Podcasts about hard kill

Yippee Ki-Yay MFers, and welcome to our 18th episode on this 40 month journey through Bruce Willis' Direct to Video releases. This month we take a look at the 2020 action thriller, "Hard Kill", to determine if he took the role for a paycheck and Dropped A Deuce, or if he gave the role his all and Dropped A Bruce. Along the way we'll uncover our favorite scene's, bits of dialogue, characters and performances to better inform you as to if this should be on your watch list or stay the fuck away from this list.Please be sure to leave us a REVIEW.Follow the show on our socials:Facebook, Instagram & Twitter - @DroppingABruceEmail - DroppingABrucePod@gmail.comThe Cheeky Basterds Podcast:Listen to the Show - https://podcasts.apple.com/us/podcast/the-cheeky-basterds-podcast/id1642499584Facebook & Instagram - @CheekyBasterdsPodcastTwitter - @CheekyBasterdsEmail - TheCheekyBasterdsPodcast@gmail.com

Alejandro Brugués is an Argentinian-Cuban director and writer known for directing Juan of the Dead, which is credited as Cuba's first zombie movie. He made his directorial debut with the 2006 film Personal Belongings and directed the segment The Thing in the Woods in the anthology horror film Nightmare Cinema from Mick Garris, as well as a segment for ABCs of Death 2.Alejandro's latest movie is The Inheritance, a horror thriller that revolves around a wealthy patriarch who devises a twisted scheme to prolong his life through a sinister game of manipulation with his own children.Joe Russo is a dear friend, consistent guest on the show, three-time BloodList writer, producer, and director known for The Au Pair Nightmare, which he directed, Hard Kill, which he wrote, and as a producer on Nightmare Cinema, The World's Greatest Beer Run, and of course, The Inheritance, which he produced and co-wrote.In this episode of The Nick Taylor Horror Show, I speak to Joe and Alejandro about the making of The Inheritance, which was a multi-year labor of love riddled with challenges. We get into everything from their multi-year collaborative relationship, the movie's influences, hair-raising production challenges, and how adaptability and resourcefulness are crucial for getting your movies made.Here are some key takeaways from this conversation with Joe and Alejandro.The Door Never Opens the Right Way. Filmmaking is rife with unexpected challenges and setbacks, humorously summarized by Alejandro when he recalled how a 400-pound door was installed to open in the wrong direction. This illustrates that on set, problems are inevitable: set pieces won't work as planned, locations will change at the last minute, props will malfunction, and actors will break down. This movie experienced more than its fair share of problems, including restrictive COVID protocols, unexpected location changes, and losing their distributor. Understanding that these issues are a natural part of filmmaking can help maintain a positive and proactive attitude on set. Both Joe and Alejandro highlighted the importance of being flexible and creative in problem-solving on set.Keep a shot list and a shit list. In addition to a shot list, Alejandro keeps a list of everything that could go wrong on a particular day with every single shot and mentally prepares for those scenarios. Preempting problems is crucial for staying on schedule and maintaining quality under pressure. The ability to get ahead of any technical, acting, or camera problems that can occur with your shots will develop your problem-solving skills and enable your resilience as a director.Storyboard with Action Figures. Alejandro uses action figures in pre-production and on set to visualize and stage scenes. This technique helps him communicate his vision clearly to the cast and crew and even test out blocking. Not everyone can draw storyboards, but it's essential to figure out how to visually communicate your ideas effectively. Whether it's through action figures, detailed sketches, or digital tools, find what works best for you and stick to it without shame.Show NotesMovies:Evil DeadKnives OutHouse on Haunted HillReady or NotThiefThe Fall of the House of UsherBooks:"Making Movies" by Sidney LumetTV Shows:The Walking DeadSuccessionFollow Joe Russo at:Instagram: https://www.instagram.com/joerussogramX (Twitter): https://x.com/joerussotweetsWebsite:

Joe Russo and Mark Gantt are the team behind Soul Mates, a horror romance that explores the complexities of modern relationships through a matchmaking service that spirals into darkness. Joe was the producer with Mark directing. Joe Russo is a three-time BloodList writer, producer and director known for The Au Pair Nightmare, which he directed, Hard Kill, which he was a writer on, and as a producer on Nightmare Cinema, The World's Greatest Beer Run and the upcoming horror thriller, The Inheritance.Mark Gantt is an actor, director, producer, and writer recognized for acting work on The Bannen Way, Criminal Minds, American Horror Story: Hotel, and Dexter. Mark has also directed multiple features including A Deadly Price For Her Pretty Face and Secret Life of a Celebrity Surrogate.In our conversation, Joe and Mark delve into the inspiration behind the film, the creative process, and the challenges faced during production. They also discuss the film's commentary on modern dating, the importance of not being an asshole in the industry, and the serendipitous real-life romance that developed on set.Here are some key takeaways from this conversation with Joe and Mark.Write about real fears and anxieties. Joe and his writing partner Chris channeled their fears of online dating into the script for Soulmates. If you're afraid of something or have a societal observation, chances are lots of other people feel the same way. Eli Roth always uses his own fear as the foundation for his movies, which makes them viscerally relatable and therefore effective horror. They also balanced the movie by incorporating the absurdity of reality dating shows to create a unique horror/humor experience.Movie karma is very real. A key person on this movie was the talent agent that Joe and Mark worked with who was Joe's old intern. This agent championed the movie within the agency and landed them a killer cast. The agent's positive working relationship with Joe greatly helped this. Joe emphasized the importance of treating everyone well in the industry, as today's assistant could be tomorrow's studio executive. No matter who you're interacting with, maintain professional and respectful relationships. Be nice, and be kind. Not just because they could gain more stature later on, but because it's the right thing to do.Your determination must be dogged. "Soulmates" took 14 years from conception to completion, going through multiple rewrites and producers. In the end, the movie got greenlit but the trouble didn't stop there as the team faced major setbacks, such as an actor's emergency surgery, but through it all the production persisted through strong problem-solving, support from producers, and good old grit. Stories like this are typically the rule, not the exception, in filmmaking. Guillermo Del Toro said the natural state of a movie is for it to not get made, so you as a filmmaker must be a force both in terms of determination and resilience.Follow Joe Russo at:Instagram: https://www.instagram.com/joerussogramX (Twitter): https://x.com/joerussotweetsWebsite: https://joerussofilm.com/IMBd: https://www.imdb.com/name/nm2349665/Follow Mark Gantt at:Instagram: https://www.instagram.com/markgantt/X (Twitter):

In this very special episode, Will welcomes Mark Hanson (co-host of The Bay Street Video Podcast) to discuss the film careers of the cast of Bravo's infamous reality show VANDERPUMP RULES. It's a sordid journey through the dark back-alleys and byways of Hollywood that takes them to David DeCoteau's THE PIT AND THE PENDULUM (2009), Charles Band's THE DEAD WANT WOMEN (2012), Randall Emmett's Bruce Willis vehicle HARD KILL (2020), and more. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's MICHAEL AND US (@michael-and-us).

Morgan and Declan invite filmmaker and musician Kyneisha Murray into the studio talk about 2020's Hard Kill a film from our 0% Bible - in fact, the LAST ONE chronologically! This one stars Bruce Willis (in his second appearance on the pod! Check out our episode on Precious Cargo to see his other appearance) & Jesse Metcalfe (from Passions! and Desperate Housewives! and John Tucker Must Die) We are nearing the end of our 0% list.  As always, we're on facebook and Instagram and YouTube and you can email us at trulyrottentomatoes@gmail.com

It can be challenging to ‘make it' in Hollywood. Our next guest is screenwriter, producer, and director, Joe Russo. In this interview we discuss his part in developing ASU's film program, getting his first job in Hollywood, leading into producing films such as Nightmare Cinema, The Greatest Beer Run Ever, and co-writing the Bruce Willis helmed Hard Kill. We also discuss how the podcast Post Mortem with legendary horror filmmaker and screenwriter Mick Garris was developed, as well as dive into our thoughts about the future of the film industry. Follow Joe Russo: Twitter Website Follow Creatives Prevail: Instagram TikTok We would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok. Intro music: ‘Somebody' (Instrumental) by The Runner Up Outro music: ‘Let's Ride' (Instrumental) by Gabe Kubanda Host: Mike Zimmerlich Produced by: Omelette Prevail Post-Production: EarthtoMoira Tags: Creator Economy Film Industry Screenwriting Hollywood Producing

Three-time BloodList writers Joe Russo & Chris LaMont's Netflix horror movie, The Inheritance, directed by Alejandro Brugues (Pooka Lives), is currently in post-production. They re-wrote The Locksmith, a thriller starring Ryan Phillippe, Kate Bosworth and Ving Rhames, which shot in November 2021. Their screenplay, Soul Mates, wrapped production in July 2022. All three are expected to release in 2023. In 2020, the writing duo penned the thriller The Au Pair Nightmare, which Russo directed. The movie debuted to strong reviews and ratings, with USA Today saying it, "pushes all the right buttons." They wrote the Bruce Willis actioner Hard Kill, which was the #2 movie on Netflix over Thanksgiving. Russo also directed the short film Be Mine for Crypt TV. His short, Midnight Clear (featured on Entertainment Weekly, Nerdist and io9), was released on Gunpowder & Sky's digital platform, Alter. Russo produced the horror anthology Nightmare Cinema, which was the #2 movie on Shudder in 2019 and associate produced the Skydance/Apple movie The Greatest Beer Run Ever, starring Zac Efron and Russell Crowe and directed by Peter Farrelly (Green Book), which debuted at the 2022 Toronto International Film Festival. He has The Untitled Hulk Hogan Biopic set at Netflix with Chris Hemsworth starring and Todd Phillips (Joker) directing. Russo also produces the critically acclaimed podcast series Post Mortem with Mick Garris, featuring over a hundred in-depth conversations with genre legends like Stephen King, John Carpenter, Guillermo del Toro, Edgar Wright and many more. Thank you for tuning in to this episode of Hollywood Wolfpack. We invite you to subscribe, like, review, and share it with your friends and colleagues. Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Russo is a filmmaker of both short films, and feature-length works.He has been involved in every aspect of filmmaking from directing, production, and screenwriting.He joins Vince on the show to discuss his short and feature length films such as: "The Au Pair Nightmare," "Hard Kill," and "Nightmare Cinema." Joe regails Vince with stories of production nightmares, and directorial dreams.Website:https://joerussofilm.com/Instagram:https://www.instagram.com/joerussogram/Twitter:https://twitter.com/joerussotweetsIMDB:https://www.imdb.com/name/nm2349665/?ref_=fn_al_nm_2

A Special Interview with Impact Wrestling Superstar Steve Maclin Impact Wrestling superstar Steve Maclin joined me as we discussed his Hard Kill win over Rich Swann, Wanting a title shot against Josh Alexander, If he thinks Josh Alexander is ducking him, His thoughts on new Director of Authority Santino Marella, If we may see him and Deonna Purrazzo vs Jonathan Gresham and Jordynne Grace at some point and much more.

Episode 17 of the Killzone Podcast is all about which teams are easy to play, and which ones are more of an intermediate or even hard challenge to pilot. Check out FLG's store for some cool terrain and wargaming goodies! https://store.frontlinegaming.org/?ref=G5yREzfM Check out Pop Goes the Monkey for awesome bits and bobs! https://popgoesthemonkey.com/ Chris (Beeranid40k) https://www.youtube.com/c/BEERANID40k Emmanuel https://www.youtube.com/c/strategicadvantage https://www.instagram.com/eman.paints/ --- Support this podcast: https://anchor.fm/killzonepodcast/support

Follow us (and like us!) at Apple Podcasts or wherever you listen to your podcasts, and follow us on Twitter. Become a paying subscriber to The Ankler for more great podcasts and stories like these.Today's Ankler Hot Seat podcast is hosted by Janice Min, Richard Rushfield and Tatiana Siegel, and welcomes guest Meg James, a Los Angeles Times reporter. James co-wrote an explosive and heartbreaking story – Bruce Willis' aphasia was suspected by coworkers for years – with colleague Amy Kaufman about how Willis' cognitive function became problematic and noticeable on movie sets over the last 3.5 years, during which time he made a staggering 22 films. James discusses how the actor, worked for only two days on each movie yet made a staggering $2 million on each. However, he carried on this pace while requiring an earpiece for his lines, and was part of a frightening incident involving a gun and a blank. “It just was chilling to hear that there were episodes that with less experienced and less professional people could have really been problematic and potentially dangerous,” says James. “There was a film that was shot two years ago in Cincinnati called Hard Kill. And Bruce was this father figure. And there was a reality television star, Lala Kent, who was cast as his daughter. And she told us in an on-the-record interview that…he had a line that he was supposed to deliver. And when he delivered the line, she was supposed to duck and then he would fire the gun. But his coordination didn't come off right and he didn't deliver the line. Instead, he fired the weapon.” James said the very same mistake happened on the subsequent take. The veteran Hollywood chronicler also explained the conversations inside the Los Angeles Times about tackling the difficult subject of an actor's health and how the story came together.In other subjects, the hosts discuss new details about Slapgate: Rushfield reports that audience members were openly booing Will Smith during his acceptance speech, but that it wasn't audible during the broadcast. He asks, “Did the Academy sweeten the soundtrack to drown it out?” Paging Zapruder: the hosts discuss the missing seven seconds of footage that would show what happened when the cameras were on Will Smith and Jada Pinkett Smith; Siegel discusses the footage taken by an audience member showing Pinkett Smith's reaction from behind. Rushfield criticizes Vanity Fair, where he had previously served as a contributing editor, for warmly hosting Will Smith at its Oscar afterparty: “You can sort of explain the Academy panic at the moment. They weren't prepared for this. Vanity Fair had [more than] two hours before he got there and they knew he was coming…so there was no last-minute panic there. They had all the time to think this through and they said, ‘Wouldn't that be great if all the eyes are on Will Smith? Wouldn't that be great if he came and danced at our party?'“Rushfield refers to internet chatter that the strange on-screen banner coming on-screen during Smith's acceptance speech was to block a Serena Williams' wardrobe malfunction. And finally, the podcast wraps with a discussion of the curious $108 million options bet on Activision stock made by Barry Diller and David Geffen that has now spawned an investigation by the Justice Department and SEC looking into the possibility of insider trading. Please just us next week for more episodes of Ankler Hot Seat, and remember to follow us (and like us!) at Apple Podcasts or wherever you listen to your podcasts.New on The Ankler:ESG on The First Hard Lessons of 2022 so far and the final numbers on Disney+'s Hamilton. The latest on ABC's efforts to get to the bottom of the Grey's Anatomy writer scandal.Kareem Abdul-Jabbar: Will Smith Did a Bad Bad ThingAs Time Passes, The Slap Still Stings: Richard Rushfield's thoughts as concerns deepen and Hollywood sends all the wrong messages as outlined in.The Show, The Slap and the Big Shrug.It is going to HBO, and someone offered Matt and Ben a nine-figure fund!Pod: Will Smith and the End of Movie StarsDoes Putin have a man in Hollywood? And is Bob the First plotting his restoration?If you aren't already a paying subscriber, we invite you to join the most powerful and influential people in the entertainment community who are part of The Ankler.FOR GROUP SUBSCRIPTIONS: email Kymber Allen at kymber@anklermedia.comFOR ADVERTISING on The Ankler, The Ankler Hot Seat, The Glossy, or The Optionist: please contact Kymber as well. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subscribe

Happy trails, John McClane! Unexpected goodbyes suck. Especially when it's coming from superstar actor (and Christmas movie icon!), Bruce Willis. It hurts to say it, but he's bowing out of his long and amazing acting career due to a serious medical condition. But this is unbreakable Bruce we're talking about. So here's hoping for another Yippee ki yay, m*****f***er! somewhere down the road.Listen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App.Support us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hayden and Dalton watch another Bruce Willis B-Action movie. Oh joy. The critics gave this one a 0% on Rotten Tomatoes! Were they too harsh? Tune in to find out! (ALSO if you have a movie you'd like us to review please shoot us an email at TheReviewEulogyPodcast@gmail.com)

We hope you're staying hydrated because Russ and Jared are back with part 2! They're wrapping up Hard Kill (2020), starring Bruce Willis, Eva Marie, Lala Kent, Jesse Metcalfe, Sergio Rizzuto, and Texas Battle. When we last left our "heroes," they were in the "warehouse" assessing the "terrorist situation" outside. Will Bruce's scarf stay unscathed? Will this be the end of global capitalism? Tune in to find out!

This week Russ and Jared are diving head first into the abyss that is Hard Kill (2020), starring Bruce Willis, Eva Marie, Lala Kent, Jesse Metcalfe, Sergio Rizzuto, and Texas Battle. Jared is adorned in his finest Bruce Willis billionaire scarf (courtesy of Thaís), Russ is angrier than ever about the decline of John McClane's career, and the guys argue about whether or not this is the new worst movie they've done. Stay tuned for part 2 on Thursday!

It's decidedly not Die Hard! This week Russ and Jared are tackling the trailer for Hard Kill (2020), a coincidentally similarly named movie also starring Bruce Willis (and also Eva Marie, Lala Kent, Jesse Metcalfe, Sergio Rizzuto, and our old pal with the most excellent name, Texas Battle. In this episode, Jared solicits recipes from the listeners, the fellas discuss pro wrestling, and they estimate how much Bruce Willis will actually be in this one. Stay tuned for the full scene-by-scene breakdown next week!

Joe Russo has his hands in his share of cinematic cookie jars. He directed last year's Lifetime thriller The Au Pair Nightmare, produced Nightmare Cinema, and produces the pod  Post Mortem with Mick Garris.  Russo also delves into how he got his start in the industry and he also doles out some straightforward screenwriting advice. Plus he details the manifold tasks of being a producer.  Subscribe to our Deepest Dream YouTube Channel! Join our CinemAddicts Facebook Group! Contact Bruce & Eric via Twitter! Timestamps:  0:00 - Intro 4:14 - Interview Begins with Joe Russo 6:22 - Joe Russo on directing #TheAuPairNightmare 11:34 - Russo discusses instilling The Au Pair Nightmare with a sense of the thriller/noir aesthetic from the 40s/50s 15:30 - The horror anthology "Dark, Deadly & Dreadful" is discussed and he talks about how he started his writing relationship with Chris Lamont. 18:40 - Russo breaks down on what makes his collaborating with Lamont work. 21:45 - "If you want to write, you will find the time to write" - Russo 25:25 - Russo discusses his #HardKill writing experience. 31:12 - By the way, I'm a huge fan of Hard Kill! 34:34 - Joe got his start as a film critic, something which he stopped once he moved to Los Angeles to start his directing/writing path. 39:55 - Russo's favorite Walter Hill films? Alien and 48 Hrs. are among the tops. 41:42 - Russo throws some love to director Joe Dante. Plus he talks about an even darker version he had with The Au Pair Nightmare! 43:40 - A sequel idea from Russo regarding The Au Pair Nightmare! 47:52 - Movie recommendation from Joe Russo is Ingrid Goes West! 49:10 - Russo gives a little details on the "Untitled Hulk Hogan Biopic"  

In this episode, we unpack the weird, wild, wonderful Ghoulies. What is a ghoulie, you ask? It's kind of like a gremlin... but with WAY more satanic rituals. This movie's got it all. There's mischief, there's mayhem, there's romance, there's the trauma of dealing with an absentee father who tried to kill you as an infant and has now returned to suck out your soul, and there's breakdancing.  We also recap some films we watched on vacation, including Escape Room, Freaky, Hard Kill, and The Rental. 

Our reviews this week are Netflix's Skater Girl and the horror-thriller "Censor." Other films covered include Hard Kill, Bo Burnham: Inside, Raya and the Last Dragon, Caveat, and Irma La Douce. Support our podcast by utilizing our Amazon Affiliate links (we receive a small commission). Join our CinemAddicts Facebook Group for daily movie talk! Follow Find Your Film on Facebook, Twitter, & Instagram! Hit up Eric Holmes on Twitter. Bruce Purkey's YouTube Channel is Rustomire! Greg's site is Deepest Dream!

Es gibt bei Sneakfilm To Go diese Woche mal wieder ein Filmbesprechungs Double Feature. Zunächst schauen wir, wie sich Bruce Willis im Actionfilm Hard Kill schlägt und danach prickelt es im Podcast bei unserer Besprechung der erotischen Coming of Age Geschichte Puppy Love.

John & Michael face off against 2020's “Hard Kill.” Listen to them discuss the villain's unpronounceable name, the same three henchmen getting killed, Bruce Willis' infinity scarf, and so much more.

Welcome to season four! We open the episode with Alan and Walt recapping their holidays and activities since their hiatus. For a moment, the two go on a rabbit trail about snow and prior snowfalls in NW Georgia. This leads Alan to mention a documentary he stumbled across on YouTube about the making of the remastered Star Trek: The Original Series. For some reason, this triggers Walt to discuss their first air fryer. After nearly 30 minutes of nonsense. the hosts decide to weigh-in on their plans for season four. The Listeners Lounge will continue as a secondary cast along with a show about a Gene Wilder film. They do not discuss their selection, but they do drop a few hints. If you have missed Alan and Walt, even though they have been a break from this show, they have been very busy elsewhere. Alan and Walt opened the season four collaboration project for the Movies-by-Minutes group called, The Best Minutes Podcast. They are part of a group of 15 other shows all collaborating on the film, The Best Years of Our Lives. Alan and Walt can be heard discussing the first 10 minutes of the film. Walt and Alan were also asked to each read an individual piece of original fan-fiction for The Dirty Harry Minute podcast. Alan guest hosted five minutes of Office Space Minute and This Means Something Minute (a Close Encounters of the Third Kind podcast). He also guest hosted on three minutes of the upcoming Time Bandits Minute. Walt also did five minutes of guest hosting on This Means Something, American Graffiti Minute, The Room Minute and Seinfeld Minute. He also just recently did a live-cast with the Dirty Harry Minutes team. WATCHING During the break, Walt and Alan did watch some shows. Walt suggests Homefront, Hard Kill, Goodfellas, Nightstalker: The Hunt for a Serial Killer and Llamageddon. Alan highly recommends The Queens Gambit, Souls, Coco and WandaVision. LISTENING Walt has been listening to the new Foo Fighters channel on SiriusXM. He also said he will be changing the, "Bring out your dead," segment to instead review a terrible movie of the week. He suggested he will put out a weekly poll in our Listeners Group so the audience can help select the film he reviews. Alan cannot get enough of the SiriusXM app channel, "Classic Rock Party." It's channel 715 on the app and has a great rotation of rock songs from the 60's through the 90's. He also started a new podcast with his wife called, "The Marriage Fit Podcast." It's a completely different kind of show and he hopes the audience will give it a try.

Today we are joined by Joe Russo! Joe is the Writer and Director of The Au Pair Nightmare, and Writer of Hard Kill, which went #2 on Netflix in the US! He joins us to draft 'Freddy, Jason, and Michael Kills'. Joe is an expert in horror and a great dude, catch him on the Post Mortem podcast with Mick Garris interviewing celebrities and horror icons, and just having fun with horror! We had fun running through the blood soaked body bags of the 3 deadliest horror franchises in the world. Follow Joe for more great horror fun on Instagram @joerussogram (https://www.instagram.com/joerussogram/) and Twitter @joerussotweets (https://twitter.com/joerussotweets). And, as always, find more from the Jabroni U Podcast Network at JABRONIU.COM (http://www.jabroniu.com)!

HACK THE EARTHWHAT DID YOU THINK?Dale@1890Studios.comAdam@1890Studios.comPatrick@1890Studios.comWe love to hear from you! 1890Studios.comMERCH: https://www.redbubble.com/people/rustydutch/works/33655347-the-netex?asc=u

We're watching the not-that-great stuff today. Including The Undoing on HBO Max, Bushwick, Hard Kill, Naked Hustle, and Skin: The History of Nudity on Film. Also, Pattie found another K-Drama she absolutely loves called Stranger.

The HOBI Gang is moving slow due to their Thanksgiving food coma, but still have the energy to review Creed 2, Hard Kill, and the latest episode of the Mandalorian!  Plus Doug takes one for the team, we debate why the Ravens are still playing, what convention not to attend during a pandemic and Johnny Rotten is having a worst day than you. Also, the Croods revived the box office, Godzilla is moving to HBOMax, and we list our Top Five Best Things about the Holidays!  This episode is sponsored by the Cincinnati Comic Expo.

Already critically notorious, I was still impressed by how awful and cringe-inducing this latest from the master of Oscar bait and the worst half of trite-Spielberg, Ron Howard, was. Not so much toe curling as shin snapping, Howard's worst ever manages to make Cleetus from the Simpsons seem subtle and deep. Glenn Close will likely win an Oscar but this soft-core poverty porn is the years most misguided film, the Hallmark greeting card version of Winter's Bone, with very little story and a central character who is almost entirely unsympathetic. A front runner for worst film of the year and taken all in all (including the intent of the story arc versus what it actually achieves) - the years second (Hard Kill not included as it isn't a real film) big fat zero out of ten (after We Summon the Darkness).

I watch another Bruce Willis film: Hard Kill

DON'T LET THE RIVERBEAST GET YOU! is now out in a beautiful new Blu-ray release from Gold Ninja Video, once again giving your hosts a chance to gush about all things Motern Media on an all-new episode of the BSV Podcast! Otherwise, it's time for Willis Watch as Mark sits down for the bluntly titled HARD KILL, while both of your hosts struggle to get through the latest entry in the TREMORS series (number 7!!!!), SHRIEKER ISLAND, for this week's Blind Buy. CULT CREATURE FROM BLACK LAKE (Gold Ninja) DON'T LET THE RIVERBEAST GET YOU (Gold Ninja) PUMPKINHEAD (LIMITED STEELBOOK) (Shout) THE CAPTAINS COLLECTION (Shout) THE APE (1940) (Kino) DOCTOR WHO: THE FACELESS ONES (BBC/Warner) DOMINION: PREQUEL TO THE EXORCIST (Sony) THE HAUNTING (1999) (Paramount Presents) CLASSIC THE GUNFIGHTER (1950) (Criterion) THE HIT (1984) (Criterion) BACK TO THE FUTURE: THE ULTIMATE COLLECTION (Universal) MY NEIGHBOR TOTORO (LIMITED STEELBOOK) (Shout) PRINCESS MONONOKE (LIMITED STEELBOOK) (Shout) ADAPTATION (Shout) PICNIC (1955) (Sony) ANNE FRANK REMEMBERED (1995) (Sony) SERGEANT YORK (1941) (Warner Archive) SUNRISE AT CAMPOBELLO (Warner Archive) REVERSAL OF FORTUNE (Warner Archive) DROP DEAD GORGEOUS (Warner Archive) SPACE GHOST & DINO BOY: COMPLETE SERIES (Warner Archive) THE COMPLETE HAL ROACH STREAMLINERS COLLECTION VOL. 5: PITTS AND SUMMERVILLE PLUS OTHER RARITIES (Classicflix) NEW CUT THROAT CITY (Well Go) ALONE (2020) (Lionsgate) THE VANISHED (2020) (Paramount) TREMORS: SHRIEKER ISLAND (Universal) ***BLIND BUY*** AMULET (2020) (Mongrel) NOS4A2: SEASON 2 (AMC/Image) WHAT WE DO IN THE SHADOWS: SEASON 2 (Fox) THE PURGE: SEASON 2 (Universal) QUIZ (2020) (AMC/Image) THE GREAT: SEASON 1 (Paramount) THE PLOT AGAINST AMERICA (HBO/Warner) ROGER WATERS: US + THEM (Sony Legacy) THE PANAMA PAPERS (2018) (Giant) JOHN LEWIS: GOOD TROUBLE (Magnolia) LA 92 (2017) (National Geographic) SCARBOROUGH (2018) (Level 33) THE AUDITION (2019) (Strand) THE DEVIL'S VIOLINIST (2013) (Freestyle) SCARRED HEARTS (Big World) BLUE RIDGE (2020) (Mill Creek) SPREE (Image/RLJE) DOGS DON'T WEAR PANTS (Shudder/RLJE) THE OWNERS (2020) (Shudder/RLJE) SCARE PACKAGE (Shudder/RLJE) CONFESSIONAL (2019) (Shudder/RLJE) HARD KILL (2020) (VVS)

Joe Russo is an American writer, director, producer and podcaster. On top of being a very accomplished screenwriter with multiple scripts under his belt including the recent Bruce Willis thriller, HARD KILL, Joe's had a multi year collaboration with Mick Garris, and in addition to producing Mick's Post Mortem Podcast, Joe produced the amazing anthology Nightmare Cinema last year. Joe's most recent project is his feature directorial debut, The Au Pair Nightmare, now on the Lifetime Network.    The Au Pair Nightmare tells the story of Taylor, a young au pair who cares for a family who holds a dark secret. It's a great watch, and you can stream it on Prime Video right now.    He is a household name in the horror community and I really enjoyed chatting with him. Here are some key takeaways from this conversation with Joe:    Stick to your guns. At the beginning stages of pitching The Au Pair Nightmare, Joe was offered a deal for the movie, but only if he changed a major plot point. Typically someone in the position of making their first feature would grab the first deal that came their way, regardless of the consequences, but not Joe. Joe pushed back on the change from the producer and even offered to walk away. Ultimately, the producer noticed how much he cared about his story and did the deal anyway, allowing Joe to keep the original concept in the script.  There are a number of things to be learned here. One, it's critical to stick to your vision. Yes, movie making is all about compromises, and you inevitably will have to stray from your original vision a little bit for producers, but at the same time, your movie has to remain your movie. Producers are always testing the directors they consider working with. In this case, the producer was impressed by Joe's willingness to fiercely stick to his original vision because this conviction is indicative of the kind of strength and commitment directors need to have on set. That alone told this investor that Joe was a worthwhile investment. So make compromises when you have to, but try to stick to your vision as much as possible.    Build a tribe of mentors.  Joe is in the very fortunate position to work closely with Mick Garris and is involved in Mick's Podcast, where he interviews some of the greatest names in horror history. As such, Joe gets exposure and access to not only Mick but some of the other greatest minds in horror. This gives Joe a huge advantage in being able to ask people like Joe Dante for advice on his own projects. It's a rare situation to be in, but if you can find a way to connect with other directors who you can turn to for advice on your own projects, do it.    Follow your gut. At a pivotal moment in Joe's career, one of the critical pieces of advice Mick Garris gave Joe was to follow his gut when it came to selecting & developing projects. Instead of being a careerist who takes what's given to him, Mick advised Joe to follow the stories that he was naturally drawn to, and that makes all the difference in many movie careers.  When directors are making movies that they're not really passionate about, the audience can always tell, and it makes for dreadful cinema. On the other hand, you can also tell when directors are truly passionate about what they're making with the level of care and enthusiasm that often jumps off of the screen. Furthermore, directors naturally will work harder when they care about the story, so learn to follow your gut towards what you're passionate about - it'll always make your movies better.   Dig deeper. A piece of advice that Mick gave to Joe was to always dig deeper into the horror element to find real, relatable emotion. Joe took this very seriously when developing the Au Pair Nightmare, which could have been a very straightforward thriller but instead had this entire level of psychological depth. Concepts like obsession & psychopathology are fascinating to explore, and this embed the Au Pair Nightmare with a real spirit of psychosis. Always take the time to dig further beneath the surface of your characters as doing so will make them more interesting, relatable, and will ultimately make the horror & thriller elements work even better.  Direct for Lifetime. As Joe Bob Briggs mentioned, one of the only companies putting out exploitation cinema these days is Lifetime. Au Pair was a little on the tame side of outlandishness, but when you look at the plots for some Lifetime movies, you'll soon realize they are entirely modern exploitation cinema. In addition to Joe, Rebekah Mckendry's movies have also premiered on Lifetime as well. So when you're pitching that scandalous thriller, consider sending it to Lifetime; they're quickly & covertly becoming an exploitation powerhouse.   Thank you for listening to The Nick Taylor Horror Show!   ----- Produced by Simpler Media

I can't believe that Bruce Willis agreed to do this... smh --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week Mike, Rich and Steve have some choice words for the new Bruce Willis action movie, HARD KILL - tune in to find out who says what! We also look at the Norwegian disaster movie, THE TUNNEL, and the very strange TESLA, starring an awesome pairing of Ethan Hawke and Kyle MacLachlan. Our short shot this week is FANATICO (click the link to watch the whole film), from Monstrous Femme. We also discuss their more recent short, CAMP CALYPSO but as that film is still doing the festival rounds we can only provide the trailer... Finally, our DTV Throwback is THE PROPHECY, directed by the writer of the original Highlander movie, Greg Widen and contains some great performances (and a couple of bland ones too). Click HERE to also see an interview I conducted with Monstrous Femmes Hannah May Cumming and Karlee Booth! If you like our stuff, subscribe to our twitter and facebook pages!  

Weekly Wilson this week, Connie will speak with Sergio Rizzuto who plays the Pardoner in the Bruce Willis film "Hard Kill."

The only reason you ever came across this no-rent endeavor were the combination of Bruce Willis and a zero on Rotten Tomatoes. I struggled to give it a zero myself as unlike We Summon the Darkness, it didn't really earn it, though alongside The Prince it, I think, makes him the only double recipient of a 0/10 on this podcast. But it's not really a movie, more a filmed paintball session.

This week on episode 275 of the show, we have director Matt Eskandari to discuss his latest film Hard Kill, starring Bruce Willis, Jesse Metcalfe, and Natalie Eva Marie! Matt talks to us about how he found his way to directing three action films back to back to back, his journey as a director, and how he gets through slow times as a filmmaker. We also have the superhero concept short film Kinetic from writer/director Kylie Eaton, and two stories from our Players of the Week about how they figure out if someone is a good fit to work with or not.   Where to Find Matt and Kylie! Watch Hard Kill right now! Matt Eskandari on IMDB! Kylie Eaton's Website! Contact Liz & Alrik Send us an email You can find Liz Manashil @ www.lizmanashil.com You can find Alrik @ www.alrikbursell.com You can now find MMIH @ mmihpodcast on instagram! Leave a comment on our website Find us on our Facebook Community Page Contact us on Twitter and Facebook  

UPDATE: The film is now scheduled to release on VOD and digital on August 25th. Welcome to The Farchive, on the former feed of the original flagship podcast of The… Continue reading "The Farchive, Episode 3: HARD KILL Director Matt Eskandari"

UPDATE: The film is now scheduled to release on VOD and digital on August 25th. Welcome to The Farchive, on the former feed of the original flagship podcast of The… Continue reading "The Farchive, Episode 3: HARD KILL Director Matt Eskandari"

THE MOVIE PODCAST is a film news and entertainment podcast that covers the week's biggest movie stories and a unique topic of the show. You can catch Daniel, Shahbaz and Anthony in a new episode every Monday! Please be sure to rate the show and subscribe.Got a topic request? Have a movie suggestion? Did we get something wrong? Let us know at ThisTimeWith.com/talk EPISODE #68: Chris Evans vs Ryan Gosling and The Best San Diego Comic-Con Moments Ever - July 19, 2020 ANNOUNCEMENTSCOMMENTARIES: Game Night, Sicario, and Spider-Man (2002) NOW AVAILABLE ON THE MOVIE PODCAST FEED!CATCH UP: Black Lives Matter, Zack Snyder's Justice League ‘Snyder Cut' Coming to HBO Max in 2021 and Interview with Kevin Lima, Director of A Goofy Movie, Tarzan, and Enchanted and more!CHECK OUT: The Last of Us Part II Spoilercast AVAILABLE NOW! MAILBAGMike from Chicago says, “Hello Movie Podcast crew! With Comic Con @ Home happening this week, what are you hoping to see get revealed? For me, I would love to see some surprise drops online…New Mutants maybe? Thanks so much, big fan and hope you are all staying safe.” NEWSKelly Preston, Actress in 'SpaceCamp,' 'Jerry Maguire' and 'For Love of the Game,' Dies at 57 - Kimberly Nordyke / THRGrant Imahara, Host of 'MythBusters' and 'White Rabbit Project,' Dies at 49 - Abid Rahman, Katie Kilkenny / THRNaya Rivera, Santana Lopez on 'Glee,' Declared Dead at 33 - Abid Rahman, Lesley Goldberg / THRCineplex Will Not Open Movie Theatres for Start of Stage 3 in Ontario - Chris Herhalt / CTV NewsNetflix Commits Largest Budget So Far For ‘The Gray Man'; Ryan Gosling, Chris Evans Star, AGBO'S Joe & Anthony Russo Direct Mano A Mano Espionage Thriller - Mike Flemming Jr / DeadlineNoah Centineo Joins Dwayne Johnson in New Line DC Movie 'Black Adam' - Borys Kit / THRKate Winslet to Receive Virtual Toronto Festival Tribute - Etan Vlessing / THR NEW DATESMonster Hunter moves from Sep 4, 2020 to April 23, 2021 NEW TRAILERSTed Lasso (Apple TV+)Project Power (Netflix)Howard (Disney+)The New MutantsRandom Acts of ViolenceHard KillThe Shadow of ViolenceBlack is King (Disney+) BOX OFFICENetflix Already Hailing ‘The Old Guard' a Record-Breaking Success, Projects 70M+ Reach - Allie Gemmill / Collider WHAT WE'RE WATCHINGAnthony: Snowpiercer, I'll Be Gone in The Dark, Perry Mason, Old Guard, Terminator 2: Judgement Day, The Lost World: Jurassic ParkDaniel: Popstar: Never Stop Never Stopping, Brooklyn 99, Ghost of Tsushima, Paper Mario: The Origami KingShahbaz: The Gentlemen, Palm Springs, Modern Family Finale, Die Hard, The Devil Wears Prada TOPIC OF THE SHOWDaniel, Shahbaz, and Anthony discuss the BEST San Diego Comic-Con moments and announcements of all time! TRIVIADANIEL - 6SHAHBAZ - 5ANTHONY - 7 FOLLOW US:Follow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube 

Welcome back to the Rock 'n Roll Ghost podcast. This week, the Ghost speaks with filmmaker Matt Eskandari, director of Survive the Night starring Chad Michael Murray and Bruce Willis, about a doctor forced to perform surgery on a criminal as his family is held hostage. Survive the Night is available now to rent/buy. Eskandari also directed Willis, along with Jesse Metcalfe in Hard Kill, a mercenary action flick that's due to hit theaters and video on demand on August 28. --- Support this podcast: https://anchor.fm/brett-hickman/support