidos de la escena del country y el rockabilly. Estos son buenos tiempos para refugiarse en la tradición y son muchos los ejemplos que están ocupando las nuevas ediciones discográficas. Josh Turner acaba de publicar Country State of Mind como un saludo a sus héroes musicales, que empiezan en Hank Williams y Johnny Cash, continuando por Kris Kristofferson, John Anderson, Keith Whitley o Randy Travis. Cuando Randy apareció, Josh Turner supo que había encontrado un espíritu afín. Por eso uno de los temas a incluir en este proyecto era "Forever and Ever, Amen", que el artista de North Carolina había llevado a la cima de las listas en 1987 como ejemplo del espíritu de los “nuevos tradicionalistas” de los 80, una década formativa para muchos. En esta versión, ha querido que fuera el propio Randy, que continúa en proceso de recuperación de su cardiomiopatía viral diagnosticada en 2013, quien pusiera el broche final. La despedida por hoy del tiempo de TOMA UNO nos lleva a Old Road New Again, el primer disco original de los legendarios Dillards desde 1991, hace 29 años. Junto a Rodney Dillard, el único superviviente de la formación original, que lidera un quinteto en el que están Beverly Cotten-Dillard, Gary Smith, Tony Wray y George Giddens, el álbum cuenta con las apariciones estelares de Ricky Skaggs, Sharon y Cheryl White, Sam Bush o Tim Crouch, además de Don Henley, Herb Pedersen y Bernie Leadon. Estos tres últimos intervienen de manera especial en el tema que da título al registro, “Old Road New Again”. Esa canción con la que hoy cerramos el tiempo de TOMA UNO y nos citamos para mañana en la sintonía de Radio 3, resume la historia legendaria de los Dillards y su relación con los Byrds, Buffalo Springfield, los Kentucky Colonels, la Nitty Gritty Dirt Band o los Eagles. Fue Rodney Dillard, por ejemplo, quien convenció a Don Henley de dejar Texas y buscar fortuna en California. El estribillo es perfecto "Cuando alguien cuenta la historia, este viejo camino es nuevo otra vez". Así es como las viejas carreteras se convierten en autopistas. Escuchar audio

Legendary writer and solo performance artist, Tim Crouch, sits down with me to discuss his seminal play, “My Arm”, and the frustrations with the form that drove him to create it. The post Shedcast – Tim Crouch appeared first on Putting it Together.

Episode 33: excerpt from THEATRE: A LOVE STORY by Caridad Svich, and excerpts from the essay "darling you were marvellous" by Tim Crouch (published in the collection OUT OF SILENCE: Censorship in Theatre and Performance edited by Caridad Svich, published by Eyecorner Press). * Listener Support is appreciated. --- Support this podcast: https://anchor.fm/caridad-svich/support

"The government had been looking for an angle, they said. These things would become symbols of hope. Ninety of them. From Plymouth to Carlisle."This is not a heartwarming story about a sweet old lady. This is not a story about heroes, and martyrs, and knights of the realm. This is a story about the true meaning of dedication. A sharp satire bursting with dark humour cutting insight - Tim Crouch's Milky Drinks is an unsettling story for unsettling times.Written by Tim CrouchRead by Amber JamesDirected by Jennifer BakstSound, Music and Editing by Max PappenheimCONTENT WARNING - This audio drama contains some upsetting scenes and deals with COVID-19 and death of the elderly.For more information please visit https://ett.org.uk/watch-and-listen/fked-up-bedtime-stories-for-adults-episode-1-milky-drinks-by-tim-crouch/ See acast.com/privacy for privacy and opt-out information.

F**ked Up Bedtime Stories (for adults) features seven short stories written by Alissa Anne Jeun Yi, Dipo Baruwa-Etti, Tim Crouch, Vivienne Franzmann, Matilda Ibini, Amy Jephta and Anthony Neilson. We asked these 7 brilliant and provocative writers to tackle the strangeness of our nighttime imaginings and twist the familiar form of bedtime stories into something uncanny, dark and surreal.Read by Paapa Essiedu and Amber JamesDirected by Jennifer BakstSound, Music and Editing by Max Pappenheim. See acast.com/privacy for privacy and opt-out information.

Day for Night with Caridad Svich, a series that looks at the intersection between theatre and poetry in the edgelands, in the wilderness. Episode 9: track 10 from the long form piece Day for Night by Caridad Svich & reading of an excerpt from ENGLAND by Tim Crouch (published buy Oberon Modern Plays). LIstener support is appreciated. Just click on the support button to donate. --- Support this podcast: https://anchor.fm/caridad-svich/support

In this special bonus episode, Chris responds to questions and provocations put to him by an array of former Thompson's Live guests. Participants are: Tanuja Amarasuriya, Jo Bannon, Karen Christopher, Tim Crouch, David Eldridge, Natalie Ibu, Eve Leigh, Andy Smith, Simon Stephens, Paula Varjack and Toyah Willcox. That's almost certainly it for this sadly truncated season, though stay subscribed in case the situation calls for further bonus materials as time goes by! Thanks, as ever, for listening.

On Episode 4 Terry and Alan are joined by VP for Alliance Missions, Tim Crouch. Tim and the guys talk about the 3 key Alliance objectives for communicating Jesus to the world which are multiplying church networks, developing people, and serving communities. Check it out! If you are interested in attending a Seek conference, learn more here.

As our Mexico Mission's Group returns, Tim Crouch offers a word on how the Lord needed him to be vulnerable in order to help effectively teach and love others.

November 10th, 2019 - 4PM Great Commission Fund Weekend

Kendra Jones is a Winnipeg-born, Toronto-based artist whose work mingles between theatrical performance and performance art; her interest lies in pushing the boundaries of what is possible in the theatre, and the kinds of discussions that can stem from encounters with theatrical creation. She graduated with Distinction from the MA Text & Performance at the Royal Academy of Dramatic Art, London, and also holds a BA(Hons) in Theatre Performance from the University of Winnipeg. Favourite directing credits include the Canadian premiere of Sea Wall by Simon Stephens and Sarah Kane’s 4.48 Psychosis (Theatre By the River), and most recently, Tim Crouch’s I, Malvolio (Impel theatre). www.kendrajones.net Twitter: @impeltheatre Instagram: impeltheatre

Let's talk about pioneering theatre. National Theatre of Scotland presents, a Tim Crouch play, directed by Karl James & Andy Smith. With Shyvonne Ahmmad, Tim Crouch and Susan Vidler. Illustrated and Designed by Rachana Jadhav. https://www.eif.co.uk/whats-on/2019/totalimmediate Book tickets here: https://www.nationaltheatrescotland.com/production/total-immediate-collective-imminent-terrestrial-salvation/ https://www.youtube.com/watch?v=mhnRCjIEGkM&t All thoughts and opinions expressed on this show are solely those of the individual expressing them at the time of recording, and do not necessarily reflect the official position of The Good, the Bad and the Just Plain Standard, Milk In A Wineglass & Hicks Entertainment. I, Yann Sicamois - sound in body and mind - shall never apologize to an angry mob under any circumstances. --- Send in a voice message: https://anchor.fm/on-the-wooden-path/message

Today I sit down with the mesmerizing Kathryn Grody. We talk everything from motherhood to acting to being a good human. Not to be missed. Kathryn Grody fled Los Angeles, arrived in New York City, and found herself employed on Broadway in Scapino, . Off-Broadway followed with appearances at Joseph Papp’s Public Theatre including Fishing by Michael Weller, Museum, by Tina Howe, Nasty Rumors and Final Remarks by Susan Miller and Lulu Bett directed by Jack Hofsiss at the Berkshire Theatre Festival. Ms. Grody received Obie Awards for her performances in Top Girls by Caryl Churchill, directed by Max Stafford-Clark and The Marriage of Bette and Boo by Christopher Durang, directed by Jerry Zaks as well as a Drama Desk nomination for her performance in her three character one woman play, A Mom’s Life, all at the Public Theatre. (( Other performances include Dusa Fish Stas and Vi at the Manhattan Theatre Club, The Split at Ensemble Studio Theatre, Cause Maggie’s Afraid of the Dark, The 49 Years by Liz Swados, with Estelle Parsons at the Actors Studio Raw Space, Waxing West by Savianna Stanescous at The Lark, and Victoria Roberts cartoon come to life directed by Linda Mancini at Dixon Place. )) Film appearances include Limbo, written and directed by John Sayles and Men With Guns, also by Mr. Sayles, My Body Guard, directed by Tony Bill, Lemon Sisters with Diane Keaton and Carol Kane, Another Woman by Woody Allen and Reds by Warren Beatty. Ms. Grody’s television appearances include “The Sunset Gang” with Uta Hagen, “Execution of Private Slovik” with Martin Sheen and many after-school specials. (( And of course, Law And Order-Criminal Intent in NYC..)) Kathryn Grody performed with A.C.T. in San Francisco, the Actors Theatre of Louisville and was a company member at the Mark Taper Forum in Los Angeles. ) Her essays have appeared in The Mountain Record, Harpers Bazar, Oprah magazine, and her narrative version of the original Mom’s Life was published by Avon. She appeared in the world premiere of two new Wendy Wasserstein plays, ((directed by Michael Barakeeva ))at Theatre J in Washington D.C., originated the role of Maggie in The Penetration Play by Winter Miller, ((directed by Josh Hec))t at The Mint, performed the classic role of Nell in Beckets Endgame, with Alvin Epstein, Adam Heller and Tony Roberts,(( directed by Charlotte Moore,)) at the Irish Repetory Theatre . She braved the Barrow Street Theatre with Tim Crouch in the Oak Tree, and was proud to participate in the Caryl Churchill reading at NYTW, Seven Jewish Children-a play for Gaza…... She played Hinda in Zuzka Kurtz’s My Inner Soul at The Lion, appeared in the 59th st shorts in Tina Howes’ The Woman Who Lost Her Head and was seen as Hilary Clinton in the Performance Art Biennial, I Feel Your Pain, by Liz Magic Laser..And was Lola in Donald Margulies A Model Apartment, directed by Evan Cabnet.. Falling Apart....together , the sequel of A Mom’s Life, was seen at CSC, directed by Timothy Near..Most recently played Gaby in Susan Millers’ 20th Century Blues, directed by Emily Mann at the Signature. She is a Ususal Suspect at NYTW, works with the IRC and Search For Common Ground and is on the board of Downtown Women For Change., Dances for A Variable Population and Noor Theatre.

Tim Crouch invites the Alliance family to participate in bringing the day of the return of Jesus soon by reaching lost people. - https://www.cmalliance.org/video/watch/43346/

Support Personality Bingo and become a patron [at our Patreon here](https://www.patreon.com/personalitybingo?alert=2). If a contribution of a couple of Euro wouldn’t make a massive difference to your life, just know it makes a gigantic one in ours!  As Blindboy says, “it’s a model based off soundness”, so if you CAN support, please do on behalf of someone who can’t!  ---------------------------------------------------------------------------- Kwaku Fortune holds a Bachelor in Acting degree from The Lir Academy at Trinity College Dublin (in partnership with RADA). He is currently appearing in The Ark production of PEAT, directed by Tim Crouch. His most recent credits include the role of Julian in Sophie Hyde's forthcoming feature ANIMALS and the role of Eli in ASKING FOR IT by Louise Neill (Adapted by Meadhbh McHugh in collaboration with Annabelle Comyn) for Landmark Productions at the Abbey Theatre. Screen credits include the the role of Finn in Aoife McArdle's feature KISSING CANDICE (which premiered at the Toronto International Film Festival 2017), Noel in Alan Dunne's short film IDLE, BIBLE STUDIES directed by Graham Bollard, in which he played the role of John, the role of Aden in Wu Tsang's TIED AND TRUE, Rob Clarke's DIT short THE DAY AFTER YESTERDAY, 13 STEPS DOWN directed by Marek Losey for ITV and the RTÉ series THE IMPORTANCE OF BEING WHATEVER, directed by Rob and Ronan Burke, in which he played the lead role of Tobi.  Other theatre credits include the role of Dara Mood in Marina Carr's ON RAFTERY'S HILL, directed by Catriona McLaughlin at the Abbey and the lead role of Patrick in PLAYBOYZ, a re-imagining of JM Synge's Playboy of the Western World written and directed by Martin Sharry as part of Dublin Theatre Festival 2017.  Kwaku's credits with The Lír include THE SKRIKER and BUDDLEIA , both directed by Tom Creed, THE CRADLE WILL ROCK directed by Wayne Jordan,  GIVEN THE DAY, which he also co-devised with director Louise Lowe, BY THE BOG OF CATS directed by Selina Cartmell, AGAMEMNON directed by Wayne Jordan, AS YOU LIKE IT and THE PETTY BOURGEOIS both directed by Hilary Wood and UNCLE VANYA directed by David Horan.  Kwaku is based in Dublin.

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Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, multi instrumentalist, composer, and Ozark original Brad Apple, recorded live with some of his many friends at the Ozark Folk Center State Park. Also, interviews with this magnetic maestro of mandolin & guitar. Mark Jones offers an archival recording of the musical family of Fred Crouch with his gifted progeny, Dennis and Tim, performing the tune “Don’t Let Your Deal Go Down,” accompanied by Ozark legend Frank Ellis. Writer, musician, and traditional dancer Aubrey Atwater explores the world of the “Woman on the Shore,” and songs of tragedy told from the perspective of those left behind. Growing up in Batesville, Arkansas on the edge of the Ozark plateau, Brad Apple has been immersed in the music & culture of the Ozarks throughout his life. Brad was raised in a musical family. From his earliest instruction given by his musical grandfather, on to playing live with his parents & brother as a teen and into adulthood, Brad Apple has become one of the Ozarks’ finest musicians. Along with his immeasurable skills on both mandolin & guitar, Brad is also a gifted composer of New Acoustic music, as well as a master of traditional folk and bluegrass. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of the amazing musical family of Fred Crouch with his gifted progeny, Dennis and Tim Crouch, and accompanied by Ozark legend Frank Ellis, performing the tune “Don’t Let Your Deal Go Down,” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the world of the “Woman on the Shore,” and songs of tragedy told from the perspective of those left behind.

“When we go deeper with the Holy Spirit, His desire will be to push us outward, beyond barriers, because that's what it means for the Kingdom to come to earth.” - https://www.cmalliance.org/video/watch/41464/

Chris catches up with playwright and maker Tim Crouch. http://www.timcrouchtheatre.co.uk Please feel free to respond: podcast@chrisgoodeonline.com or you can comment and rate us at Podbean, iTunes, or wherever you get your podcasts. Thanks for listening & we'll be back next Wednesday.

Tim Crouch, U.S. VP for International Ministries, provides the Scriptural context for this year's Awaken theme. - https://www.cmalliance.org/video/watch/41030/

Tim Crouch, U.S. VP for International Ministries, provides the Scriptural context for this year's Awaken theme. - https://www.cmalliance.org/video/watch/41037/

The full Awaken message preached by Tim Crouch, U.S. VP for International Ministries - https://www.cmalliance.org/video/watch/41032/

The full Awaken message preached by Tim Crouch, U.S. VP for International Ministries - https://www.cmalliance.org/video/watch/41038/

This month, John is joined by Tim Crouch, vice president for Alliance International Ministries (IM), and Mike Sohm, president of CAMA Services. The three discuss what God is doing to shape Alliance missions for the future, including organizational restructuring to more effectively lead, manage, and communicate our multi-specialization missions work. One of the first steps is the integration of CAMA with IM to create a more holistic missions ministry, which will also increase opportunities for more people in our churches with varied gifts and callings to serve in Alliance missions. Here is a short historical timeline to bring more clarity to this discussion. - https://www.cmalliance.org/video/watch/40561/

We speak to Tim Crouch, the director of play Jeramee, Hartleby and Oooglemore which is part of the Family Programme at the Brighton Festival. Performance times: Mon 8 May, 4.30pm & 6.30pm Tue 9 May, 2.30pm & 4.30pm at Theatre Royal Brighton To find out more about Brighton Festival see : http://brightonfestival.org To find out more about RadioReverb - the Broadcast Media Partner of Brighton Festival 2017 see : http://radioreverb.com #Brighton #Arts #Culture #Family #play #theatre

In this episode of Limitless Laowai, we're taking a ride down memory lane with a man of many talents, Tim Crouch. Tim came to China as a DJ but his professional expertise has led him to branch out into music producing and also event production. Tim as seen enormous changes in the entertainment "scene" in China during his time here and he has some fascinating (and sometimes really crazy) stories. For anyone who is into entertainment in China, this is a show that will make you laugh, scratch your head, and make you wonder how this industry has changed so quickly in the last number of years. A special thanks to this episode's sponsors, Concordia International School Shanghai; discover more at www.concordiashanghai.org. // What'd you think of this show? Send comments, questions and feedback to the host at Pete@limitlesslaowai.com.

Esta semana o nosso convidado é Francisco Frazão. Licenciado em Línguas e Literaturas Modernas pela Faculdade de Letras da Universidade de Lisboa, integrou a comissão de leitura dos Artistas Unidos entre 2000 e 2004. Traduziu peças e textos de muitos dramaturgos, de Samuel Beckett a Harold Pinter, passando por Tim Crouch e Tim Etchells. Nos últimos 12 anos, como programador de teatro da Culturgest, tem trazido a Lisboa alguns dos melhores espectáculos que descobre nas suas viagens de prospecção. Dá ainda aulas sobre teatro, cinema e literatura. Trouxe-nos: Cidade Aberta - Teju Cole Harry Potter e a Criança Amaldiçoada - J.K. Rowling, John Tiffany e Jack Thorne A Missão e outras peças - Heiner Müller

Jack O'Connell, whose previous lead roles include Starred Up, '71 and Angelina Jolie's Unbroken, discusses his latest film in which he plays a disgruntled New Yorker with a grudge who takes George Clooney's character hostage in the financial thriller Money Monster, directed by Jodie Foster.Seeing Round Corners at Turner Contemporary in Margate explores the role of the circle in art. From sculpture to film and painting to performance, the exhibition brings together works by leading historical and contemporary artists including Leonardo da Vinci, Barbara Hepworth, JMW Turner and Anish Kapoor. Art historian and critic Richard Cork reviews.Jason Solomons rates the contenders for the Palme d'Or as the Cannes Film Festival comes to an end this week.Spymonkey's The Complete Deaths brings all of the killings in Shakespeare's works into one play. Kirsty speaks to actor Toby Park and director Tim Crouch.Presenter: Kirsty Lang Producer: Rachel Simpson.

Video review to help spread word of mouth on the beauty and magic to be found within live theatre

Episode 5 of GBA Live: 5 conversations recorded as part of my Invisible Picture Palace (http://invisiblepicturepalace.com/) residency for In the Dark Radio (http://www.inthedarkradio.org/) that took place in November 2012. These episodes are going to come out daily in the week leading up to the GBA 100 two-part special. Each one has a different audience of people who came out to a greenhouse in Wapping to be a part of the conversation. Today we get we get even better acquainted with return guests Chris Goode and Karl James. Both have had individual conversations, this is the first time they have appeared on GBA together. http://soundcloud.com/gettingbetteracquainted/gba-38-karl-james http://soundcloud.com/gettingbetteracquainted/gba-83-chris-goode This was a very surprising and interesting conversation which is really hard to sum up in a blurb. It moves through themes of performance, listening, provocation, violence, shame, authority, empathy, difference, therapy, forgiveness and more. All this spills out of the starting point of two projects which Chris and Karl have collaborated on. A piece by Tim Crouch called The Author which seems to have had a powerful effect on audiences but also on Chris who acted in it and Karl who co-directed it. And the more recent Monkey Bars, a piece of theatre where adults perform verbatim dialogue originally spoken by children. This conversation went to places I hadn't expected it too and was a challenging and rewarding experience. Chris plugs: Chris Goode and Company: http://chrisgoodeandcompany.co.uk/ Thompson's Live: http://chrisgoodeandco.podbean.com/ Karl Plugs: Dialogue Project: http://www.thedialogueproject.com/ His future Book: Big Conversations And audio podcasts/conversations in general. We mention: The Author: http://www.newsfromnowhere.net/shows/the-author/the-author.html http://www.guardian.co.uk/stage/2009/sep/30/the-author-review http://www.guardian.co.uk/culture/charlottehigginsblog/2010/aug/12/edinburghfestival-theatre Tim Crouch: http://www.timcrouchtheatre.co.uk/ Andy Smith: http://www.asmithontheinternet.com/ Monkey Bars: http://chrisgoodeandcompany.co.uk/?page_id=69 http://www.standard.co.uk/arts/theatre/monkey-bars-unicorn--review-8447564.html http://www.guardian.co.uk/culture/2012/aug/16/monkey-bars-edinburgh-festival-review God/Head: http://www.ovalhouse.com/whatson/detail/god-head Irreversible: http://www.imdb.com/title/tt0290673/ Brené Brown Tedtalk: http://www.ted.com/talks/brene_brown_listening_to_shame.html GBA Abbie: http://soundcloud.com/gettingbetteracquainted/gba-85-abbie Georgie Meadows: http://www.wellcomecollection.org/whats-on/exhibitions/georgie-meadows.aspx You can hear Getting Better Acquainted on Stitcher SmartRadio, Stitcher allows you to listen to your favourite shows directly from your iPhone, Android Phone, Kindle Fire and beyond. On-demand and on the go! Don’t have Stitcher? Download it for free today at http://www.stitcher.com or in the app stores. Help more people get better acquainted. If you like what you hear why not write an iTunes review? Follow @GBApodcast on Twitter. Like Getting Better Acquainted on facebook. Tell your friends. Spread the word!

THE CLEVERLYS are a “family� bluegrass band from the remote part of the Ozark Mountains, near Cane Spur, Arkansas. Their twisted sense of humor, stellar musicianship and unusual choice of material make the band one of the most outrageous bands that we�ve ever come across. BONNIE MONTEGOMERY is a native Arkansan from Little Rock. She is a classically trained opera singer by day and a honky tonk queen by night. She will be showing off both facets of her amazing voice in Conway. TIM CROUCH & GARY ROUNDS are two of Arkansas' finest musicians. Tim is a fiddle, mandolin and guitar player from Strawberry, Arkansas. Tim is an award winning fiddler and has performed and or recorded with such artist as Vince Gill, George Jones, Billy Bob Thornton, Dolly Parton, Glen Campbell, Sara Evans, Marty Stuart, Oak Ridge boys, Charley Pride, Dierks Bentley, Jerry Reed, Tommy Shaw of "STYX", Mare Winningham, Mike Snider, Grand Ole Opry Staff Band, Jonathon Edwards, along with others. Gary is a one-of-a-kind singer from Batesville, AR who is filled with deep mountain Arkansas soul. These two amazing Arkansas musicians will be performing together. CLARKE BUEHLING is recognized worldwide for his insightful interpretations of late 19th century classic finger-style banjo. Clarke is also in the forefront of the recent resurgence of interest in the earlier minstrel banjo style. Clarke teaches banjo, fiddle, mandolin and guitar in Fayetteville, Arkansas and performs with his band The SkirtLifters.

The Traverse Theatre's Writers Podcast recorded over the course of the Edinburgh Festival Fringe 2011. Hosted by the Traverse's Literary Officer Jennifer Williams, this is the fourth in a series of interviews with well known playwrights whose work featured in this year's programme. In this edition Jennifer talks to Tim Crouch the author of I, Malvolio. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain