Podcasts about I Will Follow

Andy Malcolm from the Fishermans Mission brings us our message this week, called I Will Follow from Luke Chapters 6 verses 20 and 24.

"Where You Lead, I Will Follow!" Keep Tuning In! Visit: Sacred Walk Home & Be Blessed!

A devotional on Zephaniah 1:7-9 7 Hold thy peace at the presence of the Lord God: for the day of the Lord is at hand: for the Lord hath prepared a sacrifice, he hath bid his guests. 8 And it shall come to pass in the day of the Lord's sacrifice, that I will punish the princes, and the king's children, and all such as are clothed with strange apparel. 9 In the same day also will I punish all those that leap on the threshold, which fill their masters' houses with violence and deceit. I Will Follow - https://www.youtube.com/watch?v=EUl1xRw2txg

Your favorite movie podcast is back with another episode! This week we're talking about I Will Follow, a movie written and directed by the creator of The DuVernay Test...Ava DuVernay, herself! And happy (belated) International Women's Day from us gals here at FrameRaters!

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Fear Factory es una banda estadounidense de heavy metal, surgida en 1990 en Los Ángeles y que ha realizado numerosos álbumes musicales. A través del paso de los años el sonido de la banda ha cambiado mucho, lo que generó varias peleas y discusiones entre los admiradores, ya que en todos sus álbumes han experimentado distintos géneros del metal extremo y alternativo, como la combinación de los estilos death metal, groove metal, thrash metal, metal industrial y nu metal. El sonido resultante de las combinaciones ha demostrado ser enormemente influyente en la escena del metal a mediados de los años 1990 y en adelante. Su álbum con el nombre de Transgression, se describe como un esfuerzo experimental y atípico, también contiene elementos de metal progresivo. En marzo de 2002, la banda se tomó un descanso disolviéndose por algunas disputas internas entre los integrantes, pero la banda retomó camino a principios del año 2003, menos el miembro de la banda Dino Cazares, quien tocaba la guitarra en la banda, lo que provocó que Christian Olde Wolbers (el bajista original de la banda), tomase el puesto de Cazares como guitarrista y se contratase a un nuevo bajista llamado Byron Stroud. Desde su reformación la banda ha logrado hacer giras con bandas como Black Sabbath, Pantera, Iron Maiden, Slayer, System of a Down, Megadeth, Dream Theater, Mastodon, Misery Index y Rammstein, también han participado en Ozzfest y el Gigantour creado por Megadeth, también han logrado entrar en los charts de Estados Unidos teniendo varios sencillos en los charts del US Mainstream Rock Top 40, estos también han tenido varios de sus álbumes los cuales han entrado en el Billboard Top 40, 100 y 200. La banda, también ha sufrido numerosos cambios de integrantes, dejando a su vocalista, Burton C. Bell, como único miembro original durante algunos años. Fear Factory se formó en 1989 en Los Ángeles bajo el nombre de "Ulceration", de la mano de Raymond Herrera y Dino Cazares. ​ Dino Cazares y Raymond Herrera compusieron la primera canción de Fear Factory, llamada "Sufferage", una noche de Halloween que pasaron juntos. A finales de 1989 entró en el grupo Burton C. Bell, ​ y el nombre fue cambiado por el de Fear Factory. Como curiosidad "Ulceration" es también el nombre de uno de los temas de su primer álbum Concrete. Fear Factory, es una de las mayores influencias de la música extrema, tanto por su técnica, como por su sonido original e independiente, que creó un estilo propio.[cita requerida] Fue la primera banda que incorporó voces limpias en una banda de death metal. Comenzaron su trayectoria musical como una banda de death metal con los discos Concrete y Soul of a New Machine, pero con grandes influencias de grupos como Napalm Death, Godflesh, Ministry, Neurosis y otras bandas industriales y grindcore/death metal. Después, pasaron a groove metal/metal industrial con Demanufacture, y posteriormente a metal industrial con influencias más marcadas por el nu metal, con los discos Obsolete y Digimortal. El inicio de su carrera profesional, tuvo como punto de partida una recomendación de Max Cavalera, de Sepultura, a la discográfica Roadrunner Records, gracias a su álbum Concrete. Previamente, Fear Factory, había enviado su material a Earache Records, que los rechazaron por parecerse demasiado a Napalm Death o a Godflesh. Con Roadrunner editaron el álbum Soul of a new machine, en 1992. Este disco no tuvo mucho éxito pero les brindó la oportunidad de hacer una gira por todo Estados Unidos con otras bandas como Sepultura, Biohazard y Sick of it all. Incluso viajaron a Europa de la mano de Brutal Truth. Para las giras contrataron a Andrew Shives como bajista, encargándose Dino Cazares de la guitarra a pesar de haber grabado el bajo para el disco. Al año siguiente editaron Fear Is the Mind Killer, un EP en el que Fear Factory se mostró más experimental que en su anterior trabajo. El disco estaba compuesto por temas que ya aparecían en Soul Of A New Machine, pero remezclados por Rhys Fulber y Bill Leeb de Front Line Assembly. Este disco, también marcó el debut en la banda del teclista Reynor Diego. Tras el despido de Andrew Shives en 1994, encontraron a Christian Olde Wolbers a través del cantante/bajista Evan Seinfeld de Biohazard. Christian estaba en ese momento de vacaciones en Los Ángeles, ya que él vivía en Bélgica, pero accedió a unirse al grupo. En el año 1995, Fear Factory, saltó a la fama de la mano del álbum Demanufacture, a través del sello Roadrunner, consiguiendo el apoyo unánime de la crítica y el público. El éxito los llevó a una gran gira durante los dos siguientes años y les abrió las puertas de grandes festivales internacionales, como por ejemplo Ozzfest, en los que compartieron escenario con grandes grupos como Black Sabbath, Iron Maiden y Megadeth. Este disco, marcó el reconocimiento de Fear Factory como una de las bandas más importantes e innovadoras del metal. En este disco, se pueden observar, claramente, los elementos que caracterizan a la banda, y que la distinguieron de las demás, ganándose un sitio dentro de los grandes del metal. Por un lado, se está la perfecta sincronización entre los potentísimos riffs de guitarra de Dino y la rápida batería de Herrera, que complementado con el bajo grabado por Dino (Christian no grabó el álbum), le daban un carácter extremo al disco. También, es muy importante agregarle el gran trabajo de Burton C. Bell, quién es capaz de mezclar voces cercanas al death metal, con coros, con una voz sumamente limpia y melódica; y los teclados y sintetizadores del coproductor Rhys Fulber. Los principales temas de este disco son "Replica" (del que incluso se grabó un vídeo), siendo y es el tema más melódico del disco, "Zero Signal", que es el máximo exponente de la fuerza y rapidez de la banda, y "Self Bias Resistor", cuyos memorables coros destacaron este tema. También, cabe destacar temas como "New Breed", donde se aprecia magistralmente la unión de elementos metaleros con música electrónica. En 1997, Fear Factory lanza Remanufacture, que consistía en remezclas de todos sus temas de Demanufacture, lo que dejaba claro las influencias de la música electrónica sobre la banda. Tres años después de Demanufacture, la banda edita el disco Obsolete, en 1998, volvieron a repetir éxito y acto seguido comenzaron nuevas giras con bandas como Slayer y Rammstein. Obsolete, en términos de ventas, fue el disco más exitoso de Fear Factory, llegando a ser disco de oro en Estados Unidos. Este disco fue uno de los grandes éxitos para ese entonces del sello Roadrunner Records. Este disco siguió el camino anterior disco, metal industrial, además de seguir mezclando voces desgarradoras con voces limpias en los coros. A pesar de esta línea general de continuidad, también se incluyeron temas más comerciales como "Edgecrusher", en que por primera vez se añadían elementos más cercanos al nu metal, aunque finalmente primó absolutamte un estilo más cercano a Demanufacture. Aunque su vena experimental se observó más controlada, en este disco se decidieron por meter violas, violines y chelos en buena parte de las canciones, dándole un toque más épico a algunos temas. Los temas más importantes del disco son “Shock”, donde se aprecia el clásico de Fear Factory, metal industrial con líneas vocales que giran para sonar bien salvajes y desgarradas o bien como himnos. A lo largo del álbum la tensión musical va creciendo, destacando entre medio temas oscuros como "Freedom or Fire" y otros más melódicos, como "Descent", hasta llegar al tema "Resurrection", la canción más sorprendente del álbum y posiblemente la más melódica de Fear Factory, hasta ese entonces. Los coros de este tema se convirtieron indudablemente en uno de los himnos más memorables de la banda. De este tema también se grabó un vídeo. De este disco se publicaría más adelante, una edición especial para coleccionistas, en la que se incluye entre otros, el tema "Cars", una versión de Gary Numan, además de ser esta la primera vez que la banda experimenta con un tema pop, aunque sin perder en ningún caso su sello característico. Tras el exitoso Obsolete, que llegó a ser disco de oro en Estados Unidos, surgieron disputas en la banda sobre el estilo que Fear Factory debía seguir. Por un lado, Dino Cazares se inclinaba por regresar a la raíces del emblemático Demanufacture, y por el otro, el resto de los miembros, quienes preferían agregar al disco elementos de rap. En una entrevista, Dino Cazares, dijo que Raymond Herrera, le pidió que dejase componer a Christian Olde-Wolbers quien, según Dino, por aquellas épocas, escuchaba mucho hip-hop y nu metal. Esto, acarreó tensiones entre miembros del grupo. Por otro lado, la discográfica, también instó al conjunto a que hicieran un estilo más comercial. Finalmente, se impuso la visión de la mayoría y, en 2001, ve la luz su siguiente álbum, Digimortal. Este trabajo, fue bastante criticado debido a las similitudes del mismo con el estilo nu metal, alejándose en cierta manera de la agresividad de sus anteriores trabajos. Aunque, a muchos les pareció que este disco era una evolución natural de una banda que ampliaba su público, a otros les pareció una verdadera decepción seguir un estilo, que consideraban excesivamente comercial y alejado de las raíces de sus grandes trabajos anteriores. A pesar de que Digimortal estuvo lejos de ser un fracaso en términos comerciales, lo cierto es que fue incapaz de igualar a su antecesor Obsolete, causando gran tensión y frustración entre los miembros de la banda y tensiones con el sello discográfico. Las influencias del nu metal están muy presentes, incluso en el tema "Back the Fuck Up", Burton C. Bell canta junto a un miembro del grupo de hip-hop Cypress Hill. Temas destacables son "Dark Bodies", que es literalmente una balada a lo Fear Factory, mezclando pasajes tranquilos con la brutalidad característica de la banda. Otras canciones importantes, son "Damaged", donde a ratos recuperan su sonido metalero habitual y "Digimortal". "Linchpin", es el indiscutido tema principal del disco, con una melodía muy llamativa, siendo uno de los temas más recordados de este disco. De este tema, se grabó un vídeo, siendo el último donde se pueden ver a los cuatro miembros originales juntos. Finalmente, tras los problemas surgidos tras Digimortal, en marzo de 2002, el grupo se disolvió. Sumado a las diferencias musicales, también existían fuertes problemas de convivencia entre Dino Cazares y Burton C. Bell, aunque también con los demás miembros. A finales de ese año, se anunció el regreso de la banda sin Dino Cazares, con lo que la formación cambió, pasando Christian Olde Wolbers a guitarra, para dar espacio al nuevo bajista, procedente de Strapping Young Lad, Byron Stroud (a pesar de que en el siguiente álbum, Archetype, fue el propio Christian quien se encargó, también, del bajo). El baterista Raymond Herrera y el vocalista Burton C. Bell, mantuvieron sus posiciones. Frente al cambio de Chirstian desde bajista a guitarrista en remplazo de Cazares, el baterista Raymond Herrera, aseguró: "Christian era mucho más capaz de hacer el trabajo. Es mucho más rápido y preciso. Es mejor guitarrista que Dino. Y puedo decirlo porque si alguien sabe lo bueno que es Dino, soy yo. He visto a Christian hacer cosas a las que Dino nunca hubiese llegado. Puede tocar abiertamente, en un estilo realmente épico. Es más multifacético que Dino. No tengo nada contra Dino. Dino era muy bueno en lo que hacía. Sólo que Christian es capaz de hacer lo mismo y otras cosas más. Creo que es interesante. Es genial, ¿quién sabe? Quizás si Christian hubiese escrito más en la guitarra en los días con Dino, las cosas hubiesen sido distintas. Nunca se nos ocurrió antes porque todo funcionaba bien". Sin embargo el exguitarrista de la banda, se defendió argumentando que el junto a Raymond fueron los compositores de los principales discos (Soul of a New Machine, Demanufacture y Obsolete) y que Christian apenas colaboró, siendo su principal aporte, el fallido Digimortal. Además acusó a Christian de imitar los riffs suyos, argumentando que su mejor trabajo es copiar bien su forma de tocar guitarra. Incluso al escuchar el disco Archetype, ironizó, diciendo que pensó que él estaba tocando. A comienzos de 2004 se conoció que el grupo estaba trabajando en un nuevo disco bajo la discográfica Liquid 8 Records. En abril lanzaron Archetype, considerado uno de los mejores álbumes de su carrera, y que los devuelve a su estilo metal industrial/groove metal con una fuerte influencia de death metal. En este disco, abandonan definitivamente el estilo nu metal, para volver a sonidos más cercanos a Demanufacture. Durante todo el disco, los temas muestran gran agresividad, destacando los temas "Slave Labor", "Archetype" y "Cyberwaste". Este trabajo, tuvo un moderado éxito que les permitió enderezar su trayectoria y les dio confianza para lanzar un segundo disco en agosto de 2005. Este fue titulado Transgression y supuso un paso adelante en la evolución del sonido de Fear Factory tomando elementos más melódicos pero intentando mantener la fuerza que los caracterizaba. Incluso en este disco se incluyó un cover de U2, la canción "I Will Follow", en la que el grupo, interpreta un tema pop, pero manteniendo su estilo. A pesar de esto el disco tuvo algunas críticas, por el peculiar cambio de estilo, sin embargo estos se defendieron argumentando que Transgression era un disco experimental. El 7 de abril de 2009, Burton C. Bell y el miembro fundador, Dino Cazares anuncian que han reformado a Fear Factory, con Byron Stroud (Strapping Young Lad, Zimmers Hole) continuando en el bajo y con la incorporación de Gene Hoglan (Death, Dark Angel, Strapping Young Lad) en la batería, reemplazando a Raymond Herrera. Tampoco Christian ha sido tomado en cuenta en esta nueva formación. Raymond Herrera y Christian Olde Wolbers formaron un nuevo proyecto, llamado Arkaea, con el cantante Jon Howard y el bajista Pat Kavanagh, de la banda Threat Signal. El disco debut de Arkaea, salió el 14 de julio de 2009 a través de E1 Music (anteriormente Koch Records). Fear Factory, lanzó otro álbum, Mechanize, en febrero de 2010, y en julio de 2012 salió su octava entrega discográfica, llamada The Industrialist. El 1 de mayo, se anunció que el ex-Static-X y bajista de Soulfly, Tony Campos, se integraría a la banda como bajista, anteriormente, Campos ya había trabajado con Cazares en la banda Asesino. El 7 de agosto de 2015 lanzaron su noveno álbum Genexus a través de la discográfica Nuclear Blast. Sobre octubre de 2019, Dino Cazares dijo que Fear Factory no sacaría un nuevo álbum y que el futuro de la banda era incierto, debido a que los exmiembros Christian Olde Wolbers y Raymond Herrera, habían puesto una demanda que les prohíbe usar el nombre Fear Factory. El 28 de septiembre de 2020, Burton C. Bell anuncia en su sitio web un comunicado titulado "En mis propias palabras" en el cual anuncia la salida de la banda. Indicando como una de las razones, que no puede seguir asociado a alguien “en quien no puede confiar ni respeta”. Este es el comunicado traducido al español: “Me considero una persona reservada, y prefiero mantener mis asuntos personales para mí y para mis seres queridos de confianza. Hago mis declaraciones públicas con intención reflexiva, sin desviarme nunca de la verdad, a pesar de la constante serie de representaciones deshonestas y acusaciones infundadas de miembros pasados ​​y presentes de la banda; un drama tóxico del que escojo no ser partícipe. Los últimos años han sido profundamente agónicos, con estos miembros desangrando mi pasión con un depravante engaño. Como consecuencia directa de su codicia, estos tres me han arrastrado por el sistema judicial injusto, lo que ha resultado en el desgaste legal que me ha paralizado financieramente. Al final, estos tres miembros se han apoderado de mi principal medio de vida. Sin embargo, nunca tomarán mi legado de 30 años como el corazón de la máquina. Un legado que ningún otro miembro, pasado o presente, puede reclamar. Así que, después de una considerable y contemplativa búsqueda del alma, me he dado cuenta de que no puedo alinearme con alguien en quien no confío ni respeto. Por lo tanto, estoy anunciando a mis fans mi salida de Fear Factory para enfocar toda mi energía y atención hacia el éxito continuo de Ascension of The Watchers y de todos mis esfuerzos futuros. Estoy muy orgulloso del último álbum de Ascension of The Watchers, ‘Apocrypha’. El proceso de composición y grabación de ‘Apocrypha’ ha sido un viaje verdaderamente catártico y artístico de exploración y crecimiento para mí. Reavivando mis pasiones por mi escritura, permitiendo que mi música florezca, que mi alma se eleve, salvándome del verdadero infierno que envolvió una parte importante de mi vida diaria. Colaborar con espíritus afines y talentosos realmente ha generado un ambiente inspirador de apoyo y respeto mutuo, un espíritu que he echado de menos durante mucho tiempo. Me gustaría agradecer a todos mis fans su continuo apoyo a lo largo de mi carrera. Estoy muy orgulloso de mis logros, pero es hora de seguir adelante. Ahora miro hacia el futuro con los ojos, la mente y el corazón abiertos, mientras mi camino artístico lucha por lograr un éxito aún mayor en la música, en la escritura y en mi arte. Es cierto, “el final es siempre el principio”. El alma se ha liberado de la máquina”. Posteriormente el comunicado fue retirado del sitio web, quedando el enlace pero sin contenido. Fear Factory, fueron unas de las primeras bandas en combinar el death metal con rock industrial teniendo un gran impacto dentro de la escena metalera desde que lanzaron su primer material en 1992. Fear Factory es notablemente reconocido por bandas contemporáneas por abarcar en su temática la ciencia ficción y la tecnología, ya que muchos de sus primeros álbumes centran en este tema, creando así una historia la cual se desarrolla a lo largo de tres álbumes conceptuales(Demanufacture, Obsolete y Digimortal). Con base en el re-lanzamiento de Soul of a New Machine, Robert Flynn, Mark Hunter y Mike Sarkisyan (vocalistas de Machine Head, Chimaira y Spineshank respectivamente) citaron a Fear Factory como una de sus más grandes influencias. Robert Flynn comentó que su estilo vocal esta fuertemente influenciado por el de Burton Bell. Mark Hunter dijo que el estilo de ejecución de la batería en Chimaira esta notoriamente influenciado por estilo de Raymond Herrera. Otras bandas han citado a Fear Factory como sus principales influencias como Disturbed, Static-X y Coal Chamber. Bandas modernas como Mnemic, Scarve, Sybreed, Threat Signal y Last Scene Ends poseen en su estilo una singular influencia de la técnica de Fear Factory y han comentado que tienen una singular admiración hacia la banda, Peter Tägtgren de Hypocrisy ha dicho que “Fear Factory está muy cerca de nuestros corazones” y que “Soul of a New Machine fue la principal influencia que le motivo a iniciar su proyecto "'Pain" , Devin Townsend de Strapping Young Lad citó que su mayor influencia para crear el álbum Heavy as a Really Heavy Thing fueron Fear Factory y Napalm Death.

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE Here's another Top 5 band – I'm sure typical for people who came of age in the 1980s. Once again, I was introduced to U2 by a good high school friend of mine, and afterwards dug into their back catalog to devour everything I could. Like The Cure, like Joy Division/New Order, like The Jam, like PIL and so many others, U2 was post punk. Lots of definitions & subgenres for this, but for me the post punk I responded to most was rhythmic, ambient, crisp, sparse, melodic, emotional, both organic AND electronic, both pop AND experimental. U2 was another band that showed me what's possible. They had a reverence for what existed in the mid 1970s, and for what came before, but made their own rules about how to interpret all that and make it their own – which they did from the very beginning. It's fascinating to me to see how, even when an artist is not yet fully formed, their earliest incarnations are still “them”. You can 100% hear the uniqueness of their take on music, their personality & quirks. You can hear where they come from, and get a strong sense of where they ended up going. ALL of the later U2 elements are present in their early work – all the elements at the end of the first paragraph above. They would emphasize some & de-emphasize others. They'd get better at some and leave behind others. They'd bring in some new elements here & there. But in general they are still U2, in the same way the Stones are still the Stones. Just like how we're discovering together through my Song for Saturday retro posts that all the elements I have in my music have been present for decades. Life is ever-changing and ever-samey. So cool. When I was in college, my friend Ralph Colombino had a band that almost got signed. They did some originals, and a bunch of covers from the likes of The Who and U2. I co-produced a music night, which also featured me doing an original and a cover on keys – my only proficient instrument at the time other than my voice. Ralph's band played, and in their set was “I Will Follow”, one of my favorite songs from this album, from U2, and all-time. Their drummer did not bring his rug, or anything to keep his kit from sliding across the floor as he pounded the kick. So I volunteered on the spot to sit in front of the kick drum, hands on ears, and make sure they could get through their couple of songs unhindered. THAT's what I'd do for music. U2's influence is all over my work. Here's a song that a friend of mine immediately name checked U2 on, much to my delight: REC - “Little White Lies” - (from the album Distance To Empty) Favorites are: SIDE ONE tracks 1, 3/4 (they run together), 5; and SIDE TWO tracks 1, 3, 5. Discuss dammit! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-dematteo/support

Sermon: Following the Lord Wholeheartedly - Joshua 15:6-15 Worship & Praise: Tis So Sweet, Cornerstone, Turn Your Eyes Upon Jesus, I Will Follow

Sermon: Following the Lord Wholeheartedly - Joshua 15:6-15 Worship & Praise: Tis So Sweet, Cornerstone, Turn Your Eyes Upon Jesus, I Will Follow

I Will Follow by

Christmas is over. The decorations are getting put away, the tree is down, and the carols have stopped. All that I planned for over the last several weeks is done - what now? Well, the mission of Jesus didn't stop at the manger, and the direction and purpose of my life needs to move forward as well. What direction will I go? That depends on what I have my "face set towards." _____________________________ 00:00 Welcome / Prayer 02:54 “You Are Holy (Prince of Peace)” 05:34 “You’re Worthy of My Praise” 07:55 “Your Glory” 11:41 Communion 17:07 “I Will Follow” 20:04 Sermon 59:42 “Father God” 01:01:58 Closing Comments / Prayer 01:05:13 “Our God, He Is Alive”

Instead of holiday movies, we are gonna dive into three feel good movies that will give you the "warm and fuzzies"...The first is a touching film about life, death, and moving on entitled I Will Follow, the second examines a new style of "teacher/student relationship" in Outside In, and Paul Rudd shows us how to overcome life's troubles in the Fundamentals of Caring. All three can be found on Netflix.

Today on Real Estate REality Check we have with us someone who less than a decade ago took on a U2 like “I Will Follow” mindset when it came to his passion to make something out of nothing, notwithstanding that at the time, he then possessed the equivalent of the title of an Elvis Costello song called “Less Than Zero” when it came to his base of knowledge in the world of CRE. In spite of those challenges, he went on to build a “value-added tech driven data engine employing sophisticated algorithms and artificial intelligence” that some may describe as a “CRE data democracy.” He did (and I may add, continues to do) so by not only subconsciously embracing the song titles “Harder Better Stronger Faster” by Daft Punk and "It's in the Way That You Use It" by Eric Clapton, but also by heeding the wisdom of, among others, Jeff Bezos and his “Day 1” mindset, so as to minimize the chances of Reonomy meeting up with the business equivalent of the schoolyard bully who wants to take its lunch and give them a metaphorical wedgie, to that of Ben Franklin’s mantra of “Diligence is the mother of good luck,” and W.B. Yeats as well, who said “There are no strangers here, only friends you haven't yet met,” all of which he employed to ultimately co-found Reonomy (which, as a consequence of a networking play date, with props out to an old Grateful Dead tune and his co-founder, because “Mr. Charlie” told him so). I give to you my real estate brethren, from the streets of London, the one language shy of being a polyglot and the man who had the business he co-founded in college become the subject of a 60 Minutes segment, the truly fascinating CEO of Reonomy, my new friend Rich Sarkis.

There are times when we feel really close to God, when we seem to actually sense His presence around us. And there are times when we feel really distant from God as well. It's not that we completely lose our faith, but our connection to God feels routine and mundane and...well...stagnant. What do we do when we feel like our connection to God feels dull? What do we do when we feel stuck with a stagnant faith? ------------------------------------------------ 00:00 Welcome / Prayer 03:01 “I Will Call Upon the Lord” 04:14 “We Will Worship the Lamb of Glory” 05:52 “Faithful Love” 08:40 Communion 13:24 “I Will Follow” 16:20 Sermon 57:20 “Lord, I Need You” 01:00:43 Closing Comments / Prayer 01:03:30 “Restore My Soul”

Chapter 1 - It Was Fun While It Lasted. The Houston Astros rallied to a Game 7 in the ALCS after dropping the first three, but fell in that decisive game 4-2 ending their exciting playoff run. This leaves the Dodgers and Rays to square off in the 2020 World Series in Arlington. Eric and Craig analyze this match-up.Chapter 2 - I Will Follow. U2's remarkable debut album, "Boy" released 40 years ago on October 20th. We reconsider that album and this remarkable band and remember how they  shaped our musical tastes.Chapter 3 - Too Much Goin' On. Television ratings are down across the board for sporting events this summer and so far in  the fall. The NBA and MLB playoffs, golf's US Open, the Stanley Cup finals, the Kentucky Derby, NFL and NBA football - the list goes on. Marist Univ. has released a survey on viewing habits during this pandemic - we dive in to consider the future for sports on TV.

WHERE YOU LEAD! I WILL FOLLOW! ANYWHERE! THAT YOU TELL ME TOO! Erin sings this song every fall. Because fall means GILMORE GIRLS! On this weeks episode, we finally talk about Gilmore Girls as well as the Lumineers and the day we got married. Also discussed: Our first time performing since February, Irish accents, and Yo-Yo Ma. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/oh-jeremiah-talks/support

This Sunday, we are blessed to have a guest speaker presenting God's Word. Pastor Martin Dam from the Stratford Christian Reform Church will be delivering a message entitled, "Free of Charge". Song(s) performed by Sean Saunders and otherwise used in this video: "I Will Follow" words and music by Jacob Sooter & Jon Guerra. ©2013 All Essential Music (CCLI Song #7005972). Used by Permission. CCLI License #2238901. Also original music from the River City Church band.

Fred shares with Rex  in the morning the very launch of Promotion Man podcast. KNCN is a legendary rock radio station along the Texas coastline. Fred tells the U2 story where KNCN was one of 3 radio stations in America to be the first to play U2 music with the add of “I Will Follow”. Rex recalls Fred as the Pope in the RV for Lenny Kravitz Promotion. Fred tells a story about Quarterflash and Sammy Hager being in Corpus Christi the same day. Recommended Music:U2 “I will follow”

Shanta Atkins is a powerful talent! A Shanta Atkins is a Singer, Artist, Teacher, Producer, Writer, Philanthropist , and an Advocate for Mental Health! In this episode, we discussed her singing, the inspiration behind her songs God Sees You and I Will Follow, and much more!!! Enjoy!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/linnea-38/support

This is the 6th sermon in our Lenten Series, "I Will." This is also Palm Sunday, so our topic is "I Will Follow." Following Jesus is what we are all about at Euless First United Methodist Church, so, on Palm Sunday, we ask, "If Jesus sent you into town for a colt, would you go?" Following sounds so simple, so straightforward, but most of us don't find actually following Jesus quite that easy. And yet, we refuse to let that stop us.

Sunday, October 28, 2018 | Midterms: Living Life in the In-Between | Listen as Pastor Michelle begins our new sermon series "Midterms" with a sermon about finances, stewardship, starting, sustaining, and the middle space between who we are and who God has called us to be. The band leads us in "I Will Follow" and introduces our new theme song for the series "Somewhere in the Middle".

In our fifth podcast, we continue our exposition of Ruth 1, starting in verse 15 and continuing until the end of the chapter. We contrast "gods" with God, marvel at Ruth's declaration of loyalty to Naomi, study a common ancient Hebrew expression, and watch as Naomi plunges into bitterness. We also pose the question, "Does God orchestrate evil events in the lives of His children?" Scripture References/Allusions and Further Reading: --Genesis 2:23-25 --Deuteronomy 29:10-13 --Matthew 15:21-28 --1 Samuel 3:10-18 --Exodus 15:22-25 --Job 1-2:10; 42:11 --Romans 8:28 --James 1:3 --Jonah 1:7 --1 John 1:5 --Genesis 50:20 --Deuteronomy 31:6 --"So May God Do To Me!" by Paul Sanders: https://www.bsw.org/biblica/vol-85-2004/so-may-god-do-to-me/159/ --Quote from chapter 8 of "Hinds' Feet on High Places" by Hannah Hurnard --Worship Song of the Day: "I Will Follow" by Chris Tomlin: https://www.youtube.com/watch?v=1ohvhmGSfxI

Sunday, June 3, 2018 | Ruth: Poverty, Privilege, & the Presence of God | Rev. Michelle Matthews preaches on Ruth 1. The story of Ruth is a story of failure. Listen as Michelle suggests that the DC metro fear of failure is in fact a sign of privilege, and as Naomi Evans shares her testimony about her work with the Coalition for Juvenile Justice. The band leads us in a song based on Ruth 1, "I Will Follow," and our new theme song for the series, "No Outsiders."

I Will Follow 6 by WLCC Wichita

I Will Follow 7 by WLCC Wichita

I Will Follow 5 by WLCC Wichita

Ava Duvernay is an Oscar-nominated film director. Ava made her feature film debut with the documentary This in the Life (2008), a history on the hip hop movement in Los Angeles in the 1990's. This was followed by series of television music documentaries and her first narrative feature film, I Will Follow (2010), secured her the African-American Film Critics Association award for best screenplay. Her follow-up, Middle of Nowhere (2012) won the Best Director Prize at the 2012 Sundance film festival, making her the first African-American woman to receive the award.Fast forward to the last few years, she is best know for her work directing Selma (2014), Ava was the first black female director to be nominated for a Golden Globe Award. With Selma, she was also the first black female director to have her film nominated for the Academy Award for Best Picture. In 2017, she was nominated for the Academy Award for Best Documentary Feature for her film 13thHer latest film, out now, is the 2018 fantasy film A Wrinkle in Time, which has a mega cast of Reese Witherspoon, Mindy Kaling and Oprah, and had a budget exceeding $100 million. She is amazing. I hope you love this episode as much as I do.Some of the favourite quotes from the episode:“I didn’t pick up a camera until I was 32 years old.”“I had made 13th and I had made Selma, and that was really dark subject matter, and just to make something about lightness and joy and black girls flying, and designing talking flowers, brought me joy.”“What do we treat each other so poorly? How broken are we?”“I reject the word workaholic. I work all the time but I love what i do, and to not do it would make me less happy.” See acast.com/privacy for privacy and opt-out information.

I Will Follow 4 by WLCC Wichita

I Will Follow 3 by WLCC Wichita

I Will Follow 2 by WLCC Wichita

I Will Follow by WLCC Wichita

In this week’s episode we have part 2 with  Donn T -  a Singer songwriter, Producer, one of a handful of female independent record label owner of Dtone Victorious, actor, and recently made her literary debut as an author in Sourcebook’s anthology ‘Behind the Song’.   This past September, her new single, "Clear" was released which features Philly's Chill Moody, produced by Daru Jones and Ray Angry.  She has performed with a diverse array of artists, including Amy Winehouse, Marsha Ambrosius, Sharon Jones, John Legend, Esperanza Spalding and Ceelo Green to name a few and The Grammys named her in 2016 as an Artist of Tomorrow. Her track “Waiting", can be heard in the BET film I Will Follow, directed by  Ava Duvernay (Selma).  She shares about how she started her record label, her definition of success, and how she relates to fear.  Connect with Donn T: https://www.instagram.com/dtonevic/ Twitter: @Donn_T ‘Website: www.Donn-T.com To Buy he new single 'Clear' that was played on this episode go to  https://fanlink.to/clear   She’s Got Drive is produced by Cassandra Voltolina and music for this episode is by Donn T, her  new single ‘Clear’ which features Chill Moody. Produced by Dara Jones and Ray Angry   Artwork by Natasha Merrifield  Listen on iTunes, Podbean, Stitcher and Google Play and SoundCloud    You're invited to go to  shirleymcalpine.com  for a free download of my ebook ‘3 Top Tips on How to be a Woman with Drive’ and the P.I.E download.    To connect with me and the She’s Got Drive community  Instagram: https://www.instagram.com/shirleymcalpine_/ She’s Got Drive Facebook page: https://www.facebook.com/shesgotdrive/?ref=aymt_homepage_panel @shirleymcalpine on Twitter: https://twitter.com/shirleymcalpine #shesgotdrivepodcast   

In this week’s episode we have Donn T -  a Singer Songwriter, Producer, and one of only a handful of female independent record label owners, hers is called Dtone Victorious. She is also an actor, and recently made her literary debut as an author in Sourcebook’s anthology ‘Behind the Song’.  This past September, her new single, "Clear" was released which features Philly's Chill Moody, produced by Daru Jones and Ray Angry.  She has performed with a diverse array of artists, including Amy Winehouse, Marsha Ambrosius, Sharon Jones, John Legend, Esperanza Spalding and Ceelo Green to name a few and The Grammys named her in 2016 as an Artist of Tomorrow. Her track “Waiting", can be heard in the BET film I Will Follow, directed by  Ava Duvernay (Selma).  She shares about the sad loss of her Father and the powerful impact it has had on her  and her life . She said  ‘The insights I received over that period, they transformed me and they strengthened me - I am different’   Connect with Donn T: https://www.instagram.com/dtonevic/ Twitter: @Donn_T ‘Website: www.Donn-T.com To Buy he new single 'Clear' that was played on this episode go to  https://fanlink.to/clear    She’s Got Drive is produced by Cassandra Voltolina and music for this episode is by Donn T, her  new single ‘Clear’ which features Chill Moody. Produced by Dara Jones and Ray Angry   Artwork by Natasha Merrifield    Listen on iTunes, Podbean, Stitcher and Google Play and SoundCloud    You're invited to go to  shirleymcalpine.com  for a free download of my ebook ‘3 Top Tips on How to be a Woman with Drive’ and the P.I.E download.    To connect with me and the She’s Got Drive community  Instagram: https://www.instagram.com/shirleymcalpine_/ She’s Got Drive Facebook page: https://www.facebook.com/shesgotdrive/?ref=aymt_homepage_panel @shirleymcalpine on Twitter: https://twitter.com/shirleymcalpine #shesgotdrivepodcast   

No programa de hoje conversamos sobre a filmografia da cineasta estadunidense Ava DuVernay, que atingiu sucesso no circuito alternativo e nos últimos anos tem se destacado em produções mainstream. Seus filmes criam micro-cosmos em torno da subjetividade dos personagens, ao mesmo tempo em que levantam importantes temas políticos, seja sobre gênero, questões étnico-raciais ou direitos civis.Abordamos seu primeiro longa metragem, I Will Follow (2010), Selma: Uma luta pela igualdade (Selma, 2014), com o qual alcançou pleno reconhecimento do público, e o documentário A Décima Terceira Emenda (13th, 2016). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste e Samantha Brasil do Delirium Nerd, Sobre Elas e Cineclube Delas. Tivemos a participação da convidada antropóloga e pesquisadora de cinema Ana Paula Alves Ribeiro, do Antropologia do Cinema e Instagram. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Jono Coulbeck speaks on "I Will Follow" (part four), followed by LifeTalk panel discussion.

Julia McCarthy speaks on "I Will Follow" (part three), followed by LifeTalk panel discussion.

Jeremiah Nicholls speaks on "I Will Follow" (part two), followed by LifeTalk panel discussion.

Anna Coulbeck speaks on "I Will Follow" (part one), followed by LifeTalk panel discussion.

In episode 74, Brenton and Bryant have a chat with Jon Guerra. With a penchant for thought-provoking lyrics, innovative instrumentation and pleading vocals regularly wrapped around an entrancing, worshipful undercurrent, Jon Guerra is steadily being recognized as one of today’s most gifted, intellectual and groundbreaking singer/songwriter/multi-instrumentalists. But just because he’s meeting the world at large with Little Songs(Essential Records) doesn’t mean the Chicagoan (raised in Wheaton, a salt-of-the-earth Midwestern small town) is a newcomer to his craft.  While diligently studying Bob Dylan, Rich Mullins, Sufjan Stevens and Rufus Wainwright, along with influential poets Emily Dickinson and George Herbert, plus novelist Marilynne Robinson, Guerra essentially spent his entire artistic journey switching between local band and solo life. He’s been courted by mainstream labels, opened for the likes of .fun, and even served as a jingle writer for massive companies like Comcast, Chase Bank and Allstate Insurance. By 2013, the artist of many associations also became a member of Vertical Church Band, the worship band from Harvest Bible Chapel in Chicago, where he continues to serve when not on tour. “I was invited to write songs with Vertical Church Band, and I went on one of their writer’s retreats, though I’d never done anything like that before,” recalls Guerra of the eventual road that led to Little Songs. “I’d done faith-based music - not corporate worship in the way we understand it today - but I figured ‘well, I’m here, I want to help and I’ll try my best.’ It was on that trip that I wrote ‘I Will Follow,’ which first came out as a single on my Glass EP last year and is also on Little Songs. My church really took to that song, and I thought, ‘maybe I can do this. Maybe I can write songs in a way that makes sense to me, while being helpful for people in my church.’” Like many of his groundbreaking muses, Guerra brings intelligence, passion and originality to every angle of Little Songs, which shows just as many shades of a timeless troubadour as someone with a truly revolutionary approach to congregational contexts. It’s no wonder he’s attracted a sizable listener base within and without the church community, while becoming a recurring favorite for the folks at Relevant Magazine and its massive audience of those thirsting for spiritual authenticity.  “The most personal songs are the most worshipful. For this record, that’s just where it went,” he confirms. “All of these 11 songs are my best effort at being a songwriter, at pleasing God, at giving something that I think is going to be useful to my friends and family in their journey of faith, and something that will be useful to churches on a Sunday morning as they’re trying to engage with God as a faith community.” Continues Guerra: “For me, art is hewn from my heart, from my personal experience and what happens in those moments of solitude. Every song is written from a very private place, and then it’s also consumed in a very private place, generally speaking. People have their headphones in, people are in their cars and it’s like deep calls to deep in that regard. Some of these songs are written in the middle of the night when I can’t sleep. Some of them are written with very dear friends when we’re talking about something and we feel like a song needs to be sung about that subject in a way it hasn’t been before.” While Little Songs is replete with examples, perhaps the lead single “Nothing Better” is an ideal place to start. Listeners are sure to marvel at Guerra’s vocal gymnastics spanning several different octaves, his unexpected yet suave blend of acoustics and synths, plus plenty of deliciously catchy hooks. “Pop music so beautifully captures a moment. ‘Nothing Better’ speaks of those very acute moments when we experience the love of God with complete liberation and freedom. The song is meant to capture the joy and exuberance that comes in those moments.” More than any other track on the ambitious album, the ethereal and delicate “Every Little Song” seems to best summarize Guerra’s visions for the collection and it’s clearly no coincidence to find it ranking amongst his personal favorites. “It completely encapsulates everything that I think this record ought to be about. There’s no consistent theme or concept, but every song is an offering and every song is an attempt at writing faith-based material in a way that stays true to the faith and true to my sense of art. And I just love singing it. It’s a fun finger-picking pattern, and I love the melody.” Thus far, everyone from capacity crowds in cozy clubs to arena-sized audiences on The Rock & Worship Roadshow (alongside Crowder, Matt Maher and more) are agreeing wholeheartedly as Guerra previews Little Songs, which is slated for national release in April. And that’s only the beginning of what’s sure to be a fruitful touring cycle that also includes a summer stretch with fellow Roadshow alum/label mate Maher. However, no matter what the platform, the tunesmith simply seeks to enlighten both Christ followers and seekers alike with creativity and spiritual connectivity at every turn.  “My general goal is the ministry of art, if that’s possible,” Guerra lets out with a little laugh. “For a long time, art and ministry have been at odds, but I don’t think that needs to be the case. I think artists can love their neighbor as they love themselves, while keeping their finger on the pulse of what makes a good song and what makes good art. Hopefully I can say beautiful things, sing beautifully and then let the beauty do its work.” Find out more about Jon at www.jonguerramusic.com ⏪ See acast.com/privacy for privacy and opt-out information.

Join Emily Maesar (along with guest Megan Bailey) on a journey through TV. Megan's back to finish our Gilmore Girls revival conversation. (SPOILERS!!!) Follow us as we journey through "Summer" an episode filled with body negativity, jabs at millennials, and Rory not knowing how to run a paper. And "Fall," the episode with Wild, the Life & Death Brigade, and a music video wedding. Please send your hate mail to somedaywellbesyndicated@gmail.com. Theme - "I Will Follow" Lyrics by Toni Stern. Music by Carol King. Recorded By Carol King & Louise Goffin. Twitter: @SyndicatedCast & @emilymaesar Patreon: goo.gl/yo5160

Join Emily Maesar (along with guest Megan Bailey) on a journey through TV. Megan's back again. This time we're actually talking about the Gilmore Girls revival (SO SPOILERS FOR REAL, YO) that we were once so young and hopeful for. Now, having the knowledge, and not just rumors, we have A LOT of opinions. Please send your hate mail to somedaywellbesyndicated@gmail.com. Theme - "I Will Follow" Lyrics by Toni Stern. Music by Carol King. Recorded By Carol King & Louise Goffin. Twitter: @SyndicatedCast & @emilymaesar Patreon: goo.gl/yo5160

Join Emily Maesar (along with guest Megan Bailey) on a journey through TV. Megan is back! This time we're strictly talking about Gilmore Girls (Megan's favorite TV show). We wanted to get this in before the revival, but this is not the last you'll hear from us about those crazy kids from Stars Hollow. Theme - "I Will Follow" Lyrics by Toni Stern. Music by Carol King. Recorded By Carol King & Louise Goffin. Twitter: @SyndicatedCast & @emilymaesar Patreon: goo.gl/yo5160

Nominated for two Academy Awards and four Golden Globes, writer/director Ava DuVernay's "Selma" was one of 2015's most critically-acclaimed films. Her current directorial work includes her dramatic television series for The Oprah Winfrey Network entitled "Queen Sugar"; her feature-length documentary on criminality and race relations entitled "The 13th"; and Disney's "A Wrinkle in Time" based on the Newberry Award-winning classic fantasy novel. Winner of the 2012 Sundance Film Festival's Best Director prize for her previous feature "Middle of Nowhere," DuVernay's early directorial work includes "I Will Follow," "Venus Vs," and "This is The Life." She also distributes and amplifies the work of people of color and women directors through her film collective ARRAY, named one of Fast Company’s Most Innovative Companies in Hollywood for 2016.

Do we have an intellectual devotion to God or a heart-wrenching allegiance to Him? Follow me to the Book of Ruth this week as we explore big themes using "I Will Follow" by Chris Tomlin as inspiration. Ruth's total devotion and life of submission have challenged me this week. I hope her story impacts you as well. On this episode I discuss: My daughter, Meredith's, memory verse - Ruth 1:16-17 Taking a B.I.T.E. out of Scripture - our Bible Interaction Tool Exercises this week are: Reading in context Repetition Listen to the Scripture Read (or listen) in a variety of translations Concentrate on big themes The deep love and devotion Ruth had for Naomi - Ruth 1 Putting our feet on a path to deep, abiding love for our Father rather than just cultural and intellectual devotion The theme of submission to authority Following God's instructions for our lives without "customization" (also known as disobedience) How God doesn't make mistakes - sometimes His will IS the long way around Exploring the themes in Ruth (not an all inclusive list) Redemption Joy Legacy Submission without customization Deep, abiding love The "could haves" in Ruth's story Additional Resources Lyrics Story behind the song "I Will Follow" by Chris Tomlin - YouTube Video This Week's Challenge Read in context - all four chapters of Ruth. Read it several times. Listen to it. Read or listen to it in several versions. Concentrate on the big themes. Maybe even pick one big theme I have listed this week and read and listen with only that theme in mind. It's going to be an exciting week!

Jeremy Camp joins Jerry and Blanca live in studio! He shares music from his new album "I Will Follow" and the stories that inspired them. Also some special guests whose lives changed forever because of an encounter with Jeremy...and lots more with a live studio audience!

Family Christian Center

NEW FOR APRIL 1, 2014 Abandoned Orchestra - The Best Radio You Have Never Heard - Vol. 231 Someone left the orchestra out in the rain . . . 1. Abaddon's Bolero - The Keith Emerson Band Buy From iTunes 2. King Kong / Chunga's Revenge / Mr. Green Genes (live) - Frank Zappa / Mothers 3. Cosmic Messenger (live) - Jean-Luc Ponty Buy From iTunes* 4. Grey Seal (early) - Elton John Buy From iTunes 5. Entangled (live) - Ray Wilson Quintet 6. Shock The Monkey (unplugged) - Peter Gabriel Buy From iTunes* 7. Monkey Gone To Heaven (unplugged) - Pixies Buy From iTunes* 8. Ritual (Nous Sommes Du Soleil) (solo acoustic) - Jon Anderson Buy From iTunes* 9. It's Not My Cross To Bear (live) - The Allman Brothers Band Buy From iTunes* 10. Eyesight To The Blind (rehearsal) - Eric Clapton Buy From iTunes* 11. Young Man's Blues (live) - The Who Buy From iTunes* 12. Born Under A Bad Sign (live) - Albert King Buy From iTunes* 13. I Can't Quit You Baby (live) - Otis Rush Buy From iTunes* 14. You Shook Me (live) - Led Zeppelin Buy From iTunes* 15. I Will Follow (live) - U2 Buy From iTunes* The Best Radio You Have Never Heard Orchestrating the history of music one episode at a time . . . Accept No Substitute

Host Phalana Tiller talks with Bloomingdale's president and COO Tony Spring about the company's continual efforts at keeping an eye on what their customers value. Tiller also chats with Ava DuVernay, the award-winning director of films I WILL FOLLOW and MIDDLE OF NOWHERE and founder of the film distribution company AFFRM (the African American Film Festival Releasing Movement). The conversations explore the central role of the "customer" in these two very different industries. And Rick Wartzman delivers a piece which asks: "Is there a little Rupert Murdoch in all of us?"

I Will Follow

I Will Follow

PLAYPOD 12.02 DJ Byron Bonsall (SFO) ----- DJ Byron Bonsall Website: http://www.djbyron.com/ Facebook: https://www.facebook.com/pages/DJ-Byron-Bonsall/144964828892578? Growing up in rural Nebraska tends to make one’s musical interest lean a certain way. But even at a young age, Byron knew there was more to music than what he heard on the local country western radio stations. It was in junior high that Byron DJ’d his first dance with his cousin. Even then his eclectic taste in music came out (Star Wars Theme by Meco anyone?). After moving to San Francisco, Byron stated taking in the sights and sounds of such parties as MASS and CLUB UNIVERSE, all having a huge impact on him. Byron has developed the philosophy of keep the crowd moving and make sure they leave with a smile. His mix of equal parts upbeat house, anthems, and progressive sounds (with a splash of disco and trance) has earned him a faithful following. "If you don’t leave with a smile on your face and maybe a little sweaty, I haven’t done my job.” There is nothing better than leaving a club thinking “that was fun!” Byron wants you to think that same way. “Just come in, dance your ass off for a few hours and have a memorable time. Drop off your worries at the door. They'll be waiting for you when you leave. Until then, you belong to me!” ----- Track Listings: 1. Life Saviour - Green Children (7th Heaven Club Mix) 2. Fool For You ft. Wray - Steve More (7th Heaven Club Mix) 3. I Will Follow 2011 - Una Mass (Dulcie Danger Remix) 4. So Alive - Avalon Superstar (Vocal Club Mix) 5. Got To Be Real ft. Shena - Groovesplitters (Soulshaker Club Mix) 6. Finger on the Trigger (Love is in Control) - Deni Hines & The A-Funk Allstars (7th Heaven Club Mix) 7. It Doesn't Matter ft. Shena - Jay C & Oliver Lang (Original Mix) 8. They Say It's Gonna Rain - Hazel Dean (Sleazesisters Remix) 9. The Way I Like ft. Wendy - Diego Donati vs F&A Factory (Original Extended) 10. Keep On Jumpin' - Joey Negro & Z Factor (Luigi Rocca Remix) 11. 3AM Eternal - Serge Devant (Serge's KLF Remix) 12. Last Exit - Simon Jain (Original Mix) 13. Beautiful Stranger ft. Melissa Totten - Wayne G (Wayne G & Andy Allder Atlantis Anthem Mix) 14. Finish Line - Yasmin (Freemasons Pegasus Dub) 15. Be With You - Erasure (Moto Blanco Club Mix) 16. Jealousy - Will Young (The Alias Club Mix) ----- Our Next Event: PLAY T-Dance Up Your Alley Weekend Sunday, July 29, 2012 DJ Craig Gaibler ----- Flirt. Frolic. Dance. A Tradition That Never Gets Old. In July of 2011, PLAY T-Dance celebrated 10 years as one of the Bay Area’s most popular and longest running t-dance events. Since it’s launch in 2001, PLAY T-Dance has become notorious for its unique and engaging themes, abundant hospitality, unrivaled production values and the most uplifting and energetic t-dance music on left coast. Thousands of men (and even some women) have flirted, frolicked and danced to their favorite t-dance tunes, spun by world-class DJ talent including Susan Morabito, Paul Goodyear, Joe Gauthreaux, John LePage, Lydia Prim, David Knapp, Andy Almighty, Ted Eiel, Rob Kaftan, Warren Gluck, Reed McGowan and Pete Savas. Getting dressed up for one of PLAY T-Dances themes is one of thee most anticipated local rituals with popular themes like Glow Party, Sports Gear, Pajama Party, Fire Island, Pig Party, Prison, Camp PLAY Military, and USS PLAY Navy/Sailor. The hospitality at PLAY T-Dance, unsurpassed by any event, includes a huge fruit, candy and gum table, massage therapists, greeters and hosts, as well as mouthwash and sterile hand wash in the bathrooms. Even after 10 years PLAY T-Dance continues to grow in popularity and Past Curfew is committed to taking steps to continue to build on its legacy. In July of 2011, with the help of Two Knights Event, PLAY T-Dance premiered in Seattle with Northwest favorite, John LePage. Look for PLAY T-Dance to return to Seattle soon. In August of 2011 PLAY T-Dance was the official closing party for Lazy Bear Weekend with San Francisco Bay Area favorite DJ Russ Rich. 2012 will be the year of the local up-and-coming DJs featuring some of San Francisco’s and Seattle’s best new talent. Look for dates featuring DJ Steve Sherwood, DJ Craig Gaibler, DJ Russ Rich and DJ Byron Bonsall. ----- flirt. frolic. dance. PLAY T-Dance San Francisco http://www.playtdance.com http://www.facebook.com/playtdance http://pastcurfew.tumblr.com/ http://www.facebook.com/pastcurfew

NEW FOR AUGUST 15, 2011 Always making the good choice between music, looting or riot police . . . Misguided Intention - The Best Radio You Have Never Heard Vol. 164 1. Anarchy In The U.K. (live) - The Sex Pistols Buy From iTunes 2. I Will Follow (live) - U2 Buy From iTunes 3. Police On My Back (live) - The Clash Buy From iTunes 4. Guns Of Brixton - Dropkick Murphy's Buy From iTunes 5. Teen Age Riot - Sonic Youth Buy From iTunes 6. Bulls On Parade - Rage Against The Machine Buy From iTunes 7. Gimme Shelter - Ruth Copeland 8. Confianca - Allen Hinds Buy From iTunes 9. Inductive Resonance (live) - The League Of Gentlemen w/ Robert Fripp 10. Dani California - Red Hot Chili Peppers Buy From iTunes 11. Mary Jane's Last Dance - Tom Petty and the Heartbreakers Buy From iTunes 12. Dedicated To The One I Love - Steve Cropper w/ Bettye LaVette, Steve Winwood, and Lucinda Williams Buy From iTunes 13. Mother (live) - Blondie 14. Only The Lonely (demo) - The Motels Buy From iTunes 15. Jealous Guy - Ian McCulloch 16. Sgt. Pepper's Lonely Hearts Club Band / The End (live) - Paul McCartney Buy From iTunes* 17. D�j� Vu (demo) David Crosby (Stills and Nash) Buy From iTunes The Best Radio You Have Never Heard. Never shot to maim or cripple anyone . . . Accept No Substitute And it's Happy Birthday to my Mom Teddy! Please wish my Mom, Teddy, a very happy 84th Birthday (with where you are listening from of course) this August 15 in the comment box below !

1. I Saw a Man 2. He Lovingly Guards Every Footstep 3. Mansion over the Hilltop 4. Where He Leads Me, I Will Follow 5. Letters from Heaven (Don't Burn My Leaves)