Podcasts about labradford

On this episode of Songs of Our Lives, it's Mark Nelson! Mark has been involved in so many incredible things across the last 30+ years - Labradford, Pan American, etc. - that this episode is a bit of a dream. His new album with Michael Grigoni, “New World, Lonely Ride” is one of the most beautiful things I've heard this year. After talking a bit about how the collaboration came together, we go into Karen Carpenter's greatness, the all-time everything of the B-52s, Cindy Lauper's shining moment, Bobbie Gentry, Damian Marley, Train, Kelela, Tribe Called Quest, and plenty more!Listen to all of Mark's picks HERE“New World, Lonely Ride”Pan American InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListCarpenters “Rainy Days and Mondays”Damian Marley “Welcome to Jamrock”B-52's “Rock Lobster”Cyndi Lauper “Girls Just Want to Have Fun”Jason Aldean “Tattoos On this Town”Train “Drops of Jupiter”Bobbie Gentry “Courtyard”David Bowie & Pat Metheny Group “This Is Not America”Chuck Berry “Memphis, Tennessee”Kelela “Furry Sings The Blues”Tribe Called Quest “Check the Rhime”My Favorite ThingsMarvin Gaye “What's Goin' On”

Emission 930 Labradford - le guitariste Mark Nelson démontre au collectionneur de vieux clavier qu'est Carter Brown qu'il est obnubilé par les disques que Dieter Moebius et Hans-Joachim Roedelius ont enregistré avec Brian Eno,... La Playlist: Listening In Depth – Disremembering - Soft Return – Accelerating On A Smoother Road - Spash Down - Sliding Glass - Balanced On It's Own Flame - Star City, Russia - Comfort – Streamlining – Banco - Eero - SEDR 77 - Phantom Channel Crossing – (J) – Midrange - Pico - Lake Speed - Battered – G - With John Morand And Assisted By Brian Hoffa - Dulcimers Played By Peter Neff, Strings Played Bonne Ecoute... Bibliographie : Les Inrockuptibles n°087 janvier 1997 Les Inrockuptibles n°122 octobre 1997 Les Inrockuptibles, n°201 juin 1999 Pop Fin de Siècle, Guillaume Belhomme, Editions du Layeur, 2019 Alternative Nation, La scène indépendante américaine 1979-2001 – Jean-Marie Pottier, Le Mot et le Reste, 2021

This is part 2 of our two-part podcast with the musician Mark Nelson of Pan-American and Labradford., where he talks about his music and influences, as well as a few new favorites, including artists like Michael Grigoni, Walt McClements, More Eaze, SUSS and many more. 

Bruce Adams joins us for episode # 26. He co-founded kranky records and recently authored a wonderful book, You're with Stupid: kranky, Chicago, and the Reinvention of Indie Music. We talk about Bruce's early history working at Kaleidoscope, Touch and Go and Cargo Records. We also cover his history with kranky records and then talk about how he came to writing You're with Stupid. And, of course, we talk about Chicago.Time Stamps1:39 - Guest host Wade Iverson joins the show today1:45 - Welcome Bruce Adams2:25 - Bruce moves to Chicago in 1987 and begins working at Kaleidoscope. How did that inform your music history?7:00 - Nick the Greek - music or money?7:30 - Corey & Lisa from Touch & Go set the tone and had some great parties!8:45 - Were there kranky parties?11:30 - How did your relationship with Joel Leoschke begin?14:30 - Wax Trax Records provides some useful lessons 17:15 - How compatible were you with Joel?18:10 - How many ECM records do you own?20:30 - Talk about Steve Tibbetts23:30 - Did kranky supply recording budgets to your bands?27:15 - How do you describe Bowery Electric?31:15 - How did you work together with your bands to succeed?33:40 - Did you work together with other labels to share ideas?37:20 - Are people in the music industry good business people?39:10 - How did you decide to move on from kranky in 2005?42:10 - Will you switch from the Maize & Blue to the Fighting Illini?44:00 - What were your formative musical influences?48:00 - How did Chicago impact indie labels like kranky, Drag City, Thrill Jockey and Bloodshot?51:50 - How influential was Labradford?57:25 - Did Monster Truck Five ever release a record?58:40 - When did you start writing You're with Stupid?65:00 - Who plays Bruce Adams in the movie version of You're with Stupid?66:15 - Favorite band of all time, favorite kranky show, did Billy Corgan ever invite a kranky band on tour?67:15 - Mimi Parker / Low memory?72:00 - All the usual Chicago questions

It is fitting that Bruce Adams's new book, the sardonically-titled You're with Stupid: kranky, Chicago and the Reinvention of Indie Music, begins at Jim's Grill off Irving Park Road in the Ravenswood neighborhood on the North Side: It was the first place I remember seeing a promotional poster for this new band, The Smashing Pumpkins, who were regular customers of Bill Choi's Korean-inspired restaurant, when they were first starting out.But let's back up a few years, to set the scene of what was to come. After attending college at the University of Michigan, in Ann Arbor, in the mid-1980s, Adams worked at a record shop and wrote for the fanzine Your Flesh. He caught the indie rock bug, as it were, inspired by the then burgeoning independent music industry that had grown out of labels like Dischord in Washington, DC, Sub Pop in Seattle, and Touch & Go in Chicago, who presented a more artist-friendly path for bands to make a living selling records, CDs and cassettesAdams found his way to Chicago, where, by the mid-1990s, there was a golden age of independent businesses thriving in unison: records labels (Drag City, Thrill Jockey, Atavistic, Bloodshot, Carrot Top), distributors (Ajax, Cargo, Southern), records shops (Reckless, Dusty Groove, Wax Trax, The Quaker Goes Deaf), underground press (the Chicago Reader and New City, but also Lumpen and Stop Smiling), and venues (Cabaret Metro, Lounge Ax, the Empty Bottle, and Double Door). As Adams documents, it was a near-perfect eco-system for creativity and experimentation in a pre-digital age.You're with Stupid is both a cultural history of the Chicago music world at that time, as told through the record labels and distributors that Adams worked for but also a how-to roadmap to founding a DIY operation.  This is my conversation with Bruce Adams about his book and those times.Reading by Bruce AdamsMusic by Labradford

Kranky co-founder Bruce Adams sits down to discuss his new book,You're With Stupid: kranky, Chicago, and the Reinvention of Indie Music. (UTPress) Adams explains the unique conditions that put Chicago at the heart of the ‘90s indie rock scene, the emergence of the kranky aesthetic, and sing the praises of Labradford. Interview recorded between Urbana and Montreal, August 2022 Produced and mixed in Montreal, October 2022 TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Labradford - “Listening in Depth” (Prazision, kranky, 1993) INTRO Tim Hecker - “harmony in blue iv” (Harmony in Ultraviolet, kranky, 2006) Sebadoh - “Gimme Indie Rock” (Gimme Indie Rock!, Homestead, 1991) Archers of Loaf - “Plumb line” (Icky Mettle, Alias, 1993) Smashing Pumpkins - “Cherub Rock” (Siamese Dream, 1993) Jessamine - “Secret” (Jessamine, kranky, 1994) Slint – “Good Morning Captain” (Spiderland, Touch & Go, 1991/1995) Tortoise - “Djed” (Millions Now Living Will Never Die, Thrill Jockey, 1996) Spacemen 3 - “Feel So Sad” (Recurring, Fire Records, 1991) The Art Ensemble Of Chicago – “Urban Magic (in 4 Parts)” (Urban Bushmen, ECM, 1982) Designer [Casey Rice]- “Vandal” (Vandal, Organico, 1996) Labradford - “New Listening” (Prazision, kranky, 1993) Labradford - “Recorded And Mixed At Sound Of Music, Richmond, Va.” (E Luxo So, kranky, 1999) Labradford - “Wien” (Fixed::Context, kranky, 2001) Labradford - “S” (Mi Media Naranja, kranky, 1997) Stereolab / Nurse With Wound - “Simple Headphone Mind” (Simple Headphone Mind, Duophonic Super 45s, 1997) Gastr del Sol – “The Harp Factory On Lake Street” (The Harp Factory On Lake Street, Table Of The Elements, 1995) AMP - “Celestialreturn” (astralmoonbeamprojections, kranky, 1997) Massive Attack - “Inertia Creeps” (Mezzanine, Virgin, 1998) Magnog - “Shapeshifter" (Magnog, kranky, 1996) Roy Montgomery - “The Soul Quitens” (Temple IV, kranky, 1995) Windy + Carl - “Surfacing” (Depths, kranky, 1998) Jessica Bailiff - “Beautiful Soul" (Even in Silence, kranky, 1998) Grouper - “Disengaged” (Dragging a Dead Deer Up A Hill, Type, 2008/ kranky, 2013) Low - “Remember” (Secret Name, kranky, 1999) Liz Phair - “Girls! Girls! Girls!” (Exile in Guyville, 1993) J Dilla “33” (Another Batch, 1998) Wadada Leo Smith - "Images" [excerpt] (Spirit Catcher, Nessa, 1979) Angel Bat Dawid - “The Oracle” (The Oracle, International Anthem, 2019) Christina Vantzou - “The Magic of the Autodidact” [edit] (N°2, kranky, 2014) Dead Texan - “The Struggle” (The Dead Texan, kranky, 2004) Stars of the Lid - “The Lonely People (Are Getting Lonelier)” (The Tired Sounds Of, kranky, 2001) Bowery Electric - “Deep Blue” (Lushlife, Beggars Banquet, 2000) Kevin Drumm - “Deep Breathing Doesn't Work” (May(Part 2), 2017) Labradford - “Lake Speed” (Labradford, kranky, 1996) —- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://anchor.fm/soundpropositions/support

Destacamos el disco 2022 del proyecto del músico estadounidense Mark Nelson, Pan American. Titulado “The Patience Fader”, el álbum del guitarrista y experimentador, sobre todo reconocido por haber sido integrante de la influyente banda Labradford, fue lanzado el 18 de febrero por el sello Kranky. Según la disquera, se trata de “de un set de composiciones instrumentales pacíficas y exuberantes tocadas en guitarra. Las piezas se complementan con guitarra lap Steel, armónica y atmósferas electrónicas”. La declaración agrega que “la destilación glacial del ‘minimalismo romántico’ de Mark Nelson logra una fruición única en su última colección para Kranky, “The Patience Fader””. A su vez, explica que “al ser compuesto durante el muy aislado verano de 2020, las piezas tomaron forma como meditaciones sobre ‘las raíces y el duelo, tratando de conectar con esos ríos profundos y ocultos que conducen a una mayor comunidad’. En la parte final del programa, viajamos al pasado en la trayectoria de Nelson, para escucharlo como parte de Labradford, específicamente con material del tercer álbum homónimo del trío de 1996.

Our latest isolatedmix comes from Mark Nelson, who as Pan•American, or as part of Labradford or even Anjou, has garnered relative cult status amongst the ambient and experimental lifers and tape community. Forming a big part of the Kranky label history from its very first release, Mark recently returned with a new album after a three-year hiatus, and the mature, refined instrumentalism on The Patience Fader is a subtle reminder of the quality Mark has retained over the years - quite an achievement, given his first Pan•American record on Kranky goes back to 1997. I took the chance to send over some questions to Mark to shed some light on the new record and the music that exists in his life right now, alongside his tasteful and electic isolatedmix. The Patience Fader by Pan•AmericanHi Mark, where are you right now and what have you been listening to lately? I'm at home in Evanston IL-just north of Chicago. Drinking coffee after work and listening to the water running through the filter of our pet turtle's tank and the music of Mette Henriette. If you're not familiar with her she's a Norwegian composer and saxophone player who put out a record on ECM a couple of years ago it's so beautiful-one of those records I only let me listen to occasionally because I don't want to become too familiar with it. worried the magic might lessen-but magic never really does. Last few days I've been listening to lots of the music that made it onto the mix-Mike Cooper, African Head Charge, Ulla, my friend Robert Donne's incredible track Touch my Camera Through the Fence, Takagi Masakatsu. The most recent music that I've really liked are the 3 cd comp by Fubutsushi on Cached Media and my friend Francis Harris' beautiful new record Thresholds that I was lucky enough to contribute to. Running a label myself, and given you had the honor of being the very first release on Kranky, with Labradford, I'm interested in the details of how that very first album and relationship came about? It's hard to believe but back then you could put out a 7" single-maybe 300 copies-and be pretty confident all the key distributors, zines, record store buyers and radio stations would find out about it and boost it up if they liked it. Joel and Bruce worked at Cargo-an independent distributor based in Chicago. Our single came across Joel's desk and he felt good enough about it to set in motion the plan he'd been forming to start a label. I remember my friend Andrew who put the single out told me a guy from Cargo was going to call me and I stayed close to the (landline) phone for the next couple days. Joel called, we talked and the rest has unfolded very naturally. A blend of luck and trying to manifest something in the world around the music. “Romantic minimalism” is used in the text for your new album The Patience Fader, and it's an apt term for the delicate, perhaps even more ‘focused' approach on this one. Do you think there is a clear connection between the effects of the past year and the type of music it inspires? Was that the case here? Yes-absolutely in my case. Both from within and without. Not consciously of course, but Patience Fader was made during the summer and fall of 2020, so Covid, Trumpism, BLM/George Floyd protests were all in full flight. At the same time, my father was dying in a hospice in Virginia that we couldn't visit because of Covid. In some respects, emotions were very simple for me in this time. Right and wrong, life and death joy and sorrow seemed very plainly mapped out. The album features some smaller ‘vignette' type tracks, which I personally love. What was your intention behind these as part of the greater album flow? Is there a hidden narrative? Not a narrative really, no. I would say there's a theme of Roots throughout the record and trying to find different ways to approach what roots and being grounded can mean. So guitar and harmonica as the instruments used speak literally to the basic grounding of American music. The field recording of a summer afternoon and slamming screen door on Baitshop is evocative to me of childhood. There's even a song called Grounded. We were all literally grounded by Covid and I was searching for a sense of Grounding amidst the unraveling. It seems like you come from the ‘instrumental first' school of ambient music (as I sometimes like to put it), integrating your instruments as source material, especially on your latest. What does the process for creating a PA album usually look like? It tends to come out of the daily practice of playing. I like practicing and trying to be "better" as a guitar player. Sometimes it can even feel like if I get an idea I need to dig into, it interrupts just simple, repetitive practice that in some ways I enjoy more. I think I've gotten pretty good at recognizing when an idea needs to be followed through and I do feel like I have an obligation to not let it go. Although in the end, most don't make it. Eventually, I tend to establish something that feels like the first song for an album and the last song, and that's when I know that something new is really emerging. The Lapsteel / Pedal steel was perhaps brought to ‘ambient fame' by the KLF's Chill Out, especially to those who run in more general ‘ambient' music terms. And I definitely get a similar vibe to that album with The Patience Fader. …“the ghost of rust belts and dust bowls looming in a horizon of deepening dusk.” as the press text puts it. As a foreigner in the US, I've always wondered about this romanticism and never really experienced it outside of trips to the desert here in the west. How does this come to life for you personally? Is it something you seek out? I'm a big fan of Chill Out-but I think Brian Eno and Daniel Lanois got there first on Apollo! Also, the Paris Texas soundtrack and Ry Cooder's slide playing cemented some of those connections that I guess now verge on cliche. Funny enough I'm a bit of an outsider here as well-my Father was a US diplomat and I didn't live in the US until I was a teenager. I've always looked for a way in I guess, and music-rock n roll, country, blues, jazz seemed like a kind of skeleton key. A key to a series of doors that open and close constantly and I seem to remain disoriented. I certainly returned to these roots (literal and figurative) in music for an explanation or comfort as Trump set fire to whatever remained of the Better Angels of what (for some reason) is referred to as the American Experiment. Mixed results. You speak of the notion of “lighthouse music,” radiance cast from a stable vantage point, sending “a signal to help others through rocks and dangerous currents.” My perception and ‘unromanticizing' of this after listening to the album, is that you have tried to create very clear, and comforting music, something that will cut through easier and not need too much thought for it to work. I love this overall sentiment - could you expand upon it in your own words? It's an effort to be uncluttered and go straight for the heart. The beauty in country music is the same effort or effect. It's ok if it's a formula to an extent that's comforting! The songs on my record share a very similar structure and palette to one another-I really wanted to create a world that would be very quickly recognized-meaning the boundaries would be clear right away-and the work could be done within those boundaries. There's certainly much to recommend pushing beyond known boundaries and limits-for me though it's where known elements within a world blur, overlap, merge, surrender and change like water that's what I'm interested in! New possibilities come from new combinations, and new layering of familiar material. Hybrid forms, mutations. I think what we're looking for is here-it's just up to us to make it visible.~ astrangelyisolatedplace · isolatedmix 118 - Pan•AmericanListen on Soundcloud, Mixcloud, or the ASIP Podcast.DownloadTracklist:01. Willie Nelson- Sad Songs and Waltzes02. Ulla - New Poem03. Michael Grigoni - Little Cliffs04. Sosena Gebre Eyesus - Seqelew Eyalu05. Maurizio - MO7A (edit)06. Mike Cooper - After Rain07. African Head Charge - Bazarre08. Takagi Masakatsu - Uter 109. Mary Lattimore - We Just Found Out She Died10. Loren Connors - Blues #511. Robert Donne - Touch My Camera Through the Fence12. Lokai - Histoire DSPan•American: Website | Bandcamp | Soundcloud | Discogs

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ WAKING DREAMS by GOLDEN LIVING ROOM on ＶＩＲＴＵＡＬ ＰＨＡＮＴＡＳＹ ２０９７ （ＵＬＴＲＡ ＥＤＩＴＩＯＮ） (Dream Catalogue) 1′45″ Deeper Into Movies by Yo La Tengo on I Can Hear the Heart Beating As One (Matador) 6′50″ Own Two Feet by Should on A Folding Sieve (words on music) 11′02″ Shine by Slowdive on Holding Our Breath - EP (self released) 16′10″ Black Car by Black Tambourine on Black Tambourine (Slumberland Records) 19′30″ Happen by Drop Nineteens on Delaware (Caroline records) 23′05″ Tall Ships by Swirlies on What To Do About Them (Taang! Records) 27′38″ Soon by my bloody valentine on Loveless (Sire Records Company, a label of Warner Records Inc., manufactured and marketed by Rhino Entertainment Company, a Warner Music Group company) 34′22″ Pearl by Chapterhouse on Whirlpool (Dedicated) 39′11″ Here and Now by Ride on Nowhere (Expanded) (Sire Records. Marketed by Rhino Entertainment Company, a Warner Music Group Company.) 43′34″ Something for Joey by Mercury Rev on Boces (Sony Bmg music entertainment) 47′30″ Keen on Boys by The Radio Dept. on Lesser Matters (self released) 52′20″ The Only One I Know by The Charlatans on Some Friendly (Dead Dead Good / Situation Two / Beggars Banquet Records Ltd.) 56′21″ Here by Pavement on Slanted & Enchanted (Matador) 60′00″ I Wanna Be Adored by The Stone Roses on The Stone Roses (Silvertone Records) 64′45″ Oil of Angels by Cocteau Twins on Four-Calendar Café (Soleil Apres Minuit) 69′10″ Headphones by Björk on Post (Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America) 74′55″ Two Step by Throwing Muses on The Real Ramona (Whoa Dad!) 79′20″ Here's Where the Story Ends by The Sundays on Reading, Writing & Arithmetic (UMG) 83′08″ Brakhage by Stereolab on Dots and Loops (Duophonic) 88′40″ There You Are by The Sea and Cake on The Fawn (Thrill Jockey Records) 93′15″ Leave Me Alone by New Order on Power, Corruption & Lies (Warner records 90 Ltd) 97′52″ Souvenir by Orchestral Manoeuvres In the Dark on The OMD Singles (Virgin Records Ltd) 101′25″ Space Age Love Song by A Flock of Seagulls on A Flock of Seagulls (Zomba Productions Ltd.) 105′08″ Pictures of You by The Cure on Disintegration (Rhino) 112′25″ Classic Girl by Jane's Addiction on Ritual de lo Habitual (Warner Records Inc.) 117′28″ Soft Return by Labradford on Prazision (kranky) Check out the full archives on the website.

Marques and Brian start off the hour talking to new Courier Journal Men's Basketball beat writer Shannon Russell. She previews the season and talks about her experience with Chris Mack in the past. They also have a surprise call in at the end of the show from former Louisville Great LaBradford Smith. You can catch it all right here.  See omnystudio.com/listener for privacy information.

Labradford Smith talks about playing against Michael Jordan, we talked about the NCAA tournament the sweet 16 run in 1989, and playing against the illini basketball team that was loaded with talent. Sean Higgins also joined us and boy was it fun having him on the show. Sean talked about playing against pro's when he was 13 yrs old and pretty much holding his own. He also talked with us about wanting to be the best and how he would do whatever it takes, even if that meant a few prank phone calls to his opponents lol. You will love this one!

LaBradford Smith from The Last Dance joins the show to talk what it's like when MJ is on the court trying to ruin you, and what it's like scoring 37 on the greatest of all time. Before & After that we go heavy Bears schedule, Blackhawks next moves, Cubs finances, Bryce Harper comments on playing for the White Sox and a bunch of other shit. All Gas No Brakes.

Hayley and the Knobs on horses returning for Churchill's re-opening (which Chuck schools us on), a reporter shaming another reporter for not wearing a mask at the White House, and Michael Jordan doing LaBradford Smith wrong in The Last Dance...

Episodes 7 & 8 of The Last Dance aired last night and the guys break it down. LaBradford Smith joins the show to talk about scoring 37 points on Michael Jordan.

Episodes 7 & 8 of The Last Dance aired last night and the guys break it down. LaBradford Smith joins the show to talk about scoring 37 points on Michael Jordan.

Hayley and the Knobs on horses returning for Churchill's re-opening (which Chuck schools us on), a reporter shaming another reporter for not wearing a mask at the White House, and Michael Jordan doing LaBradford Smith wrong in The Last Dance...

Episode 435: September 30, 2019 (guest artist Edward Ka-Spel of the Legendary Pink Dots) playlist: The Legendary Pink Dots, "Red Flag" (Angel in the Detail) 2019 Metropolis Pan American, "Memphis Helena" (A Son) 2019 Kranky Lee "Scratch" Perry, "Here Come the Warm Dreads (feat. Brian Eno)" (Heavy Rain) 2019 On-U Sound A Winged Victory for the Sullen, "The Rhythm Of A Dividing Pair" (The Undivided Five) 2019 Ninja Tune Four Tet, "Teenage Birdsong" (Teenage Birdsong) 2019 Text Patrick Q. Wright and Edward Ka-Spel, "Geisha Mermaid 2019" (40 Angels - The Archive) 2019 self-released Edward Ka-Spel, "Escape Route" (The Moon Cracked Over Albion) 2019 Neuteka The Legendary Pink Dots, "My Land Parallels" (Angel in the Detail) 2019 Metropolis Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Conversation with John Morand Part 2 of 2.  Cracker, Labradford. Today's StudioB features part 2 of my conversation with engineer, producer, musician, studio owner John Morand of Sound of Music Studios in Richmond.  In the conclusion of this two-part series John the state of the music industry, projects and plans at Sound of Music including producing a true crime podcast, live sound field recording, and an unexpected connection to the Royal Family through recording.  Also, a couple more recordings John worked on at Sound of Music are featured. Info: www.studioBrva.com Contact: studioBrva@gmail.com

Zombietron, Labradford, Wabeya, Shadow Age, Addy, True Body, A.S.G., Bone Storm, Thunderchief. Local and Regional Music out of Richmond, Va. Info: www.studioBrva.comContact: studioBrva@gmail.com

The machinery for arresting declination, with Stars of the Lid, Max Richter, Labradford, Eluvium and Aphex Twin.

The machinery for arresting declination, with Stars of the Lid, Max Richter, Labradford, Eluvium and Aphex Twin.

November 1992-97: Rage Against the Machine, NOFX, Biozhazard, Ween, Leonard Cohen, Modest Mouse, Labradford

‘I'm just pretending … as if I'm preparing for a space journey, and the space journey, it takes many years.' Aziz After months of interviews, Aziz finally sits facing an immigration officer and an interpreter, about to find out whether he's been granted refugee status. But he's too angry to talk about that. What he'd rather know is why he's just spent weeks locked in a jail cell in Lorengau, before being abruptly released without charge. In this episode, Aziz tells Michael about the hunger strike that lead to his imprisonment, and why he continues to pursue big and small acts of resistance – despite the consequences. Transcript Download a transcript of this episode in Adobe PDF format. In this episode Abdul Aziz Muhamat Michael Green Our theme music was composed by Raya Slavin. Music used in this episode includes ‘02-15-02' by Taylor Deupree and Kenneth Kirschner, ‘Ambient Head' by Atom Heart and Tetsu Inoue, ‘Variation for Oud and Synthesizer 2' and ‘Rhodes Viola Multiple' by Keith Fullerton Whitman, ‘Helix' by Radian, ‘There Are Other Worlds (They Have Not Told You Of)' by Jan Jelinek Avec The Exposures, ‘Plastic Energy Man' by Papa M, ‘People are Friends' by Biosphere, ‘Biokinetics 2' by Porter Ricks, ‘Pilot' by Markus Guentner, ‘Twenty' by Labradford, ‘Miracle to Fill My Life' by Abe Duque, ‘Changeling' by DJ Shadow, ‘Summa Afrique (Oren Ambarchi remix)' by Tape, and ‘We Let the “S” Hang in the Air' by Brokeback. More information The Messenger is a co-production of Behind the Wire and the Wheeler Centre. It's produced by Michael Green, André Dao, Hannah Reich and Bec Fary, with Jon Tjhia and Sophie Black at the Wheeler Centre.Narration by Michael Green. With reporting by Abdul Aziz Muhamat. Additional fact checking by the Guardian's Ben Doherty; transcription by Claire McGregor, Tiarne Cook, Eugenia Zoubtchenko and many more​. This episode was edited and mixed by Bec Fary and Jon Tjhia. Thank you Dana Affleck, Angelica Neville and Sienna Merope. Also to Hani Abdile, and to Behind the Wire's many participants and volunteers. Behind the Wire is supported by the Bertha Foundation.See omnystudio.com/listener for privacy information.

Episode 344: February 26, 2017 (guest artist Mark Nelson of Anjou, Pan American, and Labradford) playlist: Anjou, "Soucouyant" (Epithymia) 2017 Kranky Azymuth, "Villa Mariana (Pela Madrugada)" (Fenix) 2016 Far Out Noveller, "Deep Shelter" (A Pink Sunset For No One) 2017 Fire Carla dal Forno, "Fast Moving Cars" (You Know What It's Like) 2016 Blackest Ever Black Roedelius, "Wenn Der Sudwind Weht" (Wenn Der Sudwind Weht) 1981 Sky Pan American, "Rue Corridor" (Rue Corridor) 2014 Geographical North Labradford, "Up To Pizmo" (Fixed::Context) 2001 Kranky Anjou, "Adjustment" (Anjou) 2014 Kranky Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Nate DiMeo is the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the second episode of that residency. This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund. This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Kathy Tu. Its Executive Producer is Limor Tomer, General Manager of Concerts & Lectures, The Metropolitan Museum of Art. * Madame X (Madame Pierre Gautreau), John Singer Sargent, 1883-1884 * Tomb Effigy of Elizabeth Boott Duveneck, Frank Duveneck, 1891 * One bottle, any bottle. Music * We hear "Pools of Grey," by Jeff Eden Fair and Starr Parodi. * Then "Ruth & Sylvie," by Daniel Hart. * And "Lost in Space," by Max Richter. * Wien, by Labradford plays beneath the credits. Special thanks to Gabe Hilfer at Full Pursuit Media. and to Thayer Tolles, Alice Cooney Frelinghuysen, and Ariana Baurley at the Met for their help episode. The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Learn more at radiotopia.fm.

Nate DiMeo is the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the first episode of that residency. This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund. This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Kathy Tu and research assistance from Andrea Milne. Its Executive Producer is Limor Tomer, General Manager of Concerts & Lectures, The Metropolitan Museum of Art. The Art Discussed If you can't be at the museum to listen to this episode, you might want to take a look at: * Dance in a Subterranean Longhouse at Clearlake, California, Jules Tavernier, 1878. * The Rocky Mountains, Lander's Peak, Albert Bierstadt, 1868 * Washington Crossing the Delaware Emmanuel Leutze, 1851 Music * We hear, "Prelude for a Single Snowflake Under Streetlight, Falling Like a Star," "The View from a Foggy Window, or Your Head in the Clouds with a Fever," and "Origami Guitar," from Lullatone. * We hear, "Entering Darwin," "On the Atlantic Ocean," "Popcorn and Life," "Shut up World," and "Turning Sixteen" from Ben Sollee. * Wien, by Labradford plays beneath the credits. Special thanks to Gabe Hilfer of Full Pursuit Media. and to Dr. Elizabeth Kornhauser and Ariana Baurley at the Met. Further Reading * Chronicling the West for Harper's: Coast to Coast with Frezeny & Tavernier by Claudine Chalmers. * Jules Tavernier Artist and Adventurer from Scott A. Shields, Alfred C. Harrison, Jr. and Claudine Chalmers. The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Learn more at radiotopia.fm.

The Memory Palace is a proud member of Radiotopia from PRX. Do you live in Toronto? Chicago? Milwaukee? Minneapolis? How about L.A.? Come see the Memory Palace live this May. SPOILERS BELOW Music * We hear Portrait Gallery from Luke Howard. * A smidgen of Julia Kent's lovely Dorval. * The incomparable Moondog's Gloving It pops up a couple times (as it tends to do around these parts). * Denmark by the Portland Cello Project rolls out for quite awhile. * John Lewis and Sacha Distel play the title track from their Afternoon in Paris album. * We hear To, from Zach Cooper's Styles Upon Styles. * There's a bit of Eine Kleine Gamelan Music from The Gamelan Son of Lion (seriously). * Ends on P, by Labradford. NOTES * The classic text on Charlie Faust is Lawrence Ritter's The Glory of Their Times:the Story of the Early Days of Baseball as Told by the Men Who Played It, one of the key texts of early baseball history, first published in 1966. * The definitive resource on Faust is Gabriel Schecter, who's written his biography for SABR, the Society for American Baseball Research, and a monograph called Victory Faust: The Rube Who Saved McGraw's Giants. * I also want to point you to Rob Neyer's lovely piece on visiting Faust's grave.

Music * We start off with Wien, by Labradford. * The guys head out to the work site to Piano 3, from Jon Brion's score to Synecdoche, New York. * Then we hear a bit of Metamorphosis by Vladamir Ussachevsky before being bombarded with bits of Fast Pasture by Todd Reynolds. * There's a long stretch of Fog Tropes by Ingram Marshall * Followed by Fragment I by Library Tapes * Before ending on Berceuse, by Alexandra Sileski. Notes * This is a story I've been wanting to do forever. In fact, falling in love with the story of the Brooklyn Bridge was one of the things that sent me on a path to doing The Memory Palace at all. So, most of this stuff I just kind of already knew. But it was a particular pleasure to go back and read David McCullough's masterful, lovely The Great Bridge. And to read a ton of contemporary accounts of its construction, particularly the New York Time's piece where the reporter heads down into the Brooklyn Caisson.

It's fundraiser time! Do you enjoy the Memory Palace? Do you want to support independent media? Then support the home of the Memory Palace, Radiotopia. Click here and become a sustaining supporter and help keep us going for a long time to come! Music* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* First up is "Adultere bourgeoise," a piece from Paul Misraki's score to A Double tour.* Then we've got a piece called "Night Time Talk" by Stephen J. Anderson. * We hit For the Trees by Matmos a couple of times (the bit after: "the facts were these," or whatever I say)* Frank Durr's theme is P from that first LaBradford album, all those years ago. * The score for the House of Butterflies is called Fragment II by Library Tapes. It comes back again toward the end.* We also hear Invidia, by Deadmaus. That's the one we finish on. Notes* Several essays were very helpful in researching this. Among those were: -http://pittmed.health.pitt.edu/jan_2001/butterflies.pdf-http://www.thenation.com/article/secret-history-lead/-http://www.wired.com/2013/01/looney-gas-and-lead-poisoning-a-short-sad-history/* I found William J. Kovarik's Dissertation, The Ethyl Controversy:How the News Media Set the Agenda for a Public Health Controversy over the use of Leaded Gasoline, 1924-1926, completely fascinating. * I relied on a number of papers from the W.H.O. when researching the health effects of lead and ozone depletion.* Here's the New York Times original expose about the House of Butterflies.* Finally, Thomas Midgely, IV's biography of his grandfather, From the Periodic Table to Production: The Life of Thomas Midgely, Jr., inventor of Leaded Gasoline and Freon Refrigerants, is, while unsurprisingly hagiographic, both well-researched and highly readable.

"Einstein said that time was like a river. it doesn't move at the same speed everywhere.." spacemen 3 - lord can you hear me? (playing with fire) chelsea wolfe - halfsleeper (the grime & the glow) bonnie prince billy - bad man (bonnie prince billy) molina & johnson - wooden heart (molina & johnson) derek rogers - signifying memory (signifying memory) janet cardiff - a large slow river (cardiffmiller.com) bohren und der club of gore - verloren (alles) (piano nights) dale cooper quartet & the dictaphones - ma dressing (parole de navarre) bohren und der club of gore - fahr zur hoelle (piano nights) saffronkeira & mario massa - variazione (cause and effect) ben frost - undulating beast (black marrow) the living jarboe - scorpion (disburden disciple) letha rodman melchior - marsh of sleep (handbook for mortals) grouper - soul eraser (a i a : dream loss) le fruit vert - canto di iemanja (passiflore) labradford - soft return (prazision) mogwai - rollerball (ep +2) photo: "blue river night" © sheri mcleroy sundays live 3-5pm est on http://www.Radio23.org