Podcast appearances and mentions of Charles Bradley

In 1937, a Rhode Island psychiatrist named Charles Bradley ran an experiment on 30 child patients who had complained of headaches. He gave them an amphetamine, that is a stimulant, called Benzedrine, which was popular at the time among jazz musicians and college students. The experiment failed, in one sense. The headaches persisted. But he noted that half of the children responded in what he called spectacular fashion, as teachers said these children seemed instantly transformed by the drug. Rather than being bored by their homework, they were interested in it. Rather than being hyperactive, they became more “placid and easygoing.” Rather than complaining to parents about chores, they would make comments like: “I start to make my bed, and before I know it, it is done.” Bradley published the results in The American Journal of Insanity, and it marks perhaps the origins of our treatment model for ADHD. Attention-deficit/hyperactivity disorder, or ADHD, has always been hard to define. It's harder still in an age when everybody feels like modern entertainment and the omnipresence of our screens make it hard for anybody to concentrate and sit still. But clearly, some people struggle with concentration and stillness more than others. ADHD has many classic symptoms, but it is typically marked by patterns of inattentiveness—frequently losing items, failing to follow multistep instructions—or by hyperactivity: say, fidgeting, or, for some children, being literally incapable of sitting in one place for more than half a second. In a way, I've always disliked the phrase "attention-deficit disorder," because ADHD is not about a deficit of ordinary attention but a surplus of feral attention—an overflowing of raw, uncontrollable noticing. Last week, the journalist Paul Tough published a long, 9,000-word essay in The New York Times Magazine about ADHD called "Have We Been Thinking About ADHD All Wrong?" Tough asked hard questions about why diagnoses are soaring. Is this evidence of an epidemic? Or is it evidence of overdiagnosis? Paul is today's guest. We talk about his blockbuster essay, what its loudest critics said about it, what its loudest advocates said about it, and why they both might be wrong. If you have questions, observations, or ideas for future episodes, email us at PlainEnglish@Spotify.com. Host: Derek Thompson Guest: Paul Tough Producer: Devon Baroldi Learn more about your ad choices. Visit podcastchoices.com/adchoices

Oggi su #stayhuman: Youssou N'Dour, il ritorno di una leggenda della musica mondiale. Charles Bradley, l'aquila urlante del soul. Early James, songwriter dell'Alabama artisticamente nipotino di Tom Waits. A cura di Claudio Agostoni.

durée : 00:59:17 - Dancing On the Flames - par : Nathalie Piolé -

One of the ways to win a pro wrestling match is to go for the cover, or pin your opponent's shoulders to the mat for three seconds. It's an essential element of the sport, just as the cover song is an essential part of music. On this episode, Andrew and returning guest Andy LaBarre go for the cover, so to speak, and play a bunch of great cover songs from over the years. Artists played include Charles Bradley, Dolly Parton, D'Angelo, William Shatner, Eddie Hazel, Chris Cornell, The Power Station, Heart, and many more. The songs on this episode may not be originals, but they can still keep you down for the three count.Theme song: "Hemispheres" by Silent PartnerTwitter: @MusicoftheMatBluesky: @MusicoftheMat / @justandrew / @trillyrobinsonAndy's Substack: warmpathways.substack.comAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week a spirit named Luci told us to go back down to funky town to find some soul survivors! That's right funky junkies; we're talkin' about the hornier side of funk. The dirty, gritty soul that's juicy and sublime because it's got a little garage rock and swampy blues backbone mixed in with the R&B. This is sweat-drippin', chitlin' circuit-inspired rhythm & blues for your soul! Ya dig?What is it that we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode, we take a listen to all 3, as we move n' groove our way through funk-infused dirty soul rock. Listen in and let your bodies move and booties groove.Songs this week include:The Detroit Cobras – “Hey Sailor” from Life, Love And Leaving (2001)The Heavy Souls – “She Said” from The Abyss (2024)The Soft White Sixties  – “Don't Lie To Me” from Get Right. (2013)Sharon Jones & The Dap-Kings – “Genuine Pt. 1” from Soul Time! (2011)Ashley Clark & Matthew Simon Clark – “Hold On” from Dirty Soul Rock (2019)Daddy Long Legs – “Street Sermon” from Street Sermons (2023)Charles Bradley – “Stay Away” from Black Velvet (2018) Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

The fabric of the Edmonton community, impossible recreation, and top level quality. Michael Rault (Michael Rault, Pearl Charles) "The Edmonton-born, Montreal-based singer-songwriter-producer began working on its songs in earnest after winding down the tour supporting his 2015 full-length Living Daylight, but getting to the point of having an album was a process. "Musically it came out of a period of dissatisfaction, creatively and personally, as I found myself pushing against the limitations of my abilities and approaches to making music." But those delays eventually paid off. As he was working on Tonight's songwriting, Rault kept entering the orbit of Wayne Gordon, the producer / head engineer at Brooklyn's legendary Daptone studio—first through opening stints for the late firebrand Charles Bradley, then while on tour with Aussie shredders King Gizzard and the Lizard Wizard. Sending Gordon early sketches of some songs led to Rault heading to Daptone for what was initially going to be a two-week recording stint. Midway through that Gordon approached him about signing to the Daptone Records label's fledgling rock spinoff, Wick—and becoming the first Canadian member of the Daptone family. Signing with Wick also led to Rault finishing the record at Daptone and bringing Gordon on as co-producer." Excerpt from https://daptonerecords.com/artists/michael-rault/ Michael Rault: Bandcamp: https://michaelrault.bandcamp.com Instagram: @michael_rault Website: http://michaelrault.com Records: https://shopdaptonerecords.com/collections Merch: https://shopdaptonerecords.com/collections/michael Pearl Charles: Bandcamp: https://pearlcharlesmusic.bandcamp.com Instagram: @pearlcharles Website: https://pearlcharles.com Records: https://pearlcharlesmusic.bandcamp.com/album Merch: https://pearlcharles.com/shop Taurus Rising Records: Instagram: @taurusrisingrecords Website: https://www.taurusrisingrecords.com The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

New York City native and longtime contributor to its music and nightlife scene, W. Andrew Raposo is best known as a crazy dog dad and for his work with DFA records--most notably with Hercules and Love Affair, Still Going, and Jayson Green & The Jerk--and as a founding member of cosmic dance floor stalwarts Midnight Magic. His studio, La Piscina Recordings, has hosted such clubland luminaries as Justin Strauss, Eli Escobar, and Nomi Ruiz as well as rocketing torchbearers The Illustrious Blacks, Muscle Cars and Cesar Toribio. Raposo continues to tour both on stage and in the DJ booth with Hess Is More, Midnight Magic and 79.5 (Razor N Tape) bringing his three layer dip of post-punk, psychedelic disco, and haunted-house to sweaty basements and debaucherous mountain chalets all over the world. For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Formed in 2009 by Tiffany Roth, W. Andrew Raposo, Morgan Wiley, and Carter Yasutake, Midnight Magic is responsible for some of the most beloved 'new classics' from the disco-revival era of the early oughts including club mainstays "Beam Me Up" and "Drop Me A Line." Through their collaboration with Brooklyn jazz legend Nick Roseboro, former Charles Bradley & The Extraordinaires drummer Caito Sanchez, saxophone and synthesizer wizard Julio Monterrey and past members Max Goldman, Andrew Frawley, and Jason Disu, Midnight Magic casts a genre defying spell on sweaty discotheques and festival stages across the universe. MUSIC MENTIONS Sonic Youth Johann Sebastian Bach Green Day LASPEES The Come Ons Early days of Midnight Magic (16:20): Bernard Herrmann Ennio Morricone Angelo Badalamenti Goblin ESG Siouxsie and the Banshees Grace Jones Chaka Khan Selda Bağcan “Yaz Gazeteci Yaz” by Selda Bağcan Wendy Carlos “The Shining” by Rachel Elkind & Wendy Carlos Sequential Dave Smith Patrick Crowley August Arnell Patsy Alley Jorge Roeder Patrick Adams “Journey into Paradise: The Larry Levan Story” album Larry Levan DFA Records Factory Records Beastie Boys Bernard Edwards Bootsy Collins Q&A H0L0 (NYC) Toribio Antenes “Ain't Too Proud to Beg” by TLC “Let's Talk About Sex” by Salt-N-Pepa Tyler Pope !!! (chk chk chk) LCD Soundsystem Interference Pattern “Australia und vorbei” by Angela Werner “Stop The War” by Örö “Suicide Commando” by Echo Park and No More “Síntesis Moderna (An Alternative Vision Of Argentinian Music 1980-1990)” by Various Artists “Ain't That Better (Harari Edit)” by Toby Aphex Twin Sylvia Striplin Faze-O William Devaughn Denise Williams Patrice Rushen Weezer Discovering music today (34:19): Shazam Friends, DJ's Justin Strauss James Mulry JKriv Razor-N-Tape First album ever purchased (43:10): “Violator” by Depeche Mode “Dark Side of the Moon” by Pink Floyd Most recent album purchased (46:05): “I hit the water” by Lollise “Pay Attention To The Bass” by Tyler Pope Artists discovered in the past year (49:58): Kate Fagan Tik and Tok Todd Terje Jex Opolis Angela Werner Örö No More Desert island discs (59:28): “Standing On a Beach” by The Cure “Catching Up With” by Depeche Mode “Champion Sounds (Funk)” by Various Artists “Selected Ambient Works II” by Aphex Twin “Roseland NYC Live” by Portishead “King Sunny Ade” by Juju Music

This week Ari sits down with Zena White, the chief operating officer at Partisan Records. Partisan is an internationally renowned independent record label headquartered in Brooklyn, NY. Zena has overseen global strategy for #1 charting, Grammy-nominated, Mercury Prize-winning album campaigns across Partisan's diverse roster that includes IDLES, PJ Harvey, Cigarettes After Sex, Blondshell, the Fela Kuti estate and many more. Zena is also on the board of organizations like World Independent Network, A2IM, RIAA, and is a Recording Academy Member. Prior to Partisan, Zena was Managing Director at The Other Hand marketing services company in London, where she worked with artists such as Run The Jewels, Sharon Jones & the Dap-Kings, Charles Bradley, and more.Zena tells Ari about ORCA (Organization for Recorded Culture and Arts) a nonprofit she's involved with that uses research to demonstrate the economic, social, and cultural value of music. Then later, she takes us behind the scenes of Partisan Records, explaining where they spend their marketing money, how much they spend, and more. Ari and Zena discuss ‘old-school' marketing tactics like radio, PR, print media, digital and TV, and Zena sheds light on how artists get on Late Night shows… along with how much that costs. Yep—it costs. Ari and Zena also dive deep into the world of ‘new media' and discuss how Partisan spends its money in the new age of social media. Tune in to hear stories about how Cigarettes After Sex got off the ground and to get a glimpse into the inner workings of indie labels!https://partisanrecords.com/ https://www.orcaformusic.com/ 00:00 Investing in Artists: The New Music Business04:48 Inside Partisan Records: A Label's Journey10:00 Cigarettes After Sex: A Case Study in Success24:42 The Balance of Data and Creativity in A&R34:06 Marketing Strategies for Independent Artists40:50 The Evolving Landscape of Music Marketing46:28 Public Relations and Its Impact on Artist Development52:13 Navigating Television Appearances and Their Costs55:30 The Role of Local Press in Ticket Sales01:02:26 Influencer Marketing and New Media Strategies01:08:58 The Formation and Purpose of Orca01:19:05 Defining Success in the New Music BusinessEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Con Ramonet, Ismael Rivera con Cortijo y su combo, Moncho, Peret, Gato Pérez, Conchita Piquer, Enrique Bunbury, Martirio ft Chano Domínguez Trío, Toña la Negra ft Rafael de Paz y su orquesta, Desperados, the Rolling Stones, Charles Bradley, Eddy Louiss, John Prine, OST Dreamgirls, OST Hairspray, OST Cruella.

Momentos emocionantes y también explosivos. He buceado a conciencia en mi fonoteca para aunar sonidos muy soul, muy negros, con momentos sinfónicos y melódicos alentadores. Así vibramos con Donny Hathaway, John Fogerty, Charles Bradley, Al Jarreau o Shirley Brown y nos inspiramos con The Divine Comedy o muy similares como Luke Special o el gran John Howard.CLO PROMO UPDISCO 1 BRUUT! Dex (5)DISCO 2 TOM JOHNSTON & DELBER McCLINTON Giving Up For Your Love (MUSCLE SHOALS - 15)DISCO 3 JOHN FOGERTY & JENNIFER HUDSON, ALLEN TOUSSAINT & REBIRTH BRASS BAND Proud Mary (14)SEP MARTÍN X (TWITER) + Lunes RÁINERDISCO 4 DUKE SPECIAL Everybody A Little Something (2)DISCO 5 THE DIVINE COMEDY To The Rescue (6)DISCO 6 JACQUELIN E. JONES One Monkey Can't Stop The Show (LIVING IN THE STREETS - 7)CLO LUCAS Podcast + LUNES ELENADISCO 7 CHARLES BRADLEY Can’t Fight The Feeling (1)DISCO 8 SPANKY WILSON You (LIVING IN THE STREETS - 4)DISCO 9 QUINN DEVEAUX Take Me Home (4)DISCO 10 DONNY HATHAWAY I Believe In My Soul (3)INDI MÚSICA ELIAS + SEP MARTÍN X (TWITTER)DISCO 11 JOHN HOWARD Two People in The Morning (3)DISCO 12 AL JARREAU Breakin’ Away (4)DISCO 13 SHIRLEY BROWN I Got To Go On Without You (4)Escuchar audio

Esse episodio é um verdadeiro amalgama de assuntos e desassuntos, bem ao estilo (epa!) do Boia. O Norte Surf Fest se avizinha, recomendamos sem perder a ternura. Anunciamos as novas camisetas - e boné!- fizemos adesivos malcriados e deixamos o fracasso subir à nossa cabeça. A eterna frase do Bitcho (Cambito 3, Quem não tem estilo é um merda!) ecoa através dos tempos. Falamos de estilo, meio sem dar muita bola, motivados pelo texto escrito pelo Steve Shearer no swellnet. A trilha ficou com Charles Bradley cantando Heart of Gold do Neil Young, o Tremendão Erasmo Carlos com Vida Antiga (Roberto e Erasmo) e Steve Reid Ensemble com Jiggy Jiggy.

Extrait : « … sa vie est un condensé de Dickens. Des années de galère, la rue, les tabassages par la police, les boulots mal payés, cireur de chaussures, cuisinier dans un hôpital psychiatrique, de nouveau cuisinier en Alaska, puis encore dans une maison de riches retraitées en Californie, puisqu'il faut bien des noirs pour servir ces dames. À chaque fois qu'il trouve un peu de paix dans sa vie, il essaye de se lancer en montant groupes et concerts, à chaque fois l'infortune fait avorter ses plans … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Many have sung songs of change, from Charles Bradley to David Bowie to Tupac Shakur. The pace of social and economic changes—and the way they make us feel—is the subject of constant debate. Jonah is joined on today's episode by Tom Standage, a historian and the deputy editor of The Economist, to make the case that rapid change caused by innovation is nothing new in the annals of history. Jonah and Tom consider why man always jumps to doomsday when new technologies emerge, debate the merits of an organic diet, and discuss the storied history of brews and lager. Plus: the mythologization of the Medieval Age, a soliloquy to honor the historical lynchpin that is the potato, and the supernatural powers of a good cocktail. Show Notes: —Human Progress reviews “An Edible History of Humanity” —“Nexus,” Yuval Noah Harari —“A History of the World in 6 Glasses” —“An Edible History of Humanity” The Remnant is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including Jonah's G-File newsletter, weekly livestreams, and other members-only content—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate we headed into the studio and reminisced in between lots of new grooves and tunes. We chat about our favourite special guests including Kathy Sledge, the late, great Charles Bradley & Ralph Rolle's infamous cook-out that featured a freshly showered Oran "Juice' Jones.New tunes from Franc Moody, Rayowa & Chad Jackson plus gigs news from AXNÉR, New Street Adventure, Dina Ögon, Róisín Murphy and New Order.For more info and tracklisting, visit: https://thefaceradio.com/disco-freaks/Tune into new broadcasts of Disco Freaks, LIVE, Opposite Wednesdays from 2 - 4 PM EST / 7 - 9 PM GMT, in association with Hoxton Radio London.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Part 1 of my conversation with guest Phil Stacey about our favorite cover songs.  Show notes: What makes a good cover? Be true to the song, but bring something of yourself to it Jagger and Bowie's cover of "Dancing in the Streets" is godawful In the '80s and '90s, used to get 45s or cassingles (or CD singles) to get B-sides Phil's honorable mention covers: U2, Courtney Barnett, Nirvana, Allman Brothers, Led Zeppelin, Etta James, Beatles, Stones, Bjork, Aretha, Pearl Jam, CSNY, Cowboy Junkies Nirvana's MTV Unplugged has several great covers Zeppelin covered a lot of songs on their early albums, with or without giving credit Jay's honorable mentions: The Clash, Hendrix, Pretenders, U2, Charles Bradley, Thin Lizzy, Bjork, Elvis Costello, Talking Heads, Living Colour, Soft Cell, Johnny Cash, PJ, Deep Purple, Urge Overkill, Violent Femmes, Anthrax, Breeders, Cheap Trick, Malkmus and Elastica, Iron Maiden, Queens of the Stone Age Phil's #10: Stevie Ray Vaughan takes on a guitar god's classic Jay's #10: Dinosaur Jr. makes a Cure song their own Phil's #9: Zeppelin's first album features a cover that was previously done by Joan Baez Judas Priest also covered a Baez song Jay's #9: A signature Blondie song was actually a cover Phil's #8: A timeless classic from the late '50s by the Flamingos Jay's #8: Sinead O'Connor made the definitive version of a Prince song Phil's #7: Faces with a powerful Temptations cover To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Sister Sledge se formaron hace medio siglo. Huey Lewis & The News regresaron tras el largo paréntesis causado por la sordera de Huey. El canadiense nos canta a modo muy Chet Baker el éxito de Tears For Fears. Más voces femeninas de primerísima categoría: Laura Nyro, Jeanie Bryson, Barbara Lewis o Dusty Springfield… Vientos y metales también con Paul Weller en sus días con The Style Council. DISCO 1 NEIL LARSEN Jungle FeverDISCO 2 HUEY LEWIS & THE NEWS While We’re YoungDISCO 3 AMARAL  RompehielosDISCO 4 MARC JORDAN Everybody Wants To Rule The WorldDISCO 5 DUSTY SPRINGFIELD Son Of A Preacher ManDISCO 6 SHANNON & THE CLAMS Big WheelDISCO 7 THE STYLE COUNCIL Have You Ever Had It BlueDISCO 8 ALEXIS EVANS Do SomethingDISCO 9 CHARLES BRADLEY Can’t Fight The FeelingDISCO 10 BARBARA LEWIS Thankful For What I’ve GotDISCO 11 JEANIE BRYSON Deed I DoDISCO 12 MAVIS STAPLES  Worthy WantsDISCO 13 LAURA NYRO The Cat-SongEscuchar audio

In Episode #15, we return to one of our favorite topics - Cover Songs! The way an artist chooses to cover a song can not only change the sound, but also the meaning of the song. Which is why we love this topic! Join us as we talk about covers from the Goo Goo Dolls, Orgy, Red Hot Chili Peppers, Steve Ray Vaughan, Faster Pussycat, Dolly Parton, Korn, Charles Bradley, Bananarama and Karen O with Trent Reznor and Atticus Ross.

A soulful evening with Low Standards and whatever... Cindy Lauper, Tash Sultana, Ruthie Foster, the Heavy, Thornetta Davis, FC/Kahuna, Charles Bradley... Curtis Harding, Leon Bridges, Echo and the Bunnymen, Gary Clark Jr., Aretha Franklin ... and the Black Keys and probably more we forgot about (the show is a fluid dynamic and we can't track everything - sheesh) ... Echo Sax No 10 - and likely more amazing tunes - played and discussed...    We had a few friend stop by and chime in at the very end - which is always appreciated - how else are we going to improve the show if not with input from both of our fans?      our show could not continue without the contributions from the following: - Our legal assistant Misty Meanor  - Our Ukranian driver - Picov Andropov - Our badjoke intrpretor - Nadia Gettit - Our Bail Bond Provider - Freida Gogh - Our Defence Attorney - Gil T. Azell - Our Divorce Attorney - Carmine Nottyours - our beverage taster - Al Coholic - Eric's Brownie Taster - Barb Ituate - Our political advisor - Stella Pain Diaz - Our Parole Officer - Willie Bolt - Our Swedish Motivational Speaker - Bjorn T' Win - author of our favorite book - "Rusty Bedsprings" - I. P. Knightly

Real special episode today. We are joined by musician Benny Trokan. We chat about playing with Spoon, Lee Fields, and the late Charles Bradley.  With a new record in the pipeline, we chat about his solo music. We also make an abridged version of The White Album and get Joan Baez confused for Bon Jovi.

Today's disagreement is about ADHD and its meteoric rise in the United States.Specifically, what are the causes of ADHD? Is it biological or environmental or both? And given that, what is the right approach to medicating and treating our children?In today's episode: two health experts with very different perspectives on ADHD. The GuestsMarilyn Wedge (Phd, LMFT) is a practicing Family Therapist in Westlake, CA and author of A Disease called Childhood: Why ADHD Became an American Epidemic. She holds a Phd in Social Psychology from the University of Chicago.Ryan Sultan (MD) is Assistant Professor of Clinical Psychiatry at Columbia University Irving Medical Center and New York State Psychiatric Institute. Ryan is a national expert on ADHD and cannabis use. Show NotesWhat is ADHD? [04:10]How does the home environment impact ADHD symptoms? [10:53]Use of medication when nothing else works [14:22]Does ADHD exist? [17:05]Skyrocketing U.S. rates of ADHD [19:07]Is ADHD a disease or a constellation of traits? [20:54]Conflation of ADHD and other mental health disorders [32:00]ADHD underdiagnosis pre-2000s? [34:26]The use of amphetamines in treating ADHD [36:45]Side effects of ADHD medication [39:16]How and why schools identify ADHD in children [45:15]Ryan's personal story with ADHD [46:14]Gender differences in diagnosis rates [52:19]Steelmanning [54:03] ResourcesThe original 1937 article by Dr. Charles Bradley about the impact of benzedrine on children in the American Journal of PsychiatryADHD Nation: Children, Doctors, Big Pharma, and the Making of an American Epidemic by Alan SchwarzThe ADHD Advantage by Dale Archer

In this episode we review Changes by Charles Bradley, So by Peter Gabriel, and Ooh Rap I Ya by George Clanton. Join us as we explore R&B/Soul, 80's Pop-Rock, and Electronic Vaporwave!

This is the third in my Matt Pape Mixtape Christmas Songs trilogy featuring The Pogues and Kirsty MacColl ‘Fairytale Of New York'. This is a soul mix and I hope to break the Xmas algorithms and showcase how much soul there was in Shane MacGowan. Also featuring Stevie Wonder, Charley Pride, Darlene Love, Ella Fitzgerald, Charles Bradley, Sharon Jones & The Dap-Kings, Jackie Wilson and loads more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

This week, Pete brings you new music from Galathea, The Sextones, New Visionairies and Zonke Meets York. There are also tracks from The Getup, Rare Pleasure, Men Of North Country and The Diasonics, along with birthday celebrations for Lulu and for Charles Bradley. Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:22 - Dans le vent - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Op 16 oktober 2020 werd in Frankrijk leraar Samuel Paty vermoord. Hij werd onthoofd, omdat hij in zijn klas cartoons had laten zien van de profeet Mohammed. De moord maakt veel los, niet alleen in Frankrijk, maar ook in Nederland. Stine Jensen geeft zelf les en is aangedaan door de moord. Zou dit haar ook kunnen gebeuren? En moet ze haar manier van lesgeven aanpassen, maar wil ze dat wel? Ze maakte een podcastserie over de invloed van de moord. Wat hebben we er van geleerd en zou dit weer kunnen gebeuren? Verder in Wat blijft: politicus Tjerk Westerterp, muzikant Charles Bradley en muzikant Fela Kuti. In het tweede uur en de podcast van Wat blijft aandacht voor cabaratier Fred Florusse: “Wat wil je hiermee zeggen?” vroeg regisseur en cabaretier Fred Florusse vaak om vakgenoten te scherpen tijdens repetities. “Hij was de ideale startmotor”, vertelt Jack Spijkerman, voor hemzelf maar ook voor artiesten als Paul de Leeuw en Karin Bloemen. Florusse werd bekend als lid van Don Quishocking, de cabaretgroep die in de jaren zeventig van de twintigste eeuw furore maakte in Nederland met maatschappelijk geëngageerd en taboedoorbrekend cabaret. Hij presenteerde het School TV-weekjournaal en legde de basis voor het radioprogramma Spijkers met Koppen. Peter Blom volgt zijn spoor terug met vriend Jack Spijkerman, collega's Jacques Klöters George Groot en zijn vrouw Annejet Florusse-Ritmeester.  --- Redactie: Laura Iwuchukwu, Nina Ramkisoen, Geerte Verduijn, Maartje Willems Eindredactie: Bram Vollaers

*cue changes by Charles Bradley*an episode record a month ago that consists of reflections from girlhood to womanhood, ways to stay connected with the girl inside of you while still evolving, & ways to heal your inner teenager

Bienvenido Bastarnauta a una experiencia más a bordo de esta cabina interoceánica. En este episodio nos sumergimos en la banalidad de las razones por las cuales mandarías a la chingada un buen trabajo; y eso nos lleva a mandar a la chingada otro tipo de cosas y a buscar canciones para ello. Escucharás un funk soul atractivo y dinámico de Funkadelic, un rock clásico superior de Cream, una electro cumbia deliciosa de barrio interpretada por Jungle fire, una canción profunda y penetrante de Charles Bradley y una recomendación Bastarnauta de Violent Femmes con un solo de marimba muy especial. Así que arremángate los pantalones, peínate las patillas, desabróchate el cinturón y saca la panza para disfrutar de un episodio más de tus Bastardos favoritos. --- Send in a voice message: https://podcasters.spotify.com/pod/show/los-bastardos-con-suerte/message

Homer Steinweiss - Percussion Discussion - Episode 118 Joining me today is Homer Steinweiss, Homer is a drummer, writer and producer from New York, he has an enviable CV of both live and recording credits including - Sharon Jones & The Dap Kings, Fleet Foxes, Lady Ga Ga, Bruno Mars, Texas, Amy Winehouse, St Vincent, Michael Buble, Charles Bradley, Sheryl Crow, Rufus Wainright, Daniel Merriweather and literally hundreds more! Join Homer and myself as we talk about his quite remarkable career so far - we talk about his work with late Sharon Jones & The Dap Kings and the effort that went in to making those beautifully crafted and incredibly authentic sounding albums, including the approach of the producer, recording equipment and of course the vintage drums themselves, something Homer is very passionate about (as am i) We also talk about his work with the late great Charles Bradley and how his soulful style was the perfect fit with Homers beautiful and equally soulfull touch on the drums. Homer speaks at length about how he thinks drummers should recieve a writing credit for coming up with a drum part for a song, he explains that had this happened many years ago then the likes of the late Clyde Stubblefield could have had a much more comfortable lifestyle later in life as the composer of one of the most sampled drum beats in history "The Funky Drummer" We also talk about the sessions with Mark Ronson about the Amy Winehouse Back to Black sessions of which Homer played on half of the tracks on this iconic album, he lso tells about how Valerie was recorded live in the studio with Amy Winehouse singing! This conversation was nothing short of remarkable, Homers name deserves far more recognition than it presently has, an incredible drummer, writer & producer plus with a great head for business too.Homer kindly offered to let me use the beautiful playing that you hear over the titles totally free of charge, definitely more drummy and more in keeping with the nature of this podcast.www.homersteinweiss.comPlease rate and review this podcast if you are enjoying it - Thanks!

For Episode 55 of STARK REALITY Host James Dier rolls out the red carpet out to Brooklyn (via the Bay Area) for reporter, editor and author JESSICA LIPSKY.  She covers culture, politics and music, and her work has appeared in the New York Times, the Washington Post, Newsweek, Salon, Billboard, Wax Poetics, LA Weekly, SF Weekly, and the San Francisco Chronicle etc etc etc. Currently she is the senior editor of the Recording Academy's GRAMMY.com. Jessica is the author of the award-winning book It Ain't Retro: Daptone Records & The 21st-Century Soul Revolution, which is mostly the focus of this in-depth interview. Talking about badass folks like Sharon Jones, Charles Bradley, The Frightnrs, the Daptones, Anti-balas, Gabe Roth, Neal Sugarman, and the general evolution of 90s/00s revival funk and soul music, and slowdies (ballads). Reading her book was a real pleasure, she captured a lot of that scene and the personalities involved. She has a Harvey Averne interview/overview coming out in the NY Times soon. Jessica also DJs under the name Terry Dactyl and has done radio at KUSF, KPOO, and a number of seedy establishments on both coasts. To hear Jessica's exclusive Stark Reality playlist, go to EPISODE 56 of STARK REALITY PLAYLISTS for her very funky and soulful All 45's mix of current faves, featuring tracks by Prince Buster, Alton Ellis, Harold Melvin & The Bluenotes, Eddie Floyd, Yvonne Fair, Willie Hutch, Ramones, and much more. Enjoy! For more information about Jessica go to www.jlipsky.com and follow her @interview_boogaloo on Instagram Subscribe to STARK REALITY and STARK REALITY PLAYLISTS on Apple Podcasts, Mixcloud or live & direct on jasoncharles.net Podcast Network Music Chanel's STARK REALITY Series Page  See omnystudio.com/listener for privacy information.

Charles Bradley and Mandy Curi join Martyn Lee to look back at yesterdays action at the Indianapolis Motor Speedway. The 107th running of the Indianapolis 500 was nothing short of spectacular, with Josef Newgarden clinching his first-ever Indy 500 victory. In a heart-stopping climax, Newgarden executed a last-lap overtake on Marcus Ericsson to take the checkered. But the race wasn't without its share of controversy and drama. We saw three red flags due to various crashes, including a frightening incident involving Felix Rosenqvist and Kyle Kirkwood. We'll be discussing these incidents, the winners and losers, and the contentious finish that has everyone talking. We'll also delve into Marcus Ericsson's complaints about the late late restart, if there's an influence of F1 on IndyCar, and the safety concerns raised by superspeedway racing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Orquesta Akokán bursts and flows with the spirit of dance orchestras of the 1940's and 1950's of Havana on their debut record of nine tunes - all sparkling, blazing, soulful, and meticulously arranged and composed mambo originals. Together, singer José "Pepito" Gómez, producer Jacob Plasse, and arranger Michael Eckroth, along with Cuba's finest players, young and old, recorded the record live to tape in a three-day session at the legendary and revered Estudios Areito in Cuba – where percussion and piano absolutely pop, and the brilliance of brass is magnified. The recording is the first Spanish-language venture for Daptone Records, (the folks who brought you Sharon Jones and the Dap Kings, Charles Bradley, and other timeless artists) whose old-school techniques and attention to sonic detail ensure a living, breathing warmth. The big band collective Orquesta Akokán joins us to play some of these Cuban Mambo (and rumba, cha-cha and jazzy) tunes in-studio.  -Caryn Havlik

Even though it’s been five years since Charles Bradley left us, the sensation’s parting message still stands strong: that it’s never too late to break out and follow your dreams. Bradley’s experience is plenty inspiring on its own, but imagine having a bona fide genre legend tell you they remind you of themselves in their […]

When he founded Austin retro-R&B-soul septet Soul Track Mind in 2008, there's no way fronting singer Donovan Keith could predict how much his favorite genre would grow over the next fifteen years. In that decade and a half, the efforts of Sharon Jones & The Dap-Kings, Charles Bradley, Mayer Hawthorne, and these Texas trendsetters evolved into an […]

In which the Curmudgeons share our definitive countdown of sublime and powerful covers of rock songs by an array of artists. Some cover artists we know you've heard of before (Led Zeppelin, The Who). Others? Maybe not (Charles Bradley, Urge Overkill). Doesn't matter. After you hear our take on these songs, you'll never need to consume another list like this one ever again.    Find specific sections or our episode here:   Our Parameter Setter (0:52 - 6:00)   The Parallel Universe - Automatic, The Tubs (6:40 - 14:55)   Songs # 30 - 21 (16:34 - 45:39)   Songs #20 -11 (47:28 - 1:12:02)   Songs #10 - 1 (01:13:00 - 1:53:10)      Some of the original artists who gifted these songs to the world include:   Son House   Ed's Redeeming Qualities    The Arrows   The Clique   The Vaselines   The Crickets   Randy Weeks   Bonnie Dobson   And three artists you may have heard a time or two: Black Sabbath, The Beatles and Bob Dylan   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Recorded using (the newly, greatly enhanced) Zencastr! zencastr.com    Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911 https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80MW    

136. My guest is Richard Hundhausen, a former Microsoft MVP and Regional Director, Scrum.org Professional Scrum Trainer, and co-creator of the Nexus Scaled Professional Scrum Framework. As you'll hear, Richard doesn't have a background in Dynamics 365 or Power Platform, but he's no stranger to developing apps on Microsoft technology.In this episode, Richard talks about his experience working with Microsoft and how he got started with Scrum. Drawing from his over 30 years of software development experience and over 20 years of training experience, he also discusses the merits of big bang releases versus incremental releases, product thinking versus project thinking, and what's next with Scrum.Show Highlights [06:07] Richard's Scrum origin[13:55] Richard's guidelines for helping a team decide when to adopt Scrum[20:56] On the interplay between Scrum and DevOps[26:06] How product owners can be successful[31:32] Big bang releases versus incremental releases[34:53] The origins of Nexus Scaled Scrum Framework[44:03] Where Scrum is headed nextResourcesAccentientNexus Scaled Professional Scrum FrameworkProfessional Scrum Development with Azure DevOps by Richard HundhausenConnect with Richard Hundhausen on LinkedIn or Twitter"Flaccid Scrum" by Martin Fowler“Should Our Team Use Scrum?” by Richard Hundhausen“Larman's Laws of Organizational Behavior” by Craig Larman“Role of Manager” by LeSS"Resurrecting the Much-Maligned Scrum of Scrums" by Charles Bradley"unSAFe at any speed" by Ken SchwaberI've just registered for Microsoft Power Platform Conference in Las Vegas from 3-5 October. I'd love to see you there. Visit customery.com/mppc for a $150 discount voucher to register.Support the showCONNECT

Kid Ace, the creator of Yoga for Skaters, has got more than shredding in her back pocket, with over 12 years total experience in the fields of yoga, personal training, and health coaching she's highly attuned to how all of these plug into a happy lifetime of roller skating! Throughout this intimate chat Ace opens up about how difficult life events including roller derby injury, mental health treatment, and academic pursuits falling through were part of her path to finding where she was meant to be with a little help from the roller skating community and a furry friend named Rio! Check out Kid Ace's new shop, Rust Belt Roller Skates on IG! :https://www.instagram.com/rustbelt_rollerskates/Send an email to rustbeltrollerskates@gmail.com for custom orders! Wanna do yoga with Kid Ace!? Check out her class schedule. : https://yogaforskaters.com/Catch up with Ace herself on IG : https://www.instagram.com/kid_ace/?hl=enSoulful, chill, and funky are words that come to mind when we think of Ace and when we hear this playlist. Ace has thoughtfully placed R&B and Soul standards from artists like Marion Black beside newer gems including Valerie June. She's clearly got a penchant for the 70s and the sound that typified the era, including anthems from Fleetwood Mac & Steppenwolf. There's some really fun and playful covers in the mix from Siouxsie & the Banshees and The Detroit Cobras. If all that doesn't convince you, she's got Brooklyn raised icons of Soul & Funk via The Dap Kings & the late great Charles Bradley. Just listen, see the link below! :https://open.spotify.com/playlist/789mIcFjjXKctz7AcTIjLQ?si=00f5c90d9bf348c5Support Skaterade! Buy a sticker: https://ko-fi.com/skateradepod/shopBuy a patch:https://ko-fi.com/s/4da0f13491Get In Touch:skateradepod@gmail.comFollow Us On Instagram:https://www.instagram.com/skateradepod/

The Brazilian singer and guitarist named Rogê made his mark playing his own brand of samba and samba funk in the clubs of Rio de Janeiro. [Samba in Brazil is rather like the Blues in America, a statement and sound born of the forced migration of Africans, and in both styles, these musical roots grew up and out into many more kinds of popular music.] Now, L.A.-based, Rogê is preparing to release his first album outside Brazil in early 2023, in partnership with producer/guitarist Thomas Brenneck (Menahan Street Band, producer/guitarist for Charles Bradley, Sharon Jones and The Budos Band.) It'll be called Curyman, (his given name is Roger José Cury), and even though the record has a big, almost orchestral sound at time, thanks to string arrangements by fellow Brazilian Arthur Verocai, it all starts with the voice and guitar. Samba star Rogê performs these new tunes with percussionist Stephane San Juan, in-studio. Set list: “A Voz Que Não Se Cala”- (by Stephane San Juan), “Existe Uma Voz”, “Pra Vida”

We had the pleasure of interviewing WILSN over Zoom video!Australian vocal powerhouse WILSN is thrilled to announce her debut album, Those Days Are Over, out February 3 on Ivy League Records/Universal MusicAustralia (Rolling Blackouts C. F., Hatchie). She also revealed a US headline tour (dates below), following her run with Allen Stone. A fusion of pop, soul, Motown and jazz both classic yet contemporary, WILSN's unbelievable voice & honeyed sound on the record are showcased on single & video debuted today on Under the Radar – “Hurts So Bad” featuring Josh Teskey, lead singer of award-winning Melbourne blues-rock band The Teskey Brothers (even Chris Hemsworth is a fan). Built from a trumpet melody by friend & acclaimed horn player Billy Aukstik (Mark Ronson, Erykah Badu, Sharon Jones, Charles Bradley), the heart-wrenching break-up song is accompanied by a video from Triana Hernandez, where the masterful performers are in full flight. “Right before Covid hit, I toured through Europe and the UK with The Teskey Brothers,” WILSN explains. “I was already a fan before this but seeing their show every night and occasionally getting up to sing with them in their set really solidified my love for the band. Josh is one of my favourite singers in the world and I feel super lucky he's singing with me on my debut record.”Studying at Melbourne, Australia's prestigious Victorian College of the Arts and playing shows there, WILSN – real name Shannon Busch - was soon noticed by international publishing juggernaut Pulse Music Group (Kehlani, Yebba) / Native Tongue (Courtney Barnett, Aldous Harding) - even going on to play the Melbourne Grand Prix. She briefly moved to Nashville to work with GRAMMY-winning writers, which helped hone her craft for this full album.The influence of soul and powerhouse vocal divas loom large over her debut album, Those Days Are Over. Songs like “If You Wanna Love Me,” “Tell Me” and “Hurts So Bad” ooze with the sound, feel and all the emotion of classic soul. Yet while the album is steeped in the sounds of yesterday, WILSN and her partner and producer Stephen Charles (Blessed, Tyne James Organ) took care to balance those classic elements with modern production techniques, leaning on Charles' background in hip hop production to amplify the grooves, dialing up the bottom end and keeping a modern excitement in the mix to make sure the record stood up sonically to contemporary releases. The result is a masterful work, at once timeless and of the now. The album will also be on Apple Music Spatial Audio and vinyl via Vinyl Me Please.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #WILSN #TheTeskeyBrothers #ThoseDaysAreOver #NewMusic #zoomListen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

This week's guest is THE Sam Merrick, drummer for ‘& Juliet' on Broadway at the Sondheim Theater in New York City. We'll learn more about that show later on in the episode, but Sam just got done with a 1200+ long run as the drummer for the national tour of Hamilton: An American Musical. In addition to live theatre, Sam has played with Sharon Jones and the Dap Kings, Charlie Wilson, Charles Bradley and his Extraordinaires…and many more. He's also got an amazing sample pack series called Break Habits (available exclusively at The Drum Broker). He's a stud; people want to hire him and he can teach all of us a whole hell of a lot. I wanted to find out what he focuses on from a drumming perspective that's formed him into such a professional, consistent player. Please enjoy my chat with Sam Merrick about the 5 records that shaped him into the drummer he is today. Cheers! For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok.

As part of our series about breaking musicians, Emily Fox talks to KEXP's video manager Jim Beckmann about what "Live on KEXP" has done for bands. They discuss what it was like to film the sessions that have since blown up, including Of Monsters and Men, Delvon Lamarr Organ Trio, Grimes, and Charles Bradley.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Comedian Max Fine sends in his thoughts about Craig Finn, Justin Townes Earle, Charles Bradley and Buddy Rich. Check out clips of Max's stand-up and see where he's performing next at his website https://finecomedy.com/home/

On Jon Barry's brief tenure with the Boston Celtics. Jon was drafted with the 21st pick in the 1992 draft and held out, hoping for a third year on his contract. The Boston Celtics didn't want to give him a third year and really didn't care if he was on the team or not. Events unfolded. Also: why does everyone hate Rick Barry? And how do you pronounce Bart Kofoed's name? --- An NBA history podcast about bad teams, bad luck, and bad decisions. Hosted by Lew @L0GICMASTER Please follow the show on Twitter, Instagram, and TikTok @backfiredNBApod Stats from Basketball Reference, Sports Reference, and NBA.com. Transaction and contract info from prosportstransactions.com and Basketball Reference. Intro music: “How To Save A Life” by The Fray performed by Pau Gasol. Outro music: “Change for the World” by Charles Bradley (copyright Daptone Records). Rick Barry audio from billny33/YouTube. Jon Barry highlights: https://youtu.be/SAMtj-02YIs Sources: Atlanta Journal-Constitution, Bill Simmons's “The Book of Basketball”, Boston Globe, Delaware Gazette, Fremont Argus, Kenosha News, Modesto Bee, Oshkosh Northwestern

Soul is the most powerful expression of American music--a distinct combination of roots, migration, race, culture, and politics packaged together for your dancing pleasure. But if you thought the sounds of Motown or Stax Records died along with 8-tracks and macramé, you'd be wrong. For two decades, Daptone Records has churned out hard funk and such beautiful soul that these records sparked a musical revolution. Run by a collective of soul-obsessed producers and musicians, the Brooklyn-based independent label launched the careers of artists such as Amy Winehouse, Sharon Jones & The Dap-Kings, Charles Bradley, and Bruno Mars. Daptone's records--and those of the larger soul revival scene--pay homage but never lip service to the original artists, proving that soul is still culturally relevant, and just as exciting as ever. It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution (Jawbone, 2021) charts this revival's players, sounds, and tectonic shifts over the past twenty years, taking you from dingy clubs where soul crazed DJs packed the dancefloor, to just uptown where some of the genre's heaviest musicians jumpstarted the renaissance in a basement studio, and all the way to the White House. This definitive tale of Daptone Records' soulful revolution chronicles the label's history, players, and sounds while dissecting the scene's cultural underpinnings, which continue to reverberate in pop music. The book also contains rare and unseen images of Daptone artists past and present, including Sharon Jones, Charles Bradley, Lee Fields, Antibalas, The Sugarman 3, The Budos Band, and more. Jessica Lipsky is a journalist and DJ from Brooklyn by way of the San Francisco Bay. She first encountered sweet soul music as a child by obsessively tuning her radio dial and has since extensively covered soul, funk, reggae, and alternative Latin music. Her work on the intersection of culture, music, and politics has appeared in NPR, Billboard, Grammy.com, Columbia Journalism Review, Vice, and LA Weekly. Jessica Lipsky on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Soul is the most powerful expression of American music--a distinct combination of roots, migration, race, culture, and politics packaged together for your dancing pleasure. But if you thought the sounds of Motown or Stax Records died along with 8-tracks and macramé, you'd be wrong. For two decades, Daptone Records has churned out hard funk and such beautiful soul that these records sparked a musical revolution. Run by a collective of soul-obsessed producers and musicians, the Brooklyn-based independent label launched the careers of artists such as Amy Winehouse, Sharon Jones & The Dap-Kings, Charles Bradley, and Bruno Mars. Daptone's records--and those of the larger soul revival scene--pay homage but never lip service to the original artists, proving that soul is still culturally relevant, and just as exciting as ever. It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution (Jawbone, 2021) charts this revival's players, sounds, and tectonic shifts over the past twenty years, taking you from dingy clubs where soul crazed DJs packed the dancefloor, to just uptown where some of the genre's heaviest musicians jumpstarted the renaissance in a basement studio, and all the way to the White House. This definitive tale of Daptone Records' soulful revolution chronicles the label's history, players, and sounds while dissecting the scene's cultural underpinnings, which continue to reverberate in pop music. The book also contains rare and unseen images of Daptone artists past and present, including Sharon Jones, Charles Bradley, Lee Fields, Antibalas, The Sugarman 3, The Budos Band, and more. Jessica Lipsky is a journalist and DJ from Brooklyn by way of the San Francisco Bay. She first encountered sweet soul music as a child by obsessively tuning her radio dial and has since extensively covered soul, funk, reggae, and alternative Latin music. Her work on the intersection of culture, music, and politics has appeared in NPR, Billboard, Grammy.com, Columbia Journalism Review, Vice, and LA Weekly. Jessica Lipsky on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Soul is the most powerful expression of American music--a distinct combination of roots, migration, race, culture, and politics packaged together for your dancing pleasure. But if you thought the sounds of Motown or Stax Records died along with 8-tracks and macramé, you'd be wrong. For two decades, Daptone Records has churned out hard funk and such beautiful soul that these records sparked a musical revolution. Run by a collective of soul-obsessed producers and musicians, the Brooklyn-based independent label launched the careers of artists such as Amy Winehouse, Sharon Jones & The Dap-Kings, Charles Bradley, and Bruno Mars. Daptone's records--and those of the larger soul revival scene--pay homage but never lip service to the original artists, proving that soul is still culturally relevant, and just as exciting as ever. It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution (Jawbone, 2021) charts this revival's players, sounds, and tectonic shifts over the past twenty years, taking you from dingy clubs where soul crazed DJs packed the dancefloor, to just uptown where some of the genre's heaviest musicians jumpstarted the renaissance in a basement studio, and all the way to the White House. This definitive tale of Daptone Records' soulful revolution chronicles the label's history, players, and sounds while dissecting the scene's cultural underpinnings, which continue to reverberate in pop music. The book also contains rare and unseen images of Daptone artists past and present, including Sharon Jones, Charles Bradley, Lee Fields, Antibalas, The Sugarman 3, The Budos Band, and more. Jessica Lipsky is a journalist and DJ from Brooklyn by way of the San Francisco Bay. She first encountered sweet soul music as a child by obsessively tuning her radio dial and has since extensively covered soul, funk, reggae, and alternative Latin music. Her work on the intersection of culture, music, and politics has appeared in NPR, Billboard, Grammy.com, Columbia Journalism Review, Vice, and LA Weekly. Jessica Lipsky on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Serie dedicada a rescatar grandes clásicos del pop y el rocknroll del siglo XX en forma de versiones. Playlist; (sintonía) THE PHANTOM DRAGSTERS “Mi gran noche” (Salvatore Adamo, Raphael) TY SEGALL “Diddy Wah Diddy” (version Bo Diddley) PJ HARVEY “Wang Dang Doodle” (Willy Dixon-Howlin Wolf) SIOUXSIE and THE BANSHEES “She cracked” (Modern Lovers) PSYCHOTIC YOUTH “All kindsa girls” (The Real Kids) JOHN FELICE “Lil’ red riding Hood” (Sam the Sham) THE MERTON PARKAS “In the midnight hour” (Wilson Pickett) FIFI and THE MACH III “Land of 1000 dances” (Chris Kenner) SUPERSNAZZ “Stay with me” (The Dictators) YO LA TENGO “You tore me down” (Flamin’ Groovies) THE COAL PORTERS “Who’ll stop the rain” (Creedence Clearwater Revival) THE DOLLYROTS “Rock and Roll all nite” (Kiss) THE GASLIGHT ANTHEM “Tumbling dice” (Rolling Stones) JESSE MALIN and BILLIE JOE ARMSTRONG “Russian roulette” (Lords of the New Church) CHARLES BRADLEY “Heart of gold” (Neil Young) HOLLY GOLIGHTLY “I don’t know” (Ruth Brown) Escuchar audio

33 drivers. 200 laps. 500 miles. And just 10 days to go until the Indianapolis Motor Speedway hosts the 106th running of the Indy 500.   Looking ahead to qualifying and the race itself is two-time Indy 500 winner, and former Formula 1 driver, Takuma Sato.   He's joined by Charles Bradley and David Malsher-Lopez. Martyn Lee is your host. 

FOLLOW US ON TWITTER AND INSTAGRAM @PODONLANSDOWNE Thank the baseball gods: we do not have an absolutely miserable week of Red Sox baseball to recap! We had some highs and lows in the world of our beloved Stockings--encouraging wins and back-breaking losses. The latter mainly has to do with one person. We won't fully spoiler who it is, but we can give you a hint: their name starts with an R and ends with a yan Brasier. But hey, the offense has been more encouraging! Franchy! Story! Raf! The whole gang! ALSO: -The Arkansas baseball raccoon has been living in our minds rent-free -Jake sees Steven Tyler as his fever dream goblin -Liam acquires his white whale from his mortal enemy: Fanatics -We are now, apparently, Pod On Warsaw???? -We need NoHo Hank on the pod to talk some ball and much more, folks!! Opening song is "Baseball" by Hippo Campus, closing song is "Change for the World" by Charles Bradley--may he rest in peace.

Former Waycross, Georgian Justin Minchew, joins us for Ep. 41 – Something In The Water. Now residing in Hermitage, Tennessee, the musician-songwriter currently works as Lead Set Carpenter for country star, Dierks Bentley. Justin's Waycross roots are explored and observed: childhood friends since year one with Uncle Dave's daughter, Meg Stewart; their formation of Folkadelic, a swampy duet formed 20 years later; in and out of several local bands as referenced by Hayshaker's excellent lo-fi video “Dirtkick”, featuring a cameo of Uncle Werewolf (the world desperately needs you!). From Waycross to Atlanta for the next 10 years, Justin found his way into a number of bands: Ocha Larocha, American Anodyne, and Connor Christian and Southern Gothic. Landing in Nashville in 2014, he's been employed by Mr. Bentley for the past eight years and photos indicate he's rubbed shoulders with fine, famous folk such as Travis Tritt, Charles Bradley, Gregg Allman, and Matthew McConaughey. Now to add to that list of notables…Sean Clark and Uncle Dave Griffin. Say what? https://www.patreon.com/somethinginthewater https://somethinginthewater.captivate.fm somethinginthewaterpodcast@gmail.com https://www.facebook.com/somethinginthewaterpodcast/ https://www.instagram.com/somethinginthewaterpodcast/ https://www.facebook.com/cautionlightmedia/

Run by a collective of soul-obsessed producers and musicians, the Brooklyn-based independent Daptones Recordsl launched the careers of artists such as Amy Winehouse, Sharon Jones & The Dap-Kings, Charles Bradley, and Bruno Mars. Daptone's records who paid homage but never lip service to the original artists, proving that soul is still culturally relevant, and just as exciting as ever.Author Jessica Lipsky joins us to chronicle the label's history, players, and sounds while dissecting the scene's cultural underpinnings, which continue to reverberate in pop music. She takes us into the dingy clubs where soul crazed DJs packed the dancefloor, to just uptown where some of the genre's heaviest musicians jumpstarted the renaissance in a basement studio, and all the way to the White House.  This show is part of Pantheon Podcasts.