Podcasts about Synecdoche

https://www.youtube.com/watch?v=4tMJtMjVbZ0 https://www.tiktok.com/@benedictionsfromthevoid/video/7508023297485917486?_t=ZP-8wfcI8GdUDv&_r=1 1:30 - The News 5:25 - Jerks of the Week 23:27 - The Goonies 27:59 - Con Air 28:39 - National Lampoon's European Vacation 35:54 - Pee-Wee's Big Adventure 39:35 - Pee-Wee as Himself 48:13 - Weird Science 52:48 - Synecdoche, New York 53:32 - The Thing (1982) 58:30 - Creepshow 1:00:50 - Black Bag 1:03:36 - Celebrity Bear Hunt 1:06:30 - new Fear Street movie 1:08:57 - Lilo & Stitch 1:33:29 - Mission Impossible - Dead Reckoning 2:12:27 - Agent Cody Banks 2: Destination London

If Satan's very nature makes him incapable of things like whispering lies into our minds or personally attacking thousands of people at once, what do we make of the verses that imply we need to watch out for his attacks? This episode digs in to a part of language we use every day that can help us better distinguish between the being known as Satan and the world system he's responsible for. Scripture Used: Matthew 4:13-16; Isaiah 9:1-7; Matthew 27:46; Psalm 22; Matthew 12:22-26; 1 Thessalonians 2:18; Acts 7:1-9; 1 Corinthians 7:5; James 4:1-10; James 1:13-14; James 3:14-16 Satan Series: https://www.youtube.com/playlist?list=PL5oAvNLE5030_XWDG9oWCKfB4aMbXMUbh  Song of Songs for Singles: https://a.co/d/cF5K9Jf Theology with Chris Lenoir: https://youtube.com/@theologywithchrislenoir?si=s2uMfl4BpLB2cA-O Thinklings Podcast: https://thinklingspodcast.com/category/podcast/ Timestamps: 00:00 Intro 6:47 Modern synecdoches 9:26 Biblical synecdoches 25:38 Satan as a synecdoche Support My Work  • Monthly Support: https://www.Patreon.com/OnwardintheFaith  • One-Time Donations: https://www.paypal.com/paypalme/OnwardintheFaith | https://account.venmo.com/u/Ray-Burns-6 Check Out My Devotionals on Amazon (affiliate links):  • 40 Moments From Christ's Final Days: https://amzn.to/4kGDDgE  • 25 Days of Christ in the Old Testament: https://amzn.to/41GuqfK Hashtags #Christianity #Theology #Faith #Pain #Suffering #ChronicPain Music Credits  • YouTube Outro Music by UNIVERSFIELD from Pixabay  • Podcast Outro Music by LesFM from Pixabay

Welcome back to Fright School! This week, we predict how the horror genre will respond to the Trump Era. We reflect on the subject of fatness in horror after reading Dread Central's recent article on CARRIE. Joe's takeover continues with IDLE HANDS (1999). We remind our listeners that cannabis is legal for recreational use in California. We discuss the Columbine Massacre's affect on the film, overcomplicate the film with a discussion of our bodies in revolt, and pick some of our favorite teen horror films that climax at a dance! Recommended reading: Why Has a Fat Girl Still Never Been Cast as Carrie White? by Josh Korngut Charting the Dumb Charm of ‘Idle Hands' Through its Soundtrack by Emma Garland Horror: A study on Cliver Barker part 19, The Body Politic by OJB Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Talk Without Rhythm Podcast I'm joined by TWoRP Elite Patron Matthew K. for his Patreon Pick - a double-feature of psychological surreality with 2008's Synecdoche, New York and 2021's Titane. [00:00] INTRO [03:26] Trick or Treat Radio Promo [04:43] RANDOM CONVERSATION [14:04] Synecdoche, New York (2008) [01:07:41] Titane (2021) [01:56:11] FEEDBACK [01:59:20] ENDING MUSIC: Wayfaring Stranger by Lisa Abbott Buy Synecdoche, New York (2008) Buy Titane (2021) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Revisitamos, debatimos y analizamos la película Synecdoche, New York (2008) de Charlie Kaufman.Fico CangianoAlexis LeonJose MoralesLuis Angelet

For our Valentine's Day 2025 episode, we plunge deep into the nature of relationships by discussing two films whose romantic pairings are arguably not relationships at all: Spike Jonze's Her (2013) and his sometime collaborator, Charlie Kaufman's I'm Thinking of Ending Things (2020). Isolation, loss, misogyny, male fantasies, hope and despair: we've got all of the Valentine's goodness for you. And it continues with our Fear and Moviegoing discussion of Mike Leigh's Hard Truths (2024).  Time Codes: 0h 00m 25s:    HER (2013) [dir. Spike Jonze] 0h 54m 53s:    I'M THINKING OF ENDING THINGS (2020) [dir. Charlie Kaufman] 1h 30m 24s:    Fear and Moviegoing in Toronto: Mike Leigh's Hard Truths (2024) Related content: ·       Our immensely long and under-edited discussion of Synecdoche, New York (2008) and Our Town (1940) ·       Our second ever podcast: Peggy Sue Got Married (1986) and Eternal Sunshine of the Spotless Mind (2003) +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Following our episode on The Matador, we decided to revisit another hitman comedy: Confessions of a Dangerous Mind, which was George Clooney's directorial debut. Ryan also revisited two later films by screenwriter Charlie Kaufman; Eternal Sunshine of the Spotless Mind and Synecdoche, New York. We also got sidetracked a bunch and talked about other topics like The Gong Show in its various iterations. You can hear the full episode now only on Patreon at https://www.patreon.com/almostcultclassics. You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

1053. If you've ever hesitated between ‘toe the line' and ‘tow the line,' this episode is for you. We look at the phrase's history to clear up the confusion. Then, we look at metonymy and synecdoche — powerful literary devices that can make your writing more compelling. The metonymy segment was written by Jim Norrena, MFA, who has been writing and editing professionally for more than 35 years in the publishing and academic industries within the Bay Area. After earning his MFA in Writing and a UC Berkeley Extension certification in copyediting, he founded TypoSuction.com, an independent writing and editing service. Additionally, he has taught grammar and copyediting intensives and professional proofreading workshops at Media Alliance and served as events coordinator for Bay Area Editors' Forum (BAEF). 

rWotD Episode 2812: Tom Noonan Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Tuesday, 14 January 2025 is Tom Noonan.Tom Noonan (born April 12, 1951) is an American actor, director, and screenwriter, best known for his roles as Francis Dolarhyde in Manhunter (1986), Frankenstein's Monster in The Monster Squad (1987), Cain in RoboCop 2 (1990), The Ripper in Last Action Hero (1993), Sammy Barnathan in Synecdoche, New York (2008), Mr. Ulman in The House of the Devil (2009), Reverend Nathaniel in Hell on Wheels (2011–2014), the Pallid Man in 12 Monkeys (2015–2018) and as the voice of everyone else in Anomalisa (2015).Noonan is also a writer and director of theatre and film. His debut feature film What Happened Was (1994) won the Dramatic Grand Jury Prize and Screenwriting Award at the Sundance Film Festival.This recording reflects the Wikipedia text as of 00:42 UTC on Tuesday, 14 January 2025.For the full current version of the article, see Tom Noonan on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Matthew.

Kicking the movies of this year off, Ian picked the 2008 postmodern psychological drama film Synecdoche, New York. Written and directed by Charlie Kaufman in his directorial debut, it stars Philip Seymour Hoffman as an ailing theater director who works on an increasingly elaborate stage production and whose extreme commitment to realism begins to blur the boundaries between fiction and reality. The film also stars Samantha Morton, Michelle Williams, Dianne Wiest and Tom Noonan. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

in afl 38 kiest actrice Daphne Agten 3 films uit mijn collectie: 8 Femmes van Francois Ozon, Donnie Darko van Richard E Kelly en The Fly van David Cronenbergh, die eigenlijk niet in mijn kast stond maar verward werd met The Fly uit 1958 - maar op termijn wel in mijn kast gaat komen. Komen ook nog ter sprake: "Wicked", "Knives Out", "Clue", "Synecdoche, New York" ea

Actrice Daphne Agten (recordhoudster van deelnames aan De slimste mens) vertelt in onze Bar Miroir hoe ze kracht haalt uit de female rage in het werk Inflammatory Essays van kunstenares Jenny Holzer, waarom de film Synecdoche, New York van Charlie Kaufman haar iedere keer opnieuw doet huilen, en hoe het komt dat in het theaterstuk Penthesilea van het Internationaal Theater Amsterdam kussen met bijten wordt verward. See omnystudio.com/listener for privacy information.

Actrice Daphne Agten (recordhoudster van deelnames aan De slimste mens) vertelt in onze Bar Miroir hoe ze kracht haalt uit de female rage in het werk Inflammatory Essays van kunstenares Jenny Holzer, waarom de film Synecdoche, New York van Charlie Kaufman haar iedere keer opnieuw doet huilen, en hoe het komt dat in het theaterstuk Penthesilea van het Internationaal Theater Amsterdam kussen met bijten wordt verward. See omnystudio.com/listener for privacy information.

When screenwriter Charlie Kaufman started making his epic, heartbreaking directorial debut SYNECDOCHE, NEW YORK, he was the toast of Hollywood. Then it flopped, put a pause on his career, and arguably marked the end of the heady “indiewood” era of the oughties. Host Rico Gagliano talks to one of the film's stars, Daniel London (MINORITY REPORT), comedy star and SYNECDOCHE superfan Jamie Demetriou (FLEABAG), and LA Times critic Amy Nicholson to learn about a movie that's now seen as one of the best of the century.The latest season of The MUBI Podcast – BOX OFFICE POISON — dives into six visionary films... that were also notorious flops. Inspired by the new book of the same name by Tim Robey, film critic for The Telegraph, every episode is a wild ride through a great movie's rise, and fall, and rise.DAHOMEY will stream exclusively on MUBI in the US, Canada, UK, Ireland, Germany, Turkey, India and Latin America from December 13.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country. You can listen to the Kermode & Mayo's Take podcast here.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Screenwriter (“Heathers,” “Demolition Man,” “Batman Returns”) and encyclopedic cinephile Daniel Waters joins us to discuss 2008—a key year for him as a filmmaker and film lover, thanks to the likes of “Synecdoche, New York,” “Love Exposure,” and “The Dark Knight.”  For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

This episode of Target Audience welcomes filmmaker and critic Pedro Lima. Pedro is targeted by Charlie Kaufman's 2008 metatextual drama Synecdoche, New York. Join us as talk a film of a thousand themes, Kaufman's style, and the impeccable cast. Pedro on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben's Website (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IceCream4Freaks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Opening/Closing Song - "Can't Slow Down" by Almost Monday

Welcome to How Have You Not Seen, a podcast where everything is more complicated than you think. This week, Carson Introduces Caroline to Charlie Kaufman's divisive, postmodern opus Synecdoche, NY and then refuses to even try to explain what the movie's actually about. This week's important questions; Is Charlie Kaufman okay? Caden Cotard: macho alpha or whiny sadboy? -and- Is this movie kinda obvious? A special thank you to our patrons! HHYNS is made with the financial support of listeners like you. If you'd like a shoutout on the pod and years of bonus episodes covering new films and old favorites, head over to our patreon - ⁠patreon.com/hhynspod

Send us a textANOTHER LEGENDARY ACTOR'S TRIBUTE!This week on the Gimme Three Podcast co-hosts Bella Efstratis and Nicholas Ybarra celebrate the life and career of Philip Seymour Hoffman. As hard as it is to believe, this year marks a decade since Philip Seymour Hoffman's tragic passing. In this episode, the duo discusses some of Hoffman's pivotal leading performances. First, we have Sidney Lumet's swan song, the gripping 2008 crime thriller Before The Devil Knows You're Dead. In this one, Philip Seymour Hoffman takes his acting to new, intense heights. Next, we attempt to dissect the dense masterpiece Synecdoche, New York. In what may be his most enigmatic roles, Hoffman knocks it out of the park as the troubled stage director Caden Cotard.Finally, we discuss the intricacies of Philip Seymour Hoffman's Academy Award-winning performance as Truman Capote in Capote. In this episode, Bella and Nick analyze Hoffman's portrayal of vulnerability in all of his characters and its effect on the audience. Stay tuned for more episodes highlighting the work of Philip Seymour Hoffman in the coming weeks. Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Com uma aprovação crítica de 84% no Rotten Tomatoes e média de apenas 5.9 de avaliação do público no imdb, Eu Vi o Brilho da TV é o Skinamarink da atual temporada do horror: ou seja, o filme que mais vem dividindo opiniões entre o público geral e a crítica especializada. Produzido pela A24 e escrito e dirigido por Jane Schoenbrun, o filme é protagonizado por dois jovens com vivências muito diferentes que desenvolvem uma mesma obsessão por um programa de TV: The Pink Opaque. Ao longo de vários anos e diferentes experiências, a trama borra as fronteiras entre ficção e realidade. Contado em ordem não-cronológica e focado em elementos de horror existencial, Eu Vi o Brilho da TV vem gerando muito debate sobre sua própria categorização dentro do gênero e o ritmo de sua trama. Será que ele é mesmo um filme de horror ou seria melhor categorizado como um drama? Vale a pena conferir? O Cabana RdM começa agora. O RdMCast é produzido e apresentado por: Thiago Natário, Gabriel Braga e Gabi Larocca. ARTE DA VITRINE: Estúdio Grim ESTÚDIO GRIM – Design para conteúdo digital Portfólio: https://estudiogrim.com.br/ Instagram @estudiogrim contato@estudiogrim.com.br PODCAST EDITADO POR Felipe Lourenço SEJA UM(A) APOIADOR(A) Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas! Acesse: https://apoia.se/rdm Conheça a Sala dos Apoiadores: https://republicadomedo.com.br/sala-dos-apoiadores/ CITADOS NO PROGRAMA Eu Vi o Brilho da TV (2024) Off topic Synecdoche, New York (2008) Episódios Cabana RdM #30 - O que achamos: Beau Tem Medo (sem spoilers) Cabana RdM #21 - Skinamarink é mesmo assustador? Tem algo para nos contar? Envie um e-mail! contato@republicadomedo.com.br Twitter: @RdMCast Instagram: Republica do Medo

This week, we delve into one of the most confounding movies ever: Synecdoche, New York. And we're here to say the movie, while surreal and outlandish and subversive, is actually much simpler than it seems. We go down a strange path trying to put Charlie Kaufman's bizarre movie into words—join us.Check out our website for more great movie deconstructions.If you'd like to support the show and hear episodes ad-free, then join our Patreon!Music by Ross Bugden.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Waltz With Bashir, Milk, Synecdoche, New York, The Dark Knight, among others.

What do Katy Perry, Charles Dickens, and the Bible all have in common? They're responsible for some of the most famous lines in history. And in this episode, you'll find out why.  Mark, an author and mad scientist of language, reveals the secret sauce to memorable writing: rhetorical devices. Chiasmus. Anaphora. Antithesis. Synecdoche.  Writing today (i.e. texting and Tweeting) is concise and hyper-minimal — which is fine, if you're writing the instruction manual for a new dishwasher. But the most memorable works of writing lean into the beauty of words. It's not about using overly purple prose. It's about using rhetorical formulas to create unforgettable lines, to shape ideas that stick in your reader's brain.  If you want to write something that sticks in your reader's brain — a book, a poem, a speech — then this episode is for you. SPEAKER LINKS:  Twitter: https://x.com/inkyfool Blog: https://blog.inkyfool.com/ Books: https://www.amazon.com/stores/author/B005Z05REO WRITE OF PASSAGE:  Want to learn more about the next class Write of Passage? Click here: https://writeofpassage.com/ PODCAST LINKS:  Website: https://writeofpassage.com/how-i-write YouTube: https://www.youtube.com/@DavidPerellChannel/videos Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 Spotify: https://open.spotify.com/show/2DjMSboniFAeGA8v9NpoPv Learn more about your ad choices. Visit megaphone.fm/adchoices

Take 127: LONGLEGS, The Bikeriders, Synecdoche, New York, & The Royal Tenenbaums

When this film was released in 2008 it flopped, but at the same time Roger Ebert called it the best film of the decade, and maybe one of the best films ever made. Now, Six and Bill dive into an in-depth discussion of Charlie Kaufman's "Synecdoche, New York." They analyze the movie's complex themes of mortality, identity, creative obsession, and the passage of time. Six and Bill explore the film's surreal elements, dark humor, and emotional impact, drawing connections to works like Kafka's "The Metamorphosis" and other Kaufman films. The conversation touches on the movie's challenging nature, its divisive reception, and the brilliant performances, particularly by Philip Seymour Hoffman. Six and Bill debate whether it's a masterpiece or overly pretentious, ultimately concluding that while it's a difficult watch, it's likely a great work of art that rewards multiple viewings. They also discuss the film's music, including the haunting end credits song, and how the movie resonates differently with viewers depending on their life experiences. The episode concludes with Six and Bill reflecting on the film's deeper messages about living life fully and prioritizing meaningful relationships. Their thoughtful analysis is interspersed with personal anecdotes and funny asides, providing an engaging exploration of a challenging and thought-provoking film. YouTube channel - the podcast with VISUALS!!! - https://www.youtube.com/@6of1bill

Notes and Links to Nina St. Pierre's Work      For Episode 238, Pete talks live with Nina St. Pierre at Sacramento's Capital Books about her deeply personal, timely, and resonant memoir, Love is a Burning Thing.      Whether telling her own stories or reporting on the lives of others, Nina St. Pierre is drawn to boundary breakers and in-between places. Her debut memoir, LOVE IS A BURNING THING, came out May 7 from Dutton Books, and is available to order now. Set at the foot of a cosmic mountain, it's a story about fire, family, and what it means to believe; about the boundaries between mysticism and mental illness.     As a culture writer and essayist, she makes unexpected connections; whether profiling the sole woman in the Ruff Ryders street-bike crew or exploring the prophecy of the mystical udumbara flower. Read her work in GQ, Harper's Bazaar, Gossamer, Outside, Bitch, and more. Nina holds an MFA from Rutgers, was a 2023 NYSCA/NYFA Artist Fellow in Nonfiction Literature, and a RESP Fellow. She lives in New York City.     Buy Love is a Burning Thing   Nina St. Pierre: Website   Article in Los Angeles Times, 2024: “Opinion: My mother set herself on fire. Why do people choose to self-immolate?” At about 1:10: Railroad Museum Talk!   At about 2:45, Pete asks Nina about connections to a Kate Zambreno quote about writing as “repair”   At about 5:30, Nina talks about the book's formation at times as “meta” in the act of creation    At about 6:40-7:40, Nina responds to Pete's asking if the writing of the book was “cathartic”    At about 8:05, Nina responds to audience question and talks about the “meta-ness” and inspiration from/connections to the movie Synecdoche, New York   At about 10:10, Nina responds to Pete's questions about any hesitance in writing so personally about herself and others   At about 13:05, Nina talks about idealizing the past and or its opposite in writing the book   At about 14:55, Nina gives a summary of the book through a thematic description    At about 18:00, Transcendental Meditation and an important quote about obsession is discussed in terms of Nina's mother   At about 23:10, Nina responds to Pete's questions about her Midwest family and ideas of rebellion   At about 28:30, Nina and Pete discuss her family's moving to Dunsmuir, CA, and her mother's motivations in moving there, close to Mount Shasta   At about 30:50, Nina replies to Pete's questions about things she took for granted that others didn't know about, due to her constant moving and living in/visiting so many disparate places   At about 33:40-Shout out to Nina's cool Love is a Burning Thing-themed nails, done by Claws by Joy!    At about 34:00, Nina describes the split between “Anita I” and “Anita II” (“walking in”) that her mother described so nonchalantly   At about 39:35, Nina homes in on her mother's self-immolation and images    At about 42:15, Nina expands on different ideas in the West and East, specifically in Buddhist areas, of self-immolation    At about 46:40, Pete and Nina talk about a resonant scene that involves an adolescent Nina at a religious revival and she expounds upon her feelings during and after the “fervent religious experience”   At about 52:15, Nina reads from page 117, a scene involving the issues described above   At about 56:15, Pete asks Nina about the times she and her mother were not living together and worries Nina had   At about 58:30, Nina reflects on her perspective in looking back at her mother's words in emails from a different time and place    At about 1:05:00, Nina gives her thoughts on connections between her mother and the archetypal “perfect female victim”   At about 1:11:20, Pete reflects on youth and obsession and compliments the book   At about 1:13:00, Niña gives out social media and contact info and book purchasing information, including a shoutout to Taylor & Co Books in New York        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1.        I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm enjoying the partnership! Look out for my interview with Ghassan Zeineddine around the middle of June.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 239 with Ben Purkert. He is a poet, novelist, and creative writing instructor, as well as the author of the 2018 poetry collection, For the Love of Endings. His latest is the critically-acclaimed 2023 novel, The Men Can't Be Saved.    The episode will go live on June 21.     Please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

Warehouse? There house!You can shoot us an email at whatisamoviepod@gmail.com

In this episode, Ralph and Luc unpack how Americans got so obsessed with maintaining square green carpets on their front lawns. We dive into the history to trace back the origins and dissemination of this artificial aesthetic. We also look into solutions, ranging from bans on leaf blowers to cash schemes to encourage people to quit their lawn.We read a poem about the lunacy of leaf blowers, and highlight ways in which manicured suburban imported lawn grass is a synecdoche for colonialism. You can also watch this episode on YouTube at: https://www.youtube.com/watch?v=t-l1JO3FbzEChapters:00:00 Introduction: Local bans on gas-powered lawn equipment01:48 Poem about leaf blowers by Touch Moonflower03:59 Commenting on the poem06:51 How did lawns become so common in the USA?07:56 Versailles' green carpet and Italian Renaissance landscapes inspired the British lawn18:59 How 18th Century aristocratic English turf grass took root on the new continent21:53 Thorstein Veblen on why American elites found lawns so respectable24:10 Founding fathers disseminate the pastoral ideal27:05 Planning communities of continuous lawn: Andrew Downing and Frederick Law Olmsted32:03 Frank J. Scott tells suburbanites that homogenous manicured grass is neighbourly34:48 How the lawn got cemented into the American imaginary in the aftermath of World War II37:16 Post WWII suburban developments empowered Home Owners Associations (HOAs)41:01 Quantifying the environmental impacts of modern US lawns45:47 Why imported turf grass is a synecdoche for colonialism50:40 Carpets of grass are fuel that spreads wildfires51:38 Gas powered leaf blowers are huge polluters55:00 How loud are leaf blowers?55:51 Lawn care is a Sisyphean task of sterilisation57:53 Norms around lawns are socially enforced59:59 What solutions have helped people quit their lawn?1:09:50 Conclusion and wrap up: the zeitgeist is shifting!1:11:50 Luc's cover of "Big Yellow Taxi" by Joni MitchellSources:• Ann Leighton, American Gardens in the Eighteenth Century, 1986. • Michael Pollan, “Why Mow? The Case Against Lawns”, The New York Times Magazine, May 1989.• Georges Teyssot, The American Lawn: Surface of Everyday Life, 1999.• Monique Mosser, The saga of grass: From the heavenly carpet to fallow fields, 1999.• Cristina Milesi, “More Lawns than Irrigated Corn”, NASA Earth Observatory, November 2005. • Paul Robbins, Lawn People: How Grasses, Weeds, and Chemicals Make Us Who We Are, 2007.• Ted Steinberg, American Green: The Obsessive Quest for the Perfect Lawn, 2007.• Elizabeth Kolbert, “Turf War”, The New Yorker, July 2008. • Joseph Manca, "British landscape gardening and Italian renaissance painting", Artibus et Historiae (297-322), 2015.• Jamie Banks and Robert McConnell, National Emissions from Lawn and Garden Equipment, Environmental Protection Agency, April 2015.• Christopher Ingraham, “Lawns are a soul-crushing timesuck and most of us would be better off without them”, The Washington Post, August 2015.

Alien aka Stewie Griffin DJ joins Josiah to discuss Synecdoche, New York and whether or not life is worth living. Happy Good Friday!Follow today's guest on Bluesky @stewiegriffindj.bsky.socialBecome a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work here: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter & Bluesky @josiahwsutton(.bsky.social)ReferencesSynecdoche, New York (2008), directed by Charlie Kaufman.'Waiting for God in the Dark Night of the Soul: On Peter Rollins' Atheism for Lent,' Jeremy John in Sojourners, https://sojo.net/articles/lenten-reflections/waiting-god-dark-night-soul-peter-rollins-atheism-lent.MovieGuide review, https://www.movieguide.org/reviews/movies/synecdoche-new-york.html"Taste of Cherry: Stay Near the Tree," A. S. Hamrah, https://www.criterion.com/current/posts/7026-taste-of-cherry-stay-near-the-tree.The Worm at the Core: On the Role of Death in Life by Jeff Greenberg and Sheldon SolomonMusic & Audio creditsSynecdoche, New York (2008)Yesterday – bloom.Piano Three - John BrionPriests and Paramedics - Pedro the LionIn My Dreams – bloom.Free At Last - PUP

ORIGINAL EPISODE DESCRIPTION FROM PATREON: All aboard the bus to funland - this month's bonus ep sees Michael Swaim return after his main feed discussion about Lars Von Trier's Antichrist to talk about another bundle of sunshine, Charlie Kaufman's Synecdoche, NY! Slippery time, solipsistic myopism, romantic irony, and more... we got another dense symbology movie, folks! Don't miss out!

Targets (1968) Category: Pete Kidman 3/3 LD brings a little "exercise" to finish out the category. Bones does his all time ranking of jelly flavors. The guys learn all about the Mountain Dew Dews. Kron finally finds out what Synecdoche, New York is about. The movie may have not aged well in modern America and neither did the bonafide badass that shows up to chat about essence and demons. -Crash & Burn JOIN THE DISCORD   https://discord.com/invite/3zP2SXKtfq Theme by Dkrefft https://open.spotify.com/artist/1yxWXpxlqLE4tjoivvU6XL

Happy New Year! This is a podcast. The Director's Club Podcast. Maybe you should get a coffee first before listening. A coffee and a muffin might help. Gosh I'm so tired. But what a way to start the new year. Podcasting with a wonderful person like Sharon. Then editing it. Then writing these show notes. The thing that you're reading right now. Or maybe you're not reading this, you're listening to the podcast. Wouldn't it be weird if suddenly you were on the podcast? You the listener? Sometimes it all blurs and blends together. Anyway, you're probably wondering who this podcast episode is all about. I also cheated a little this time because the first three movies, he didn't even direct. I'm talking about my favorite writer, Charlie Kaufman who is responsible for my 2nd favorite movie Synecdoche New York among many other incredible screenplays most of us know and love. More importantly, joining me for this lively discussion is the creator of the Mental Filmness Film Festival, Sharon Gissy. She's also a huge fan of Charlie Kaufman and I knew she would bring a lot of insight, passion and joy to the podcast. If you're a fan of Synecdoche, hopefully you enjoy the final minute (in other stay til the very end). In about a week, the favorite films of 2023 episode will drop featuring Patrick Ripoll and Bill Ackerman. What a way to start the year and I couldn't be happier getting to talk about the great Charlie Kaufman with Sharon. 00:00 - 10:20 - Introduction 10:21 - 32:21 - Being John Malkovich32:22 - 01:11:59 - Adaptation, Eternal Sunshine01:12:00 - 01:59:13 - Synecdoche New York, Anomalisa01:59:14 - 02:20:02 - I'm Thinking of Ending Things / Outro02:20:03 - 02:21:11 - Jim Directs You Via Earpiece Sharon's Film Festival: https://mentalfilmness.com Jim's Writing: https://5years.beehiiv.com Charlie Kaufman's Other Play: https://www.youtube.com/watch?v=QvlzjSBbYNQ

Episode 601: Andrew has a new way to start the show. Brett goes on a Si-Quest. Jew bagels. Race Miata gets a new livery. What does the Heinz "57 varieties" refer to? Synecdoche? Our 2023 Spotify "Wrapped". Brett finally does something he should have done long ago. Magic Christmas glasses. Puke buys Christmas lights for the first time. Projection mapping.

Eric J. Robertson is the Executive Vice President of ReDefine, as well as a Producer, Cinematographer and Entrepreneur. As part of the DNEG Group, ReDefine leverages an incredible legacy of creative and technical innovation to cater to projects that benefit from their agile boutique approach. The studio designs solutions that are tailored to the requirements of each show and always delivers to the highest levels of quality. The list of their credits includes DUNE: PART II, BORDERLANDS, WACO: THE AFTERMATH, and so many more! Prior to joining ReDefine, Eric co-founded a New York based VFX Studio Mr. X Gotham. Over the course of his career, he supervised and produced visual effects for over 50 feature films and worked with some of film's most respected directors including Ron Howard, Jonathan Demme, Sam Mendes, Joel and Ethan Cohen, Jim Jarmusch and Charlie Kaufman. With a career that spanned all genres, Eric enabled Sacha Baron Cohen's General Alladeen to walk a tightrope above midtown New York in THE DICTATOR; he transformed Phillip Seymour Hoffman's vision into a vast warehouse that enclosed the entire island of Manhattan in SYNECDOCHE, NEW YORK and convinced moviegoers that they're watching Richard Nixon's confessions in real time in FROST / NIXON. Eric's creations go from exhilarating and hilarious, to emotional and engaging, all with the visual effects integrated seamlessly with the storyteller's vision.  Eric is also an accomplished photographer and cinematographer whose 20+ years of experience in production gives him a storyteller's eye along with the technical skills that encompass all aspects of the filmmaking process, from script to screen. Eric was instrumental in expanding the V.E.S. into an NYC section and served as its first Secretary / Treasurer. He is a member of IATSE Local 600. In this Podcast, Allan McKay interviews the Executive Vice President of ReDefine Eric J. Roberson about overcoming challenges and pushing the limits in visual effects; teaching filmmaking principles to the next generation of VFX Supervisors; the future of streaming content in 2024 post industry strikes; as well as Eric's career in visual effects and the legacy of DNEG in ReDefine's work and international presence. For more show notes, visit www.allanmckay.com/432.

The space shuttle, Spiro Agnew and the homunculusAkimbo is a weekly podcast created by Seth Godin. He's the bestselling author of 20 books and a long-time entrepreneur, freelancer and teacher.You can find out more about Seth by reading his daily blog at seths.blog and about the podcast at akimbo.link.To submit a question and to see the show notes, please visit akimbo.link and press the appropriate button. Hosted on Acast. See acast.com/privacy for more information.

An administrative screw-up leads to one of Eisen's magic artifacts being mistaken for a little girl's dollhouse.   Content Warning: Fire   Transcript Link   Written by Meg Molloy Tuten   Cast in order of appearance- David Ault - The Historian BK Dawson - Gottlieb Blythe Renay - Colette Taqi Nazeer - Eisen Josh Rubino - Telesphore Meg Molloy Tuten - Gretchen Kai Ava Hauser - Lisa Rob O'Dwyer - Fashingbauer Erika Sanderson - Ninette   Socials: Twitter Bluesky  Youtube Patreon Instagram

Never Did It: The show where two dudes who love movies recommend some to each other that they've never seen before. Brad Garoon and Jake Ziegler have a blast this week drawing lines between the Oscar-winning, delightful Sydney Poitier film Lillies of the Field to modern Oscar bait, and then between Federico Fellini's surrealist masterpiece 8 1/2 to the work of Terry Gilliam, David Lynch, Charlie Kaufman, and Ari Aster. Other movies mentioned in this episode: The Defiant Ones (1958), Brazil (1985), Predator (1987), White Men Can't Jump (1992), Passenger 57 (1992), Cliffhanger (1993), Demolition Man (1993), Blade (1998), Adaptation (2002), Synecdoche, New York (2008), Role Models (2008), Green Book (2018), Dolemite is My Name (2019), Living (2022), Sydney (2022), Beau is Afraid (2023).

Dive deep into the world of American Ink, the Boston-based pop-punk/alt-rock sensation. Discover their journey from their debut EP to their latest release "What I See, What People See," and get a glimpse into the minds behind the nostalgic yet trendy sounds.AmericanInkRevealed#WhatISeeJourney#SynecdocheSounds#InkInBoston#PopPunkRevivalhttps://open.spotify.com/album/5zpR2lNQEj720ESOgAqf2ahttps://www.tiktok.com/@weareamericaninkhttps://www.instagram.com/weareamericanink/https://music.apple.com/us/artist/american-ink/1436043094https://www.youtube.com/@americanink.5787https://www.weareamericanink.com/

As filmmakers, Wes Anderson and Charlie Kaufman have distinct styles without a lot of obvious overlap, but Anderson's new ASTEROID CITY and Kaufman's 2008 directorial debut SYNECDOCHE, NEW YORK share a central concern — the struggle to create art — that invites a degree of self-awareness and metatextuality that plays well with both of those distinct styles. So after attempting to pull apart the layers of ASTEROID CITY's play-within-a-play-within-a-TV-production-within-a-movie, we return to SYNECDOCHE to compare the different ends to which these filmmakers apply their respective meta moves, the ways they deploy their sprawling ideas and even more sprawling casts, and how each navigates the overlapping worlds of theater and film. Then in Your Next Picture Show, we share a few thoughts on another film we considered for this week's pairing. Please share your comments, thoughts, and questions about SYNECDOCHE, NEW YORK, ASTEROID CITY, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: John Carney's ONCE and Celine Song's PAST LIVES Learn more about your ad choices. Visit megaphone.fm/adchoices

Wes Anderson's new ASTEROID CITY is a self-aware film about making art from a director of exacting control, which put us in mind of Charlie Kaufman's 2008 directorial debut, SYNECDOCHE, NEW YORK, a self-aware film about making art from a director of exacting chaos. Kaufman is one of our most-discussed filmmakers on this podcast, as both a writer and a director, but that doesn't make parsing the immersive, shapeless, bleak SYNECDOCHE any easier. But we do our best to track Kaufman's various obsessions through the film's unconventional structure, and even attempt to unearth some moments of (arguable) levity along the way. Then the meta hijinks continue in Feedback, when a special guest calls in to put our hosts on the spot when it comes to their position on Charlie Kaufman, director. Please share your comments, thoughts, and questions about SYNECDOCHE, NEW YORK, ASTEROID CITY, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Flag Football, Matt as MVP Trophy Honoree, Donald Viscardi, James Grayson, Charlie Nachsin, Ben Muchnick, Oscar Nobel, Alex Nobel, Zach Viscardi, PS 321 Cult, MS 51, PS 321 Enigma, Chuck Flick, Soren Boddy, 7th Grade MS 51, Different High Schools, New York City Public School System, Films, Letterbox'd, Covid, Milo's Letterbox'd Reviews,  The Wire, Breaking Bad, The Sopranos, Game of Thrones, Ace Ventura, Korean Films, Will Ferrell, Director Rabbit Hole, David Lynch, Mulholland Drive, YouTube Explanations, Synecdoche, City of God, Rockaway Beach,  Inside Jokes, Third Wave Jokes, Family Guy, Targarian, Playing Ball on the Subway, MS 51 Deli, Conjoined Sour Patch Kids, Asshole, Hand Gesture for Asshole, Coney Island, Brooklyn Cyclones, Gus Toth, Emmett Hendry, UConn Basketball, Mets Farm Team, Dancing on the Dugout, Taking the Field, Asking for Free Food, Garbage Bag Full of Popcorn, Thunderbolt at Coney Island, Rides at Coney Island, Mini Basketball, Cheerleaders, New York Mets, New York Yankees, Milo Rational to a Fault, Milo Unbiased Even About His Own Teams, Yankees as Evil, Met Fan in a Yankee Fan's Body, Brooklyn Nets, New York Knicks, Kevin Durant, Kyrie Irving

Nicole Holofcener's new YOU HURT MY FEELINGS finds its characters grappling with many of the same issues as those in 2001's LOVELY & AMAZING, but with a couple more decades of personal growth informing how they let outside criticism inform their own self-worth. It's a more mature, less prickly film, and whether that's an asset or a liability is up for debate in our discussion of YOU HURT MY FEELINGS, along with how acceptable it is to share an ice cream cone with your significant other in public. Then we look at the two films side by side to see what's changed and what's stayed the same when it comes to Holofcener's ideas about soliciting and rejecting criticism, professional flailing, and the intersection of validation and vanity. And in Your Next Picture Show, we offer up another recent Holofcener to keep the conversation going. Please share your comments, thoughts, and questions about LOVELY & AMAZING, YOU HURT MY FEELINGS, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Charlie Kaufman's SYNECDOCHE, NEW YORK and Wes Anderson's ASTEROID CITY  Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooklyn, N Train, R Train, Atlantic Avenue, Ace Ventura, Alana Fishberg, The Naked Gun, Max Kessler, South Korean Film, French Film, Come and See, The Worst Person in the World, A Fault in Our Stars, John Green, Get Out, Mulholland Drive, City of God, Synecdoche, New York, Lawrence of Arabia, Gone With the Wind, Brooklyn Tech High School, Northeastern University Milo's Letterboxd Account: milokessler

Ep. 169: Synecdoche, New York with Michael Joshua Rowin, plus Brakhage, Resnais, Duras Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. I've been hosting a screening series recently called New Essentials at the Roxy Cinema in New York. This weekend I'm presenting Charlie Kaufman's directorial debut feature, Synecdoche, New York (2008), the sprawling story of a playwright (Philip Seymour Hoffman) attempting to stage a truly world-sized drama while navigating his wrecked personal life. For the latest episode, I discuss Kaufman's rich and strange and funny movie with critic Michael Joshua Rowin, who wrote about it for Reverse Shot. We also compare notes on the last things each of us has seen, including films by more adventurers in subjectivity: Stan Brakhage, Alain Resnais, and Marguerite Duras. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

The boys are back in town for a "biting things" themed episode including Werner Herzog eating his shoe, aliens biting steaks, and basement monsters biting Pennywise! #EyreHeads stand up - because that can only mean Matt Apodaca is here to talk Barbarian! Don't get played... listen now! ----more---- PLUS: Check out the BLHHiP Patreon to get early access to episodes, bonus episodes, discord access and more! Most recent bonuses include a spotlight on Human Centipede 2 with Nate Kiley, a new triple threat Legal Thriller episode with 5 Day Rentals, and spotlights on Synecdoche, New York with Michael Swaim and The Blob (1988) with Mike Mitchell. November's bonus episode is about Basket Case 3 with Taylor Moore.

This week, Mark Rennie from 2 Old Queens is here to talk about 1 Prom Queen - CARRIE!! Brian De Palma's first commercial hit is also the best horror movie ever made. Who knew! We're also talking other potential Margaret White vehicles, the balancing act of teenagerhood, and aggressive gym teachers! Don't miss out! from the "not corrections but clarifications i guess" department: A flame is a mixture of gases (vaporized fuel, oxygen, carbon dioxide, carbon monoxide, water vapor, etc) and so is matter, but the light and heat produced by the flame are both energy, not matter.  ----more----PLUS: Check out the BLHHiP Patreon to get early access to episodes, bonus episodes, discord access and more! Most recent bonuses include a spotlight on Human Centipede 2 with Nate Kiley, a new triple threat Legal Thriller episode with 5 Day Rentals, and spotlights on Synecdoche, New York with Michael Swaim and The Blob (1988) with Mike Mitchell. November's bonus episode is about Basket Case 3 with Taylor Moore.

This week... In Hitchcock we Trust with Georgie and Rust!   Don't Stop or We'll Die frontman Paul Rust is here to talk about the ultimate blend of cozy and crazy, Alfred Hitchcock's 1960 masterpiece PSYCHO! That means we're pitching alternate cameo spots, lamenting cruel fate, discovering the right melon to stab for foley, and there might even be a Pee-Wee's Big Adventure 'SCLUSIE in there!   Start the clock... new no-no! If you miss this, I get to miss you! That's right, I'll be sad if you don't listen! So get to it! ----more---- PLUS: Check out the BLHHiP Patreon to get early access to episodes, bonus episodes, discord access and more! Most recent bonuses include a spotlight on Human Centipede 2 with Nate Kiley, a new triple threat Legal Thriller episode with 5 Day Rentals, and spotlights on Synecdoche, New York with Michael Swaim and The Blob (1988) with Mike Mitchell. 

Just when you thought Phantastes couldn't get any more fantastical, George MacDonald slips in two short stories: one in which women with wings, who live on another planet, find babies out in nature, and die from desire; the other in which Cosmo von Wehrstahl, a student in Prague, purchases a magic mirror which contains a beautiful woman. In this follow-up to last week's episode, Drs. Crystal and David C. Downing sit down with Producer Aaron Hill to explore the meaning of Cosmo's story, the ways in which it is a synecdoche of Anodes' journey in Phantastes, and how it likely inspired the Narnia novels and Ransom trilogy by C.S. Lewis.

Freaks, stand up! Kron Howard is taking a break from the video store to drop by the horror house, and together, we're going to Charles Band's Castillo Giove to talk Castle Freak! All the great gore, complex characters and great melodrama that elevates a b-movie past even many a-movies to become the best horror movie ever made! Don't miss out.  PLUS: Check out the BLHHiP Patreon to get early access to episodes, bonus episodes, discord access and more! Most recent bonuses include a spotlight on Human Centipede 2 with Nate Kiley, a new triple threat Legal Thriller episode with 5 Day Rentals, and spotlights on Synecdoche, New York with Michael Swaim and The Blob (1988) with Mike Mitchell. 

Halloween is upon us!! And you can tell, because Ryan Rosenberg is here to talk about the Sand-man's return to form, Hubie Halloween. We're getting into the laughs, the atmosphere, the joy of the holiday and most importantly, GOAT-tier big man Shaquille O'Neal. So hop on your bike, avoid the O'Doyles, drink some soup and listen now!!! From the corrections department: The woman who played The Chief on Carmen San Diego and The Voice on the Radio in The Warriors is Lynne Thigpen PLUS: Check out the BLHHiP Patreon to get early access to episodes, bonus episodes, discord access and more! Most recent bonuses include a new triple threat Legal Thriller episode with 5 Day Rentals, plus spotlights on Synecdoche, New York with Michael Swaim and The Blob (1988) with Mike Mitchell. 

If it's in a word or it's in a look, you can't get rid of the Georgadook! Very funny comedian Mary Sasson is here to talk Babadooks, babydooks, bababooks, and so much more - Goosebumps, the atmosphere that keeps you not knowing how "actually" actually is, and the gothic influences, subversions and evolutions that make The Babadook so special!   The perfect episode to listen to while feeding worms to your grief - so check it out now!!!   PLUS: Check out the BLHHiP Patreon to get early access to episodes, bonus episodes, discord access and more! Most recent bonuses include a new triple threat Legal Thriller episode with 5 Day Rentals, plus spotlights on Synecdoche, New York with Michael Swaim and The Blob (1988) with Mike Mitchell.