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The celebrated period drama "Belle" marked the arrival of Gugu Mbatha-Raw and since then she hasn't stopped impressing audiences in films like “Motherless Brooklyn," “Misbehaviour” and series like “Doctor Who,” “Black Mirror” (San Junipero episode), “Loki," “The Morning Show,” and “Surface,” which is now releasing episodes from its second season. On that Apple TV+ series, Gugu plays Sophie, a woman who has lost her recent memories and must piece them together. She talks about the “liberating” feeling she got playing someone with a missing back story and how it forced her to be present. She explains how she utilizes her sense of smell in her preparation process, how she learned to claim her space on set and not be “crushed by the technicalities,” how taking on the leadership role of EP expanded all aspects of her work, plus much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
We're kicking off the next season of BRUCE WILLIS content! From 2010's Cop Out to 2019's Motherless Brooklyn and everything in between. Join your favorite duo and get ready to make your life a full Bruce Willis
Where There's A Willis There's A Way - A Bruce Willis Podcast
We're kicking off the next season of BRUCE WILLIS content! From 2010's Cop Out to 2019's Motherless Brooklyn and everything in between. Join your favorite duo and get ready to make your life a full Bruce Willis
As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.
As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.
Perhaps best known for his novels Motherless Brooklyn (1999), The Fortress of Solitude (2003), and Chronic City (2009)—or, more recently, Brooklyn Crime Novel (2023)—the author, essayist, and cultural critic Jonathan Lethem could be considered the ultimate modern-day Brooklyn bard, even if today he lives in California, where he's a professor of English and creative writing at Pomona College. His most celebrated books take place in Brooklyn, or in the case of Chronic City, on Manhattan's Upper East Side, and across his genre-spanning works of fiction, his narratives capture a profound sense of the rich chaos and wonder to be found in an urban existence. Lethem is also the author of several essay collections, including the newly published Cellophane Bricks: A Life in Visual Culture (ZE Books), which compiles much of his art writing from over the years written in response to—and often in exchange for—artworks by friends, including Gregory Crewdson, Nan Goldin, and Raymond Pettibon.On the episode, Lethem discusses his passion for book dedications; the time he spent with James Brown and Bob Dylan, respectively, when profiling them for Rolling Stone in the mid-aughts; how his work is, in part, a way of dealing with and healing from his mother's death in 1978, at age 36; and why he views his writing as “fundamentally commemorative.”Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Jonathan Lethem[5:35] Cellophane Bricks[5:35] High School of Music and Art[5:35] Motherless Brooklyn[5:35] The Fortress of Solitude[5:35] The Disappointment Artist[5:35] Maureen Linker[7:15] Carmen Fariña[8:26] Julia Jacquette[8:26] Rosalyn Drexler[9:08] The Great Gatsby[9:08] Brooklyn Crime Novel[10:59] Lynn Nottage[13:08] Bennington College[13:08] Bret Easton Ellis[13:08] Donna Tartt[23:41] The Collapsing Frontier[23:41] Italo Calvino[23:41] Cold War[23:41] Red Scare[23:41] J. Edgar Hoover[27:37] Dada movement[27:37] Ernest Hemingway[27:37] Gertrude Stein[27:37] Dissident Gardens[29:38] Reaganism[29:38] “Does intergenerational transmission of trauma skip a generation?”[31:21] John Van Bergen[31:21] Nan Goldin[34:33] “The Ecstasy of Influence”[34:33] Lawrence Lessig[35:31] Copyleft movement[35:31] Hank Shocklee[38:46] Hoyt-Schermerhorn Station[42:32] “Being James Brown: Inside the Private World of the Baddest Man Who Ever Lived”[42:32] “The Genius and Modern Times of Bob Dylan”[51:00] Chronic City[54:04] The Thalia[55:50] “Lightness” by Italo Calvino[1:06:26] Jorge Luis Borges
Jonathan Lethem is one of the smartest, riskiest, and most experimental writers working in crime fiction today. He writes about crime not only like a fiction writer with all that propulsive page turning thrill, but also like a sociologist, a psychologist, a historian and a philosopher. That might never have been truer of his work than his latest, Brooklyn Crime Novel, which came out last year and is recently out in paperback. It's as much a book about gentrification, integration, race, class, economics, and all the things that come with coming-of-age stories like sex and drugs and skateboards and basketballs, as it is about what's really a character in the book …. crime. Jonathan writes about Brooklyn the way Tim O'Brien writes about Vietnam, with a kind of intimacy and respect and resentment and ambivalence for the way the place shaped who he became. He joins Marrie Stone to talk about the novel. He talks about writing a novel in fragments, how to access and harness memory in fiction, living inside and outside a space to write about it, and tackling experimental points of view. Jonathan is the author of 13 novels, including his 1999 blockbuster Motherless Brooklyn, which won the National Book Critics Circle Award and was made into a film by the same name in 2019 by Ed Norton. Fortress of Solitude, published in 2003, also delved into the streets of Brooklyn and race and gentrification. In addition, Jonathan has authored 4 story collections, 10 other essay collections and other books. For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. Support the show by buying books at our bookstore on bookshop.org. We've stocked it with titles from our guests (including all of Liz Strout's titles), as well as some of our personal favorites. You'll support independent bookstores and our show by purchasing through the store. Finally, on Spotify listen to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners. (Recorded on September 30, 2024) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
In this edition of CREATIVES ON WRFI, a conversation between celebrated American novelist Jonathan Lethem and Jacob White, Associate Professor of Writing at Ithaca College and host of Jamaican Clash on WRFI. Jonathan Lethem visits Ithaca this weekend as part of the fourth annual Ithaca Is Books Festival (Sept. 12-15). You can see Lethem live in conversation with Writing Professor Eleanor Henderson on Friday, Sept. 13 at Buffalo Street Books (6:00 p.m.). Jonathan Lethem is the author of many books of fiction and nonfiction, including the novels Motherless Brooklyn, Fortress of Solitude, Chronic City, and Brooklyn Crime Novel. His newest book, The Collapsing Frontier, published this year by PM Press, collects recent works of nonfiction and fiction, some of which previously appeared in The New Yorker Magazine.
Portland Press Herald staff writer Ray Routhier sat down with author Jonathan Lethem for a conversation during a live event at One Longfellow Square on Tuesday, August 13. Jonathan Lethem is the author of thirteen novels including The Arrest and Brooklyn Crime Novel. His stories and essay have been collected in seven volumes, and his writing has been translated into over thirty languages. He lives in Los Angeles and Maine. His novel Motherless Brooklyn was named Novel of the Year by Esquire magazine and won the National Book Critics Circle Award and the Salon Book Award, as well as the Crime Writers Association Gold Dagger. Lethem received a MacArthur Fellowship in 2005. He teaches classes in creative writing and contemporary fiction at Pomona College in Claremont, California.
If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Films/TV: Primer (2004; dir. Shane Carruth); Motherless Brooklyn (dir. Edward Norton, Jr.)Music: Tiny Desk Unit - Live At the 9:30 Club 1980; Bad Brains - Bad BrainsBooks: The Shallows: What the Internet Is Doing To Our Brains by Nicholas Carr, Neuromancer by William Gibson, Snow Crash by Neal Stephenson; Motherless Brooklyn by Johnathan Lethem; The Power Broker by Robert Caro; Amerikastudien: “Bright Days for the Black Market”: Color-Coded Crises in Contemporary U.S. Fiction and the Works of Thomas PynchonAs always, thanks so much for listening!Email: mappingthezonepod@gmail.comTwitter: https://twitter.com/pynchonpodInstagram:https://www.instagram.com/mappingthezonepodcast/
It's the Season Three finale of Getting Dafoe you, and Darryl and Petros are joined by Scott and Steve from 'The Cheeky Basterds' and 'Dropping A Bruce' podcasts!We pitch a Soft boiled detective, talk Ed Norton's love of playing characters with disabilities and try to comprehend Willem Dafoe's beard!THE CHEEKY BASTERDS - Twitter | SpotifyDROPPING A BRUCE - Twitter | AppleGETTING DAFOE YOU - Twitter | Instagram | TikTok | BlueskyEmail us at dafoeyoupod@gmail.com--------------------------------------------------------------------------------------Sign up to our PATREON to help support the podcast, gain early access to episodes and exclusive content that won't be released anywhere else!--------------------------------------------------------------------------------------Be a true DaFriend of the podcast by following, subscribing and a giving it a 5-star rating. It massively helps the pod grow!Getting Dafoe You is edited by Matthew Dixon (@mattperspective) Hosted on Acast. See acast.com/privacy for more information.
Jonathan Lethem made his name with his 1999 novel Motherless Brooklyn, but it was his next book, a semi-autobiographical re-telling of his childhood in Brooklyn, The Fortress of Solitude, that solidified his reputation as one of America's most celebrated authors. In Brooklyn Crime Novel, Jonathan returns to the Brooklyn of his childhood, but this time with a very different perspective. This week, Michael and Jonathan discuss making and unmaking the past in his latest book.Reading list:Motherless Brooklyn, Jonathan Lethem, 1999The Fortress of Solitude, Jonathan Lethem, 2003Brooklyn Crime Novel, Jonathan Lethem, 2023Edenglassie, Melissa Lucashenko, 2023The Restless Dolly Maunder, Kate Grenville, 2023Wifedom, Anna Funder, 2023The Wren, The Wren, Anne Enright, 2023You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and TwitterGuest: Jonathan LethemSee omnystudio.com/listener for privacy information.
Jonathan Lethem made his name with his 1999 novel Motherless Brooklyn, but it was his next book, a semi-autobiographical re-telling of his childhood in Brooklyn, The Fortress of Solitude, that solidified his reputation as one of America's most celebrated authors. In Brooklyn Crime Novel, Jonathan returns to the Brooklyn of his childhood, but this time with a very different perspective. This week, Michael and Jonathan discuss making and unmaking the past in his latest book. Reading list: Motherless Brooklyn, Jonathan Lethem, 1999 The Fortress of Solitude, Jonathan Lethem, 2003 Brooklyn Crime Novel, Jonathan Lethem, 2023 Edenglassie, Melissa Lucashenko, 2023 The Restless Dolly Maunder, Kate Grenville, 2023 Wifedom, Anna Funder, 2023 The Wren, The Wren, Anne Enright, 2023 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and Twitter Guest: Jonathan Lethem
On today's 14th Anniversary episode, I talk to MacArthur Genius Grant-winning author Jonathan Lethem. Originally from Brooklyn, New York, Jonathan at first thought he was going to be a visual artist until some existential realizations about class and art in college in the early 1980s left him disillusioned. He dropped out, hitchhiked to California and started writing while he worked as a clerk in used bookstores. In 1994, Harcourt Brace published his first novel Gun, with Occasional Music, and since then he's written a dozen more - just a sampling: Motherless Brooklyn, The Fortress of Solitude, Chronic City, The Feral Detective - as well as a number of short story collections, and this is just scratching the surface. Currently Jonathan is the Roy Edward Disney Professor of Creative Writing and Professor of English at Pomona College, and his most recent book, Brooklyn Crime Novel, was published last October by HarperCollins, and like everything else Jonathan writes, it is great! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!
Jonathan Lethem, the bestselling author of twelve novels, including “The Fortress of Solitude” and “Motherless Brooklyn,” has often focused his books on the Brooklyn neighborhood he grew up in. His newest, “Brooklyn Crime Novel,” makes the neighborhood a main character. The book examines gentrification, nostalgia and race, among other topics. Lethem spoke to Dave Miller in front of an audience at the 2023 Portland Book Festival.
*Please forgive the audio. I am still out of practice when it comes to doing in person episodes. But I really do hope you barrel through the episode because I really loved connecting and talking with my sister about a movie she loves. Which is rare. If you cannot stand the audio there are more episodes with audio not as bad please give them a listen if you have not yet. Have a Happy New Year* The story of noir has become a time honored tradition in cinema known for its tales of grittiness and begrudging tough as nails male protagonists. This month's film brilliantly takes this movie motif and makes it its own by creating a very human story of injustice, still having a detective but with problems different than those in other movies of the genre, and telling a story of a more deeper love that involves a different type of femme fatal and most importantly there is jazz. So grab your fedoras and coats and get ready as we discuss... Motherless Brooklyn. Follow Us! Instagram: @undercastcompany Twitter: @undercastco Facebook: Undercast Company @undercastcompany Email us at undercastcompany@gmail.com Theme music by Will Van De
You know Olli Haaskivi from his work in series such as “Winning Time”, “Manifest”, and “The Sinner,” and films like “Motherless Brooklyn”, “Nancy” and of course, this Summer's blockbuster “Oppenheimer,” where he played scientist Edward Condon. On this episode he shares his experience of working with Christopher Nolan on that film (which he says seemed less sprawling than some student films he's worked on!), why he felt the freedom to bring his ideas and “all of himself” (spoiler: Nolan is not afraid of actors!), and how all this affected the work in the moment. Plus he talks about his “this IS the job” approach to auditioning, something post-strike that he'd like to see implemented about the work, why you can't get to the great stuff “without risking that it might all go off the rails,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
Jonathan Lethem is a best-selling essayist, novelist, and cultural critic. His books include Dissident Gardens, The Fortress of Solitude, The Feral Detective, and Motherless Brooklyn. Lethem is a recipient of a MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction. His new book is Brooklyn Crime Novel. Jonathan Lethem explains why They Live endures and is now much more than a “cult classic”, the power of John Carpenter's warnings about our present-future, reflects on what it means to be a “language worker” i.e. someone who writes for a living and thinks deeply about the written word, and why in the Age of Trump and late capitalism so many human beings have surrendered to the culture of cruelty and disposability and have become the “ghouls” from They Live. In this conversation, Jonathan Lethem and Chauncey also reflect on their mutual dislike of Christopher Nolan's films and their shared love of Michael Mann's filmThief. Chauncey shares some stories from his neighborhood, how again he encountered a (new) local pervert, is sad about how bad the New England Patriots have become in the post-Brady era and is very happy about the goddess Jade Cargill joining the WWE. He also explains how Donald Trump continues to channel antisemitism and the evils of Adolf Hitler and the Nazis – this time during an interview where the evil ex-president complains about how non-white migrants and refugees are “poisoning the blood” of (White) America. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com Patreon: https://www.patreon.com/thechaunceydevegashow
This week, Isaac talks to author and returning guest Jonathan Lethem! In the interview, Jonathan discusses his brand new book, Brooklyn Crime Novel, which revisits themes and settings that Jonathan engaged with in his previous works, Fortress of Solitude and Motherless Brooklyn. This time, Jonathan uses unusual storytelling tactics–like characters without names and chapters that vary wildly in length–to rediscover the Brooklyn of his youth. After the interview, Isaac and co-host June Thomas talk about why great artists often return to the same material over and over. In the exclusive Slate Plus segment, Jonathan explains how he mapped out Brooklyn Crime Novel's unusual structure. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Isaac talks to author and returning guest Jonathan Lethem! In the interview, Jonathan discusses his brand new book, Brooklyn Crime Novel, which revisits themes and settings that Jonathan engaged with in his previous works, Fortress of Solitude and Motherless Brooklyn. This time, Jonathan uses unusual storytelling tactics–like characters without names and chapters that vary wildly in length–to rediscover the Brooklyn of his youth. After the interview, Isaac and co-host June Thomas talk about why great artists often return to the same material over and over. In the exclusive Slate Plus segment, Jonathan explains how he mapped out Brooklyn Crime Novel's unusual structure. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Isaac talks to author and returning guest Jonathan Lethem! In the interview, Jonathan discusses his brand new book, Brooklyn Crime Novel, which revisits themes and settings that Jonathan engaged with in his previous works, Fortress of Solitude and Motherless Brooklyn. This time, Jonathan uses unusual storytelling tactics–like characters without names and chapters that vary wildly in length–to rediscover the Brooklyn of his youth. After the interview, Isaac and co-host June Thomas talk about why great artists often return to the same material over and over. In the exclusive Slate Plus segment, Jonathan explains how he mapped out Brooklyn Crime Novel's unusual structure. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Isaac talks to author and returning guest Jonathan Lethem! In the interview, Jonathan discusses his brand new book, Brooklyn Crime Novel, which revisits themes and settings that Jonathan engaged with in his previous works, Fortress of Solitude and Motherless Brooklyn. This time, Jonathan uses unusual storytelling tactics–like characters without names and chapters that vary wildly in length–to rediscover the Brooklyn of his youth. After the interview, Isaac and co-host June Thomas talk about why great artists often return to the same material over and over. In the exclusive Slate Plus segment, Jonathan explains how he mapped out Brooklyn Crime Novel's unusual structure. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Isaac talks to author and returning guest Jonathan Lethem! In the interview, Jonathan discusses his brand new book, Brooklyn Crime Novel, which revisits themes and settings that Jonathan engaged with in his previous works, Fortress of Solitude and Motherless Brooklyn. This time, Jonathan uses unusual storytelling tactics–like characters without names and chapters that vary wildly in length–to rediscover the Brooklyn of his youth. After the interview, Isaac and co-host June Thomas talk about why great artists often return to the same material over and over. In the exclusive Slate Plus segment, Jonathan explains how he mapped out Brooklyn Crime Novel's unusual structure. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Isaac talks to author and returning guest Jonathan Lethem! In the interview, Jonathan discusses his brand new book, Brooklyn Crime Novel, which revisits themes and settings that Jonathan engaged with in his previous works, Fortress of Solitude and Motherless Brooklyn. This time, Jonathan uses unusual storytelling tactics–like characters without names and chapters that vary wildly in length–to rediscover the Brooklyn of his youth. After the interview, Isaac and co-host June Thomas talk about why great artists often return to the same material over and over. In the exclusive Slate Plus segment, Jonathan explains how he mapped out Brooklyn Crime Novel's unusual structure. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
Renowned actor, accomplished event producer, and world traveler David Negri has spent a lifetime immersed in the captivating narratives of others. Now, a new chapter beckons as he eagerly anticipates sharing his own compelling story. In this week's conversation with Kenya, David opens up about his formative years in the heart of NYC projects, where he was raised as the eldest of three boys by a single mother. Having honed his skills through years of running a thriving production and event company, destiny took a captivating turn when David's brother shared a fateful casting ad, propelling him into the realm of acting and landing him a role in Martin Scorsese's "The Irishman." David's comfort and affinity for the set are palpable, whether gracing the screens of "The Marvelous Mrs. Maisel" or "Motherless Brooklyn." David and Kenya also discuss the shifting tides of the industry, highlighting the significance of inclusivity while championing the pursuit of pushing creative boundaries. Together, they navigate the multifaceted tapestry of artistic growth, an ever-evolving journey. Also Talked About: Raised by a single mother amidst the challenging backdrop of New York City's projects, David emerged as the eldest of three boys. David's affinity for creativity found an outlet through acting and performing. In his early days, he attended a summer program at the American Academy of Dramatic Arts in bustling Manhattan. With a career that involved running a production and design company, David's hands-on experience provided insights into managing complex events. His familiarity with orchestrating intricate moving parts translated seamlessly to the dynamic environment of film production. Stepping onto the set of "The Irishman," David found himself in the company of acting icons including De Niro, Keitel, Romano, and Pesci. The atmosphere was familiar and welcoming, and David felt right at home. David notes the shifts in on-set dynamics, from language norms to the introduction of intimacy coordinators. The importance of cultivating a mindset that enhances one's experiences rather than diminishing them. The new remake of "The Wonder Years," is an example of art reflecting real life for David. He sees glimpses of his own life journey within the storytelling, connecting on a deeper level. Say Hi To Us: Needed On Set | FB | IG | TikTok Source & Cast Kenya: IG Guest: David: FB | IMDb | FB | IG
*spoilers for all things discussed* Hey everyone this week we enjoy some alcoholic root beers while discussing the news of the week and reviewing Motherless Brooklyn, Twisted Metal, TMNT: Mutant Mayham and more! Cheers! For more fun stuff visit: reelmedianetwork.com
Film, television and theatre are each modalities in the performing arts Ezra Barnes has been directly immersed into, both as an actor and director. Using performance as a curiosity valve for the preservation of ideals, such as imagination and spirited curiosity, are an important element of Ezra's foundational goals as an actor. Since joining a secret film club in fourth grade, Ezra instinctively knew he was going to be an artist. And going to the theatre starting from an early age, with encouragement from both of his parents, who were heavily invested in the arts, helped lay some of the groundwork for the ideals Ezra became drawn to as a performer. Some of his notable theatre productions as an actor include Fraser Grace's Breakfast With Mugabe, which he also produced; To Kill a Mockingbird, as Atticus Finch; and several productions of the Shakespearean canon. He has directed productions of The Diary of Anne Frank; One Flew Over the Cuckoo's Nest; Julius Caesar; As You Like It; and A Midsummer Night's Dream. In the meantime, Ezra has appeared in several film and television projects, including Bored to Death; Law & Order; Jessica Jones; Orange is the New Black; and Motherless Brooklyn, opposite Edward Norton. Additionally, he runs the Young Actors Workshop in Brooklyn to inspire the next generation of theatre. In our conversation, we discussed the origins and film adaptation of Group, the group psychotherapy series in which he plays Frank, and its relevance to the present day; the influence of Count Basie on his idea of performance; directing theatre; inspiring curiosity from knowing the script, but not actively thinking about it in the moment; and how height influences the perception of life. His upcoming projects include Birth/Rebirth, the Sundance/IFC horror film which will be released in theaters, and available to stream on August 18; as well as Can't Let it Go, a comedic film on the emotional hangover in the aftermath of the 2016 election starring Mario Cantone.Opening Credits: Plaga de baile - I WAS A MOD (pero ya no) I Attribution-NonCommercial-ShareAlike 3.0 United States (CC BY-NC-SA 3.0 US); HoliznaCC0 - April Showers I CC0 1.0 Universal (CC0 1.0) Public Domain Dedication. Closing Credits: Cousin Silas / Black Hill - Black Hill - South I Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
Our guest, writer and actor, Graham Kent, joins us to talk about his experience with Tourette Syndrome, how it presents, and why he thinks Edward Norton's Motherless Brooklyn is the best portrayal of Tourette Syndrome he's seen on screen! The key moments in this episode are: 00:06:16 - Overlapping Disorders 00:08:08 - Presentation of Tourette Syndrome 00:14:17 - Living with Tourette Syndrome 00:16:32 - Motherless Brooklyn as a Representation of Tourette Syndrome 00:21:02 - Not Naming Tourette Syndrome in Motherless Brooklyn 00:23:56 - Other Depictions of Tourette Syndrome in Pop Culture 00:34:06 - Tourette Syndrome and Acting 00:39:17 - Nuances of Tourette Syndrome 00:41:46 - Understanding ADHD and Tourette Syndrome 00:45:09 - The Power of Nuanced Storytelling 00:48:31 - Resources for Tourette Syndrome 00:53:25 - Sarah's Documentary Premiere 00:57:16 - Heather's Experience at the WGC Awards 00:58:10 - Importance of Listener Reviews DOWNLOAD TRANSCRIPT Contact us: BraaainsPodcast.com Follow: @BraaainsPodcast Music: @_Deppisch_ Design: Perpetualnotion.ca Mixing/ Mastering: Tony Bao Support this show: Patreon.com/BraaainsPodcast
Actor Robert Wisdom joins the CULTURE POP PODCAST to talk about his role on the amazing HBO series BARRY, now in its 4th and final season. With Andy Kamenetzky filling in for Sue Kolinsky, the conversation includes Bill Hader's vision for his Emmy-winning black comedy, Robert's most memorable character, Bunny Colvin on THE WIRE, and the lasting legacy of David Simon's landmark series, working with Edward Norton in his directorial debut MOTHERLESS BROOKLYN and his love for the Los Angeles Lakers.
Isaiah J. Thompson is a finalist for the 2023 American Pianists Association (APA) Jazz Competition. Isaiah is a jazz pianist, composer and bandleader from West Orange, New Jersey. He began studying at The Calderone School of Music at an early age, and soon after continued his studies with Jazz House Kids and NJPAC Jazz For Teens. He received both his bachelor's and master's from The Juilliard School, was awarded the 2018 Lincoln Center Emerging Artist Award and earned Second Place in the 2018 Thelonious Monk (now Herbie Hancock) Institute of Jazz International Piano Competition. Isaiah has since performed with major artists including Ron Carter, John Pizzarelli, Christian McBride, Steve Turre and Buster Williams. He was featured on the Golden Globe-nominated soundtrack for "Motherless Brooklyn" and was named a Steinway Artist. Isaiah made his recording debut on Jazz at Lincoln Center's Blue Engine Records' release, “Handful of Keys” with the Jazz at Lincoln Center Orchestra with Wynton Marsalis, and he released his debut album as a leader, "Isaiah J. Thompson Plays the Music of Buddy Montgomery" in 2020.
We discuss some of the best books about or set in New York City to recommend to newcomers or longtime residents hoping to learn more about the city they call home. Julie Golia, the associate director of manuscripts, archives, and rare books and the Charles J. Liebman curator of manuscripts for The New York Public Library, shares some of her favorite titles and we take listener suggestions. Also, the library created its own list of 125 books to celebrate their 125th anniversary year. Here's a list of all the NYC books discussed in this conversation: "City of Girls" by Elizabeth Gilbert "The Amazing Adventures of Kavalier & Clay" by Michael Chabon "The Fortress of Solitude" by Jonathan Lethem "Lush Life" by Richard Price "Let the Great World Spin" by Colum McCann "A Tree Grows in Brooklyn" by Betty Smith "Another Brooklyn" by Jacqueline Woodson "The Bonfire of the Vanities" by Tom Wolfe "The Colossus of New York" by Colson Whitehead "The New York Trilogy" by Paul Auster "The Great Gatsby" by F. Scott Fitzgerald "Motherless Brooklyn" by Jonathan Lethem "A Little Life" by Hanya Yanagihara "The New York Nobody Knows" by William B. Helmreich "The Catcher in the Rye" by J.D. Salinger "The House of Mirth" by Edith Wharton
Edward Norton (Glass Onion, Motherless Brooklyn, Fight Club) is an actor and filmmaker. Edward joins the Armchair Expert again to discuss the concept of intellectual humility, the differences between cynicism vs skepticism, and how he feels about not being the first choice for roles. Edward and Dax talk about what type of strength it takes to surf, why people look to improve their appearance, and what their favorite shows are right now. Edward explains why he loves well-written monologues, how much work goes into producing your own projects, and what makes a great murder mystery. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
WE ARE BACK TO NORMALLY SCHEDULED PROGRAMMING.After wrapping up our October Horrorfest, we return to non-horror movies by watching Edward Norton's 2019 film, MOTEHRLESS BROOKLYN. Fun fact! Edward Norton even helped produce this episode of Good Bad Bad Good! IG: @GoodBad_BadGoodTweet Tweet: @GoodBad_BadGoodTravis IG: @travis_orozcoTravis Twitter: @travis_orozcoKai IG: @KailenaMaiBrian IG: @BossipBrian Twitter: @BrianOssip
There is this term (that I did not come up with) called terminal uniqueness. And I'm curious if you can diagnose yourself with this. It is the belief that when you see someone else be successful or you see someone else succeeding or you hear about the way someone went about their career or a step that they took to get where they're going, you write against yourself. Like if that will work for them then it will never work for me or I am so different that it is impossible that path will work for me. Now this is not to discredit anything like systemic racism and lack of representation. I just want to make sure that we also don't bring our own additional trauma to this conversation where I am so different that it is impossible for me to find success in any of the ways that other people have found it before me. What I want to say to you is you are incredibly special and you're not special. And the reason why I say that is that when you make yourself special you start to exclude yourself from what might be in front of you. Why I bring this up today is because my guest is Migs Govea and he has a ton of credits behind him. It could be very easy to say to yourself whether you're an actor, photographer, director, butcher, baker or candlestick maker - Yes, well they have that much success so this is why it works for them. You're going to hear in Migs's story how he moved to a new city, suddenly decided he's going to stay there and then suddenly decided he's going to reach out and try to get representation there. It may sound a little like a Cinderella story, but you're going to hear him share how, much more intimately, there was a wrestle going on inside of him. You'll learn that it isn't as black and white as reps saying, “You've got a bunch going on already. I'm glad to meet with you.” That's the place where I want you to root yourself. Instead of making Migs so special that any of his success cannot also be yours, the invitation I make to you today is to find where in Migs's story the places you see yourself. And… Migs does not hold back. He is really vulnerable and honest with his experience. I just know that you're going to get that extra cuddle of intimacy where you can feel the same emotions that he experienced during the journey to find his great representation in Los Angeles. Here are just a few takeaways: There is never a perfect time to reach out to reps A target list is the worst strategy you can use to find the right match Let go of the things you cannot control and take ownership of the things that you can You are more than enough Let me run down some of his Migs super exciting credits: Currently he is recurring as Nick Vargas on the CBS series FBI: Most Wanted, he was on the Netflix series Inventing Anna opposite Julia Garner and then he also appeared opposite Julia Garner again in the Sundance hit The Assistant. He was on HBO's City on a Hill and NBC's Law & Order: SVU. His film credits include Motherless Brooklyn opposite Ed Norton and Ocean's 8 opposite Anne Hathaway. So he certainly has all those fancy exciting things going for him that he's worked really hard to accomplish. You're going to hear Migs talk about even with that kind of resume there's so much more story behind each of those credits than we might see on the outside. Thank you for tuning in to this episode of Brian Breaks Character! If you loved this episode, please subscribe and leave an honest review. Your review helps boost the show and gives us the chance to help more creatives get out of suffering for their art and into action. Be sure to leave your IG handle when you do so I can send a VIP episode to say thank you. Want to learn more? If you're an actor and your goal is to have a fabulous representation, come watch Make Agents Want You for free (https://www.makeagentswantyou.com). That way, you can get off the hamster wheel of reaching out and focus on the acting you were born to do. CONNECT WITH MIGS Instagram https://www.instagram.com/migsifico/ Website https://www.imdb.com/name/nm2787243 Subscribe To The Podcast https://podcasts.apple.com/podcast/id1570747490 Watch The Uncut Behind-the-scenes Video Of This Episode On YouTube: https://www.youtube.com/user/brianpatacca Need New Representation? Get In On This Free Training: https://makeagentswantyou.com Follow Me On Instagram For A First-look At Our Guests And Upcoming Episodes! https://www.instagram.com/briansaysthat Episode Transcript https://brianbreakscharacter.s3.us-west-2.amazonaws.com/Ep.+89+-+There+is+Never+a+Perfect+Time+to+Reach+Out+to+Reps+with+Migs+Govea+-+Transcript+(2).pdf
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Jonathan Lethem reads his story “Narrowing Valley,” which appeared in the October 31, 2022, issue of the magazine. Lethem's books of fiction include the story collection “Lucky Alan and Other Stories” and the novels “Motherless Brooklyn,” “The Feral Detective,” and, most recently, “The Arrest,” which was published in 2020.
Tom and Gav try Anthropomorphism on for size in this discussion of Jonathan Lethem's breakthrough debut novel.It's difficult to separate Jonathan Lethem from this exhaustive podcast series about Bennington College and it's influence on American literature of the 80's/90's, but this is the episode that deals specifically with the publication of Gun, with occasional music and Motherless Brooklyn. You can dive as deeply as you like…...and here's Jonathan Lethem talking about his favourite books with a big helping of Non-Bennington Autobiography to go along.Lethem's article, The Ecstasy of Influence, which he talks about at the top of the above interview.German listeners will already be familiar with this very successful example of anthropomorphic comedy involving, coincidentally, a Kangaroo. Metcalf's world was probably shaped in large part by Flexians, the professional fixers of tawdry privatized and outsourced government policies that meet the needs of the private sector. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com
WTOP Entertainment Reporter Jason Fraley chats with Academy Award-nominated actor Edward Norton as today marks the 60th birthday of "Fight Club" director David Fincher. This summer also marks 55 years since Norton's grandfather James Rouse created the city of Columbia, Maryland. Norton weaves similar themes of city-planning corruption into his neo-noir film "Motherless Brooklyn," which he promoted on WTOP in Washington D.C. in 2019. (Theme Music: Scott Buckley's "Clarion")
Jonathan Lethem: Live Career Retrospective, hosted by Richard Wolinsky. On March 3, 2016, Richard Wolinsky had a chance to sit down with author Jonathan Lethem in front of a Berkeley audience as a benefit for KPFA. Jonathan is the author of several novels, including Motherless Brooklyn, Fortress of Solitude, Chronic City and Dissident Gardens, along with short story collections and a book of essays, The Ecstasy of Influence. The event was intended as a career retrospective; the first 45 minutes devoted to prepared questions, followed by a period of questions from the audience, with follow-ups. Jonathan's collection, Lucky Alan and Other Stories, had just come out in trade paperback.His next novel, A Gambler's Anatomy was released October 16, 2016. Special thanks to Bob Baldock, who creates these events, and Jane Heaven, who records them. His most recent novels are The Feral Detective and The Arrest, the latter published in 2020. The post Jonathan Lethem, Career Retrospective, 2016 appeared first on KPFA.
A beloved book, a new movie, and scandal about the author's past. What's really going on, and is it all sensation, or is there something we can learn about the creative process in the midst of this mess? Come along and learn! Evan and Taylor's projects: videos, go watch Evan's film work sign up, Taylor's weekly newsletter Contact illiteratepod@gmail.com, email us @illiteratepod, reach out on instagram Extras: trailer, Where the Crawdads Sing (2022) footage, from the ABC poaching incident article, the journalism “The Hunted” from 2010 Other similar episodes to check out…The Staircase, You, The Woman in the Window, Little Fires Everywhere, The Goldfinch, Death on the Nile, Motherless Brooklyn
Another podcast that was lost in the void from November. Harley Charles and I, Charles showed up after Harley and I watched the movie. Plot is read from 1:00-5:05.
The Offer is out, about the making of the Godfather film. But how did Mario Puzo craft the original story? Was the mob actually involved? And what forgotten book was his true inspiration? Let's find out! Evan and Taylor's projects: videos, go watch Evan's film work sign up, Taylor's weekly newsletter Contact: @illiteratepod, reach out on instagram Extras: trailer, The Offer (TV show 2022) book, Mario Puzo's autobiography (1972) poster art, The Brotherhood (1968) article, Frank Sinatra and the mob article, Peter Bart's account of the production article, the only NYT reporter on the film set (1971) book, The Fortunate Pilgrim (1965) Other similar episodes to check out…The Irishman, Motherless Brooklyn, Nightmare Alley, Pachinko, Candyman, Shaft, Steven Spielberg, Bad Education, Mindhunter
What do you know about Agatha Christie, the best-selling author of the most famous whodunits? What makes them consistently unique and popular, hundreds of years later? And where did she disappear to in the middle of her career? So many questions, and so many answers - let's get on the case! Evan and Taylor's projects: videos, go watch Evan's film work sign up, Taylor's weekly newsletter Contact: @illiteratepod, reach out on instagram Extras: trailer, Death on the Nile article, Agatha Christie's surfing secret video, Agatha's disappearance (Drunk History) article, Agatha Christie biography documentary, Being Poirot (TV series) article, Agatha Christie's archaeology Other similar episodes to check out…Enola Holmes, Nancy Drew, Motherless Brooklyn, Godzilla vs. Kong, Bridgerton, Emma/Clueless
Esta semana comento Maya y los Tres, Alerta Roja y ¿Dónde está Marta? en Netflix. En Prime Video, recomiendo Dos Abrazos y A Man Named Scott. En HBOMax, recomiendo Four Hours at the Capitol y Huérfanos de Brooklyn y hago una advertencia sobre The Many Saints of Newark/Santos Criminales. En AppleTV+ una buena alternativa es Finch, en Disney+ ya está Free Guy, y en Star+ pueden buscar Vida Oculta y What we do in the Shadows. También los invito a buscar la programación en línea del Festival Internacional de Cine de Los Cabos. See acast.com/privacy for privacy and opt-out information.
We cover Motherless Brooklyn, directed by and starring Edward Norton, alongside Gugu Mbatha-Raw, Willem Defoe and Alec Baldwin. We talk about the ideas the movie has and the world it tries to build, as well as the rabbit-hole our leading character tumbles into to unfold the film's mysteries. Does it land it's attempt as a proper noir film? Find out on this episode of Who Watches the Watchers? Follow us on Instagram for the love of god: https://www.instagram.com/comicbookraiders/
Joshua Pais has appeared in over a hundred movies and TV shows, including recurring roles in Ray Donovan, Mrs. Fletcher, The Good Wife, Maniac, The Sopranos, and Law and Order: SVU. His film work includes Motherless Brooklyn, Joker, Touchy Feely, Teenage Mutant Ninja Turtles, Music of the Heart, Assassination of a High School President, and I Saw the Light. The son of holocaust survivor and theoretical physicist Abraham Pais, Josh is the founder of Committed Impulse, a comprehensive acting technique which involves creating from the energetic (atomic) truth in the body. committedimpulse.com · www.creativeprocess.info
Pick That Flick guessing game, and New Music Picks from our favorite millennial, Kenichi Hackman. Plus, the MARVELous Miss Larson, The Go-Go's rock doc, Motherless Brooklyn, and we preview The Pick 100. More details, links, and playlists at https://thepickcast.com
We encounter supernatural teenagerdom in Netflix's I Am Not Okay With This then go on a violent rampage for Daniel Radcliffe's Guns Akimbo. Later we discuss Jordan Peele's Candyman trailer, listener thoughts on I Am Not Okay With This plus we also talk Motherless Brooklyn, Private Life, Harriet, and The Outsider.0:00 - Intro: Chloe's Sly Parking Skills + Wild Canvassing Stories13:05 - Review: I Am Not Okay With This42:41 - Review: Guns Akimbo1:25:46 - News: Candyman Trailer1:28:21 - Mail: I Am Not Okay With This Discussion (Listener Edition)1:39:24 - Picks of the Week: Motherless Brooklyn, Private Life, Harriet, and The Outsider1:57:00 - Outro: ...Do People Lick Stickers? Website: TheFilmBuds.comBonus Shows: Thefilmbuds.bandcamp.comEmail: Thefilmbudspodcast@gmail.comTwitter: @filmbuds / @ChloBo74275186Letterboxd: @HenryFahertyInstagram: @thefilmbudspodcastThe Music Buds: TheMusicBuds.com
Edward Norton is an actor, writer, producer, director, and filmmaker. His new film "Motherless Brooklyn" opens in theaters on November 1.
On the October 14, 2019 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson and writers Hoai-Tran Bui and Chris Evangelista to discuss what they've been up to at the Water Cooler. At The Water Cooler: What we've been Doing:Jacob took a trip to the DFW metroplex for a massive haunted house weekend, including Cutting Edge, Dark Hour, Reindeer Manor, and Screams Park. Peter went to Los Angeles Comic Con, which was insanely busy. And he also went to Disneyland, which was also insanely busy. Kitra built a lightsaber! Ben saw the touring Broadway version of Anastasia Brad threw out his back and is feeling very old because of it Hoai-Tran attended Amazon's Modern Love premiere party and met up with two-thirds of SlashFilmCast. What we've been Reading:Jacob has been perusing The New Annotated H.P. Lovecraft: Beyond Arkham from Leslie S. Klinger. What we've been Watching:Peter, Chris, Hoai-Tran, and Ben watched El Camino. Peter saw Taika Waititi's Jojo Rabbit. Ben watched Anastasia (the movie), Joker, and In the Shadow of the Moon Hoai-Tran saw Motherless Brooklyn. What we've been Eating:Jacob learned that fried fair food...kinda' stinks? And he will sing the white, suburban praises of On The Border. Brad tried Peanut Butter and Jelly Puffs cereal from Aldi. What we've been Playing:Peter experienced Deadwood Mansion at Sandbox VR for a friend's birthday. All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.