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Tosh Wanogho-Maud is the alternate Lola in the West End revival of Kinky Boots.Tosh guest stars as Lola on Monday evenings at the London Coliseum, having previously played the role full-time on the European leg of the show's tour.Prior to joining Kinky Boots, Tosh starred as The Iceberg in the West End production of Titanique (Criterion Theatre). His theatre credits also include David Ruffin in Ain't Too Proud (Prince Edward Theatre), Ben E. King and Rudy Lewis in The Drifters Girl (Garrick Theatre), Jimmy "Thunder" Early in Dreamgirls (Savoy Theatre), Pharaoh in Joseph and the Amazing Technicolor Dreamcoat (Toronto), Little John in Robin Hood (London Palladium), Jud Fry in Oklahoma! in Concert (Theatre Royal Drury Lane), Reverend Hightower in Bat Boy in Concert (London Palladium), Buddy Foster in Side Show in Concert (London Palladium), Joe in Show Boat (Gillian Lynne Theatre), Mutumbo in The Book of Mormon (Prince of Wales Theatre), Young Simba in The Lion King (Lyceum Theatre) and Winston in Whistle Down the Wind (Aldwych Theatre).His screen credits include Man on Phone in Still Up (Apple TV+), Suitor in Bridgerton (Shondaland/Netflix), Husband in Roadkill (BBC One), Police Officer in A Discovery of Witches (Bad Wolf) and Pip in Jingle Jangle (Netflix). Marking his third time In The Frame, in this episode Tosh discusses returning to Kinky Boots and stepping into the heels of Lola in the West End. He talks about how he approaches the role and why it's meaningful to be embracing a different side of his identity onstage. Tosh also shares his thoughts on advocating for yourself in this industry, with lots of other reflections (and plenty of chaos!) popping up along the way.Kinky Boots runs at the London Coliseum until 11th July, with Tosh performing as Lola every Monday.Visit www.kinkybootslondon.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.
**Lynda Law's Soul Show Replay On traxfm.org. This Week Lynda Features Soul/Boogie/Dance Classics/Contemporary Soul With Trax From Chops N Soul, Tre Rossi, Mantronix, Jennifer Holiday, Julian Jonah, Commodores, Rick James, David Ruffin, The Rippingtons, LTD, Gladys Knight & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #danceclassics Catch Lynda's Soul Show Every Tuesday From 4:00PM UK Time On traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/profile.php?id=10...100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **
SUPPORT THIS PODCAST! Join Patreon Get some merch ~~~~ FEATURED SONG REC – “All On Me” (from KITE TO CAMDEN and THE SINGLES COLLECTION) ~~~~ I've been a boy band fan since I was … a boy. From the Jacksons to New Edition to NKOTB, the Backstreet Boys & NSYNC, even through to the Jonas Brothers, Big Time Rush, One Direction, BTS and K-Pop in general, boy bands have captured my attention, both as a fan and as an artist. This episode is the first of two parts, and features a prehistory of boy bands, stretching back into ancient times and ending just before peak boy band era (which will be covered in Part 2 next week). I also offer maybe the most thorough definition ever of what a boy band is – and ISN'T. Are you into boy bands? What are your favorites? Were you aware how far back in history this paradigm stretches? Did you know how influential this music has been? Discuss dammit! BONUS MxTRA: Boy band SOLO STARS ~~~~ *intro music credit: REC - "Wake Up High" *mid roll music credit: The Drop - "Outerloper" Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
| Keep Giving Me Love | D Train | 1983 | Choosing You | Lenny Williams | 1977 | Need Somebody New (Mixed by Larry Levan) | Jamaica Girls | 1983 | Love Don't Come Easy (feat. Kenny Bristol) | The New Jersey Connection | 1981 | I Found Love (Remix) (Club Version) | Darlene Davis | 1986 | Love Line (Dance Mix) | Darlene Davis | 1987 | Only A Breath Away (Extended Mix) | Patti Austin | 1985 | Tomorrow (Warehouse Mix) | Tongue 'N' Cheek | 1990 | Stop What You're Doing (Extended Mix) | SouLutions | 2020 | Gotta Get The Paper (Gedi Edit) | Bernard Jackson | 2003 | Take Some Time Out (For Love) (feat. Jocelyn Brown) | The Salsoul Orchestra | 1982 | Let Your Love Rain Down On Me | David Ruffin | 1979 | Fantasy | Bruni Pagan | 1979 | Dream Ride | George Howard | 1984 | Oasis | Spyro Gyra | 1982 | Whirlwind | Spyro Gyra | 1986 | Lust (12'' Mix) | Laurin Rinder & W. Michael Lewis | 1977 | Both Sides Now | Viola Wills | 1985
On this episode of the podcastIce spice needs security or a boyfriend… Idk who she wit but the fact she was even allowed to fade 1v1 is egregious… I'd fire everybody on my team even the mfs that weren't there. Can't have the queen squabbling no time. Ice Spice's attorney revealed they will be pressing charges against her attacker and may also sue the McDonald's restaurant where it happened for lack of security and failure to prevent the incident, via tmz.After few months later Mikey want to know is Wale last album a classic.Why haven't Wale and Fat Trell done project togetherNike is reportedly struggling to sell basketball shoes because NBA players "aren't as popular as they used to be,"Shawn Cotton says he's been in New York for 2 days and he's disappointed in the music scene here. People in the city are listening to Gunna, Future, and southern artists and he hasn't heard anybody listening to New York music periodDo rappers be in movies help their legacy live even longer than their music?Who got the better new uniforms the Baltimore Ravens or the Washington Commanders??IG comedian Fatboy SSE says he's the main reason Druski is successful today. He claims he paved the way and walked so Druski could run. He even says he's the Michael Jackson to Druski's Chris Brown.Quavo responds after facing backlash from fans for showing up at Cardi B's show following everything that went down with OffsetA jury found that Ticketmaster and Live Nation held an illegal monopoly over major concert venues and overcharged fansOklahoma principal Krik Moore is being praised for subduing a school shooter and helping save students' lives earlier this month.Law & Order: Organized Crime is Cancelled After 5 Seasons Following Ratings Struggles & CreativeStormy Wellington Responds After Federal Trade Commission Takes Action Against Her Over Allegedly Misleading MLM Income ClaimsJordan Lucas the California State University, volleyball player has gone viral in the last few days after a video highlighting his big plays and eccentric celebrations caused a noticeable buzz on the internet.Former Virginia Lt. Gov. Justin Fairfax K!Is His Wife, Then Takes His Own Life While Children Were Home8 children and teens were killed early Sunday in a mass shooting in Shreveport, Louisiana, authorities said. The suspected shooter was killed by policeFrom ages 1-14 the Rams getting Ice Cube and Chris Tucker's sons to recreate scenes from Friday is too hardSexyy Red knows how to get fans hyped as she drops “David Ruffin” off her latest project “Yo Favorite Trappa Favorite RappaA jury just found Live Nation-Ticketmaster to be an illegal monopoly that overcharges fans.After the Trump DOJ gave the giant corporation a measly slap on the wrist, states fought back — and won.Boosie Being Money Hungry Just Made Him Lose Out On $25K Per Interview with VladTv All Because He Now Wants $35K Per Interview.He Do Like 6 Interviews A Year with Vlad for $25K, Thats $150K A Year, Why Would You Mess That Up!? The LAPD will have to release D4vd from custody if the L.A. County D.A. doesn't file murder charges by Monday.The FBI has released new photos and details regarding the Offset shooting investigation. According to the FBI, the suspects attempted to rob Offset outside a Florida casino when he was shot in the legThe NBA and NBPA have ruled in favor of Lakers' Luka Doncic and Pistons' Cade Cunningham on their Extraordinary Circumstances Challenge for the 65-game award rule, making both eligible for all 2025-26 season honors such as MVP and All-NBA teams, sources tell ESPN.
**It's The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Soul & Boogie/Rare Groove/80's & 70's Grooves/Easy Listening Cuts From Yvonne Brown, Timi Yuro, Robin Beck, NOB (New Orleans Boys), Mary Stevens, Al McCall, The Beatles, Buddy Knox, Cliff Richard, David Ruffin, Dualers, Funky Fever, Kleeer, Little Richard & More. #originalpirates #soulmusic #disco #reggae #raregroove #easylistening #boogiefunk Catch Rendell Every Saturday From 8PM UK Time On www.traxfm.org The Stations: Trax FM & Rendell Radio Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **
On the 74th Episode of the Album Review Crew of Shout It Out Loudcast, Tom & Zeus welcome back special guest, author, host of the new podcast 300 Favorite Albums & Hall Of Famer, James Campion, to review the 1967 classic Motown album From The Temptations "The Temptations With A Lot O' Soul." In 1967 the Temptations were hitting their prime with their "classic 5 lineup" just coming off their major breakthrough album Back In Black with their "classic 5" era lineup of singers, David Ruffin, Eddie Kendricks, Otis Williams, Melvin Franklin and Paul Williams. The Temptations With A Lot O' Soul made it to #7 on Billboard album charts and was their biggest selling album from their classic 5 era. The album featured hits like (I Know) I'm Losing You, All I Need, You're My Everything & more. The great Funk Brothers provided their music and Norman Whitfield writing and production was all over the album as usual. This album continued The Temptations unique one of a kind soul music and style. David Ruffin was solidified as the main lead singer, but valuable contributions and lead vocals was still provided by the other members. This was Zeus' pick and as usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous albums reviewed on the Album Review Crew. So tune in to find out all about Zeus' man crush on David Ruffin and why yesterday football stars from Tecmo Bowl and more like Warren Moon, Barry Sanders and Dennis Green make appearances! To Purchase The Temptations “The Temptations With A Lot O' Soul” On Amazon Click Below: "The Temptations With A Lot O' Soul" To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below: Raise Your Glasses Book For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Get all your Shout It Out Loudcast Merchandise by clicking below: Shout It Out Loudcast Merch At Printify Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
On the 74th Episode of the Album Review Crew of Shout It Out Loudcast, Tom & Zeus welcome back special guest, author, host of the new podcast 300 Favorite Albums & Hall Of Famer, James Campion, to review the 1967 classic Motown album From The Temptations "The Temptations With A Lot O' Soul." In 1967 the Temptations were hitting their prime with their "classic 5 lineup" just coming off their major breakthrough album Back In Black with their "classic 5" era lineup of singers, David Ruffin, Eddie Kendricks, Otis Williams, Melvin Franklin and Paul Williams. The Temptations With A Lot O' Soul made it to #7 on Billboard album charts and was their biggest selling album from their classic 5 era. The album featured hits like (I Know) I'm Losing You, All I Need, You're My Everything & more. The great Funk Brothers provided their music and Norman Whitfield writing and production was all over the album as usual. This album continued The Temptations unique one of a kind soul music and style. David Ruffin was solidified as the main lead singer, but valuable contributions and lead vocals was still provided by the other members. This was Zeus' pick and as usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the album cover against the previous albums reviewed on the Album Review Crew. So tune in to find out all about Zeus' man crush on David Ruffin and why yesterday football stars from Tecmo Bowl and more like Warren Moon, Barry Sanders and Dennis Green make appearances! To Purchase The Temptations “The Temptations With A Lot O' Soul” On Amazon Click Below: "The Temptations With A Lot O' Soul" To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below: Raise Your Glasses Book For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Get all your Shout It Out Loudcast Merchandise by clicking below: Shout It Out Loudcast Merch At Printify Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
**Lynda Law's Soul Show Replay On traxfm.org. This Week Lynda Features Soul/Boogie/Dance Classics/Contemporary Soul From Van McKoy, Commodores, Level 42, The O'Jays, Tavares, The Barkays, D Train, The Stylistics, Sherrick, Al Olive, David Ruffin, Richard Carlton, George Duke, Jackie Moore & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #danceclassics Catch Lynda's Soul Show Every Tuesday From 4:00PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
On the Saturday January 24, 2026 edition of The Richard Crouse Show we meet musician, songwriter, and director Gerald Casale. Best known as a co-founder, co-lead vocalist, and bassist of band DEVO. He was a key creative force behind DEVO’s satirical, art-driven sound and aesthetic, contributing to hits like “Whip It” and directing many of their innovative music videos. His work is deeply influenced by his experiences as an art student at Kent State University during the 1970 May 4th massacre, which shaped his views on societal devolution, a core theme in DEVO’s music. Today we talk about evolution of a band famous for singing about devolution. Then, we’ll meet singer and songwriter Aiyana-Lee. Anyone who saw the Spike Lee, Denzel Washington film “Highest 2 Lowest” will remember her stunning film debut singing the title song, which she wrote, at the end of the film. She has an incredible story. She grew up surrounded by music, with family ties to Motown legends like grandfather Jimmy Ruffin and uncle David Ruffin of The Temptations, moved to LA at 15, where she faced industry challenges being taken seriously as a writer, and building a music career with millions of streams, and praise from figures like Elton John.
On the Saturday January 24, 2026 edition of The Richard Crouse Show we meet musician, songwriter, and director Gerald Casale. Best known as a co-founder, co-lead vocalist, and bassist of band DEVO. He was a key creative force behind DEVO's satirical, art-driven sound and aesthetic, contributing to hits like “Whip It” and directing many of their innovative music videos. His work is deeply influenced by his experiences as an art student at Kent State University during the 1970 May 4th massacre, which shaped his views on societal devolution, a core theme in DEVO's music. Today we talk about evolution of a band famous for singing about devolution. Then, we'll meet singer and songwriter Aiyana-Lee. Anyone who saw the Spike Lee, Denzel Washington film “Highest 2 Lowest” will remember her stunning film debut singing the title song, which she wrote, at the end of the film. She has an incredible story. She grew up surrounded by music, with family ties to Motown legends like grandfather Jimmy Ruffin and uncle David Ruffin of The Temptations, moved to LA at 15, where she faced industry challenges being taken seriously as a writer, and building a music career with millions of streams, and praise from figures like Elton John.
National Winnie the Pooh day. Entertainment from 1961. 1st UFO recorded in America, 1st British convicts arrived in Austrailia, BASE Jumping history was made. Todays birthdays - Thomas Watson, Cary Grant, Bobby Goldsboro, David Ruffin, Kevin Costner, Mark Collie, Jonathon Davis, Tom Bailey, Jason Segel. Glenn Frey died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Winnie the Pooh theme songWonderland by night - Bert Kaempfort & his orchestraNorth to Alaska - Johnny HortonBirthdays - in da cluv - 50 Cent http://50cent.com/Honey - Bobby GoldsboroMy girl - The TemptationsSuperman 14 - Kevin Costner & Modern WestEven the man in the moon is crying - Mark CollieDoctor Doctor - Thompson TwinsComing undone - KornThe heat is on - Glenn FreyExit - It's not love - Dokken http://dokken.net/cooolmedia.com
FOX-TV, Motown, Royalty, Grammy Award Nominated Classic " Gin & Juice Snoop Dogg“Rollin down the street, smokin indo, sippin on gin and juice/ Laid back (with my mind on my money and my money on my mind)” ~ David Ruffin Jr. vocal on the Multi-Platinum Hit " Gin & Juice" The son of The Temptations Lead Singer David Ruffin whose voice can be heard on classic Hits like: : My Girl, I Wish It Would Rain, Ain't to Proud to Beg", I'm Losing You, Beauty's Only Skin Deep & other Love Song of the classic group lineup during Motown's Golden Era.David's NEW Music " Time of My Life & Cry, Cry, Cry just dropped and was recently on FOX-TV' Show "I Can See Your Voice" Season 2David Ruffin, Jr.is a talented, versatile, up-and-coming recording artist whose voice can be heard on numerous hip hop projects by major recording artists like Dr. Dre and Snoop Dogg's Grammy® Award winning Hip Hop, multi-platinum classic recording that he and Dr. Dre wrote entitled, Gin & Juice. He is originally from Detroit, Michigan and currently residing in Hollywood, California. DavidRuffinJr,comDavid has Summer Concert & TV Appearances with the Sons of Motown as well as other TV, Concert Theatre Events in 2023David Jr. is blessed with a tremendous and powerful first and second tenor and an equally impressive Alto and Falsetto. D-Ruff can be heard on numerous hip hop projects by such stellar artists as Dr. Dre, Snoop Dogg, Mel Man, Benzino, Dave Mays and Capone. As well as local Detroit talent such as T Money Green, Amir, Young Ruff, The Boss and Diamond. He has also performed with the legendary singing group, “The Dramatics”, as well as prepared several independent recordings over the last four years, and has emerged as an excellent songwriter. Highly touted music publications such as “The Rolling Stone”, “The Source” and “Rap Pages” have lauded David Jr. as a talented, disciplined, and strong artist. © 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAudCOMMENTS
A personal favorite episode of a person who was a child star on Broadway in 1955,. She was an Ikette with Tina Turner, sang with Little Richard and David Ruffin on his first solo album after the Temptations and a founding member of great iconic groups of the 70's. The Honey Cone had a triumph recent concert in Los Angeles. And by the way...she found time to also be Funeral director for a short time!!!
When Motown singer Tammi Terrell died at the age of 24, Marvin Gaye was the only one from her label allowed at her funeral. The rest – especially her former boyfriend, the Tempations' David Ruffin – were banned. So what happened between them? The answer lies in a story of fame, furs, cocaine, and a scandal that still casts a shadow over soul music. To see the full list of contributors, see the show notes at www.disgracelandpod.com. Sadly, there is a long list of mistreated women throughout music history - was Tammi Terrell the most mistreated of them all? What do you think? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.
When Motown singer Tammi Terrell died at the age of 24, Marvin Gaye was the only one from her label allowed at her funeral. The rest – especially her former boyfriend, the Tempations' David Ruffin – were banned. So what happened between them? The answer lies in a story of fame, furs, cocaine, and a scandal that still casts a shadow over soul music. To see the full list of contributors, see the show notes at www.disgracelandpod.com. Sadly, there is a long list of mistreated women throughout music history - was Tammi Terrell the most mistreated of them all? What do you think? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
It's been awhile since our last proper Whatcha Heard episode, and this one is as wide-ranging and decade-spanning as you'd expect from our monthly mixtape format. From the 60s to brand-spanking new and mathcore to twee, join us for a little bit of everything. Tracklist Wishy - Over and Over Rubblebucket - Go All The Way With Me Iron Butterfly - Unconscious Power George Harrison - Wah-Wah Laetitia Sadier - By the Sea O & The Mo - May Way For The Sun Car Bomb - Gratitude Kane Hodder - Too Much Eddie Kendricks, Not Enough David Ruffin The Verve - Life's An Ocean Emma Anderson - Bend The Round Good Sad Happy Bad - Honey Wendy & Bonnie - By the Sea This show is part of the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 10ú lá de mí an Mheithimh, liomsa Lauren Ní Loingsigh. I 1967 bhí an t-iarratas ón Bhreatain chun téigh isteach chuig an Chómhargadh Eorpach chun a bheith cuir I láthair sa Bhruiséil an lá tar éis. I 1994 níor ghlac na vótálaithe leis an toghchán Eorpach an lá roimhe in ainneoin na easaontas idir na hiarrthóirí. I 1967 tháinig an nuacht amach go mbeadh na marcach fir agus mná I Meiriceá chun úsáid diallait agus trealamh marcaíochta eile a bhí lámhdhéanta sa chontae. I 1983 bhí gradam do dhuine den bhliain, cóisir agus tóraíocht taisce ar siúil ag féile bruach abhann I gCill Rois. Sin Wet Wet Wet le Love Is All Around – an t-amhrán is mó ar an lá seo I 1994. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1991 ghabh Eddie Kendricks ó The Temptations nuair a bhí sé ag freastal ar sochraid d'amhránaí David Ruffin I Detroit de bharr nár íoc sé 26 míle dollar de thacaíocht leanaí. I 1993 bhí leathanach iomlán ag Sinéad O'Connor san Irish Times agus dúirt sí gan í a ghortú a thuilleadh. Chuir sí milleán ar an drochíde a fuair sí nuair a bhí sí níos óige. Cháin daoine í nuair a srac sí pictiúr den Phápa nuair a bhí sí ar Saturday Night Live an bhliain roimhe. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Gayle I Meiriceá I 2004 agus rugadh aisteoir Judy Garland I Meiriceá I 1922 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 10th of June, with me Lauren Ní Loingsigh 1967: Britians formal application to join the european common market was to be presented in Brussels tomorrow morning. 1994: voters gave a massive thumbsdown to the european election yesterday despite campaign clashes between high profile candidates. 1967: in the next two years, the top horsemen and women in the US were to use saddles and other ridinng equipment made in co.clare. 1983: the person of the year awards and superstars novelty party and treasure hunt took place on this years kilrush riverside festival. That was Wet Wet Wet with Love Is All Around – the biggest song on this day in 1994 Onto music news on this day In 1991 Temptations member Eddie Kendricks was arrested while attending the funeral of soul singer David Ruffin in Detroit on charges of owing $26,000 ($15,294) in child support. 1993 Irish singer Sinead O'Connor took out a full-page ad in the Irish Times asking the public to "stop hurting me please." She blamed her troubles on abuse she suffered as a child. O'Connor was still being criticized for ripping up a picture of the Pope during an appearance on Saturday Night Live the previous October And finally celebrity birthdays on this day – singer Gayle was born in America in 2004 and actress Judy Garland was born in America on this day in 1922 and this is some of the stuff she has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.
When Jesus comes into our lives, we are never the same! David Ruffin discovered that reality when Jesus delivered him from alcoholism and homelessness. Our Savior brings people out of addiction, depravity, pain, and brokenness. Praise Jesus for His life-changing love!
It's a new month for the Watchcast, and with that comes a new theme of music movies! And kicking things off is the 2021 ?uestlove film Summer of Soul, a doc that unearths a treasure trove of musical performances from the 1969 Harlem Cultural Festival. CHAPTERS: (00:00:00) - The Nextlander Watchcast Episode 134: Summer of Soul (...or, When the Revolution Could Not Be Televised) (2021) (00:00:38) - Intro. (00:02:32) - The times in which this festival takes place. (00:07:05) - We love a documentary that unearths footage people haven't ever seen before. (00:12:26) - What an insane lineup of great music. (00:16:45) - How did this festival happen, and why did this footage disappear for so long? (00:30:13) - Break! (00:30:58) - We're back, and it's time to get into the festival itself. (00:34:48) - The marvel that is Stevie Wonder. (00:39:12) - The Chambers Brothers. (00:40:48) - The youngest any of us have ever seen BB King look." (00:42:46) - On jazz flute and The 5th Dimension. (00:45:48) - A whole lot of gospel. (00:53:15) - David Ruffin sans Temptations. (00:55:56) - Shout out to Gladys Knight (and The Pips!) (00:58:15) - Here comes Sly. (01:03:37) - The broader cultural shifts. (01:08:03) - Max Roach and Abbey Lincoln. (01:10:06) - The power of Nina Simone. (01:17:27) - How good this movie is at weaving its history with the performances. (01:22:43) - Final thoughts. (01:28:34) - Housekeeping for Alex's upcoming list, and next week's movie: Metallica: Some Kind of Monster! (01:34:41) - Outro.
HERE WE GO MY SHOW ON SOUL LEGENDS RADIO 06-MAY-2025 WITH A SELECTION OF QUALITY TUNES OLD AND NEW INCLUDING GLEN JONES, BB&Q BAND, LISA STANSFIELD, WILTON FELDER AND BOBBY WOMACK, ARCHIE BELL AND THE DRELLS, DAVID RUFFIN, THE BAND AKA, JR WALKER AND THE ALL STARS, MICHAEL WYCOFF, SNOWBOY AND MANY MOORE .CHECK OUT ALL THE NEW TRACKS FROM THE LAST FEW WEEKS THER ARE SOME TOP TUNES.HOPE YOU ENJOY OR DOWNLOAD FOR LATER WITH A GLASS OF SOMETHING XX
It's not everyday we get a writer with the life and work experience of Charles Kipps to join our crazy podcast, let alone have a therapy session with Sadie and Jeanne.Yes, we talked about everything from Charles producing Aretha Franklin, to our struggles as writers, to Charles' decades of writing experiences ... and he's still selling screenplays to this day! You're not going to want to miss this one ... so much great advice from the legend that is Charles Kipps. (See below for Charles' full bio.)One note of correction: Charles inadvertently stated that Bill Cosby's agent helped him get his first book published, but it was actually Cosby's editor who did. Just wanted to correct that for the record.Resources from this episode: Charles Kipps website—be sure to sign up for his newsletter! Pipeline Podcasts:All OG Pipeline Artists podcasts can be found on pipelineartists.com/listen.YouTube:Watch full (read that as "most ... maybe not any" because Jeanne is tired) episodes on YouTube.Follow us on X:@recklesscr8tive@SadieKDean@jeannevb@pipelineartistsFollow us on IG:@recklesscr8tive@_thesadiedean@jeannevb_@pipelineartistsEnter Pipeline's Contests:Script Pipeline (Screenwriting, TV, First Look, Pitch Contest)Film Pipeline (Short Scripts and Short Films)Book Pipeline (Unpublished and Adaptation)*****Writer/producer Charles Kipps has won an Emmy, Peabody, Humanitas Prize, and Mystery Writers Edgar Award. Among his credits are Exiled: A Law & Order Movie and the 25th Anniversary Columbo special, A Trace of Murder. His film credits include Fat Albert: The Movie as well as independent films Frame of Mind, Zarra's Law, and Anatomy of the Tide. He is currently in preproduction with Someday Sometime, a music driven romantic comedy which he will also direct.Kipps is the author of the Conor Bard Mysteries. The first three titles are Hell's Kitchen Homicide, Crystal Death and Times Square Trouble. The novels chronicle the days and nights of Conor Bard, an NYPD Detective who, while a dedicated cop, considers himself a musician with a day job. Kipps also wrote two nonfiction books: Cop Without A Badge, which details the exploits of a confidential informant who worked with both local and federal law enforcement; and Out of Focus, which goes behind the scenes of a turbulent year at Columbia Pictures. His new novel is Absolute Threshold, an espionage thriller. It is the first in a series about CIA psychiatrist Harvey Chatham as he combines psychology with spy craft. Kipps received numerous gold records and Broadcast Music awards while writing and producing songs for artists such as Aretha Franklin, Gladys Knight, Melba Moore, and Temptations lead singer David Ruffin for whom he wrote the hit Walk Away From Love. He was a partner in McCoy/Kipps Productions with Van McCoy, whose recording of The Hustle topped the Billboard charts
Song: vocal improvisation Improvised by: David Ruffin and Patricia Norton Notes: It's a first for A Breath of Song! An episode of improvisation -- David Ruffin is our guest, talking about the multiple benefits of the practice of improvisation, his teachers, leading menfolk in song circles, the particular challenges of having a big, beautiful voice, how singing together might build soil in these times... and more! We hope you join us in exploring the voice, and that our questions raise questions for you, too... Songwriter Info: David is a performing artist, community song leader and teacher with a passion for authentic expression. He loves creating space for voices to emerge fully and freely. He calls Central Vermont home, where he's grateful to be able to share his holistic approach to voice in community through lessons, workshops, community singing and performance collaborations. David's work is inspired by a diverse background including studies with Roy Hart Center voice teachers, deep dives in vocal improvisation, explorations in Voice Movement Therapy and over 20 plus years of performing arts, teaching and counseling/ministry experience. David believes singing helps us remember who we really are, what we're here to voice and, how we're, thankfully, so very bound up together in this. Time Stamps: Start time of first improvisation: 00:04:40 Start time of second improvisation: 01:11:26 Links: David's website: www.davidruffinvoice.com David's Venmo: @David-Ruffin-Voice Rhiannon: https://www.rhiannonmusic.com/ Bobby McFerrin: https://bobbymcferrin.com/ Wendy Tuck: And When I Rise: https://web.plumvillage.app/item/and-when-i-rise-2 Wendell Berry: https://www.poetryfoundation.org/poets/wendell-berry “Shaker Tune” For All That Has Been is actually Let Go and Move by Velma Frye - https://youtu.be/-q9T3iiDOXA?si=EYMoNAdnR2XcK-uG Heidi Wilson: The Feast: https://www.abreathofsong.com/episodes--show-notes/140-the-feast-with-guest-heidi-wilson Evan Premo: http://www.evanpremo.com/ Boston Big Sing with Milly Roberts: https://www.bostonareasingingcircles.com/origins “Beyond the Us and Them”: https://www.patreon.com/posts/build-soil-117107668 Robin Wall Kimmerer: https://www.robinwallkimmerer.com/ Singing Revolution in Estonia: https://en.wikipedia.org/wiki/Singing_Revolution Circlesinging in Burlington: https://www.juneberrymusic.com/special-events.html Judi Vinar: https://www.judivinar.com/ Ethelyn Friend in the Roy Hart tradition: https://www.ethelynfriend.com/ Fauré's Requiem – recording: John Rutter with the Cambridge Singers – https://www.youtube.com/playlist?list=PLXpQCRhZw2laREcCUl4Hb4IWOX9MNEQf3 Moira Smiley: https://moirasmiley.com/ Join this community of people who love to use song to help navigate life? Absolutely: https://dashboard.mailerlite.com/forms/335811/81227018071442567/share Help us keep going: reviews, comments, encouragement, plus contributions... we float on your support. https://www.abreathofsong.com/gratitude-jar.html
Song: Where the Moss Grows Music by: David Ruffin Notes: We get to sing David Ruffin's beautiful moss song in three different keys, so you can experiment with the range and how it feels in your voice in different ways -- and really feel like you know the song well by the end! So this episode is a little longer than sometimes -- but it's a great way to get a slightly longer song and harmony into your body, and still under 30 minutes. Next episode is a conversation with David, and we'll get to know this song carrier... Songwriter Info: David is a performing artist, community song leader and teacher with a passion for authentic expression. He loves creating space for voices to emerge fully and freely. He calls Central Vermont home, where he's grateful to be able to share his holistic approach to voice in community through lessons, workshops, community singing and performance collaborations. David's work is inspired by a diverse background including studies with Roy Hart Center voice teachers, deep dives in vocal improvisation, explorations in Voice Movement Therapy and over 20 plus years of performing arts, teaching and counseling/ministry experience. David believes singing helps us remember who we really are, what we're here to voice and, how we're, thankfully, so very bound up together in this. Sharing Info: The song is free to share but David welcomes financial and/or networking support if/when folks are so moved. Please contact him for recording and/or performing permission. Song Learning Time Stamps: Start time of teaching: 00:02:33 Start time of song in B-flat: 00:13:16 Start time of song in D-flat: 00:17:36 Start time of song in B: 00:23:38 Links: David's website: www.davidruffinvoice.com David's Venmo: @David-Ruffin-Voice Nuts & Bolts: 4:4, major, harmonized Join this community of people who love to use song to help navigate life? Absolutely: https://dashboard.mailerlite.com/forms/335811/81227018071442567/share Help us keep going: reviews, comments, encouragement, plus contributions... we float on your support. https://www.abreathofsong.com/gratitude-jar.html
MONOLOGUE "The Coronation Conundrum: Unmasking the Mark Carney Takeover" NEWSMAKER 'True Blue Trio' breaks silence following exit from B.C. Conservative Party Three former B.C. Conservatives say they have chosen 'truth' and 'integrity' over the 'woke Liberals' who've 'infiltrated' the B.C. Conservative Party. https://www.rebelnews.com true_blue_trio_breaks_silence_following_exodus_from_bc_conservative_party Reporter Drea Humphrey, B.C. Bureau Chief for Rebel News OPEN LINES THE CULT OF CLIMATE CHANGE From EVs to Paper Straws, Trump Dismantling Climate Programs https://time.com/7258269/trump-climate-policies-executive-orders/ Steve Goreham - Executive Director of the Climate Science Coalition and an advisor to The Heartland Institute and author of Green Breakdown: The Coming Renewable Energy Failure MONOLOGUE Canada's Cities Are Burning, and Trudeau Wants You Defenseless NEWSMAKER Federal report deems it 'racist' to criticize Canadian anti-Israel activists https://nationalpost.com/opinion/federal-report-deems-it-racist-to-criticize-canadian-anti-israel-activists Tristin Hopper Columnist and reporter at National Post OPEN LINES THIS DAY IN ROCK HISTORY In 1967, the Velvet Underground & Nico released their self-titled debut. Though now regarded as a landmark album that launched art-rock, it was initially ignored by the critics, shunned by radio stations, and sold poorly. . In 1969, The Temptations became the first Motown act to win a Grammy Award with “Cloud Nine.” An early example of “psychedelic soul,” the song (which won for Best Rhythm & Blues Group Performance) peaked at No. 2 on the US charts and marked the debut of lead singer Dennis Edwards, who replaced David Ruffin. In 2022, Stereophonics scored their eighth UK No.1 with their 25th-anniversary album, Oochya!. The feat tied them with Oasis, R.E.M., and Taylor Swift for the most chart-topping albums on the chart Learn more about your ad choices. Visit megaphone.fm/adchoices
(S4 Ep14) The Temptations- With a Lot o' SoulReleased July 17, 1967, Recorded between 1966-1967 (Gordy)With a Lot o' Soul, The Temptations' fifth studio album for Motown, showcased the iconic lineup of David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams. The album blends Motown's classic pop-soul with experimental arrangements, including lush strings, intricate horn sections, and emotional themes. The Temptations' trademark harmonies shine, with Ruffin dominating many tracks. At the same time, other members take lead on songs like Paul Williams on “No More Water in the Well” and Eddie Kendricks on “You're My Everything.” The album features four hit singles like “(I Know) I'm Losing You” and “All I Need” and solidified the group's place in soul music history. Produced by Norman Whitfield, the album marks the beginning of the Temptations' evolution toward psychedelic soul, setting the stage for future groundbreaking work. Signature Tracks: "I Know I'm Losing You," "All I Need," "You're My Everything" Full Album: YouTube, Spotify Playlist: YouTube , Spotify
In this final episode of Great Minds, Otis Williams, the founder and last surviving member of The Temptations, takes us on a journey through the legendary group's history. From his early days in Texarkana to the vibrant music scene of Detroit, Otis shares how the group evolved from the Distants to Motown superstars. He reflects on pivotal moments, including the addition of David Ruffin and Eddie Kendricks, their breakthrough with "My Girl," and the challenges of navigating fame, racial discrimination, and industry changes. With personal anecdotes, insights into their global impact, and reflections on the group's enduring legacy, this episode is a must-listen for music lovers and Motown enthusiasts alike.
In this final episode of Great Minds, Otis Williams, the founder and last surviving member of The Temptations, takes us on a journey through the legendary group's history. From his early days in Texarkana to the vibrant music scene of Detroit, Otis shares how the group evolved from the Distants to Motown superstars. He reflects on pivotal moments, including the addition of David Ruffin and Eddie Kendricks, their breakthrough with “My Girl,” and the challenges of navigating fame, racial discrimination, and industry changes. With personal anecdotes, insights into their global impact, and reflections on the group's enduring legacy, this episode is a must-listen for music lovers and Motown enthusiasts alike.
National Winnie the Pooh day. Entertainment from 1961. 1st UFO recorded in America, 1st British convicts arrived in Austrailia, BASE Jumping history was made. Todays birthdays - Thomas Watson, Cary Grant, Bobby Goldsboro, David Ruffin, Kevin Costner, Mark Collie, Jonathon Davis, Tom Bailey, Jason Segal. Glenn Frey died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Winnie the Pooh theme songWonderland by night - Bert Kaempfort & his orchestraNorth to Alaska - Johnny HortonBirthdays - in da cluv - 50 Cent http://50cent.com/Honey - Bobby GoldsboroMy girl - The TemptationsSuperman 14 - Kevin Costner & Modern WestEven the man in the moon is crying - Mark CollieDoctor Doctor - Thompson TwinsComing undone - KornThe heat is on - Glenn FreyExit - It's not love - Dokken http://dokken.net/
Stopping to smell the concrete, an injection of inspiration fuel into the tank, and creating different stews. Kelly Finnigan (Monophonics, Kelly Finnigan) Kelly Finnigan “A Lover Was Born” Vinyl- https://www.coleminerecords.com/products/kelly-finnigan-a-lover-was-born "Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing and engineering (The Ironsides, Alanna Royale, the Sextones). “There's nothing like making records,” says Finnigan. “It feels like that's my purpose — the reason I was put on this earth.” Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. “I enjoy working alone but it's not how you want to make a record…almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with.” Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on “Be Your Own Shelter”) and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like “Get a Hold of Yourself” or “Chosen Few”. Finnigan's take on Deep Soul is captured brilliantly on “Walk Away from Me” and “Love (Your Pain Goes Deep)”, while Boom Bap pervades on hard hitters “His Love Ain't Real” & “Cold World”. Slower songs such as “Let Me Count the Reasons”, the emotional “All That's Left”, and the soul-stirring album closer “Count Me Out” show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy — in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and RZA) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound." Excerpt from https://www.coleminerecords.com/products/kelly-finnigan Kelly Finnigan: Bandcamp: https://kellyfinnigan.bandcamp.com/music Instagram: @kellyfinniganmusic Website: https://www.kellyfinniganmusic.com Records: https://www.coleminerecords.com/collections/kelly-finnigan Merch: https://www.merchbar.com/vinyl-records/kelly-finnigan Monophonics: Bandcamp: https://monophonics.bandcamp.com/music Instagram: @monophonics Website: https://www.monophonics.com Records: https://www.coleminerecords.com/collections/monophonics Merch: https://www.merchbar.com/r-b-hiphop-rap/monophonics The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos
Fuckery Friday, The Sly Show Returns To All Podcast Platforms, Sound On!, People Who Hate Mondays And Love Fridays Hate Their Life, Spotify LOL, 20 Years Of The Sly Show Stories, Sly Talking About When He Used To Do A Live Show For 5 Hours, 5 days A Week, Fuckery!, Why Offer Podcasts Don't Impress Sly, Most News Media Personalities, Ashli Babbit, October 7th Lie, January 6th Lie,Muslim Propaganda All Leads Back To Making Israel Look Good, Israel Sucks, Ego's, The Legend Of Pete Rose, People Who Shift Their Industries, David Ruffin, Eminem, Government Corruption, Time Travel, Back To The Future, Random Fuckery, Biff, Michael J. Fox, Parkinsons, I Do These Podcasts Very Improv Style, I Rarely Think About My Shows, Back When I Was Lyft Driver, Liberals In The Bay Have Trump Derangement Syndrome, Meds, Zoloft, The Crazy Ones, People Who Are Iconic, Trump Joked Around With Liberals At An Elite Event, RFK JR. Sits At The Same Table W/ The Pfizer CEO, It's A Big Club, You Literally Voted For This, California Liberals,49ers, Normies Have No Idea How A 49ers Player Gets Shot In The Chest, Maxim Magazine Endorses President Trump, They're Going To Try And Rig The Election Again,+ Much More Fuckery! TheSlyShow.com
A personal favorite episode of a person who was a child star on Broadway in 1955, an Ikette with Tina Turner, sang with Little Richard and David Ruffin on his first solo album after the Temptations and a founding member of great iconic groups of the 70's...the Honey Cone...who had a triumph recent concert in Atlantic City. And by the way...she found time to also be Funeral director for a short time!!!
Fresh from his run in For Black Boys, Posi Morakinyo is In The Frame!After training at Italia Conti, Posi made his professional debut in Madagascar The Musical (UK & International Tour). He went on to make his West End debut as Raymond and understudy Ike in Tina: The Tina Turner Musical (Aldwych Theatre) before playing Thembi Mandela in the premiere of Mandela (Young Vic).Posi was part of the original West End cast of Ain't Too Proud (Prince Edward Theatre), playing Dennis Edwards and understudying David Ruffin. Most recently Posi starred as Midnight in the second West End run of For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy (Garrick Theatre) by Ryan Calais Cameron. In this episode Posi discusses his path into theatre, learnings from his career so far and why For Black Boys flipped his ambitions... plus lots more along the way!This episode features a guest contribution from Richard Mulholland.Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
In 1985, a group of musicians came together to raise awareness about the oppressive, racist government in South Africa. Organized by Steven Van Zandt, the group calling themselves Artists United Against Apartheid was, according to music critic Dave Marsh, “the most diverse line up of popular musicians ever assembled for a single session” and the list is pretty amazing.” Just some of the names include Bono, George Clinton, Peter Gabriel, Lou Reed, Kurtis Blow, Miles Davis, Ringo Star, David Ruffin, Joey Ramone, Run DMC, Keith Richard, Bruce Springsteen, Herbie Hancock, Bonnie Raitt, that dude from Midnight Oil, AND the Fat Boys. They jointly refused to ever play at Sun City, a luxury resort in South Africa that symbolized the racial segregation of South Africa, and they released a protest album called Sun City to raise awareness. In this episode of Prisoners of Rock and Roll, we're diving into the history and impact of Artists United Against Apartheid. Episode Playlists Check out the Artists United Against Apartheid album here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1985, a group of musicians came together to raise awareness about the oppressive, racist government in South Africa. Organized by Steven Van Zandt, the group calling themselves Artists United Against Apartheid was, according to music critic Dave Marsh, “the most diverse line up of popular musicians ever assembled for a single session” and the list is pretty amazing.” Just some of the names include Bono, George Clinton, Peter Gabriel, Lou Reed, Kurtis Blow, Miles Davis, Ringo Star, David Ruffin, Joey Ramone, Run DMC, Keith Richard, Bruce Springsteen, Herbie Hancock, Bonnie Raitt, that dude from Midnight Oil, AND the Fat Boys. They jointly refused to ever play at Sun City, a luxury resort in South Africa that symbolized the racial segregation of South Africa, and they released a protest album called Sun City to raise awareness. In this episode of Prisoners of Rock and Roll, we're diving into the history and impact of Artists United Against Apartheid. Episode Playlists Check out the Artists United Against Apartheid album here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Learn more about your ad choices. Visit megaphone.fm/adchoices
00:00 - I am David Ruffin and these are the temptations00:40 - will smith apology tour01:00 - tajin new car/ mid life crisis05:00 - we all like dragons06:00 - white girl dreads07:30 - cedar point and Noah's ark still got it/ pet snakes on the loose13:30 - water parks ain't like theme parks yo ass can die on them slides19:50 - house of the dragon is lit27:00 - is Alicent stupid ??28:20 - are monarchy's a bad thing ?32:00 - Bronny and bron nepotism38:00 - clipped and the bear season 344:00 - Charleston white takes aim at Kendrick Lamar49:00 - should Drake take time off51:30 - Rick Ross involved in skirmish/babymomma hate57:00 - reality tv used to be good59:00 - presidential race 20241:05:00 - bet awards/usher tribute
Welcome back to "I Only Listen to 90s Music!" This episode is jam-packed with hot topics and exclusive insights. We kick things off with a deep dive into Kendrick Lamar's latest concert, analyzing his epic performance and the ripple effects it has on the hip-hop community. Did Kendrick just set a new standard for diss tracks? Tune in to find out! Next, we explore the recent deal between Versus and Elon Musk's X platform. Is this the revival Versus needed, or the final nail in the coffin? We weigh in with our thoughts. We also delve into the intriguing life and legacy of David Ruffin Jr. and the impact of his father's controversial biopic. How does the shadow of David Ruffin affect his son's career today? In our "Diddy Watch 2024" segment, Stacey gives us the latest updates on Diddy's ongoing controversies, including his social media purge and the revocation of his honorary degree from Howard University. We couldn't miss discussing the surprising revelation of Nelly and Ashanti's secret marriage. Why did TMZ miss this, and how did they manage to keep it so private? We wrap up with a revisit to Keith Sweat's "Make It Last Forever" album, reflecting on its timeless tracks and the memories they evoke. Join the I Only Listen to 90s Music Facebook Group http://bit.ly/3k0UEDe Follow I Only Listen to 90s Music on IG https://bit.ly/3sbCphv Follow SOLC Network online Instagram: https://bit.ly/39VL542 Twitter: https://bit.ly/39aL395 Facebook: https://bit.ly/3sQn7je To Listen to the podcast Podbean https://bit.ly/3t7SDJH YouTube http://bit.ly/3ouZqJU Spotify http://spoti.fi/3pwZZnJ Apple http://apple.co/39rwjD1
Everyone Needs an Aquarius finishes off another great week. In this episode they discuss 05:05 People upset at Marlon Wayans supporting his trans son 08:05 Latto and pressures of body shaming 21:02 Man breaks up with fiancee over photo she took with Chris Brown 30:45 Terrell Lewis doesn't pay his tab with an escort (Mia Mercy) and gets chased down 40:37 David Ruffin Jr. talks about how his father's family affected his life 1:02:16 Arizona man is arrested for planning an attack on a rap concert 1:12:59 Michael Rainey of Power assaulted by a woman on Livestream 1:20:49 Maryland Governor Wes Moore pardoning 175,000 marijuana convictions Subscribe to the Everyone Needs an Aquarius Patreon https://bit.ly/3tXnnCz Go cop your candles from Dom at www.saint-angeles.com/candles and use the promo code: Aquarius Email the show at straightolc@gmail.com Follow SOLC Network online Instagram: https://bit.ly/39VL542 Twitter: https://bit.ly/39aL395 Facebook: https://bit.ly/3sQn7je To Listen to the podcast Podbean https://bit.ly/3t7SDJH YouTube http://bit.ly/3ouZqJU Spotify http://spoti.fi/3pwZZnJ Apple http://apple.co/39rwjD1 IHeartRadio http://ihr.fm/2L0A2y
In this evening's show Chris will be playing tunes by artists such as David Ruffin, Four Tops and David Milne. This week, Chris features tunes by artists such as David Ruffin, Four Tops and Anthony White, plus a Top 7 from XXX.Tune into new broadcasts of Dab Of Soul every Tuesday from Midday - 2 PM EST / 5 - 7 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
FOX-TV, Motown, Royalty, Grammy Award Nominated Classic " Gin & Juice Snoop Dogg“Rollin down the street, smokin indo, sippin on gin and juice/ Laid back (with my mind on my money and my money on my mind)” ~ David Ruffin Jr. vocal on the Multi-Platinum Hit " Gin & Juice" The son of The Temptations Lead Singer David Ruffin whose voice can be heard on classic Hits like: : My Girl, I Wish It Would Rain, Ain't to Proud to Beg", I'm Losing You, Beauty's Only Skin Deep & other Love Song of the classic group lineup during Motown's Golden Era.David's NEW Music " Time of My Life & Cry, Cry, Cry just dropped and was recently on FOX-TV' Show "I Can See Your Voice" Season 2David Ruffin, Jr.is a talented, versatile, up-and-coming recording artist whose voice can be heard on numerous hip hop projects by major recording artists like Dr. Dre and Snoop Dogg's Grammy® Award winning Hip Hop, multi-platinum classic recording that he and Dr. Dre wrote entitled, Gin & Juice. He is originally from Detroit, Michigan and currently residing in Hollywood, California. DavidRuffinJr,comDavid has Summer Concert & TV Appearances with the Sons of Motown as well as other TV, Concert Theatre Events in 2023David Jr. is blessed with a tremendous and powerful first and second tenor and an equally impressive Alto and Falsetto. D-Ruff can be heard on numerous hip hop projects by such stellar artists as Dr. Dre, Snoop Dogg, Mel Man, Benzino, Dave Mays and Capone. As well as local Detroit talent such as T Money Green, Amir, Young Ruff, The Boss and Diamond. He has also performed with the legendary singing group, “The Dramatics”, as well as prepared several independent recordings over the last four years, and has emerged as an excellent songwriter. Highly touted music publications such as “The Rolling Stone”, “The Source” and “Rap Pages” have lauded David Jr. as a talented, disciplined, and strong artist. © 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud
This week, Chris features tunes by MT Jones, Wizdom and David Ruffin, plus a listener's Top 7 from Jo Roberts!For more info and tracklisting, visit: https://thefaceradio.com/dab-of-soul/Tune into new broadcasts of Dab Of Soul every Tuesday from Midday - 2 PM EST / 5 - 7 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
While we gear up for Season 4, we are sharing some of our favorite shows from the past few years. Next up is "Summer of Soul", and our interview with director Amir "Questlove" Thompson. Since we first aired this show in January of 2022, the film went on to win the Academy Award for Best Documentary Feature. Ahmir “Questlove” Thompson joins us to talk about his Oscar-shortlisted “Summer of Soul (…or, When the Revolution Could Not be Televised)”. In the summer of 1969, a music festival took place in New York that attracted over 300,000 people. Featuring some of the most incredible artists of that — or any — era, it caught the cultural wave of the moment. No, it wasn't Woodstock. And, until very recently, practically nobody knew it ever took place. Featuring stunning, previously unseen archival performance footage and incorporating an array of enthralling interviews, game-changing debut documentary “Summer of Soul” is a joyful celebration of the Harlem Cultural Festival and a long-delayed corrective to an egregious example of Black erasure. Winner of both the 2021 Sundance Film Festival Grand Jury Prize and the Audience Award for Best U.S. Documentary. “Summer of Love” is Oscar shortlisted for Best Documentary Feature. Fresh off the set of The Tonight Show Starring Jimmy Fallon where he serves as Musical Director, Questlove joined Mike and Ken for a spellbinding conversation, showcasing his unique skills as a storyteller. How is it that even a musical aficionado of Questlove's renown was skeptical that such a concert ever happened? What was his initial reaction to seeing this long-forgotten footage? How did he crack the code of doing justice to the towering musical performances happening on stage and conveying the broader social and political movements happening off it? What inspired him to start the film with Stevie Wonder on drums? And, what about David Ruffin's sartorial choices? Tune in to this episode of Top Docs for answers to these questions and a whole lot more. Questlove in conversation is its own sublime music set. Headphones not included.
For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Mixcloud will be up with the next episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. Motown: The Golden Years is another Motown encyclopaedia. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 693 tracks released on Motown singles. For information on Marvin Gaye, and his relationship with Norman Whitfield, I relied on Divided Soul: The Life of Marvin Gaye by David Ritz. I’ve also used information on Whitfield in Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations by Mark Ribowsky, I’ve also referred to interviews with Whitfield and Strong archived at rocksbackpages.com , notably “The Norman Whitfield interview”, John Abbey, Blues & Soul, 1 February 1977 For information about Gladys Knight, I’ve used her autobiography. The best collection of Gladys Knight and the Pips’ music is this 3-CD set, but the best way to hear Motown hits is in the context of other Motown hits. This five-CD box set contains the first five in the Motown Chartbusters series of British compilations. The Pips’ version of “I Heard it Through the Grapevine” is on disc 2, while Marvin Gaye’s is on disc 3, which is famously generally considered one of the best single-disc various artists compilations ever. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a brief note — this episode contains some brief mentions of miscarriage and drug abuse. The history of modern music would be immeasurably different had it not been for one car breakdown. Norman Whitfield spent the first fifteen years of his life in New York, never leaving the city, until his grandmother died. She’d lived in LA, and that was where the funeral was held, and so the Whitfield family got into a car and drove right across the whole continent — two thousand five hundred miles — to attend the old lady’s funeral. And then after the funeral, they turned round and started to drive home again. But they only got as far as Detroit when the car, understandably, gave up the ghost. Luckily, like many Black families, they had family in Detroit, and Norman’s aunt was not only willing to put the family up for a while, but her husband was able to give Norman’s father a job in his drug store while he saved up enough money to pay for the car to be fixed. But as it happened, the family liked Detroit, and they never did get around to driving back home to New York. Young Norman in particular took to the city’s nightlife, and soon as well as going to school he was working an evening job at a petrol station — but that was only to supplement the money he made as a pool hustler. Young Norman Whitfield was never going to be the kind of person who took a day job, and so along with his pool he started hanging out with musicians — in particular with Popcorn and the Mohawks, a band led by Popcorn Wylie. [Excerpt: Popcorn and the Mohawks, “Shimmy Gully”] Popcorn and the Mohawks were a band of serious jazz musicians, many of whom, including Wylie himself, went on to be members of the Funk Brothers, the team of session players that played on Motown’s hits — though Wylie would depart Motown fairly early after a falling out with Berry Gordy. They were some of the best musicians in Detroit at the time, and Whitfield would tag along with the group and play tambourine, and sometimes other hand percussion instruments. He wasn’t a serious musician at that point, just hanging out with a bunch of people who were, who were a year or two older than him. But he was learning — one thing that everyone says about Norman Whitfield in his youth is that he was someone who would stand on the periphery of every situation, not getting involved, but soaking in everything that the people around him were doing, and learning from them. And soon, he was playing percussion on sessions. At first, this wasn’t for Motown, but everything in the Detroit music scene connected back to the Gordy family in one way or another. In this case, the label was Thelma Records, which was formed by Berry Gordy’s ex-mother-in-law and named after Gordy’s first wife, who he had recently divorced. Of all the great Motown songwriters and producers, Whitfield’s life is the least-documented, to the extent that the chronology of his early career is very vague and contradictory, and Thelma was such a small label there even seems to be some dispute about when it existed — different sources give different dates, and while Whitfield always said he worked for Thelma records, he might have actually been employed by another label owned by the same people, Ge Ge, which might have operated earlier — but by most accounts Whitfield quickly progressed from session tambourine player to songwriter. According to an article on Whitfield from 1977, the first record of one of his songs was “Alone” by Tommy Storm on Thelma Records, but that record seems not to exist — however, some people on a soul message board, discussing this a few years ago, found an interview with a member of a group called The Fabulous Peps which also featured Storm, saying that their record on Ge Ge Records, “This Love I Have For You”, is a rewrite of that song by Don Davis, Thelma’s head of A&R, though the credit on the label for that is just to Davis and Ron Abner, another member of the group: [Excerpt: The Fabulous Peps, “This Love I Have For You”] So that might, or might not, be the first Norman Whitfield song ever to be released. The other song often credited as Whitfield’s first released song is “Answer Me” by Richard Street and the Distants — Street was another member of the Fabulous Peps, but we’ve encountered him and the Distants before when talking about the Temptations — the Distants were the group that Otis Williams, Melvin Franklin, and Al Bryant had been in before forming the Temptations — and indeed Street would much later rejoin his old bandmates in the Temptations, when Whitfield was producing for them. Unlike the Fabulous Peps track, this one was clearly credited to N. Whitfield, so whatever happened with the Storm track, this is almost certainly Whitfield’s first official credit as a songwriter: [Excerpt: Richard Street and the Distants, “Answer Me”] He was soon writing songs for a lot of small labels — most of which appear to have been recorded by the Thelma team and then licensed out — like “I’ve Gotten Over You” by the Sonnettes: [Excerpt: The Sonnettes, “I’ve Gotten Over You”] That was on KO Records, distributed by Scepter, and was a minor local hit — enough to finally bring Whitfield to the attention of Berry Gordy. According to many sources, Whitfield had been hanging around Hitsville for months trying to get a job with the label, but as he told the story in 1977 “Berry Gordy had sent Mickey Stevenson over to see me about signing with the company as an exclusive in-house writer and producer. The first act I was assigned to was Marvin Gaye and he had just started to become popular.” That’s not quite how the story went. According to everyone else, he was constantly hanging around Hitsville, getting himself into sessions and just watching them, and pestering people to let him get involved. Rather than being employed as a writer and producer, he was actually given a job in Motown’s quality control department for fifteen dollars a week, listening to potential records and seeing which ones he thought were hits, and rating them before they went to the regular department meetings for feedback from the truly important people. But he was also allowed to write songs. His first songwriting credit on a Motown record wasn’t Marvin Gaye, as Whitfield would later tell the story, but was in fact for the far less prestigious Mickey Woods — possibly the single least-known artist of Motown’s early years. Woods was a white teenager, the first white male solo artist signed to Motown, who released two novelty teen-pop singles. Whitfield’s first Motown song was the B-side to Woods’ second single, a knock-off of Sam Cooke’s “Cupid” called “They Call Me Cupid”, co-written with Berry Gordy and Brian Holland: [Excerpt: Mickey Woods, “They Call Me Cupid”] Unsurprisingly that didn’t set the world on fire, and Whitfield didn’t get another Motown label credit for thirteen months (though some of his songs for Thelma may have come out in this period). When he did, it was as co-writer with Mickey Stevenson — and, for the first time, sole producer — of the first single for a new singer, Kim Weston: [Excerpt: Kim Weston, “It Should Have Been Me”] As it turned out, that wasn’t a hit, but the flip-side, “Love Me All The Way”, co-written by Stevenson (who was also Weston’s husband) and Barney Ales, did become a minor hit, making the R&B top thirty. After that, Whitfield was on his way. It was only a month later that he wrote his first song for the Temptations, a B-side, “The Further You Look, The Less You See”: [Excerpt: The Temptations, “The Further You Look, The Less You See”] That was co-written with Smokey Robinson, and as we heard in the episode on “My Girl”, both Robinson and Whitfield vied with each other for the job of Temptations writer and producer. As we also heard in that episode, Robinson got the majority of the group’s singles for the next couple of years, but Whitfield would eventually take over from him. Whitfield’s work with the Temptations is probably his most important work as a writer and producer, and the Temptations story is intertwined deeply with this one, but for the most part I’m going to save discussion of Whitfield’s work with the group until we get to 1972, so bear with me if I seem to skim over that — and if I repeat myself in a couple of years when we get there. Whitfield’s first major success, though, was also the first top ten hit for Marvin Gaye, “Pride and Joy”: [Excerpt: Marvin Gaye, “Pride and Joy”] “Pride and Joy” had actually been written and recorded before the Kim Weston and Temptations tracks, and was intended as album filler — it was written during a session by Whitfield, Gaye, and Mickey Stevenson who was also the producer of the track, and recorded in the same session as it was written, with Martha and the Vandellas on backing vocals. The intended hit from the session, “Hitch-Hike”, we covered in the previous episode on Gaye, but that was successful enough that an album, That Stubborn Kinda Fellow, was released, with “Pride and Joy” on it. A few months later Gaye recut his lead vocal, over the same backing track, and the record was released as a single, reaching number ten on the pop charts and number two R&B: [Excerpt: Marvin Gaye, “Pride and Joy”] Whitfield had other successes as well, often as B-sides. “The Girl’s Alright With Me”, the B-side to Smokey Robinson’s hit for the Temptations “I’ll Be In Trouble”, went to number forty on the R&B chart in its own right: [Excerpt: The Temptations, “The Girl’s Alright With Me”] That was co-written with Eddie Holland, and Holland and Whitfield had a minor songwriting partnership at this time, with Holland writing lyrics and Whitfield the music. Eddie Holland even released a Holland and Whitfield collaboration himself during his brief attempt at a singing career — “I Couldn’t Cry if I Wanted To” was a song they wrote for the Temptations, who recorded it but then left it on the shelf for four years, so Holland put out his own version, again as a B-side: [Excerpt: Eddie Holland, “I Couldn’t Cry if I Wanted To”] Whitfield was very much a B-side kind of songwriter and producer at this point — but this could be to his advantage. In January 1963, around the same time as all these other tracks, he cut a filler track with the “no-hit Supremes”, “He Means the World to Me”, which was left on the shelf until they needed a B-side eighteen months later and pulled it out and released it: [Excerpt: The Supremes, “He Means the World to Me”] But the track that that was a B-side to was “Where Did Our Love Go?”, and at the time you could make a lot of money from writing the B-side to a hit that big. Indeed, at first, Whitfield made more money from “Where Did Our Love Go?” than Holland, Dozier, or Holland, because he got a hundred percent of the songwriters’ share for his side of the record, while they had to split their share three ways. Slowly Whitfield moved from being a B-side writer to being an A-side writer. With Eddie Holland he was given a chance at a Temptations A-side for the first time, with “Girl, (Why You Wanna Make Me Blue)”: [Excerpt: The Temptations, “Girl (Why You Wanna Make Me Blue)”] He also wrote for Jimmy Ruffin, but in 1964 it was with girl groups that Whitfield was doing his best work. With Mickey Stevenson he wrote “Needle in a Haystack” for the Velvettes: [Excerpt: The Velvettes, “Needle in a Haystack”] He wrote their classic followup “He Was Really Sayin' Somethin’” with Stevenson and Eddie Holland, and with Holland he also wrote “Too Many Fish in the Sea” for the Marvelettes: [Excerpt: The Marvelettes, “Too Many Fish In The Sea”] By late 1964, Whitfield wasn’t quite in the first rank of Motown songwriter-producers with Holland-Dozier-Holland and Smokey Robinson, but he was in the upper part of the second tier with Mickey Stevenson and Clarence Paul. And by early 1966, as we saw in the episode on “My Girl”, he had achieved what he’d wanted for four years, and become the Temptations’ primary writer and producer. As I said, we’re going to look at Whitfield’s time working with the Temptations later, but in 1966 and 67 they were the act he was most associated with, and in particular, he collaborated with Eddie Holland on three top ten hits for the group in 1966. But as we discussed in the episode on “I Can’t Help Myself”, Holland’s collaborations with Whitfield eventually caused problems for Holland with his other collaborators, when he won the BMI award for writing the most hit songs, depriving his brother and Lamont Dozier of their share of the award because his outside collaborations put him ahead of them. While Whitfield *could* write songs by himself, and had in the past, he was at his best as a collaborator — as well as his writing partnership with Eddie Holland he’d written with Mickey Stevenson, Marvin Gaye, and Janie Bradford. And so when Holland told him he was no longer able to work together, Whitfield started looking for someone else who could write lyrics for him, and he soon found someone: [Excerpt: Barrett Strong, “Money”] Barrett Strong had, of course, been the very first Motown act to have a major national hit, with “Money”, but as we discussed in the episode on that song he had been unable to have a follow-up hit, and had actually gone back to working on an assembly line for a while. But when you’ve had a hit as big as “Money”, working on an assembly line loses what little lustre it has, and Strong soon took himself off to New York and started hanging around the Brill Building, where he hooked up with Doc Pomus and Mort Shuman, the writers of such hits as “Save the Last Dance for Me”, “Viva Las Vegas”, “Sweets for My Sweet”, and “A Teenager in Love”. Pomus and Shuman, according to Strong, signed him to a management contract, and they got him signed to Atlantic’s subsidiary Atco, where he recorded one single, “Seven Sins”, written and produced by the team: [Excerpt: Barrett Strong, “Seven Sins”] That was a flop, and Strong was dropped by the label. He bounced around a few cities before ending up in Chicago, where he signed to VeeJay Records and put out one more single as a performer, “Make Up Your Mind”, which also went nowhere: [Excerpt: Barrett Strong, “Make Up Your Mind”] Strong had co-written that, and as his performing career was now definitively over, he decided to move into songwriting as his main job. He co-wrote “Stay in My Corner” for the Dells, which was a top thirty R&B hit for them on VeeJay in 1965 and in a remade version in 1968 became a number one R&B hit and top ten pop hit for them: [Excerpt: The Dells, “Stay in My Corner”] And on his own he wrote another top thirty R&B hit, “This Heart of Mine”, for the Artistics: [Excerpt: The Artistics, “This Heart of Mine”] He wrote several other songs that had some minor success in 1965 and 66, before moving back to Detroit and hooking up again with his old label, this time coming to them as a songwriter with a track record rather than a one-hit wonder singer. As Strong put it “They were doing my style of music then, they were doing something a little different when I left, but they were doing the more soulful, R&B-style stuff, so I thought I had a place there. So I had an idea I thought I could take back and see if they could do something with it.” That idea was the first song he wrote under his new contract, and it was co-written with Norman Whitfield. It’s difficult to know how Whitfield and Strong started writing together, or much about their writing partnership, even though it was one of the most successful songwriting teams of the era, because neither man was interviewed in any great depth, and there’s almost no long-form writing on either of them. What does seem to have been the case is that both men had been aware of each other in the late fifties, when Strong was a budding R&B star and Whitfield merely a teenager hanging round watching the cool kids. The two may even have written together before — in an example of how the chronology for both Whitfield and Strong seems to make no sense, Whitfield had cowritten a song with Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”, in 1962 — when Strong was supposedly away from Motown — and it had been included as an album track on the That Stubborn Kinda Fellow album: [Excerpt: Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”] The writing on that was originally credited just to Whitfield and Gaye on the labels, but it is now credited to Whitfield, Gaye, and Strong, including with BMI. Similarly Gaye’s 1965 album track “Me and My Lonely Room” — recorded in 1963 but held back – was initially credited to Whitfield alone but is now credited to Whitfield and Strong, in a strange inverse of the way “Money” initially had Strong’s credit but it was later removed. But whether this was an administrative decision made later, or whether Strong had been moonlighting for Motown uncredited in 1962 and collaborated with Whitfield, they hadn’t been a formal writing team in the way Whitfield and Holland had been, and both later seemed to date their collaboration proper as starting in 1966 when Strong returned to Motown — and understandably. The two songs they’d written earlier – if indeed they had – had been album filler, but between 1967 when the first of their new collaborations came out and 1972 when they split up, they wrote twenty-three top forty hits together. Theirs seems to have been a purely business relationship — in the few interviews with Strong he talks about Whitfield as someone he was friendly with, but Whitfield’s comments on Strong seem always to be the kind of very careful comments one would make about someone for whom one has a great deal of professional respect, a great deal of personal dislike, but absolutely no wish to air the dirty laundry behind that dislike, or to burn bridges that don’t need burning. Either way, Whitfield was in need of a songwriting partner when Barrett Strong walked into a Motown rehearsal room, and recognised that Strong’s talents were complementary to his. So he told Strong, straight out, “I’ve had quite a few hit records already. If you write with me, I can guarantee you you’ll make at least a hundred thousand dollars a year” — though he went on to emphasise that that wasn’t a guarantee-guarantee, and would depend on Strong putting the work in. Strong agreed, and the first idea he brought in for his new team earned both of them more than that hundred thousand dollars by itself. Strong had been struck by the common phrase “I heard it through the grapevine”, and started singing that line over some Ray Charles style gospel chords. Norman Whitfield knew a hook when he heard one, and quickly started to build a full song around Strong’s line. Initially, by at least some accounts, they wanted to place the song with the Isley Brothers, who had just signed to Motown and had a hit with the Holland-Dozier-Holland song “This Old Heart of Mine”: [Excerpt: The Isley Brothers, “This Old Heart of Mine (Is Weak For You)”] For whatever reason, the Isley Brothers didn’t record the song, or if they did no copy of the recording has ever surfaced, though it does seem perfectly suited to their gospel-inflected style. The Isleys did, though, record another early Whitfield and Strong song, “That’s the Way Love Is”, which came out in 1967 as a flop single, but would later be covered more successfully by Marvin Gaye: [Excerpt: The Isley Brothers, “That’s the Way Love Is”] Instead, the song was first recorded by the Miracles. And here the story becomes somewhat murky. We have a recording by the Miracles, released on an album two years later, but some have suggested that that version isn’t the same recording they made in 1966 when Whitfield and Strong wrote the song originally: [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] It certainly sounds to my ears like that is probably the version of the song the group recorded in 66 — it sounds, frankly, like a demo for the later, more famous version. All the main elements are there — notably the main Ray Charles style hook played simultaneously on Hammond organ and electric piano, and the almost skanking rhythm guitar stabs — but Smokey Robinson’s vocal isn’t *quite* passionate enough, the tempo is slightly off, and the drums don’t have the same cavernous rack tom sound that they have in the more famous version. If you weren’t familiar with the eventual hit, it would sound like a classic Motown track, but as it is it’s missing something… [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] According to at least some sources, that was presented to the quality control team — the team in which Whitfield had started his career, as a potential single, but they dismissed it. It wasn’t a hit, and Berry Gordy said it was one of the worst songs he’d ever heard. But Whitfield knew the song was a hit, and so he went back into the studio and cut a new backing track: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine (backing track only)”] (Incidentally, no official release of the instrumental backing track for “I Heard it Through the Grapevine” exists, and I had to put that one together myself by taking the isolated parts someone had uploaded to youtube and synching them back together in editing software, so if there are some microsecond-level discrepancies between the instruments there, that’s on me, not on the Funk Brothers.) That track was originally intended for the Temptations, with whom Whitfield was making a series of hits at the time, but they never recorded it at the time. Whitfield did produce a version for them as an album track a couple of years later though, so we have an idea how they might have taken the song vocally — though by then David Ruffin had been replaced in the group by Dennis Edwards: [Excerpt: The Temptations, “I Heard it Through the Grapevine”] But instead of giving the song to the Temptations, Whitfield kept it back for Marvin Gaye, the singer with whom he’d had his first big breakthrough hit and for whom his two previous collaborations with Strong – if collaborations they were – had been written. Gaye and Whitfield didn’t get on very well — indeed, it seems that Whitfield didn’t get on very well with *anyone* — and Gaye would later complain about the occasions when Whitfield produced his records, saying “Norman and I came within a fraction of an inch of fighting. He thought I was a prick because I wasn't about to be intimidated by him. We clashed. He made me sing in keys much higher than I was used to. He had me reaching for notes that caused my throat veins to bulge.” But Gaye sang the song fantastically, and Whitfield was absolutely certain they had a sure-fire hit: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine”] But once again the quality control department refused to release the track. Indeed, it was Berry Gordy personally who decided, against the wishes of most of the department by all accounts, that instead of “I Heard it Through the Grapevine” Gaye’s next single should be a Holland-Dozier-Holland track, “Your Unchanging Love”, a soundalike rewrite of their earlier hit for him, “How Sweet It Is”. “Your Unchanging Love” made the top thirty, but was hardly a massive success. Gordy has later claimed that he always liked “Grapevine” but just thought it was a bit too experimental for Gaye’s image at the time, but reports from others who were there say that what Gordy actually said was “it sucks”. So “I Heard it Through the Grapevine” was left on the shelf, and the first fruit of the new Whitfield/Strong team to actually get released was “Gonna Give Her All the Love I’ve Got”, written for Jimmy Ruffin, the brother of Temptations lead singer David, who had had one big hit, “What Becomes of the Brokenhearted” and one medium one, “I’ve Passed This Way Before”, in 1966. Released in 1967, “Gonna Give Her All the Love I’ve Got” became Ruffin’s third and final hit, making number 29: [Excerpt: Jimmy Ruffin, “Gonna Give Her All the Love I’ve Got”] But Whitfield was still certain that “Grapevine” could be a hit. And then in 1967, a few months after he’d shelved Gaye’s version, came the record that changed everything in soul: [Excerpt: Aretha Franklin, “Respect”] Whitfield was astounded by that record, but also became determined he was going to “out-funk Aretha”, and “I Heard it Through the Grapevine” was going to be the way to do it. And he knew someone who thought she could do just that. Gladys Knight never got on well with Aretha Franklin. According to Knight’s autobiography this was one-sided on Franklin’s part, and Knight was always friendly to Franklin, but it’s also notable that she says the same about several other of the great sixties female soul singers (though not all of them by any means), and there seems to be a general pattern among those singers that they felt threatened by each other and that their own position in the industry was precarious, in a way the male singers usually didn’t. But Knight claimed she always *wished* she got on well with Franklin, because the two had such similar lives. They’d both started out singing gospel as child performers before moving on to the chitlin circuit at an early age, though Knight started her singing career even younger than Franklin did. Knight was only four when she started performing solos in church, and by the age of eight she had won the two thousand dollar top prize on Ted Mack’s Amateur Hour by singing Brahms’ “Lullaby” and the Nat “King” Cole hit “Too Young”: [Excerpt: Nat “King” Cole, “Too Young”] That success inspired her, and she soon formed a vocal group with her brother Bubba, sister Brenda and their cousins William and Eleanor Guest. They named themselves the Pips in honour of a cousin whose nickname that was, and started performing at talent contests in Atlanta Chitlin’ Circuit venues. They soon got a regular gig at one of them, the Peacock, despite them all being pre-teens at the time. The Pips also started touring, and came to the attention of Maurice King, the musical director of the Flame nightclub in Detroit, who became a vocal coach for the group. King got the group signed to Brunswick records, where they released their first single, a song King had written called “Whistle My Love”: [Excerpt: The Pips, “Whistle My Love”] According to Knight that came out in 1955, when she was eleven, but most other sources have it coming out in 1958. The group’s first two singles flopped, and Brenda and Eleanor quit the group, being replaced by another cousin, Edward Patten, and an unrelated singer Langston George, leaving Knight as the only girl in the quintet. While the group weren’t successful on records, they were getting a reputation live and toured on package tours with Sam Cooke, Jackie Wilson, and others. Knight also did some solo performances with a jazz band led by her music teacher, and started dating that band’s sax player, Jimmy Newman. The group’s next recording was much more successful. They went into a makeshift studio owned by a local club owner, Fats Hunter, and recorded what they thought was a demo, a version of the Johnny Otis song “Every Beat of My Heart”: [Excerpt: The Pips, “Every Beat of My Heart (HunTom version)”] The first they knew that Hunter had released that on his own small label was when they heard it on the radio. The record was picked up by VeeJay records, and it ended up going to number one on the R&B charts and number six on the pop charts, but they never saw any royalties from it. It brought them to the attention of another small label, Fury Records, which got them to rerecord the song, and that version *also* made the R&B top twenty and got as high as number forty-five on the pop charts: [Excerpt: Gladys Knight and the Pips, “Every Beat of My Heart (Fury version)”] However, just because they had a contract with Fury didn’t mean they actually got any more money, and Knight has talked about the label’s ownership being involved with gangsters. That was the first recording to be released as by “Gladys Knight and the Pips”, rather than just The Pips, and they would release a few more singles on Fury, including a second top twenty pop hit, the Don Covay song “Letter Full of Tears”: [Excerpt: Gladys Knight and the Pips, “Letter Full of Tears”] But Knight had got married to Newman, who was by now the group’s musical director, after she fell pregnant when she was sixteen and he was twenty. However, that first pregnancy tragically ended in miscarriage, and when she became pregnant again she decided to get off the road to reduce the risk. She spent a couple of years at home, having two children, while the other Pips – minus George who left soon after – continued without her to little success. But her marriage was starting to deteriorate under pressure of Newman’s drug use — they wouldn’t officially divorce until 1972, but they were already feeling the pressure, and would split up sooner rather than later — and Knight returned to the stage, initially as a solo artist or duetting with Jerry Butler, but soon rejoining the Pips, who by this time were based in New York and working with the choreographer Cholly Atkins to improve their stagecraft. For the next few years the Pips drifted from label to label, scoring one more top forty hit in 1964 with Van McCoy’s “Giving Up”, but generally just getting by like so many other acts on the circuit. Eventually the group ended up moving to Detroit, and hooking up with Motown, where mentors like Cholly Atkins and Maurice King were already working. At first they thought they were taking a step up, but they soon found that they were a lower tier Motown act, considered on a par with the Spinners or the Contours rather than the big acts, and according to Knight they got pulled off an early Motown package tour because Diana Ross, with whom like Franklin Knight had something of a rivalry, thought they were too good on stage and were in danger of overshadowing her. Knight says in her autobiography that they “formed a little club of our own with some of the other malcontents” with Martha Reeves, Marvin Gaye, and someone she refers to as “Ivory Joe Hunter” but I presume she means Ivy Jo Hunter (one of the big problems when dealing with R&B musicians of this era is the number of people with similar names. Ivy Jo Hunter, Joe Hunter, and Ivory Joe Hunter were all R&B musicians for whom keyboard was their primary instrument, and both Ivy Jo and just plain Joe worked for Motown at different points, but Ivory Joe never did) Norman Whitfield was also part of that group of “malcontents”, and he was also the producer of the Pips’ first few singles for Motown, and so when he was looking for someone to outdo Aretha, someone with something to prove, he turned to them. He gave the group the demo tape, and they worked out a vocal arrangement for a radically different version of the song, one inspired by “Respect”: [Excerpt: Gladys Knight and the Pips, “I Heard it Through the Grapevine”] The third time was the charm, and quality control finally agreed to release “I Heard it Through the Grapevine” as a single. Gladys Knight always claimed it had no promotion, but Norman Whitfield’s persistence had paid off — the single went to number two on the pop charts (kept off the top by “Daydream Believer”), number one on the R&B charts, and became Motown’s biggest-selling single *ever* up until that point. It also got Knight a Grammy nomination for Best R&B Vocal Performance, Female — though the Grammy committee, at least, didn’t think she’d out-Aretha’d Aretha, as “Respect” won the award. And that, sadly, sort of summed up Gladys Knight and the Pips at Motown — they remained not quite the winners in everything. There’s no shame in being at number two behind a classic single like “Daydream Believer”, and certainly no shame in losing the Grammy to Aretha Franklin at her best, but until they left Motown in 1972 and started their run of hits on Buddah records, Gladys Knight and the Pips would always be in other people’s shadow. That even extended to “I Heard It Through the Grapevine” when, as we’ll hear in part two of this story, Norman Whitfield’s persistence paid off, Marvin Gaye’s version got released as a single, and *that* became the biggest-selling single on Motown ever, outselling the Pips version and making it forever his song, not theirs. And as a final coda to the story of Gladys Knight and the Pips at Motown, while they were touring off the back of “Grapevine’s” success, the Pips ran into someone they vaguely knew from his time as a musician in the fifties, who was promoting a group he was managing made up of his sons. Knight thought they had something, and got in touch with Motown several times trying to get them to sign the group, but she was ignored. After a few attempts, though, Bobby Taylor of another second-tier Motown group, the Vancouvers, also saw them and got in touch with Motown, and this time they got signed. But that story wasn’t good enough for Motown, and so neither Taylor nor Knight got the credit for discovering the group. Instead when Joe Jackson’s sons’ band made their first album, it was titled Diana Ross Presents the Jackson 5. But that, of course, is a story for another time…
This week, Chris features tunes by artists such as David Ruffin, Wilson Williams, and Betty Wright, plus a Top 7 from Gary Mattock.Tune into new broadcasts of Dab Of Soul every Tuesday from Midday - 2 PM EST / 5 - 7 PM GMT.For more info visit: https://thefaceradio.com/dab-of-soul///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
In this evening's show I will be featuring tunes by artists such as Peggy Scott, The Festivals and David Ruffin. Tune into new broadcasts of Dab Of Soul every Tuesday from Midday - 2 PM EST / 5 - 7 PM GMT.For more info visit: https://thefaceradio.com/dab-of-soul///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Johnny Cash was a prolific hitmaker in the mid 50's to early 60's. In the late 60's he released a couple of live albums which had crossover appeal: "Johnny Cash at Folsom Prison," and "Johnny Cash at San Quentin." By 1969, Johnny Cash had become an international musical success, selling more records than the Beatles at the time.Cash had left his original label, Sun Records, back in 1958. However, he had left an extensive catalogue of songs with Sam Phillips at Sun. Given his success and the upcoming Johnny Cash TV show, Sun Records decided it would be a good time to release a compilation of his earlier hits from 1954 through 1958. This compilation was released on two albums, "Original Golden Hits, Volume I" and "Original Golden Hits, Volume II," which reached numbers 4 and 3 on the US Country charts respectively. Cash would go on to fame in TV and film in the 70's, and would continue recording up until his death in 2003.While not strictly rock music, the Man in Black was an icon of American music and an inspiration for many in country, rock, and pop genres. It is also a special memory for Wayne, as he listened to this 8-track as he traveled with his father out of California to Alabama.Wayne takes us through this greatest hits album for today's podcast. Home of the BluesThe inspiration for this song was the "Home of the Blues" record shop on Beale Street in Memphis, Tennessee. The store which was open from the late 40's until the mid 70's was a place he used to hang out, buy records, and meet other musicians. Hey PorterThis is Cash's first recorded song. The setting is just after World War II, and the song focuses on a man returning home from overseas who feels elated to be returning to his native South, the last leg of which is by train. Note that there is no percussion in this song, but Cash played his guitar with dampened strings to acquire a percussive effect.I Walk the LineJohnny Cash's first number 1 hit on the Billboard country charts eventually crossed over to the US pop charts, reaching number 17 and selling over 2 million copies in the United States. The lyrics reflect temptations and the need to be accountable for your actions. The frequent key changes make this song distinctive.Get RhythmThis was the B-side to "I Walk the Line." It was re-released in 1969 as an A-side, and went to number 60 on the Billboard pop chart. ENTERTAINMENT TRACK:Main theme from the television series “Fat Albert”The origin of Bill Cosby's animated series was an animated primetime television special that first aired on NBC on November 12, 1969. STAFF PICKS:Birthday by Underground SunshineRob starts off the staff picks with a cover of the Beatles song by a group from Wisconsin. The band had been around for a few years, but this cover helped them attain greater success. Their cover made it to number 26 on the Billboard Hot 100. Down on the Corner by Credence Clearwater RevivalLynch's staff pick is one of the best known songs by CCR. The song talks about a band called "Willy and the Poor Boys" playing in the street for spare change. It went to number 3 on the Billboard Hot 100 by the end of 1969. I Can't Get Next to You by The Temptations Bruce gets us all moving with the number 1 single from David Ruffin, Melvin Franklin, Otis Williams, Eddie Kendricks, and Paul Williams - better known as The Temptations. This was the second of four number 1 hits from the group, and was written by Norman Whitfield and Barrett Strong for the Motown label. I'm Tired by Savoy BrownWayne's staff pick charted at number 74 on the top 100, and has a very heavy electric blues feel. Three members of this group out of London would go on to form Foghat. The group's name came from American Blues label Savoy Records - a name that had an elegant sound. "Brown" was added as an extremely plain word that contrasted nicely with the elegance of "Savoy." INSTRUMENTAL TRACK:Treat by SantanaSantana would produce a number of excellent instrumental hits during his decades in the rock scene, and this one is from his debut album. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
This week, Chris features tracks by artists such as David Ruffin, Al Wilson, and The Festivals!Tune into new broadcasts of Dab Of Soul every Tuesday from Midday - 2 PM EST / 5 - 7 PM GMT.For more info visit: https://thefaceradio.com/dab-of-soul///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
BANG! @southernvangard #radio Ep389! Yeah - we're late this week, Vangardians - real late. Doe had a biz trip this week and spaced taking the tools he needed to get the show out the door on Tuesday. We sincerely apologize. Alright, let's get on with the show. WORLD EXCLUS were on deck this week from BAD SEED, L.I.F.E. LONG and our own EDDIE MEEKS, and of course the usual trash talk from best duo of the game. Last but not least - we're trying our best to stay away from the weirdos - so NO THAAAAANK YAAAA to the weirdo ish and YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK /------/ Recorded live January 28, 2024 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks /------/ Pre-Game Beats - Oddisee Talk Break Inst. - "The World Is Changing" - Str8 Bangaz "Stand On It" - Bad Seed (prod. Nottz) "P.P.E." - Masta Ace & Marco Polo "Double Gloved" - Snook Da Crook "Don't Mention It" - Crimeapple & Preservation ft. Sadat X "Rushing Yards" - Mickey Diamond (Oh Jay Remix) "Product Is Raw" - Kable The Don & DJMIKEC Talk Break Inst. - "Gwening" - Str8 Bangaz "Crazy" - DJ Robert Smith & BambuDeAsiatic "Word Born (Wildelux Remix)" - Wildelux ft. D Strong, Aarophat & DJ Robert Smith "Don't Get Me Started" - Leaf Dog ft. Starang Wondah "Back Again" - Benny The Butcher ft. Snoop Dogg (prod. Hit-Boy) "Hardaway 6" - Bad Seed ft. Juxx Diamondz, Substance 810 (prod Team Demo) ** WORLD EXCLUSIVE ** "Sweet Life" - Yamin Semali ft. Auburn Ave "How To Make A Pyramid" - Yamin Semali "One Question" (Jim Sharp Remix) - Schmiddlfinga & DJ Robert Smith ft. Slimkid 3 Talk Break Inst. - "David Ruffin" - Str8 Bangaz "No Gun Control" - L.I.F.E. Long ** WORLD EXCLUSIVE ** "Turkaloo" - Bad Seed ft. Honey Dinero, Terror Van Poo (prod. CJ Dove) ** WORLD EXCLUSIVE ** "Missing No Meals" - Primo Jab (prod. Chuck Chan) "Fluff" - Al.Divino ft. Datkidbravo & ??? aka The Hidden Character "Trophy Empires" - Waterr X Wavy Da Ghawd ft. Eddie Kaine "Junior High" - Che Noir ft. Your Old Droog & Evidence (prod. Playa Haze) "4 Mics, 1 DOOM" - HiDEF x Estee Nack ft. Westside Gunn, Raz Fresco & Mike Shabb "Petey Piano (Rough Mix)" - Eddie Meeks (prod. DJ Jon Doe) ** WORLD EXCLUSIVE **
This week, Pete brings the fire with 2 hours of the good stuff to help warm you up on these cold winter days. There are classic tracks from Marvin Gaye, Stevie Wonder, Freda Payne and Skull Snaps with ew music featuring Toco, Bella Brown & The Jealous Lovers and from Go.Soul.Map. We also have birthday celebrations for David Ruffin, Edwin Starr and Sade. Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
This week, Hallie has written a game all about lawyers, the law, and legal cases! She also briefs us on a literary classic, two classic TV shows, and some very recent history!3:11: Q1 (Times & Places): Which Supreme Court justice initiated the single majority opinion and confirmed the power of the federal government in cases like Fletcher v. Peck and Dartmouth College v. Woodward?10:58: Q2 (Arts & Literature): In To Kill a Mockingbird, Atticus Finch defends whom in court after he is accused of raping a young white woman and no one wants to defend him because he is Black?18:58: Q3 (Sports & Games): - In the court case Clay v. United States, what athlete appealed his conviction for refusing to report to the U.S. military during the Vietnam War as a conscientious objector?34:39: Q4 (Movies & TV): Name the two title TV lawyers, one played by Raymond Burr and the other played by Andy Griffith, who both identified the perpetrator in each episode and then faced them in dramatic courtroom scenes.43:02: Q5 (Everything Else): Name either side of the 2022 Supreme court case in which the Supreme Court ruled to uphold Mississippi's Gestational Age Act and to overrule Roe v. Wade? 50:43: Q6 (Music): Whose lawyer made them change the name of the song, “My Name is David Ruffin and These are the Temptations” so they wouldn't get sued?Theme music: "Thinking it Over" by Lee Rosevere, licensed under CC BY 2.0E-Mail: quizandhers@gmail.com Facebook: https://www.facebook.com/quizandhers/Twitter: https://twitter.com/quizandhersInstagram: https://www.instagram.com/quizandhers/TV Tuners Podcast: https://podcasts.apple.com/us/podcast/tv-tuners/id1418941362Cormac on Twitter: @CormacsThoughts
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