Podcast appearances and mentions of Gabriel Roth

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man. How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn. In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman.  This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad. We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man.How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn.In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman. This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad.We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man.How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn.In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman. This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad.We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man. How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn. In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman.  This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad. We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man.How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn.In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman. This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad.We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man. How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn. In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman.  This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad. We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man.How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn.In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman. This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad.We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man. How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It's a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It's a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don't analyze, critique, or even talk about it very much because, well, it's porn. In this NSFW episode, you'll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex;  Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman.  This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad. We'd also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm.The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again.Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic.This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant.Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm.The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again.Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic.This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant.Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm.The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again.Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic.This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant.Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm.The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again.Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic.This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant.Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely? Some of the voices you'll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum.This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.A very special thank you to Paula Scaire.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Hosted on Acast. See acast.com/privacy for more information.

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely?  Some of the voices you'll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely?  Some of the voices you'll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely?  Some of the voices you'll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely?  Some of the voices you'll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than ‘OK,' ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than ‘OK,' ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded.This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington.Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Hosted on Acast. See acast.com/privacy for more information.

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Burton and Adrian Quesada from Black Pumas discuss their latest album, Chronicles of a Diamond, the band's history, Steve Martin's The Jerk, RZA and Wu-Tang Clan, writing songs about relationships and also birds, unintentionally making psychedelic soul, hitting the road, other future plans, and much more.Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #799: Allison RussellEp. #670: Valerie JuneEp. #366: Gabriel Roth of Sharon Jones & The Dap-KingsEp. #358: Wu-Tang's MathematicsEp. #189: RaekwonEp. #64: Sharon JonesEp. #58: Charles BradleySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

5R and somatics teacher Lucia joins me to talk joy, resourcing, how to do the “right” things, Gabriel Roth, when dance doesn't work, trauma and dance, cultural swings, and more. A deeper look at the conscious dance world and resilience.  Get your free ticket for The Embodiment Festival - https://embodimentunlimited.com/festival/?utm_source=social&utm_medium=Podcast&utm_campaign=festival Want to become a certified embodiment coach? More details about CEC - https://embodimentunlimited.com/cec/?utm_source=social&utm_medium=podcast&utm_campaign=cec More information about Lucia Horan's work - https://www.luciahoran.com/ Find Mark Walsh on Instagram https://www.instagram.com/warkmalsh/

From her unique vantage point as an engaged woman and a high school principal, Anne observes all kinds of interesting parent-child dynamics in and around Summerside. Ragon and Kelly discuss the takeaways from these relationships, and then Ragon gives us all an in depth parenting lesson – but not before we discuss Fourth Wing and all things dragons! Inspired by: Kelly is inspired by Adult Children of Emotionally Immature Parents by Lindsay Gibson and by Schitt's Creek. Ragon is inspired by the podcast Mom and Dad Are Fighting but specifically the episodes between 2017 and 2019 with Carvell Wallace, Rebecca Lavoie and Gabriel Roth. If you want to get a free logo sticker from us, either leave us a review on Apple Podcasts or share your love for the pod on social media!  Send us a photo of your share or review at either our email: kindredspirits.bookclub@gmail.com or on our KindredSpirits.BookClub Instagram.   

Last week, we put on the proverbial raincoat and made like Columbo to investigate Peter Falk's claim that he recorded a special Cold War message telling Romanians to “put down their guns.” This week, we're back on the case, and what started out as a zany inquiry goes to some serious and surprising places. Part two of this caper, involves dubbers, propagandists, a couple of 90 year olds and the legacy of a brutal dictatorship. It's a story about celebrity, diplomacy, memory, and the limitations of all three—and about the power of television not to get Romanians to put down their guns, as Falk would have it, but to pick them up. This podcast was written by Willa Paskin who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. Special thank you to Oana Godanu Kenworthy who was instrumental in figuring this all out as well as Andrada Lautaru who translated and worked with us from Romania. Thank you to: Andrei Codrescu, Cameron Gorman, Gabriel Roth, Ilinca Calugareanu, Harry Geisel, Elaine McDevitt, Michael Messenger, Gerald Krell, Ash Hawken, Tom Mullins, Jessica Leporin, Jerry Gruner and Marie Whalen. There's a number of documentaries that were instrumental to reporting this episode: Videograms from a Revolution; Chuck Norris vs Communism; The Autobiography of Nicolae Ceausescu, The Rise and Fall of Ceausescu: and Whatever Happened to Blood Sweat and Tears.  If you can't get enough Columbo, make sure to listen to our previous two-parter on McGruff the crime dog, who was directly inspired by Peter Falk's detective, and features a wild soundtrack. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, we'd love for you to sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Last week, we put on the proverbial raincoat and made like Columbo to investigate Peter Falk's claim that he recorded a special Cold War message telling Romanians to “put down their guns.” This week, we're back on the case, and what started out as a zany inquiry goes to some serious and surprising places. Part two of this caper, involves dubbers, propagandists, a couple of 90 year olds and the legacy of a brutal dictatorship. It's a story about celebrity, diplomacy, memory, and the limitations of all three—and about the power of television not to get Romanians to put down their guns, as Falk would have it, but to pick them up. This podcast was written by Willa Paskin who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. Special thank you to Oana Godanu Kenworthy who was instrumental in figuring this all out as well as Andrada Lautaru who translated and worked with us from Romania. Thank you to: Andrei Codrescu, Cameron Gorman, Gabriel Roth, Ilinca Calugareanu, Harry Geisel, Elaine McDevitt, Michael Messenger, Gerald Krell, Ash Hawken, Tom Mullins, Jessica Leporin, Jerry Gruner and Marie Whalen. There's a number of documentaries that were instrumental to reporting this episode: Videograms from a Revolution; Chuck Norris vs Communism; The Autobiography of Nicolae Ceausescu, The Rise and Fall of Ceausescu: and Whatever Happened to Blood Sweat and Tears.  If you can't get enough Columbo, make sure to listen to our previous two-parter on McGruff the crime dog, who was directly inspired by Peter Falk's detective, and features a wild soundtrack. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, we'd love for you to sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Last week, we put on the proverbial raincoat and made like Columbo to investigate Peter Falk's claim that he recorded a special Cold War message telling Romanians to “put down their guns.” This week, we're back on the case, and what started out as a zany inquiry goes to some serious and surprising places. Part two of this caper, involves dubbers, propagandists, a couple of 90 year olds and the legacy of a brutal dictatorship. It's a story about celebrity, diplomacy, memory, and the limitations of all three—and about the power of television not to get Romanians to put down their guns, as Falk would have it, but to pick them up. This podcast was written by Willa Paskin who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. Special thank you to Oana Godanu Kenworthy who was instrumental in figuring this all out as well as Andrada Lautaru who translated and worked with us from Romania. Thank you to: Andrei Codrescu, Cameron Gorman, Gabriel Roth, Ilinca Calugareanu, Harry Geisel, Elaine McDevitt, Michael Messenger, Gerald Krell, Ash Hawken, Tom Mullins, Jessica Leporin, Jerry Gruner and Marie Whalen. There's a number of documentaries that were instrumental to reporting this episode: Videograms from a Revolution; Chuck Norris vs Communism; The Autobiography of Nicolae Ceausescu, The Rise and Fall of Ceausescu: and Whatever Happened to Blood Sweat and Tears.  If you can't get enough Columbo, make sure to listen to our previous two-parter on McGruff the crime dog, who was directly inspired by Peter Falk's detective, and features a wild soundtrack. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, we'd love for you to sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Last week, we put on the proverbial raincoat and made like Columbo to investigate Peter Falk's claim that he recorded a special Cold War message telling Romanians to “put down their guns.” This week, we're back on the case, and what started out as a zany inquiry goes to some serious and surprising places. Part two of this caper, involves dubbers, propagandists, a couple of 90 year olds and the legacy of a brutal dictatorship. It's a story about celebrity, diplomacy, memory, and the limitations of all three—and about the power of television not to get Romanians to put down their guns, as Falk would have it, but to pick them up. This podcast was written by Willa Paskin who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. Special thank you to Oana Godanu Kenworthy who was instrumental in figuring this all out as well as Andrada Lautaru who translated and worked with us from Romania. Thank you to: Andrei Codrescu, Cameron Gorman, Gabriel Roth, Ilinca Calugareanu, Harry Geisel, Elaine McDevitt, Michael Messenger, Gerald Krell, Ash Hawken, Tom Mullins, Jessica Leporin, Jerry Gruner and Marie Whalen. There's a number of documentaries that were instrumental to reporting this episode: Videograms from a Revolution; Chuck Norris vs Communism; The Autobiography of Nicolae Ceausescu, The Rise and Fall of Ceausescu: and Whatever Happened to Blood Sweat and Tears.  If you can't get enough Columbo, make sure to listen to our previous two-parter on McGruff the crime dog, who was directly inspired by Peter Falk's detective, and features a wild soundtrack. If you haven't yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, we'd love for you to sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Not too long ago an old clip surfaced of Peter Falk on David Letterman, in which he told an intriguing tale about recording a special Cold War message for Romanian state television. The clip went viral and got our attention — but was it actually true? Did a fictional American detective really help quell a communist revolt? We donned the proverbial raincoat and started sleuthing—at which point Falk's late night anecdote cracked open into an intricate geopolitical saga that stretches from DC to Bucharest; from a Los Angeles hotel room to the palatial estate of a despot. It's a story that involves dueling ideologies, dozens of diplomats, and millions of viewers. It's an honest-to-goodness cold war caper about American soft power behind the iron curtain, and it's so involved it's going to take two episodes to solve.   This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. A special thank you to Andrada Lautaru who translated and worked with me from Romania. Thank you to Carol and Joel Levy, Jonathan Rickert, Alan and Aury Fernandez, Katie Koob, Felix Rentschler, Richard Viets, Jock Shirley, Gabriel Roth, Cameron Gorman, Torie Bosch, Delia Marinescu, David Koenig, Don Giller, Forest Bachner, Corina Popa, David Langbart, William Burr, Asgeir Sigfusson, John Frankensteiner, Tom Hoban, and everyone else who helped with this episode. Thank you to Evan Chung.  For research into Romanian T.V., Willa relied heavily on the scholarly work of Dana Mustata, Alexandru Matei, Annemarie Sorescu‐Marinković, and the screening socialism project from the University of Loughborough. She also relied on the work of Dennis Deletant and Timothy W Ryback's Rock Around the Bloc, a history of rock music in Eastern Europe and the Soviet Union You also heard a song in this episode from the Romanian band Phoenix.  If you haven't please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Not too long ago an old clip surfaced of Peter Falk on David Letterman, in which he told an intriguing tale about recording a special Cold War message for Romanian state television. The clip went viral and got our attention — but was it actually true? Did a fictional American detective really help quell a communist revolt? We donned the proverbial raincoat and started sleuthing—at which point Falk's late night anecdote cracked open into an intricate geopolitical saga that stretches from DC to Bucharest; from a Los Angeles hotel room to the palatial estate of a despot. It's a story that involves dueling ideologies, dozens of diplomats, and millions of viewers. It's an honest-to-goodness cold war caper about American soft power behind the iron curtain, and it's so involved it's going to take two episodes to solve.   This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. A special thank you to Andrada Lautaru who translated and worked with me from Romania. Thank you to Carol and Joel Levy, Jonathan Rickert, Alan and Aury Fernandez, Katie Koob, Felix Rentschler, Richard Viets, Jock Shirley, Gabriel Roth, Cameron Gorman, Torie Bosch, Delia Marinescu, David Koenig, Don Giller, Forest Bachner, Corina Popa, David Langbart, William Burr, Asgeir Sigfusson, John Frankensteiner, Tom Hoban, and everyone else who helped with this episode. Thank you to Evan Chung.  For research into Romanian T.V., Willa relied heavily on the scholarly work of Dana Mustata, Alexandru Matei, Annemarie Sorescu‐Marinković, and the screening socialism project from the University of Loughborough. She also relied on the work of Dennis Deletant and Timothy W Ryback's Rock Around the Bloc, a history of rock music in Eastern Europe and the Soviet Union You also heard a song in this episode from the Romanian band Phoenix.  If you haven't please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Not too long ago an old clip surfaced of Peter Falk on David Letterman, in which he told an intriguing tale about recording a special Cold War message for Romanian state television. The clip went viral and got our attention — but was it actually true? Did a fictional American detective really help quell a communist revolt? We donned the proverbial raincoat and started sleuthing—at which point Falk's late night anecdote cracked open into an intricate geopolitical saga that stretches from DC to Bucharest; from a Los Angeles hotel room to the palatial estate of a despot. It's a story that involves dueling ideologies, dozens of diplomats, and millions of viewers. It's an honest-to-goodness cold war caper about American soft power behind the iron curtain, and it's so involved it's going to take two episodes to solve.   This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. A special thank you to Andrada Lautaru who translated and worked with me from Romania. Thank you to Carol and Joel Levy, Jonathan Rickert, Alan and Aury Fernandez, Katie Koob, Felix Rentschler, Richard Viets, Jock Shirley, Gabriel Roth, Cameron Gorman, Torie Bosch, Delia Marinescu, David Koenig, Don Giller, Forest Bachner, Corina Popa, David Langbart, William Burr, Asgeir Sigfusson, John Frankensteiner, Tom Hoban, and everyone else who helped with this episode. Thank you to Evan Chung.  For research into Romanian T.V., Willa relied heavily on the scholarly work of Dana Mustata, Alexandru Matei, Annemarie Sorescu‐Marinković, and the screening socialism project from the University of Loughborough. She also relied on the work of Dennis Deletant and Timothy W Ryback's Rock Around the Bloc, a history of rock music in Eastern Europe and the Soviet Union You also heard a song in this episode from the Romanian band Phoenix.  If you haven't please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Not too long ago an old clip surfaced of Peter Falk on David Letterman, in which he told an intriguing tale about recording a special Cold War message for Romanian state television. The clip went viral and got our attention — but was it actually true? Did a fictional American detective really help quell a communist revolt? We donned the proverbial raincoat and started sleuthing—at which point Falk's late night anecdote cracked open into an intricate geopolitical saga that stretches from DC to Bucharest; from a Los Angeles hotel room to the palatial estate of a despot. It's a story that involves dueling ideologies, dozens of diplomats, and millions of viewers. It's an honest-to-goodness cold war caper about American soft power behind the iron curtain, and it's so involved it's going to take two episodes to solve.   This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate's executive producer of narrative podcasts. Merritt Jacob is senior technical director. A special thank you to Andrada Lautaru who translated and worked with me from Romania. Thank you to Carol and Joel Levy, Jonathan Rickert, Alan and Aury Fernandez, Katie Koob, Felix Rentschler, Richard Viets, Jock Shirley, Gabriel Roth, Cameron Gorman, Torie Bosch, Delia Marinescu, David Koenig, Don Giller, Forest Bachner, Corina Popa, David Langbart, William Burr, Asgeir Sigfusson, John Frankensteiner, Tom Hoban, and everyone else who helped with this episode. Thank you to Evan Chung.  For research into Romanian T.V., Willa relied heavily on the scholarly work of Dana Mustata, Alexandru Matei, Annemarie Sorescu‐Marinković, and the screening socialism project from the University of Loughborough. She also relied on the work of Dennis Deletant and Timothy W Ryback's Rock Around the Bloc, a history of rock music in Eastern Europe and the Soviet Union You also heard a song in this episode from the Romanian band Phoenix.  If you haven't please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show and want to support us, consider signing up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Blind Tiger Record Club Podcast, David W. Williams and Kevin Lee discuss the Blind Tiger Record Club's November Records of the Month. We discuss all four styles of the B.T.R.C. Records of the Month - Singer Songwriter, Rock & Alternative, Jazz Soul & Blues, and Classics.  We talk about new releases and reissues from Bonny Light Horseman, Train, Lee Fields, and ZZ Top.  The albums from these artists are discussed and clips of songs from the albums are played.  We discuss the return of Eric D. Johnson, Anais Mitchell, and Josh Kaufman to the Bonny Light Horseman line up.  We also discuss the major differences between Bonny Light Horseman's  Rolling Golden Honey and their 2020 self-titled, Grammy Award Nominated album, and how this new release really makes the trio an actual "band" versus a side project.  We talk about Train's AM Gold and how strange this release has been from its Billboard numbers to its absence at Triple A radio, even though the band has a long history at the format.  We talk about the fact that Pat Monohan is a really strong frontman, but is also the only original member of the band still in Train.  We dive into traditional soul artist Lee Fields new solo album, Sentimental Fool.  We discuss the fact that this is his first album without the Expressions in twenty years.  We also talk about producer Gabriel Roth, and how he co-owns Dap-tone Records and performed and produced Sharon Jones and the Dap Kings for twenty years.   We cover ZZ Top's1983 release, Eliminator, and how it moved the band from blues based boogie rock to a more mainstream, synth driven, new wave rock.  We also discuss the important branding decisions made with Billy Gibbons and Bill Ham to include Gibbon's 1933 Ford Coupe in all the album's marketing and several music videos.    We also briefly discuss Taylors Swift's new Billboard record shattering new album, Midnights, and how well the album and her lead single, "Anti-hero" has done.     Here are the albums included in this episode of the Blind Tiger Record Club Podcast: Singer Songwriter October Record of the Month:  Bonny Light Horseman | Rolling Golden Honey (Ltd. Ed. Galaxy Blue Vinyl) Rock & Alternative October Record of the Month:  Train | AM Gold (Ltd. Gold Vinyl) Jazz Soul & Blues October Record of the Month:  Lee Fields | Sentimental Fool (Ltd Ed. Orange Vinyl) Classics October Record of the Month:  ZZ Top | Eliminator (Reissue) Whether or not you are a member of Blind Tiger Record Club, the B.T.R.C. Podcast is a great way to get introduced to some new artists and discover some albums that you may not be familiar with.  All the music in our subscription program and that we discuss on this show are on vinyl and have been released or reissued in the last 30 - 60 days.  The show is designed to be a discovery platform for new music "on vinyl", but even if you do not collect or listen to vinyl, it's still a fun way to explore new music. *The Blind Tiger Record Club Podcast is sponsored by 85 Supply.  Go to 85supply.com or email info@85supply.com to get started. For 5% off of your first order, simply mention "Blind Tiger Record Club" via email or over the phone with your rep. It's that simple. Hosts: David W. Williams and Kevin Lee Executive Producer - David W. Williams A Blind Tiger Entertainment, LLC Production This episode was edited and mixed by the team at Sound On Studios Theme song written and produced by Jasen Rauch Headbanger Intro theme by Love & Death For more information on becoming a member of the Blind Tiger Record Club, shopping the thousands of titles in the record store, or listening to previous episodes of the podcast, go to BlindTigerRecordClub.com.

A sus 72 años el cantante Lee Fields lanza un delicioso disco de genuina esencia de soul. “Sentimental fool” (Daptone Records), producido por Gabriel Roth, muestra en todo su esplendor a una de las últimas grandes voces de los años dorados del género. Otra leyenda, Van Morrison, anuncia nuevo álbum de estilo skiffle para 2023, dándonos pie con su primer adelanto a una doble “versión y original” que nos permite rastrear las raíces del género. Playlist; LEE FIELDS “Two jobs” (Sentimental fool, 2022) LEE FIELDS “Sentimental fool” (Sentimental fool, 2022) VAN MORRISON “Streamline train” (adelanto del álbum “Moving On Skiffle”) Versión y original; THE VIPERS SKIFFLE GROUP “Streamline train” (1957) Versión y original; RED NELSON “Streamline train” (1936) AL DUAL “A new day will be true” (Reel to reel, 2022) LEE PERK “Faster than ever” (Tumbleweed, 2022) JD McPHERSON “On the lips” (Undivided heart and soul, 2017) BILL JUSTIS and HIS ORCHESTRA “Raunchy” (1957) RAUNCHY “Rumblin’ baby blue” (7’’) BLOODSHOT BILL “The sludge” (Songs from the sludge, 2022) BLOODSHOT BILL and THE TELEVISIONARIES “Sha La Ba” (7’’ EP, 2020) DOC and THE MADS “Mama said no” (ST, 2022) KOKO JEAN and THE TONICS “Sick and tired” (7’’, 2022) THE GOLDSTARS “It’s just not true” (single digital, 2022) LEE FIELDS “The door” (Sentimental fool, 2022) Escuchar audio

We close out the week with an installment of What Was First, this time focusing on a label suggested by none other than Mr. Jim Lenahan.  It's the story of the first release on Daptone Records, a Brooklyn-based label that arose from the ashes of Desco Records. And if you are always getting Bosco Mann and Gabriel Roth confused, we'll clear that up for you, too.  Hit play and get Dappin'!  Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com

On this week's episode: Dan is joined by Elizabeth Newcamp and Gabriel Roth to answer a question from a mom debating whether her son should take her last name or her husband's last name. Or they could hyphenate, but will that burden her son later in life? We also have a question from a dad whose son plays travel hockey, even though he sucks at hockey. For Slate Plus, Elizabeth tells us the truth about homeschooling. Sign up for Slate Plus.Recommendations:Dan recommends the graphic novel Snapdragon by Kat Leyh, which is about a girl in a small town who finds a witch in her neighborhood.Elizabeth recommends “Paint by Sticker” books, a great on-the-go activity.Gabriel recommends Music Is My Life: Soundtrack Your Mood With 80 Artists for Every Occasion by Myles Tanzer and Ali Mac. A book that introduces kids to different musical artists.Join us on Facebook and email us at momanddad@slate.com to tell us what you thought of today's show and give us ideas for what we should talk about in future episodes. Got questions that you'd like us to answer? Call and leave us a message at 424-255-7833. Podcast produced by Rosemary Belson. Hosted on Acast. See acast.com/privacy for more information.

On this week's episode: Jamilah is joined by former MADAF host Gabriel Roth to talk about their New Year's parenting resolutions. Plus, they answer a listener question from a mom wondering if her husband's napping is selfish. For Slate Plus, Jamilah and Gabriel compare the parents they thought they would be with the parents they actually are. Sign up for Slate Plus here. Recommendations: Jamilah recommends the Creatable World Deluxe Character Set, gender non-conforming dolls from Mattel. Gabriel recommends building Lego sets with your kids, specifically the Hogwarts™ Whomping Willow™ Lego set.Join us on Facebook and email us at momanddad@slate.com to tell us what you thought of today's show and give us ideas for what we should talk about in future episodes. Got questions that you'd like us to answer? Call and leave us a message at 424-255-7833. Podcast produced by Rosemary Belson. HostsJamilah Lemieux is a writer, cultural critic, and communications strategist based in California.Gabriel Roth is Slate's editorial director for audio. Hosted on Acast. See acast.com/privacy for more information.

Stephen Metcalf, Aisha Harris, and Gabriel Roth discuss Jennifer Kent's new film The Nightingale, Amazon's streaming show The Boys, and the work of Toni Morrison with Sarah J. Jackson, professor at the Annenberg School for Communication at the University of Pennsylvania. Hosted on Acast. See acast.com/privacy for more information.

Gabriel Roth, Rebecca Lavoie, and Carvell Wallace discuss follow-up to the piña colada censorship story, husbands that break promises, estranged fathers, and more. Hosted on Acast. See acast.com/privacy for more information.

Gabriel Roth, Rebecca Lavoie, and Carvell Wallace discuss temporary visiting dog fails, teacher's strikes, doll-related crime scenes, bedwetting at science camp, and husbands in need of encouragement. This episode is brought to you by the following advertisers: Grove. For a free $30 Mrs. Meyers gift set, go to grove.co/momanddad.Gobble, get $50 off your first box, go to gobble.com/momanddad. Hosted on Acast. See acast.com/privacy for more information.

Gabriel Roth, Carvell Wallace, and Rebecca Lavoie are joined by Katherine Goldstein to talk about her brand new podcast The Double Shift, a show about working mothers. They also discuss a follow up email from last week's discussion about telling your kids about their biological parentage, plus as always: triumphs and fails and recommendations. Hosted on Acast. See acast.com/privacy for more information.

③ Dana Stevens, Julia Turner, and Stephen Metcalf discuss the new film Private Life, then are joined by Slate's Gabriel Roth to discuss the legacy of Doctor Who and its new season starring Jodie Whitaker, and finally a reading of Kanye West at the White House. This episode is brought to you by the following advertisers:Everlane, premium clothing essentials made with the finest materials, without the traditional markups. To get a special offer exclusive to our listeners, visit everlane.com/culture.Slack, a workplace communication hub. Find out more at slack.com.I Travel For, a new podcast that explores what inspires us to travel. Listen and subscribe today at https://apple.co/2DPEWJE. Hosted on Acast. See acast.com/privacy for more information.

Julia Turner, Dana Stevens, and Gabriel Roth discuss the new season of the podcast Serial, the recent spate of post-#metoo essays by disgraced men, and the Amazon show Forever.  Hosted on Acast. See acast.com/privacy for more information.