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22 episodes with wild orchids
2 episodes with wild orchids
4 episodes with wild orchids
2 episodes with wild orchids
4 episodes with wild orchids
2 episodes with wild orchids
2 episodes with wild orchids
2 episodes with wild orchids
2 episodes with wild orchids
What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems?Our guest today is David George Haskell, a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.(0:00) How Flowers Made Our WorldThe incredible ancient history of flowers on Earth(4:56) Contemplating the SmallExpanding our world by restricting our gaze(14:30) The Illusion of IndividualityWhy atomism is false and interconnectedness is the foundation of life(26:08) We Are Grass ApesThe evolutionary origins of humans and our dietary dependence on grass(33:32) Memories of His Childhood in Paris & Wild Orchids(38:55) The Networked Intelligence of ForestsHow trees communicate and share resources beneath the soil(44:00) The Earth in Full SongTracing the sonic history of our planet(51:08) The Practice of ListeningWhy tuning in to the natural world is crucial for our survival(1:01:21) Silence Without ExpectationSitting with nature without demanding progress or enlightenment(1:11:01) Transforming OurselvesWhy personal change matters in the fight for the climate(1:15:20) Escaping the ScreenFinding real human-to-human connection away from technology(1:16:16) The True Cost of AIThe devastating impact of data centers on our fossil fuel consumption(1:23:18) A Sensory Legacy for the FutureWhat we must preserve for the generations not yet bornEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems?Our guest today is David George Haskell, a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.(0:00) How Flowers Made Our WorldThe incredible ancient history of flowers on Earth(4:56) Contemplating the SmallExpanding our world by restricting our gaze(14:30) The Illusion of IndividualityWhy atomism is false and interconnectedness is the foundation of life(26:08) We Are Grass ApesThe evolutionary origins of humans and our dietary dependence on grass(33:32) Memories of His Childhood in Paris & Wild Orchids(38:55) The Networked Intelligence of ForestsHow trees communicate and share resources beneath the soil(44:00) The Earth in Full SongTracing the sonic history of our planet(51:08) The Practice of ListeningWhy tuning in to the natural world is crucial for our survival(1:01:21) Silence Without ExpectationSitting with nature without demanding progress or enlightenment(1:11:01) Transforming OurselvesWhy personal change matters in the fight for the climate(1:15:20) Escaping the ScreenFinding real human-to-human connection away from technology(1:16:16) The True Cost of AIThe devastating impact of data centers on our fossil fuel consumption(1:23:18) A Sensory Legacy for the FutureWhat we must preserve for the generations not yet bornEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems?Our guest today is David George Haskell, a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.(0:00) How Flowers Made Our WorldThe incredible ancient history of flowers on Earth(4:56) Contemplating the SmallExpanding our world by restricting our gaze(14:30) The Illusion of IndividualityWhy atomism is false and interconnectedness is the foundation of life(26:08) We Are Grass ApesThe evolutionary origins of humans and our dietary dependence on grass(33:32) Memories of His Childhood in Paris & Wild Orchids(38:55) The Networked Intelligence of ForestsHow trees communicate and share resources beneath the soil(44:00) The Earth in Full SongTracing the sonic history of our planet(51:08) The Practice of ListeningWhy tuning in to the natural world is crucial for our survival(1:01:21) Silence Without ExpectationSitting with nature without demanding progress or enlightenment(1:11:01) Transforming OurselvesWhy personal change matters in the fight for the climate(1:15:20) Escaping the ScreenFinding real human-to-human connection away from technology(1:16:16) The True Cost of AIThe devastating impact of data centers on our fossil fuel consumption(1:23:18) A Sensory Legacy for the FutureWhat we must preserve for the generations not yet bornEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems?Our guest today is David George Haskell, a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.(0:00) How Flowers Made Our WorldThe incredible ancient history of flowers on Earth(4:56) Contemplating the SmallExpanding our world by restricting our gaze(14:30) The Illusion of IndividualityWhy atomism is false and interconnectedness is the foundation of life(26:08) We Are Grass ApesThe evolutionary origins of humans and our dietary dependence on grass(33:32) Memories of His Childhood in Paris & Wild Orchids(38:55) The Networked Intelligence of ForestsHow trees communicate and share resources beneath the soil(44:00) The Earth in Full SongTracing the sonic history of our planet(51:08) The Practice of ListeningWhy tuning in to the natural world is crucial for our survival(1:01:21) Silence Without ExpectationSitting with nature without demanding progress or enlightenment(1:11:01) Transforming OurselvesWhy personal change matters in the fight for the climate(1:15:20) Escaping the ScreenFinding real human-to-human connection away from technology(1:16:16) The True Cost of AIThe devastating impact of data centers on our fossil fuel consumption(1:23:18) A Sensory Legacy for the FutureWhat we must preserve for the generations not yet bornEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems?Our guest today is David George Haskell, a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.(0:00) How Flowers Made Our WorldThe incredible ancient history of flowers on Earth(4:56) Contemplating the SmallExpanding our world by restricting our gaze(14:30) The Illusion of IndividualityWhy atomism is false and interconnectedness is the foundation of life(26:08) We Are Grass ApesThe evolutionary origins of humans and our dietary dependence on grass(33:32) Memories of His Childhood in Paris & Wild Orchids(38:55) The Networked Intelligence of ForestsHow trees communicate and share resources beneath the soil(44:00) The Earth in Full SongTracing the sonic history of our planet(51:08) The Practice of ListeningWhy tuning in to the natural world is crucial for our survival(1:01:21) Silence Without ExpectationSitting with nature without demanding progress or enlightenment(1:11:01) Transforming OurselvesWhy personal change matters in the fight for the climate(1:15:20) Escaping the ScreenFinding real human-to-human connection away from technology(1:16:16) The True Cost of AIThe devastating impact of data centers on our fossil fuel consumption(1:23:18) A Sensory Legacy for the FutureWhat we must preserve for the generations not yet bornEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems?Our guest today is David George Haskell, a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.(0:00) How Flowers Made Our WorldThe incredible ancient history of flowers on Earth(4:56) Contemplating the SmallExpanding our world by restricting our gaze(14:30) The Illusion of IndividualityWhy atomism is false and interconnectedness is the foundation of life(26:08) We Are Grass ApesThe evolutionary origins of humans and our dietary dependence on grass(33:32) Memories of His Childhood in Paris & Wild Orchids(38:55) The Networked Intelligence of ForestsHow trees communicate and share resources beneath the soil(44:00) The Earth in Full SongTracing the sonic history of our planet(51:08) The Practice of ListeningWhy tuning in to the natural world is crucial for our survival(1:01:21) Silence Without ExpectationSitting with nature without demanding progress or enlightenment(1:11:01) Transforming OurselvesWhy personal change matters in the fight for the climate(1:15:20) Escaping the ScreenFinding real human-to-human connection away from technology(1:16:16) The True Cost of AIThe devastating impact of data centers on our fossil fuel consumption(1:23:18) A Sensory Legacy for the FutureWhat we must preserve for the generations not yet bornEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World(1:33) Networked Connection is the Foundation of Life(2:00) Contemplating the Small(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World(4:18) We Are Grass Apes(5:41) Memories of His Childhood in Paris & Wild Orchids(6:34) The Networked Intelligence of Forests(7:45) The Earth in Full Song(8:46) The Practice of Listening(10:11) Escaping the Screen: Real Connections in the Classroom(11:35) The True Cost of AI(12:11) Transforming Ourselves(14:23) Silence Without Expectation(15:32) A Sensory Legacy for the FutureEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Pop fans, get those lip liners and leather trousers ready because this girl group special is taking us to the 90s *and* early 2000s! We are celebrating Fergie and Nicole Scherzinger's original girl groups - Wild Orchid and Eden's Crush - in the first US edition of our 'Lost Girl Bands' series. Prepare for wall-to-wall diva vocals, killer harmonies and zesty tunes! Before Fergie and Scherzy became pop icons as part of the biggest selling groups of the 2000s - The Black Eyed Peas and Pussycat Dolls - they had quite a rollercoaster ride with their respective girl groups. 90s pop R&B trio Wild Orchid was made up of Stacey Ferguson, Stefanie Ridel and Renee Sandstrom. Think big diva vocals, 90s supermodel glam and fun hun energy. In 1997, their soulful pop banger 'Talk To Me' made them a force to be reckoned with in the US and abroad. The trio launched two albums "Wild Orchid" (with the singles 'At Night I Pray' and 'Supernatural') and "Oxygen" in the 90s, and also toured with Cher and N*Sync! In 2000, "Popstars" the reality TV sensation hit America and spawned the quintet Eden's Crush - produced by legendary hitmaker David Foster. Meet Ana Maria Lombo, Ivette Sosa, Maile Misajon, Nicole Scherzinger and Rosanna Tavarez. The 2001 debut album "Popstars" sold half a million in America and made No.6 on the Billboard 200, featuring the spicy Top 10 hit single 'Get Over Yourself'.If you love girl groups and hidden pop gems - check out Episode 85 [Lost Girl Bands Vol.1 - Mini Viva, Dolly Rockers and Girls Can't Catch] and Episode 96 [Lost Girl Bands Vol. 2 - Neon Jungle, Parade and SoundGirl]!Follow Right Back At Ya!https://www.instagram.com/rightbackpod/https://twitter.com/rightbackpodhttps://www.facebook.com/rightbackpodFollow Joelhttps://www.instagram.com/dr_joelb/https://twitter.com/DR_JoelBFollow Davidhttps://www.instagram.com/lovelimmy/https://twitter.com/lovelimmyEmail us rightbackpod@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
How does biodynamic farming transform a vineyard into a thriving, interconnected ecosystem? What do wild orchids reveal about the health of a vineyard? How do France's preschool lunches help to create a nation of gourmets? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Caro Feely, author of the terrific memoir Grape Expectations: A Family's Vineyard Adventure in France. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks Giveaway Three of you are going to win a copy of her terrific book, Grape Adventures. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose three people randomly from those who contact me. Good luck! Highlights How did Caro's daughter's medical emergency shape her perspective on risk? Why did Caro feel like a bad mom in the early years of the winery? How has living in France influenced Caro's approach to food and wine? When did Caro realize the wine business was becoming financially viable? What are some of the most interesting aspects of biodynamics? What's the significance of wild orchids in a vineyard? Which wine would Caro pair with her favourite childhood food, marmalade on toast? Why would Caro want to share a bottle of wine with Al Gore? Key Takeaways As Caro explains, often biodynamics is just picked on as a woo woo, but really, it's about listening to your land and being present. Biodynamics is organics, plus. It's essentially three things: It's working with plant and animal-based sprays to keep the vineyard healthy, using the biodynamic calendar to do things at the right moment. It's about listening to what's going on in the sky. We all notice the sun, but all the other bodies in the sky also have an impact. Lunatic comes from the fact that the moon does have an effect on us. The final thing is to think of your farm as a whole farm system as a living thing where everything is connected. We can't just look at the vine on its own, like a unit of production. It is a living thing, and it is a vibrant living environment. Caro says that when they bought the farm in 2005, it was conventionally farmed. They started organic farming and in 2008 the wild orchids came back. The systemic fungicides had worked their way out of the soil. Essentially, our soil health was coming back. The mycorrhizae, the fungi growing symbiotically with the roots of the vine, helps them to extend their network, to get more nutrients. However, mycorrhizae will not be there if you're using systemic fungicides. Caro loves France's respect for food and for taking time to enjoy it. There's a tradition in the country where everybody, no matter what they do, is somewhat of a gourmet and knows about food and wine. She thinks it does go back to schools with their three-course lunch when they're two and a half at preschool. About Caro Feely Caro Feely is a writer, yoga teacher, wine educator and organic farmer. She leads authentic, personalized and educative wine tours, wine courses, walking tours and yoga retreats near Bordeaux in France. She is a published author, an engaging speaker, a registered Yoga Alliance yoga teacher, a WSET* wine educator, and a professional with many years of workshop, presentation, teaching, and management experience. Caro offers accommodation, tours and yoga at her organic farm in Saussignac. To learn more, visit https://www.nataliemaclean.com/339.
“From the creators of ‘9 1/2 Weeks'. An Adventure of the Senses.” “Wild Orchid is a 1989 American erotic film directed by Zalman King and starring Mickey Rourke, Carré Otis, Jacqueline Bisset, Bruce Greenwood, and Assumpta Serna.” Show Links Trailer: https://www.youtube.com/watch?v=Kc8IrlD9yw8 Wikipedia: https://en.wikipedia.org/wiki/Wild_Orchid_(film) Just Watch: https://www.justwatch.com/au/movie/wild-orchid Socials Bluesky: https://bsky.app/profile/moviewavepod.bsky.social Buy Me A Coffee: https://www.buymeacoffee.com/moviewavepod Letterboxd: https://letterboxd.com/moviewavepod/ Mastodon: https://mastodon.social/@moviewavepod Intro/Outro Sample Credits “Aiwa CX-930 VHS VCR Video Cassette Recorder.wav” by Pixabay “Underwater Ambience” by Pixabay “waves crashing into shore parkdale beach” by Pixabay Movie Wave is a part of Pie Hat Productions.
今回は、普段Lobsterr Friendsの会員限定で配信しているLobsterr Letterの編集後記Podcastを一般公開しています。 7月22日配信のLobsterr Letter vol.272「Wild Orchids会話を終わらせないために」の編集後記を岡橋と佐々木の二人でをお届けします。リチャード・ローティの『偶然性・アイロニー・連帯』を元にしたOutolook、AIビジネスの今後、有害な男性像に苦しむ若者たち、増加する音楽のフィジカル・フォーマット、デジタル・ミニマリスト・ペアレンティングなどについて話しました。 https://us20.campaign-archive.com/?u=e1d44541ec8d5e0b2beaa7b0e&id=ad5c47e528
The Hallmark Playhouse - Wild Orchid 1951 Announcer-Frank Goss Host-James Hilton Ann Blyth, Paul Dubov, Ted Osbourne & Ted DeCorsia A long way from the friendly orchids of Harriet's childhood to the wild and untamed orchids on the island of Tasmania, off the coast of Australia. A long way from the Cannon's lovely young daughter to the ploughman's of down under, yet youth could cross those miles and make them seem as nothing...
For part two of our Black Eyed Peas series, writer and critic Julianne Escobedo Shepherd returns to Pop Pantheon to dissect the brief but remarkable reign of the Duchess of Pop, Fergie. Louie and Julianne break down Fergie's brushes with child stardom via Peanuts and Kids Incorporated and her failed 90s girl group, Wild Orchid. Then they explore the sonic melange of her debut solo album, 2006's The Dutchess, which traded in everything from camp pop-rap to 80s hip house, mid-century pop-soul and A/C rock. Next they tackle Fergie's follow-up more than a decade later, 2017's Double Dutchess, her disappearance from pop, her ongoing presence as a meme queen and, finally, rank Fergie in the Official Pop Pantheon.Listen to Pop Pantheon's Black Eyed Peas Essentials Playlist on SpotifyJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreCome to Gorgeous Gorgeous NYC on 2/3 at Sultan RoomCome to Gorgeous Gorgeous LA on 2/17 at Los GlobosFollow Julianne Escobedo Shepherd on TwitterFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter
Jacqueline Bisset steps Behind The Rope. One of the most legendary and iconic actresses of our time is here to chat about a multiple decade career in film, television and more. Jacqueline chats about the full anthology of her career sharing her hot takes on many of our favorites - The Deep, Class, Wild Orchid and last, but certainly not least, our personal fav and guilty pleasure, her several episode arc on Ryan Murphy's deliciously brilliant Nip/Tuck. Jacqueline talks about her newest film, Loren & Rose, which is one of her most brilliant performances to date. Finally, we discuss the state of Hollywood for women over forty, the biggest misconceptions about the industry, fav/least fav films and more. @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope BROUGHT TO YOU BY: ROCKET MONEY - rocketmoney.com/velvetrope (Cancel Unwanted Subscriptions & Manage Expenses The Easy Way) IQBAR - TEXT VELVET to 64000 (Get 20% Off All IQBAR Products Plus Free Shipping) FACTOR - factormeals.com/velvet50 (Use Code VELVET50 To Get 50% Off Your First Box) BRILLIANT EARTH - brilliantearth.com (Check Out All Of Their Beautiful Pieces) ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices
Winifred Jacqueline Fraser Bisset came into this world in the latter days of WWII, in the Fall of 1944 to a Scotch GP and French lawyer cum housewife who biked her way into an airlift out of Occupied France and her new life in the rather rural climes of Surrey. A short modeling career led to roles in such disparate films (in quality as well as type) as The Knack and How to Get It, Audrey Hepburn vehicle Two For the Road and Roman Polanski's Cul de Sac, launching her into a career in cinema marked by roles in such highlights as The Detective (with Frank Sinatra), Bullitt (with Steve McQueen), Le Magnifique (with Jean Paul Belmondo), The Mephisto Waltz (with Alan Alda) and Truffaut's excellent Day For Night, before settling into big budget all star oddities like the multi-director Casino Royale, Airport, the Albert Finney Murder on the Orient Express, Who is Killing the Great Chefs of Europe (with George Segal), St. Ives (with Charles Bronson), The Deep (with Nick Nolte) and even Wild Orchid (with Mickey Rourke), smoking up the screen in a manner not altogether dissimilar to the previously covered Charlotte Rampling and earning herself both Golden Globes and France's Legion d'Honneur for her efforts. Join us as we talk another of our favorite ladies of 70's cinema, the lovely and talented Jacqueline Bissett! Weird Scenes Week 94 (4/6/23): Class and Style: The Unusual Career of Jacqueline Bissett https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1) https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044 https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1 https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast
Justin Decloux and Mark Hanson discuss THE MOST NOTABLE BLU-RAYS AND DVDS OF THE WEEK from Bay Street Video, a brick n' mortar video store located in Toronto, Canada. THIS WEEK THEY DISCUSS: THIS WEEK THEY DISCUSS: STREETS OF FIRE (4K/UHD) (Shout) RAZORBACK (Shout) THE LEGEND OF FONG SAI YUK 1&2 (RoninFlix) THE GRAND TOUR (Unearthed) PUPPET MASTER: DOKTOR DEATH (Full Moon) GIANTESS ATTACK VS. MECHA-FEMBOT (Full Moon) ED GEIN: THE MUSICAL (SRS) NIGHT OF THE ZODIAC (SRS) ***BLIND BUY*** ACTUAL PEOPLE (Factory 25) WILD ORCHID 2: BLUE MOVIE BLUE (RoninFlix) THE PRINCE OF EGYPT (4K/UHD) (Universal)
Please support our Patreon. For early and ad-free episodes, members-only content, and more.Andrew Hartman is Professor of History at Illinois State University, where he teaches courses in U.S. intellectual, cultural, and political history, as well as courses in the philosophy of history, historiography, and pedagogy. Hartman co-hosted a podcast dedicated to politics, ideas, and history, titled "Trotsky and the Wild Orchids." He is the author of "A War for the Soul of America: A History of the Culture Wars" (University of Chicago Press, 2016) and "Education and the Cold War: The Battle for the American School" (Palgrave Macmillian, 2008) as well as the forthcoming "Marx in America."Crew:Host: C. Derick VarnAudio Producer: Paul Channel Strip ( @aufhebenkultur )Branding Design: Djene Bajalan and C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Videos Design: Jason Myles, Dejene Balajan Support the show
Radio Owlsnest Episode 38 - THE END OF YEAR SHOW! ‘Where did the time go, my noble OwlHeads? Another year has passed, another season has flown by (notice the pun), and here we are again - a year older, but as all “OwlHeads” know, we are a year wiser. I wanted to pull out all the stops for this festive extravaganza. Hence, some ridiculously rare demos will be revealed. I'm gonna spin an unheard, much requested song written with Bernie Taupin, “Welcome To The Retrohip” - now there's a title! It was a track destined for my second solo album, “In The Temple Of The Muse”, but somehow was left on the cutting room floor. You'll hear the studio live version. I've dug deep into the archives to play song demos from the technicolor-crazy 80s and the naughty 90s… tracks I was myself surprised to find, and I was suitably impressed. I have an emotional moment playing a song and demo I wrote and recorded with the great Maurice White of Earth, Wind and Fire… his voice struck home with poignant, soulful beauty. I was touched big time remembering him, particularly at this Christmas period. And a song written and performed with the mighty songwriter, Clif Magness (a song we penned with Michael Jackson in mind), will be spun as a ‘kindred spirit' to Maurice's emotional uplifting rendering. A rarity of rarities debuts as I play a song I wrote for the female band “Wild Orchid”, featuring the enigmatic, glamorous “Fergie” singing lead vocals. These girls brought bagels to my home studio during the writing sessions…. fond memories of being ‘mothered' and cooked for just before Fergie joined “Black Eyed Peas”. In between these musical fancies, I'll liberally disclose the facts about my youthful soccer/football career when I dabbled seriously in becoming a professional player with Southampton FC. A new track from a pagan folklore Christmas album I'm forever working on will be aired, and YES, what you've all been waiting for - Pagey becomes a crooner! I'll play a new half baked track I'm working on which encompasses the zeitgeist of Bing Crosby and Frank Sinatra…. Cigarette in hand, glass of wine at the ready - romance is ignited! I want to thank you “OwlHeads” for another fine vintage year of songwriter podcasts. You've made it all worth it - couldn't do it without you. Fly high - enjoy
On this week's episode the ladies discuss Fergie. They get into her ICONIC solo career as The Duchess, Kids Incorporated, Wild Orchid, and Black Eyed Peas front-woman status. Check it out *said in Fergie's voice*.
There's Something About Mary, dentists, when to share and when not to share, Let It Ride, rewatching, Tim Robinson, Richard Dreyfuss comedies, Henry Czerny, Clear and Present Danger, Revenge, sHenry Cavill, James Carville, JT Walsh, Priscilla Queen of the Desert, Hugo Weaving character actors, With Gourley and Rust, Child's Play, film school nerds, bomb pop, remembering things bigger than they are, Tom Poppa, pursuing your passions, conscientious consuming vs. binging, Passolini, obsessive paths, teen sex comedies, Mimi Rogers, George Kareman, Acting Reel Master Database, Dan Opsal, Rob Michael Hugel, Nicholas Roeg, Rob Hubel, old person high school teachers, Zeffirelli Romeo and Juliet, what is and what isn't, Red Shoe Diaries, USA Up All Night, The Hitchhiker, M.A.S.K., Wild Orchid. Support the show
www.iconsandoutlaws.com Cynthia Ann Stephanie Lauper Thornton was born June 22, 1953, in Brooklyn, New York City, right here in the U.S., to Catholic parents, Fred and Catrine. Her mother was from Sicily. She has two siblings, a younger brother Fred (nicknamed Butch), and an older sister, Ellen. Her parents divorced when she was five. Her earliest childhood days were spent in Brooklyn, but when she was about four years old, the family moved to Ozone Park, Queens, where she lived in a railroad-style apartment through her teenage years. Growing up, Lauper felt like an outcast. She grew up listening to such artists as The Beatles and Judy Garland. Then, at only 12 years old, she began writing songs and playing an acoustic guitar that she got from her sister. Cyndi was primarily raised by her mother, who worked as a waitress to support the family. Mom loved the arts and frequently took Cyndi and her siblings to Manhattan to see Shakespeare plays or visit art museums. However, Cyndi did not do particularly well in school. She was reportedly kicked out of several parochial schools in her youth. Raised in the Roman Catholic faith, Cyndi Lauper recounted in Boze Hadleigh's "Inside the Hollywood Closet" the time a nun attacked her after catching a nine-year-old Lauper scratching a friend's back: "A nun ran in, ripped me off her back, threw me against the lockers, beat the s**t out of me, and called me a lesbian." As many kids do, she expressed herself with various hair colors and eccentric clothing. She took a friend's advice to spell her name as "Cyndi" rather than "Cindy." Unfortunately, her" unusual" sense of style led to classmates bullying her and even throwing stones at her. Lauper went to Richmond Hill High School, where she was expelled but later earned her GED. In her book, Cyndi revealed that after her stepfather threatened to sexually assault her and her sister and then secretly watched her take a bath, she left home for good. Cyndi left Home at 17 to escape her creepy ass stepfather, intending to study art. Her journey took her to Canada, where she spent two weeks in the woods with her dog Sparkle, trying to find herself. She eventually traveled to Vermont, taking art classes at Johnson State College and supporting herself by working odd jobs. Money was sparse, so she waitressed, served as an office assistant, and even sang in a Japanese restaurant for a time. At one point, her boyfriend at the time hunted and shot a squirrel, which she cooked up and ate. Lauper also faced an unplanned pregnancy, which she wanted, but her boyfriend did not. So, Lauper terminated the pregnancy. "Nobody wants to run in and do that," She later told HuffPost. "It's just that I didn't want to have a kid that I love come into the world and not be able to share the kid with a dad." During this period, Cyndi got around by hitchhiking. Unfortunately, she put herself into close quarters with some potentially crappy individuals, such as the man who gave her a ride and forced her to perform a sexual act on him. "I just wanted to be able to live through it, get to the other side of it." On another occasion, she was assaulted by a bandmate and two accomplices. Sometimes, it all understandably got too overwhelming for Lauper. "A lot of times I couldn't take it anymore, so I just lay in bed all the time," Lauper wrote. "When I really couldn't deal with anything, I used to get the shakes, just complete anxiety attacks." In 2019, Lauper gave the commencement address at Northern Vermont University-Johnson, the academic institution that now includes Johnson State. At this event, NVU awarded her the honorary degree of Doctor of Letters. In the early 1970s, Cyndi performed as a vocalist with several different cover bands. One of those bands, Doc West, covered disco songs and Janis Joplin. A later band, Flyer, was active in the New York metropolitan area, singing songs by bands including Bad Company, Jefferson Airplane, and Logan's favorite, Led Zeppelin. Although She was performing on stage and loving that part, she was not happy singing covers. One night, while singing a cover of Kiki Dee's "I've Got the Music in Me" in 1974, her voice gave out. But it came back shortly after, and Lauper continued to sing in cover bands and a Janis Joplin tribute act. Then, in 1977, Cyndi's pipes said no more. Her voice disappeared again, and doctors discovered that she'd suffered a collapsed vocal cord. Recommended by her temporary replacement in the Joplin cover band, Lauper sought the help of vocal coach Katie Agresta. She helped heal Cyndi and provided her with the tools and techniques to prevent it from happening again. Agresta also helped her realize that she was singing the wrong music entirely, discovering that she was more suited to pop, not hard rock. As Lauper wrote in her memoir, "[I realized] what I was aching for — to sing my own songs, in my own voice, in my own style, that I made up myself." In 1978, Lauper met saxophone player John Turi through her manager Ted Rosenblatt. Turi and Lauper formed a band named Blue Angel, Combining a New Wave look with a '60s throwback sound, and recorded a demo tape of original music. Steve Massarsky, manager of The Allman Brothers Band, heard the tape and liked Lauper's voice. He bought Blue Angel's contract for $5,000 and became their manager. "The playing was bad. There was something interesting about the singer's voice, but that was all," he later told Rolling Stone. Massarky set up a few major label showcases, but they all thought the same thing; the band wasn't great, but the singer was something special. Lauper received recording offers as a solo artist but held out, wanting the band to be included in any deal she made. She even turned down the chance to record a song by herself for the soundtrack to the MeatLoaf movie Roadie, produced by legendary disco song crafter Giorgio Moroder, the founder of the former Musicland Studios in Munich, Germany. Blue Angel was eventually signed by Polydor Records and released a self-titled album on the label in 1980. Lauper hated the artwork, saying it made her look like Big Bird. Still, Rolling Stone magazine later included it as one of the 100 best new wave album covers (2003). Despite critical acclaim, the album sold poorly ("It went lead," as Lauper later joked), and the band broke up. The members of Blue Angel had a falling-out with Massarsky and fired him as their manager. He later filed an $80,000 suit against them, which forced Cyndi into bankruptcy. She then temporarily lost her voice due to an inverted cyst in her vocal cord. After Blue Angel broke up, Cyndi worked in retail stores, waitressing at IHOP (which she quit after being demoted to the hostess when the manager sexually harassed her), and singing in local clubs. Her most frequent gigs were at El Sombrero, which sounds like they have amazing chimichangas. Music critics who saw Her perform with Blue Angel believed she had star potential due to her four-octave singing range, which was not an easy feat. Then, in 1981, while singing in a local New York bar, Cyndi met David Wolff. He took over as her manager and had her sign a recording contract with Portrait Records, a subsidiary of Epic Records. On October 14, 1983, Cyndi released her first solo album," She's So Unusual." The album became a worldwide hit, peaking at No. 4 in the U.S. and reaching the top five in eight other countries. She became extremely popular with teenagers and critics, partly due to her hybrid punk image, which was crafted by stylist Patrick Lucas. Lauper co-wrote four songs on She's So Unusual, including the hits "Time After Time" and "She Bop." On the songs she did not write, Lauper sometimes changed the lyrics. Such is the case with "Girls Just Want to Have Fun," originally written and recorded by Robert Hazard, which you can find on YouTube, and it's pretty awesome. She found the original lyrics misogynistic, so she rewrote the song as an anthem for young women. The album includes five cover songs, including The Brains' new wave track "Money Changes Everything" (No. 27 on the Billboard Hot 100) and Prince's "When You Were Mine." The album made Cyndi Lauper the first female artist to have four consecutive Billboard Hot 100 top five hits from one album. The L.P. has stayed in the Top 200 charts for over 65 weeks and sold 16 million copies worldwide. Cyndi won Best New Artist at the 1985 Grammy Awards. She's So Unusual also received nominations for Album of the Year, Record of the Year, Best Female Pop Vocal Performance (for "Girls Just Want to Have Fun"), and Song of the Year (for "Time After Time"). She wore almost a pound of necklaces at her award ceremony. It also won the Grammy for Best Album Package, which went to the art director, Janet Perr. The video for "Girls Just Want to Have Fun" won the inaugural award for Best Female Video at the 1984 MTV Video Music Awards, making Cyndi an MTV staple. The video featured professional wrestling manager "Captain" Lou Albano as Lauper's father and her real-life mother, Catrine, as her mother, and also featured her attorney, her manager, her brother Butch, and her dog Sparkle. She was a huge wrestling fan. In 1984–85, Cyndi appeared on the covers of Rolling Stone magazine, Time, and Newsweek. In addition, she appeared twice on the cover of People and was named a Ms. magazine Woman of the Year in 1985. In 1985, she participated in "USA for Africa's" famine-relief fund-raising single "We Are the World," which has sold more than 20 million copies since then. At the Grammys in 1985, She appeared with another professional wrestler, a Mr. Terry" Hulk" Hogan, who played her "bodyguard." "'The Grammy means a lot to me,' said Cyndi (in the arms of Hulk Hogan) after winning Best New Artist, 'Because I never thought I would amount to anything. I always wanted to make art.'" She would later make many appearances as herself in a number of the World Wrestling Federation's "Rock 'n' Wrestling Connection" events and played Wendi Richter's manager in the very first WrestleMania event. Dave Wolff, Lauper's boyfriend and manager at the time, was a wrestling fan as a boy and helped set up the rock and wrestling connection. In 1985, Cyndi released the single "The Goonies' R' Good Enough," from the soundtrack to the movie The Goonies and an accompanying video that featured several wrestling stars. The song reached number 10 on the Billboard Hot 100 chart. She then received two nominations at the 1986 Grammy Awards: Best Female Rock Vocal Performance for "What a Thrill" and Best Long Form Music Video for Cyndi Lauper in Paris. Cyndi released her second album, "True Colors," in 1986. It entered the Billboard 200 at No. 42 and has sold roughly 7 million copies. In 1986, She appeared on the Billy Joel album The Bridge, with a song called "Code of Silence." She is credited with having written the lyrics with Joel, and she sings a duet with him. In the same year, Cyndi also sang the theme song for Pee-wee's Playhouse, credited as "Ellen Shaw." In 1987, David Wolff produced a concert film called Cyndi Lauper in Paris. The concert was broadcast on HBO. Cyndi made her film debut in August 1988 in the comedy Vibes, alongside a nobody named Jeff Goldblum, Peter Falk, and Julian Sands. She played a psychic in search of a city of gold in South America. To prepare for the role, Cyndi took a few finger-waving and hair-setting classes at the Robert Fiancé School of Beauty in New York and studied with a few Manhattan psychics. The film flopped and was poorly received by critics but would later be considered a cult classic. Cyndi then contributed a track called "Hole in My Heart (All the Way to China)" for the Vibes soundtrack, but the song was not included. Instead, a high-energy, comic action/adventure romp through a Chinese laundry video for the song was released. The song reached No. 54 on the U.S. charts, but did way better in Australia, reaching No. 8. Cyndi's third album, A Night to Remember, was released in 1989. The album had one hit, the No. 6 single "I Drove All Night," originally recorded by Roy Orbison, three years before his death on December 6, 1988. Cyndi received a Grammy nomination for Best Female Rock Vocal Performance at the 1990 Grammy Awards for That track. Still, overall, album sales for the album were down. A side note; The music video for the song "My First Night Without You" was one of the first to be closed-captioned for the hearing impaired. That record sold around 1.3 million copies. Due to her friendship with a familiar name here at Icons and Outlaws, Yoko Ono, Cyndi was a part of the May 1990 John Lennon tribute concert in Liverpool. She performed the Beatles song "Hey Bulldog" and the John Lennon song "Working Class Hero." She was also involved in Sean Lennon's project, "The Peace Choir, "performing a new version of John Lennon's "Give Peace a Chance." Shortly after, the album was met with a dismal response, and she split with her boyfriend and manager, David Wolff. Cyndi lived alone in a New York hotel, emotionally drained and considering suicide. "I had come so far but felt like I had failed," she wrote in Cyndi Lauper: A Memoir (via Bullyville). "I would go to the studio, and then sit in my dark room and drink vodka. I had to spend most of my time alone. I was grieving. I thought the sadness would never go away." Indirectly, it was Cyndi's best-known song that encouraged her to try to crawl out of her low place: "The only thing that always prevented me from suicide is that I never wanted a headline to read, 'Girl who wanted to have fun just didn't.'" On November 24, 1991, Cyndi married actor David Thornton, who's been in home alone 3, John Q with Denzel, and that god-awful tear-jerker, the Notebook. Cyndi's fourth album, "Hat Full of Stars," was released in June 1993 and was met with critical acclaim but failed commercially, unsupported by her label. The album tackled topics like homophobia, spousal abuse, racism, and abortion, sold fewer than 120,000 copies in the United States and peaked at No. 112 on the Billboard charts. The album's song "Sally's Pigeons" video features the then-unknown Julia Stiles playing a young Cyndi. You may remember Julia from ten things I hate about you, alongside a young Heath Ledger. In 1993, Cyndi returned to acting, playing Michael J. Fox's ditzy secretary in the movie Life with Mikey. She also won an Emmy Award for her role as Marianne Lugasso in the hugely popular sitcom Mad About You with Paul Reiser and Helen Hunt. On November 19, 1997, Cyndi gave birth to her son, Declyn Wallace Lauper Thornton, who is now a trap rapper. Her fifth album," Sisters of Avalon," was released in Japan in 1996 and worldwide in 1997. Just like "Hat Full of Stars," some songs on "Sisters of Avalon" addressed dark themes. The song "Ballad of Cleo and Joe" addressed the complications of a drag queen's double life. The song "Say a Prayer" was written for a friend who had died from AIDS. "Unhook the Stars" was used in the movie of the same name. Again without support from her label, the release failed in America, spending a week on the Billboard album chart at No. 188. This album also received much critical praise, including People magazine, which declared it "'90s nourishment for body and soul. Lauper sets a scene, makes us care, gives us hope." Let's just say it… her label sucks! On January 17, 1999, Cyndi appeared as an animated version of herself in The Simpsons episode "Wild Barts Can't Be Broken." She sang the National Anthem to the "Girls Just Want to Have Fun" melody. That same year, she opened for Cher's Do You Believe? Tour alongside Wild Orchid. Yeah, that group with a young Fergie. Cyndi also appeared in the films "Mrs. Parker and the Vicious Circle" and The "Opportunists." In addition, she contributed to the soundtrack of the 2000 animated film, Rugrats in Paris: The Movie, performing the song "I Want a Mom That Will Last Forever." On October 12, 2000, Cyndi took part in the television show Women in Rock, Girls with Guitars performing with Ann Wilson of Heart and with the girl group Destiny's Child and the queen B herself!. A CD of the songs performed was released exclusively to Sears stores from September 30 to October 31, 2001, and was marketed as a fundraiser for breast cancer. In 2002, Sony issued a best-of CD, The Essential Cyndi Lauper. Cyndi also released a cover album with Sony/Epic Records entitled At Last (formerly Naked City), which was released in 2003. At Last received one nomination at the 2005 Grammy Awards: Best Instrumental Arrangement Accompanying Vocalist(s) for "Unchained Melody." The effort was also a commercial hit, selling 4.5 million records. In April 2004, Cyndi performed during the VH1's benefit concert, "Divas Live" 2004, alongside Ashanti, Gladys Knight, Jessica Simpson, Joss Stone, and Patti LaBelle. This event supported the Save the Music Foundation, a nonprofit organization dedicated to restoring instrumental music education in America's public schools and raising awareness about the importance of music as part of each child's complete education. She made appearances on Showtime's hit show "Queer as Folk" in 2005, directed a commercial for the Totally 80s edition of the board game Trivial Pursuit in 2006, served as a judge on the 6th Annual Independent Music Awards, and made her Broadway debut in the Tony-nominated "The Threepenny Opera" playing "Jenny." In addition, she performed with Shaggy, Scott Weiland of Velvet Revolver/Stone Temple Pilots, Pat Monahan of Train, Ani DiFranco, and The Hooters in the VH1 Classics special Decades Rock Live. In 2006, she sang "Message To Michael" with Dionne Warwick and "Beecharmer" with Nellie McKay on McKay's Pretty Little Head album. On October 16, 2006, Cyndi was inducted into the Long Island Music Hall of Fame. In 2007, she served as a guest performer on the song "Lady in Pink" on an episode of the Nick Jr. show, The Backyardigans. Cyndi's sixth studio album, "Bring Ya to the Brink," was released in the United States on May 27, 2008. Regarded as one of her best works when it was released, the Songwriters Hall of Fame has regarded the album track 'High and Mighty' as one of her essential songs. The album would be Cyndi's last release to date of original material, in addition to being her last for Epic Records, her label since her 1983 debut solo album. The album debuted at #41 on the Billboard 200, with 12,000 copies sold. Other projects for 2008 included the True Colors Tour and a Christmas duet with Swedish band The Hives, entitled "A Christmas Duel." The song was released as a CD single and a 7" vinyl in Sweden. Lauper also performed on "Girls Night Out," headlining it with Rosie O'Donnell in the U.S. On November 17, 2009, Cyndi performed with Wyclef Jean in a collaboration called "Slumdog Millionaire," on The Late Show with David Letterman. In January 2010, Mattel released a Cyndi Lauper Barbie doll as part of their "Ladies of the 80s" series. In March 2010, Cyndi appeared on NBC's The Celebrity Apprentice with the then-future president, Donald Trump, coming in sixth place. Cyndi's 7th studio album, Memphis Blues, was released on June 22, 2010, and debuted on the Billboard Blues Albums chart at No. 1 and at No. 26 on the Billboard Top 200. The album remained No. 1 on the Blues Albums chart for 14 consecutive weeks; Memphis Blues was nominated for Best Traditional Blues Album at the 2011 Grammy Awards. According to the Brazilian daily newspaper O Globo, the album had sold 600,000 copies worldwide by November 2010. In addition, Cyndi set out on her most extensive tour ever, the Memphis Blues Tour, which had more than 140 shows, to support the album. Cyndi made international news in March 2011 for an impromptu performance of "Girls Just Want to Have Fun" while waiting for a delayed flight at Aeroparque Jorge Newbery in Buenos Aires. A video was later posted on YouTube. In November 2011, she released two Christmas singles exclusive to iTunes. The first release was a Blues-inspired cover of Elvis Presley's classic "Blue Christmas," and the second was a new version of "Home for the holidays," a duet with Norah Jones. In June 2012, Lauper made her first appearance for WWE in 27 years to promote WWE Raw's 1000th episode to memorialize "Captain" Lou Albano. In September 2012, Cyndi performed at fashion designer Betsey Johnson's 40-year Retrospective Fashion show. She also released a New York Times best-selling memoir, "Cyndi Lauper A Memoir," which detailed her struggle with child abuse and depression. Cyndi then composed music and lyrics for the Broadway musical Kinky Boots, with Harvey Fierstein writing the book. The musical was based on the 2006 independent film Kinky Boots. The musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. It opened in Chicago in October 2012 and on Broadway at the Al Hirschfeld Theatre on April 4, 2013. She won Best Score for Kinky Boots in May at the 63rd annual Outer Critics Circle Awards. The musical led the 2013 Tony Awards, with 13 nominations and six wins, including Best Musical and Best Actor. In addition, she won the award for Best Original Score. Cyndi was the first woman to win solo in this category. After a six-year run and 2,507 regular shows, Kinky Boots ended its Broadway run on April 7, 2019. It is the 25th-longest-running Broadway musical in history. It grossed $297 million on Broadway. In the summer of 2013, celebrating the 30th anniversary of her debut album "She's So Unusual," Cyndi embarked on an international tour covering America and Australia. The show consisted of a mix of fan favorites and the entirety of the She's So Unusual record. She stated:" It's been such an amazing year for me. When I realized it's also the anniversary of the album that started my solo career, I knew it was the perfect time to thank my fans for sticking with me through it all. I'm so excited to perform She's So Unusual from beginning to end, song by song and I can't wait to see everyone!" The tourtour grossed over $1 million She was a guest on 36 dates of Cher's Dressed to Kill tour, starting April 23, 2014. In addition, a new album was confirmed by her in a website interview. Cyndi hosted the Grammy Pre-Telecast at the Nokia Theatre, L.A., on January 26, later accepting a Grammy for Kinky Boots (for Best Musical Theater Album). On April 1 (March 1 in Europe), Cyndi released the 30th Anniversary edition of She's So Unusual through Epic Records. It featured a remastered version of the original album plus three new remixes. The Deluxe Edition featured bonus tracks such as demos, a live recording, and a 3D cut-out of the bedroom featured in the 'Girls Just Want to Have Fun' music video with a reusable sticker set. On September 17, 2014, Cyndi sang on the finale of America's Got Talent. Then, on September 25, as part of the Today Show's "Shine a Light" series, she re-recorded "True Colors" in a mashup with Sara Bareilles' "Brave" to raise awareness and money for children battling cancer. By October, the project had raised over $300,000. The Songwriters Hall of Fame added Cyndi to its nomination list in October 2014. Also, her fourth consecutive 'Home for the Holidays' benefit concert for homeless gay youth was announced in October. Acts included 50 Cent and Laverne Cox, with 100% of the net proceeds going to True Colors United. In July 2015, She announced a project with producer Seymour Stein. She later told Rolling Stone it was a country album co-produced by Tony Brown. On September 15, 2015, Kinky Boots opened at the Adelphi Theatre in London's West End. In January 2016, Cyndi announced she would release a new album on May 6, 2016. This record was made up of her interpretations of early country classics entitled "Detour." The announcement was supported by a release of her version of Harlan Howard's "Heartaches by the Number" and a performance on Skyville Live with Kelsea Ballerini and Ingrid Michaelson. Then, on February 17, 2016, she released her version of Wanda Jackson's "Funnel of Love." In February 2016, Cyndi was nominated for an Olivier Award for contributing to the U.K. production of the play "Kinky Boots" along with Stephen Oremus, the man in charge of the arrangements. In January 2017, this production's album was nominated for the Grammy Award for Best Musical Theater Album. In May 2016, she was featured on "Swipe to the Right" from Electronica 2: The Heart of Noise by French producer Jean-Michel Jarre. This second album of the Electronica project is based on collaborations with artists like Tangerine Dream, Moby, Pet Shop Boys, and more. In October 2016, her son Dex Lauper was the opening act for her in Scottsdale, Arizona, and Las Vegas, Nevada, for her dates on her Detour Tour. In January 2017, Cyndi was featured on Austin City Limits' 42nd season, performing some classic bangers alongside some of her country tunes from the "Detour." album. The episode aired on PBS. In March 2018, it was announced that Cyndi and co- "Time After Time" songwriter Rob Hyman would compose the score for the musical version of the 1988 film "Working Girl." Ya know the movie that starred Melanie Griffith and Sigourney Weaver. She teamed up with Hyman because she wanted "the music to sound like the 80s". The musical would be staged by Tony Award winner Christopher Ashley. A developmental production premiere of the musical is planned for the 2021/2022 season. For Grandin Road, Cyndi exclusively designed her own Christmas collection, 'Cyndi Lauper Loves Christmas', available from September 2018. "I've always loved Christmas. It reminds me to find some happiness in the little things," she said. Her annual Home For The Holidays concert at the Beacon Theatre in New York was held on December 8, 2018. Cyndi guest starred, playing a lawyer in an episode of the reboot of the television series Magnum P.I.. The episode, titled "Sudden Death", aired on October 22, 2018. On November 15, 2018, iBillboard announced that Cyndi would receive the Icon Award at the Billboard's 13th annual Women in Music Event on December 6 in New York City. According to Billboard's editorial director, Jason Lipshutz, "The entire world recognizes the power of Cyndi Lauper's pop music, and just as crucially, she has used her undeniable talent to soar beyond music, create positive change in modern society and become a true icon." The song "Together" was featured in the Canadian computer-animated film Race time, released in January 2019. Originally written and performed in French by Dumas, Cyndi performed the English translation in the English version of the film initially titled La Course des tuques. On June 26, 2019, she performed at the opening ceremony of Stonewall 50 – WorldPride NYC 2019. Backed by the Hollywood Bowl Orchestra, Cyndi played two concerts on July 12 and 13, 2019, at the iconic Hollywood Bowl. In September 2019, it was announced that Cyndi would star alongside Jane Lynch in the new Netflix comedy series described as "kind of The Golden Girls for today." However, as of March 2021, there have been no updates on this project. On April 23, 2020, Cyndi participated in an online fundraising concert to raise money for LGBTQ nightlife workers who struggled financially because of the coronavirus pandemic. Her finale was her performing "True Colors." The show was initiated by the Stonewall Inn Gives Back nonprofit organization of the historic Greenwich Village gay bar. In November 2020, She dueted with former top ten "American Idol" finalist Casey Abrams on a cover version of the song 'Eve of Destruction. In November last year, Shea Diamond featured Cyndi as a guest vocalist on the track 'Blame it on Christmas.' An official video was released in December. She then performed at this year's MusiCares Person of the Year Tribute Show, honoring folk icon Joni Mitchell on April 1. It was announced in May this year that Alison Ellwood will direct a career retrospective documentary about Cyndi. The project is already in production but does not yet have a release date. "Let The Canary Sing" will be the title of this career-spanning documentary produced by Sony Music Entertainment. Still killing it after all these years! "Shes So Unusual" ranked No. 487 on Rolling Stone's list of 500 Greatest Albums of All Time in 2003. In addition, the album ranked No. 41 on Rolling Stone's Women Who Rock: The 50 Greatest Albums of All Time in 2012. "Time After Time" has been covered by over a hundred artists and was ranked at No. 22 on Rolling Stone's 100 Best Songs of the Past 25 Years and at No. 19 on VH1's 100 Greatest Songs of the 80s. "She Bop," the third single from She's So Unusual, is the first and only top ten song to directly mention a gay porn magazine. An ode to masturbation, it was included in the PMRC's "Filthy Fifteen" list, which led to the parental advisory sticker appearing on recordings thought to be unsuitable for young listeners. Rolling Stone ranked it the 36th best song of 1984, praising its unusual playfulness regarding sexuality. "True Colors" is now considered a gay anthem, after which True Colors United, which advocates for runaway and homeless LGBT youth, is so “colorfully” named. Info used from: Nickiswift.com Wikipedia.com
Whether it's theology, philosophy, politics, or science, it is not uncommon for people to believe their particular worldview has greater authority over others. This authoritarian approach to ideas implies that one person's representation of truth more closely and certainly reflects reality—they have the truth and we must submit to it. Alternatively, pragmatists believe this abstract certitude leads to religious fundamentalism, philosophical dogmatism, political absoluteness, and rigid scientism. For thinkers like the late-twentieth century philosopher Richard Rorty, language is an instrument for coordinating our efforts in addressing concrete issues we face in our lived environments. He doesn't believe theology, politics, philosophy, or even science are about acquiring an accurate representation of reality. In fact, he rejects the notion that the nature of truth is one of language mirroring reality. Instead, he views language as a dynamic tool, not something that reproduces truth. Often credited with rehabilitating pragmatism, Rorty encourages us to abandon these authoritarian approaches for what he calls a literary culture. While he holds that none of these disciplines have an epistemically privileged position from which they can determine which truth claims more closely represent reality, they each still play important roles in society. In other words, each provides us with particular vocabularies with different uses. Their vitality resides in the way they empower us to describe and redescribe experiences in continually novel and fruitful ways. Elin Danielsen Huckerby is a research fellow at the Norwegian University of Science and Technology, associated with an EU-funded project on Inclusive Science and European Democracies. She recently graduated with a PhD from the University of Cambridge, where she worked on Rorty's uses of literature in his philosophical work. She believes Rorty's literary attitude gives us more productive ways to move culture, science, and politics forward. A few questions to ponder. What is the role of literature in liberal democracies? What is moral progress for Rorty? How can liberal democracies benefit from embracing a more literary rather than scientistic culture? And, how worried should we be about Rorty's rejection of objective truth? Show Notes Richard Rorty The Takeover by Literary Culture: Richard Rorty's Philosophy of Literature by Elin Danielsen Huckerby (2021) "Rortian Liberalism and the Problem of Truth" by Adrian Rutt (2021) S1E20 Can Pragmatism Help Us Live Well? w/ John Stuhr (2021) S1E14 A Tool for a Pluralistic World w/ Justin Marshall (2021) S1E12 Philosophers Need to Care About the Poor w/ Jacob Goodson (2021) S1E07 Charles Peirce and Inquiry as an Act of Love w/ David O'Hara (2021) S1E06 Levinas and James: A Pragmatic Phenomenology w/ Megan Craig (2020) S1E01 Richard Rorty and Achieving Our Country w/ Adrian Rutt (2020) “The Power of One Idea” by Jeffrey Howard (2020) “The Pragmatic Truth of Existentialism” by Donovan Irven (2020) Richard Rorty: The Making of an American Philosopher by Neil Gross (2008) "Trotsky and the Wild Orchids" by Richard Rorty (1992) Contingency, Irony, and Solidarity by Richard Rorty (1989) Philosophy and the Mirror of Nature by Richard Rorty (1979)
Billed as the hottest Hollywood film since Last Tango, 9 ½ Weeks was considered to have missed the mark by everyone who made it – including director Adrian Lyne, stars Mickey Rourke and Kim Basinger, producer/writer Zalman King and his wife, writer Patricia Knop. Today we'll talk about why this intoxicating and troubling film is worth a second look, how to square away the arguably feminist finished product from a production process that robbed Basinger of agency, and we'll explore the film Rourke and King re-teamed on as a re-do, Wild Orchid. We'll also talk about Rourke's “bad boy” persona, and his problematic relationship with his second wife and co-star, supermodel Carre Otis. Learn more about your ad choices. Visit podcastchoices.com/adchoices
At the end of the "Ancient Sounds and Wild Orchids" video (Augusta Heritage)
At the end of the "Ancient Sounds and Wild Orchids" video (Augusta Heritage)
*TW/CW - Adult Themes and Domestic Violence*0:00 - Intro & Summary2:00 - Movie Discussion50:53 - Cast & Crew57:37 - Music1:03:26 - Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!
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A TASTE OF SUMMER ..SUN. 3RD APRIL @WILD ORCHID by Dj Fearless Kevon
It has been over two years since we have been outside of the United States! This trip was much needed and I will talk about it in this podcast.
Overview of Mickey Rourke films, Wild Orchid (1989) Dead in Tombstone (2013)
Podcast host, Susan Yeager and her guest, Jerry Sharell, continue talking about his time on "Kids Incorporated." In this episode, Jerry shares details about why he didn't dance on the show, pulls back the curtain on which song during his season was filmed in an unusual way, making music with Wild Orchid and so much more! Also, you might hear some snippets of some spontaneous singing (on his part of course!)Sorry for the odd cut - my computer started to lose battery and I had to run and get a cord! I didn't want to miss a single moment of this conversation!
Walking miles shirtless in the snow, diving headfirst into ditches, leaving the country during covid, attending every game of the Junior High Lady Wolverines basketball season, Evan will stop at nothing to find love -- will he be rewarded with romantic rapture or horrendous heartbreak? The group reflects on the unique perils of early sexual success, the abominable lessons about sex learned from early 90s pop culture, and the incredible advantages of a private phone line as a 90s teen. We ponder if there's a correct way to ask for a blow job. Will (who is not Willie) regales us with his experiences as a teenager in a mid 90s sex education performance troupe. Willie (who is not Will) discusses the lengths he went to avoid his mother's wrath and what exactly happens at summer camp. 80/90s content discussed: Top Gun, Wild Orchid, Saved By The Bell, Gerardo, Elevator Action, EMAIL US @ Wolfwhocriedwomen@gmail.com
Embarrassing movies we have not seen, Monster Squad, Whiting Wongs, Rick and Morty, Apple 2C, travelling with your partner on work trips, She Hulk, conference calls, zoom birthday parties, zoom shows, Host, Cam, Room 104, fax machines, land lines, The League, Growing Pains, therapy in the 80s, probably Jewish, Garfield, Calvin & Hobbes, Far Side, Playboy magazine cartoons, porn in the woods, Bud Ice, landshark, Mac the Knife, Late Night, John Michael Higgins, Garfield minus Garfield, Spin Doctors, Single soundtrack, Alice in Chains, Cameron Crowe, Say Anything, John Hughes, storytelling, screenwriting, math, Hollywood magic mythology, immediate mute (Instagram), customizing social media, merch, “Kate Bush is my Garfield,” movies on tv all the time, Airheads, Wild Orchid, As Good As Dead, Judge Reinhold, Larry Cohen, VHS, SNL reels. Support the show (https://www.patreon.com/whatsthatfrom)
This is the second episode in our Valentine's Day mini-series! This episode features Shelly-Anne Storer, owner and head baker at Wild Orchid Bakery in Manchester. Shelly-Anne started baking back in Trinidad, where she sold banana bread out of her kitchen. Fast forward to today, Wild Orchid Bakery opened in late 2020, and has since taken off! The bakery features a variety of baked goods, Trinidadian specialties, and a selection of gluten free and vegan items. She is a huge supporter of small business, and knows the true value of local businesses supporting one another. We hope you have a great Valentine's Day, and treat yourself or someone you love to Loon Chocolate and Wild Orchid treats!
Skywalking Through Neverland: A Star Wars / Disney Fan Podcast
Welcome to the very first episode of Totally Tell Me Everything, a monthly podcast hosted by podcasters and friends, Sarah Woloski and Bryn MacKinnon. Since this is our first episode, we start with a little info about who we are, how we met (thanks to our other podcasts, Skywalking Through Neverland and Window to the Magic), what we're into (we share a lot of fandoms and also have many that diverge), and what you can expect from our show (one fun topic, three burning questions, lots of fun conversation! Check out the podcast that inspired our format, Wonderful). Then we dive right into this month's subject: LIPSTICK! Our hosts explore lipstick as therapy, lipstick as power, lipstick as a connection to family, lipstick's role in history and so much more. Question 1: What does lipstick mean to you? Bryn talks about her Lipstick Nana, Avon mini lipsticks, office life and lipstick, and Cover Girl's “Iceblue Pink” Sarah tells us how moving to California for college, swing dancing, and interest in retro styles gave her the opportunity to move from “shy kid” to confident young woman, especially thanks to Besame Cosmetics' “Red Velvet,” Sarah's first perfect red lip color. Question 2: What did we want to learn about lipstick? Thanks to Sarah, we get deep dive on the history of red lipstick, taking us all the way back to Ancient Egypt and guiding us to the Middle Ages, the Elizabethan and Victorian Eras in England and the United States in the 1910s and beyond, starting when the Suffragettes used red lipstick as a way to get their message out about women's rights, and then hitting on important moments in red lipstick in nearly every decade until today. Related links: Middle Ages: Reading Our Lips: The History of Lipstick Regulation in Western Seats of Power Elizabethan Era: Fashion History Lesson: Red Lipstick has a Tumultuous Past Victorian Era: The Complete Annotated Murder on the Links Suffragettes: The Sordid, F*cked Up History of Red Lipstick Compacts and Cosmetics Racism, Sexism and the Black Women's Separate Fight for Suffrage “It's a Struggle They Will Wage Alone.” How Black Women Won the Right to Vote Vanguard, How Black Women Broke Barriers, Won the Vote and Insisted on Equality for All 1910s: First twist-up lipstick 1920s: Red lips stigmatized 1930s: Lipstick de-stigmatized 1940s: Lipstick symbol of women's resilience during wartime, boosts efficiency 1970s: Red loses popularity, some feminists protest against makeup, male gaze Cruelty-free cosmetics: Double-check that your favorite brands are truly cruelty-free. Question 3: What's something “lipstick” that you're excited about right now? Sarah is head-over-heels for Besame's “Wild Orchid” lipstick, a gorgeous recreation of a popular lip color from 1952. It's a deep fuschia red with a little bit of shimmer. It looks great and feels great, and she'll often put it on at 10pm just because it makes her so happy! Bryn is stoked on reds in all their forms, bright, soft, neutral and more. She loves the versatility of red lipstick and notices that she's going bolder with lip color as she gets older, and she loves it. Final Thoughts Thought fandoms like Star Wars, Disneyland, Marvel, and Harry Potter may have been why Sarah and Bryn first connected (and continue to bring them lots of joy), who would have thought they'd become even closer because of their shared love and admiration for lipstick, this little “boost in a tube.” Lipstick is so much more than just lipstick, isn't it? Huge thanks to the totally talented “John Williams of Podcasting,” Rob Dehlinger, his wife, Lisa Dehlinger, and their daughter, Zoe, for our super theme song. Check out his stellar band, the Alpha Rhythm Kings. Thanks for joining us for our first episode! We hope you'll come over and sit by us for our next conversation, episode 2...about Space!
Welcome to the very first episode of Totally Tell Me Everything, a monthly podcast hosted by podcasters and friends, Sarah Woloski and Bryn MacKinnon. Since this is our first episode, we start with a little info about who we are, how we met (thanks to our other podcasts, Skywalking Through Neverland and Window to the Magic), what we're into (we share a lot of fandoms and also have many that diverge), and what you can expect from our show (one fun topic, three burning questions, lots of fun conversation! Check out the podcast that inspired our format, Wonderful). Then we dive right into this month's subject: LIPSTICK! Our hosts explore lipstick as therapy, lipstick as power, lipstick as a connection to family, lipstick's role in history and so much more. Question 1: What does lipstick mean to you? Bryn talks about her Lipstick Nana, Avon mini lipsticks, office life and lipstick, and Cover Girl's “Iceblue Pink” Sarah tells us how moving to California for college, swing dancing, and interest in retro styles gave her the opportunity to move from “shy kid” to confident young woman, especially thanks to Besame Cosmetics' “Red Velvet,” Sarah's first perfect red lip color. Question 2: What did we want to learn about lipstick? Thanks to Sarah, we get deep dive on the history of red lipstick, taking us all the way back to Ancient Egypt and guiding us to the Middle Ages, the Elizabethan and Victorian Eras in England and the United States in the 1910s and beyond, starting when the Suffragettes used red lipstick as a way to get their message out about women's rights, and then hitting on important moments in red lipstick in nearly every decade until today. Related links: Middle Ages: Reading Our Lips: The History of Lipstick Regulation in Western Seats of Power Elizabethan Era: Fashion History Lesson: Red Lipstick has a Tumultuous Past Victorian Era: The Complete Annotated Murder on the Links Suffragettes: The Sordid, F*cked Up History of Red Lipstick Compacts and Cosmetics Racism, Sexism and the Black Women's Separate Fight for Suffrage “It's a Struggle They Will Wage Alone.” How Black Women Won the Right to Vote Vanguard, How Black Women Broke Barriers, Won the Vote and Insisted on Equality for All 1910s: First twist-up lipstick 1920s: Red lips stigmatized 1930s: Lipstick de-stigmatized 1940s: Lipstick symbol of women's resilience during wartime, boosts efficiency 1970s: Red loses popularity, some feminists protest against makeup, male gaze Cruelty-free cosmetics: Double-check that your favorite brands are truly cruelty-free. Question 3: What's something “lipstick” that you're excited about right now? Sarah is head-over-heels for Besame's “Wild Orchid” lipstick, a gorgeous recreation of a popular lip color from 1952. It's a deep fuschia red with a little bit of shimmer. It looks great and feels great, and she'll often put it on at 10pm just because it makes her so happy! Bryn is stoked on reds in all their forms, bright, soft, neutral and more. She loves the versatility of red lipstick and notices that she's going bolder with lip color as she gets older, and she loves it. Final Thoughts Thought fandoms like Star Wars, Disneyland, Marvel, and Harry Potter may have been why Sarah and Bryn first connected (and continue to bring them lots of joy), who would have thought they'd become even closer because of their shared love and admiration for lipstick, this little “boost in a tube.” Lipstick is so much more than just lipstick, isn't it? Huge thanks to the totally talented “John Williams of Podcasting,” Rob Dehlinger, his wife, Lisa Dehlinger, and their daughter, Zoe, for our super theme song. Check out his stellar band, the Alpha Rhythm Kings. Thanks for joining us for our first episode! We hope you'll come over and sit by us for our next conversation, episode 2...about Space!
Welcome to the very first episode of Totally Tell Me Everything, a monthly podcast hosted by podcasters and friends, Sarah Woloski and Bryn MacKinnon. Since this is our first episode, we start with a little info about who we are, how we met (thanks to our other podcasts, Skywalking Through Neverland and Window to the Magic), what we're into (we share a lot of fandoms and also have many that diverge), and what you can expect from our show (one fun topic, three burning questions, lots of fun conversation! Check out the podcast that inspired our format, Wonderful). Then we dive right into this month's subject: LIPSTICK! Our hosts explore lipstick as therapy, lipstick as power, lipstick as a connection to family, lipstick's role in history and so much more. Question 1: What does lipstick mean to you? Bryn talks about her Lipstick Nana, Avon mini lipsticks, office life and lipstick, and Cover Girl's “Iceblue Pink” Sarah tells us how moving to California for college, swing dancing, and interest in retro styles gave her the opportunity to move from “shy kid” to confident young woman, especially thanks to Besame Cosmetics' “Red Velvet,” Sarah's first perfect red lip color. Question 2: What did we want to learn about lipstick? Thanks to Sarah, we get deep dive on the history of red lipstick, taking us all the way back to Ancient Egypt and guiding us to the Middle Ages, the Elizabethan and Victorian Eras in England and the United States in the 1910s and beyond, starting when the Suffragettes used red lipstick as a way to get their message out about women's rights, and then hitting on important moments in red lipstick in nearly every decade until today. Related links: Middle Ages: Reading Our Lips: The History of Lipstick Regulation in Western Seats of Power Elizabethan Era: Fashion History Lesson: Red Lipstick has a Tumultuous Past Victorian Era: The Complete Annotated Murder on the Links Suffragettes: The Sordid, F*cked Up History of Red Lipstick Compacts and Cosmetics Racism, Sexism and the Black Women's Separate Fight for Suffrage “It's a Struggle They Will Wage Alone.” How Black Women Won the Right to Vote Vanguard, How Black Women Broke Barriers, Won the Vote and Insisted on Equality for All 1910s: First twist-up lipstick 1920s: Red lips stigmatized 1930s: Lipstick de-stigmatized 1940s: Lipstick symbol of women's resilience during wartime, boosts efficiency 1970s: Red loses popularity, some feminists protest against makeup, male gaze Cruelty-free cosmetics: Double-check that your favorite brands are truly cruelty-free. Question 3: What's something “lipstick” that you're excited about right now? Sarah is head-over-heels for Besame's “Wild Orchid” lipstick, a gorgeous recreation of a popular lip color from 1952. It's a deep fuschia red with a little bit of shimmer. It looks great and feels great, and she'll often put it on at 10pm just because it makes her so happy! Bryn is stoked on reds in all their forms, bright, soft, neutral and more. She loves the versatility of red lipstick and notices that she's going bolder with lip color as she gets older, and she loves it. Final Thoughts Thought fandoms like Star Wars, Disneyland, Marvel, and Harry Potter may have been why Sarah and Bryn first connected (and continue to bring them lots of joy), who would have thought they'd become even closer because of their shared love and admiration for lipstick, this little “boost in a tube.” Lipstick is so much more than just lipstick, isn't it? Huge thanks to the totally talented “John Williams of Podcasting,” Rob Dehlinger, his wife, Lisa Dehlinger, and their daughter, Zoe, for our super theme song. Check out his stellar band, the Alpha Rhythm Kings. Thanks for joining us for our first episode! We hope you'll come over and sit by us for our next conversation, episode 2...about Space!
In this episode of “Whatever & Never Amen”, we discuss a selection of interesting moments in the career of Fergie. Who is Wild Orchid? What does Guns N' Roses have to do with this? Stick around for the answers to the questions, and much more! Don't forget to rate, review (⭐️⭐️⭐️⭐️⭐️), and SUBSCRIBE! Come on over & join us over at our Instagram, @whateverandneveramen, and our Facebook page (https://www.facebook.com/whateverandneveramen/). We also have a TikTok account, @whateverandneveramen, so follow us there, too!
Em and Michael are part of the last generation of humans who really had to do some work to find anything remotely saucy or nude to ogle. Once upon a time, before the internet filed away a bajillion cazillion nudes, finding an example of nakedness was the domain of late night foreign movies on SBS or an R rated Hollywood flick. It was SUPER rare, so with that in mind, you'll understand why Em and Michael have hijacked an entire podcast just so they can reflect how OBSESSED they are, over a little Polish/Italian sex thriller that just dropped on Netflix, called “365 Days”. In it, we meet Massimo Torricelli, he's a member of a Sicilian Mafia family, who casually kidnaps Laura, the sales director of a luxury hotel, so he can hold her captive, giving her 365 days to fall in love with him. According to Em, it makes 50 Shades of Grey look like Home and Away, it's super horny, it's got lots of saucy angles, including yacht sex captured on high from a drone, bascially this stuff is catnip for horny middle age women and gay guys. It's a deep and saucy dive into a movie that'll blow the wigs off any review David and Margaret delivered on the Movie Show. It also reminded Em and Michael about all those saucy thrillers that came out in the 90's, like Basic Instinct, Poison Ivy, Wild Things and Wild Orchid, and they're totally here for Netflix jumping back on that titillating genre bandwagon. So find a quiet spot, forget about how hard you had to dig for a glimpse of nudity in ye olde times and enjoy two people celebrating some on demand nudieness in your ears right now. See omnystudio.com/listener for privacy information. Support the show: https://www.patreon.com/Emsolation See omnystudio.com/listener for privacy information. Learn more about your ad choices. Visit megaphone.fm/adchoices
Original cast member John Terrell returns to talk about the 1959 art world cult film, A Bucket of Blood. Plus, Doug Tilley drops in to talk about his Dick Miller themed podcast; #FilmTwitter pops in to make recommendations for fans of Dick Miller.Join us next week for WILD ORCHID (1989)
Hilarious guest Paul Anthony returns to discuss nudes, troll play and a brand new segment!
CLL #826 (feat. Chris Owens) – 11/29/1998 – Sunday Night Show Source – Lost Tape (2017) This is the infamous “Batting Cage” episode, there is great controversy about the perceived clairvoyance on LoveLineTapes. Part of me wishes I never uncovered the full show because of it, Great Episode and the only appearance made by Chris Owens on CLL. Adam shares the story of “That Chick from Wild Orchid” (Fergie) hitting on him at a party. CLL #825 aired on Thanksgiving and was a Best Of episode, either a mix or a full show repeat. It’s unclear if we have a copy or not. LoveLineTapes Amazon Podcasting Essentials – All The Gear I Use Music Provided by Rich Banks Check out His Website and Soundcloud to hear more of his awesome work and perhaps commission Read More →
CLL #661 (feat. Natasha Henstridge) – 04/12/1998 – Sunday Night Show Source – Matty Tape (2016) Another long lost episode, only a partial recording and the only known copy on earth. Natasha is making her first known appearance on the radio show, promoting ‘Species 2' and being a general delight. Natasha is among the trifecta of beautiful women who had crushes on Adam Carolla, Fergie from ‘Wild Orchid' and ‘Black Eyed Peas' being another and Jennifer Grey. This is a very funny episode, it was undated and the 12th seemed like the only opening in the early part of April to coincide with the movie promotion, the date was confirmed by Adam in the next episode with the Cast of MadTV, a flawless date for a sadly incomplete episode. Natasha already Read More →
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