Podcasts about Tiya

The Rise in EV AdoptionThe US electric vehicle (EV) market is expected to reach a revenue of $95.9 billion this year, with a projected annual growth rate of 12.61% over the course of the next four years. By 2035, California and twelve other states are planning to achieve 100% zero-emission new vehicle sales, calling upon local governments to assist in the EV transition to ensure equitable access to this new technology. For homeowners who have the ability to power up in their own garage, making the transition to EVs is relatively easy; however, for renters and those living in larger metropolitan areas, access to charging infrastructure remains a significant challenge. Although EV adoption is on the rise, urban areas are under constraint as they do not have sufficient charging infrastructure to keep up with heightening demand. High building density, limited capacity of the electricity grid, and insufficient funding and staffing are posing challenges for city governments across the country. Brooklyn-based startup, It's Electric, is working on one possible solution to this problem through the installation of curbside charging, powered from buildings on the adjacent property rather than directly from the utility grid. Building EV Charging AccessibilityCurbside charging works by minimizing the distance consumers need to travel to fuel their EV, thereby increasing accessibility of charging infrastructure. Many dense-urban areas have been referred to as “charging deserts,” due to their lack of accessible EV charging infrastructure, making the transition in these areas particularly challenging. Instead of the mainstream route in which charging infrastructure is developed through utility connections (which can be a 12 to 18 month process), startups like It's Electric partner with property owners, acquire the relevant permits, and install and maintain a charger powered by the building's electrical supply. Property owners can thus use untapped electricity supplies, allowing for installation without extensive infrastructure development or direct connections, providing property owners with passive revenue. Instead of working directly with electric utilities to install their chargers, It's Electric partners with municipalities and building owners directly. Further, the parking space will be maintained by the city, so the property owner doesn't need to worry about managing and maintaining the parking spot.Benefits of Curbside ChargingCurbside charging provides immense promise for city governments in transitioning towards more equitable access of EV charging infrastructure. For lower-income communities – particularly those without access to private driveways, garages, or who reside in multifamily housing – publicly accessible EV charging can help reduce barriers to participation in the ongoing shift to electric vehicles. As curbside charging is still in the beginning stages of development, policymakers can incorporate community members in decision-making. Thus, EV charging can be largely community-driven, incorporating opinions from local residents to make the transition fit the needs of the community. In dense urban areas, curbside charging can assist in reducing pollution and GHG emissions, particularly in high-emissions neighborhoods. Other strategies to keep in mind include providing discounts and cost reduction measures for lower income drivers as well as strategies like car share, mobility hubs, and colocation with other transportation services to improve accessibility. DrawbacksWithout addressing lower-income communities and those living in rental properties, EV charging can exacerbate current socioeconomic disparities and push marginalized communities out of the growing market. Thus, in tackling this transition, focus must be placed on targeted communities that lack the necessary resources to successfully adopt EVs. It's Electric has noted that there is more demand than they can meet right now, which represents the urgent call for this transition to occur. It's Electric is currently integrating Level 2 chargers into city infrastructure, rather than the faster direct current (DC) chargers that can power one's vehicle in 15-30 minutes. Because DC chargers take up significant amounts of space, require more infrastructure to develop, and utilize more electricity, it is not yet feasible to implement these in urban areas. Unfortunately, that leads to slower charging times and potentially limits an area's charging capacity. Another drawback of curbside charging in large cities can be attributed to limited sidewalk space and thus heightened demand for the few available units. Amidst these potential challenges, It's Electric has successfully resolved problems such as grid capacity and design by providing affordable, easy to install, and compact charging stations. By working collectively with policymakers, urban planners, transportation specialists, and community members, companies like It's Electric have begun to make curbside charging a reality.Who is Tiya Gordon?Tiya Gordon, co-founder of It's Electric, is transforming the way we approach EV charging by reimagining how publicly accessible chargers are integrated into public spaces. Tiya holds 20 years experience in design, leadership, and operations across a range of disciplines for some of the country's top firms and institutions. She is now venturing to spend the next 20 years building companies that use design to wage war against the Climate Crisis.For a transcript, please visit: https://climatebreak.org/curbside-charging-increases-ev-accessibility-with-tiya-gordon/

En 2025 dans le Journal du Gospel, on a rdv avec toujours + de talents… et cette semaine, Annette te propose de faire la connaissance Tiya Rose dans l'interview du JDG !

MotorTrend's Ed Loh & Jonny Lieberman sit down with COO & Co-Founder of ItsElectric, Tiya Gordon! Tiya talks about her company's mission to tackle urban charging challenges with curb-side chargers in YOUR city! Ask them for a charger - it's FREE! Join the waitlist at www.itselectric.us/join0:36 - QOTD - New Adm inistration.1:30 - Elon Musk's influence and the potential impact on EV policies.4:43 - Introduction of guest Tiya Gordon and her unique perspective on EVs.7:00 - About ItsElectric and their mission to tackle urban charging challenges8:32 - Challenges in adapting U.S. electrical infrastructure for EV charging.10:14 - Innovative solutions by "It's Electric" leveraging building power.13:30 - Cost-effective, simple, and durable charger designs for cities.16:12 - User-friendly approach: BYO cables and addressing accessibility concerns.26:50 - Encouraging proper charging habits and addressing behavioral shifts.30:18 - Regulations, parking challenges, and community-driven charger placement.34:13 - "Ask us for a Charger! It's FREE!"35:37 - Financial incentives for landlords and scaling partnerships.40:04 - Reducing barriers to urban EV adoption through thoughtful design.43:08 - Residential areas too!45:01 - The origin story of ItsElectric.56:08 - Affordability challenges and addressing the need for accessible EV options.01:01:31 - Charger design. 01:03:55 - Partnerships with rideshare companies and the future of urban EV infrastructure.

The Deep South is a haunted landscape where dark tourism thrives, supplying spine-tingling thrills to eager visitors. But is there a darker truth behind these tales? Maddy and Anthony's guest today is Tiya Miles, author of Tales from the Haunted South. Tiya reveals how ghost tours exploit and distort the true history of slavery for profit, feeding troubling narratives.Tiya Miles is the Michael Garvey Professor of History and Radcliffe Alumnae Professor at the Radcliffe Institute for Advanced Study at Harvard University. Her latest book is Night Flyer: Harriet Tubman and the Faith Dreams of a Free People (Penguin 2024).Edited by Freddy Chick. Produced by Sophie Gee. Senior Producer is Charlotte Long.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast.

READ THIS!Life has made it hard to put out the podcast weekly, and I can't stop myself from apologizing for that. Just know this is a temporary situation. Diabetes trauma, depression, and full-time work have been hurdles, but I've nearly cleared the first two. I know better than to make promises about show frequency or format now, but I didn't when recording this episode. Rather than tack on an intro, I'm letting you know here:I'm doing fine.I'm sorry the delays.TIYA will go weekly again ASAP.I appreciate and share your enthusiasm for the show. Free Palestine. Here are the regular show notes:I promised the next solo episode of This Is Your Afterlife would be me reading and talking about the emails I've received pitching guests who are entirely wrong for the show, and here it is. This was so fun that at one point I was in my car during the recording, and I looked around to validate the experience, except I was by myself. Genuinely the most fun I've had doing the podcast in a while. Jazz is about the notes you don't play, and This Is Your Afterlife is about the guests I don't book.Content warning: NDEs (near-death experiences), SDEs, pictures of angels, 1 picture of faerie, Albert Einstein, toxic masculinity that transcends death, afterlife employment, interdimensional relationships, dishonest PR people, and a buncha made-up names I used to anonymize people that I forget now, so you'll just have to listen.If you believe in This Is Your Afterlife and want the full convos and bonus episodes, become a patron for $5 or $15/month at patreon.com/davemaher. Follow this show on IG: @thisisyourafterlife, and get more info at thisisyourafterlife.com. Have thoughts on the show? Email thisisyourafterlifepodcast@gmail.com.Follow me @thisisdavemaher on Instagram and Twitter.All music by This Is Your Afterlife house band Lake Mary.Check out my other podcast, Genre Reveal Party!, where I analyze TV and movies with my friend, writer and cultural critic Madeline Lane-McKinley.

"Why Cleveland?" is the question I get when I tell people I moved from Chicago to Cleveland, mostly from people IN Cleveland. This Very Special Episode of This Is Your Afterlife does not answer "why" and in fact cautions against reading too much into every little detail of such a huge life transformation. My lovely pal, very funny comedian, and big TIYA fan Claire Favret helps me tease it all out.Content warning: employment, power outage, crappy apartment, COVID precautions, reckoning with the concept of sour grapes, relationship between making a living and making art, disillusionment with standup, commute soundtrack, are you a club or BLT?Here's the Craig Wedren post on the 30th anniversary of Shudder to Think's Pony Express Record, which I reference.If you believe in This Is Your Afterlife and want the uncut conversations and bonus episodes, become a patron for $5 or $15/month at patreon.com/davemaher. Follow Claire @clairefavs on IG and Twitter.Follow this show on IG: @thisisyourafterlife, and get more info at thisisyourafterlife.com. Have thoughts on the show? Email thisisyourafterlifepodcast@gmail.com.Follow me @thisisdavemaher on Instagram and Twitter.All music by This Is Your Afterlife house band Lake Mary.Check out my other podcast, Genre Reveal Party!, where I analyze TV and movies with my friend, writer and cultural critic Madeline Lane-McKinley.

KCBS Radio's Foodie Chap Liam Mayclem speaks with TIYA's Chef Pujan Sarkar.

On this episode of The Kara Goldin Show, Tiya Gordon, the dynamic Co-founder and COO of It's Electric, dives deep into the electrifying world of EV charging solutions. She shares how her passion for sustainable technology and a commitment to combating the climate crisis sparked the innovative idea behind It's Electric. Starting from a simple conversation to launching their first operational charger, Tiya outlines the journey of building a company that revolutionizes how cities implement public EV charging infrastructure.From their groundbreaking "behind the meter" approach that simplifies installation processes to forming strategic partnerships with cities and property owners, Tiya discusses the unique business model that allows It's Electric to offer charging services at no cost to municipalities. She also highlights the challenges faced and the strategies employed to maintain momentum in a rapidly evolving industry. Tune in to learn how Tiya's leadership is driving It's Electric towards a greener future and making electric vehicle charging accessible and efficient for everyone. Have your pen and paper ready—you don't want to miss a minute of this inspiring episode! Now on The Kara Goldin Show.‌Are you interested in sponsoring and advertising on The Kara Goldin Show, which is now in the Top 1% of Entrepreneur podcasts in the world? Let me know by contacting me at karagoldin@gmail.com. You can also find me @‌KaraGoldin on all networks.‌To learn more about Tiya Gordon and It's Electric:https://www.linkedin.com/company/itselectric/https://www.linkedin.com/in/tiya-gordon-itselectric/https://x.com/itselectric_cohttps://x.com/tiya_gordonhttps://www.instagram.com/itselectric_co/https://www.instagram.com/tiyagordon/https://www.itselectric.us/‌Check out our website to view this episode's show notes: https://karagoldin.com/podcast/579

First, we chatted with the talented Tiya Sircar, best known as Vicky/The Real Eleanor in The Good Place and Sabine Wren in Star Wars: Rebels. Tiya's credits also include roles like Rooni Schuman in Alex, Inc., Neha in The Internship, Delphis in Young Justice, Fiona in Guilty Party, and Pritti Patel in The Fugitive. Anika Noni Rose, the voice behind Princess Tiana in The Princess and the Frog and Ralph Breaks the Internet, joined us to discuss her roles as Lorrell Robinson in Dreamgirls, Pauline in Everything, Everything, Naomi Cole in Let the Right One In, Catwoman in Injustice, Regina in Maid, and Dr. Jan in Amphibia. Then, meet Barry Bostwick, who brought Brad Majors to life in The Rocky Horror Picture Show, and shined as Mayor Randall Winston in Spin City. You might also recognize him as Ace Hunter in MegaForce, Norman Coleman in Spy Hard, the Narrator in 3 from Hell, and Roger in Cougar Town. I had the pleasure of speaking with Ernie Hudson, legendary for his role as Winston Zeddmore in Ghostbusters & Ghostbusters II. Ernie has also captivated audiences as Albrecht in The Crow, L.C. Duncan in The Family Business, Herbert ‘Magic' Williams in Quantum Leap, Coach Phil Perretti in Champions, Joseph Vaughn in L.A.'s Finest, Jacob in Grace and Frankie, and Ned Conrad in APB. Finally, also caught up with comedian and actor Pauly Shore known for his hilarious roles as Stoney Brown in Encino Man, Bud Macintosh in Bio-Dome, and Crawl in Son in Law. Pauly has also starred as himself in Pauly Shore Is Dead, voiced Pinocchio in Pinocchio: A True Story, and portrayed characters like Bones Conway in In the Army Now, Bobby Zimmeruski in A Goofy Movie & An Extremely Goofy Movie, and Tommy Collins in Jury Duty. Don't forget to check out his documentary Phat Tuesdays on Prime! This is a star-studded interview you won't want to miss!

How much do you know about Araminta Ross? Her face is slated to start appearing on the twenty dollar bill by 2030. She's the first American woman in history to lead a military raid that emancipated over 700 people, and one of the most important abolitionists in history. You might know her by another name: Harriet Tubman. But when it comes to Harriet Tubman's legacy, an important part of her lived experience is often overlooked: her disability. With July being disability pride month, we wanted to celebrate Harriet Tubman as an icon and learn more about her identity from someone who finds her “often rightly celebrated, but seldom understood.” That someone is Tiya Miles, a National Book Award-winner and the Michael Garvey Professor of History at Harvard University. In her latest book, "Night Flyer: Harriet Tubman and the Faith Dreams of a Free People," Tiya writes about the somewhat unsung aspects of Harriet Tubman's life—her intertwined relationship with God and nature—which guided her activism and connected her to a collective of other women of her time. Through “Nightflyer,” Tiya proves that even when it comes to the most heralded historical figures, there's always more to say. And today, she joins us to tell us all about her new book, connect past and present, and offer lessons from Harriet's life that can help us build a future of collective liberation.

Daniel Wyche is a composer and improvising musician who uses guitar, pedals, and other electronics to make tracks full of ideas, noise, and even humor. I love his new tape with Lia Kohl, Movie Candy, so I talked to him in my living room about how to listen to experimental music (a Patreon-only part of our talk) and just how important other people are to his well-being. Content warning: hell is NO people, a gap year without the name "gap year," Chris Wiersema, learning how to hitchhike, metalhead with duffel bag full of CDs, Estonian farm, cousins.If you believe in This Is Your Afterlife and want fun bonus episodes, become a patron for $5 or $15/month at patreon.com/davemaher. Follow Daniel on Instagram, @danielwyche. And go to Elastic Arts, where he frequently curates programming.You gotta hear Movie Candy. Then, check out his solo albums, 2021's Earthwork and 2016's Our Severed Sleep. You can hear him collaborate with previous TIYA guest Patrick Shiroishi on Long Day (also with Ted Byrnes). And he has a forthcoming project with Lake Mary, so stay on the lookout for that!Follow this show on IG: @thisisyourafterlife, and get more info at thisisyourafterlife.com. Have thoughts on the show? Email thisisyourafterlifepodcast@gmail.com.Follow me @thisisdavemaher on Instagram and Twitter.All music by This Is Your Afterlife house band Lake Mary.Check out my other podcast, Genre Reveal Party!, where I analyze TV and movies with my friend, writer and cultural critic Madeline Lane-McKinley.

On this episode, Nick Perloff-Giles is joined by Tiya Gordon, Co-Founder & COO of itselectric, a company focused on redesigning and rethinking Level 2 charging in our cities. Hear from her about the challenges of conventional EV charging installation, opportunities for rethinking, and her thoughts on Tesla's recent news. ———————————— Join us next at CoMotion LA '24, Nov 13-14. Get your pass now: www.comotionla.com/register ———————————— LinkedIn: linkedin.com/company/CoMotionNEWS Twitter: twitter.com/CoMotionNEWS YouTube: youtube.com/channel/UCUdylw5XdxHdaXi-1KGwJnQ

Phamaceutikal kompany AstraZeneca ár vaksin dunai agura tiyaí gora felaíyé.

In this episode, we actually have a bit of a flashback for you – I sit down to chat with Tiya Gordon, co-founder and COO of It's Electric, creating curbside EV charging specifically built for cities. Before I even go into what we talk about, I'd like to shout out what Tiya has done in the few months since recording this episode in December:She was part of the Green Economy Action Plan, a landmark green jobs plan for NYCHas appeared on NPR,Was awarded the 2023 Top 10 Innovator award for Transportation Electrification by Darcy Partners, Was featured in Forbes, Spoke at Davos, Received a  $1.5M award from the Joint Office of Energy and Transportation enabling cities to deploy our innovative and community centered model of public charging. And just last week, she announced that It's Electric has created the first UL certified detachable cable charger That's not mentioning all the recognitions they collected in 2023 but I'll leave you all to read about those on your own. Tiya and I have met a few times in a few different context, but it was a real pleasure being able to do this with her and tbh I think we're already due for a part two.---

If woke means that we care about others, then we're woke. Tiya Lacroix is an Oklahoman activist for healthcare, education, and women's affairs. Tiya advocates for the children of today and tomorrow sharing that no matter what the disagreement, small ears are listening. Doing her part to improve the healthcare system, she is driving hospital costs down through transparency and data. Those who aren't on board, will be replaced. An activist, an advocate, and a trailblazer, Tiya is on the move to create change in Oklahoma and the entire nation.Find Tiya on LinkedIn and through her work with Impensa.Follow, rate, and subscribe to Women Making Moves on your favorite podcast platform and follow on Instagram. Visit Amy's coaching business, Unlock the Magic and follow on Instagram.

Urban EV charging revolution: uncovering the electric pulse of cities.PART 1: Meet the founder: Tiya Gordon, Co-founder and COO at ItselectricDuring this new episode of our founders series, I sat down with Tiya Gordon, co-founder & COO at Itselectric, a climate tech startup at the forefront of a vehicular revolution, aiming to electrify our streets one curbside at a time. With a vision to proliferate the adoption of electric vehicles (EVs) across the United States, Itselectric collaborates with property owners, offering them a chance to tap into a new stream of passive income while contributing to the environment. Tiya Gordon is a New Yorker with a passion for the vibrating life of cities and the potential of technology within them. From laying down the foundations of public technology in train stations and museums to influencing policy for urban infrastructures, Tiya has been recognized with prestigious awards, her drive now is harnessing design to combat the climate crisis. In this episode, we'll explore how charging solutions are currently deployed, the market dynamics, and regulatory impacts (including the IRA's weight). Tune in as Tiya shares the challenges and opportunities she perceives in the market, and the unique narrative of Itselectric's inception. From the tangible aspects of hardware and user experience to the overarching questions of smart charging and grid impact, Tiya's insights are set to charge up the conversation. Join us to understand how Itselectric is selecting deployment sites, the economics of joining the network, and their business model – all in pursuit of an electrified, sustainable future. PART 2: My secret sauce: (AVAILABLE TO MEMBERS ONLY=> More info on our site)During the second part of the talk, Tiya shares advice on navigating investor relationships, emphasizing the futility of trying to change hearts and minds of the skeptical. Instead, she advocates for aligning with those already on board with your vision. Tiya also shares that by waking up early, she has uninterrupted time to focus which helps her achieve her goals and a work-life balance.

Surprise! It's another installment of TIYA REMIXED, in which I re-edit classic interviews from the archives as refreshers for fans and great introductory episodes for new folks.Dylan Rodriguez is a founding member of Critical Resistance, an organization that for decades has provided leadership and resources in the movement to abolish the prison industrial complex. As importantly, he's a down-to-earth dude who could absolutely handle a heaven of sushi buffets every day.Content warning: copaganda, collectivity vs. individualism, Geronimo Ji-Jaga, humility, rude baby.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. If you're looking for an introduction to abolition, I highly recommend Critical Resistance's "Resource Guide for Teaching and Learning Abolition."Dylan's books:White Reconstruction: Domestic Warfare and the Logics of GenocideAbolition for the People: The Movement for a Future Without Policing & Prisons (edited by Colin Kaepernick)Check out the Cops Off Campus coalition: copsoffcampuscoalition.comAnd, of course, Critical Resistance: criticalresistance.orgFollow Dylan on Twitter: @dylanrodriguez and Instagram: @dylanrodriguez73Follow me @thisisdavemaher on Instagram and Twitter.And check out my other podcast, Genre Reveal Party!, where I'm analyzing TV and movies with writer and cultural critic Madeline Lane-McKinley.---Music = Future: "Use Me" / Four Tet: "Two Thousand and Seventeen" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

Friend, TIYA superfan, and This Is Your Aftershow cohost Claire Favret returns to the main feed for our annual New Year's Special episode. We celebrate our years of minimal and no resolutions, and we answer a series of New Year's reflection questions Claire is pretty sure came from Simi Botic of Movement Unmeasured.Content warning: YOU DON'T NEED RESOLUTIONS TO DO THINGS, relationship to the word "prayer," cooking with loved ones, CD shopping, love/frustration with your union, validation at Socialism Conference, good vs. bad hating, printing stickers, Free Palestine.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes, including every This Is Your Aftershow with Claire. Become an Afterhead at patreon.com/davemaher. Follow Claire on Instagram: @clairefavsFollow me @thisisdavemaher on Instagram and Twitter.And check out my other podcast, Genre Reveal Party!, where I'm analyzing TV and movies with writer and cultural critic Madeline Lane-McKinley.---Music = Future: "Use Me" / Johnnie Frierson: "Miracles"

John Michael is my solo play-creating peer, independent art comrade-in-arms, and throwing-humor-at-heavy-subjects brother. I talked to him in my kitchen a couple weeks after seeing his most recent show, Spank Bank Time Machine, at the Neo-Futurist Theater. It's a new TIYA classic.Content warning: drug overdose, mental illness, weird bits, giddy laughter, Narcan, toxic friend representation, trauma dump vs. trauma bond, our sibling dynamic, twisted mom humor.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow John Michael on Instagram: @jmsillyFollow me @thisisdavemaher on Twitter and Instagram.And check out my other podcast, Genre Reveal Party!, where I'm analyzing TV and movies with writer and cultural critic Madeline Lane-McKinley.---Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

Matthew Sage (aka M. Sage) and Fuubutsushi put out four records—aligned with the seasons—that helped keep me sane in quarantine. I talked to him in 2021 in this classic TIYA, and now he's my friend. I took my editing finger to this episode as an experiment to see if I could bring it under 30 minutes. I'm calling this leaner version of the podcast TIYA REMIXED. Let me know what you think!Content warning: nondenominational Christianity, type one diabetes, coma snobbery, mushroom suit, memory palace, IVF treatment.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow Matt on Instagram: @matthewjsageVisit his website: matthewjsage.comListen to Fuubutsushi on the cached.media Bandcamp.Read about Fuubutsushi in the Chicago Reader.Follow me @thisisdavemaher on Instagram and Twitter.And check out my other podcast, Genre Reveal Party!, where I'm analyzing TV and movies with writer and cultural critic Madeline Lane-McKinley.---Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"Poem = Walt Whitman: "This Compost"Poem Reading Bed Music = Fuubutsushi: "I Hold Dearly (for Miles)"

Flying over Full Moon on my Vibrating Broom, I deliver my spooky s3x-positive Ode to Halloween to spark the scene as well as our newest Bonoboville road, “Poet Avenue"... Warning: Explicit Conversations About Politics, Culture, & S3xuality!   So, it's been 3 weeks since “Israel's 9/11” when Hamas horrifically attacked Israel, & then Israel horrifically attacked Gaza, which it is still attacking & attacking… in a frenzy of atrocity after atrocity. On this FDR, I join the voices of fellow anti-Zionist Jews saying, “No! Not in our name! Ceasefire now.” But how? Friends of Bonobos (with Lola ya Bonobo) invited me on a backstage tour of the San Diego Zoo bonobos, so Max & I held a “Peace Summit” with the quintessential peacemakers: the bonobos. Seeing them made me even more certain that peace is the way - even in Palestine…. Ceasefire for Palestine! Ceasefire for the hostages... Ceasefire for Israel! The only ones who won't benefit from a ceasefire are Hamas, because Hamas feeds off of everyone's outrage over Israel's war crimes. Bibi Netanyahu is dead wrong (of course). The best thing Israel can do now is offer to negotiate with Hamas, to neutralize the “enemy” with peace, like bonobos... Part of our Bonobo Peace Summit involved dining at the wonderful Palestinian restaurant, Fairouz, recommended by a Callin listener who took our mutual friend the great Abby Martin there after screening her film “Gaza Fights for Freedom.” Fairouz is also an art gallery filled with vibrant paintings by Ibrahim Al Nashashibi, whose brother Sami Al Nashashibi (of one of Jerusalem's oldest Palestinian families) is an excellent host, his broad smile seeming to stretch across the great divide between Palestine & Israel, Muslim & Jew; with love, art, poetry & great food. My brother Steve & sister-in-law Tiya also took us to the Fish Market where we slurped up fresh oysters, said to be aphrodisiacs. Sounds fishy, but they did trigger great sex—great disabled, senior sex, that is—later at the hotel. Or maybe we were just inspired by the bonobos, but it was delicious AND orgasmic, in that order. Max felt so good, he almost tossed his wheelchair off the balcony. We also visited "Embracing Peace," aka “Unconditional Surrender” or the “Kissing Statue,” more proof that The Bonobo Way of peace through pleasure works for human apes too. It's worth a try. Give Peace a Chance! Make Love Not War Make Kink Not War! Be Bonobo: Save the Humans! Ceasefire Now! Check out more prose & shows: https://drsusanblock.com/fdr-halloween-2023    Need to talk privately? Call Our Therapists Without Borders anytime: 213.291.9497. We're here for YOU. 

What do comedy and magic have in common? What does it take to produce an independent magic and/or comedy show? I talk to my friend, previous TIYA guest, and magician Rebecca Spectre about our recent/upcoming shows, and how we went about both making them and putting them on.Content warning: DIY producing, comedy vs. magic, you're not Beyonce, "borrowed" tricks, unique venues, Mark James, Max Maven, David Berglas, Gob, the trick that cannot be explained.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow Rebecca on Instagram: @rebeccaspectremagic And grab tickets to her Halloween magic show at Inclusive Funeral Care WHILE THEY'RE STILL AVAILABLE.Follow me @thisisdavemaher on Instagram and Twitter.And check out my other podcast, Genre Reveal Party!, where I'm analyzing TV and movies with writer and cultural critic Madeline Lane-McKinley.---Music = Future: "Use Me" / Johnnie Frierson: "Miracles"

From exploring her debut novel's republication to revisiting her National Book Award winning book “All That She Carried,” plus getting a sneak peek into her upcoming book, “Wild Girls,” author Tiya Miles takes us on a literary journey like no other. Her debut novel, “The Cherokee Rose: A Novel of Gardens and Ghosts” tells the story of three women who uncover the secrets of a Georgia plantation that embodies the intertwined histories of Indigenous and enslaved Black communities.  We also talk about Tiya's reading life and we get some great book recommendations, we also discuss rereading books when there are so many others to read, plus so much more.BOOK:The Cherokee Rose by Tiya Miles on Amazon or Bookshop.SHOW NOTES & BOOKLIST:Find the episode show notes and a list of all the books mentioned here.MORE RESOURCES:Visit bibliolifestyle.com for more information and resources to help you in your reading journey.JOIN THE COMMUNITY:Join the BiblioLifestyle Community & the Bring Your Own Book (BYOB) Club for a fun, online book club experience!  Come and share books you've read, get inspiration for what to read next, make friends, and encourage each other along the way.  Learn more and join the community: bibliolifestyle.com/community.THE BIBLIOLIFESTYLE 2023 FALL READING GUIDEGet ready for a cozy fall reading season! Download your free copy of the guide when you visit fallreadingguide.com. This year's guide has thirty books organized across nine categories, plus fun recipes, fall activities, lifestyle tips, classic books, and a fun challenge. So download your free copy and discover your next favorite book! BIBLIOLIFESTYLE COMMUNITY & BYOB CLUBRead a good book recently? Join our members-only Community & Bring Your Own Book (BYOB) Club and tell us about it! Here we read what we want, make friends, and encourage each other along the way. Attend our online book club, seasonally-themed happenings, get exclusive content, plus more!

Jason P. Woodbury (Aquarium Drunkard, JPW) and I bring our mutual admiration society to the mics. It's an experiment. Do you like it?Content warning: UFO/UAP sighting, moments of rupture, dental hell, pretty AND funny, evangelical Christianity, Audio Adrenaline, loop.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow Jason @jasonpwoodbury on Twitter and Instagram.Listen to his evocative and mysterious new album as JPW, Something Happening / Always Happening, on Bandcamp.Listen to his fantastic and TIYA-overlapping podcast, Aquarium Drunkard - TRANSMISSIONS.Check out his freaky media project WASTOIDS at wastoids.com.And he has a Substack newsletter, Range and Basin!Follow me @thisisdavemaher on Twitter and Instagram.And check out my other podcast, Genre Reveal Party!, where I discuss TV and movies with writer and cultural critic Madeline Lane-McKinley.---Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

Tiya joins us from Florida, where she used the unschooling approach with her two boys from the very beginning. Learning through exploration and sensory activities were the main components to the education of Tiya's sons. Once the boys reached high school, they wanted to enroll in a mainstream education through a local private school. Once there, Tiya expanded her love of homeschooling and helped create the Inner Bliss Sanctuary, an online support community for homeschooling families with an emphasis on adventure education. I loved talking with Tiya because she makes you want to throw your curriculum books out the window and get your hands dirty with some good ol' fashioned fun. She brings a spark to learning that gets you excited about the journey you are embarking on. Talking with someone at the other end of the spectrum, as her boys are 6'4" and driving now- it is a breath of fresh air to know we don't have to worry about worksheets, flash cards and reading by a certain age. Check out Tiya's website and click on Community to find out more! https://www.innerblisssanctuary.com/The Tuttle Twins The Tuttle Twins' Books Introduce Important Ideas About Freedom That Schools Don't Teach But Should!My Homeschool Village Do you want to homeschool but are overwhelmed with where to start? We have you covered!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showInstagram: TheHomeschoolHowToPodcast Facebook: The Homeschool How To Podcast

40 million drivers can't transition to electric vehicles without an affordable and convenient EV charging infrastructure. Increasing access to affordable public charging not only encourages the adoption of EVs, but leads to cleaner air and healthier communities.Our guest, Tiya Gordon, is Co-Founder and COO of itselectric, a cleantech startup bringing EV charging to the millions of drivers who cannot charge at home as they park their cars on city streets.itselectric does this by overcoming city electrical grid limitations by using energy from buildings to power a publicly accessible curbside charger.In return, they share revenue with the property owners.It is a collaborative economic model and one that allows for EV chargers to be deployed within cities at speed and at scale.Tiya has spent over 20 years in design, leadership, and operations across a range of disciplines for some of the country's top firms and institutions. Her work has received the industry's top accolades, including The National Design Award from the Cooper Hewitt, Smithsonian Design Museum.To learn more about itselectric, please visit: https://www.itselectric.us (tap the Get Involved tab!)Follow and connect with the itselectric team via these social platforms:LinkedIn: https://www.linkedin.com/company/itselectric/Instagram: https://www.instagram.com/itselectric_co/Twitter: https://twitter.com/itselectric_coThank you for carving out time to improve your Founder Game - when you do better, your startup will do better - cheers!Ande ♥https://andelyons.com#bestyoutubechannelforstartups #startupstories #evchargingstations #cleantechJOIN STARTUP LIFE LIVE MEETUP GROUPGet an alert whenever I post a new show!https://bit.ly/StartupLifeLIVEWBENC APPLICATION SUPPORTLearn more here: https://bit.ly/GetWBENCSend me an email: ande@andelyons.comCONNECT WITH ME ONLINE: https://twitter.com/AndeLyonshttps://www.linkedin.com/in/andelyons/ https://www.instagram.com/ande_lyons/ TikTok: @andelyonsANDELICIOUS ANNOUNCEMENTSJoin Innovation Women here: https://bit.ly/AndeInnoWomenArlan's Academy: https://arlansacademy.com/Scroobious - use Ande15 discount code: https://www.scroobious.com/How to Raise a Seed Round: https://bit.ly/AAElizabethYinTune in to Mia Voss' Shit We Don't Talk About podcast here: https://shitwedonttalkaboutpodcast.com/SPONSORSHIPIf you resonate with the show's mission of amplifying diverse founder voices while serving first-time founders around the world, please reach out to me to learn more about making an impact through sponsoring the Startup Life LIVE Show! ande@andelyons.com.

It's always nice when a guest is as afraid of death as I am. Bona fide magician Rebecca Spectre, who I know from her time as a standup comedian, joins me for the rare in-person conversation about how she'd like to be remembered and her well-examined reasons for performing magic.Content warning: magic, the corn kid, self-skepticism, egotistical funeral.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow Rebecca on Instagram to find out about her shows and classes at @rebeccaspectremagic. And you can book her for private events by visiting her website, rebeccaspectremagic.com.Catch her live this month (March 2023) at the Chicago Magic Lounge on March 16, 17, 19, 21, and 28!And see me at my first live event in 17 months this Friday, March 17, 2023! I'll be talking to previous TIYA guest Madeline Lane-McKinley about her book, Comedy Against Work, at Pilsen Community Books at 7pm.Subscribe to my newsletter, Definitive Answers, for weekly personal and culture essays, plus music recs. And follow me @thisisdavemaher on Twitter and Instagram.---Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

Di 25 Şubata îsal de komeke ji jinên li diyaspora li Ewropa fediresyoneke jinên Kurd ava kirin, ji bo em zêdetir derbarê armanc û mebestên damezirandina fediresyonê bizanibin, ji Belcîka nivîskar û helbestvan, herweha yek ji desteya rêvebir ya Fedresyona Jinên Kurdistanî li Ewropa, Evin Şikakî bi me re ye. Xatûn Şikakî herweha çalakvana e pirsa jinan e, ew ji bajarê Dêrika bin xetê ye, lê bû pênc salin li Ewropa dimîne. Wê herweha li gelek dezgehên ragehandinê de kar jî kar kiriye.

Marcella Arguello no longer fears death, and she tells me (and you) why. Her first standup special—the loose, silly, direct, and original Bitch, Grow Up!—is out now on HBO Max. It's a blast, and so is this conversation.Content warning: cancer, dead parents, reality TV hatred, a cruise, postmortem truth serum, inspiration from MF DOOM.Patreon supporters make This Is Your Afterlife possible and get awesome bonus audio, including my new solo podcast, Abandoned Building. Become an Afterhead at patreon.com/davemaher. Watch Bitch, Grow Up!, and listen to the meditation tape Marcella made with previous TIYA guest SHOWYOUSUCK and which we reference at the end of the conversation, Motivational Monday Meditations with Marcella Marguello.Subscribe to my newsletter, Definitive Answers, for weekly personal and culture essays, plus music recs. And follow me @thisisdavemaher on Twitter and Instagram.---Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

“There's a huge barrier for ev adoption in this country…it's lack of public charging infrastructure… So, my co-founder and I said, there's got to be a solution…And it came to us that…why can't we just make the (apartment) buildings the source of the energy instead of having to put in all this new infrastructure on the street?....And then to incentivize that building that we're pulling that power from, we're revenue sharing back to them. So they're creating a public amenity, they're earning money every month, drivers are able to charge and park, and cities are able to meet their decarb goals.” Tiya Gordon on Electric Ladies Podcast One of the biggest hurdles to electric vehicle adoption is access to charging. With millions of people living in cities, what if they could charge similar to how they pay for parking?  Well, Its Electric has found a way to do just that and they are bringing it out one city block at a time. How? Listen to this fascinating interview on Electric Ladies Podcast with Tiya Gordon, COO and Cofounder of itselectric and host Joan Michelson. Its Electric is a novel EV charging infrastructure that leverages the power that's already available to the residences on a given block to provide EV charging. Tiya is a designer, who went from designing museum exhibits to designing this novel charging system – and share that story too. You'll hear: How Its Electric works – enabling EV charging and helping the residences and the grid at the same time. How it's a democratic (small “d”) solution that works on a first-come, first-served basis. How it would serve a huge potential EV market that today has no where to charge. Which legislation would support this concept and which would make it harder to provide EV charging. Plus, insightful career advice from Tiya's evolution from museum designer to EV charging entrepreneur: “I would encourage people that, especially if they have that experience, if they can make that terrifying leap from a larger, more established career path to something in climate tech, something in the world that is new and fresh and innovative, but needs that steady hand of an experienced career, that's where their value can be tremendous, because then they're bringing in that expertise, they're bringing in that calm, that ease, but then they're helping a company that's doing something that's truly innovative, achieve what they're out to do.” Tiya Gordon on Electric Ladies podcast You'll also want to listen to: (some might be recorded under our previous name, Green Connections Radio) Linda Zhang, Chief Engineer, Ford F160 Lightning EV Suzy Deering, Chief Marketing Officer of Ford – on bringing change to a legacy industry as an outsider. Genevieve Cullen, President, Electric Drive Transportation Assn. – on financial benefits for buying EVs in the new legislation, and EVs coming to market soon Kristen Siemen, Chief Sustainability Officer of General Motors Neha Palmer, Founder/CEO of TeraWatt Infrastructure on charging for EV trucks Subscribe to our newsletter to receive our podcasts, blog, events and special coaching offers.. Thanks for subscribing on Apple Podcasts or iHeartRadio and leaving us a review! Follow us on Twitter @joanmichelson

You've seen Thomas Kelly on TV in hella commercials, and the lucky ones of us have seen him perform on stage with the legendary Chicago improv team Sand alongside previous TIYA guest Mike Brunlieb (and Scott Nelson and others). Thomas and I go way back, and this is an especially cozy chat. The rare in-person This Is Your Afterlife!Content warning: self-improvement, "Do you know who I am?," vampire lit, praise for doing bits, afterlife as cake or life as cake or maybe both but at different times?Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow Sand on Instagram: @sand.improvJoin Sand's mailing list by just emailing Thomas directly and asking: thomas.d.kelly@gmail.comSubscribe to my newsletter, Definitive Answers, for weekly personal and culture essays, plus music recs. And follow me @thisisdavemaher on Twitter and Instagram.---Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

Befitting the producer he is, Patrick Cotnoir (The Chris Gethard Show, The George Lucas Talk Show, ASSSSCAT) would book the hell out of his own funeral. He answers the usual TIYA questions and tries to deconstruct the show in the process. According to me, he fails! Content warning: Nothing, discomfort with self, booking your own funeral, SPOILERS (skip from 35:11-40:00 if you haven't seen the episode of The Chris Gethard Show we mention).Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow Patrick on Twitter: @patrickcotnoir, and Instagram: @cotnoir.Get tickets to Patrick's new show, Untitled Improv Project, at Dynasty Typewriter in LA.Watch The George Lucas Talk Show on YouTube: @TheGeorgeLucasTalkShow.Subscribe to my newsletter, Definitive Answers, for weekly personal and culture essays, plus music recs. And follow me @thisisdavemaher on Twitter and Instagram.Thanks to Associate Producer Sam Welbel!---Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

Actor Tiya Sircar shares stories from her recent travels in Peru, what she checked off of her bucket list and the most incredible food she experienced. Tiya talks about her family's uplifting Diwali celebrations and how her Indian heritage shaped her perspective as a kid growing up in Texas. She describes her journey to becoming a performer and how Indian representation in the entertainment industry has evolved over the course of her career. Tiya reveals what it was like on set filming the discovery+ holiday movie, A Gingerbread Christmas, and what elements of her character required a little extra research. She talks about working with pastry icon Duff Goldman and what makes this project special to her. Start Your Free Trial of discovery+: https://www.discoveryplus.com/foodobsessedFollow Food Network on Instagram: https://www.instagram.com/foodnetworkFollow Jaymee Sire on Instagram: https://www.instagram.com/jaymeesireFollow Tiya Sircar on Instagram: https://www.instagram.com/tiyabird/Learn More About A Gingerbread Christmas: https://www.discoveryplus.com/show/a-gingerbread-christmas-usFind episode transcripts here: https://food-network-obsessed.simplecast.com/episodes/tiya-sircar-on-beloved-bengali-meals-main-character-moments

"A high-ranking angel is banished from heaven and forced to work customer service in purgatory as punishment." That's the description of Luca Harsh's original pilot, Purgatory, Inc. It's a fun show that's easy to imagine animated on your streamer of choice. Add Luca's transit activism into the mix, and you've got a classic TIYA guest. Thanks to friend of the show Whitney Wasson for suggesting them!Content warning: hidden autism diagnosis, forced fun, beach volleyball with coworkers, mushroom suit!Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. Follow Luca, @lucaisharsh, on Twitter and Instagram, and check out their Linktree for links to all their projects.Also check out Commuters Take Action at ctaction.org.Subscribe to my newsletter, Definitive Answers, for weekly personal and culture essays, plus music recs. And follow me @thisisdavemaher on Twitter and Instagram.---Transcript: This Is Your Afterlife on PodscribeMusic = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"

Almost all the pieces have been put together. Now it's just a matter of finding Tiya, and trying to stop her before she can do any more damage than she already has. First stop: Taekhak. Amar goes home. Je-Tsun squats. Ziah finds a moment of balance. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits ImpTab Avatar's theme song is “Marauder of the Four Elements” by Ned Wilcock. The following songs also by Ned Wilcock. “This Have I Done For My True Love, Taekhak Style (G. Holst)” The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “Descent” “The Price of Beauty” “Death March of the Under King” “Call to the Wave” The following music was used for this media project: Music: Trouble With Tribals by Kevin MacLeod Free download: https://filmmusic.io/song/6621-trouble-with-tribals License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com • • • This actual play episode uses the Avatar Legends RPG rules by Magpie Games.

Nathan King and Tiya Gordon are co-founders of itselectric. Key topics in this conversation include: The unique challenges presented by EV adoption and EV charging in dense urban and suburban areas Charging for street parking Why Level 2 charging is now an implementation challenge rather than a technical challenge Designing aesthetically pleasing charger for an urban setting How itselectric is enabling EV charging at-scale without waiting for underlying infrastructure upgrades Links: Show notes: http://brandonbartneck.com/futureofmobility/itselectric itselectric Website itselectric Waitlist Nathan on LinkedIn: https://www.linkedin.com/in/nathan-l-king/ Tiya on LinkedIn: https://www.linkedin.com/in/tiya-gordon-itselectric/ Nathan King - Co-Founder / CEO Nathan is an architect with a passion for sustainable cities. Over the last two decades, Nathan has designed and managed numerous large-scale and complex construction projects, with particular focus in New York City. Before co-founding itselectric, Nathan was the senior technical architect for SOM's Health and Science practice, and led the team designing the new NY City Public Health Laboratory in Harlem. Tiya Gordon - Co-Founder / COO Tiya holds 20 years experience in leadership and design operations across a range of disciplines for some of the country's top firms and institutions. Her work has received the industry's top accolades, including The National Design Award from the Cooper Hewitt, Smithsonian Design Museum; the Inaugural Cannes Gold Lion for Creative Data; the Emerging Filmmaker Showcase at the Cannes Film Festival; and the designation of second most innovative design firm in the world by Fast Company. Her founding of itselectric is the first step in her refocusing the next 20 years of her career on projects waging war against the Climate Crisis. About itselectric itselectric is curbside EV charging specifically built for cities. For the millions of drivers who park their cars on the street. Future of Mobility: The Future of Mobility podcast is focused on the development and implementation of safe, sustainable, effective, and accessible mobility solutions, with a spotlight on the people and technology advancing these fields. linkedin.com/in/brandonbartneck/ brandonbartneck.com/futureofmobility/ Edison Manufacturing: At Edison Manufacturing, our specialty is building and assembling highly complex mobility products in annual quantities of ten to tens of thousands utilizing an agile, robust, and capital-light approach.

Y-R Media's Tiya Birru weighs whether to take an important test amid the risk of a rumored school shooting that very day. 

The fight against Rokkin leads to some very unexpected revelations—not only about what's going on with Tiya, but with another very important figure from Amar's past. Je-Tsun slides around the blow. Ziah casts some major shade. Amar recovers a conflicting memory. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits ImpTab Avatar's theme song is “Marauder of the Four Elements” by Ned Wilcock. “Take Five, Swamp Style (P. Desmond)” also by Ned Wilcock. The following music was used for this media project: Music: Trouble With Tribals by Kevin MacLeod Free download: https://filmmusic.io/song/6621-trouble-with-tribals License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com

The back-to-back shipwrecks of migrant boats off Greece that left at least 22 people dead in a week has once again put the spotlight on the dangers of the Mediterranean migration route to Europe. Even though the number of people attempting to cross the sea has dropped, the United Nations High Commission for Refugees says Mediterranean routes are becoming more deadly than ever. - Noqbûna du keştiyên koçberan li dervayê Yewnanîstanê ku di nav hefteyekê de herî kêm 22 kesan jiyana xwe ji dest dan, careke din bal kişand ser metirsiyên riya koçberiya Derya Spî ber bi Ewropayê ve. Tevî ku hejmara kesên ku hewl didin bi rêya derayayê derbas bibin kêm bûye jî, Komîsyona Bilind ya Penaberan ya Neteweyên Yekbûyî dibêje rêyên Derya Spî her demê kujerin.

Hey Good People. Welcome back to Tiya Time with Tiya! Grab your favorite cup of tea, sit back, relax, & enjoy this episode.Forgiveness is challenging but is detrimental for your healing journey. Forgiveness is a gift for yourself. But it is okay to not forgive if you are not ready. Engage in this episode to learn what is forgiveness, when and when not to forgive, and how to forgive.  Here are other creditable resources on forgiveness:What is Forgiveness? (+9 Science-Based Benefits) (positivepsychology.com)When Is It OK Not to Forgive Someone? (verywellmind.com)Call For Action!Remember you can find me on Spotify, Apple iTunes, Google Podcasts, Castro, Instagram, & Facebook @ Tea Time With Tiya.You can also check out TTT webpage on PodPage at Tea Time with Tiya (podpage.com)To support the podcast, charitable donations can be simply made through CashApp at @LovelyTiya11 or https://cash.app/$LovelyTiya11All CashApp Donations are for podcasting publishing purposes only. To reach the host for any ideas, comments, & feedback, please email Lintiya11@gmail.com for message TTT on Instagram and FaceBook at Tea Time With Tiya.

-- . Nûçeyên giring yên Swêdê îro 30.08.2022 ji vê podkasta beê kurdî yê Radyoya Swêdê.

[This episode is brought to the public courtesy of our friends on Patreon! If you want more of The Obligatory Talkback, check out patreon.com/improvtabletop] In this episode, we discuss Ten Thousand Things from Episode 4: Long, long Way to Ba Sing Se through Episode 7: Subterfuge. Christian talks turning throwaway lines into major plot points. Caleb and McKenna talk the significance of Tiya. Ned talks how to make a good prequel. All this and more on The Obligatory Talkback! • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits The following music was used for this media project: Music: Guzheng City by Kevin MacLeod Free download: https://filmmusic.io/song/7523-guzheng-city License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com

Networking is an effective way to build the connections you'll need as you advance professionally and maximize your bottom line. Tiya Roberson, founder of The Black Entrepreneurs Network, joins the SheConfidential podcast to share networking strategies you can use to stay ready for every stage of your come up! CONVERSATION HIGHLIGHTSHow to provide warm qualified professional leads and referrals.Why research is essential to being confident and ready for any networking event. Three questions you can ask strangers at networking events. Practicing self-promotion without bragging. Finding the networking event that's right for you. CONTENT WARNINGSnoneGUESTTiya RobersonFounder, The Black Entrepreneurs Networkhttps://www.theblackentrepreneursnetwork.com/join-tbenhttps://www.facebook.com/theblackentrepreneursnetworkhttps://www.instagram.com/the_blackentrepreneursnetwork/https://www.linkedin.com/company/the-black-entrepreneurs-network/ FOR MORE INFORMATIONVisit https://sheconfidential.com/ for more! JOIN OUR ONLINE COMMUNITY!The SheConfidential Online Community is for Black women professionals and entrepreneurs seeking fulfillment both at home and at work. Visit https://sheconfidential.com/ to join! NOTEThe information provided on SheConfidential pertaining to your health or wellness, relationships, business/career choices, finances, or any other aspect of your life is not intended to be a substitute for individual consultations, professional advice, diagnosis or treatment rendered by your own provider. ACKNOWLEDGEMENTSEpisode artwork and video production by Eye AM Media https://www.eyeammedia.com/. Follow on Instagram @eyeammedia

Things are rapidly coming to a head in Ba Sing Se. Je-Tsun sits across the pai sho table from Earth King Jialun as Amar and Ziah rush to join him before things turn sour. What secrets will Tiya finally reveal? Ziah enjoys some shaved ice. Je-Tsun speaks without words. Amar's mind escapes him. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits ImpTab Avatar's theme song is “Marauder of the Four Elements” by Ned Wilcock. The following songs also by Ned Wilcock “The Root Beer Lazy River (Jem's Theme)” “These Thoughts Are Not My Own” The following songs are by the fantastic Kevin MacLeod. Crowd Hammer by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4983-crowd-hammer License: https://filmmusic.io/standard-license The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “Dark Gifts” “Death March of the Under King” “Descent”

Di vê xeleka Bînergehê de Alî Fikrî Işik ji guhdarên xwe re behsa felsefe û psîkolojiya bengîtiya futbolê kiriye.

Our heroes continue their attempt to rejoin their paths. In the lower ring, Amar and Ziah plot their best way to sabotage the Dai Li. Meanwhile, Je-Tsun and Lobsang share a somber breakfast pie as they wait for Tiya to escort them to King Jialun. Ziah tries to acquire a new taste in tea. Amar never skips leg day. Je-Tsun prepares a gift for Tiya. • • • Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits ImpTab Avatar's theme song is “Marauder of the Four Elements” by Ned Wilcock. The following songs are by the fantastic Kevin MacLeod. Crowd Hammer by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4983-crowd-hammer License: https://filmmusic.io/standard-license The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “The Price of Beauty” “Solemn Rest”

-- . Nûçeyên giring yên Swêdê. îro 20.06.2022 ji vê podkasta beê kurdî yê Radyoya Swêdê. Derhîner: Besir KavakPêkêkar: Sidki Hirorî

Amar and Je-Tsun have managed to make it halfway through the pai sho tournament, ever closer to their audience with Earth King Jialun! But first, they'll have to defeat Tiya... And each other. Ziah causes name confusion. Amar starts a fan club. Je-Tsun peers into Tiya's mind. • • • Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits ImpTab Avatar's theme song is “Marauder of the Four Elements” by Ned Wilcock. The following songs are by the fantastic Kevin MacLeod. Guzheng City by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/7523-guzheng-city License: https://filmmusic.io/standard-license Crowd Hammer by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4983-crowd-hammer License: https://filmmusic.io/standard-license Ancient Mystery Waltz (Vivace) by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/7911-ancient-mystery-waltz-vivace- License: https://filmmusic.io/standard-license The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “The Price of Beauty” “Death March of the Under King”

YR Media's Tiya Birru uses the principles of intersectional feminism to deal with issues of racism and sexism.

Black and Indigenous SolidaritiesWith Robert WarriorPatty: So we're here with Robert Warrior. And so funny story, Kerry, I'm reading this book Crossing Waters Crossing Worlds by Tiya Miles. It was for Aambe book club, History a couple of months ago back in February, and I can't and, as happens a lot of times, you know, when I'm reading books or essays, I always think “is that person on Twitter, I got to find them,” you know. And so I'm going along, and I see Oh, Robert Warrior, and I'm really enjoying this essay. And so I log on to Twitter with the intention of seeing if I can find Robert Warrior. And in my notifications is like, Robert Warrior just followed you. *laughter* No way, I was just about to look for you. So that's Yeah. So there's a nice, nice, nice little bit of synergy there. I don't know what I might have been going off on on Twitter that got your attention, butRobert:I think it was on I mean, I think it was on Afro Indigenous issues or something like that.. That's a bit identity in general, I can't remember.Patty: But that was something that, I mean, really, thanks. You know, this is this is why relationships are important, right? You know, because it's relationship that I have with Kerry, and then, you know, and other, you know, and other people that I'm getting to know, you know, just really how important these conversations are between our communities, and recognizing that our communities are not discrete categories, either.Robert:Great points,Patty:Not only are people in the Black diaspora Indigenous in their own right, in other ways. But people who are Indigenous to here also had relationships with Black people.Robert:Exactly, surePatty:Also, you know, so we're, we're relatives in all kinds of ways. And, and, you know, one of the points that Tiya made when we talked with, you know, when, when she was on, Aambe, on the book club, was how there's gaps in gaps in our stories, and the story in our own stories. I mean, we all about what passes for mainstream education and the gaps that exist there, and how we're just not present. I just went off on a Twitter thread about Grapes of Wrath. And, you know, and how Steinbeck almost gets it, so close to understanding connection to land, you know, but where are the Indigenous people? On whose land, they're living? Oh, we're dead, like the snakes.Robert:Wow. Right.Patty:You know, so I go off on that relationship to land because like, we know that we're not in white literature in white education, but we're also missing from each other's stories. That was the point that Tiya made was, you know, in Black Studies, there's gaps where Native people should be. And then Native studies, there's gaps where Black people should be.Robert:Right, right. Well, I mean, I think that's a terrific point. And I think that I mean, so much this this conversation in general this topic I think, requires a lot of a lot of grace on the part of the people who are having the conversation, a lot of compassion for why people don't know the things they don't know. And and that people can only start where they start from and and we're trying to make the conversation better, we're not trying to have a perfect conversation right off the bat.And so it but they can be really difficult and Tiya is such a genius and such a wonderful person, such an amazing scholar, but also just an amazing writer. And how she has she's able to, to in her first book and Ties That Bind, tell the story of this one little family and illustrate through through Shoe Boots and Lucy, that story that is just so powerful. You know, it's not very often that I cry in in when I'm reading a book but you know, When, when, when Lucy at the end of it is freed. Finally, when she's a very old woman, you know, I just, I just cried because I just it just the weight of her of her servitude had weighed on me through the whole thing, you know, and the way that she had to persevere through all of that. And then to say, oh, it couldn't have mattered that much, which is what people always want to say, right? But of course it did. Of course, it did. You know, she even if even if she'd had 15 minutes left to live, she still want to prefer freedom for those 15 minutes, you know, than not.And but I do think that that being able to enter into a conversation where there's not a lot of rules, at the start, where there's not a lot of, of saying the only way that you can be part of this is if you will make sure that you do enough of this or enough that. I mean, you I guess I want to assume that a good author, a smart author will say, I hadn't thought about that, you know, the next time I do a story like this, I want to think more about that. And and that that can make that that we're trying to move forward. And we're trying to make the stories better. It doesn't be it doesn't make things excusable, that are inexcusable. But it does, I think it does offer a way into a circle of conversation that I think can be much more powerful.Patty: Mm hmm. Well, I know, I'm working on a book myself, I'm my editor, you know, we were going, you know, going through the first half of it, and I'm talking about Indigenous experience. But I can't exclude, like Black experience as part of that. Right, you know, part of a colonial, you know, it's part of a colonial project, it happened, you know, in tandem and intersecting it all kinds of ways and, and acted differently in some ways, you know, and you get at that in, you know, in your essay that you contributed to this book, about why we reacted differently, you know, in sometimes supporting the residential schools. You know, you kind of get at, where's our WB DuBois? You know, and so she said, You really need to have Black eyes on this, because you're talking about Black experience. So you need to have Black eyes on this, you know, as part of, you know, your posse of people that are reading it ahead of time. And so I was like, okay, so I shipped it off to Kerry and Kerry had some feedback for me.And I was like, okay, that's not what I meant. But you know, why, if that's the way it's being heard, and that matters, because communicating something if it's not going to be heard, or if it's going to unintentionally cause harm, like that's not. And I think these conversations with Kerry, have been really helpful for me as a human being, not just because we're friends. But just really helpful to me as a human being, because these are, these can be hard conversations. And I sometimes I say things that aren't right, because we're all raised in this soup. Having the grace to be able to share with each other and kind of go on like, sometimes Kerry, and I'll go. But that's, I don't know, like, I hope that we've created this space where we can have these conversations and that they're, they're hard, but they’re also a lot of fun.Kerry: Absolutely I and I agree, I'm listening to both of you and recognizing the uniqueness of what we are creating even just the facet of having this kind of a conversation. It's creating the safe spaces to fill in those gaps. You know, when I look at I was thinking, the other day, I'm reading a book called Lose Your mother. Lose Your Mother is all about a woman, um a professor in the US, who is tracking back her history to to Ghana and going back through the Gold Coast and and her experience of what it is to go home.And it's interesting because her experience of going home left her feeling much more of a stranger in that space. You know, we and why I think it's important to this conversation is what it got me thinking about is how when we don't get to really draw our tapestries really create our own stories and tell our own stories, it's left to get skewed, it's left to be romanticized in ways that may not be the actual reality. And we leave out some of those integral pieces that create the fullness of what our stories would be.So for Sadaiya in that book, she was talking about how she was received in Ghana, after a while, you know, she was, um, she came back with the idea that she would have been welcomed home and The Ghanian people would have been like, yes, you know, sister, you know, and, in fact, what they kind of saw her as the privileged American, and not understanding the experience of what it was to have that ancestor move through the Middle Passage and what was endured in North America. And it struck me, because I know that I've romanticized one of my, my bucket list things is to go to the Gold Coast, and to really, you know, go to see some of the slave forts. And that thought, to me of being lonely in the space that very, you know, most often might have been the launching spot for where my ancestor left was, it was sobering.And it brings back the idea that the stories that we tell each other, or we tell ourselves may not be in, contextualized in the right way, if that makes sense. And that, the the, the truth is to be able to hear the different voices as we move through that, and how those relationships really connect together to form the truth of who we are how we stand in this hear and now.So I I'm, I think you're right, it's, it's very important that we create these dialogues that we can tap into those pieces of the story, like, when I was reading, um, you know, your book, there were some pieces of tendrils of, of family or relatives that were formed from, you know, tribes coming together with Black folk that I did not know. And, and that to me, oh, like, Well, hey, because I've seen some pictures, where you see some Black people in regalia, and you know, wearing wearing tribal feathers and stuff. And it's never made sense to me, 100%. And that picture was opened up simply from us being able to read, or me hearing it coming from you. And so to me, these forces in ways are integral, it's integral to get a fuller picture of how things exist, and how we sit in the structure of our world.Robert:And it seems like to me, I really appreciate all that, Kerry, I think this is really powerful. And it seems to me that, that recognizing that the conversation happens in places of pain is just so crucial. And that that's one of the reasons why people shut gates on each other, and why they create a kind of a gatekeeping, of who's allowed into this conversation space, that is my life. And, and this is why I'm accepting and this and and, again, I always want to call people out when they're being inexcusable in their behavior. And at the same time, I want to try to, I want to try to lead with compassion and trying to find a way to say, Can I get you to open that gate? Could I get you to think about, because the person on the other side is trying to open theirs right now. And until they're both open, and this is what I mean,I think this I love your podcast already. Because, because it because it's about friendship. And I think that friendship requires this kind of this kind of vulnerability, right? And this kind of saying, I want to open myself to you in a way that allows you to see me and, you know, I'm pretty flawed. And so, but these flaws, that's part of what friendship is, you know, it's like saying, I'm overlooking your flaws. I'm not even seeing them anymore, because we're friends, we've moved past that point, right. And so the, the powerful conversations that can take place as you build that foundation of friendship is built on trust, and it's built on trust that, that we don't have to write each other off because we make mistakes, because we say the wrong thing.And, you know, but I think one of the things you're seeing that it's I think that it's still largely unimagined and that we lack imagination and having the conversation about the different kinds of indigeneity that that we're talking about in this conversation, and that there are so many versions of indigeneity that go through it. I know that that native people in the US and in Canada and North America tend to, I mean, we're so fortunate to have communities that are intact we can go to, not everybody belongs to one of those communities, which is really important to say, right? A lot of people are incredibly disconnected from those things. But the fact that they exist, the fact that they're over there somewhere, that someone is really tightly connected to that sort of, of reality is, is powerful.And of course, of course, those things exist in Africa as well, right? For African descended people. But the but the, the separation is, is so severe, right? I mean, in terms of distance, in time, and in geography, that, that it that it creates a different existential reality for people who are having to think it through. But on the other side of that is that connection to indigeneity, as well, and so for. And so it's unpredictable, right, and the way that these things intertwine with each other, usually through the process of love. And oftentimes just through people getting together to survive in the kinds of situations you're talking about.Not always I think we romanticize things, if we think it's always that way. But, you know, I think I think of New England and how, how, at the time, when Native men were leaving New England to become whalers, African, African descended men were moving to New England as free Blacks, and were working in the same households that native women were in that this is where we really see the start of a lot of the Native New England families that are mixed between African and Native. And they came together that they didn't, you know, they, they, for the heterosexual people there, they didn't have other people and they turned to each other, they found in each other the sort of intimacy and the sort of being able to share a life with somebody that was really deep and meaningful for them.And that this is, we see this now, you know, in, in the people that we meet. But being able to account for and not having to have made sense of them right off the bat, there's different forms of indigeneity that are in play. My I mean, I'm really fortunate coming from a family that is very deeply connected to who we are as Osage. And I'm able to, although that wasn't always true, just in the individual kind of end of my family, with my dad and others, but, but I've been able to connect with that. And you know, and I can dance and I can be a part of our traditions in a way that's really powerful part of our social life our political life. And, you know, I felt so fortunate about that. For other people that, you know, that that's not true in the same way.But I think that, that, that I still at this point in my life, in spite of that good fortune, my own indigeneity as an Osage person eludes me at times. It catches me, it catches me unexpected, I learn new things, I find new connections. And so for me to expect that someone else is going to have figured their ties to indigeneity out seems a bit unfair to me, you know, at best, you know, and and so I think that, that, that can create the possibility of, of connection.Patty: Well, and then you add to that, so we had those kinds of relationships. But some of our tribes were also slaveholders. And, you know, you can say all kinds of stuff. I read somewhere you know, about us not, you know, that. Okay, how did I, how did I put this, you know, this slavery is never, you know, it's it's never a good thing, but that a lot of native slave owners weren't as bad. And oh yes. Yes, I said that. I said that on Twitter. knocked over was a moment where I was like, wow, I'm really, really sorry, that was a huge misstep. You know, I clearly missread something and everybody who jumped on me was absolutely, absolutely correct in that, you know, because, you know, and I actually got a couple of book recommendations out of it. They said  “you need to read these books,” and I did. I did and we were jerks. Well, the Anishinaabeg weren't one of the slave owning nations. But you know, so we had those kinds of relationships too.Robert:Right.Patty:And then we're seeing the ripples of that with, you know, with what's happening with the freedmen?Robert:Absolutely,Patty:You know, and you know, and I wouldn't shut up about that with dead Holland's nomination because, yes, she's great, but but look at this legislation she sponsored, she has to do better, she has to recognize she is now in a position of some serious power. And look at this legislation she sponsored this is terrible anti Black legislation. And she needs to you know, she needs to do better. She's under the guise of Kerry, I don't know if you're familiar with the legislation I'm talking about. But under the guise of I think it was native sovereignty. She had co-sponsored legislation that would allow to try to determine its own citizenship, knowing that what they were going to do was strip Freedmen of their rights of their rights to citizenship and basically creating Jim Crow type situation for tribal citizenship. Is that correct? Robert?Robert:So I'm going to rely on your I mean, I’m new on that. But you know, I think that on those situations, I mean, these things are incredibly difficult politically to figure out and the policies behind them. In the end, I just, I mean, one of the things I've always said is, is, especially for Cherokee people, that whatever freedom you have to do something like you're describing to disenfranchise people, that you committed to not do that, too many of whom are your blood relations, even if they're not on your tribal roles, that when you do that, you really do have to open yourself up to the kinds of criticism, you can't just go hide from that critique. And if that critique ends up, alienating, you know, members of Congress who no longer want to send you the kind of funding that you have to say, why are we funding these folks? Yeah, of course, we recognize their freedom. But should we be? Should we be encouraging that through, you know, through the funding that we provide? And, and I think that that has to at least be an open question. It's one that can be debated, but I just don't think that people should just get a free pass.Patty: Well, we're to hide behind sovereignty. Right,Robert:Right. Exactly.Patty:The South tried that argument. It didn't work. They fought a whole war about it. Don't get too well. And we talked with Azie Dungey about the Pamunkey tribe, which she's connected to. And, you know, the laws that were on that were still on their books about, you know, if you're Black, you can't inherit what you can't be a tribal member have land or something. And it had to do with protecting their own land. But the rules that required them to do that required is really the wrong word. But kind of boxed them into that corner 100 some odd years ago, don't exist anymore. So why are you still disallowing these members? Why did you set your membership criteria based on when that law was still legally enforceable? Like? That's not very nice. Yeah, so our relationship is complicated. And we need to be able to me that's the book that I had held up the Crossing Waters Crossing Worlds, that conference, you wrote the afterword for it, talking about the conference. It got heated,Robert:I did, and it really did. I mean, it was a wild ride. I mean, I'm so glad that it happened. It was hard to watch at times. And at the very end, I mean, it, you know, it there was a great idea that that Tiya had to use that time when she was when she was a fellow at Dartmouth to bring people together, Eating Out of the Same Pot. And you know, and let's, let's come together and let's talk and it and just saw that it was really a volatile kind of situation for everybody who was there. And that, that I think it was because of of how painful these histories are for people. And that, that, that I also think that there's a lot of dismissiveness in, in, in all of these groups in both of these groups, especially,I mean, the main two groups that were at this conference, or whether it's really I would say four groups of people were there. There were Native scholars who do Native studies. There were African American scholars who primarily were there who do African American studies, but also the relationship to Native American studies. And then there were white scholars who were there who mostly did Native studies, who knew a lot about these things like [intelligible] really wonderful person and, you know, great scholar. And then there were there were there were Afro Native people there, there were Black Indian people there. And and that was part of the mix that really made things made things more, more tense at times, because there were people who had skin in the game literally, right?The and I think that that really taught me being a part of that gathering really made me see that, along with getting Black eyes into this conversation, it's also really important to have Afro Native eyes, in Afro Native Voices in that conversation that it said that there's a that there's a different state that people have, when they've embraced that identity. And they're putting themselves forward into the conversation in that way. That because that, that, that the Afro Native people at that particular meeting made, made, made, some of the Native American people uncomfortable, made some of the white people uncomfortable, and many of the Black people were uncomfortable too they hadn't really spent a lot of time around people who were so forward in, in identifying as Afro Native, they knew people like this existed, they probably have relatives who, you know, say, hey, you know, we're like that too, right.But it was a bit it was really, it was really, it really said something about where we are in all of this. And I don't know that we've come that far, either. And at the end, I mean, it was really I mean, it was so it was hard to watch at the end, because people, there was nothing resolved, we had a big session at the very end of it. And we tried to come together to say, this is what we've learned. But really, there was just a lot of bad feeling. And it's really hard to leave something like that when there's so bad feeling in the room.And I mean that the thing that I always remember about that there had been a group of people from Dartmouth who wanted to sing Amazing Grace in a bunch of different native languages. And they tried to do this at the very end, it was, you know, would have been a really beautiful thing. But everybody was just feeling so terrible at that point. It was just it didn't feel like there was any grace, amazing are not in the room at that point. You know, we just really were kind of feeling like, there's so much to do here. There's so much, you know, that remains undone that, that that we don't know how to do this.You know, we can't be kind of cold blooded scholars who just disinterestedly come into this conversation. There isn't a place of being disinterested here, we really have to see everybody's made to feel by this topic in some way. And and we have to own our own position within it. I've certainly seen that, you know, I we brought up the Freedmen issue. And, you know, thankfully, it's progressed, I think, in many ways, although I'd say there's so much more work to do on it still. But at least you know, the, the current leadership with the Cherokees has, has embraced has embraced the idea that moving forward is the best way with this and to just follow the treaty follow the law and and to move to move on. And so that to stop this process of trying to stop people from being able to vote and the Win I wrote about, I wrote about that issue when it was still pretty hot.And I wrote an essay that was the most widely read essay on news from Indian country for about three years, called Cherokees flee the moral high ground, saying and it just really set out I just think the Cherokees are wrong. You know, I'm not Cherokee, but I'm gonna say they're wrong. In what they're doing. It's just morally wrong. And, you know, I have people in my own community in the Osage community, including relatives who basically said, you know, we don't agree with you, right. And the Wii was really saying, we, we Osages, just don't believe the way you do, Robert. And, you know, and luckily, I was mature enough by that point that I said, to myself, at least, I know one Osage who does. And I'm going to hold on to that, you know, so I don't I'm not going to have somebody tell me Osages don't believe that because there's one right here who does?And I didn't ask for permission from everybody to write anything I've ever written. No claim it could be something that somebody else agrees with. I this is me, you know, and I wrote that I wrote that and I anytime I take a stand like that, whether it's saying I think that I guess on the on the issues of same sex marriage that have come up for the Navajo people, for the Cherokees, and for my own Osage people, we had our own version of that. And I took a stand against them. Because I thought it was right. And I think that that's such an important thing to do.I have to say that one, one person I learned that from was my philosophy teacher, Cornell West, who is just, you know, one of my philosophical heroes, and I had him as a teacher, when I was at Yale back in the 1980s. When I was teaching at Stanford in the 1990s, Cornell came and gave a, a big talk for like, 1000s of students, and then he did a smaller presentation for, for a bunch of us, like 20 of us. And it was so great to be in the same room with him again, hearing him hearing that, that, you know, hearing his voice and just hearing how he talks, and he's so inclusive, and so wonderful. And I know a lot of people disagree with him. And I do too, sometimes. But just as a figure as a moral figure, I just think he's so considerable.As somebody asked a question as a student of color, with this 15 minute long question. I remember, in my mind, I'm sure it was more like two. But the question was, well, what do you do when you when you're trying to make changes, but you know the change you're trying to make, isn't going to happen. And that, that, even though you're fighting for it, you just already know that the end of this is going to be you're going to be defeated, and you're going, you know that the thing you're trying to get, you're not going to be able to get and so you use all this energy to try to get it but then you don't get it. What do you do? How do you figure out when's the right time to fight for these things? And, you know, this is at Stanford was a very powerful institution, right? And in Silicon Valley, where everybody's just worried about money and worried about success. And it was just so great to hear Cornel West, his turn to that person and say, well, sister, sometimes you do things just because it's right. You just do it, because it's right. Yeah, that's it. Right. I hadn't heard that kind of moral clarity in so long, right? You say, I don't have to make up my mind based on some really complicated calculus that says, do I? Do I take this position or that position? And so I don't know, I think it's right. I'm gonna I'm gonna say it.Patty: Is this the right, you know, we get so caught up in thinking strategically, right? And that's where this question was coming from is, you know, what's the point of being right, of speaking up, if it's not a good strategic moment, if it's not going to gain the kind of traction, that it needs to go anywhere? And, you know, when you were asking that about, you know, when do you know when you know, when it's the right time to bring it up? And in my mind, I thought, when you know, it's the right thing. That's when it's the right moment. Because when you know, it's the right thing, then sitting on it and not speaking up, becomes the wrong thing. You know, because now I know better. So now that I know better. Why wouldn't I speak up?And of course, I don't speak up because it's scary. I will say things on Twitter, that I don't always say on Facebook, not that what because my Facebook friends are different, right? Like, it's a completely different crowd. You know, and I know a lot of people feel this way Twitter is my chosen family. Facebook are the people I have to see at Thanksgiving.Kerry: And she says that with love.Patty: But I think what I've gotten much better at and I'm in some of it really is the podcast. Because Kerry and I just keep putting ourselves out there week after week. And then people listen to it. You know, they listen to us, as both, you know, learning in real time. You know, but so but there's things I will talk about a lot of times mostly like about religion or something I don't know, because the people I go to church with are on Facebook, but I'm getting much better at kind of the crossover at saying the things where there might be some social consequences. In my day to day life.Kerry: Yeah, I love this. I love that that you are bringing that up. It resonates with me so deeply. Oh, my goodness, Patty, because I have been in this space, I think over the last, you know, two or three weeks where I'm having to come into stepping into my power in that way. Where it's recognizing that the voice that I have I I'm I'm in the realization that I don't necessarily speak on it. Um, as largely as I would like to and when I'm starting to examine the whys behind that, I think it is because there's still that part of me that's looking for the acceptance or that or that, you know, not wanting to upset necessarily the different flows, or the different cliques of people that exist in my life. And with that being said, it's, it's coming to a point where I'm feeling not whole in who I am. So that, you know that stepping out is just what it's got to be because I'm I just, you know, it's I'm too compartmentalize, and it's not working very well.So hearing you say that really resonates, really helps me know that, that that emergence, I almost feel like it's like a growth I'm doing, I'm rebirthing in some ways,I’m wilding is the word I like to use. But it helps me know that I'm not alone in that journey. And I take that almost with with looking at how we, as Indigenous and Black people are forming relationships are looking at relationships,You know, when you mentioned the conference, and there being so much, you know, drama and trauma that sits in the air, I am, I celebrate it in some certain way. And in parts of that, because it's when we go through that kind of really feeling into it, I think a lot of times we do come at it from a strategy or we come at it from you know, the history, but we're not looking at what all of that brought into the room. And there needs to be a space to release some of that trauma, some of that pain, because it's a collective pain, what no matter what the perspective is, we all have come out of the direct response of this colonial capitalist system. And until we afford ourselves that space, the right to really feel into what the effects have been, then, and only then can we, I think fuse the other piece of it, which is to heal. To really be effective, you have to be able to offer some healing up so that you can process what the next phases of this game are going to be.And you can't do that without getting mad at each other, or having those tough conversations that will create that forum, that space to go. So now what i Okay, yeah, I don't like what you say. But maybe there's something there. And I so, I really think those are the things that we have to continue to do is, is get in the room, close the door, hopefully it can be soundproof a little bit and just hash it out, hash it out and see each other, see each other as we move through me.Patty: Robert, you had made a comment at the end of this essay, and I was just I was just rereading it the you were you were a Lone Wolf and Dubois For a New Century. At the very end of it, you as you say it will help us perhaps, work through the way we see ourselves in the way we exist in this world. Perhaps such work will help us re ask the question, what does it feel like to be a problem? Because that comes from the Dubois that comes from Dubois, right? I'm remembering this correctly. Can you talk about that a little bit about why you went looking at DuBois. And yeah, I love that essay. By the way, it was really interesting.Robert:Thanks very much, thanks. You know, I like so many things that had to do with the conference I had been invited to, to present at the 100 100th anniversary. There was a commemoration of the 100th anniversary of Souls of Black Folk at the University of Wisconsin, that scholar, Caribbean American Scholar Nelly McKay put together. , And this thing was just, I mean, an incredible All Star lineup of people, especially of African American scholars, Nel painter, Henry Louis Gates, Jr. David Levering Lewis, who wrote the great WB Dubois biography, the two volume biography of DuBois. Lots of other people too.  Vijay Prashad, and I were invited to be the panel that was about people other than Black people. And he had just written his wonderful book, The Souls of Brown Folk. And. And so we did this panel together. And I wrote this essay for it. And what was interesting to me that one of the first the first question I got is, why didn't you talk about the train journey of Dubois through the South, when he talks about, you know, looking at the land of the Creeks, and looking at it that this, and I, you know, I kind of thought about that, I thought, well, that's probably more elegant. And as the person asked that, that, I probably should have done that I probably should have made this kind of more elegant kind of thing. But I also wanted to bring these two difficult things that don't really fit together, together into what I wanted to say about a Native American perspective on DuBois. I wanted to say, what was going on at this exact same time, you know, what was the Native world in, in 1902 1902, when When Souls of Black Folk came out? Or maybe it's 1903. But it's right there at the turn of the, you know, the turn of the 20th century. And that, that I guess, I mean, some of this had was probably a little bit of an exorcism to, along with, along with Cornel West, I had other Black mentors, James Cone who invented Black Theology of liberation was my doctoral advisor, wonderful, wonderful, very influential person, the academicPatty: Quite the academic ancestry.Robert:Right. And, and somebody's not as well known, but who was at Union Theological Seminary, when I was there as well, James M Washington, who Coretta Scott King brought down to the King Center, flew him down for a meeting, and she said, I want you to put together the essential writings of my husband, you know, and he did that. He’s this amazing African American church historian, you know, and, and he gave me, he just, he freed me intellectually from myself, you know, he taught me how to take myself seriously, as a student. And in a seminar, I just remember that. I remember, I put my hands down on a table. And I started talking to him like this, you know, I thought, What am I doing, you know, and I can't I can't do this, but he was okay.You know, he knew he already knew I had all of these things inside that are that I was trying to, and I was trying to cleverly pull them out of myself, you know, I tried to find some sort of safe, safe way of getting these things kind of blown out my ears and blown out, you know, other parts of me, when, in fact, they just needed to work through my brain and through my heart, and now, you know, and out my fingers in my writing, and, you know, the things that I said and, and like I say, I was felt as though Jim Washington, freed me from myself, from my own from my own conceits. In so many powerful ways.I learned so many other things as well from from James Cone. And it also allowed me to be a part of this company, of his graduate students who were from around the world. Many of them were from Africa, other African American students, and, and I was the Native American student in that in that group. And, and I just, you know, and I felt a kind of camaraderie, intellectual camaraderie in that group that was really, really wonderful and really powerful. And I think that, that around that time was when I was really figuring out what that legacy meant for me, because I always wanted, I always wanted the the Native intellectual tradition to be different. I wanted to have that Dubois figure, you know, that we could look to and to say, I want that person who does that thing that Dubois does kind of pulls everything together, and does this amazing, comprehensive look at the entire world.And, and I eventually just had to say to myself, we got what we got. And guess what, you know, the one thing that we have, it goes back to this thing of having these intact places and communities and political bodies and political people. You know, I always knew that, that that this is a little bit complicated, but it may be really helpful to the conversation.Let's say that I love the way in the African American in the history of Black thought, than African American thought. You always had these two dynamics going on, you know, at the same time, you had Malcolm and Martin and you Have you know you have DuBois but you also have Washington? Washington, Booker T. Right. But yeah, and are later Garvey too, right. And so you have these, you have these, these, this dialectic, and this historical dialectic, that's just really wonderful. And of course, you have an entire hidden world within that as well, that is all the other voices you don't see. But that the, the dialectic is always there showing me different things.And I was frustrated, because I couldn't find the other side of that dialectic in the Native tradition and the Native tradition of written thought. And I wanted it to be there, I wanted to see that more. And it was, I could see that in some places, but it seemed like our impulse in the world of Native thought was to try to come up with “The Position” with “The Native Way of Thinking About Things.” And, and I was never satisfied with that. And so I had this thing called discourse envy, I wanted to. And you know, the thoughts are greener, the grass is greener on the other side of this, this fence. Right? And that, that and, because the thing I realized early on, as I said, you know, we don't have that same kind of dialectic. But those other points of view do exist are out there. And there, you have to, they're, they're more, they're happening in the local places.They're happening in, in a world of,of the people who are, it's not just traditional knowledge, which is, I think, one of the in this, this could make some people want to turn off what I'm saying and that, I mean, that's fine with me if they do, but to say, it's not just the that I said to myself a little bit later, there's two kinds of subaltern thought within the native world. There's a subaltern thought, which is the subaltern are the  people who are unseeable to the, the regular world, they just can't see that there's this layer of experience within peasant life, or within Native American life or Black life, you know, that, that there are two kinds of subaltern just in general, I mean, there's probably 50 kinds, but the two kinds, I could really want to highlight that you could see people who had held on to those kinds of traditional knowledge about healing, about how to how to live with each other, social relations, and the people had this, this kind of intact sense of those of those traditions.But there was another kind of subaltern too, which was the voice of the destitute, the voice of the people who were, who were poorer than the poor, who are, you know, the most starving of the starving the people who just were so far beyond the reach of the things that were supposed to make their lives, work and make their lives better. And that there was without romanticizing the position, there's a kind of knowledge that comes out of that, that sometimes it's sometimes it's imbued with that sense of, of Indigenous tradition, but sometimes not. Sometimes it's just imbued, as it is so often in Black thought with just, how do you start from this place of living in a world that says, you're nothing, that gives you nothing? And then how do you make something out of that?And I knew that, that that kind of thought exists out in the native world, too. It often associates itself with that traditional knowledge with that kind of prestige of that, you know, of that Indigenous knowledge, because it's smart. You know, I mean, people like that are smart, and they know that people who are in those positions have answers. I think that's been really theorized so beautifully by by Leanne Simpson, in her book, As We've Always Done, and I think she does a really great job of getting at a lot of those thingsBut that essay about Lone Wolf, I think, and the boys too, instead of being able to find this worldwide gigantic figure like Dubois that I had to say, while the gigantic figure was the gigantic figure for the Kiowas. And he was he was going to be this enormous national figure for the Kiowas. But he may not be a big, enormous national or international figure. In the same way DuBois is because this context is different and his his struggles are different, who he's who he's trying to reach out. to then be a part of that's also different, too, and to say, let's settle into this intellectual space, this tradition that I'm a part of, and stop looking over my shoulder, stop looking over the horizon, you know, and to just settle into it and to learn the beauty of it.And to see, what does it take, if you're somebody like, like Lone Wolf, who, you know, doesn't have the benefits of education, the benefits of just knowing where the levers of power are? How do you figure out how to get all the way to the Supreme Court with with with a case like that? Even Even, even if it's not successful? But that you figure out how do you fight? How do you how do you take what you have a fight with it, and to fight back? Right.I still, you know, I still want people to aspire to that, to that gargantuan sense of intellect that Dubois brings into, you know, what I see when I see my African American brothers and sisters in the academy, and then African American writing and other forms of African American thought, who are in that line of that DuBoisian line? You know, I marvel at it, you know, and I say, What a great gift that the world gave, that the African American world gave to everybody, the boys, but especially to the African American world, you know, to set this, this kind of example, and again, not to say that DuBois was perfect, or that you know, that he was just this ideal kind of person in all ways. But intellectually, it's just breathtaking, you know? And yeah, and I guess that was that was, I think, I guess the part that still lives on and that is to say, I really want to hold on to that idea of the intellect as being so crucial to how do we get how do we get from here to where we're going? I’m bringing mine along with me, I'm bringing my intellect along with me. And I don't want to I don't want to fetishize it, I don't want to make it the only thing I have, but I'm bringing it along, because it's helped me so many times. And it's helped other people, other people's intellects have helped them so many times.Patty: And it's important, right, because we, we don't … I just read Dale Turner's book, This is Not a Peace Pipe. And he talks about that he talks about the you know, the, the need for “word warriors”, you know, people that know the language that know how to navigate the legal system, they know how to navigate the intellect, you know, the, the international stage and know how to, I mean, when when I did social, when I did social work, so much of what I did was, you know, was act as almost as an interpreter, you know, for people to be able to access the system, because if you can use you know, if you want to access a certain mental health program, you have to hit the key words, you know, you have to be able to identify the things that get you into their mandate because you might meet their criteria, but unless you can, unless you can articulate it, you don't and you won't get the service and so that was a lot of what I did was that kind of interpretation. And so I think that's what Dale is talking about, is you know, we need these word warriors because they can be those interpreters and get us putting our putting our needs and thoughts in ways that will be heard on the global stageAnd I think Art Manuel was really good at that. From a Canadian standpoint, in terms of you know, we're not gonna deal with Canada we're gonna go straight to the World Trade Organization. “We’re nations dammit, we're gonna act like nations” you know, so that he was really good at bringing you know bringing things in and communicating it in a way that the people whose hands on the levers of power knew how knew how to do. So that's really really important you know, but then like he said, we also need that other thread those traditional people because otherwise what are we fighting for? What are we accessing those halls of power for?Robert:RightPatty:Not you know if it if it's just to set up another you know, just cut it just another capitalist society where we're the landowners instead of the white people. What's the point? That's not that's that that's not that's not going to save anybody that's not going to help anybody. So oh, we're just going to transfer land ownership. That's not a that's not what land back is for that? Do I want you know, do I want to transfer over ownership. Yes. Do I want it to end there? No, that's not that that's not what's going to fix this. So yeah, we need we need both of those traditions. But I think your what was neat was, as you were talking about that, yeah, like when you see that in Black history, you know, you've got like that yin and yang constantly. Both sides talking and making their cases. And then the power is in that, that friction between them. And what emerges and you know, and so often what we hear in Indian country, you know, you start disagreeing, like you had said, you know, being the only Osage you know, they'll say, don't think that.  Well, I know one that does. You know, we're told so often we need to speak with a unified voice, we need to agree we need to agree. And we don't. Disagreement is ok. That's where the important stuff happens.Kerry: Yeah, I find this so interesting to listen to because it one last night it interestingly enough, I was on tick tock, and tick tock has these fascinating little blips of information that you can pull in, and I was actually got on a tic toc. stream or hashtag, where they were playing Malcolm X, they were playing Martin Luther King, they were going into Patrice Lumbaba, um, all of the great African orders that have spoken and held our struggle from here to Africa. And it was fascinating to feel the passion and the power of all of those voices. And what I was left with as I was watching, you know, you go down a tick tock hole, let me tell you tick tock is one of the most addicting things you can get on. And I think after about three hours of it, what I was left with was the power of the voices. But that the sense that because we were, they were so different, or we couldn't connect them, and what power it would have been if that connection could be made.And so for me to hear both of you speak about the, the other side of that maybe where that, you know, when the voice is too unified, it may not necessarily or is one voice only, it may not have all of the the flow and color of that maybe right is an interesting perspective for me, because I know that one of the things that comes from our school of Black people is that we can't unify, we can't get it together, we you know, our scatteredness, and this is what is not allowing us the whole idea of the fist instead of the fingers, you know, whatever analogy you want to use. So I what comes to mind, for me is the sense of the balance between all of these sides,You know, we talk a lot on this podcast, Patty, about the different medicines, the different approaches to be able to create the change that we all want to see. And it for me, it's once again, being in appreciation for all of it, getting everybody at a round table, and allowing for a safety space, a space of safety so that every voice can be heard. And then maybe I don't know if it's picking out the best pieces of it. But I, or holding the space for all of it. So that we can bring about change. Because as you as you mentioned, we don't want the same picture that we have now. It's to to evolve it in a way that's going to suit everybody and be relatives. I love that idea. When you say relatives, it just brings me joy, to know that we can all be relative.Patty:We are all related.Robert:So I think an important concept in that for me is it's in the title for today solidarity. And that, you know that there's a there's a time for talking, there's a time for solidarity, and sometimes I hear people say, Why are you talking about that? We don't have a dog in that fight. You know, I mean, I hear that a lot. And And I'll say, I don't, that's not how I do things. I don't really think about them in that way. Of course, I have a course I have a stake in that. You know, because what's going on there something that needs to be addressed. And so I'm addressed that. I didn't I don't calculate things that way. And I don't think we should, and that that, that.That solidarity is such an important thing. And I think that at best it does grow out of relationships that are already that already exists. It's so much easier. Those relationships already exist. This, sometimes it doesn't sometimes you have to go stand with people. And that's where you start a friendship is by standing with them. And, and you stand with people without asking a lot of questions, you make up your mind to go stand with them, and then you got to go stand with them. And if you need to leave, then you leave. But you don't you don't say, Now, can we do this another way? Or could we? Could we change our goals a little bit here? It's like, no, no, no, you're you're standing in solidarity. If you can't do that, then stop standing, you know. But that, that, that's hard in and of itself, you know, and it can be hard for people to do. But it's also really important. But I think it's strengthened by the quality of conversations that happen. Before and after.I think that sometimes people these days are always looking for easy resolution. And they don't realize that part of solidarity is getting together afterwards and saying, what worked about that? What didn't? I had some questions about what went down over there? I wasn't going to slow things down in the moment. But could you kind of clue me in? What was that, you know, I got to pick up a bad vibe from that person. What was that all about? Do you know?And just to, you know, and one of the things that always is remarkable to me that amongst activists, people, people who really go out and put themselves on the line, it's not usually very hard for, for Black people and Native people to get together to stand with each other. You know, I mean, one of the one of the first things that Black Lives Matters did was to really stand with Native people, you know, other than doing things with and for Black people very specifically, were able to embrace the idea that, that even though Native people are a very small population, in comparison, that they got problems with cops too. Right, and that it's a really violent world out there for Native people, really dangerous place for, you know, for our people to and, and that was no trouble for people inside of that people who were the real activists, they understand that they get itKerry: And are used to being on the front line.Robert:And as an academic, I'm always having to remember that to say, sometimes people on the inside of, you know, the cloistered walls of academia can can have more trouble than then just people around the street people in the street kind of know what's going on. And, and stance and it going back to what Patty said earlier, you know how scary it can be to figure out how am I going to get up there? But am I going to say how am I going to do this right? But you know, the payoff of that is just when you get up there, just how how good it feels. You know, if you know something is right in your heart, and you go and you stand up for it. I was you know, I feel for people that have never done that, you know, who who can't bring themselves to do it not out of pity. But I mean, it's just because you don't know how good it can feel that you've done something. You've done something to make the world a little bit different. You don't have to win, win or lose that day. You’ve already won.Patty: No, that's Whoa, yeah, you give me some really good things to think about. I so appreciate your time.Robert:For sure. Well, you're welcome.Patty:Yeah. Thank you. Thank you so much for this.Kerry: Thank you, Robert. I definitely got to follow you back. I think this talk was amazing, really enlightened. Mind that by night, I appreciate it.Robert:Thank you very much for having me.Patty: Bye byeRobert: See ya’ll Later. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit medicinefortheresistance.substack.com